1 00:00:01,080 --> 00:00:04,760 Speaker 1: Powered by the radio wapp from ninety six Air FM 2 00:00:04,960 --> 00:00:07,040 Speaker 1: to whereever you're listening today. 3 00:00:07,160 --> 00:00:09,879 Speaker 2: This is Clearzy Lisa's podcast. 4 00:00:10,360 --> 00:00:14,320 Speaker 3: Coming up on the podcast today, Celebrity Jungle evict Stephen 5 00:00:14,440 --> 00:00:19,560 Speaker 3: k Amos, Australian treasure SIGRed Thornton, We took your calls 6 00:00:19,560 --> 00:00:21,080 Speaker 3: on when did You Overdo It? 7 00:00:21,360 --> 00:00:23,760 Speaker 2: And beno'schet reviews Challenges. 8 00:00:24,200 --> 00:00:27,440 Speaker 3: So Phil in the last couple of years, I've producer 9 00:00:27,520 --> 00:00:29,720 Speaker 3: Susie's main aim in life is to make me feel 10 00:00:29,720 --> 00:00:34,280 Speaker 3: like the biggest slobberdillo. That's possibly because first of all, 11 00:00:34,680 --> 00:00:38,080 Speaker 3: she takes up cricket. That the Susie, you know we 12 00:00:38,159 --> 00:00:42,160 Speaker 3: our sport was drinking red wine together. The next minute 13 00:00:42,360 --> 00:00:46,000 Speaker 3: she's taken up cricket. So then she's doing Pete personal 14 00:00:46,040 --> 00:00:49,360 Speaker 3: training to support the you know, the strain on her 15 00:00:49,400 --> 00:00:52,880 Speaker 3: body of the cricket. And now all of a sudden 16 00:00:52,880 --> 00:00:57,280 Speaker 3: it's Pilate's Susi's joined us this morning. So are you 17 00:00:57,360 --> 00:01:00,440 Speaker 3: saying too much too soon? No, I'm just saying no 18 00:01:00,520 --> 00:01:07,200 Speaker 3: one likes a shop, no Susis because this no no, 19 00:01:07,400 --> 00:01:10,560 Speaker 3: but anything any kind of activity compared to how much 20 00:01:10,600 --> 00:01:15,240 Speaker 3: I do is overachieving. We want to talk about overdoing 21 00:01:15,280 --> 00:01:17,360 Speaker 3: it because this week you have taken things to a 22 00:01:18,120 --> 00:01:19,479 Speaker 3: little a bit of a new level. 23 00:01:19,640 --> 00:01:19,840 Speaker 4: Yeah. 24 00:01:19,880 --> 00:01:23,199 Speaker 5: So cricket just ended, and so I'm looking for something 25 00:01:23,240 --> 00:01:27,600 Speaker 5: to do over winter to keep me fit and preoccupied. 26 00:01:28,000 --> 00:01:30,520 Speaker 4: And so I was wrong with that with the couch 27 00:01:30,560 --> 00:01:33,920 Speaker 4: and Netflix. But yeah, tell us and. 28 00:01:33,920 --> 00:01:36,440 Speaker 5: I now have this addiction to walking like a cowgirl. 29 00:01:39,360 --> 00:01:41,479 Speaker 4: So this week I don't. 30 00:01:42,840 --> 00:01:46,880 Speaker 5: I'm very sore. So this week I bought a trial 31 00:01:47,080 --> 00:01:50,800 Speaker 5: pass to try out a place for polates, and it 32 00:01:50,840 --> 00:01:55,280 Speaker 5: was a three class trial pass, really cheap, but you 33 00:01:55,280 --> 00:01:57,320 Speaker 5: have to do it all in the same week. So 34 00:01:57,360 --> 00:01:58,920 Speaker 5: I was like, I'll just get them all out of 35 00:01:58,920 --> 00:02:01,720 Speaker 5: the way and I'll do three days in a row. 36 00:02:01,760 --> 00:02:03,240 Speaker 2: And you want to do all three because you've paid 37 00:02:03,240 --> 00:02:04,000 Speaker 2: for it exactly. 38 00:02:04,080 --> 00:02:06,040 Speaker 5: Yeah, you don't want to waste your money. Yeah, so 39 00:02:06,280 --> 00:02:12,000 Speaker 5: I've just done Monday, Tuesday, Wednesday pilates all different kinds, 40 00:02:12,240 --> 00:02:15,079 Speaker 5: and then I had pt on Monday and Wednesday. 41 00:02:15,320 --> 00:02:20,239 Speaker 4: So common mistake for beginners. Well, I have never. 42 00:02:20,120 --> 00:02:23,600 Speaker 2: Been in my life, so you might have overdone it. 43 00:02:23,639 --> 00:02:25,040 Speaker 4: To me, I might have overdone it. 44 00:02:25,639 --> 00:02:26,359 Speaker 3: Are you giving. 45 00:02:26,400 --> 00:02:28,760 Speaker 2: Polarates the thumbs up? By the way, I loved it? 46 00:02:28,840 --> 00:02:32,920 Speaker 3: Yeah, they do an old ladies polarates class old ladies 47 00:02:32,960 --> 00:02:34,160 Speaker 3: who've never really done much. 48 00:02:34,280 --> 00:02:37,200 Speaker 5: But I haven't done it for twelve years, and if 49 00:02:37,240 --> 00:02:38,359 Speaker 5: I can do it, anyone care. 50 00:02:38,960 --> 00:02:40,959 Speaker 4: But what about even longer than twelve? 51 00:02:41,480 --> 00:02:46,639 Speaker 2: What about you? You want to start now consolutely? I 52 00:02:46,720 --> 00:02:47,400 Speaker 2: were really good? 53 00:02:47,639 --> 00:02:49,600 Speaker 5: Okay, I do it at your own pace, and. 54 00:02:49,880 --> 00:02:51,360 Speaker 2: Oh well, that's I need that. 55 00:02:51,960 --> 00:02:53,560 Speaker 4: Maybe you should have taken that advice. 56 00:02:53,800 --> 00:02:55,880 Speaker 3: Here's what I always hated about that sort of group 57 00:02:55,919 --> 00:02:58,520 Speaker 3: exercise was that I came from the era of aerobics 58 00:02:58,520 --> 00:03:02,120 Speaker 3: instructors yelling you've got use it, don't lose it, and 59 00:03:02,160 --> 00:03:03,120 Speaker 3: it's like, shut up. 60 00:03:03,200 --> 00:03:05,520 Speaker 4: And that was on TV at six thirty in the morning. 61 00:03:06,760 --> 00:03:07,520 Speaker 2: Would yell at you. 62 00:03:07,760 --> 00:03:11,720 Speaker 3: That's like they called it motivation. I didn't call it motivation. 63 00:03:11,919 --> 00:03:15,560 Speaker 3: I called it today. Want to take your calls on 64 00:03:15,600 --> 00:03:17,480 Speaker 3: when you overdid it? It might not have just it 65 00:03:17,560 --> 00:03:18,600 Speaker 3: might have been exercise. 66 00:03:19,040 --> 00:03:20,000 Speaker 2: It might have been. 67 00:03:20,360 --> 00:03:24,640 Speaker 3: Shopping or food, or could be anything. Jamie and Bullsbrook, 68 00:03:24,680 --> 00:03:25,600 Speaker 3: When did you overdo it? 69 00:03:25,720 --> 00:03:29,640 Speaker 6: Good morning, December last year? Really overdone it? 70 00:03:29,919 --> 00:03:30,480 Speaker 2: What did you do? 71 00:03:31,200 --> 00:03:31,399 Speaker 4: Oh? 72 00:03:32,280 --> 00:03:33,160 Speaker 7: I decided to be a. 73 00:03:33,080 --> 00:03:37,000 Speaker 6: Good partner and escort the missus to Nicola or state 74 00:03:37,120 --> 00:03:44,640 Speaker 6: watch Robbie yeah, security for Robbie, so the missus didn't 75 00:03:44,640 --> 00:03:48,760 Speaker 6: get up on stage and evils winnings, yeah and yeah, 76 00:03:48,760 --> 00:03:53,040 Speaker 6: and then we got yeah, all right, so everyone's allowed 77 00:03:53,040 --> 00:03:57,880 Speaker 6: a stage pass. So yeah, we got separated in the 78 00:03:57,880 --> 00:04:00,880 Speaker 6: crowdch end up going up front stage like teeny boppers, 79 00:04:00,960 --> 00:04:02,920 Speaker 6: you know, doing all that sort of stuff. And I 80 00:04:03,080 --> 00:04:06,480 Speaker 6: just held the fence up like a good drinker. And 81 00:04:06,520 --> 00:04:09,000 Speaker 6: then the show finished and there's. 82 00:04:08,880 --> 00:04:12,360 Speaker 7: Quite a few people there. You wouldn't believe it, And yeah, 83 00:04:12,360 --> 00:04:13,200 Speaker 7: I couldn't find it. 84 00:04:14,040 --> 00:04:16,960 Speaker 6: And phone reception out there was a bit naked because 85 00:04:16,960 --> 00:04:21,400 Speaker 6: of everyone wanting a download on Facebook and you know, all. 86 00:04:21,279 --> 00:04:22,040 Speaker 8: That sort of stuff. 