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Speaker 1: I'm just friend Will. Good Afternoon Australia.

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Speaker 2: It's with them.

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Speaker 1: What are you getting your home for the next color

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Speaker 1: of how I's got so many monk is going to

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Speaker 1: be on the show?

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Speaker 2: Would make unbelievable unbelievable? Is it? It is unbelievable Colin Jack.

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Speaker 1: Yet, I mean, I don't think it's unbelievable.

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Speaker 3: Just because people go on Colin Jack Yo does not

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Speaker 3: mean we get them made.

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Speaker 1: No, that's true.

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Speaker 3: But they have Margot Robbie, they had Will Smith, they

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Speaker 3: had I'm still not unbelievable.

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Speaker 1: I mean she works in the media. She's actually another

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Speaker 1: show on Channel nine. I mean, I mean the moon

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Speaker 1: falling out of all quite unbelievable.

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Speaker 2: Sure, okay, I'll turn it back.

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Speaker 3: It's it's unlike it's incredulous.

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Speaker 2: It's completely incredulous. That was the third option I was

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Speaker 2: going to go for.

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Speaker 3: It's going to be an incredulous show, Will, And that's

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Speaker 3: That's just where I'm at, right, It's good, it could be.

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Speaker 2: It could be, and that's where we want to be.

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Speaker 1: You want to hear from people, Please feel free. I

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Speaker 1: don't think can take calls here because we're moving into

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Speaker 1: on the topic. Do you do what you want.

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Speaker 3: Well, I could, but your name's on the wall might

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Speaker 3: go on.

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Speaker 1: Well, you know we were talking before about it about

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Speaker 1: you and you were you and I. I was about

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Speaker 1: to buy some hot cost barns down at Baker's to

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Speaker 1: lie and you said to me, what, you can't get

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Speaker 1: the dessert one because it's the middle of the day.

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Speaker 1: And now this is at three o'clock. This is Cason

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Speaker 1: strolled the Baker's to like.

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Speaker 3: And I would say, at three o'clock is still classified

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Speaker 3: in the middle of the day.

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Speaker 1: I don't think it is. What do you guys think?

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Speaker 2: I think it's right on the limit.

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Speaker 4: It's not.

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Speaker 1: It's outside the middle of the day. Producer, What do

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Speaker 1: you reckon at three o'clock? I reckon anytimes? Okay for sweets, okay, good,

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Speaker 1: really good.

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Speaker 3: I like cross buns ye.

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Speaker 1: Also, Mega's delight. Banker got the show after five o'clock.

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Speaker 1: It's let's talk about the big issue that nobody really

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Speaker 1: wants to own up to here in Australia right now.

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Speaker 1: I mean, I feel embarrassed a little bit. The ball tampering.

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Speaker 1: Oh saga, Mercy will Well, you're actually quite angry about it. Yeah,

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Speaker 1: I just I mean you can really hear it, you boy.

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Speaker 2: No, no, no, no, no, I sort of. I've had twenty four hours,

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Speaker 2: have been really violently.

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Speaker 3: Angry about it, and now I'm almost just a bit defeated,

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Speaker 3: and I'm sort of I'm so. I just don't want

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Speaker 3: to be not as a nation of cheaters, you know

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Speaker 3: what I mean? Like cheating for me is just so bad.

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Speaker 3: And if you haven't heard, I don't know where you've been,

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Speaker 3: but the Australian cricket team has been done for ball tampering,

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Speaker 3: which is naughty, naughty bizo.

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Speaker 1: Yeah. Absolutely, And for a lot of other people, I

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Speaker 1: know they'll hear us talking about ball tampering and they'll

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Speaker 1: have no idea what we're talking about.

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Speaker 2: Sure, but it is.

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Speaker 1: It is a big deal. And for a lot of

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Speaker 1: men listening out there, I know they are lamenting the

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Speaker 1: loss of our captain. He's been stood down from the

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Speaker 1: Astralian good team. Well, weally don't know cricket though. I

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Speaker 1: want to open up the conversation.

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Speaker 2: Malcolm Turmbule, like Wade In he did, the captain is.

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Speaker 1: Train cream team. It's like it's our flagship sporting team.

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Speaker 1: When the captain gets banned. It's been a naughty.

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Speaker 2: Boy to hands off your balls, mate.

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Speaker 1: And that's exactly what I want to talk about. Thirteen

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Speaker 1: one six y five, just opening this up outside the

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Speaker 1: cricket sphere. I think that men in general are a

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Speaker 1: little bit too friendly with the old public balls handpring. Sure, sure,

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Speaker 1: and I think you are.

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Speaker 3: You're now news stuff, and I don't think no, I

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Speaker 3: don't want to hear what the thing is.

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Speaker 1: I'm allowed straight outside to the people that have to

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Speaker 1: work with you, and I know I've got an overall consensus.

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Speaker 5: I don't think you realize that you're not being subtle

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Speaker 5: at all when you readjust your poage all day around

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Speaker 5: the office.

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Speaker 1: Yeah okay, and then I've been telling you to wear

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Speaker 1: jocks for a lot time and you refuse to do it.

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Speaker 1: But I'm going to take it away from your woods.

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Speaker 1: I'm going to whip the spotline off you.

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Speaker 3: I just wouldn't mind having just ten seconds because I

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Speaker 3: just feel like this is a bit of a witch

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Speaker 3: hunt that's going.

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Speaker 1: On right now. Well, I think I think the men

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Speaker 1: all over it because when I was a kid, my

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Speaker 1: mum used to say to me and my brothers, I

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Speaker 1: don't know what happens is, but I'm testifying as a

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Speaker 1: blow and saying that it's very hard not to end

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Speaker 1: up with your hands down there sometimes picking on a

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Speaker 1: cold day.

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Speaker 3: No, well, the thing is it is a source of

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Speaker 3: great heat, and yes, look an energy will at the

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Speaker 3: end of the day, I'm an animal and I'm a survivor,

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Speaker 3: and if I need to warm my hands up, I'll

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Speaker 3: do whatever is necessary.

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Speaker 1: You don't put your hands in though, you just flick

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Speaker 1: vigorously on the outside, so it's like you're slapping a

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Speaker 1: bass guitar.

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Speaker 3: Wow, it is an interesting metaphor, which yeah, I've never

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Speaker 3: seen it myself because I'm the one doing it.

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Speaker 2: But here's the thing I do.

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Speaker 3: I just no, I've actually I've just I've run through

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Speaker 3: the excuse in my head and it makes me SAYD worse.

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Speaker 2: So I'm going to leave it there and say apologies.

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Speaker 3: To the entire team and anyone who seed me to the.

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Speaker 2: Thwack back, and I'll I'll.

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Speaker 3: Do my best to stop doing it. And hey, maybe

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Speaker 3: I'll just start wearing jocks. I mean, I don't know,

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Speaker 3: maybe twenty nine.

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Speaker 2: Year old I think that time.

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Speaker 1: I can't said it, but I oh, no, thirty one

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Speaker 1: and six five. If you think that Steve Smith is

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Speaker 1: trained crickie captain is a lot, is a lot like

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Speaker 1: many other men all across this country.

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Speaker 2: So we're asking for women to call up here.

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Speaker 5: And do you.

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Speaker 1: Think that men are far too familiar with whichever balls

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Speaker 1: are in their hands?

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Speaker 2: Okay?

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Speaker 1: Sure, and I think I think we are. I mean

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Speaker 1: even as a bloke again, as someone as a best

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Speaker 1: friend of somebody who tampers with their balls every day.

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Speaker 2: Yeah, it's hard.

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Speaker 3: To I'm sorry that you are associated with me. It

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Speaker 3: must be very embarrassing.

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Speaker 1: For the bancroft of this alga. Look, it might be

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Speaker 1: your son, it might be your partner, it might be

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Speaker 1: your work mate. I just kind of want I think

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Speaker 1: I think we need to hear it. I think we

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Speaker 1: need to hear it. Thirty one and six five.

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Speaker 3: As someone who has just been told it is refreshing

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Speaker 3: to acknowledge it.

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Speaker 1: Okay, great for anyone who's vibe. Our blokes way too

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Speaker 1: familiar with the old public ball tampering And do.

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Speaker 2: We have to stop it?

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Speaker 1: How are we going to go about it? Give us

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Speaker 1: a Sophie Munk's on the show, which we're bluddy excited about.

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Speaker 1: You sid a legend talking about Steve Smith. The Aussie

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Speaker 1: Kreek cabine has been stood down for ball tampering, and

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Speaker 1: I think that as a nation we need to accept

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Speaker 1: that there are far too many ball tampers going around. Yeah,

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Speaker 1: that's right, and you're happy to your cross to bear

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Speaker 1: as well.

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Speaker 2: I'm currently in the seven steps of.

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Speaker 3: Having a problem, admitting you've got a problem, and I'm

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Speaker 3: at acceptance and I apologize to everyone that I've come

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Speaker 3: in contact with, and its witnessed what I can only

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Speaker 3: imagine is an awful when.

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Speaker 1: I also slightly cock your leg when you do it?

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Speaker 2: Sometimes does that cock my leg?

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Speaker 5: You do?

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Speaker 1: I like you cock your leg and then you thwack

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Speaker 1: back as you call it, or as I like to

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Speaker 1: put it, you pluck what seems like a bass guitar

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Speaker 1: in your case, strumming ukulele.

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Speaker 3: You and I both know it's one of those base

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Speaker 3: fight those huge violins, and that's the one.

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Speaker 1: Thirty one five. And I think this is only a

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Speaker 1: blokes need to hear. And you know what I'll get

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Speaker 1: pulled up for. You know, where are the boundaries? Because

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Speaker 1: I like to think that on the couch in a

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Speaker 1: nice old pair of tracking pants.

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Speaker 2: I think in your own house gowl mate.

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Speaker 1: Tell that to my mother, Lisa. Public going good made

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Speaker 1: public ball to and bring you you know a couple

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Speaker 1: of filders.

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Speaker 3: No, I've got a guy I'll work with who puts

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Speaker 3: his hand down his hand to scratch himself and then

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Speaker 3: proceeds to shake hands with the office. Hilarious.

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Speaker 2: You think it's funny because you avoid it.

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Speaker 6: I've got no idea.

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Speaker 1: It's really it, really is. I just don't know when

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Speaker 1: it became accepted.

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Speaker 3: When did it becomes speaking?

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Speaker 1: You can read to your genitalia in public.

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Speaker 2: That's speaking from that. And I'm not defending my actions.

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Speaker 5: I'm not.

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Speaker 3: But here's the thing. I don't deliberately do it. It's

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Speaker 3: a subconscious actions. It's like sorry, it's a knee jerk.

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Speaker 3: It's a knee jerk.

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Speaker 2: Ex I did. I was coming with an excuse, might

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Speaker 2: explain it.

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Speaker 3: He must like you talking talking.

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Speaker 1: True and true and the truck the truck true. So

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Speaker 1: how amte public public ball tampering? Are you an offender

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Speaker 1: or are you happy to point out an offender?

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Speaker 4: I'm a bit of offender. But my best mate, Nick

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Speaker 4: Jensen is a serial. Yeah, my name and Shane. We're crows.

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Speaker 4: This hotel having a party on the rugby field, on

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Speaker 4: the couch. She just always does.

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Speaker 1: Tough to see. I mean on the sporting field, I

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Speaker 1: completely understand because you know, you're right, you're throwing yourself around.

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Speaker 1: You're tunneling obviously if it's not a mixed sport. But

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Speaker 1: if it slugs on blugs, yeah, I think that there's

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Speaker 1: a little bit of room for that.

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Speaker 3: Sure, But he's in the couches in the rooms after

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Speaker 3: not under underpantsman truism, Well.

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Speaker 4: It depends on the day. Sometimes he does, sometimes he

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Speaker 4: doesn't see around.

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Speaker 2: It's just it's versatile. He's a versatile one.

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Speaker 1: You can see, yeah, what did you say? You can

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Speaker 1: see it chipping around? What was interesting? Or describe thanks

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Speaker 1: the cool mate, Sarah, here we go, I mean Sarah

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Speaker 1: on thirty six five year and too many blokes publicly

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Speaker 1: ball tamper.

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Speaker 5: They definitely do, especially in the workplace, and they try

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Speaker 5: to be the screen.

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Speaker 6: And have their hands in their pockets while they do it.

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Speaker 1: But the whole.

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Speaker 4: We can see what you're doing.

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Speaker 1: Not discreet at all. Can I just say it goes

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Speaker 1: with the facial expression as well. A lot of the time, Sarah,

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Speaker 1: that's that's what's bad. About it is you can tell

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Speaker 1: what's going on through their face?

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Speaker 2: Can you let them know? Sarah Sarah, Yeah, not this chair.

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Speaker 5: And the crash is right just right, there's kind of

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Speaker 5: do you work and then giggling is going on.

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Speaker 1: Oh it's giggling.

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Speaker 5: Yeah.

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Speaker 1: I thought you were just talking about like a one

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Speaker 1: hand move. You're talking about like a full pocket jiggle.

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Speaker 3: That is.

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Speaker 2: I'm so embarrassed.

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Speaker 3: I'm so embarrassed as someone with guilty, I'm so embarrassed.

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Speaker 3: And I promise I will do my best, and that's

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Speaker 3: a that's a blanket rule to the whole time.

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Speaker 2: I do.

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Speaker 3: I do promise, but also just let us know, like

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Speaker 3: I hate this come out like this though.

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Speaker 1: No, no, get out of town. I've been letting you

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Speaker 1: know for a.

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Speaker 2: Fair enough to fit that is, I've got a number

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Speaker 2: of recollections where you've told me.

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Speaker 1: Well, I think Steve Smith's been told as well, no

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Speaker 1: ball tampering. And I think it's a good lesson for

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Speaker 1: all blokes out there. Get backed up next to the buddy.

