1 00:00:00,920 --> 00:00:03,480 Speaker 1: The Jonesy demanded show as we know it started in 2 00:00:03,520 --> 00:00:07,680 Speaker 1: the aftermath of the two thousand and four tsunami in Pouquet. 3 00:00:07,280 --> 00:00:11,160 Speaker 2: An undersea earthquake sent enormous way. Since then, we've been 4 00:00:11,200 --> 00:00:14,960 Speaker 2: here as you're constant, while the world changed social media 5 00:00:14,960 --> 00:00:19,960 Speaker 2: time it changed three for brock or oil, weddinghiph. 6 00:00:20,440 --> 00:00:26,079 Speaker 1: Matter for respect like a sentinel. We have watched over 7 00:00:26,120 --> 00:00:29,080 Speaker 1: the world since two thousand and five, and thanks. 8 00:00:28,840 --> 00:00:31,800 Speaker 2: To a detailed set of diaries that Jonesy has kept. 9 00:00:31,600 --> 00:00:33,800 Speaker 1: Well they're kind of detailed, but we do have a 10 00:00:33,840 --> 00:00:38,600 Speaker 1: time travelers podcast of a highly successful radio show. Highly 11 00:00:38,680 --> 00:00:44,000 Speaker 1: successful a podcast of a moderately successful radio show. 12 00:00:44,080 --> 00:00:45,879 Speaker 2: All right, well let's begin, shall we. 13 00:00:46,520 --> 00:00:49,959 Speaker 1: It's two thousand and seven. Look at us go now 14 00:00:50,000 --> 00:00:50,800 Speaker 1: in two thousand and seven. 15 00:00:50,840 --> 00:00:51,240 Speaker 3: It is great. 16 00:00:51,320 --> 00:00:53,080 Speaker 1: We used to get a lot of press back then. 17 00:00:53,120 --> 00:00:54,600 Speaker 1: Remember when we used to get a lot of press. 18 00:00:54,960 --> 00:00:56,240 Speaker 1: Radio used to be a big deal. 19 00:00:56,360 --> 00:00:59,840 Speaker 2: People would write about radio. They'd write about what we're 20 00:01:00,040 --> 00:01:02,160 Speaker 2: up to, located where Look at us. 21 00:01:02,200 --> 00:01:05,560 Speaker 3: Here we're at the launch of sea patrol. It was 22 00:01:05,600 --> 00:01:06,280 Speaker 3: a sea patrol. 23 00:01:06,440 --> 00:01:08,000 Speaker 2: I never went to the launch of sea patrol. 24 00:01:08,040 --> 00:01:10,200 Speaker 3: Well you did. Look, there's a picture of Brendan Jones 25 00:01:10,240 --> 00:01:11,039 Speaker 3: at Amanda Kella. 26 00:01:11,160 --> 00:01:12,520 Speaker 2: Oh so we're on that big ship. 27 00:01:12,640 --> 00:01:15,280 Speaker 3: There's not one picture, right, You're on a big ship for. 28 00:01:15,280 --> 00:01:16,360 Speaker 2: The launch of Sea Patrol. 29 00:01:16,600 --> 00:01:20,200 Speaker 1: And you remember that Mike Carlton from he was on 30 00:01:20,240 --> 00:01:22,360 Speaker 1: two U at the time. He'd had a few wines 31 00:01:22,560 --> 00:01:24,280 Speaker 1: and then he said, why don't we go and play 32 00:01:24,319 --> 00:01:25,679 Speaker 1: pool at the W Hotel? 33 00:01:25,720 --> 00:01:27,480 Speaker 2: And we did, didn't we? 34 00:01:27,480 --> 00:01:30,200 Speaker 3: We played pool with Mike Carlton at the W Hotel. 35 00:01:30,280 --> 00:01:32,800 Speaker 2: I don't go out anymore. I went out a lot then, 36 00:01:32,880 --> 00:01:33,200 Speaker 2: didn't you. 37 00:01:33,319 --> 00:01:35,080 Speaker 1: Back of those days, I guess we were young though, 38 00:01:35,160 --> 00:01:36,440 Speaker 1: you know, we had little kids at home. 39 00:01:36,520 --> 00:01:39,520 Speaker 3: Yeah, but this was we I was thirty seven. 40 00:01:39,880 --> 00:01:41,800 Speaker 2: I was one hundred and fifty eight and you were 41 00:01:41,959 --> 00:01:43,040 Speaker 2: you were under fifty. 