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Speaker 1: The Will M.

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Speaker 2: Woody Podcast.

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Speaker 1: Hello everyone, Welcome to the podcast. Get all the best

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Speaker 1: bits of the week, plus some super hot, exclusive behind

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Speaker 1: the scenes spice. I'm going to say, and today's spice

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Speaker 1: could be brought to you by Analyse, who's going to

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Speaker 1: go through her top five movies of all time.

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Speaker 3: Often brings a lot of spices from behind the scenes.

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Speaker 3: I would say Analyse. If we had some sort of

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Speaker 3: pie chart as to who's contributing most of the spice,

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Speaker 3: I'd say Analyse is at least seventy five to eighty percent.

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Speaker 1: Right, Yeah, I don't say she's been downright pesky today.

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Speaker 3: Pesky.

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Speaker 1: Yeah, she's been pesky.

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Speaker 3: I came in pretty late today. What was she doing?

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Speaker 1: M just she's just been like heckling me, to be honest.

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Speaker 2: Do you like a tissue?

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Speaker 1: See what I mean?

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Speaker 3: See it?

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Speaker 1: That's very good? Yeah?

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Speaker 3: What do you do?

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Speaker 1: You?

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Speaker 3: Are you wanting to more love from?

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Speaker 4: No?

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Speaker 1: I just think she's been a bit of a contemptuous

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Speaker 1: bitch if I had to, don't don't see.

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Speaker 3: I didn't seem genuine, genuine to be annoying. But I've

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Speaker 3: heard rumors actually, Analyst of you've been talking movies today.

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Speaker 1: Oh yeah, we're going to go through top five films.

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Speaker 1: Oh yeah, of all time? These are all of all time,

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Speaker 1: by the way.

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Speaker 3: Yeah, I love this. I haven't heard these. Are we

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Speaker 3: going to We're obviously going to start from five.

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Speaker 5: Yes, well it was usually it was actually four, but

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Speaker 5: I have a fifth that didn't make the initial cuts.

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Speaker 2: I'll padded in.

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Speaker 3: Thank you, rot o crack in. Let's go. I mean,

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Speaker 3: can we do this now? Because I'm it now. I'm

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Speaker 3: very key, a bit like, wait, can we hear five?

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Speaker 3: Can we hear five? And we can drip feed them

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Speaker 3: to love that? Alright, right, let's hear five.

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Speaker 1: Okay, number five. By the way, there wasn't a fifth.

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Speaker 1: She just made this up on the spot. So if

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Speaker 1: this list meant nothing to you, it's suddenly meant a

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Speaker 1: whole lot less. Here's here's a girl you don't know

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Speaker 1: telling you her top five films of all time. By

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Speaker 1: the way, the fifth one she's just made up.

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Speaker 3: God, God.

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Speaker 5: Number five got to be very controversial, but it's a

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Speaker 5: personal faith from my childhood. It's called Love Rosie. It

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Speaker 5: stars Lily Collins and Sam Claughlin.

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Speaker 1: It's a very good rom com Love Rosie. By the way,

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Speaker 1: part of this game. By the way, is you get

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Speaker 1: to I obviously get to read out the Rotten Tomatoes

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Speaker 1: score please love Rosie comes in at a hot thirty

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Speaker 1: one percent.

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Speaker 6: Yeah, well can you give me Like I said, you

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Speaker 6: can watch that in foxtowl now.

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Speaker 1: Yeah, Rosie and Alex have been friends since childhood and

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Speaker 1: cannot imagine themselves as a couple. However, when they head

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Speaker 1: in different directions, they realize that they are made for

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Speaker 1: each other.

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Speaker 7: What bad?

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Speaker 6: Honestly sorry, good?

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Speaker 1: Nothing, but that is nothing like they did him say anything.

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Speaker 1: That's just like the generic blueprint for human connection and

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Speaker 1: some sort of tension is we're into each other, but

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Speaker 1: we can't be together. Good on you fucking Shakespeare.

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Speaker 8: That's the bit.

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Speaker 3: Whoa, whoa the review.