87 00:04:22,080 --> 00:04:25,080 Speaker 9: So I couldn't couldn't get a phone signal, couldn't ring her. 88 00:04:25,080 --> 00:04:27,720 Speaker 9: So I thought, I'll walk out onto the great Northern Ioway. 89 00:04:28,400 --> 00:04:31,560 Speaker 9: See me, I got out on a great Northern Ioway. 90 00:04:31,800 --> 00:04:34,320 Speaker 9: Who pointless standing around? I might as well just head 91 00:04:34,400 --> 00:04:38,120 Speaker 9: north and they'll seem my fat shape walking along the road. Yes, 92 00:04:39,279 --> 00:04:43,960 Speaker 9: So about ten minutes later, one of several beers want 93 00:04:44,000 --> 00:04:44,560 Speaker 9: to jump out. 94 00:04:44,600 --> 00:04:45,560 Speaker 6: So I pulled up on the. 95 00:04:45,480 --> 00:04:47,960 Speaker 9: Side of the road and in the dark and had 96 00:04:48,000 --> 00:04:50,760 Speaker 9: a bit of a you know, come back out onto the. 97 00:04:50,680 --> 00:04:51,919 Speaker 7: Footpath headed North. 98 00:04:52,839 --> 00:04:57,480 Speaker 8: Oh damn, half past five. The next morning got into 99 00:04:57,520 --> 00:04:58,040 Speaker 8: bulls Brook. 100 00:04:58,120 --> 00:05:00,800 Speaker 3: Oh my god, you want all all the way home 101 00:05:00,839 --> 00:05:02,360 Speaker 3: and you still meet some of the people out of 102 00:05:02,360 --> 00:05:03,520 Speaker 3: the car pome, Yes you did. 103 00:05:04,560 --> 00:05:07,640 Speaker 9: When you're built like a paving brick, you're not really 104 00:05:07,680 --> 00:05:08,560 Speaker 9: meant to walk too far. 105 00:05:09,520 --> 00:05:13,360 Speaker 6: So yeah, it took me three days to pretty much 106 00:05:13,360 --> 00:05:15,640 Speaker 6: get over it. And yeah, my calf muscles even now, 107 00:05:15,640 --> 00:05:17,680 Speaker 6: I still a little bit sore from carrying my ninety 108 00:05:17,720 --> 00:05:20,320 Speaker 6: kilo friend or frame half across the country. 109 00:05:20,839 --> 00:05:22,200 Speaker 4: Did you have your calorie counter on? 110 00:05:22,240 --> 00:05:24,839 Speaker 2: Because boy do you fit. 111 00:05:27,000 --> 00:05:29,200 Speaker 6: Yeah, when you're four foot sixteen, you sort of got 112 00:05:29,240 --> 00:05:31,080 Speaker 6: to do twice as many steps as everyone else to 113 00:05:31,120 --> 00:05:31,560 Speaker 6: get there. 114 00:05:31,880 --> 00:05:33,599 Speaker 7: So yeah, I felt like a bit of a duck. 115 00:05:33,480 --> 00:05:34,640 Speaker 6: Walking on home. 116 00:05:35,880 --> 00:05:36,080 Speaker 5: Yeah. 117 00:05:36,160 --> 00:05:46,240 Speaker 7: Yeah, laying up slawing, no, No, he's a big ugly fellow. 118 00:05:46,320 --> 00:05:50,440 Speaker 6: Now, when to patch that? So when I got into 119 00:05:50,480 --> 00:05:53,320 Speaker 6: bully Oh no, I can't do it anymore. I've got 120 00:05:53,320 --> 00:05:54,680 Speaker 6: to walk up the bloody big ells. 121 00:05:54,880 --> 00:05:56,080 Speaker 2: Yeah. 122 00:05:57,240 --> 00:05:59,600 Speaker 6: Lots of kids, he's having lots of kids with lots 123 00:05:59,600 --> 00:06:00,880 Speaker 6: of lice, is later on in. 124 00:06:00,839 --> 00:06:04,880 Speaker 7: Law to one of them. 125 00:06:05,720 --> 00:06:06,440 Speaker 6: It took me an hour. 126 00:06:06,480 --> 00:06:07,039 Speaker 8: I was sitting in. 127 00:06:07,440 --> 00:06:10,520 Speaker 6: Town, ringing around, ringing, around, ringing around until someone answered, 128 00:06:10,560 --> 00:06:12,400 Speaker 6: because I wasn't doing the last two and a half 129 00:06:12,520 --> 00:06:16,479 Speaker 6: ks went. I was that crawling sty by the time. 130 00:06:16,600 --> 00:06:18,680 Speaker 2: Find out how your friends are ja, Yes, exactly. 131 00:06:20,240 --> 00:06:21,360 Speaker 4: I appreciate that, mate. 132 00:06:21,560 --> 00:06:24,800 Speaker 10: Yeah, wow, yeah, that's I think a few people overdid 133 00:06:24,839 --> 00:06:25,800 Speaker 10: it after the Robbie. 134 00:06:25,600 --> 00:06:27,400 Speaker 2: Confers, Well, was just getting back to the highway. 135 00:06:27,640 --> 00:06:31,040 Speaker 10: Was quite quite the high and then people walked back 136 00:06:31,040 --> 00:06:34,120 Speaker 10: the following day to get that kind of whoa. 137 00:06:34,440 --> 00:06:36,760 Speaker 2: I think some has overdone that this year enough already 138 00:06:36,960 --> 00:06:37,920 Speaker 2: a major point. 139 00:06:37,800 --> 00:06:38,800 Speaker 4: Now by mother Nature. 140 00:06:38,880 --> 00:06:42,720 Speaker 2: Has you know, Shaye Midland, when did you overdo it? 141 00:06:43,400 --> 00:06:43,640 Speaker 7: Hey? 142 00:06:44,120 --> 00:06:49,560 Speaker 6: So I was watching Brooklyn ninety nine on Netflix one night. 143 00:06:50,560 --> 00:06:51,279 Speaker 8: Yeah, and. 144 00:06:53,040 --> 00:06:55,200 Speaker 7: I thought it was only midnight by the time I finished. 145 00:06:55,200 --> 00:06:57,680 Speaker 6: But I've looked to my window and I saw a 146 00:06:57,760 --> 00:06:58,080 Speaker 6: day like. 147 00:06:58,800 --> 00:07:03,960 Speaker 3: Oh Brooklyn nine nine can do that? Well with all 148 00:07:04,040 --> 00:07:07,160 Speaker 3: that have Yeah, binge watching a show overdoing it? That's 149 00:07:07,200 --> 00:07:08,080 Speaker 3: something I can get around. 150 00:07:08,120 --> 00:07:10,520 Speaker 4: Except with me, I watch, I can see the clock, 151 00:07:10,680 --> 00:07:11,920 Speaker 4: I can see it's getting. 152 00:07:11,680 --> 00:07:16,440 Speaker 10: Late, and I still go, yeah, just one more one more, yeah. 153 00:07:16,360 --> 00:07:17,960 Speaker 8: Yeah, you just one more episode. 154 00:07:18,240 --> 00:07:18,720 Speaker 7: I can do it. 155 00:07:18,720 --> 00:07:19,640 Speaker 4: I can go to bed right out. 156 00:07:19,680 --> 00:07:19,840 Speaker 9: Yeah. 157 00:07:20,600 --> 00:07:23,760 Speaker 2: So I caught chips you can't just do one, just 158 00:07:23,920 --> 00:07:26,120 Speaker 2: you know, one at the. 159 00:07:26,160 --> 00:07:27,920 Speaker 8: End of happening to do the rest of the day 160 00:07:28,120 --> 00:07:29,440 Speaker 8: just acting like a zombie. 161 00:07:29,560 --> 00:07:31,920 Speaker 3: Yes, but it was worth it, wasn't it. What a 162 00:07:31,920 --> 00:07:37,720 Speaker 3: great show, Thank Shaye, Thank you. Yeah, and something I 163 00:07:37,720 --> 00:07:41,720 Speaker 3: can relate to just about everything. Yeah, see that never 164 00:07:41,840 --> 00:07:43,600 Speaker 3: used to happen once upon a time, because you know, 165 00:07:43,760 --> 00:07:45,760 Speaker 3: to wait, you'd have to wait till now. I find 166 00:07:45,760 --> 00:07:46,320 Speaker 3: my saying. 167 00:07:46,360 --> 00:07:47,280 Speaker 4: I just hung. 168 00:07:47,600 --> 00:07:50,240 Speaker 3: I hate it the shows that come out week a 169 00:07:50,320 --> 00:07:53,480 Speaker 3: weekly basis. I can't remember what happened. I've watched so 170 00:07:53,520 --> 00:07:57,520 Speaker 3: many other things in between. AnyWho, I'm a celebrity. Get 171 00:07:57,520 --> 00:07:59,880 Speaker 3: me out of Here continues seven thirty tonight on ten. 172 00:08:00,560 --> 00:08:03,600 Speaker 3: But I was quite sad last night to see my 173 00:08:03,680 --> 00:08:07,560 Speaker 3: favorite in the jungle exit, Stephen k Amos. 174 00:08:07,600 --> 00:08:09,600 Speaker 2: Were you as sad as I was? 175 00:08:10,160 --> 00:08:10,320 Speaker 8: Ques? 176 00:08:10,440 --> 00:08:13,120 Speaker 2: Are you just really keen for a shower? 