42 00:01:43,800 --> 00:01:47,200 Speaker 3: You were like forty two or forty three. You know, 43 00:01:47,280 --> 00:01:49,080 Speaker 3: we were having fun back in those days. 44 00:01:49,360 --> 00:01:51,200 Speaker 1: I just looked at this another letter for my daughter 45 00:01:51,440 --> 00:01:53,680 Speaker 1: about getting a dog. Look have a look at that. 46 00:01:53,800 --> 00:01:53,960 Speaker 2: Try. 47 00:01:54,280 --> 00:01:58,080 Speaker 1: This is my daughters now twenty four years of age, 48 00:01:58,160 --> 00:02:00,880 Speaker 1: and she's always wanted a dog. Thing about my daughter, 49 00:02:00,880 --> 00:02:03,559 Speaker 1: I love her dearly, but she cannot for the life 50 00:02:03,600 --> 00:02:06,520 Speaker 1: of her look after anything. She likes the idea of 51 00:02:06,560 --> 00:02:08,560 Speaker 1: a dog, but it takes a lot of effort to 52 00:02:08,560 --> 00:02:09,120 Speaker 1: look after what. 53 00:02:09,280 --> 00:02:10,960 Speaker 2: I can really relate to this. I used to do 54 00:02:11,000 --> 00:02:13,160 Speaker 2: the same thing. I used to write letters and cards 55 00:02:13,160 --> 00:02:15,520 Speaker 2: to my parents asking for a dog. She's got before 56 00:02:15,560 --> 00:02:19,000 Speaker 2: and after drawings a sad crying face before after smiling face, 57 00:02:19,320 --> 00:02:22,640 Speaker 2: thanks everyone, a puppy, and then she's drawn a dog. 58 00:02:23,560 --> 00:02:27,600 Speaker 2: It looks like as the best drawing. So something Stephen 59 00:02:27,680 --> 00:02:29,920 Speaker 2: King's come up with, and the dog saying by me, 60 00:02:30,919 --> 00:02:35,240 Speaker 2: and she has cute face, beautiful for swanky tail swanky 61 00:02:35,840 --> 00:02:39,120 Speaker 2: divide the area so that cats can stay inside and 62 00:02:39,160 --> 00:02:42,639 Speaker 2: the cute puppy can stay outside. The promise underlined, I 63 00:02:42,680 --> 00:02:46,600 Speaker 2: will be very good anything for one puppy. Yeah, then turnover. 64 00:02:46,639 --> 00:02:49,680 Speaker 2: It says I love dogs because they are fun and entertaining. 65 00:02:50,160 --> 00:02:52,440 Speaker 2: So this is a picture of Romany training a dog 66 00:02:52,520 --> 00:02:54,720 Speaker 2: to jump over a jump, because that's what you do 67 00:02:54,880 --> 00:02:57,919 Speaker 2: with dogs. Plus a blank one she didn't get ready 68 00:02:57,919 --> 00:03:01,160 Speaker 2: of filling that one out. Plus Roman, Hey, Laura, want 69 00:03:01,200 --> 00:03:06,079 Speaker 2: to walk our dogs? Yeah? Sure, Shaw and. 70 00:03:06,880 --> 00:03:08,160 Speaker 3: Just monk the kid's spell. 71 00:03:08,680 --> 00:03:11,200 Speaker 2: How could you not give you in Brenda, I'm still close. 72 00:03:11,240 --> 00:03:13,639 Speaker 2: That never gave in cuts me. 73 00:03:13,800 --> 00:03:17,040 Speaker 1: I'm telling you right now. And what she's done these days. 74 00:03:17,639 --> 00:03:20,320 Speaker 1: The potential son in law, who I love dearly as 75 00:03:20,360 --> 00:03:23,120 Speaker 1: a bit of spade work, he caved and bought a 76 00:03:23,120 --> 00:03:25,120 Speaker 1: dog for himself, even though he didn't want one. 77 00:03:25,360 --> 00:03:26,200 Speaker 3: So she's got a. 78 00:03:26,160 --> 00:03:28,400 Speaker 1: Dog by Stealth, which comes over to our house probably 79 00:03:28,440 --> 00:03:31,440 Speaker 1: about two three