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Speaker 1: No, I'll tell you what I will do, because this

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Speaker 1: is actually gonna get even more fun so on Rotten Tomatoes. Obviously,

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Speaker 1: if you give a rotten score, then they give reviews,

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Speaker 1: and the rotten reviews.

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Speaker 3: Similar to what you've said there.

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Speaker 6: Pretty much.

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Speaker 1: This is this is a by the numbers outing that

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Speaker 1: doesn't add much to its genre if anything at all. Oh,

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Speaker 1: I mean it pretty much is soppy stuff, not nearly

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Speaker 1: funny enough, and Lily Collins's sterling efforts are mainly in vain.

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Speaker 1: The two leads have absolutely no chemistry.

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Speaker 2: The lying.

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Speaker 1: Claflin has Hugh Grant's chisel jaw but none of his

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Speaker 1: comic flare, while Collins comes across as yet another doe

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Speaker 1: eyed English rose. And I'll note here and maybe this

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Speaker 1: is going to be a little bit of a tease

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Speaker 1: for later on Claflin. I think that's actually his name.

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Speaker 2: Is that his name, Sam Claflin. I'm pretty sure I

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Speaker 2: can't remember.

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Speaker 1: He's in the Hunger Games.

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Speaker 2: I'm saying a bit of a theme here.

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Speaker 6: All right.

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Speaker 3: Oh sorry, okay, so that's teasing. The top four bit

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Speaker 3: of a tea a Claflin fan is that she's a

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Speaker 3: Claflin fan.

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Speaker 2: He's also in Me Before You, which is a brilliant film.

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Speaker 3: And I have no idea very gorgeous man, very great actor.

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Speaker 3: Are you just looking for you? Oh my god, Me

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Speaker 3: before You? I saw the teaser for this. Do you

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Speaker 3: are you into Claflin? Do you do you find Claflin attractive?

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Speaker 3: Feels a little bit, he feels a little bit like

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Speaker 3: you find you've got to crush on this guy, and

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Speaker 3: that's why he's in your top five movies.

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Speaker 1: But she's like a twenty four year old female.

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Speaker 3: What do you expect.

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Speaker 1: Now, Let's not to belittle you in any way, Analyst.

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Speaker 1: Let's you can't just say that after bleating her in

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Speaker 1: every single way. I'm saying, like, hey, no offense, but

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Speaker 1: you're a dickhead.

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Speaker 3: That doesn't really work that way.

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Speaker 1: Your words, not mine, Woodrow. We've been on skeleton staff

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Speaker 1: this week. Truly, it's just been the twenty four year

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Speaker 1: old dickhead by ourselves one out of foods with no

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Speaker 1: offense with Captain poop Pants. You've been away, I've been away,

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Speaker 1: poop Pants has been away. It's been it's been bed long,

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Speaker 1: interesting week, but we have still managed to get some

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Speaker 1: hot stuff. And I think one of the great things

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Speaker 1: that came out of this week was the fact that

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Speaker 1: because I was away, you had a sit down interview

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Speaker 1: with Chris Hemsworth.

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Speaker 3: And Brayan Tyree Henry Tyree.

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Speaker 1: Henry from the brand new Transformers movie.

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Speaker 3: Yes, and sorry you're saying this like that's a good

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Speaker 3: thing that I was able to sit down individually with them. Well,

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Speaker 3: it was good for the content of the show because yes,

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Speaker 3: I yeah, so I went into this solo I think

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Speaker 3: the biggest concern was I don't think I've made the

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Speaker 3: secret of the fact that I would like to be

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Speaker 3: best mates with Chris Hemsworth, and I think you're very

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Speaker 3: good at dragging me out of that.

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Speaker 1: Yeah. Well you're very much like a younger brother to

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Speaker 1: Chris Hemsworth in that you just copied how he looks

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Speaker 1: pretty much, and that's the you know, Yes, whenever your

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Speaker 1: younger siblings borrowing your clothes and whatnot, that's effectively what

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Speaker 1: you do. Yes, so he gets obviously when he sees

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Speaker 1: you instantly he's like, whoa, here he comes again. Yeah,

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Speaker 1: so that that was a concern of mine, and you

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Speaker 1: know obviously it was. Yeah, I was worried that you

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Speaker 1: were going to ruin the relationship. I was equally as

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Speaker 1: worried when I came in today. I got in here

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Speaker 1: a little bit earlier than you today. And yes, the

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Speaker 1: producers handed me what are your questions which you've put

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Speaker 1: together for the rough notes?