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Speaker 1: We're talking before about too many blokes publicly ball tampering

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Speaker 1: in line with Steve Smith, and funnily enough, a bloke

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Speaker 1: called up and I do agree with him about this.

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Speaker 1: Do you get sometimes girls will say, hey, I've got it,

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Speaker 1: I've got an itchy boob, and they'll scratch their boob ah,

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Speaker 1: and that's it gets completely okay. I've seen that's completely okay.

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Speaker 1: I haven't got an issue with that.

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Speaker 2: My girlfriend scratched her booth in my presence.

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Speaker 1: But even outside of that.

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Speaker 3: I don't think I've ever had someone who wasn't my

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Speaker 3: girlfriend or my mom say, or your mum, Mum scratched

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Speaker 3: her boob.

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Speaker 1: But she's.

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Speaker 2: Soy.

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Speaker 3: No, no, no, no, hang on, now you've made that immature.

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Speaker 3: You no, you have no it was It wasn't. There

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Speaker 3: was just like a mum at the dinner table would

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Speaker 3: feel comfortable I'm to scratch.

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Speaker 2: She would and I wouldn't.

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Speaker 1: How often is your arm scratching your boobs?

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Speaker 2: The white Wall family for generations have had very itchy

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Speaker 2: any dare you laugh at it?

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Speaker 3: It's it's a fee, it's a genetic it's a genetic problem.

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Speaker 2: And I and I just I don't want mom to

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Speaker 2: live in a world but she wouldn't be comfortable scratching

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Speaker 2: her mate.

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Speaker 1: I think you should just drop it now because you're

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Speaker 1: going to get in trouble.

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Speaker 4: You not me.

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Speaker 2: No, I'm getting in trouble. I'm getting trouble.

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Speaker 3: Yeah well no, all right, producers, just give me this

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Speaker 3: the universal signal of move it along.

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Speaker 2: So here we go, mate, question for you told me?

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Speaker 1: How many times does your mum scratch? We're done taking.

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Speaker 2: Man, I've got to get something off my chest. Okay,

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Speaker 2: I really, it's just it's been bogging me down. It's

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Speaker 2: been it's been weighing me down, bogging you. Yeah, it's

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Speaker 2: been bogging me down. And I just as my good mate,

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Speaker 2: I need to tell you. Okay, look at my face? Yeah,

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Speaker 2: well look at just look at me. Do I look

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Speaker 2: different to you?

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Speaker 1: You manicured you goddy?

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Speaker 2: Oh yeah I did that, but thank you for that compliment.

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Speaker 2: But anything else.

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Speaker 1: Your head looks a little bit more than your neck.

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Speaker 1: Is your head thinner than your neck? I think it

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Speaker 1: might be.

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Speaker 2: Okay, well let's not.

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Speaker 1: No it actually your neck is thicker than your head.

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Speaker 2: Well I think that's normal. That's a normal thing.

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Speaker 1: No heads are bigger than the next.

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Speaker 2: Okay, Well your head, my god, the lies that there.

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Speaker 1: You're just like you look a straight up thumb.

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Speaker 3: Okay, I didn't say critically evaluate my appearance.

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Speaker 2: That wasn't the question.

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Speaker 3: Yes, I'm just saying thank you for noticing the manic

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00:13:24,960 --> 00:13:27,520
Speaker 3: you would go to you but anything else different about me?

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Speaker 1: Have you lost weight?

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00:13:31,480 --> 00:13:32,520
Speaker 2: No? But again thank.

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Speaker 1: You bowtocks in your hair.

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Speaker 2: I haven't got botox in my hair.

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Speaker 1: Sorry, you in your forehead?

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Speaker 2: No, I don't know.

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Speaker 1: It's quite shiny. You always know your forehead is playing.

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Speaker 2: Yeah, well I'm quite how much you never telling you

309
00:13:44,160 --> 00:13:44,439
Speaker 2: this thing?

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Speaker 1: I don't know. I don't know anything differsit thing but tanned?

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Speaker 1: Sorry you're more tanned.

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Speaker 2: I don't guess.

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Speaker 1: Sorry, it just for.

314
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Speaker 2: The last month and a half.

315
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Speaker 3: You know that I struggle to grow facial hair anywhere

316
00:13:59,559 --> 00:14:04,000
Speaker 3: but my goadie mustache and chin yea. So for the

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00:14:04,080 --> 00:14:07,320
Speaker 3: last month and a half, two times a day, I've

318
00:14:07,320 --> 00:14:09,480
Speaker 3: been putting rogain on.

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00:14:09,320 --> 00:14:16,360
Speaker 2: My faith reallygain. I saw the ad. I saw the

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00:14:16,400 --> 00:14:17,080
Speaker 2: ads on TV.

321
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Speaker 1: If you're losing your hair, you want facts, not sympathy.

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Speaker 1: You want to know if there's anything you can really

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Speaker 1: do about it.

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Speaker 2: You tell me Nah, nothing so embarrassing.

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Speaker 3: Wow, two times, two times a day, I was putting

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00:14:31,760 --> 00:14:34,080
Speaker 3: rogain on my face and get this, it was leading

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00:14:34,080 --> 00:14:37,120
Speaker 3: to intimacy. Problems with Courtney because I put it on

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00:14:37,160 --> 00:14:39,680
Speaker 3: before beard and then I've got rogain on my face,

329
00:14:39,760 --> 00:14:42,520
Speaker 3: so then she wouldn't kiss me. So from a month

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00:14:42,560 --> 00:14:46,000
Speaker 3: and a half I've been struggling through that.

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Speaker 1: You did to get some plugs for your face?

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00:14:48,520 --> 00:14:51,080
Speaker 2: Can you? Can you get plugs for your face? I

333
00:14:51,080 --> 00:14:52,880
Speaker 2: don't know, I don't know, but look.

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00:14:53,560 --> 00:14:54,440
Speaker 1: How much was that?

335
00:14:54,560 --> 00:14:55,400
Speaker 2: Seventy five dollars?

336
00:14:56,480 --> 00:14:58,040
Speaker 3: And part of the reason I've brought it up, yes,

337
00:14:58,080 --> 00:15:00,160
Speaker 3: because I've given up been a month and a if

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00:15:00,160 --> 00:15:02,480
Speaker 3: I haven't grown one hair, and I was wondering, did

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00:15:02,520 --> 00:15:03,600
Speaker 3: you want the leftover of the b.

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00:15:06,000 --> 00:15:08,920
Speaker 1: I probably needed love to give it a do you

341
00:15:08,920 --> 00:15:12,160
Speaker 1: want to give? Okay, let's go it again. Okay, I

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00:15:12,160 --> 00:15:14,520
Speaker 1: mean unless somebody else wants to get on board. I mean,

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00:15:14,560 --> 00:15:16,320
Speaker 1: you know, advanced here treatment or something like that.

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00:15:16,800 --> 00:15:20,120
Speaker 3: I'm reading your five dollars. It's boddy expensive. Yeah, it

345
00:15:20,120 --> 00:15:21,440
Speaker 3: doesn't work on your face. There if anyone wants to

346
00:15:21,440 --> 00:15:22,360
Speaker 3: give you a crack on the face.

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00:15:23,080 --> 00:15:23,920
Speaker 1: It didn't work.

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00:15:23,760 --> 00:15:29,560
Speaker 2: For me, William, It's time for this getting backed. Here's

349
00:15:29,560 --> 00:15:29,840
Speaker 2: the thing.

350
00:15:29,880 --> 00:15:33,200
Speaker 3: You're a super intelligent guy, will you are? Come on,

351
00:15:33,360 --> 00:15:36,160
Speaker 3: you're super I know you're a reluctant intelligent dude.

352
00:15:36,760 --> 00:15:38,880
Speaker 2: It's rude enough to leave his computer on that That

353
00:15:39,040 --> 00:15:41,560
Speaker 2: was you? Was that me? There you go?

354
00:15:42,080 --> 00:15:49,000
Speaker 3: Sorry, come on now not now. You're a super smart guy.

355
00:15:49,320 --> 00:15:50,680
Speaker 3: I don't care if you agree with that or not,

356
00:15:50,720 --> 00:15:51,160
Speaker 3: but you are.

357
00:15:51,560 --> 00:15:51,680
Speaker 2: So.

358
00:15:51,720 --> 00:15:54,720
Speaker 3: My favorite thing to do is to know something that

359
00:15:54,800 --> 00:15:58,400
Speaker 3: you don't. So basically this segment is about me asking

360
00:15:58,440 --> 00:15:59,920
Speaker 3: you a question about something that I know.

361
00:16:00,360 --> 00:16:03,880
Speaker 1: What's something you've looked up or used u QI fact

362
00:16:03,920 --> 00:16:04,200
Speaker 1: book for.

363
00:16:04,800 --> 00:16:07,440
Speaker 2: It doesn't matter how you find your knowledge. Mate. Stephen

364
00:16:07,440 --> 00:16:08,000
Speaker 2: Fry said.

365
00:16:07,880 --> 00:16:10,800
Speaker 3: That here's the thing, though, last week you got it

366
00:16:10,840 --> 00:16:13,160
Speaker 3: for the first time, which was shattering.

367
00:16:13,640 --> 00:16:13,920
Speaker 7: He was.

368
00:16:14,000 --> 00:16:18,520
Speaker 3: Last week there is a good luck tradition that occurs

369
00:16:18,560 --> 00:16:25,760
Speaker 3: in Japan that involves sumo wrestlers and babies.

370
00:16:27,720 --> 00:16:29,920
Speaker 2: What is that good luck tradition?

371
00:16:30,440 --> 00:16:31,360
Speaker 1: Make a baby cry?

372
00:16:32,280 --> 00:16:32,640
Speaker 2: Damn it?

373
00:16:32,680 --> 00:16:33,640
Speaker 1: He's nailed.

374
00:16:42,240 --> 00:16:42,680
Speaker 2: Redemption.

375
00:16:42,800 --> 00:16:46,560
Speaker 3: That a big moment and congratulations. Honestly, I'm a good sport. Congratulations.

376
00:16:46,840 --> 00:16:47,840
Speaker 2: I'm going to get this week.

377
00:16:47,880 --> 00:16:48,560
Speaker 1: Baby.

378
00:16:48,600 --> 00:16:49,000
Speaker 2: Here we go.

379
00:16:50,080 --> 00:16:58,960
Speaker 3: In two thousand and one, Beaver College change sorry.

380
00:16:58,520 --> 00:17:01,600
Speaker 2: Beaver College changed its name to Arcadia.

381
00:17:01,920 --> 00:17:06,600
Speaker 3: Okay, why I can tell you that Beaver College is

382
00:17:06,640 --> 00:17:13,359
Speaker 3: a school, genuine college. What I'm asking why change change

383
00:17:13,359 --> 00:17:15,159
Speaker 3: the name to Arcadia?

384
00:17:15,320 --> 00:17:19,000
Speaker 1: Can I ask something as a qualifying question?

385
00:17:21,119 --> 00:17:24,160
Speaker 2: You can, but just know better my victory.

386
00:17:24,200 --> 00:17:28,520
Speaker 1: Yeah, yeah, of course I'm going to be the seventh

387
00:17:28,600 --> 00:17:33,000
Speaker 1: dug anyway, Beaver College, ask the name? Do they do?

388
00:17:33,080 --> 00:17:36,400
Speaker 1: They do they move away from Beaver College for policy

389
00:17:36,440 --> 00:17:39,360
Speaker 1: reasons or towards Arcadia for policy reasons?

390
00:17:40,440 --> 00:17:41,920
Speaker 2: Matelet has changed the name of their school.

391
00:17:42,000 --> 00:17:43,800
Speaker 1: Yes, but it was whether to get away from the

392
00:17:43,880 --> 00:17:46,000
Speaker 1: name Beaver or to get to the name.

393
00:17:45,920 --> 00:17:49,840
Speaker 2: Arcadia, to get away from the name. Why do you

394
00:17:49,840 --> 00:17:50,440
Speaker 2: ask the question?

395
00:17:50,480 --> 00:17:50,640
Speaker 4: Then?

396
00:17:51,080 --> 00:17:54,000
Speaker 1: Smarty bands, well, because it could bean that maybe there

397
00:17:54,040 --> 00:17:57,240
Speaker 1: was something about Arcadia, but I didn't so something about Beaver's.

398
00:17:57,320 --> 00:17:59,560
Speaker 2: Is that right? I don't know, Mate, You're gonna get

399
00:17:59,560 --> 00:17:59,960
Speaker 2: one question.

400
00:18:00,160 --> 00:18:02,440
Speaker 1: So why Beaver was bad in two thousand and one

401
00:18:02,560 --> 00:18:03,040
Speaker 1: is the question?

402
00:18:03,920 --> 00:18:06,040
Speaker 3: Look at him, look at the mind, look at the

403
00:18:06,080 --> 00:18:10,600
Speaker 3: red thinking music there, Michael, help him out ridiculous.

404
00:18:13,800 --> 00:18:14,840
Speaker 2: Beva College.

405
00:18:14,960 --> 00:18:19,120
Speaker 1: Yes, I understand what I can't. I don't know. Beaver

406
00:18:19,200 --> 00:18:21,080
Speaker 1: was a famous for building dams.

407
00:18:21,720 --> 00:18:22,200
Speaker 3: I don't know.

408
00:18:25,600 --> 00:18:28,800
Speaker 1: Idea. I've got no idea. Was Beab's famous building dams?

409
00:18:28,800 --> 00:18:31,199
Speaker 1: And there was a damn nearby that burst and it

410
00:18:31,280 --> 00:18:32,879
Speaker 1: hurt a whole bunch of people, so they tried to

411
00:18:32,920 --> 00:18:35,360
Speaker 1: change something. I don't know. I've got no one embarrassing.

412
00:18:35,920 --> 00:18:36,760
Speaker 3: It's just a bad answer.

413
00:18:36,760 --> 00:18:37,479
Speaker 1: I actually want to know.