times a week. The thing is the 80 00:03:31,440 --> 00:03:34,200 Speaker 1: dog starving to death. It is doesn't get walked. No 81 00:03:34,240 --> 00:03:36,360 Speaker 1: one cleans up and pooh, that's not true. 82 00:03:36,360 --> 00:03:37,120 Speaker 3: It's true. 83 00:03:37,760 --> 00:03:39,720 Speaker 1: Rome just likes the idea of a dog, but she 84 00:03:39,760 --> 00:03:41,120 Speaker 1: can't actually look after the dog. 85 00:03:41,160 --> 00:03:43,600 Speaker 2: Well, my dad had grown up on a farm and 86 00:03:43,640 --> 00:03:46,640 Speaker 2: that dogs were working animals, and so we never had one. 87 00:03:46,640 --> 00:03:48,320 Speaker 2: And Mum said, when you get your own place, you 88 00:03:48,360 --> 00:03:49,920 Speaker 2: can have a dog. I to wait till I was 89 00:03:49,960 --> 00:03:50,560 Speaker 2: a grown. 90 00:03:50,720 --> 00:03:52,720 Speaker 1: So when she gets her own place, when she's fifty, 91 00:03:53,080 --> 00:03:54,400 Speaker 1: then she can go and get a dog. 92 00:03:54,520 --> 00:03:56,800 Speaker 3: But until then there's no dog in our Wait. 93 00:03:56,880 --> 00:03:58,520 Speaker 2: Look at this. You know what else happened this year? 94 00:03:58,560 --> 00:04:01,160 Speaker 2: You're hardly a pinnacle of great behavior. You lost your 95 00:04:01,200 --> 00:04:03,840 Speaker 2: wallet three times. Look I can see in your diary 96 00:04:03,880 --> 00:04:08,160 Speaker 2: there Amanda picks up my wallet. Remember this, So you 97 00:04:09,080 --> 00:04:10,760 Speaker 2: lost your wallet. You get a call from a guy 98 00:04:10,800 --> 00:04:12,760 Speaker 2: who lives in a suburb not far from He was. 99 00:04:12,720 --> 00:04:14,800 Speaker 3: The taxi driver. Oh was he the taxi He was 100 00:04:14,800 --> 00:04:15,520 Speaker 3: the taxi driver. 101 00:04:16,080 --> 00:04:18,960 Speaker 2: So I had to drive to his place relatively late 102 00:04:19,000 --> 00:04:20,799 Speaker 2: at night, I think I remember. 103 00:04:20,920 --> 00:04:21,960 Speaker 3: Yeah, he was a bronzie. 104 00:04:22,120 --> 00:04:24,039 Speaker 2: Yeah, but he was up this little side street, and 105 00:04:24,040 --> 00:04:24,360 Speaker 2: it was all. 106 00:04:24,600 --> 00:04:25,760 Speaker 3: He was a little bit. He was a little bit. 107 00:04:26,000 --> 00:04:29,160 Speaker 3: It wasn't dodgy. I wouldn't say that such a thing. 108 00:04:29,240 --> 00:04:32,680 Speaker 2: Dodgy to his house, knocked at the door, no answer. 109 00:04:32,720 --> 00:04:34,720 Speaker 2: I'm going down this side passage. I thought, this is 110 00:04:34,760 --> 00:04:37,280 Speaker 2: where I end up in a shallow grave. From Brendan's wallet, 111 00:04:37,360 --> 00:04:38,760 Speaker 2: and I happen to know there's nothing in it. 112 00:04:39,680 --> 00:04:42,719 Speaker 3: A couple of moths, that's all. Hang on a minute. 113 00:04:42,800 --> 00:04:45,240 Speaker 1: What about that time that you lost your phone or 114 00:04:45,279 --> 00:04:47,240 Speaker 1: your wallet or something and the guy the found it 115 00:04:47,360 --> 00:04:48,360 Speaker 1: rang Andrew. 116 00:04:48,120 --> 00:04:50,560 Speaker 2: Dent because he said he saw his number in there 117 00:04:50,800 --> 00:04:51,359 Speaker 2: the phone. 118 00:04:51,480 --> 00:04:53,880 Speaker 3: Yeah, so he rang Andrew didn't to get your phone back, 119 00:04:53,960 --> 00:04:57,159 Speaker 3: So let he without sin cast the floor phone. 