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Speaker 3: That's rough notes, and you know what it's like going

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Speaker 3: to interview. You just throw a whole bunch of stuff down.

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Speaker 3: These aren't complete notes. And this isn't fair because we're

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Speaker 3: about to plan an interview and it was. It was.

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Speaker 3: It was a great interview.

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Speaker 6: Okay, we will get to it. I look at it.

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Speaker 6: So it was with this guy called Brian Tyree.

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Speaker 1: Henry for the brand new Transformers movie and Transformers Moment

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Speaker 1: which we both saw, which was unbelievable by the way.

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Speaker 3: Yeah, great movie.

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Speaker 1: But they're obviously voice actors for the movie. And the

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Speaker 1: question and I don't know whether this questions made the

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Speaker 1: interview or not, but you've said there are times in

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Speaker 1: the film where your character genuinely sounded out of breath.

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Speaker 1: Is this supreme acting or were you doing star jumps

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Speaker 1: in the audio booth?

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Speaker 3: Good question? Did you notice that though?

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Speaker 9: Did you like it?

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Speaker 3: Like you're watch it action scenes, You're like, you guys

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Speaker 3: sound dyed, you guys are puffy. I think that's the

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Speaker 3: little bit. Well, we're gonna find out is it acting

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Speaker 3: or are they doing star Did that question make it?

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Speaker 3: You'll have to find out.

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Speaker 1: Okay, So that's up, nay, So we hear that.

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Speaker 3: It's a good one, this one. M Brian.

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Speaker 1: You've worked alongside Brad Pitt and Chris Hemsworth. Let's put

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Speaker 1: the debate to bed. Who is more attractive brackets maybe

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Speaker 1: ear Muffett Chris, I don't want answer.

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Speaker 3: To be influenced. Did that make the cut? You'll be

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Speaker 3: devastated to find out we didn't get that far.

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Speaker 6: And then there was a follow up to that one.

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Speaker 1: Why would you continue to put yourself in projects with

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Speaker 1: the best looking people in the world.

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Speaker 3: Well, I wanted to say to Brian. I wanted to

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Speaker 3: say that because he's actually he's very good looking, Brian

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Speaker 3: Tyree Henry he is. But I wanted to say to him, like,

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Speaker 3: you're a good looking guy, But why why put yourself

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Speaker 3: on press and stuff with Brad Pitt and Chris Hensworth

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Speaker 3: Because no one looks good next to those guys. I

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Speaker 3: thought it was gonna be a great area to get into, Okay,

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Speaker 3: but again, I'm going to keep going here if I can.

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Speaker 3: I do like you substantiating, and this one is interesting

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Speaker 3: for me, So I really hope this didn't make it.

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Speaker 6: Chris.

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Speaker 3: I was recently listening to a DJ set by Fisher, and.

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Speaker 1: Before he came on, I heard this audio.

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Speaker 4: Well, turns out dreams do come true because these dickheads

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Speaker 4: pulled it off. So crack out the glow sticks, just

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Speaker 4: go bitchies and funny shades because the party of the

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Speaker 4: century is here, And as the Great Catherine.

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Speaker 9: Had done once said, if you will paying all the rules,

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Speaker 9: you'll miss.

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Speaker 1: All the fun.

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Speaker 6: Now, I know I'm asking a lot here.

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Speaker 1: Sometimes before the radio show starts, I'm making I'm lacking

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Speaker 1: a bit of motivation. Is there any chance you give

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Speaker 1: me a little pump up speech that I played before

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Speaker 1: I do a show?

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Speaker 3: Then you wanted him to play? Can you here?

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Speaker 1: That's when you're running out of ideas.

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Speaker 3: Big question? Do I get a pump up speech from

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Speaker 3: Chris Hemsworth up next?

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Speaker 6: You've also got one question that you've handwritten here that

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Speaker 6: I think.