414
00:18:38,880 --> 00:18:41,239
Speaker 2: Do you want to have a mate? I mean, this

415
00:18:41,280 --> 00:18:43,160
Speaker 2: is embarrassing for you. I we're really worried about.

416
00:18:44,119 --> 00:18:45,879
Speaker 1: It's not embarrassing. How can I know anything about it?

417
00:18:45,960 --> 00:18:48,000
Speaker 3: But think about it the words mate, like, what could

418
00:18:48,040 --> 00:18:49,399
Speaker 3: it possibly be changing for?

419
00:18:49,920 --> 00:18:50,240
Speaker 2: Just tell me?

420
00:18:50,400 --> 00:18:56,320
Speaker 3: You give throwing it down? Well disappointing. Thanks, I'm disappointed, thanks,

421
00:18:56,480 --> 00:18:58,000
Speaker 3: but win for me.

422
00:18:58,400 --> 00:18:58,680
Speaker 2: Get this.

423
00:18:59,359 --> 00:19:03,480
Speaker 3: Beaver Colon changed its name to Arcadia because anti porn

424
00:19:03,560 --> 00:19:06,639
Speaker 3: filters blocked access to the school spensides.

425
00:19:08,480 --> 00:19:12,719
Speaker 1: True story. I couldn't go to the schools. You couldn't go.

426
00:19:12,760 --> 00:19:15,119
Speaker 2: If you want to check out the school anti porn

427
00:19:15,240 --> 00:19:19,880
Speaker 2: block is amazing? Is that fun fact?

428
00:19:20,080 --> 00:19:20,320
Speaker 5: Yeah?

429
00:19:20,720 --> 00:19:21,120
Speaker 2: Gotcha?

430
00:19:21,160 --> 00:19:25,080
Speaker 1: Who the hell searches Beaver for porn Americans?

431
00:19:25,080 --> 00:19:29,840
Speaker 2: Maybe you or someone into I understand.

432
00:19:30,119 --> 00:19:34,200
Speaker 1: Sorry, can come down in the lushy. I think it's pretty.

433
00:19:34,680 --> 00:19:38,000
Speaker 1: You look at your line and going like, oh, that's

434
00:19:38,160 --> 00:19:39,040
Speaker 1: so weird.

435
00:19:41,480 --> 00:19:45,280
Speaker 2: I can't answer that question. I'm not I think.

436
00:19:45,119 --> 00:19:49,879
Speaker 1: They're looking up certainly not in the top search terms

437
00:19:50,359 --> 00:19:55,560
Speaker 1: on any important. I don't know, good stuff that he

438
00:19:55,640 --> 00:19:57,240
Speaker 1: badges a new bachelor. We're gonna be talking about it

439
00:19:57,240 --> 00:20:00,679
Speaker 1: about next year. He's really struggling with something. I'll tell

440
00:20:00,680 --> 00:20:03,000
Speaker 1: you what that is up next. Will and Woody sope

441
00:20:03,000 --> 00:20:04,840
Speaker 1: Monk's going to be on the show after five, which

442
00:20:04,880 --> 00:20:07,080
Speaker 1: will be good. Looking forward to having soap in the studio.

443
00:20:07,160 --> 00:20:09,639
Speaker 1: Putting a video with her, she can say in the socials,

444
00:20:09,680 --> 00:20:11,320
Speaker 1: Will and Woody very.

445
00:20:11,359 --> 00:20:15,119
Speaker 2: She commented, under our phono we did so. Was he

446
00:20:15,160 --> 00:20:15,800
Speaker 2: a fan of the boys.

447
00:20:17,359 --> 00:20:18,639
Speaker 1: There's a photo of us and Harris.

448
00:20:18,760 --> 00:20:20,639
Speaker 3: Yeah, no guest has ever done that. So you know,

449
00:20:20,920 --> 00:20:22,679
Speaker 3: he's got to our instagram if you want to see that.

450
00:20:22,720 --> 00:20:25,639
Speaker 2: Will and Will first guess coming to I'm very excited

451
00:20:25,680 --> 00:20:26,000
Speaker 2: about that.

452
00:20:26,000 --> 00:20:29,720
Speaker 1: Well, from the Bachelorette to Form Bachelorette to the now Batchelor. Yeah,

453
00:20:29,800 --> 00:20:32,520
Speaker 1: Nick the honey Badger comments, have we got any honey

454
00:20:32,520 --> 00:20:35,600
Speaker 1: banger gear? Then we did a little while ago. Now

455
00:20:35,640 --> 00:20:37,160
Speaker 1: that's my fault. I'm underprepared there.

456
00:20:37,240 --> 00:20:38,600
Speaker 2: Yeah, bad boy, bad.

457
00:20:38,359 --> 00:20:43,719
Speaker 1: Boy, now the honey Badger. As apparently the audio, Oh

458
00:20:43,720 --> 00:20:44,600
Speaker 1: we've got the audio.

459
00:20:44,400 --> 00:20:46,680
Speaker 2: Again, sweating like a gypsy with a mortgage. Actually when

460
00:20:46,680 --> 00:20:49,640
Speaker 2: he when he got up after scoring that draw worth.

461
00:20:49,680 --> 00:20:54,199
Speaker 3: It really set the scene.

462
00:20:54,640 --> 00:20:55,280
Speaker 2: Good stuff.

463
00:20:56,160 --> 00:20:57,920
Speaker 1: Just say, you know we is you know, I mean

464
00:20:57,920 --> 00:20:58,720
Speaker 1: that's good radio.

465
00:20:59,359 --> 00:21:02,080
Speaker 3: And that's what we call adding color to a spot.

466
00:21:02,640 --> 00:21:07,040
Speaker 1: So we call that now the honey Badger, Honeybager Covens.

467
00:21:07,280 --> 00:21:08,560
Speaker 1: He is in a bit of trouble or not in trouble,

468
00:21:08,600 --> 00:21:12,080
Speaker 1: but I think he's actually really struggling to show his affection.

469
00:21:12,280 --> 00:21:15,560
Speaker 1: Apparently on the set of The Bachelor, So I mean,

470
00:21:15,680 --> 00:21:18,160
Speaker 1: obviously the big bit, the big the big honey pot

471
00:21:18,240 --> 00:21:23,320
Speaker 1: of television for the Bachelor and the producers is when

472
00:21:23,520 --> 00:21:27,280
Speaker 1: the Bachelor manages to mac on with a contestant. Of

473
00:21:27,320 --> 00:21:30,119
Speaker 1: course they pay their success music. It's a really nice moment.

474
00:21:31,160 --> 00:21:33,399
Speaker 1: Apparently he's gone in for three of them in a

475
00:21:33,480 --> 00:21:36,399
Speaker 1: row and a field them. I think he's got his

476
00:21:36,480 --> 00:21:39,280
Speaker 1: third one, but he missed a couple early and it

477
00:21:39,400 --> 00:21:40,640
Speaker 1: kind of reminded me of.

478
00:21:40,640 --> 00:21:43,920
Speaker 3: I can't remember a time where the Bachelor gets rejected.

479
00:21:44,400 --> 00:21:46,000
Speaker 1: Well I don't know if he's been rejected, but he's

480
00:21:46,040 --> 00:21:49,040
Speaker 1: like he's got cold feet in the moment he's in there,

481
00:21:49,160 --> 00:21:51,320
Speaker 1: it's all happening, and then he's gone in for it,

482
00:21:51,400 --> 00:21:55,320
Speaker 1: and then he hasn't pulled it off, thinking about one

483
00:21:55,359 --> 00:22:00,200
Speaker 1: of our newsreaders, Maddie, who is in here last week?

484
00:22:00,240 --> 00:22:04,920
Speaker 1: Matter you're in here? Yeah? Thanks? And an incident, an

485
00:22:04,960 --> 00:22:08,640
Speaker 1: incident involving a guy that you were trying to get

486
00:22:08,640 --> 00:22:10,560
Speaker 1: you trying to get your lift home from him, and

487
00:22:10,600 --> 00:22:13,119
Speaker 1: you you said, quote, now, I don't know if he

488
00:22:13,240 --> 00:22:14,560
Speaker 1: spoke to him since we.

489
00:22:14,720 --> 00:22:18,920
Speaker 8: Last Yeah, were you exchanged a couple of texts and

490
00:22:19,040 --> 00:22:19,359
Speaker 8: that's it?

491
00:22:20,359 --> 00:22:23,120
Speaker 1: Yeah? Do you think that's because we spoke about it there?

492
00:22:23,600 --> 00:22:28,480
Speaker 8: I honestly have no idea before we carry on about that.

493
00:22:28,680 --> 00:22:32,480
Speaker 3: No, no, no, okay, it's okay because he did hear

494
00:22:33,320 --> 00:22:34,960
Speaker 3: the reason that you were texting.

495
00:22:34,720 --> 00:22:39,040
Speaker 1: Feel Fred to reject this next time. Sorry about this,

496
00:22:39,400 --> 00:22:42,439
Speaker 1: but the board I'm getting at is look, you know

497
00:22:42,480 --> 00:22:50,120
Speaker 1: what he's gone now, so you know, I guess who

498
00:22:50,160 --> 00:22:57,200
Speaker 1: knows anyway? Jack Jack anyway, he didn't seal the deal

499
00:22:57,320 --> 00:22:59,399
Speaker 1: in the dying moments and you said you said you

500
00:22:59,400 --> 00:23:01,639
Speaker 1: were like God, which is kiss me right?

501
00:23:01,880 --> 00:23:03,800
Speaker 8: Yeah, because he gave me a lift time second date.

502
00:23:03,840 --> 00:23:05,560
Speaker 8: I thought everything was good.

503
00:23:05,760 --> 00:23:08,000
Speaker 1: Maybe not. I thought I was getting a kiss and

504
00:23:08,040 --> 00:23:10,960
Speaker 1: I didn't. My question for you, Maddie and for everybody

505
00:23:10,960 --> 00:23:13,479
Speaker 1: else listening on thirty one six five is do you

506
00:23:13,520 --> 00:23:16,760
Speaker 1: think that guys have got a problem with sealing the

507
00:23:16,800 --> 00:23:23,240
Speaker 1: deal at the moment. Absolutely, Oh whoa, Okay, I'm serious.

508
00:23:23,280 --> 00:23:25,680
Speaker 1: I feel like a lot of blokes getting cold feet,

509
00:23:25,720 --> 00:23:27,639
Speaker 1: and I keep hearing about.

510
00:23:27,400 --> 00:23:33,000
Speaker 3: It other examples, Maddie, they're just guys are just awkward

511
00:23:33,080 --> 00:23:34,080
Speaker 3: these days.

512
00:23:34,160 --> 00:23:36,640
Speaker 8: I kind of missed the old fashioned kind of I'm

513
00:23:36,640 --> 00:23:38,880
Speaker 8: going to grab you and make it happening.

514
00:23:39,359 --> 00:23:42,359
Speaker 1: Yeah, read the signals, grab me me.

515
00:23:47,480 --> 00:23:50,159
Speaker 3: The signals can be hard though, because okay, here's the

516
00:23:50,200 --> 00:23:52,200
Speaker 3: thing I'm meeting the place where I've seen the hair

517
00:23:52,240 --> 00:23:54,640
Speaker 3: flick yes, And I was like, boom signal. I've heard

518
00:23:54,640 --> 00:23:57,199
Speaker 3: that's a signal. And then I go for it. And

519
00:23:57,240 --> 00:23:59,880
Speaker 3: then the worst thing was where you get rejected. Yeah,

520
00:24:00,200 --> 00:24:01,720
Speaker 3: no one wants to I mean the worst thing. The

521
00:24:01,800 --> 00:24:03,480
Speaker 3: last thing you want is to go in for it

522
00:24:03,520 --> 00:24:04,080
Speaker 3: and then be told.

523
00:24:04,640 --> 00:24:06,240
Speaker 1: And this is and this is the other side of

524
00:24:06,280 --> 00:24:08,080
Speaker 1: the spectrum that I think we shouldn't know, because I

525
00:24:08,080 --> 00:24:09,919
Speaker 1: was talking to my girlfriend about this as well, and

526
00:24:09,960 --> 00:24:12,880
Speaker 1: she was saying, because my response to that was, look,

527
00:24:12,880 --> 00:24:14,800
Speaker 1: if you want to get kissed, then just go in

528
00:24:14,840 --> 00:24:17,359
Speaker 1: for the bloody kiss if you're a girl, and my

529
00:24:17,480 --> 00:24:20,280
Speaker 1: girlfriend said, you can't do that.

530
00:24:20,520 --> 00:24:21,440
Speaker 2: It's a guy's job.

531
00:24:21,560 --> 00:24:22,640
Speaker 1: Why not do that?

532
00:24:22,720 --> 00:24:24,440
Speaker 2: Now, that's not fair equality.

533
00:24:24,200 --> 00:24:24,760
Speaker 1: It's just the way.

534
00:24:24,760 --> 00:24:26,040
Speaker 2: It's just the way it's always been.

535
00:24:27,200 --> 00:24:30,679
Speaker 1: And why why I'm looking at the Honey Badger and

536
00:24:30,680 --> 00:24:33,520
Speaker 1: he's getting he's getting towed up online because his kisses

537
00:24:33,560 --> 00:24:36,439
Speaker 1: aren't landing. And I'm thinking to myself, well, what the

538
00:24:36,440 --> 00:24:39,840
Speaker 1: hell these girls are on the Bachelor for him? Plan

539
00:24:40,000 --> 00:24:40,879
Speaker 1: one on him?

540
00:24:41,320 --> 00:24:43,200
Speaker 8: But remember one of who was that Bachelor contestant? She

541
00:24:43,280 --> 00:24:46,760
Speaker 8: went in for the kiss and he was kind of like, no.

542
00:24:46,960 --> 00:24:48,520
Speaker 2: I can't remember who it was. I can't remember who.