120 00:04:57,200 --> 00:04:58,919 Speaker 2: Okay, all right, fair enough. 121 00:04:58,760 --> 00:05:00,680 Speaker 1: What about this? This is something we were we're discussing 122 00:05:00,720 --> 00:05:03,200 Speaker 1: on the air. You still kept that unwrapped. 123 00:05:04,200 --> 00:05:04,799 Speaker 2: Have a look. 124 00:05:04,839 --> 00:05:08,040 Speaker 3: This is from Zoo Weekly magazine. Remember Zoo Weekly magazine. 125 00:05:08,120 --> 00:05:12,560 Speaker 2: So unwrap your girlfriend the naughty knot for just thirty dollars. Yep, oh, 126 00:05:12,600 --> 00:05:15,120 Speaker 2: look at that where you tie the bottom bit right round. There. 127 00:05:15,440 --> 00:05:18,159 Speaker 2: You're trussing up a chicken. Tired of your girlfriend nagging 128 00:05:18,240 --> 00:05:20,960 Speaker 2: about what you want for your birthday or Christmas. If 129 00:05:21,000 --> 00:05:23,159 Speaker 2: only she knew how simple it was. Ask her to 130 00:05:23,240 --> 00:05:26,400 Speaker 2: take her kid off isn't always going to work. So 131 00:05:26,440 --> 00:05:27,880 Speaker 2: the least you can do is let her spend a 132 00:05:27,880 --> 00:05:30,279 Speaker 2: bit of money on the naughty knot. The idea is 133 00:05:30,320 --> 00:05:33,880 Speaker 2: simple yet ingenius. She gets starkers save for the ribbon. 134 00:05:34,120 --> 00:05:36,120 Speaker 2: Then you get to unwrapp her and do what you 135 00:05:36,160 --> 00:05:37,120 Speaker 2: will with the gift. 136 00:05:38,000 --> 00:05:46,920 Speaker 3: I took mine back wrong side, it's too big. Got 137 00:05:47,040 --> 00:05:47,719 Speaker 3: something else? 138 00:05:48,680 --> 00:05:49,640 Speaker 2: You got a wheelbarrow? 139 00:05:52,680 --> 00:05:56,800 Speaker 1: Yeah, that was a good gift that you know what 140 00:05:56,839 --> 00:05:59,719 Speaker 1: else when you're outraged in the newspaper, this is in 141 00:05:59,720 --> 00:06:00,839 Speaker 1: the morning herold. 142 00:06:01,320 --> 00:06:04,279 Speaker 3: Remember Sue James. 143 00:06:04,120 --> 00:06:07,240 Speaker 2: A radio, very good journalistic. She was the radio I used. 144 00:06:07,080 --> 00:06:09,720 Speaker 1: To write about. And this is before they write about influences. 145 00:06:09,760 --> 00:06:11,719 Speaker 1: If you notice now in the Telegraph they just write 146 00:06:11,720 --> 00:06:12,440 Speaker 1: about influences. 147 00:06:12,440 --> 00:06:15,480 Speaker 2: I don't know who anyone is anyway, Yes, the new influences. 148 00:06:15,520 --> 00:06:18,200 Speaker 3: We used to be influencers back in the olden days. 149 00:06:18,240 --> 00:06:19,520 Speaker 3: But we're not anymore. What are we now? 150 00:06:19,520 --> 00:06:23,200 Speaker 2: What are we classed as radio hosts, broadcasters? Yeah, it 151 00:06:23,240 --> 00:06:24,880 Speaker 2: just seems to be dinosaurs. 152 00:06:25,600 --> 00:06:28,839 Speaker 1: This article written by Sue Javes in July two thousand 153 00:06:28,839 --> 00:06:33,040 Speaker 1: and seven. Whoops, Last week The Guide accidentally omitted Amanda 154 00:06:33,120 --> 00:06:36,000 Speaker 1: Keller and Brendan Jones from its table of the top 155 00:06:36,120 --> 00:06:38,239 Speaker 1: ten ten breakfast shows in Sydney. 156 00:06:38,320 --> 00:06:39,919 Speaker 2: Didn't even make it in the top ten. 157 00:06:40,279 --> 00:06:41,560 Speaker 3: Well, this was the emission. 