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Speaker 3: What was that?

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Speaker 6: It just says, well, Lea's cake on your birthday?

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Speaker 1: Brian, has Chris shown you any other rosy stayples?

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Speaker 3: That was my a real like if his interview is

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Speaker 3: going really badly, have you yet? Brian?

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Speaker 8: All right?

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Speaker 1: Well, look, guys, the previous is never as good as

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Speaker 1: the real thing. They're the questions one of I imagine

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Speaker 1: one or some of them would he has actually asked

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Speaker 1: in his interview with Chris Himsworth and Chris.

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Speaker 6: Hemsworth and Brian Tierry Henry, So shall we get hurt?

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Speaker 1: What do you reckon? There?

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Speaker 3: Any I need to know. I don't think, so okay,

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Speaker 3: just just enjoy just a couple of guys, Brian Tyree, Henry, myself,

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Speaker 3: Chris Hemsworth, have any yarn? Hello, Hello boys, before we

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Speaker 3: crack in. Brian, I'm not sure if Chris told you this,

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Speaker 3: but this is actually the second time that we've hung

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Speaker 3: out this year, so we're pretty tight closet.

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Speaker 10: And Megatron, well, Chris told me that he doesn't get

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Speaker 10: close to anybody, So now I'm kind of like just

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Speaker 10: upset that you guys bond that I can't get in.

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Speaker 3: He's a liar.

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Speaker 8: He's a liar.

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Speaker 3: He even has a very very special nickname that only

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Speaker 3: he calls me.

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Speaker 9: Tell him Chris, Chris, I want to say it on air. Chris,

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Speaker 9: say it Chris Sweetheart.

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Speaker 3: Oh he does, little Sweetheart. Now you brought it up.

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Speaker 3: But you guys also have quite a beautiful bromance in

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Speaker 3: the movie Transformers. I am interested, though. Did that bromance

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Speaker 3: continue off camera?

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Speaker 8: Well?

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Speaker 9: It has, and then it's it's you know, it's much

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Speaker 9: like the film with now Mortal Enemies.

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Speaker 10: Yeah, I absolutely would do everything I can to destroy him,

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Speaker 10: like it's it's a no brainer. Now at this point,

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Speaker 10: we actually were shooting our portions of this film and

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Speaker 10: separate parts of the Globe, and I would see what

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Speaker 10: Brian was doing and vice versa, and you'd kind of

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Speaker 10: adapt your performance to that.

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Speaker 8: And it was fun.

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Speaker 9: But we didn't really make it until the beginning of

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Speaker 9: the of the Press, And it's been a lot of fun.

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Speaker 10: Yeah, I love him, man, It's it's it's incredible, Like

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Speaker 10: how when we first met each other it was already

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Speaker 10: kind of kiss met.

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Speaker 8: I'd heard all the rumors from other people who had

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Speaker 8: worked with him and they were like I.

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Speaker 10: Was like, ah, and so I get to go back

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Speaker 10: and be like, guys, that actually isn't fully true, you know,

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Speaker 10: like he's actually he really doesn't and like it's so

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Speaker 10: I don't know, like I really do. Like to know

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Speaker 10: Chris is to love Chris, which is also enough to

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Speaker 10: make you hate Chris because it's like, god damn it, Like.

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Speaker 8: I really love this guy.

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Speaker 3: So uh.

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Speaker 10: But it's it's been a blast to be able to

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Speaker 10: do this with him, actually, to actually get to get

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Speaker 10: closer and know each other and to see that our

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Speaker 10: relationship is actually kind of like the one you see

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Speaker 10: in the film, Like especially at the beginning, it's it's

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Speaker 10: him trying to talk me into to kill each other,

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Speaker 10: but him trying to talk me into a bunch of

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Speaker 10: stuff that I don't want to do. So like I

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Speaker 10: was like, okay, well at some point you just got

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Speaker 10: to give try this.

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Speaker 8: It was just like, stop, I'm not doing.

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Speaker 3: Is there is there anything in particular while you've been

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Speaker 3: doing press that Chris has tried to make you do

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Speaker 3: which you were uncomfortable doing. Brian, it really does.