543
00:24:48,720 --> 00:24:50,960
Speaker 8: I've seen one example of it of the girl actually

544
00:24:51,040 --> 00:24:53,320
Speaker 8: making it, trying to make it happen, and she gets projected.

545
00:24:53,400 --> 00:24:54,240
Speaker 2: So that's enough for me.

546
00:24:54,440 --> 00:24:56,600
Speaker 1: Oh yeah, no, the Bachelor rejected you.

547
00:24:56,840 --> 00:24:57,520
Speaker 2: That's awful.

548
00:24:57,680 --> 00:24:58,680
Speaker 1: That's well.

549
00:24:58,680 --> 00:25:00,600
Speaker 8: The girls have to do all the effort, have to

550
00:25:00,840 --> 00:25:05,680
Speaker 8: blow dry hair, you've got your best underwear, you've got

551
00:25:05,720 --> 00:25:07,480
Speaker 8: three hundred dollars worth of makeup.

552
00:25:07,119 --> 00:25:07,680
Speaker 1: On your face.

553
00:25:12,400 --> 00:25:16,520
Speaker 3: Okay, So I'm guessing from this that you've never gone

554
00:25:16,520 --> 00:25:18,040
Speaker 3: for it, Maddie, like you will you always?

555
00:25:18,200 --> 00:25:20,800
Speaker 2: You wait? Not maybe nightclub?

556
00:25:22,960 --> 00:25:23,400
Speaker 3: Not in the date?

557
00:25:23,640 --> 00:25:27,160
Speaker 1: Yeah thirteen six five? Do are guys still the ones

558
00:25:27,600 --> 00:25:31,560
Speaker 1: who should be tasked with kissing the girls, with initiating

559
00:25:31,560 --> 00:25:32,280
Speaker 1: the because with.

560
00:25:32,200 --> 00:25:33,520
Speaker 2: Respect, with respect.

561
00:25:33,600 --> 00:25:36,320
Speaker 3: Yes, I think that's not fair. I think we're past

562
00:25:36,359 --> 00:25:39,000
Speaker 3: that where it's the man's job. I think it's girls,

563
00:25:39,040 --> 00:25:41,160
Speaker 3: guys whatever. And I'm saying with nosing, do you think

564
00:25:41,200 --> 00:25:42,200
Speaker 3: only guys should propose?

565
00:25:42,280 --> 00:25:43,520
Speaker 2: Or do you a girl can propose?

566
00:25:43,960 --> 00:25:45,280
Speaker 1: I think a girl can propose.

567
00:25:46,040 --> 00:25:47,960
Speaker 8: I think I think that going in for a first

568
00:25:48,040 --> 00:25:51,680
Speaker 8: kiss is more, is more scared, intimidatingsing.

569
00:25:53,600 --> 00:25:54,760
Speaker 2: H Yeah, I'd agree with that.

570
00:25:55,840 --> 00:25:58,560
Speaker 1: Six five blokes have they got a problem with sealing

571
00:25:58,600 --> 00:26:01,520
Speaker 1: the deal these days? And should they the responsibility with kissing?

572
00:26:01,560 --> 00:26:04,360
Speaker 1: It's William Woodick. We're taking calls and I haven't really

573
00:26:04,359 --> 00:26:07,280
Speaker 1: got your thoughts yet about this, but I could tell

574
00:26:07,280 --> 00:26:09,119
Speaker 1: when you were turning to one of our news readers

575
00:26:09,119 --> 00:26:13,440
Speaker 1: Maddie before that you don't think the responsibility of kissing,

576
00:26:14,000 --> 00:26:17,879
Speaker 1: of making the play to land a kiss, continues to

577
00:26:17,960 --> 00:26:19,399
Speaker 1: rest with men in this world anymore.

578
00:26:19,480 --> 00:26:20,240
Speaker 2: I think we're past that.

579
00:26:20,280 --> 00:26:23,760
Speaker 3: Well, I just don't know, I genuinely do, like, don't

580
00:26:23,760 --> 00:26:26,280
Speaker 3: get me wrong, Like guys can still go for.

581
00:26:26,200 --> 00:26:28,119
Speaker 2: It, but I don't think that, Maddie.

582
00:26:28,160 --> 00:26:30,920
Speaker 3: You know, complete respect to her and she's talking about

583
00:26:30,920 --> 00:26:32,639
Speaker 3: a date where she didn't get a kiss landed on her,

584
00:26:32,640 --> 00:26:33,320
Speaker 3: but I think.

585
00:26:33,160 --> 00:26:35,120
Speaker 2: She could have, she could have made the move.

586
00:26:35,200 --> 00:26:38,560
Speaker 1: Yeah. Well, yes, and we apologize to the guy that

587
00:26:38,840 --> 00:26:41,080
Speaker 1: has dropped off the yeah face of the earth since

588
00:26:41,080 --> 00:26:43,119
Speaker 1: he as Maddie talked on our show about him not

589
00:26:43,160 --> 00:26:46,720
Speaker 1: kissing her. But Steph six five, you've been on the

590
00:26:46,720 --> 00:26:48,480
Speaker 1: front football formate, you've made the play.

591
00:26:48,800 --> 00:26:50,800
Speaker 6: Yeah, yeah, definitely I.

592
00:26:52,680 --> 00:26:52,720
Speaker 2: Have.

593
00:26:53,760 --> 00:26:55,680
Speaker 6: Of the time I've gone bring for the kiss, and

594
00:26:56,200 --> 00:26:58,720
Speaker 6: every relationship I've been in, I've been the one to

595
00:26:58,720 --> 00:26:59,320
Speaker 6: pass them out.

596
00:26:59,640 --> 00:27:01,880
Speaker 1: Okay, and step can I The reason we were talking

597
00:27:01,920 --> 00:27:04,879
Speaker 1: about this is because Nick Cummens, who's obviously honey Badger,

598
00:27:05,000 --> 00:27:08,480
Speaker 1: he's the new bachelor. He's been apparently struggling to see

599
00:27:08,480 --> 00:27:10,399
Speaker 1: all the deal a little bit. Do you think that

600
00:27:10,440 --> 00:27:13,600
Speaker 1: it's a bit of a trend with guys these days

601
00:27:13,640 --> 00:27:16,199
Speaker 1: that we don't we're not as confident in terms of

602
00:27:16,200 --> 00:27:18,840
Speaker 1: our moves there, And.

603
00:27:18,760 --> 00:27:22,359
Speaker 6: That's why I think it's a thing where girls should

604
00:27:22,359 --> 00:27:24,879
Speaker 6: get over it and just if they were interested, they

605
00:27:24,880 --> 00:27:28,480
Speaker 6: should have the law to do it themselves.

606
00:27:28,880 --> 00:27:32,360
Speaker 1: Reasons. Yeah, welcome on the show any time. Thanks that, mate.

607
00:27:32,440 --> 00:27:34,840
Speaker 2: It's so good to have a progressive voice like that, William,

608
00:27:35,119 --> 00:27:35,760
Speaker 2: I think.

609
00:27:36,520 --> 00:27:39,960
Speaker 1: Now she was a good confident voice there, and you

610
00:27:40,119 --> 00:27:42,000
Speaker 1: went made a comment like that, what.

611
00:27:41,960 --> 00:27:43,160
Speaker 2: Do you mean I was for her?

612
00:27:44,320 --> 00:27:46,439
Speaker 1: I'm agreed. I think they needed to be derogatories on

613
00:27:46,560 --> 00:27:51,480
Speaker 1: I wasn't. Where was that? Jason thirteen? Now do you

614
00:27:51,560 --> 00:27:54,520
Speaker 1: think that flokes should have to get on the front

615
00:27:54,520 --> 00:27:56,639
Speaker 1: foot these days?

616
00:27:57,040 --> 00:28:01,680
Speaker 9: I think it's a more effective nowadays. It's a little

617
00:28:01,720 --> 00:28:03,880
Speaker 9: bit difficult to make the first move because you might

618
00:28:03,920 --> 00:28:07,680
Speaker 9: be accused of, you know, doing something on toward It's

619
00:28:07,720 --> 00:28:08,960
Speaker 9: a little bit harder in the dating game.

620
00:28:09,000 --> 00:28:12,800
Speaker 1: I think I meant Steph was talking about this before

621
00:28:12,840 --> 00:28:15,040
Speaker 1: and saying that she thinks that there's actually been an

622
00:28:15,080 --> 00:28:19,000
Speaker 1: overall shift in guys in their confidence in making a play.

623
00:28:19,520 --> 00:28:22,000
Speaker 3: That's a really really good point from Jason.

624
00:28:22,480 --> 00:28:24,080
Speaker 1: You don't want to certainly not. That's last thing you

625
00:28:24,080 --> 00:28:26,320
Speaker 1: want to be seen is coming across as as for sure.

626
00:28:26,280 --> 00:28:28,520
Speaker 3: Well and with all the let's be honest with the

627
00:28:28,520 --> 00:28:30,320
Speaker 3: news and stuff today, you never want to be seen

628
00:28:30,359 --> 00:28:32,840
Speaker 3: as someone who is making a move towards a female

629
00:28:33,480 --> 00:28:35,320
Speaker 3: who's not keen that he's not keen, you know, and

630
00:28:35,359 --> 00:28:37,119
Speaker 3: that must be like a subcontent. I've been in the

631
00:28:37,160 --> 00:28:39,480
Speaker 3: single game, since all this is happening. But yeah, it

632
00:28:39,600 --> 00:28:43,320
Speaker 3: must be that consciously you're thinking about it. Never ever

633
00:28:43,360 --> 00:28:45,000
Speaker 3: want to make a move on someone if they weren't

634
00:28:45,240 --> 00:28:46,080
Speaker 3: thinking the same thing.

635
00:28:46,680 --> 00:28:48,920
Speaker 1: Oh of course. Do you know what we were talking

636
00:28:48,960 --> 00:28:50,640
Speaker 1: We were talking about this the other day. I think

637
00:28:50,640 --> 00:28:54,000
Speaker 1: it was with the team and when I was doing

638
00:28:55,440 --> 00:28:58,800
Speaker 1: when I was studying law, when we did sex offenses.

639
00:28:59,400 --> 00:29:03,160
Speaker 1: Our teacher Elektra, who was really cool if you're listening,

640
00:29:04,200 --> 00:29:07,600
Speaker 1: she used to she used to always say that what

641
00:29:07,640 --> 00:29:10,120
Speaker 1: you should do, no matter what's going on, is just

642
00:29:10,240 --> 00:29:12,320
Speaker 1: ask them. She was like, I know it's not that

643
00:29:12,440 --> 00:29:15,200
Speaker 1: sexy anymore. I know it's not that sexy, but just

644
00:29:15,240 --> 00:29:17,280
Speaker 1: say to them, hey can I kiss you? Hey? Can

645
00:29:17,320 --> 00:29:19,880
Speaker 1: we do this? Hey? Do you want to do that now?

646
00:29:20,160 --> 00:29:21,720
Speaker 1: And she's like, I know it might seem a little

647
00:29:21,720 --> 00:29:23,880
Speaker 1: bit cumbersome. But then we're talking about Producer the other day,

648
00:29:23,920 --> 00:29:25,880
Speaker 1: Producer Cam, and he was like, I was just used

649
00:29:25,880 --> 00:29:28,600
Speaker 1: to say it because if they were keen, they'd go

650
00:29:28,640 --> 00:29:29,960
Speaker 1: for it. And if they were keen, and then you

651
00:29:30,000 --> 00:29:32,360
Speaker 1: go all right, and it's kind of cute.

652
00:29:32,400 --> 00:29:33,760
Speaker 2: It's cute, it's cute, it's confident.

653
00:29:34,200 --> 00:29:35,920
Speaker 3: I want to kiss you, do you mind if I

654
00:29:36,000 --> 00:29:37,760
Speaker 3: kiss you. Yeah, I'd love to be told you and

655
00:29:37,840 --> 00:29:38,280
Speaker 3: you used.

656
00:29:38,200 --> 00:29:39,720
Speaker 1: To have a little bit of a line in there

657
00:29:39,800 --> 00:29:41,960
Speaker 1: that you used to use. I bet you I can

658
00:29:42,200 --> 00:29:44,280
Speaker 1: touch your lips without kissing you or something like that.

659
00:29:44,960 --> 00:29:46,000
Speaker 2: I would only do that.

660
00:29:46,120 --> 00:29:48,640
Speaker 3: It was if I knew the girl. I knew, but

661
00:29:48,760 --> 00:29:52,120
Speaker 3: things were going really well. Things were going really well,

662
00:29:52,120 --> 00:29:54,400
Speaker 3: and I knew she's really interested.

663
00:29:54,520 --> 00:29:55,320
Speaker 2: I'm really interested.

664
00:29:55,640 --> 00:29:57,720
Speaker 1: It's fully consentual. Stop trying to cover your base. Okay,

665
00:29:57,760 --> 00:30:01,040
Speaker 1: thank you, I know, but it's consensual.

666
00:30:01,080 --> 00:30:01,880
Speaker 2: I would say, I bet you.

667
00:30:01,920 --> 00:30:04,680
Speaker 3: Fifty bucks I can kiss you on the lips without

668
00:30:04,720 --> 00:30:06,120
Speaker 3: touching your lips. O.

669
00:30:06,640 --> 00:30:09,040
Speaker 1: God, where's that smooth operator stuff? I mean, that is

670
00:30:09,320 --> 00:30:11,680
Speaker 1: just that's good stuff. And then you just plant one

671
00:30:11,720 --> 00:30:12,200
Speaker 1: of them, would you?

672
00:30:12,440 --> 00:30:14,680
Speaker 2: Then again, I can't stress that a further at this

673
00:30:14,960 --> 00:30:15,520
Speaker 2: time of the day.

674
00:30:15,600 --> 00:30:18,280
Speaker 3: That's like, things have gone really well and she's interested.

675
00:30:18,280 --> 00:30:19,680
Speaker 2: We've even talked about being interested in.