158 00:06:41,800 --> 00:06:46,599 Speaker 1: The WSFM show rates seven point one percent and comes 159 00:06:46,600 --> 00:06:50,560 Speaker 1: in six place between two dayfms Kyle and Jaggio and 160 00:06:50,680 --> 00:06:52,440 Speaker 1: mixes Sammy and Sabby. 161 00:06:53,000 --> 00:06:54,800 Speaker 2: Sammy and Subby. 162 00:06:54,440 --> 00:06:59,120 Speaker 1: Were sandwiched in between those guys two pandas Sammy Sammy 163 00:06:59,160 --> 00:07:03,039 Speaker 1: Powers not with us, Sami Power, Sammy Power, Sammie Lucas, No, 164 00:07:03,160 --> 00:07:07,240 Speaker 1: Sami Power, Oh, Sami Power? 165 00:07:07,400 --> 00:07:09,480 Speaker 3: Was it Sammi Power, Sammy Lucas, I can't remember. 166 00:07:09,520 --> 00:07:12,760 Speaker 2: Sammy Power is no longer with us inful room? 167 00:07:12,960 --> 00:07:16,280 Speaker 3: Yeah yeah, yeah, but it did go on to Sammy 168 00:07:17,080 --> 00:07:17,600 Speaker 3: and you me. 169 00:07:18,320 --> 00:07:19,840 Speaker 2: That also sounds like too how many. 170 00:07:19,920 --> 00:07:22,000 Speaker 1: Let's let's have a look so over there at kiss 171 00:07:22,000 --> 00:07:24,679 Speaker 1: and just a bit of scaffolding here so we work 172 00:07:24,920 --> 00:07:25,720 Speaker 1: for our rent. 173 00:07:25,920 --> 00:07:27,880 Speaker 3: So we've got our studio here WSFM. 174 00:07:28,160 --> 00:07:30,320 Speaker 1: Right next door, we've got the Edge, which is the 175 00:07:30,480 --> 00:07:33,040 Speaker 1: urban station in the place of that dreadful music that 176 00:07:33,120 --> 00:07:34,160 Speaker 1: says the N word. 177 00:07:33,920 --> 00:07:37,440 Speaker 3: All the time. But I just I just kn't of Buide. 178 00:07:37,560 --> 00:07:39,360 Speaker 1: And then next door to that, but I love the 179 00:07:39,440 --> 00:07:41,640 Speaker 1: kids on it, like mikey yan Em. And then next 180 00:07:41,640 --> 00:07:43,040 Speaker 1: door to that is Kyle and Jackie. 181 00:07:43,240 --> 00:07:46,200 Speaker 3: So what are we about fifty feet away from them? 182 00:07:46,280 --> 00:07:48,960 Speaker 2: So three radio stations boom boom boom, three studios. We 183 00:07:49,000 --> 00:07:50,760 Speaker 2: see everyone in the kitchen and the toilet. 184 00:07:50,400 --> 00:07:53,440 Speaker 1: And Mix before it became Kiss was a basket case, 185 00:07:53,560 --> 00:07:54,160 Speaker 1: wasn't it? 186 00:07:54,240 --> 00:07:54,440 Speaker 2: Well? 187 00:07:54,560 --> 00:07:55,320 Speaker 3: Never rated work. 188 00:07:55,400 --> 00:07:57,480 Speaker 2: They went through a stack of breakfast shows in the time. 189 00:07:57,640 --> 00:07:59,520 Speaker 1: Do you remember all the breakfast shows that Mix had 190 00:07:59,560 --> 00:08:01,440 Speaker 1: so started off with when I. 191 00:08:01,400 --> 00:08:04,360 Speaker 3: First started here, Sammy and Jason, Sammy and Jason. 192 00:08:04,640 --> 00:08:06,640 Speaker 2: Then Sammy and Alan Brow. 193 00:08:06,640 --> 00:08:09,560 Speaker 1: Alan Brow, the shoeless guy, and there I just loved 194 00:08:09,600 --> 00:08:11,000 Speaker 1: you but would never say anything to me. 195 00:08:11,240 --> 00:08:15,200 Speaker 3: You go, Hi, Amanda, Hi, Amanda, Hi, Amanda, Yes Hello. 196 00:08:16,120 --> 00:08:17,760 Speaker 2: Then there was Sammy and. 197 00:08:19,200 --> 00:08:21,560 Speaker 1: Well they got rid of Bro and there was Sammy 198 00:08:21,600 --> 00:08:24,559 Speaker 1: and Sabby and then then Sammy left. 199 00:08:24,800 --> 00:08:28,000 Speaker 3: They when did, and then there was Dr Andrew Rochford. 