177 00:08:15,280 --> 00:08:18,280 Speaker 8: What a great question, Lita, and thank you very much. 178 00:08:19,000 --> 00:08:22,320 Speaker 8: I was very, very sad to leave because you know, 179 00:08:22,440 --> 00:08:24,880 Speaker 8: I could see them finishing line, and I was so 180 00:08:25,000 --> 00:08:28,400 Speaker 8: grateful for the vote to try and keep me in. 181 00:08:28,640 --> 00:08:31,720 Speaker 8: But you know what, my armpits and my nether regions 182 00:08:32,000 --> 00:08:36,000 Speaker 8: are reaching to high heaven. So it was only a 183 00:08:36,000 --> 00:08:40,840 Speaker 8: matter of time that shampoo and conditioner could do the design. 184 00:08:40,520 --> 00:08:44,600 Speaker 3: Effect if you weren't already you know, a little on 185 00:08:44,640 --> 00:08:48,640 Speaker 3: the sweaty side, only with a cold shower. 186 00:08:49,080 --> 00:08:51,120 Speaker 2: The challenge that you did the other night. 187 00:08:51,920 --> 00:08:57,640 Speaker 3: Scaling up a rock face blindfold, and we of we 188 00:08:57,679 --> 00:09:00,640 Speaker 3: are of well, we're the same age, Stephen, I can. 189 00:09:02,040 --> 00:09:02,600 Speaker 2: I just. 190 00:09:04,559 --> 00:09:07,839 Speaker 3: Yes, yes, exactly. I know that I wouldn't in a 191 00:09:07,920 --> 00:09:10,400 Speaker 3: fit with my eyes open. How hard was that? 192 00:09:10,920 --> 00:09:15,280 Speaker 8: Well, I've not scaled a war since I was probably 193 00:09:15,280 --> 00:09:18,120 Speaker 8: about seven years old, and I had a Spider Man 194 00:09:18,160 --> 00:09:20,600 Speaker 8: outfit on and it was at a birthday part of 195 00:09:20,640 --> 00:09:24,280 Speaker 8: my nine year old friend. So scaling wars has not 196 00:09:24,960 --> 00:09:29,160 Speaker 8: been my forte But you know what, and heights, well, 197 00:09:29,280 --> 00:09:32,520 Speaker 8: I'm not a big fan of heights either, But I 198 00:09:32,559 --> 00:09:35,800 Speaker 8: had Ellie with me, and I trusted her and her 199 00:09:35,960 --> 00:09:39,400 Speaker 8: judgment and her being calm despite the fact that her 200 00:09:39,480 --> 00:09:45,240 Speaker 8: head was surrounded by snake. And thankfully I had Peter 201 00:09:45,679 --> 00:09:47,640 Speaker 8: in the first couple of weeks of my time in 202 00:09:47,679 --> 00:09:50,360 Speaker 8: the jungle to help me work on my guns so 203 00:09:50,400 --> 00:09:53,240 Speaker 8: that I could pull my whole body weight up at 204 00:09:53,280 --> 00:09:56,240 Speaker 8: the strategic point so I could scale that war. It 205 00:09:56,320 --> 00:09:58,120 Speaker 8: was tough, but Wow. 206 00:09:58,000 --> 00:10:02,600 Speaker 10: We didn't Stephen. So that's one challenge. Did you have 207 00:10:02,640 --> 00:10:05,439 Speaker 10: a particular favorite or was it at least favorite? 208 00:10:06,320 --> 00:10:11,439 Speaker 8: My favorite challenge in terms of fun and excitement was 209 00:10:12,040 --> 00:10:13,720 Speaker 8: trying to fill the pie. 210 00:10:14,160 --> 00:10:15,800 Speaker 2: Now, oh, that was hilarious. 211 00:10:16,080 --> 00:10:21,239 Speaker 8: One that was, yeah, myself and Tristan wearing a complete 212 00:10:21,400 --> 00:10:25,840 Speaker 8: chef white and on her head on a treadmill, filling 213 00:10:26,880 --> 00:10:29,920 Speaker 8: a chef's hat with pie filling and then running across 214 00:10:29,960 --> 00:10:32,920 Speaker 8: an assault course and then filling the pie. I mean 215 00:10:33,040 --> 00:10:34,920 Speaker 8: that was I'm being shocked. 216 00:10:35,200 --> 00:10:36,480 Speaker 4: Yes, at the same time. 217 00:10:36,920 --> 00:10:41,200 Speaker 8: Now, the last time I was near any form of 218 00:10:41,240 --> 00:10:44,080 Speaker 8: pastry or filling was when I was about twelve years 219 00:10:44,120 --> 00:10:46,840 Speaker 8: old and I licked my mother's wooden sea And that 220 00:10:47,000 --> 00:10:47,840 Speaker 8: is not a euphemism. 221 00:10:51,320 --> 00:10:54,920 Speaker 4: It sounds as dangerous. And working at Gordon Ramsay's kitchen. 222 00:10:54,640 --> 00:10:57,680 Speaker 3: Yeah, now, this was more like licking the beatas while 223 00:10:57,720 --> 00:11:04,199 Speaker 3: they were still plugged in. Still, there's no small fate 224 00:11:04,920 --> 00:11:07,880 Speaker 3: that you learned to swim while you were there, that 225 00:11:08,559 --> 00:11:08,760 Speaker 3: you know? 226 00:11:08,880 --> 00:11:11,800 Speaker 2: That is amazing, do you know what? 227 00:11:12,000 --> 00:11:14,480 Speaker 8: I'd be honest, that was not in my remit. I 228 00:11:14,480 --> 00:11:17,240 Speaker 8: didn't even know that in the jungle there was a 229 00:11:17,280 --> 00:11:20,960 Speaker 8: creek and a waterfall. I didn't even know that we'd 230 00:11:20,960 --> 00:11:25,640 Speaker 8: have supreme athlete and the jungle let alone, a power 231 00:11:25,760 --> 00:11:30,520 Speaker 8: Alupian with seventy gold medals and seventeen mothers in total. 232 00:11:30,800 --> 00:11:34,240 Speaker 8: I thought, Wow, what an opportunity. How ridiculous would I 233 00:11:34,240 --> 00:11:37,320 Speaker 8: have looked if I said to Ellie, no, I don't 234 00:11:37,320 --> 00:11:40,160 Speaker 8: need lessons from you. I'm going to wear slippers and 235 00:11:40,240 --> 00:11:41,640 Speaker 8: just survived. 236 00:11:44,559 --> 00:11:44,920 Speaker 2: Athletes. 237 00:11:44,960 --> 00:11:48,720 Speaker 10: You have walked out of there with life changing skills. Yeah, 238 00:11:48,880 --> 00:11:49,880 Speaker 10: look at it that way. 239 00:11:50,320 --> 00:11:53,880 Speaker 8: Absolutely, it really has been. You know, I didn't expect that, 240 00:11:53,920 --> 00:11:56,520 Speaker 8: to be honest, I did not expect to have moments 241 00:11:56,559 --> 00:12:00,199 Speaker 8: where they were really so deep and meaningful. Learning out 242 00:12:00,240 --> 00:12:03,719 Speaker 8: to swim, learning how to build a fire, learning how 243 00:12:03,760 --> 00:12:07,680 Speaker 8: to be self sufficient, learning how to live for nearly 244 00:12:07,840 --> 00:12:11,920 Speaker 8: four weeks without my mobile phone elestricity. 245 00:12:12,320 --> 00:12:12,520 Speaker 1: Yeah. 246 00:12:12,640 --> 00:12:13,080 Speaker 8: Wow. 247 00:12:13,800 --> 00:12:16,600 Speaker 2: So look, I have a question that I've been wondering 248 00:12:16,600 --> 00:12:18,720 Speaker 2: for a while about. I'm a celeb. 249 00:12:19,040 --> 00:12:21,920 Speaker 3: We watch you do the challenges to get the stars 250 00:12:21,920 --> 00:12:25,239 Speaker 3: to get your dinner, but of course we watch Sunday 251 00:12:25,520 --> 00:12:30,560 Speaker 3: to Thursday. So what do you eat on Friday and 252 00:12:30,720 --> 00:12:31,600 Speaker 3: Saturday night? 253 00:12:32,640 --> 00:12:35,200 Speaker 8: What a great question, and I've got to say, you're 254 00:12:35,200 --> 00:12:38,960 Speaker 8: the third person to answer that question. You must assume 255 00:12:39,280 --> 00:12:45,280 Speaker 8: that we send out for cake out birds notes. You know, 256 00:12:45,480 --> 00:12:48,120 Speaker 8: we eat what we don't we eat In the morning 257 00:12:48,240 --> 00:12:51,360 Speaker 8: we eat oats and then for lunch we have beans 258 00:12:51,400 --> 00:12:54,240 Speaker 8: and rice. That was exactly what we eat. 259 00:12:54,640 --> 00:12:56,480 Speaker 2: Get anything on Friday Saturday night? 260 00:12:56,559 --> 00:13:02,280 Speaker 4: No, no, you can't come back Monday healthy. 261 00:13:02,679 --> 00:13:03,680 Speaker 2: No, that's right. 