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Speaker 8: Laugh at his dad jokes. He he is, I don't know, like, like,

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Speaker 8: what's the joke? Remember the joke? Come on, come on,

280
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Speaker 8: come on? Sorry?

281
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Speaker 9: Would you rather eat a goat or a matter baby?

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Speaker 8: First of all, first of all, I just answer question,

283
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Speaker 8: what's the matter baby?

284
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Speaker 11: With you?

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Speaker 8: Cool? So I put a pause in that. I'll put

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Speaker 8: a pause in that.

287
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Speaker 10: So when he first started this dad joke, he was like, so,

288
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Speaker 10: would you rather eat a human baby or a meta baby?

289
00:13:48,400 --> 00:13:50,679
Speaker 10: And I'm like and and my in the sad part

290
00:13:50,800 --> 00:13:52,800
Speaker 10: is that I was like, oh, well a human baby, duh?

291
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Speaker 3: Like I did this.

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Speaker 9: I got on camera for about ten interviews before my

293
00:13:58,160 --> 00:14:01,000
Speaker 9: mic rusted me. You're saying it, saying it baby go

294
00:14:01,120 --> 00:14:02,600
Speaker 9: It's not would you rather eat a baby.

295
00:14:03,920 --> 00:14:05,439
Speaker 8: Oh no, how many interviews have we done?

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Speaker 10: I love that no one questioned though for me that

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00:14:09,320 --> 00:14:12,559
Speaker 10: I immediately said I'd eat a human baby before I

298
00:14:12,640 --> 00:14:14,680
Speaker 10: was suggesting, do you want to suggest human?

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00:14:14,920 --> 00:14:20,320
Speaker 8: So that's how I knew we were coect baby goat. Yeah, yeah,

300
00:14:21,120 --> 00:14:21,920
Speaker 8: such a terrible joke.

301
00:14:23,040 --> 00:14:25,240
Speaker 3: It's very lucky you haven't been canceled on this press

302
00:14:25,280 --> 00:14:27,480
Speaker 3: to him, I mean, Cannibal, I know it just all

303
00:14:27,520 --> 00:14:29,440
Speaker 3: went wrong. Would you rather eat a matter baby? Yes?

304
00:14:29,480 --> 00:14:34,760
Speaker 6: I would rather eat a I don't want to get canceled. Sorry, sorry,

305
00:14:34,800 --> 00:14:35,280
Speaker 6: I'm sorry.

306
00:14:35,800 --> 00:14:37,720
Speaker 8: Do you see what I'm saying? How he rules you

307
00:14:37,800 --> 00:14:39,680
Speaker 8: in and this that's how this is what it is

308
00:14:39,840 --> 00:14:41,080
Speaker 8: to be a friend to this person.

309
00:14:42,120 --> 00:14:44,080
Speaker 3: I know, I know he calls me sprayed out.

310
00:14:44,120 --> 00:14:47,040
Speaker 8: I know, I see now why though, I see why,

311
00:14:47,200 --> 00:14:47,920
Speaker 8: I now see why.

312
00:14:48,600 --> 00:14:55,880
Speaker 3: Thank you. So we're tired, obviously. Yeah, it wasn't just

313
00:14:55,960 --> 00:14:58,560
Speaker 3: a couple of buds at the pub talking about eating

314
00:14:58,640 --> 00:14:59,360
Speaker 3: human babies.

315
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Speaker 6: What movie are we watching?

316
00:15:01,560 --> 00:15:03,640
Speaker 3: Again? I don't think they even knew what movie we

317
00:15:03,720 --> 00:15:08,360
Speaker 3: were watching. But something that Universal have said is September nineteen,

318
00:15:08,720 --> 00:15:13,120
Speaker 3: Transformers one is the film that we were all just

319
00:15:13,280 --> 00:15:19,600
Speaker 3: promoting very successfully together. I think they got weird. I

320
00:15:19,680 --> 00:15:20,480
Speaker 3: didn't get that weird.

321
00:15:20,600 --> 00:15:22,600
Speaker 1: I hadn't part two to that interview that were meant

322
00:15:22,640 --> 00:15:27,040
Speaker 1: to be playing booby logo? Is there more there? There was?