200 00:08:28,040 --> 00:08:32,400 Speaker 2: And Claire Claire Hooper. But that was and then Sammy Lucas. 201 00:08:32,080 --> 00:08:36,400 Speaker 1: Sammy Lucas, Yumy and Sammy and Yumy and Mary Rosso 202 00:08:36,480 --> 00:08:36,920 Speaker 1: was there for. 203 00:08:36,920 --> 00:08:39,080 Speaker 3: Rosso was on with Claire Hooper. 204 00:08:39,200 --> 00:08:41,320 Speaker 2: Are you sure it wasn't Sammy Lucas. 205 00:08:40,960 --> 00:08:41,360 Speaker 3: No, no, no. 206 00:08:41,679 --> 00:08:46,240 Speaker 1: Sammy Lucas worked with Rosso over it, over a Nova 207 00:08:46,280 --> 00:08:49,160 Speaker 1: and then put Sammy on with American Rosso. You know 208 00:08:49,200 --> 00:08:52,160 Speaker 1: your show's in trouble when they include a third person, 209 00:08:52,320 --> 00:08:54,560 Speaker 1: when you're a duo for some time. The day they 210 00:08:54,559 --> 00:08:54,920 Speaker 1: said to. 211 00:08:54,920 --> 00:08:57,400 Speaker 3: Us, oh, we're going to include Jimmy the. 212 00:08:57,360 --> 00:09:00,920 Speaker 2: Millennial hang on a minute, on a minute, And then 213 00:09:00,960 --> 00:09:04,640 Speaker 2: there were other ones, weren't there? No, I think that 214 00:09:04,720 --> 00:09:05,840 Speaker 2: might well Sonya. 215 00:09:05,520 --> 00:09:08,040 Speaker 3: And Todd Sonya and Toded that were a great white hope. 216 00:09:08,320 --> 00:09:10,680 Speaker 1: And remember that day they came here and they you know, 217 00:09:10,760 --> 00:09:12,920 Speaker 1: everyone thought they were going to be fantastic, The show 218 00:09:13,000 --> 00:09:14,160 Speaker 1: was going to be really, really good. 219 00:09:14,200 --> 00:09:15,560 Speaker 2: Do you remember we had to take part in the 220 00:09:15,559 --> 00:09:18,679 Speaker 2: big ceremony downstairs where all the salespeople were there. They 221 00:09:18,679 --> 00:09:20,920 Speaker 2: were given champagne. You'd like to clap them because there'd 222 00:09:20,960 --> 00:09:22,600 Speaker 2: been a story on one of the news things because 223 00:09:22,640 --> 00:09:24,000 Speaker 2: she was Sonya. 224 00:09:23,720 --> 00:09:25,600 Speaker 3: Who we love and Todd we love them. 225 00:09:25,600 --> 00:09:28,600 Speaker 2: But come from television, they said, Wow, television people on 226 00:09:28,679 --> 00:09:30,520 Speaker 2: radio And I'm sitting and thinking, what am I choplifting? 227 00:09:30,920 --> 00:09:31,120 Speaker 3: Hell? 228 00:09:31,559 --> 00:09:32,439 Speaker 2: Usually humiliating. 229 00:09:32,480 --> 00:09:35,640 Speaker 1: I remember just sitting up the front of that whole thing. Yeah, 230 00:09:35,760 --> 00:09:37,200 Speaker 1: come on, I was just there. And that's why we 231 00:09:37,320 --> 00:09:40,160 Speaker 1: just don't go to stuff anymore. Yeah, but they're lovely people. 232 00:09:40,679 --> 00:09:42,240 Speaker 1: But this job is harder than you think. And I 233 00:09:42,240 --> 00:09:44,800 Speaker 1: don't want to make us sound like we're heroes we're 234 00:09:44,840 --> 00:09:45,520 Speaker 1: saving lives. 235 00:09:45,640 --> 00:09:48,200 Speaker 2: No we're not. But it's it's it's not as easy 236 00:09:48,320 --> 00:09:51,679 Speaker 2: as people think. And that's what they turn through shows. 