262 00:13:04,120 --> 00:13:06,720 Speaker 8: Can you imagine though? Yeah? Can you imagine if on 263 00:13:06,720 --> 00:13:09,920 Speaker 8: on Friday and Saturday we have the five STARMI with 264 00:13:10,040 --> 00:13:14,840 Speaker 8: a mission stance chef knowing right now, dis I'm last 265 00:13:14,880 --> 00:13:18,440 Speaker 8: nearly SEVENTI. Oh wow, that can't get. 266 00:13:18,240 --> 00:13:23,760 Speaker 3: Back the jungle diet. Well listen before we let you go. Well, 267 00:13:23,760 --> 00:13:25,080 Speaker 3: first of all, who would you like to see? 268 00:13:25,120 --> 00:13:28,360 Speaker 8: Win I would like to see in my I've got 269 00:13:28,440 --> 00:13:30,920 Speaker 8: to say this. In my top three, I want to 270 00:13:30,960 --> 00:13:36,240 Speaker 8: see Ellie, Tristan and Sky. Okay, I had to choose. 271 00:13:36,640 --> 00:13:37,920 Speaker 8: It has to be Sky. 272 00:13:38,120 --> 00:13:41,920 Speaker 3: She has been quite a little pocket rocket of entertainment, 273 00:13:41,920 --> 00:13:46,079 Speaker 3: hasn't she? Tell us about your upcoming show at the 274 00:13:46,200 --> 00:13:49,480 Speaker 3: Record Button the Regal during the Comedy Festival Oxymoron. 275 00:13:50,040 --> 00:13:53,599 Speaker 8: Yes, well, my show that's coming up in w A 276 00:13:53,880 --> 00:13:58,440 Speaker 8: is called oxymoron, which literally means a self contradict group phrase. 277 00:13:59,000 --> 00:14:01,280 Speaker 8: I love when the English saythings like oh, he's Allrey, 278 00:14:01,280 --> 00:14:06,199 Speaker 8: good show, I can tell you right now. So it's 279 00:14:06,240 --> 00:14:08,520 Speaker 8: going to be so different. It's going to be more 280 00:14:08,559 --> 00:14:11,720 Speaker 8: about what through than the jungle. Yeah, get on board 281 00:14:11,760 --> 00:14:13,240 Speaker 8: and see the real trooth. 282 00:14:13,520 --> 00:14:15,720 Speaker 3: Yes, friend of mine, it's going to be hard not 283 00:14:15,760 --> 00:14:19,240 Speaker 3: to talk about it for a while. Well, Stephen k Amos, 284 00:14:19,520 --> 00:14:22,840 Speaker 3: it's been great fun watching you in the Jungle. I've 285 00:14:22,920 --> 00:14:25,200 Speaker 3: enjoyed everything about it. I think Robert Erwin's done a 286 00:14:25,200 --> 00:14:29,560 Speaker 3: great job stepping into the doctor's shoes to join Julia. 287 00:14:30,280 --> 00:14:33,080 Speaker 8: For such a young man, Yeah, a young man with 288 00:14:33,440 --> 00:14:38,840 Speaker 8: such such intelligent and well lived shoulders. Yeah wow, Yeah, 289 00:14:38,840 --> 00:14:44,040 Speaker 8: great encouragement, great support to the lovely Julia. And you know, guys, 290 00:14:44,560 --> 00:14:45,480 Speaker 8: I can't fault them. 291 00:14:46,440 --> 00:14:49,400 Speaker 3: Well, we can't fault you, which is why you need 292 00:14:49,440 --> 00:14:51,720 Speaker 3: to get in for tickets for Steven at the Comedy 293 00:14:51,760 --> 00:14:55,560 Speaker 3: Festival May seventeen and eighteen. Tickets are available through Perthcomedy 294 00:14:55,640 --> 00:14:57,200 Speaker 3: Festival dot com. 295 00:14:57,760 --> 00:15:00,240 Speaker 2: Go and eat something delicious, Thank. 296 00:15:00,160 --> 00:15:01,440 Speaker 4: You, Steven. Go have a shower. 297 00:15:01,600 --> 00:15:03,600 Speaker 2: Yeah, and they need something delicious. 298 00:15:05,160 --> 00:15:08,040 Speaker 8: I can myself okay, thank you Steven. 299 00:15:09,440 --> 00:15:09,800 Speaker 2: Bye. 300 00:15:10,480 --> 00:15:14,200 Speaker 5: More Crazy more Lisa, More podcasts soon. 301 00:15:18,200 --> 00:15:22,840 Speaker 10: The Sure Report on ninety six air FM. 302 00:15:23,080 --> 00:15:26,960 Speaker 3: Mark Twain once quipped age is a case of mind 303 00:15:27,040 --> 00:15:30,640 Speaker 3: over matter. If you don't mind it, it doesn't matter. 304 00:15:31,120 --> 00:15:34,320 Speaker 3: And when it comes to Martin Scorsese, age certainly isn't 305 00:15:34,360 --> 00:15:37,800 Speaker 3: mattering to him. After landing ten Oscar nominations for last 306 00:15:37,840 --> 00:15:39,720 Speaker 3: year's Killers of the Flower Moon, which went for about 307 00:15:39,760 --> 00:15:42,640 Speaker 3: nine hours, the eighty one year old director has mapped 308 00:15:42,640 --> 00:15:46,000 Speaker 3: out two big new projects he's going to make back 309 00:15:46,000 --> 00:15:46,400 Speaker 3: to back. 310 00:15:46,680 --> 00:15:48,080 Speaker 2: First, I'll film. 311 00:15:47,840 --> 00:15:52,800 Speaker 3: About Jesus, just you know, I mean, they're never easy, 312 00:15:52,920 --> 00:15:57,520 Speaker 3: no film about Jesus. And then a Frank Sinatra biopic, 313 00:15:57,720 --> 00:15:59,560 Speaker 3: Sure about that? Yes, Now he's got his eye on 314 00:15:59,640 --> 00:16:02,640 Speaker 3: Andrew Field for the Jesus picture, and who do you reckon? 315 00:16:02,680 --> 00:16:04,040 Speaker 2: Scorsese wants to. 316 00:16:04,000 --> 00:16:11,440 Speaker 3: Play all Blue Eyes Wow his frequent favorite Leonardo di Caprio. 317 00:16:12,200 --> 00:16:16,280 Speaker 3: Let's talk of Jennifer Lawrence playing Sinatra's second wife as agent. 318 00:16:18,400 --> 00:16:20,000 Speaker 2: But he loves the boy. 319 00:16:20,840 --> 00:16:24,040 Speaker 3: And if that's not enough on his plate, Scorsese is 320 00:16:24,080 --> 00:16:27,400 Speaker 3: set to collaborate with Steven Spielberg on a TV series 321 00:16:27,480 --> 00:16:31,360 Speaker 3: version of the classic Cape Fear for Apple TV. Of course, 322 00:16:31,360 --> 00:16:34,080 Speaker 3: he directed Robert de Niro in the nineteen ninety one 323 00:16:34,160 --> 00:16:36,960 Speaker 3: film Come Out, Wherever you are. 324 00:16:39,920 --> 00:16:40,440 Speaker 6: Thankful. 325 00:16:45,480 --> 00:16:48,800 Speaker 2: I'm from the Black I'm from the Black Forest. That 326 00:16:49,040 --> 00:16:51,479 Speaker 2: was so terrifying. 327 00:16:51,920 --> 00:16:54,680 Speaker 3: Of course, Robert Mitchum was that guy in the Unit 328 00:16:54,960 --> 00:16:59,040 Speaker 3: sixty two original and then he popped up in the 329 00:16:58,760 --> 00:17:03,720 Speaker 3: the ninety two version or ninety one version, just just brilliant. 330 00:17:03,960 --> 00:17:08,400 Speaker 3: Both versions were fantastic, So I have, you know, high 331 00:17:08,440 --> 00:17:12,159 Speaker 3: hopes for the TV version. Ben o'she is going to 332 00:17:12,240 --> 00:17:14,520 Speaker 3: join us after eight thirty for his movie review today. 333 00:17:14,520 --> 00:17:17,600 Speaker 2: He's going to do the new tennis themed flick Challenges. 334 00:17:18,440 --> 00:17:22,720 Speaker 3: At the film's La premiere last night, its star Zendaa 335 00:17:22,800 --> 00:17:26,399 Speaker 3: said Challenges is incredibly sexy, despite there being no sex 336 00:17:26,440 --> 00:17:27,119 Speaker 3: scenes in it. 337 00:17:27,640 --> 00:17:30,760 Speaker 2: She said, the tennis is the sex. 338 00:17:31,720 --> 00:17:34,000 Speaker 3: There are a lot of terms in tennis that probably 339 00:17:34,000 --> 00:17:36,000 Speaker 3: wouldn't be out of place in the bedroom. I mean 340 00:17:36,280 --> 00:17:42,600 Speaker 3: love all foot fault out in anyway. 341 00:17:42,720 --> 00:17:47,000 Speaker 10: You cannot be serious, can be serious? 342 00:17:47,440 --> 00:17:53,200 Speaker 2: Any who? We will see Ben race in about half 343 00:17:53,240 --> 00:17:53,520 Speaker 2: an hour. 344 00:17:53,600 --> 00:17:56,600 Speaker 3: That's very funny, Russell. But look some sad news that 345 00:17:56,640 --> 00:17:59,600 Speaker 3: you may have seen yesterday. Gavin Webb, founding member and 346 00:17:59,640 --> 00:18:04,080 Speaker 3: basis for The Master's Apprentices has died. Where was seventy seven. 