323
00:15:27,160 --> 00:15:29,480
Speaker 1: But and this is probably not fair, conversation we should

324
00:15:29,480 --> 00:15:32,080
Speaker 1: have had, but it probably wasn't worth broadcasting.

325
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Speaker 3: That's fair. What was my next question? I can't remember, honestly,

326
00:15:37,240 --> 00:15:37,960
Speaker 3: I don't remember.

327
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Speaker 1: It might have been It might have been the because

328
00:15:42,560 --> 00:15:45,200
Speaker 1: I've got your question sheet here, it.

329
00:15:45,280 --> 00:15:47,040
Speaker 6: Might have been the Brian.

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Speaker 1: There are a couple of times in the film where

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Speaker 1: your character genuinely sounded out of breath. Are you just

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00:15:52,160 --> 00:15:56,000
Speaker 1: a supreme actor? Were you doing star jumps in the audio? Boo?

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00:15:57,000 --> 00:15:59,120
Speaker 3: The be'st question about the movie. That's a question about

334
00:15:59,160 --> 00:16:00,640
Speaker 3: a movie which I think it's a good one.

335
00:16:14,080 --> 00:16:15,960
Speaker 1: All right. I'm not meant to say this because apparently

336
00:16:16,000 --> 00:16:18,920
Speaker 1: it's very anti podcast, but welcome back to the pod.

337
00:16:19,200 --> 00:16:20,200
Speaker 3: I'm for the welcome.

338
00:16:20,320 --> 00:16:22,840
Speaker 6: I say, say, we've been over this. It's you know,

339
00:16:22,960 --> 00:16:23,880
Speaker 6: it's been in the bad world.

340
00:16:24,600 --> 00:16:28,560
Speaker 1: I agree, we welcoming people back out of the abyss. Yes, now,

341
00:16:28,760 --> 00:16:31,280
Speaker 1: look we've got plenty to come here. And apparently people

342
00:16:31,320 --> 00:16:32,920
Speaker 1: who do this in pop world, either like where they

343
00:16:33,400 --> 00:16:35,760
Speaker 1: tease what's coming out, But got a prank to my

344
00:16:35,880 --> 00:16:38,000
Speaker 1: mum to come, this is radio. Sensibility is coming out.

345
00:16:38,480 --> 00:16:40,840
Speaker 1: You can take the boy out of radio. You can't

346
00:16:40,880 --> 00:16:43,080
Speaker 1: say the radio out of the boy. Woulds I want

347
00:16:43,120 --> 00:16:44,480
Speaker 1: to say that for a long time on air. I

348
00:16:45,080 --> 00:16:47,560
Speaker 1: can't say that about myself because I'm not from Kansas

349
00:16:47,720 --> 00:16:50,520
Speaker 1: or Texas or Perth for that matter, where they all

350
00:16:50,560 --> 00:16:52,280
Speaker 1: seem to wield that expression.

351
00:16:51,960 --> 00:16:54,240
Speaker 3: Really really well. But you are a little boy from radio.

352
00:16:54,360 --> 00:16:55,920
Speaker 3: I'm a little well not change your ways.

353
00:16:56,600 --> 00:16:57,200
Speaker 1: Yes, that's it.

354
00:16:57,360 --> 00:16:58,880
Speaker 3: He's the bloody house down mates.

355
00:16:58,920 --> 00:17:03,800
Speaker 6: Brother, We're going to touch on on Friday.

356
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Speaker 1: I think one of the hardest things I've ever had

357
00:17:07,640 --> 00:17:13,960
Speaker 1: to explain with words, obviously, but it was it was tricky. Yeah,

358
00:17:13,960 --> 00:17:15,920
Speaker 1: it was like I knew what I wanted out of

359
00:17:16,000 --> 00:17:18,600
Speaker 1: people to call with, like what stories I wanted out

360
00:17:18,640 --> 00:17:21,119
Speaker 1: of them, but even you were finding it hard to

361
00:17:21,520 --> 00:17:22,560
Speaker 1: grasp what I was saying.