237 00:09:51,520 --> 00:09:54,679 Speaker 3: Metaphorically saving lives. You never know, we could be were 238 00:09:54,760 --> 00:09:57,600 Speaker 3: cheap people up. The thing about radio is consistency, really, 239 00:09:57,640 --> 00:09:58,000 Speaker 3: isn't it. 240 00:09:58,400 --> 00:10:00,480 Speaker 2: If you could bring your A game, might appreciate. 241 00:10:00,040 --> 00:10:02,040 Speaker 3: I could just show up, Well, forget. 242 00:10:01,720 --> 00:10:06,760 Speaker 2: Your A game? What about bees? Twenty seventeen, twenty two, seven. 243 00:10:06,559 --> 00:10:09,160 Speaker 3: Two and seven the B movie Jerry sein. 244 00:10:09,120 --> 00:10:11,760 Speaker 2: Jerry Seinfeld came in from a great interest. We went 245 00:10:11,760 --> 00:10:12,600 Speaker 2: to him in a hotel. 246 00:10:12,760 --> 00:10:15,720 Speaker 3: Yeah, but he was out of all the people we've interviewed, 247 00:10:15,720 --> 00:10:18,120 Speaker 3: and we've interviewed a lot of you know, a lot 248 00:10:18,120 --> 00:10:19,760 Speaker 3: of people, haven't we when you look at it. 249 00:10:20,080 --> 00:10:23,800 Speaker 1: But Jerry Seinfeld, Matt Damon, Jerry Seinfeld, They're right up there, 250 00:10:23,800 --> 00:10:24,199 Speaker 1: aren't they. 251 00:10:24,240 --> 00:10:27,720 Speaker 2: He played along and he remained as Jerry Seinfeld. He 252 00:10:27,840 --> 00:10:29,800 Speaker 2: didn't seem annoyed that he was talking to us, because 253 00:10:29,800 --> 00:10:31,480 Speaker 2: sometimes you think I'm not here because I'm a fan, 254 00:10:31,520 --> 00:10:34,560 Speaker 2: I'm doing a job. But he met us on the 255 00:10:34,600 --> 00:10:37,120 Speaker 2: same plane as he is got out. We loved it. 256 00:10:37,200 --> 00:10:38,959 Speaker 3: He got our show. And I think what happens with 257 00:10:39,000 --> 00:10:39,679 Speaker 3: a lot of people. 258 00:10:40,360 --> 00:10:43,560 Speaker 1: Guess when they come on a radio show, they know 259 00:10:43,679 --> 00:10:45,160 Speaker 1: nothing about your radio show. 260 00:10:45,559 --> 00:10:47,760 Speaker 3: So if they go and say Letterman, they know Letterman, 261 00:10:48,080 --> 00:10:48,800 Speaker 3: they know what they get. 262 00:10:48,840 --> 00:10:51,360 Speaker 2: Also, a lot of people rise to the occasion for 263 00:10:51,400 --> 00:10:54,600 Speaker 2: television and not radio. Whereas he gave radio the respect, right, 264 00:10:54,640 --> 00:10:55,320 Speaker 2: I appreciate it. 265 00:10:55,320 --> 00:10:56,840 Speaker 3: That radio is a bit of a bitch to TV, 266 00:10:57,080 --> 00:10:59,080 Speaker 3: isn't it? If they're in jail. 267 00:10:59,480 --> 00:11:02,840 Speaker 1: If radio on television was in jail, TV would be 268 00:11:02,880 --> 00:11:05,400 Speaker 1: on the top bunk. TV would be up there and 269 00:11:05,440 --> 00:11:06,920 Speaker 1: say you're on the bottom bug. 270 00:11:07,240 --> 00:11:09,000 Speaker 2: Do you think yeah, yeah, for sure, I think the 271 00:11:10,000 --> 00:11:13,559 Speaker 2: bottom bunk. The radio would be saying, no, the radio man, 272 00:11:13,600 --> 00:11:14,080 Speaker 2: you're fading. 273 00:11:14,480 --> 00:11:16,600 Speaker 3: Radio is smart. I tell what, I wouldn't mess with radio. 274 00:11:16,600 --> 00:11:18,880 Speaker 1: And out out there in the in the yard, the 275 00:11:18,960 --> 00:11:21,360 Speaker 1: radio is there, that's bench in the big weights, while 276 00:11:21,360 --> 00:11:22,560 Speaker 1: TV's standing. 277 00:11:22,240 --> 00:11:24,400 Speaker 2: There not seeing that it's diminishing. 