347 00:18:04,560 --> 00:18:07,160 Speaker 3: He had been battling cancer for the past six years, 348 00:18:07,200 --> 00:18:09,919 Speaker 3: tributes have been flowing, not least from his master's bandmates, 349 00:18:10,160 --> 00:18:13,399 Speaker 3: who said Gavin entered our lives sixty years ago. He 350 00:18:13,480 --> 00:18:15,960 Speaker 3: joined our band as a bassist and from that moment 351 00:18:16,080 --> 00:18:19,320 Speaker 3: became a member of our family, our brother. He really was, 352 00:18:19,760 --> 00:18:22,040 Speaker 3: you know, part of such a quintessential moment in Australian 353 00:18:22,119 --> 00:18:23,080 Speaker 3: music history, wasn't he. 354 00:18:23,160 --> 00:18:28,680 Speaker 10: Yeah, they were very, very successful, very successful bandies. 355 00:18:28,880 --> 00:18:29,240 Speaker 2: Yes. 356 00:18:29,560 --> 00:18:31,119 Speaker 3: I don't know about you, but I love a bit 357 00:18:31,160 --> 00:18:35,959 Speaker 3: of stargazing and you know, normally you don't see anything, 358 00:18:36,000 --> 00:18:38,639 Speaker 3: but on the odd occasion that you do get a 359 00:18:38,680 --> 00:18:41,159 Speaker 3: glimpse of a comet that's passing by or something. This 360 00:18:41,280 --> 00:18:44,200 Speaker 3: weekend is going to be the best time to catch 361 00:18:44,200 --> 00:18:46,679 Speaker 3: a comet that won't be back again for seventy one years, 362 00:18:47,320 --> 00:18:51,080 Speaker 3: or you might have any Yes, it's called twelve p 363 00:18:51,480 --> 00:18:54,639 Speaker 3: Ponds Brooks, better known as the devil Comet. We'll go 364 00:18:54,760 --> 00:18:58,760 Speaker 3: with that one, so named because of it's It has 365 00:18:58,800 --> 00:19:02,320 Speaker 3: this emission tail of ice and gas that looks like 366 00:19:02,320 --> 00:19:05,200 Speaker 3: the Devil's horns. Anyway, it's going to be passing by 367 00:19:05,480 --> 00:19:08,000 Speaker 3: brightest it will be in seventy years. I reckon you'll 368 00:19:08,000 --> 00:19:15,120 Speaker 3: still need binoculars, but the experts say it'll be visible 369 00:19:15,359 --> 00:19:18,000 Speaker 3: in the southern sky. 370 00:19:20,640 --> 00:19:24,680 Speaker 2: Just after sunset. That doesn't give you much, does it 371 00:19:24,720 --> 00:19:25,119 Speaker 2: to go on? 372 00:19:25,240 --> 00:19:28,200 Speaker 4: So what are we looking at there? Before seven. 373 00:19:29,800 --> 00:19:32,240 Speaker 3: Kids will still be Yeah, look for the comet just 374 00:19:32,280 --> 00:19:35,280 Speaker 3: above the western horizon at an hour after sunset. 375 00:19:35,560 --> 00:19:37,960 Speaker 4: Wow, well, less, we're going to have clear skies. 376 00:19:38,040 --> 00:19:40,000 Speaker 2: I can't give you a gup. 377 00:19:40,080 --> 00:19:40,720 Speaker 4: Do you have the cord? 378 00:19:45,440 --> 00:19:49,399 Speaker 3: The GPS location astronomer suggests looking for the comet just 379 00:19:49,400 --> 00:19:52,560 Speaker 3: above the western horizon an hour after sunset? Right, okay, 380 00:19:52,600 --> 00:19:55,600 Speaker 3: But then they say grab your binoculars, so it's and 381 00:19:55,680 --> 00:19:57,320 Speaker 3: just scans. 382 00:19:57,200 --> 00:20:00,120 Speaker 2: And yeah, and try to be somewhere. 383 00:20:01,359 --> 00:20:02,120 Speaker 4: That does help. 384 00:20:03,440 --> 00:20:07,080 Speaker 3: I guess they're saying, don't don't look at it from 385 00:20:07,359 --> 00:20:10,760 Speaker 3: you know, the middle of the stadium during a game. 386 00:20:11,720 --> 00:20:13,720 Speaker 2: Get as dark as as we go, down. 387 00:20:13,560 --> 00:20:15,679 Speaker 4: The beach, down the beach, down the beach, and just 388 00:20:15,680 --> 00:20:17,959 Speaker 4: have a look. Nothing to obscure it. And no cloud 389 00:20:18,119 --> 00:20:19,959 Speaker 4: in no cloud, So it's going to be sunny. 390 00:20:20,240 --> 00:20:25,359 Speaker 3: So maybe maybe not, but it's there. I guarantee you 391 00:20:25,400 --> 00:20:25,800 Speaker 3: it's there. 392 00:20:25,840 --> 00:20:27,919 Speaker 10: At least it's given you at least an idea of 393 00:20:27,920 --> 00:20:31,520 Speaker 10: what to do on the weekend, something for your Saturday night. 394 00:20:31,600 --> 00:20:33,040 Speaker 4: Just to spice it up, a little bit of a 395 00:20:33,280 --> 00:20:35,080 Speaker 4: devil Devil comet. 396 00:20:35,320 --> 00:20:37,560 Speaker 2: Devil Devil Comet sounds like a song. 397 00:20:37,840 --> 00:20:42,280 Speaker 3: We love a cinematic experience with the full symphony orchestra. 398 00:20:42,680 --> 00:20:45,399 Speaker 4: No, that is one soundtrack and well. 399 00:20:46,000 --> 00:20:48,520 Speaker 3: And you talk about big soundtracks in the history of 400 00:20:48,520 --> 00:20:51,480 Speaker 3: Australian movies, doesn't come much bigger than The Man from 401 00:20:51,560 --> 00:20:52,240 Speaker 3: Snowy River. 402 00:20:52,680 --> 00:20:53,480 Speaker 2: And they are. 403 00:20:53,359 --> 00:20:57,119 Speaker 3: Going to be live in concert at Crown Theater next 404 00:20:57,200 --> 00:21:00,480 Speaker 3: Friday and Saturday. You can get your tickets through ticket Master. 405 00:21:01,040 --> 00:21:04,919 Speaker 3: And of course who do you think of when you 406 00:21:04,920 --> 00:21:06,639 Speaker 3: think of the Man from Snowy River? You think of 407 00:21:06,680 --> 00:21:09,280 Speaker 3: Secret Thornton. Thornton's joining us. 408 00:21:10,600 --> 00:21:15,159 Speaker 11: Good morning, Good morning, Lisa, Good morning, Raster morning. 409 00:21:15,400 --> 00:21:16,000 Speaker 7: Can you hear me? 410 00:21:16,040 --> 00:21:22,600 Speaker 3: Okay, we can you perfectly. This is the the Bruce 411 00:21:22,880 --> 00:21:26,840 Speaker 3: Rowland you know soundtrack of The Man from Snowy River, 412 00:21:27,440 --> 00:21:31,480 Speaker 3: always incredible, and now it's going to be with a 413 00:21:31,840 --> 00:21:36,200 Speaker 3: fifty four piece symphony orchestra doing it. 414 00:21:36,359 --> 00:21:39,119 Speaker 2: Indeed, justice, So tell us how this works. 415 00:21:39,520 --> 00:21:41,560 Speaker 3: I believe that the movie is on the screen and 416 00:21:41,640 --> 00:21:44,040 Speaker 3: the orchestra accompanies it. 417 00:21:45,440 --> 00:21:47,320 Speaker 2: And that's exactly how it happens. Lisa. 418 00:21:47,440 --> 00:21:52,720 Speaker 11: It's it's a new form relatively, because the technology allows 419 00:21:52,760 --> 00:21:55,439 Speaker 11: for that to happen now, so that the orchestra's on 420 00:21:55,480 --> 00:21:57,800 Speaker 11: the stage, the film is also on the stage on 421 00:21:57,840 --> 00:22:01,639 Speaker 11: a large screen, and the technology such that, you know, 422 00:22:01,880 --> 00:22:06,280 Speaker 11: the soundtrack played live by the orchestra can fit seamlessly 423 00:22:06,400 --> 00:22:11,920 Speaker 11: into the original soundtrack in place of the recorded soundtrack 424 00:22:11,960 --> 00:22:16,600 Speaker 11: the original recorded soundtrack. So it's a really wonderful new 425 00:22:16,680 --> 00:22:18,000 Speaker 11: way of watching film. 426 00:22:18,119 --> 00:22:19,480 Speaker 4: It's a movie in one. 427 00:22:20,080 --> 00:22:25,040 Speaker 3: And I've always considered the soundtrack, not just the soundtrack 428 00:22:25,119 --> 00:22:27,520 Speaker 3: songs and what have you, but the score to be 429 00:22:27,880 --> 00:22:31,480 Speaker 3: such an important character in and of itself in a film. 430 00:22:31,280 --> 00:22:32,440 Speaker 11: No question about it. 431 00:22:32,440 --> 00:22:33,119 Speaker 2: It really is. 432 00:22:33,200 --> 00:22:36,760 Speaker 11: And in this case too, Bruce just somehow from the 433 00:22:36,800 --> 00:22:40,560 Speaker 11: word go, from the time we knew he was going 434 00:22:40,600 --> 00:22:44,679 Speaker 11: to be composing the soundtrack, and at that time people 435 00:22:44,720 --> 00:22:47,680 Speaker 11: didn't know who Bruce Roland was as a film composer 436 00:22:47,680 --> 00:22:50,440 Speaker 11: because it was his first feature. But he just had 437 00:22:50,720 --> 00:22:55,520 Speaker 11: the spirit and romance and majesty of the film so beautifully. 