676
00:30:22,160 --> 00:30:24,680
Speaker 1: She's keen, all right, she's You've told me that. That's

677
00:30:24,720 --> 00:30:26,680
Speaker 1: what Maddie was saying. She was like, she's like that,

678
00:30:26,800 --> 00:30:28,560
Speaker 1: can they read the singles.

679
00:30:28,440 --> 00:30:30,920
Speaker 3: And you kiss them on the lips and what you

680
00:30:31,000 --> 00:30:32,520
Speaker 3: touch my lips and they go the best fifty bucks

681
00:30:32,520 --> 00:30:33,000
Speaker 3: I've ever spent.

682
00:30:33,480 --> 00:30:35,760
Speaker 2: That's the girl, Kayla.

683
00:30:37,440 --> 00:30:39,000
Speaker 1: I don't know if your girlfriend will be home when

684
00:30:39,040 --> 00:30:42,600
Speaker 1: you get open Migayla thirty one oh six wine. Mate,

685
00:30:42,640 --> 00:30:45,080
Speaker 1: you've been in this position. The bloke's not confident, he's

686
00:30:45,120 --> 00:30:47,520
Speaker 1: not making a move. You got sick of waiting?

687
00:30:48,560 --> 00:30:50,560
Speaker 4: Yeah, Look, I think they cost the time where you

688
00:30:50,560 --> 00:30:52,240
Speaker 4: can give a lot of hints and if they don't

689
00:30:52,240 --> 00:30:54,240
Speaker 4: go for it, you just got to go for it yourself.

690
00:30:54,560 --> 00:30:56,600
Speaker 1: You just got to get in there, you got to kill.

691
00:30:56,800 --> 00:30:58,400
Speaker 3: Would you prefer it if a guy made the move

692
00:30:58,440 --> 00:31:00,480
Speaker 3: and kissed you, are you happy to get jump in?

693
00:31:01,120 --> 00:31:02,680
Speaker 1: I've always said that I would prefer it.

694
00:31:02,760 --> 00:31:05,320
Speaker 4: But then at the same time, if someone's overly keen,

695
00:31:05,400 --> 00:31:06,120
Speaker 4: I don't like it.

696
00:31:06,200 --> 00:31:08,760
Speaker 1: I don't know like And you know that is such

697
00:31:08,760 --> 00:31:12,400
Speaker 1: a mind because it's so nice to feel wanted, but

698
00:31:12,520 --> 00:31:16,320
Speaker 1: it's not good if there's nothing less attractive than someone

699
00:31:16,320 --> 00:31:16,920
Speaker 1: who's too keen.

700
00:31:17,400 --> 00:31:18,880
Speaker 2: Oh no, that's right. Yeah, and you never want to

701
00:31:18,920 --> 00:31:19,480
Speaker 2: be that person.

702
00:31:19,600 --> 00:31:21,640
Speaker 1: Or it's a weird balance, isn't It's a jungle woods,

703
00:31:21,640 --> 00:31:22,120
Speaker 1: it's a jungle.

704
00:31:22,160 --> 00:31:22,960
Speaker 2: It's and lucky.

705
00:31:23,000 --> 00:31:27,120
Speaker 3: We're both in great relationships, committed, happy relationships.

706
00:31:27,160 --> 00:31:31,520
Speaker 2: Well, it's gonna say that just to you know, into

707
00:31:31,520 --> 00:31:31,800
Speaker 2: all this.

708
00:31:31,880 --> 00:31:34,440
Speaker 3: Chat, especially after that line that I dropped as well,

709
00:31:34,840 --> 00:31:36,240
Speaker 3: I'm only going to be in the bad box tonight,

710
00:31:36,520 --> 00:31:36,880
Speaker 3: I am.

711
00:31:37,280 --> 00:31:39,000
Speaker 2: So if you monk on the show after.

712
00:31:41,560 --> 00:31:45,360
Speaker 1: Hey, it's well Edwarody getting your home, Sophie Monk, it's

713
00:31:45,400 --> 00:31:48,400
Speaker 1: going to be on the show in about twenty minutes,

714
00:31:48,520 --> 00:31:50,760
Speaker 1: very very exciting. Look at what having in for the

715
00:31:50,800 --> 00:31:53,440
Speaker 1: first time. It's given the first time you're on me, Hair. Actually, yeah,

716
00:31:53,440 --> 00:31:54,440
Speaker 1: so obviously we've.

717
00:31:54,280 --> 00:31:57,040
Speaker 3: Spoken to her on the phone one time. I think, yeah,

718
00:31:57,160 --> 00:31:57,720
Speaker 3: I think.

719
00:31:57,560 --> 00:31:58,960
Speaker 1: I think what you see is what you get. Anyway,

720
00:31:58,960 --> 00:32:01,360
Speaker 1: I don't think we're going to do completely surprised by

721
00:32:02,240 --> 00:32:05,520
Speaker 1: Sophie that I think, well, I've already said that what

722
00:32:05,520 --> 00:32:06,280
Speaker 1: you say is what you get.

723
00:32:06,360 --> 00:32:07,440
Speaker 2: So she's an open book.

724
00:32:07,840 --> 00:32:10,160
Speaker 1: She's an open book, yes, William.

725
00:32:10,240 --> 00:32:12,840
Speaker 2: Up next, though, my friend, we're going to be talking.

726
00:32:12,520 --> 00:32:18,320
Speaker 3: About Karl Stefanovic's rather creepy interview he had with Kylie

727
00:32:18,320 --> 00:32:22,400
Speaker 3: Minogue last night. She'll be getting right in there, delving

728
00:32:22,520 --> 00:32:26,600
Speaker 3: right inside that up next to her. Good, I'm sicking around, Oh,

729
00:32:27,120 --> 00:32:29,320
Speaker 3: were you actually your your page in the studio?

730
00:32:29,360 --> 00:32:30,240
Speaker 1: Would you stick around with that?

731
00:32:30,440 --> 00:32:32,960
Speaker 3: Mate? Well, I haven't heard the interview. What I have,

732
00:32:33,080 --> 00:32:35,200
Speaker 3: But if I hadn't heard the interview, like Streth, what

733
00:32:35,200 --> 00:32:35,920
Speaker 3: do you tell me more?

734
00:32:36,120 --> 00:32:36,640
Speaker 1: What's Carl?

735
00:32:37,200 --> 00:32:39,479
Speaker 2: Oh? God, again, I can't get out of the car now.

736
00:32:40,080 --> 00:32:41,720
Speaker 3: Book kids need to be picked up, But I can't

737
00:32:41,720 --> 00:32:43,040
Speaker 3: get out of the car because what he's just done?

738
00:32:43,080 --> 00:32:43,560
Speaker 3: That hook there?

739
00:32:43,720 --> 00:32:46,760
Speaker 1: God bloody got me tons.

740
00:32:47,240 --> 00:32:49,440
Speaker 3: Hey William, Yeah, I do want to talk to you briefly,

741
00:32:49,640 --> 00:32:50,720
Speaker 3: if it's okay.

742
00:32:51,160 --> 00:32:53,160
Speaker 2: About Karl Stefanovic.

743
00:32:57,040 --> 00:33:00,440
Speaker 3: Did you happen to catch his interview with Kylie Minoau

744
00:33:00,520 --> 00:33:01,240
Speaker 3: on sixty minutes?

745
00:33:01,600 --> 00:33:04,040
Speaker 1: I'm going to start saying it's Minogue and for some reason,

746
00:33:04,080 --> 00:33:06,000
Speaker 1: you've got this thing where you don't pronounce the G

747
00:33:06,240 --> 00:33:09,320
Speaker 1: in the Minogue sisters names, and everyone needs to hear that.

748
00:33:09,880 --> 00:33:14,520
Speaker 1: Why No, it's not potato, Potato, there's a G. Therenoga

749
00:33:14,600 --> 00:33:17,440
Speaker 1: not silent, It's just Minogue. Did you see the interview

750
00:33:17,480 --> 00:33:20,360
Speaker 1: with Minoga? I didn't, But do you know what I

751
00:33:20,400 --> 00:33:22,560
Speaker 1: actually I there's almost a part of me that avoided

752
00:33:22,560 --> 00:33:23,840
Speaker 1: it because I just feel like there was a little

753
00:33:23,880 --> 00:33:26,720
Speaker 1: bit of a witch hunt going on for Carl. It's like,

754
00:33:26,840 --> 00:33:29,520
Speaker 1: let's just find you know, pretty one soon as they

755
00:33:29,520 --> 00:33:32,200
Speaker 1: whip themselves into a fury about someone. It's like all that,

756
00:33:32,280 --> 00:33:34,520
Speaker 1: all the other stories start coming out of the woodwork.

757
00:33:34,760 --> 00:33:36,560
Speaker 3: The media is really against him, saying he had a

758
00:33:36,600 --> 00:33:40,760
Speaker 3: really creepy chat with I actually did, and I actually

759
00:33:40,800 --> 00:33:43,440
Speaker 3: I didn't think he was that creepy.

760
00:33:43,520 --> 00:33:45,080
Speaker 1: Was it on the was it on this morning or

761
00:33:45,120 --> 00:33:47,920
Speaker 1: was it on sixty minutes six minutes last night? So

762
00:33:48,600 --> 00:33:50,960
Speaker 1: Carlo is sixty minutes? Well, and you tape that every Sunday,

763
00:33:51,040 --> 00:33:51,640
Speaker 1: So no.

764
00:33:51,720 --> 00:33:52,320
Speaker 2: What's it live?

765
00:33:52,480 --> 00:33:55,080
Speaker 3: Actually well not live, but you know last night at

766
00:33:55,080 --> 00:33:58,200
Speaker 3: the time was on. And what the media has done

767
00:33:58,240 --> 00:34:00,080
Speaker 3: there was they've taken a couple of grabs of what

768
00:34:00,120 --> 00:34:02,760
Speaker 3: he said, and to be fair, there are small parts

769
00:34:02,760 --> 00:34:05,160
Speaker 3: where it does sound a little bit awkward and creepy.

770
00:34:05,200 --> 00:34:05,840
Speaker 2: Here's one of them.

771
00:34:06,040 --> 00:34:08,080
Speaker 7: It helps obviously that you're a hot fifty year old.

772
00:34:11,120 --> 00:34:16,279
Speaker 1: Well thanks, yeah, we try, we try. I mean, I

773
00:34:16,280 --> 00:34:21,520
Speaker 1: don't know what to say to that. I actually I

774
00:34:21,760 --> 00:34:22,640
Speaker 1: has ever been edited?

775
00:34:22,960 --> 00:34:24,439
Speaker 2: No, I promise you that hasn't been edited.

776
00:34:24,480 --> 00:34:27,520
Speaker 3: But like he's trying to realize and when you're in

777
00:34:27,520 --> 00:34:29,359
Speaker 3: a live interview, like I was talking to Delta good

778
00:34:29,400 --> 00:34:31,360
Speaker 3: Room last week and I was like, you know, is

779
00:34:31,400 --> 00:34:32,640
Speaker 3: there a sexy.

780
00:34:32,280 --> 00:34:36,400
Speaker 2: Beast in people, but you know, on the spot, you know,

781
00:34:36,480 --> 00:34:41,160
Speaker 2: you don't know what you're doing anyway. He also I.

782
00:34:41,120 --> 00:34:44,400
Speaker 1: Think it's rough as well. It's not obviously not live interview,

783
00:34:44,520 --> 00:34:46,839
Speaker 1: and they've decided to keep that in, like, yeah, it's

784
00:34:46,880 --> 00:34:49,640
Speaker 1: your network's I'd be furious that's to.

785
00:34:49,600 --> 00:34:51,200
Speaker 2: Stitch out something something else he said, It.

786
00:34:51,280 --> 00:34:53,360
Speaker 1: Was this, I do tend to go for things.

787
00:34:53,520 --> 00:34:53,759
Speaker 2: Yeah.

788
00:34:53,920 --> 00:34:57,560
Speaker 7: On the subject of going for things, can you stop

789
00:34:57,640 --> 00:35:00,920
Speaker 7: going for incredibly good look dickheads?

790
00:35:02,239 --> 00:35:02,560
Speaker 1: Yes?

791
00:35:03,880 --> 00:35:06,840
Speaker 2: Good question? Yeah, okay, I would say, good question.

792
00:35:07,160 --> 00:35:10,520
Speaker 1: Who's she going for? Who's a good looking Joshua Sass,

793
00:35:10,280 --> 00:35:11,560
Speaker 1: who was a much.

794
00:35:11,480 --> 00:35:14,920
Speaker 3: Younger actor, might of the producers here the page in

795
00:35:15,080 --> 00:35:17,160
Speaker 3: Joshua Sas one camp.

796
00:35:17,480 --> 00:35:20,440
Speaker 2: Who's Joshua Sas? He was well known for being kinlim

797
00:35:20,440 --> 00:35:28,839
Speaker 2: Ana's boyfriend. That's why those guys are there. Here's the thing.

798
00:35:28,920 --> 00:35:30,000
Speaker 2: Do you think that's good advice?

799
00:35:30,120 --> 00:35:31,880
Speaker 3: Joshua Sas, by the way, is a lot younger and

800
00:35:31,960 --> 00:35:34,279
Speaker 3: he's a super super sexy, sexy dude.

801
00:35:34,360 --> 00:35:36,440
Speaker 1: Do I think it's good advice to stop going for

802
00:35:36,560 --> 00:35:37,480
Speaker 1: young hot people?

803
00:35:37,800 --> 00:35:39,719
Speaker 2: No? No, no, no no, just think about the hot thing.

804
00:35:39,840 --> 00:35:41,759
Speaker 1: Talking to a guy who picked up a girl at

805
00:35:41,760 --> 00:35:44,080
Speaker 1: a miss in his universe contest too, his sixties younger

806
00:35:44,120 --> 00:35:44,480
Speaker 1: with him.