278 00:11:24,480 --> 00:11:27,640 Speaker 3: You're not seeing. And then TV gets shanked in the shower. 279 00:11:30,440 --> 00:11:31,520 Speaker 2: You know, I think you've lost me. 280 00:11:31,920 --> 00:11:32,640 Speaker 3: I think I lost me. 281 00:11:33,000 --> 00:11:33,800 Speaker 2: Should we wrap up? 282 00:11:33,880 --> 00:11:36,640 Speaker 3: No, let's talk about Jerry. But Jerry was great in 283 00:11:36,679 --> 00:11:37,680 Speaker 3: the interview. He was great. 284 00:11:37,720 --> 00:11:39,800 Speaker 1: Remember that bit where we're talking about because Sting was 285 00:11:39,800 --> 00:11:42,520 Speaker 1: in the b movie. Remember that bit. And I said, so, 286 00:11:42,760 --> 00:11:45,719 Speaker 1: you know you got Sting in the movie and he 287 00:11:45,800 --> 00:11:47,640 Speaker 1: said yeah. I said, so this is who you're hanging 288 00:11:47,679 --> 00:11:50,320 Speaker 1: out with now, Sting And he say yeah. Well, you know, 289 00:11:50,360 --> 00:11:53,320 Speaker 1: he just asked me and I said, well, would you 290 00:11:53,360 --> 00:11:54,880 Speaker 1: be in a movie if we asked you? 291 00:11:56,040 --> 00:11:58,520 Speaker 3: And he said no. And then he looked at it 292 00:11:58,679 --> 00:12:01,840 Speaker 3: and he said, you guys aren't doing a movie, and 293 00:12:01,880 --> 00:12:04,880 Speaker 3: we both just went He was on to us, certainly, 294 00:12:05,400 --> 00:12:07,319 Speaker 3: but he saw us, he got us, He saw us. 295 00:12:07,559 --> 00:12:11,920 Speaker 1: He dug this man, well, I like to buy analogy 296 00:12:11,960 --> 00:12:15,360 Speaker 1: about TV being strong arming radio. 297 00:12:15,800 --> 00:12:18,480 Speaker 2: I'm going to go back to wrapping up your girlfriend. 298 00:12:18,520 --> 00:12:21,400 Speaker 2: But naughty not after it once you'd have to wash 299 00:12:21,400 --> 00:12:23,480 Speaker 2: it because one of the things goes right underneath and up. 300 00:12:23,640 --> 00:12:24,559 Speaker 3: Do you get your money back? 301 00:12:25,960 --> 00:12:28,040 Speaker 2: I would put it to you. Do most men look 302 00:12:28,040 --> 00:12:30,679 Speaker 2: at the picture? That's not the partner of most men? 303 00:12:30,720 --> 00:12:32,560 Speaker 3: Give me a look it. I just need to take that. Well, 304 00:12:32,600 --> 00:12:35,040 Speaker 3: I'm just for research purposes. She's blonde. 305 00:12:35,200 --> 00:12:38,080 Speaker 2: Not everyone's going to look good in that. Everyone's going 306 00:12:38,080 --> 00:12:38,880 Speaker 2: to look good in it. 307 00:12:39,000 --> 00:12:42,240 Speaker 3: But you know it's you know, what are you going 308 00:12:42,320 --> 00:12:44,520 Speaker 3: to do? Wrap up Susan Boyle in it? 309 00:12:45,600 --> 00:12:50,280 Speaker 2: Wrap up a motorbike? Well, thank you for enjoying this 310 00:12:51,320 --> 00:12:53,720 Speaker 2: a bit presumptuous. Thank you for sticking with this. 311 00:12:54,040 --> 00:12:56,640 Speaker 1: Yes, we'll be back next time. More letters from my 312 00:12:56,720 --> 00:12:58,560 Speaker 1: daughter about getting a dog. 313 00:12:58,880 --> 00:13:00,760 Speaker 2: Maybe you lose your wallet again, and who knows. 314 00:13:00,520 --> 00:13:04,040 Speaker 1: Probably more outrage how we've been dismissed by media writers. 315 00:13:04,679 --> 00:13:06,840 Speaker 3: That's all coming up next time on our podcast. 316 00:13:06,960 --> 00:13:11,520 Speaker 1: For more Jonesy and Avanda podcast, download the free iHeartRadio app.