438 00:22:55,560 --> 00:22:56,760 Speaker 11: It's an incredible soundtrack. 439 00:22:57,000 --> 00:22:57,760 Speaker 4: Yeah, it's an epic. 440 00:22:58,000 --> 00:23:01,280 Speaker 3: You get that wide open space feel, do you do? 441 00:23:01,280 --> 00:23:03,520 Speaker 3: You still get goosebumps whenever you hear the opening notes 442 00:23:03,560 --> 00:23:04,400 Speaker 3: to Jessica's theme. 443 00:23:05,359 --> 00:23:06,159 Speaker 2: I kind of do. 444 00:23:08,040 --> 00:23:12,119 Speaker 11: It's when before we started this tour, I hadn't seen 445 00:23:12,160 --> 00:23:15,040 Speaker 11: the film for you know, quite a long time. And 446 00:23:15,080 --> 00:23:17,399 Speaker 11: it's not like I sort of sit there watching what 447 00:23:17,520 --> 00:23:20,320 Speaker 11: there is a there is a movie where some an 448 00:23:20,320 --> 00:23:24,920 Speaker 11: older actor sits and watches their old their old films 449 00:23:25,040 --> 00:23:28,240 Speaker 11: endlessly through the night. I'm not one of those people, 450 00:23:28,720 --> 00:23:30,560 Speaker 11: but but it is. 451 00:23:31,000 --> 00:23:31,359 Speaker 8: It is. 452 00:23:31,560 --> 00:23:34,359 Speaker 11: Jack has just been glorious to revisit the film and 453 00:23:34,400 --> 00:23:39,480 Speaker 11: to to share memories of making the film and to 454 00:23:39,640 --> 00:23:43,560 Speaker 11: see it again in this new iteration is very exciting. 455 00:23:43,680 --> 00:23:44,720 Speaker 6: Yeah, and rewarding. 456 00:23:45,119 --> 00:23:49,480 Speaker 3: And you and Tom Burlanson are here with it, am 457 00:23:49,480 --> 00:23:51,600 Speaker 3: I right right, you're in the audience a lot. 458 00:23:52,640 --> 00:23:55,000 Speaker 2: Well, well, well you're on the stage, I should say. 459 00:23:55,240 --> 00:23:55,520 Speaker 3: Yeah. 460 00:23:55,680 --> 00:23:57,959 Speaker 11: Yeah, we're on the stage and we talk to the 461 00:23:58,000 --> 00:24:01,560 Speaker 11: audience with the well, we have a conversation for the audience, 462 00:24:01,560 --> 00:24:05,680 Speaker 11: as it were, and we share memories and stories anecdotes 463 00:24:05,760 --> 00:24:11,480 Speaker 11: really about the film making process and our own personal 464 00:24:11,560 --> 00:24:14,160 Speaker 11: kind of feelings and experiences. 465 00:24:14,440 --> 00:24:14,800 Speaker 9: Yeah. 466 00:24:14,880 --> 00:24:17,919 Speaker 10: Yeah, that's fun, Sigaret, What do you think it is 467 00:24:17,960 --> 00:24:20,159 Speaker 10: about the Man from Snow River? You know that stayed 468 00:24:20,400 --> 00:24:24,480 Speaker 10: so fondly in people's memories and hearts all these years. 469 00:24:24,480 --> 00:24:26,640 Speaker 10: I mean, the movie now is quite some time ago, 470 00:24:26,680 --> 00:24:29,239 Speaker 10: but the story is an old story and it just 471 00:24:29,440 --> 00:24:31,680 Speaker 10: it lives on, doesn't it. In Australiana. 472 00:24:32,320 --> 00:24:35,879 Speaker 11: There are lots of reasons, I think Russell. I mean, originally, 473 00:24:35,920 --> 00:24:38,680 Speaker 11: of course, the film is you know, and importantly it's 474 00:24:38,720 --> 00:24:44,520 Speaker 11: based on loosely on the Banjo Patterson ballad, which everybody 475 00:24:44,840 --> 00:24:47,600 Speaker 11: knows and knew a lot of people knew before the 476 00:24:47,640 --> 00:24:50,080 Speaker 11: film was ever made. They knew that ballad, know the 477 00:24:50,119 --> 00:24:53,720 Speaker 11: work of Patterson. So it was a stroke of genius, 478 00:24:53,720 --> 00:24:56,520 Speaker 11: really kind of to do this kind of riff on 479 00:24:56,680 --> 00:25:01,880 Speaker 11: the original poems. That's part of it that I think 480 00:25:02,080 --> 00:25:07,040 Speaker 11: initially captured people's imaginations. But I think the film somehow 481 00:25:07,720 --> 00:25:11,480 Speaker 11: had this struck at just the right time, struck a 482 00:25:11,600 --> 00:25:17,440 Speaker 11: chord with Australians who hadn't for many Australians and most 483 00:25:17,480 --> 00:25:22,200 Speaker 11: Australians really had not seen that kind of that countryside, 484 00:25:22,320 --> 00:25:25,879 Speaker 11: the threadful alpine region of Victoria, and depicts it on 485 00:25:26,040 --> 00:25:28,399 Speaker 11: film in such a beautiful way. A lot of that 486 00:25:28,480 --> 00:25:32,600 Speaker 11: country was and still is inaccessible, you know, by anything 487 00:25:32,600 --> 00:25:36,720 Speaker 11: other than sort of horseback or drive or shopper, and 488 00:25:36,760 --> 00:25:39,600 Speaker 11: that's what we used to film it, you know, and 489 00:25:39,680 --> 00:25:43,080 Speaker 11: so that it was an undiscovered part of Australia. It 490 00:25:43,119 --> 00:25:46,359 Speaker 11: was a very it's a very romantic story. It's it 491 00:25:46,560 --> 00:25:48,960 Speaker 11: delivers on what it sets out to do. It's a 492 00:25:49,080 --> 00:25:53,520 Speaker 11: very and it's a very It was interesting when we 493 00:25:53,560 --> 00:25:57,160 Speaker 11: first screened the film before a sort of public audience, 494 00:25:57,200 --> 00:26:00,959 Speaker 11: and this is before its actual social release, that there 495 00:26:00,960 --> 00:26:04,240 Speaker 11: were a couple of kind of charity screenings that happened 496 00:26:04,320 --> 00:26:07,359 Speaker 11: before a large audience and people were coming out saying 497 00:26:07,480 --> 00:26:11,439 Speaker 11: it made them feel so proud, and that was something 498 00:26:11,480 --> 00:26:13,200 Speaker 11: that perhaps I hadn't expected. 499 00:26:13,240 --> 00:26:14,280 Speaker 2: So there were there. 500 00:26:14,160 --> 00:26:16,560 Speaker 11: Were a lot of a number of things that struck 501 00:26:16,600 --> 00:26:19,679 Speaker 11: chords with people that we couldn't have anticipated. And no 502 00:26:19,720 --> 00:26:22,359 Speaker 11: one ever knows, what, you know, how film's going to 503 00:26:22,400 --> 00:26:25,480 Speaker 11: be received, but this thing went through the roof and 504 00:26:25,520 --> 00:26:28,600 Speaker 11: it do so actually in this context. 505 00:26:28,720 --> 00:26:30,280 Speaker 10: And it was good timing too, because there was a 506 00:26:30,320 --> 00:26:32,639 Speaker 10: time there when the Australian cinema was going through a 507 00:26:32,640 --> 00:26:34,399 Speaker 10: bit of a renaissance, really, wasn't it. I mean, there 508 00:26:34,400 --> 00:26:37,600 Speaker 10: were some big movies around the early eighties that perple 509 00:26:38,359 --> 00:26:40,639 Speaker 10: comfortable going to see Australian movies. 