807
00:35:44,840 --> 00:35:49,399
Speaker 3: I don't think it's good advice. I think I think.

808
00:35:50,000 --> 00:35:52,520
Speaker 3: I don't think you should not get with someone because

809
00:35:52,560 --> 00:35:54,880
Speaker 3: they're super sexy or younger than you. If you've got

810
00:35:54,920 --> 00:35:57,640
Speaker 3: a connection, you've got a connection, right, And I'm thirteen one,

811
00:35:57,680 --> 00:35:58,839
Speaker 3: I was six y five. I do want to take

812
00:35:58,880 --> 00:36:02,200
Speaker 3: calls on this. Do you think it's good advice for

813
00:36:02,239 --> 00:36:04,680
Speaker 3: people not to go for really good looking people?

814
00:36:06,200 --> 00:36:12,440
Speaker 1: M yeah, well, look at defends. At the end of

815
00:36:12,480 --> 00:36:14,359
Speaker 1: the day, you've got a connection with someone, you've got

816
00:36:14,360 --> 00:36:16,359
Speaker 1: a connection with someone, it shouldn't really matter what they

817
00:36:16,360 --> 00:36:19,360
Speaker 1: look like. But I would say, if you're going out

818
00:36:19,760 --> 00:36:23,319
Speaker 1: and you've got a shallow filter on, yeah, you're gonna

819
00:36:23,360 --> 00:36:26,640
Speaker 1: get burned more often than not, and more more importantly sadly,

820
00:36:26,760 --> 00:36:28,640
Speaker 1: I think the more attractive the person, and again this

821
00:36:28,680 --> 00:36:33,000
Speaker 1: is a massive generalization, the more attractive the person. It's

822
00:36:33,160 --> 00:36:36,960
Speaker 1: very no, I can't say that. I can't say that

823
00:36:36,960 --> 00:36:38,560
Speaker 1: it's not it's not fair because there are some very

824
00:36:38,600 --> 00:36:43,400
Speaker 1: attractive people who are lovely. But unfortunately, sometimes I'm just

825
00:36:43,440 --> 00:36:46,200
Speaker 1: gonna I'm just gonna deal in. Sometimes not everyone, but

826
00:36:46,600 --> 00:36:51,080
Speaker 1: sometimes when they are very attractive. They are very aware

827
00:36:51,080 --> 00:36:53,560
Speaker 1: of the fate that they're attractive, and so it's you know,

828
00:36:53,960 --> 00:36:55,560
Speaker 1: makes them tough to be around.

829
00:36:58,760 --> 00:37:01,200
Speaker 3: And therefore, do you there's anyway and thirteen one oh

830
00:37:01,200 --> 00:37:03,560
Speaker 3: sixty five is that number? I'd love to hear. Girls

831
00:37:03,640 --> 00:37:06,640
Speaker 3: or guys, have you decided that you now just do

832
00:37:06,760 --> 00:37:10,120
Speaker 3: not go out of the game really good looking people

833
00:37:10,160 --> 00:37:13,120
Speaker 3: because you go I think either a you're going to

834
00:37:13,120 --> 00:37:14,960
Speaker 3: be too into yourself, or maybe you do get into

835
00:37:15,000 --> 00:37:18,600
Speaker 3: a relationship. And maybe really sexy people are less trustworthy

836
00:37:18,719 --> 00:37:19,800
Speaker 3: because they get a lot of attention.

837
00:37:19,920 --> 00:37:20,480
Speaker 2: I don't know.

838
00:37:21,200 --> 00:37:24,360
Speaker 1: It's interesting, isn't it. I do, I do. Unfortunately, that

839
00:37:24,440 --> 00:37:26,080
Speaker 1: is a bit of a rule, isn't it. I mean,

840
00:37:26,120 --> 00:37:29,520
Speaker 1: look's like that movie Shallow How Yeah, you know, you

841
00:37:29,560 --> 00:37:31,839
Speaker 1: know when he's like going for all these girls and

842
00:37:32,360 --> 00:37:34,520
Speaker 1: he's only looking at them for their looks, and then

843
00:37:34,520 --> 00:37:36,759
Speaker 1: it turns out, yeah, it never works out for it,

844
00:37:37,040 --> 00:37:40,320
Speaker 1: and then when he can't see the physical attraction anymore,

845
00:37:40,320 --> 00:37:42,799
Speaker 1: he starts actually connecting with these people. I think that

846
00:37:42,920 --> 00:37:44,520
Speaker 1: might be I don't know what the movie is trying

847
00:37:44,560 --> 00:37:46,399
Speaker 1: to get out there, but largely it's because if you're

848
00:37:46,400 --> 00:37:50,359
Speaker 1: not all that like, you know, blowing away attractive, then

849
00:37:50,400 --> 00:37:52,319
Speaker 1: you normally got a little bit more death to It's

850
00:37:52,320 --> 00:37:55,000
Speaker 1: a huge generalization. Again, huge generalization.

851
00:37:55,040 --> 00:37:58,359
Speaker 2: We're generalizing. We're appreciating that thirteen one oh sixty five.

852
00:37:58,440 --> 00:37:59,680
Speaker 2: Maybe you've experienced it.

853
00:38:00,400 --> 00:38:02,120
Speaker 3: Do you think it's good advice to not go for

854
00:38:02,200 --> 00:38:03,799
Speaker 3: really sexy people for whatever reason?

855
00:38:03,880 --> 00:38:04,560
Speaker 2: Give us calf.

856
00:38:04,960 --> 00:38:07,720
Speaker 1: Sophi're both going to join us under ten minutes. Should

857
00:38:07,719 --> 00:38:09,160
Speaker 1: be pleasure to have so on the show. I know

858
00:38:09,239 --> 00:38:11,800
Speaker 1: she's she's actually writing in a long with this topic

859
00:38:11,920 --> 00:38:16,520
Speaker 1: because she's super attractive, super attractive woman. Yes, yes, but

860
00:38:16,760 --> 00:38:21,120
Speaker 1: is very down to earth, very open, very honest, and

861
00:38:21,239 --> 00:38:25,440
Speaker 1: really does counter the stereotype, doesn't she.

862
00:38:26,280 --> 00:38:29,200
Speaker 2: I couldn't agree more. She's very humble. Yeah, I agree

863
00:38:29,239 --> 00:38:30,600
Speaker 2: with you, very self deprecating.

864
00:38:30,680 --> 00:38:30,879
Speaker 1: Yeah.

865
00:38:30,960 --> 00:38:34,480
Speaker 3: The reason we're talking about it is because Karl Stefanovic interviewed.

866
00:38:34,280 --> 00:38:38,440
Speaker 2: Kylie Mino Good last night, Yeah, and gave her this advice.

867
00:38:38,760 --> 00:38:40,240
Speaker 1: I do tend to go for things.

868
00:38:40,320 --> 00:38:40,600
Speaker 2: Yeah.

869
00:38:40,760 --> 00:38:44,400
Speaker 7: On the subject of going for things, can you stop

870
00:38:44,440 --> 00:38:47,719
Speaker 7: going for incredibly good looking dickheads?

871
00:38:49,040 --> 00:38:52,880
Speaker 2: Yes? They were just asking do we think this is

872
00:38:52,920 --> 00:38:53,520
Speaker 2: good advice?

873
00:38:54,160 --> 00:38:56,200
Speaker 3: Is it good advice not to go for really good

874
00:38:56,239 --> 00:39:00,120
Speaker 3: looking people for whatever reason, it's a good question You've

875
00:39:00,120 --> 00:39:03,360
Speaker 3: got Lucy here thirteen one O sixty five, Lucy, do

876
00:39:03,400 --> 00:39:03,719
Speaker 3: you reckon?

877
00:39:03,760 --> 00:39:04,440
Speaker 2: This is good advice?

878
00:39:05,520 --> 00:39:06,760
Speaker 5: Yeah? I think it's good advice.

879
00:39:07,000 --> 00:39:10,160
Speaker 3: Wow, is have you been burned in the past by

880
00:39:10,200 --> 00:39:11,640
Speaker 3: a very good looking person?

881
00:39:12,600 --> 00:39:15,200
Speaker 5: It's not that I've been burned, but I just feel

882
00:39:15,239 --> 00:39:18,120
Speaker 5: like the people who are really good looking, they always

883
00:39:18,200 --> 00:39:21,840
Speaker 5: just get way more attention from other girls, which, like

884
00:39:21,920 --> 00:39:25,480
Speaker 5: you know, any person in relationship doesn't really want and

885
00:39:25,520 --> 00:39:27,680
Speaker 5: they they do know that they're good looking, so it

886
00:39:27,760 --> 00:39:28,120
Speaker 5: kind of.

887
00:39:28,040 --> 00:39:28,560
Speaker 6: Makes it hard.

888
00:39:28,680 --> 00:39:30,840
Speaker 5: Like if you don't feel like you're as good booking

889
00:39:30,880 --> 00:39:32,520
Speaker 5: as they, i'd always makes it a bit harder.

890
00:39:34,719 --> 00:39:36,759
Speaker 3: And do you do you worry as well that people

891
00:39:36,760 --> 00:39:38,359
Speaker 3: would look at you and go like, oh, wow, you're

892
00:39:38,360 --> 00:39:39,560
Speaker 3: batting above your average.

893
00:39:40,680 --> 00:39:44,880
Speaker 5: Yes, definitely, definitely. They always like, just like Teke, like

894
00:39:44,920 --> 00:39:46,719
Speaker 5: if you're in a relationship with someone and you and

895
00:39:46,760 --> 00:39:49,040
Speaker 5: they know they're good looking, everyone knows they're good looking.

896
00:39:49,120 --> 00:39:51,160
Speaker 5: Other people can just gonna be like, well, you know,

897
00:39:51,239 --> 00:39:53,600
Speaker 5: he can do so much better or just something like that,

898
00:39:53,680 --> 00:39:55,200
Speaker 5: and it's just kind of degrading.

899
00:39:55,960 --> 00:39:58,120
Speaker 1: I've been in that position before. I mean, I'm great

900
00:39:58,120 --> 00:40:01,120
Speaker 1: out with someone before where I'm actually, guys have actually

901
00:40:01,160 --> 00:40:07,600
Speaker 1: just swept me in somewhere thinking a good friend that

902
00:40:08,080 --> 00:40:09,560
Speaker 1: I was just assumed.

903
00:40:10,120 --> 00:40:13,399
Speaker 2: You went through, you go through, you went through.

904
00:40:13,480 --> 00:40:16,000
Speaker 1: That was literally I would literally be with the beach

905
00:40:16,080 --> 00:40:18,359
Speaker 1: and I'd be lying the experience, and people would can't

906
00:40:18,440 --> 00:40:20,719
Speaker 1: be like just start talking to her.

907
00:40:21,520 --> 00:40:25,480
Speaker 2: Excuse me right here, and didn't. They used to say

908
00:40:25,520 --> 00:40:28,200
Speaker 2: with like disbelief, like sorry, you guys are you guys

909
00:40:28,239 --> 00:40:29,279
Speaker 2: are going out right?

910
00:40:29,480 --> 00:40:31,640
Speaker 3: Wow? Yeah yeah, and then sort of high five you

911
00:40:31,800 --> 00:40:36,560
Speaker 3: and go well, just you know, they couldn't believe.

912
00:40:36,560 --> 00:40:40,160
Speaker 1: They got to tell their friends you won't believe, you

913
00:40:40,239 --> 00:40:40,960
Speaker 1: won't believe.

914
00:40:41,680 --> 00:40:44,640
Speaker 3: That must have been hard. Yeah, we got John here. John,

915
00:40:44,680 --> 00:40:46,280
Speaker 3: you work with a lot of hot people.

916
00:40:47,800 --> 00:40:48,880
Speaker 6: Yeah, that would be accurate.

917
00:40:48,960 --> 00:40:49,239
Speaker 5: I am.

918
00:40:49,360 --> 00:40:51,560
Speaker 4: I'm a I'm a fire performer, and I deal with

919
00:40:51,719 --> 00:40:54,080
Speaker 4: like most of the performers that I work with all

920
00:40:54,120 --> 00:40:56,440
Speaker 4: like really super attractive people as just.

921
00:40:56,440 --> 00:40:57,560
Speaker 6: Part of the industry.

922
00:40:57,840 --> 00:41:01,440
Speaker 1: But to be honest, some of the nice people, they're

923
00:41:01,480 --> 00:41:04,160
Speaker 1: good dudes. And I think that's I think that's how

924
00:41:04,200 --> 00:41:07,040
Speaker 1: old are you, John? I'm nine? Okay, So what I

925
00:41:07,120 --> 00:41:08,680
Speaker 1: was going to say is that I think this does

926
00:41:08,800 --> 00:41:11,640
Speaker 1: change after a certain point because you just well You're

927
00:41:11,680 --> 00:41:14,440
Speaker 1: just not going to get that that far, or people

928
00:41:14,480 --> 00:41:17,760
Speaker 1: will just start dropping you. If you're banking on actually

929
00:41:17,920 --> 00:41:21,120
Speaker 1: enjoying life just by being attractive. Sure you'll get attention

930
00:41:21,200 --> 00:41:24,160
Speaker 1: when you're young, but after a point, it just it

931
00:41:24,239 --> 00:41:25,240
Speaker 1: falls away pretty.

932
00:41:25,080 --> 00:41:27,080
Speaker 2: Quickly you realize it's not all about Oh so.

933
00:41:27,160 --> 00:41:29,840
Speaker 1: Quickly, I mean, beauty is beauty is skin deep. Wuts,

934
00:41:30,040 --> 00:41:31,480
Speaker 1: beauty is skin deep.

935
00:41:31,560 --> 00:41:36,320
Speaker 2: I couldn't agree more. Will let's move on to dimmy. Dimmy,

936
00:41:36,520 --> 00:41:39,600
Speaker 2: you think you think you should stay away from hot people?