510 00:26:41,640 --> 00:26:44,080 Speaker 11: They did, and it opened that up, which was well, 511 00:26:44,119 --> 00:26:46,520 Speaker 11: it helped you open that up and for a long 512 00:26:46,560 --> 00:26:49,439 Speaker 11: long time to know it was the biggest box office 513 00:26:49,600 --> 00:26:53,359 Speaker 11: you know, the biggest box office movie as in Australian 514 00:26:53,560 --> 00:26:56,879 Speaker 11: history bar none including an international film. 515 00:26:57,200 --> 00:26:57,840 Speaker 2: So it did. 516 00:26:57,920 --> 00:27:01,720 Speaker 11: It really kind of captured people's imaginations and it did 517 00:27:01,800 --> 00:27:04,080 Speaker 11: make them feel proud that we could make movies ourselves. 518 00:27:04,160 --> 00:27:05,919 Speaker 3: Yes, well it was and you know you say it 519 00:27:05,960 --> 00:27:08,600 Speaker 3: was the early eighties. It was a period in Australian 520 00:27:08,640 --> 00:27:12,359 Speaker 3: cinema where I think it really became Australian. I feel 521 00:27:12,359 --> 00:27:15,239 Speaker 3: as though some of those seventies movies still had a 522 00:27:15,280 --> 00:27:19,399 Speaker 3: funny kind of an english person doing an Australian accent 523 00:27:19,520 --> 00:27:22,280 Speaker 3: vibe about it, even when they are Australian. But it 524 00:27:22,280 --> 00:27:25,480 Speaker 3: doesn't get any more quintessential than the Victorian high Country 525 00:27:25,520 --> 00:27:28,119 Speaker 3: and this, you know what we were seeing, what we 526 00:27:28,119 --> 00:27:33,560 Speaker 3: were hearing, horses, beautiful young people and Jack Thobson. 527 00:27:33,640 --> 00:27:37,440 Speaker 2: I mean like that. 528 00:27:37,600 --> 00:27:40,600 Speaker 11: You wouldn't make a film like that today because it 529 00:27:40,760 --> 00:27:44,359 Speaker 11: is a film of its time. But there's something about 530 00:27:44,400 --> 00:27:47,320 Speaker 11: it that that's why it's become a classic. Yeah, because 531 00:27:47,520 --> 00:27:50,600 Speaker 11: it catchures a moment in time and a moment in 532 00:27:50,640 --> 00:27:54,520 Speaker 11: Australian film making history that I think what will perhaps 533 00:27:54,640 --> 00:27:58,200 Speaker 11: never be repeated in just that way, and that's we 534 00:27:58,359 --> 00:28:01,200 Speaker 11: have many other elements. That is perfectly fine. 535 00:28:01,359 --> 00:28:02,720 Speaker 2: That is close. Yeah. 536 00:28:03,200 --> 00:28:07,120 Speaker 3: Do you remember where you were when you got the 537 00:28:07,160 --> 00:28:10,880 Speaker 3: call to say that you got the role of Jessica Harrison. 538 00:28:11,880 --> 00:28:13,560 Speaker 11: Well, I didn't get a call. Actually, it was a 539 00:28:13,600 --> 00:28:17,800 Speaker 11: conversation because I was working with the director, the late 540 00:28:17,880 --> 00:28:18,720 Speaker 11: great George T. 541 00:28:18,920 --> 00:28:19,160 Speaker 2: Miller. 542 00:28:20,760 --> 00:28:25,760 Speaker 11: Well, he's noticed, he's known as affectionately as Noddy and 543 00:28:25,920 --> 00:28:31,240 Speaker 11: or Snowy George. Okay, and because he's not to be 544 00:28:31,240 --> 00:28:35,600 Speaker 11: confused with mad Max George Miller. But George and I 545 00:28:35,640 --> 00:28:38,720 Speaker 11: had done a few projects already, a couple of projects 546 00:28:38,720 --> 00:28:40,760 Speaker 11: at least I think at that time, and I was 547 00:28:40,800 --> 00:28:44,840 Speaker 11: working with him on a mini series and he just 548 00:28:45,560 --> 00:28:48,600 Speaker 11: made this proposition one one lunchtime, and I said, great, 549 00:28:48,720 --> 00:28:51,719 Speaker 11: I'm in. Yes, I I was lucky enough to be 550 00:28:51,720 --> 00:28:55,320 Speaker 11: the first person, first cast member involved with it with 551 00:28:55,400 --> 00:28:55,840 Speaker 11: the film. 552 00:28:55,960 --> 00:28:57,760 Speaker 2: Yeah, well that's fantastic. 553 00:28:58,240 --> 00:29:02,360 Speaker 3: Well, it is next, as I said, Friday and Saturday, 554 00:29:02,560 --> 00:29:05,400 Speaker 3: April twenty six and April twenty seven. You can get 555 00:29:05,400 --> 00:29:09,320 Speaker 3: your tickets through Ticketmaster. Sigurd Thornton. It is always lovely 556 00:29:09,400 --> 00:29:10,160 Speaker 3: to catch up with. 557 00:29:10,120 --> 00:29:13,320 Speaker 11: You likewise Lisa and Ruffle, thank you. 558 00:29:13,360 --> 00:29:15,120 Speaker 4: Very much, Sigret, appreciate it. 559 00:29:15,240 --> 00:29:16,280 Speaker 8: For seeing you next week. 560 00:29:16,320 --> 00:29:21,600 Speaker 2: Yes, see you next weekend More Clezy more Lisa Poor 561 00:29:21,680 --> 00:29:23,080 Speaker 2: podcast soon. 562 00:29:25,680 --> 00:29:28,680 Speaker 4: Read the flick with Ben ohe. 563 00:29:28,160 --> 00:29:32,600 Speaker 1: Ben, Yes, I am morning, Ben, Good morning, and it's game, 564 00:29:32,800 --> 00:29:37,800 Speaker 1: Set and Match talking about the new film Challenges tennis 565 00:29:37,840 --> 00:29:41,400 Speaker 1: theme with the Superstarszen daya Who's so hot right now 566 00:29:41,440 --> 00:29:45,560 Speaker 1: from the Spider Man movies from Euphoria from June. She's 567 00:29:45,600 --> 00:29:48,120 Speaker 1: doing it all at the moment and now she's playing tennis. 568 00:29:48,440 --> 00:29:51,160 Speaker 1: She's bloody good at it too. And the film is 569 00:29:51,200 --> 00:29:56,280 Speaker 1: a cracker. It comes from Luca Guardanino, an Italian director 570 00:29:56,320 --> 00:29:59,840 Speaker 1: who like his thing is, I guess, making movies that 571 00:30:00,240 --> 00:30:04,280 Speaker 1: make the audience feel a little bit uncomfortable. So he 572 00:30:04,360 --> 00:30:07,600 Speaker 1: made Call Me by Your Name starring Timidate Chala May 573 00:30:08,160 --> 00:30:11,440 Speaker 1: Armie Hammer, which was which was sort of an underage 574 00:30:11,520 --> 00:30:16,320 Speaker 1: gay romance tale. And then he made Call Me by 575 00:30:16,360 --> 00:30:20,680 Speaker 1: Your Name with an actual cannibal. He had Timidation Shalli 576 00:30:21,240 --> 00:30:26,680 Speaker 1: if you know you know, which also started Timidate Shalomy 577 00:30:26,920 --> 00:30:29,240 Speaker 1: as a sort of a sexy cannibal like actual cannibalism 578 00:30:29,280 --> 00:30:31,600 Speaker 1: in the film, and it was it was an incredible film, 579 00:30:31,600 --> 00:30:36,200 Speaker 1: but really polarized audiences. In comparison to those two movies, 580 00:30:36,320 --> 00:30:41,240 Speaker 1: Challenges is by far his most accessible mainstream audience. But 581 00:30:41,480 --> 00:30:43,840 Speaker 1: because he is a little bit left of center, it's 582 00:30:43,840 --> 00:30:45,680 Speaker 1: still you know, it's going to be a little bit 583 00:30:45,680 --> 00:30:46,480 Speaker 1: weird for still him. 584 00:30:46,640 --> 00:30:47,240 Speaker 4: It's still him. 585 00:30:47,240 --> 00:30:50,320 Speaker 1: It's still definitely him. And so basically it is the 586 00:30:50,360 --> 00:30:54,880 Speaker 1: story of these three tennis prodigies who get to know 587 00:30:54,960 --> 00:30:59,640 Speaker 1: each other as teenagers. Zendea's character Tashi Duncan, who's going 588 00:30:59,680 --> 00:31:01,800 Speaker 1: to be the next big thing in women's tennis, Alah 589 00:31:01,880 --> 00:31:04,720 Speaker 1: sort of a Serena Williams, and then her career is 590 00:31:04,760 --> 00:31:09,000 Speaker 1: cut short by a horrific knee injury, can never play again. 