937
00:41:39,600 --> 00:41:39,920
Speaker 5: Dimmy?

938
00:41:40,800 --> 00:41:43,759
Speaker 3: Yeah, Well so I would be saying away from hot

939
00:41:43,800 --> 00:41:47,000
Speaker 3: people because I've got this perfect boyfriend for some reason.

940
00:41:47,480 --> 00:41:49,480
Speaker 4: So like compared to me, I'm like a potato.

941
00:41:52,520 --> 00:41:54,360
Speaker 6: He's like this perfect I don't.

942
00:41:54,120 --> 00:41:56,759
Speaker 3: Know, skinny with like mumming hair, and I don't know,

943
00:41:56,920 --> 00:41:59,080
Speaker 3: like every girl would dream of him, like you know,

944
00:41:59,120 --> 00:41:59,920
Speaker 3: the Prince sell me.

945
00:41:59,920 --> 00:42:01,919
Speaker 2: I don't know, is this super friend?

946
00:42:03,880 --> 00:42:05,360
Speaker 1: So what are you a potato?

947
00:42:05,400 --> 00:42:05,960
Speaker 5: I'm a little bit.

948
00:42:08,440 --> 00:42:11,719
Speaker 1: We've got so many in this city with those So

949
00:42:12,000 --> 00:42:14,160
Speaker 1: thanks coming in first time around with the boys. How

950
00:42:14,880 --> 00:42:16,919
Speaker 1: I like you? Great hair?

951
00:42:17,320 --> 00:42:17,600
Speaker 2: Thank you?

952
00:42:17,920 --> 00:42:19,960
Speaker 1: It's not clean though, do smell us?

953
00:42:20,040 --> 00:42:20,200
Speaker 8: No?

954
00:42:20,400 --> 00:42:23,000
Speaker 1: Okay, definitely not, because it looks like you don't wash

955
00:42:23,040 --> 00:42:23,440
Speaker 1: it often.

956
00:42:23,800 --> 00:42:25,239
Speaker 2: I don't wash it often, but I do have a

957
00:42:25,239 --> 00:42:26,480
Speaker 2: special dreadlock shampoo.

958
00:42:26,600 --> 00:42:27,520
Speaker 1: Oh I didn't know that.

959
00:42:28,200 --> 00:42:30,719
Speaker 2: You know. It's a nice citrusy flavor that goes that

960
00:42:30,800 --> 00:42:34,200
Speaker 2: smells nice and I'm a big dry shampoo as well. Okay, yeah, all.

961
00:42:34,200 --> 00:42:36,759
Speaker 1: Right, got it all covered. Yours have a hairspray, which

962
00:42:36,840 --> 00:42:38,360
Speaker 1: is really funny because when we go to the airport

963
00:42:38,360 --> 00:42:39,840
Speaker 1: together and he tries to find it, he's got a

964
00:42:39,840 --> 00:42:41,680
Speaker 1: pink hairspray, but you've got to whip your air soles

965
00:42:41,719 --> 00:42:43,960
Speaker 1: out like it's my girlfriends.

966
00:42:44,239 --> 00:42:48,800
Speaker 2: Yeah, yeah, I take my girlfriend's hairspray.

967
00:42:49,320 --> 00:42:59,520
Speaker 1: Now you're loud nowadays.

968
00:42:55,600 --> 00:42:57,720
Speaker 2: To accept a guy with a pink hairspray. But every

969
00:42:57,760 --> 00:42:58,600
Speaker 2: time they.

970
00:42:58,600 --> 00:43:00,759
Speaker 1: Also I love it. They I love it as well

971
00:43:00,760 --> 00:43:03,880
Speaker 1: because I always get right in front of the any aerosols.

972
00:43:04,160 --> 00:43:05,160
Speaker 1: Do you put it in your handbag?

973
00:43:05,560 --> 00:43:09,920
Speaker 3: No, it's clay, thank you.

974
00:43:10,120 --> 00:43:11,840
Speaker 2: But I feel like every times to stick the security

975
00:43:11,880 --> 00:43:12,359
Speaker 2: hold me back.

976
00:43:14,640 --> 00:43:16,239
Speaker 1: I really love it, and then they like whip it

977
00:43:16,280 --> 00:43:16,880
Speaker 1: out and they give it.

978
00:43:16,880 --> 00:43:18,759
Speaker 2: A little bit of his right and you're like, all right,

979
00:43:19,040 --> 00:43:22,360
Speaker 2: all right, it smells beautiful. It really adds texture to

980
00:43:22,400 --> 00:43:23,880
Speaker 2: your hair, which you know, I'm not sure.

981
00:43:24,520 --> 00:43:25,719
Speaker 1: Half of this season my hair so.

982
00:43:27,200 --> 00:43:30,560
Speaker 3: Extensions, yeah, well in the good extensions, thank you, No

983
00:43:30,760 --> 00:43:31,040
Speaker 3: very good.

984
00:43:31,160 --> 00:43:33,080
Speaker 1: Yeah, I'm jealous of yours. That's why I was picking

985
00:43:33,080 --> 00:43:39,360
Speaker 1: on it. Thank you, thank you, but hatting nice to evolves.

986
00:43:39,640 --> 00:43:41,640
Speaker 1: I like yours. At least you've got a good shaped head.

987
00:43:41,880 --> 00:43:42,120
Speaker 4: Thanks.

988
00:43:42,280 --> 00:43:45,400
Speaker 1: Yeah, appreciate that you've got a good head. Yeah, appreciate

989
00:43:45,440 --> 00:43:46,439
Speaker 1: good good head.

990
00:43:46,560 --> 00:43:47,560
Speaker 2: Yeah, Will good head.

991
00:43:47,760 --> 00:43:52,480
Speaker 3: That's what most people say about him.

992
00:43:52,520 --> 00:43:55,239
Speaker 1: So well brought you in because there's a number of

993
00:43:55,239 --> 00:43:59,320
Speaker 1: things that we were tossing some ideas back and forth about,

994
00:43:59,440 --> 00:44:02,399
Speaker 1: and I think dating obviously has been something that you've

995
00:44:02,440 --> 00:44:06,799
Speaker 1: been there. I wouldn't say it's my full tepe. We

996
00:44:07,920 --> 00:44:09,880
Speaker 1: thought we'd cover off a whole bunch of ways that

997
00:44:10,560 --> 00:44:14,759
Speaker 1: we've had dates and poorly yes, and how that's happened. Yeah.

998
00:44:15,080 --> 00:44:17,160
Speaker 2: Do you have any highlights from your dating?

999
00:44:17,440 --> 00:44:19,680
Speaker 1: Yeah, I'm terrible. So I get so nervous.

1000
00:44:19,680 --> 00:44:21,759
Speaker 10: Look, I'm so confident normally, but then I just get

1001
00:44:22,000 --> 00:44:23,800
Speaker 10: There was once I just drank so much wine to

1002
00:44:23,840 --> 00:44:25,560
Speaker 10: get through it and I stood up and just fell

1003
00:44:25,560 --> 00:44:27,839
Speaker 10: into the bush and it to help me out, And

1004
00:44:27,880 --> 00:44:29,160
Speaker 10: I was like, yeah, I don't feel like I'll get

1005
00:44:29,160 --> 00:44:30,200
Speaker 10: a second date on that one.

1006
00:44:32,400 --> 00:44:32,960
Speaker 1: What's better?

1007
00:44:33,000 --> 00:44:35,960
Speaker 10: What about you guys when you've got no He got

1008
00:44:36,040 --> 00:44:38,279
Speaker 10: kidnapped one day, like I went in. He said, I'll

1009
00:44:38,280 --> 00:44:40,560
Speaker 10: pick you up, and that's the trick. Never do that,

1010
00:44:40,840 --> 00:44:42,840
Speaker 10: Like so then he'd have to drop me home. But

1011
00:44:42,880 --> 00:44:44,400
Speaker 10: then he was like, so after dinner, we'll go to

1012
00:44:44,400 --> 00:44:45,960
Speaker 10: a baseball match. Then we'll go to this nightclub.

1013
00:44:46,000 --> 00:44:47,880
Speaker 1: And I was like, look, I just wanted to go

1014
00:44:47,960 --> 00:44:48,279
Speaker 1: home and.

1015
00:44:48,280 --> 00:44:49,600
Speaker 2: I could have and there's no escape.

1016
00:44:49,640 --> 00:44:53,560
Speaker 1: No, that's scared, isn't it. Controlling doors locked.

1017
00:44:53,560 --> 00:44:56,920
Speaker 3: I'm like, oh, that's terrifying, the idea of doors locking.

1018
00:44:56,920 --> 00:44:57,279
Speaker 3: His terror.

1019
00:44:57,400 --> 00:44:57,560
Speaker 1: Yes.

1020
00:44:57,600 --> 00:44:59,279
Speaker 3: I actually used to have a car though that the

1021
00:45:00,000 --> 00:45:03,120
Speaker 3: passenger door would get jammed so it would appear like

1022
00:45:03,200 --> 00:45:05,640
Speaker 3: I had locked the girl the girl in and I

1023
00:45:05,760 --> 00:45:06,239
Speaker 3: always that.

1024
00:45:06,239 --> 00:45:08,040
Speaker 2: Was always a real date ender for me when.

1025
00:45:07,880 --> 00:45:11,839
Speaker 3: They and I was like, no, no, it's the door

1026
00:45:11,880 --> 00:45:12,399
Speaker 3: and that's kiddy.

1027
00:45:13,000 --> 00:45:13,759
Speaker 2: Yeah, it never flew.

1028
00:45:13,840 --> 00:45:15,560
Speaker 3: I also had an awful first date, and you know

1029
00:45:15,640 --> 00:45:17,480
Speaker 3: this story, but I was having a drink with a

1030
00:45:17,480 --> 00:45:19,640
Speaker 3: girl and she started It had been a long time

1031
00:45:19,680 --> 00:45:21,520
Speaker 3: between drinks and I was in a bit of a

1032
00:45:21,560 --> 00:45:22,080
Speaker 3: cult snap.

1033
00:45:22,200 --> 00:45:23,600
Speaker 1: But so you wanted to move quick.

1034
00:45:23,680 --> 00:45:27,440
Speaker 3: I wanted to move it and she started stroking my arm,

1035
00:45:27,840 --> 00:45:30,680
Speaker 3: so things going really well, yeah, very quick, simple arm. Yeah,

1036
00:45:30,719 --> 00:45:35,000
Speaker 3: because it had been so long, I started getting well, yeah,

1037
00:45:35,000 --> 00:45:35,399
Speaker 3: that's right.

1038
00:45:35,719 --> 00:45:37,919
Speaker 2: And because I was seated, I was wow.

1039
00:45:38,120 --> 00:45:40,080
Speaker 3: And then she was like, let's get one more drink

1040
00:45:40,080 --> 00:45:43,319
Speaker 3: and I was like absolutely, but you get it. I

1041
00:45:43,400 --> 00:45:46,319
Speaker 3: couldn't stand up because I was six to midnight, so

1042
00:45:46,400 --> 00:45:48,480
Speaker 3: I just sat down and then she was like, all right,

1043
00:45:48,640 --> 00:45:51,000
Speaker 3: I guess I'll get it then, and then she got

1044
00:45:51,040 --> 00:45:54,400
Speaker 3: the drink and then really kick off from Yeah, I.

1045
00:45:54,520 --> 00:45:57,279
Speaker 1: Know that was That was at the same place that

1046
00:45:57,480 --> 00:46:00,200
Speaker 1: you took like three or four girls in the space

1047
00:46:00,200 --> 00:46:04,000
Speaker 1: of a week, and the waiter, the same waiter, got confused.

1048
00:46:05,000 --> 00:46:06,719
Speaker 1: He thought it was the same girl, so he rocked

1049
00:46:06,760 --> 00:46:13,880
Speaker 1: up and back again and yeah, oh that's the worst,

1050
00:46:13,960 --> 00:46:15,400
Speaker 1: but well played, thank you.

1051
00:46:15,520 --> 00:46:16,920
Speaker 2: Yeah, yeah, you were red.

1052
00:46:16,760 --> 00:46:17,719
Speaker 1: Hot there for a little while.

1053
00:46:17,840 --> 00:46:18,279
Speaker 2: It was cold.

1054
00:46:18,480 --> 00:46:20,439
Speaker 1: Actually, there was probably two other girls from the same

1055
00:46:20,760 --> 00:46:22,880
Speaker 1: universe contest that his girlfriend was actually from. Did you

1056
00:46:22,880 --> 00:46:23,919
Speaker 1: get a boner on all of them?

1057
00:46:26,200 --> 00:46:30,480
Speaker 3: That's why they called me Woody good stuff.

1058
00:46:31,360 --> 00:46:33,480
Speaker 1: So what we're going to do is we're going to

1059
00:46:33,600 --> 00:46:35,480
Speaker 1: go try and put together a whole bunch of these

1060
00:46:35,480 --> 00:46:38,680
Speaker 1: scenarios for you guys to look at digital Yeah, absolutely,

1061
00:46:38,680 --> 00:46:41,120
Speaker 1: will wody on Facebook, will Instagram as well. So so

1062
00:46:41,160 --> 00:46:43,120
Speaker 1: it's going to get on board and we're going to

1063
00:46:43,120 --> 00:46:45,680
Speaker 1: put them up very very shortly for you guys to enjoy.

1064
00:46:45,800 --> 00:46:48,680
Speaker 1: Exciting all the best. Thanks so thank you, Sophie. Mark's

1065
00:46:48,680 --> 00:46:50,640
Speaker 1: been on the show. Can miss anything as always. You

1066
00:46:50,640 --> 00:46:54,080
Speaker 1: can get on the iheartradiot, get the podcast.

1067
00:46:54,160 --> 00:46:54,359
Speaker 6: There.

1068
00:46:54,600 --> 00:46:57,640
Speaker 1: I think you listening was digitally. We're in a digital age.