591 00:31:10,160 --> 00:31:13,240 Speaker 1: And then you've got these two fellas played by Mike 592 00:31:13,480 --> 00:31:18,400 Speaker 1: Feist from West Side Story and Josh O'Connor, who was 593 00:31:18,560 --> 00:31:22,800 Speaker 1: Prince Charles in The Crown. And so they are doubles, doubles, 594 00:31:22,840 --> 00:31:27,640 Speaker 1: partnersine doubles, the wampions, they're the Woodies. Basically they won 595 00:31:27,680 --> 00:31:32,400 Speaker 1: the teen US Open, and then they meet Zendaya's character 596 00:31:32,440 --> 00:31:34,440 Speaker 1: and they both fall for her, and that sort of 597 00:31:34,480 --> 00:31:39,240 Speaker 1: starts this sort of decades long love triangle, and the 598 00:31:39,240 --> 00:31:43,320 Speaker 1: film starts at the end really where we find that 599 00:31:43,480 --> 00:31:48,840 Speaker 1: Tashi has married Mike Feist's character Art Donaldson. Art Donaldson 600 00:31:48,920 --> 00:31:52,440 Speaker 1: has gone on to become this incredible men's tennis player. 601 00:31:52,480 --> 00:31:55,960 Speaker 1: He's won Grand Slams and now he's at the end 602 00:31:56,000 --> 00:31:58,480 Speaker 1: of his career. He's got one more US Open left 603 00:31:58,520 --> 00:32:01,720 Speaker 1: in him, and Tashi is trying to live vicariously through 604 00:32:01,800 --> 00:32:05,000 Speaker 1: him because her career was cut short. She's his coach, 605 00:32:05,760 --> 00:32:09,120 Speaker 1: and she realizes he's struggling for motivation. It kind of 606 00:32:09,240 --> 00:32:11,960 Speaker 1: honestly disgusts her a little bit because she's thinking, if 607 00:32:11,960 --> 00:32:14,840 Speaker 1: this was me, I would be loving it. I wouldn't 608 00:32:14,840 --> 00:32:18,080 Speaker 1: be blowing this chance, because she's like this uber competitor, 609 00:32:18,760 --> 00:32:23,520 Speaker 1: and so she enters him into a challenger tournament, which 610 00:32:23,560 --> 00:32:27,320 Speaker 1: is like a low grade tennis tournament, playing against nobodies 611 00:32:27,360 --> 00:32:29,600 Speaker 1: to try and boost his confidence before the US Open. 612 00:32:29,720 --> 00:32:32,120 Speaker 4: It's a bit like what Tomic's doing at the Nment. 613 00:32:33,160 --> 00:32:33,920 Speaker 4: Sorry exactly. 614 00:32:34,160 --> 00:32:38,360 Speaker 1: The only thing this particular tournament isn't completely filled with 615 00:32:38,400 --> 00:32:45,400 Speaker 1: nobody's there's one somebody. It's Art's former double partner Patrick, 616 00:32:45,640 --> 00:32:49,880 Speaker 1: who also happens to be Tashi's former lover, and so 617 00:32:50,480 --> 00:32:53,280 Speaker 1: the film is basically about the final match of this tournament, 618 00:32:53,440 --> 00:32:57,400 Speaker 1: Art versus Patrick, with Tashi sitting on the sidelines. And 619 00:32:57,440 --> 00:33:00,200 Speaker 1: there's a lot going on here, and as the game unfold, 620 00:33:00,800 --> 00:33:04,080 Speaker 1: Luca Guardanino, the director, flashes back in time over the 621 00:33:04,080 --> 00:33:09,480 Speaker 1: previous thirteen years to individual moments that shaped this love triangle, 622 00:33:09,600 --> 00:33:15,160 Speaker 1: the drama, the soap opera. And there's there's intrigue, there's betrayal, 623 00:33:15,280 --> 00:33:18,600 Speaker 1: there's passion. The trailer for this film broke the internet 624 00:33:18,680 --> 00:33:21,440 Speaker 1: last year, if you remember, because it showed them as 625 00:33:21,560 --> 00:33:25,200 Speaker 1: teenagers in a hotel room seemingly about to embark on 626 00:33:25,240 --> 00:33:27,080 Speaker 1: a menajatis, which is. 627 00:33:27,000 --> 00:33:31,280 Speaker 4: Not a tennis term, and code violation. 628 00:33:31,640 --> 00:33:37,400 Speaker 1: Exactly, double fault and so and so you straight away 629 00:33:37,440 --> 00:33:40,400 Speaker 1: get the idea that there's a lot going on here, 630 00:33:40,440 --> 00:33:43,480 Speaker 1: a lot of emotion that needs to be unpacked, and 631 00:33:43,680 --> 00:33:48,000 Speaker 1: the tennis itself is really quite interestingly shot. Mike Feist 632 00:33:48,280 --> 00:33:51,120 Speaker 1: Art Donaldson character is the only one who went into 633 00:33:51,120 --> 00:33:53,720 Speaker 1: this project as a tennis player. He's actually an extremely 634 00:33:53,760 --> 00:33:56,360 Speaker 1: good tennis player. The other two never played tennis to 635 00:33:56,880 --> 00:33:59,320 Speaker 1: save their lives, and the director, Luca didn't even know 636 00:33:59,320 --> 00:34:01,920 Speaker 1: what the lines on the court men and so despite 637 00:34:02,000 --> 00:34:04,000 Speaker 1: all of that, the tennis scenes are. 638 00:34:03,880 --> 00:34:08,399 Speaker 4: Actually or is it real? But it's real. 639 00:34:08,440 --> 00:34:12,360 Speaker 1: It's all real, and it's it's set to a driving 640 00:34:12,560 --> 00:34:16,560 Speaker 1: techno soundtrack. All the tennis is that's been created by 641 00:34:16,640 --> 00:34:19,440 Speaker 1: Trent Reznor from Nine Inch Nails and Atticus Ross. That 642 00:34:19,680 --> 00:34:22,480 Speaker 1: was kind of film scoring duo who've won Oscars. They're 643 00:34:22,640 --> 00:34:25,000 Speaker 1: just like the guys at the moment in Hollywood to 644 00:34:25,040 --> 00:34:26,480 Speaker 1: make the score of the film. If you can't get 645 00:34:26,480 --> 00:34:31,040 Speaker 1: Han Zimmer and so the film is a little camp, 646 00:34:31,360 --> 00:34:37,440 Speaker 1: it's melodramatic. It won't be to everybody's tastes. If you're 647 00:34:37,480 --> 00:34:41,279 Speaker 1: going in there expecting a traditional sports movie, that's not 648 00:34:41,320 --> 00:34:41,920 Speaker 1: going to happen. 649 00:34:42,200 --> 00:34:42,279 Speaker 6: Like. 650 00:34:42,320 --> 00:34:45,959 Speaker 1: It doesn't give you the big grand stand off. No, 651 00:34:46,719 --> 00:34:49,520 Speaker 1: but gosh, it's good. It's one of the most enjoyable 652 00:34:49,520 --> 00:34:50,960 Speaker 1: films you'll see this year. 653 00:34:51,400 --> 00:34:54,000 Speaker 10: I'm struggling to think of any other big tennis movie 654 00:34:54,000 --> 00:34:55,040 Speaker 10: that's ever There. 655 00:34:54,960 --> 00:34:55,560 Speaker 9: Was mag. 656 00:34:59,400 --> 00:35:02,879 Speaker 3: There's ever been really a few low long whiles. But yeah, 657 00:35:02,880 --> 00:35:05,160 Speaker 3: they do like to make a tennis movie. I've always 658 00:35:05,239 --> 00:35:07,799 Speaker 3: enjoyed them for some reason. They're just I don't know, 659 00:35:07,920 --> 00:35:10,680 Speaker 3: maybe it's because tennis is less violent sports or something. 660 00:35:10,760 --> 00:35:13,480 Speaker 3: It's pretty much not violence at all most of the time. 661 00:35:13,640 --> 00:35:17,120 Speaker 2: All right, So oh Wimbledon with Kirston dance. Yes, of 662 00:35:17,160 --> 00:35:18,839 Speaker 2: course that was just. 663 00:35:18,920 --> 00:35:21,800 Speaker 1: One about mc and roe beyond Borg a couple of 664 00:35:21,880 --> 00:35:24,799 Speaker 1: years ago. I think Emma Stone. 665 00:35:26,239 --> 00:35:26,760 Speaker 4: Does she played? 666 00:35:26,800 --> 00:35:29,560 Speaker 1: She play Christy? She plays. 667 00:35:31,840 --> 00:35:34,200 Speaker 4: Right, the one we don't remember, So this is the one. 668 00:35:34,440 --> 00:35:35,600 Speaker 2: This is the one we're going to remember. 669 00:35:35,760 --> 00:35:40,080 Speaker 3: And how many new balls please are you giving it? 670 00:35:40,440 --> 00:35:44,399 Speaker 1: I'm going to give this one four and a half. Whoa, yep, 671 00:35:44,560 --> 00:35:49,919 Speaker 1: this is this is a crack smash. It's a nice game, 672 00:35:49,960 --> 00:35:52,680 Speaker 1: set match. Wow, fantastic guys. 673 00:35:52,960 --> 00:36:02,279 Speaker 2: The look were promised. Snowma, Lisa says after him.