1069
00:46:57,960 --> 00:47:00,960
Speaker 3: It just sounds better, sounds crisper. I think this is

1070
00:47:01,000 --> 00:47:04,840
Speaker 3: crisp picture crisper and that's digital radio.

1071
00:47:07,280 --> 00:47:15,959
Speaker 1: Jesus, Oh god, good stuff. All right, trying to push your.

1072
00:47:24,960 --> 00:47:26,839
Speaker 2: It's been fun today, been good.

1073
00:47:26,920 --> 00:47:29,759
Speaker 3: You've left me hanging out a dry and three occasions

1074
00:47:29,840 --> 00:47:31,080
Speaker 3: left you hanging out to dry.

1075
00:47:31,239 --> 00:47:32,879
Speaker 2: There you go, and there you go.

1076
00:47:33,280 --> 00:47:35,759
Speaker 1: That wasn't hanging out. It's just greet didn't you. I've

1077
00:47:35,760 --> 00:47:41,319
Speaker 1: got plenty of them. Okay, Well, hey, I should mention

1078
00:47:41,640 --> 00:47:45,200
Speaker 1: before we get into making each other angry. There is

1079
00:47:45,239 --> 00:47:47,320
Speaker 1: a video with Sop that we spoke about just before,

1080
00:47:47,719 --> 00:47:50,120
Speaker 1: and I'm getting the news that will hopefully be up

1081
00:47:50,160 --> 00:47:52,239
Speaker 1: maybe sometimes a little bit later on this evening. So

1082
00:47:52,360 --> 00:47:55,279
Speaker 1: float around with a Woody on Instagram and Facebook, just.

1083
00:47:55,320 --> 00:47:58,560
Speaker 3: Refresh, just stay on there, yeah, or sift your feed

1084
00:47:59,400 --> 00:48:01,920
Speaker 3: and then when you're least expected, boss, there will be

1085
00:48:02,560 --> 00:48:04,800
Speaker 3: with a great VID with Sophie.

1086
00:48:04,800 --> 00:48:08,160
Speaker 2: With Sophie, Yeah, we have had fun. We've had a

1087
00:48:08,200 --> 00:48:11,120
Speaker 2: lot of fun. Let's try and piss each other off.

1088
00:48:12,120 --> 00:48:13,680
Speaker 1: We said that, do you al ready to go?

1089
00:48:14,480 --> 00:48:17,160
Speaker 3: I think I think I'd admit it out, So you go, Okay.

1090
00:48:17,280 --> 00:48:20,320
Speaker 2: I ed it. Chill thirty seconds off of me?

1091
00:48:21,080 --> 00:48:28,719
Speaker 1: All right? When you're watching live sport on TV at

1092
00:48:28,760 --> 00:48:33,719
Speaker 1: the game and the person sitting near you is just

1093
00:48:33,840 --> 00:48:36,960
Speaker 1: showing off that they know people by naming every person

1094
00:48:36,960 --> 00:48:39,759
Speaker 1: that gets the ball in their hands, I mean.

1095
00:48:39,680 --> 00:48:47,839
Speaker 3: It's just unnecessary. It's just unnecessary. I don't understand. Every

1096
00:48:47,880 --> 00:48:49,879
Speaker 3: time I'm at the ball, but full name, first name,

1097
00:48:49,960 --> 00:48:54,239
Speaker 3: last name, handle, first name, last name, handball, first name,

1098
00:48:54,320 --> 00:48:57,239
Speaker 3: last name, and then sometimes the person to kick a goal,

1099
00:48:57,520 --> 00:49:00,960
Speaker 3: and then all stats for that player and what really?

1100
00:49:01,840 --> 00:49:05,800
Speaker 3: And again, I just like happy for the person to

1101
00:49:05,840 --> 00:49:07,480
Speaker 3: enjoying themselves, but you know, give it.

1102
00:49:07,480 --> 00:49:09,719
Speaker 1: To yourself, and then it hurts when you lose.

1103
00:49:10,760 --> 00:49:12,759
Speaker 2: Yes, and that particularly couple of.

1104
00:49:12,760 --> 00:49:15,600
Speaker 3: Seconds ago, Yes, and that was painful, and that particular

1105
00:49:15,640 --> 00:49:19,120
Speaker 3: person got really up and about need me in the

1106
00:49:19,160 --> 00:49:19,719
Speaker 3: back of the head.

1107
00:49:26,000 --> 00:49:27,040
Speaker 2: Oh, you've got me.

1108
00:49:27,000 --> 00:49:29,879
Speaker 1: There, so I need to ring. No, I don't any

1109
00:49:29,880 --> 00:49:30,520
Speaker 1: more about that door.

1110
00:49:30,600 --> 00:49:36,120
Speaker 2: Yesterday was a tough day. Okay, here I go, trying

1111
00:49:36,160 --> 00:49:37,400
Speaker 2: to return serve well.

1112
00:49:37,440 --> 00:49:41,640
Speaker 1: I was also going to add the fact that your

1113
00:49:41,760 --> 00:49:43,120
Speaker 1: mates could go with you.

1114
00:49:46,400 --> 00:49:49,200
Speaker 3: Actually I chose to go with my girlfriends to the game.

1115
00:49:49,320 --> 00:49:52,000
Speaker 2: Sure, and how dare you how dare you.

1116
00:49:52,440 --> 00:49:55,799
Speaker 3: Fair make any assumptions away from that?

1117
00:49:56,280 --> 00:49:57,920
Speaker 1: You told me you had to go through a list.

1118
00:49:58,080 --> 00:50:00,160
Speaker 2: That was not a list, and if there were, the

1119
00:50:00,160 --> 00:50:01,280
Speaker 2: list that was a small list.

1120
00:50:06,200 --> 00:50:07,880
Speaker 1: Did the ring around you are?

1121
00:50:08,040 --> 00:50:11,560
Speaker 3: You're in an exceptionally good, exceptionally good mood because and

1122
00:50:11,600 --> 00:50:12,960
Speaker 3: now it's going to be hard, all right, now you

1123
00:50:13,000 --> 00:50:16,399
Speaker 3: go for it, all right, you just did it, by

1124
00:50:16,400 --> 00:50:17,759
Speaker 3: the way, you just did anything that I'm about to

1125
00:50:17,760 --> 00:50:18,240
Speaker 3: talk about.

1126
00:50:18,480 --> 00:50:19,759
Speaker 1: Here's the thing, but it annoys me.

1127
00:50:19,880 --> 00:50:21,799
Speaker 3: Yeah, you wait though, you wait when I come with

1128
00:50:21,800 --> 00:50:26,879
Speaker 3: the kicker. You wait when you correct someone on something, Yeah,

1129
00:50:26,920 --> 00:50:29,120
Speaker 3: because you're trying to help them and then they get

1130
00:50:29,160 --> 00:50:30,840
Speaker 3: angry at you, going like, oh you're so arrogant.

1131
00:50:30,880 --> 00:50:31,880
Speaker 2: You had to know it all.

1132
00:50:31,960 --> 00:50:35,879
Speaker 1: Oh nah, I can understand that because I know, because

1133
00:50:35,920 --> 00:50:38,120
Speaker 1: sometimes I can do it too quickly and it looks

1134
00:50:38,160 --> 00:50:41,160
Speaker 1: like I'm being offensive and it looks like I'm being

1135
00:50:41,280 --> 00:50:42,880
Speaker 1: arrogant about it. I'm not being arraying it about it.

1136
00:50:42,960 --> 00:50:44,400
Speaker 1: I just need to learn to be a little bit

1137
00:50:44,400 --> 00:50:46,880
Speaker 1: more patient if they are if they have said it incorrectly. A.

1138
00:50:47,040 --> 00:50:48,880
Speaker 1: I probably don't know the answer every time, and B

1139
00:50:49,120 --> 00:50:51,480
Speaker 1: I've probably stepped in far too quickly and that's inappropriate.

1140
00:50:51,520 --> 00:50:53,360
Speaker 1: That's annoying for the other person.

1141
00:50:53,440 --> 00:50:55,480
Speaker 2: So you're not angry.

1142
00:50:55,920 --> 00:50:58,560
Speaker 1: It's a good lesson for me to learn. But you

1143
00:50:58,560 --> 00:51:00,879
Speaker 1: you make a lot of mistakes. And the good thing

1144
00:51:00,960 --> 00:51:03,160
Speaker 1: is that when I think, I think when you do.

1145
00:51:03,200 --> 00:51:05,400
Speaker 3: Say things like you could have just let them on

1146
00:51:05,440 --> 00:51:06,759
Speaker 3: fly before when I said.

1147
00:51:06,880 --> 00:51:09,160
Speaker 1: Nip it in the butt, or just say hang it

1148
00:51:09,200 --> 00:51:12,400
Speaker 1: on to dry, hang you well, you know, washing with

1149
00:51:12,840 --> 00:51:17,600
Speaker 1: various different expressions that you make a complete cockup of

1150
00:51:18,120 --> 00:51:20,279
Speaker 1: which I enjoy correcting you about, and you actually take

1151
00:51:20,320 --> 00:51:22,239
Speaker 1: pretty well. Now. I think you, I think you just

1152
00:51:22,520 --> 00:51:26,040
Speaker 1: I think now it's almost like it's almost like you.

1153
00:51:26,200 --> 00:51:28,200
Speaker 1: I'm you would be lost without me.

1154
00:51:28,960 --> 00:51:31,520
Speaker 3: Last delt Goods on the show last week to get

1155
00:51:31,520 --> 00:51:32,400
Speaker 3: that on the podcast.

1156
00:51:32,640 --> 00:51:34,320
Speaker 1: But you know what I mean, I think that you

1157
00:51:34,320 --> 00:51:38,000
Speaker 1: you can now just clumsily fumble your way through the

1158
00:51:38,600 --> 00:51:40,920
Speaker 1: world of words, and I'm going to be there to

1159
00:51:40,960 --> 00:51:42,680
Speaker 1: sort of like shepperd you back into shape.

1160
00:51:42,760 --> 00:51:44,000
Speaker 2: You're my daddy.

1161
00:51:45,719 --> 00:51:47,319
Speaker 3: Is that what you're asking for? I know you're asking

1162
00:51:47,320 --> 00:51:49,799
Speaker 3: for it. Yes, will You're my daddy, and I'd be

1163
00:51:49,840 --> 00:51:52,479
Speaker 3: nothing without you, and thank you for always been a rocket.

1164
00:51:52,520 --> 00:51:54,479
Speaker 1: It goes both ways, so that i'd be nothing without you.

1165
00:51:54,520 --> 00:51:56,040
Speaker 1: Here we are the.

1166
00:51:56,000 --> 00:51:59,040
Speaker 2: Harder argument to make. No, it's not you think I'm good?

1167
00:52:04,600 --> 00:52:06,880
Speaker 1: Do you think I'm good?

1168
00:52:08,960 --> 00:52:12,080
Speaker 2: It's such a weird complex going on here. No exers

1169
00:52:12,160 --> 00:52:13,560
Speaker 2: one of my pros. I feel it. We've just been

1170
00:52:13,600 --> 00:52:15,600
Speaker 2: you know, you have so many pros go on.

1171
00:52:16,080 --> 00:52:16,560
Speaker 6: Yeah, you know.

1172
00:52:16,960 --> 00:52:23,160
Speaker 1: I love you Catty for improvisation. You're creatively bright, you're vibrant,

1173
00:52:23,280 --> 00:52:24,520
Speaker 1: You've got great energy.

1174
00:52:24,719 --> 00:52:25,799
Speaker 2: You producers writing these.

1175
00:52:26,120 --> 00:52:27,840
Speaker 1: I've got so many eveythings I can say about it.

1176
00:52:27,840 --> 00:52:31,760
Speaker 1: You're warm, you're compassionate, you're empathic. Thanks, so many things.

1177
00:52:33,320 --> 00:52:34,520
Speaker 1: That's a nice way to end the show, as well.

1178
00:52:34,719 --> 00:52:36,520
Speaker 1: Know each other and then pump each other. If you've

1179
00:52:36,520 --> 00:52:37,240
Speaker 1: missed anything.

1180
00:52:37,040 --> 00:52:37,399
Speaker 2: From the show.

1181
00:52:37,440 --> 00:52:39,680
Speaker 1: iHeartRadio is the place to find on the app. Sophie

1182
00:52:39,680 --> 00:52:41,200
Speaker 1: marks if it will be on the socials. Will and

1183
00:52:41,239 --> 00:52:44,120
Speaker 1: Woody on Facebook, Will and Woody on Instagram. Very very shortly.

1184
00:52:44,400 --> 00:52:48,080
Speaker 1: We've got big guests coming up this week. Yeah, that's right.

1185
00:52:48,120 --> 00:52:50,080
Speaker 1: There's a whole bunch of comedians that are touring the

1186
00:52:50,080 --> 00:52:54,279
Speaker 1: country for every city's respective comedy festival. We're gonna have

1187
00:52:54,320 --> 00:52:56,080
Speaker 1: some belts on the show now. Joel Creesey's going to

1188
00:52:56,080 --> 00:52:58,480
Speaker 1: be joining us at some stage as well. Nazim Hussein,

1189
00:52:58,640 --> 00:53:03,279
Speaker 1: I've seen Becky kus. Great little run, gonna be running hard.

1190
00:53:03,360 --> 00:53:05,400
Speaker 2: I've got a feeling Rachel Finch might be popping in.

1191
00:53:05,600 --> 00:53:09,200
Speaker 2: I've got a feeling but she might be popping in.

1192
00:53:09,800 --> 00:53:11,880
Speaker 2: It's a it's a revolving door here at Will and Woody.

1193
00:53:12,200 --> 00:53:17,080
Speaker 2: Happy is it? It's a locked door. But if you

1194
00:53:19,800 --> 00:53:22,160
Speaker 1: Did a fresh way to drives home with Will and

1195
00:53:22,239 --> 00:53:22,560
Speaker 1: Woody