362
00:17:22,680 --> 00:17:25,159
Speaker 3: Yep, I was struggling initially, but then once you get it,

363
00:17:25,400 --> 00:17:26,800
Speaker 3: you're going to hear it very sad. But once you

364
00:17:26,920 --> 00:17:29,879
Speaker 3: get it, yeah, it's actually amazing, and I reckon you

365
00:17:29,920 --> 00:17:32,080
Speaker 3: all have your own thoughts on it, like everyone has

366
00:17:32,119 --> 00:17:35,119
Speaker 3: their own way of doing this thing. It's amazing speaking

367
00:17:35,200 --> 00:17:35,640
Speaker 3: of having your.

368
00:17:35,600 --> 00:17:36,520
Speaker 1: Own way to do something.

369
00:17:38,440 --> 00:17:40,960
Speaker 3: Here is the question which celebed Can you just not

370
00:17:41,119 --> 00:17:44,240
Speaker 3: imagine taking the put? It's just like you just cannot,

371
00:17:44,560 --> 00:17:47,720
Speaker 3: you cannot, you can't doing a daily do.

372
00:17:48,720 --> 00:17:50,680
Speaker 1: I told you there was that show thought that I

373
00:17:50,760 --> 00:17:52,520
Speaker 1: read and read at that time, which was and I

374
00:17:52,600 --> 00:17:55,400
Speaker 1: mentioned this before, which was that guys, if you're ever

375
00:17:56,560 --> 00:18:02,880
Speaker 1: feeling down about yourself, just that Beyonce could be pooh

376
00:18:02,920 --> 00:18:05,280
Speaker 1: right now because it has to happen.

377
00:18:06,560 --> 00:18:08,320
Speaker 3: I think scientifically, you can't avoid that.

378
00:18:08,320 --> 00:18:10,359
Speaker 1: There's twenty at some stage in the day. If you

379
00:18:10,480 --> 00:18:12,480
Speaker 1: have that thought, you could be right, like she could

380
00:18:12,520 --> 00:18:14,800
Speaker 1: be Beyonce poo right now.

381
00:18:16,280 --> 00:18:17,160
Speaker 3: She could be okay.

382
00:18:18,359 --> 00:18:20,920
Speaker 1: I don't know where she is, but I don't know

383
00:18:21,080 --> 00:18:24,600
Speaker 1: that for me, and she's a queen to me, I don't.

384
00:18:24,400 --> 00:18:26,280
Speaker 3: Know that, and a queen belongs on the throne.

385
00:18:27,280 --> 00:18:28,920
Speaker 6: Something about that I don't know what it is.

386
00:18:29,200 --> 00:18:31,639
Speaker 3: Yes, no, I aagree And hilariously so you've bought the

387
00:18:31,680 --> 00:18:34,280
Speaker 3: fact that it does make okay and it makes you

388
00:18:34,400 --> 00:18:37,800
Speaker 3: feel good right, and that is exactly what Queensland Health

389
00:18:38,000 --> 00:18:41,159
Speaker 3: are relying on now because they've done this huge campaign

390
00:18:41,359 --> 00:18:45,600
Speaker 3: trying to tackle pooh paranoya or pooor renoya as they're

391
00:18:45,640 --> 00:18:52,320
Speaker 3: calling it, which is the fear, but it should be

392
00:18:52,400 --> 00:18:55,840
Speaker 3: poor annoya. And if you don't know what poor annoya is,

393
00:18:56,040 --> 00:18:59,760
Speaker 3: it's basically that that fear or the taboo around doing

394
00:18:59,840 --> 00:19:03,520
Speaker 3: a who at work. You get nervous about it. You

395
00:19:03,640 --> 00:19:05,720
Speaker 3: never want the embarrassment of people knowing that you just

396
00:19:05,760 --> 00:19:08,080
Speaker 3: took a poet work. Because of that, people are actually

397
00:19:08,080 --> 00:19:11,720
Speaker 3: getting very sick because they are holding their pups at work.

398
00:19:12,119 --> 00:19:14,280
Speaker 3: And so basically they've done this huge campaign saying it's

399
00:19:14,280 --> 00:19:17,200
Speaker 3: okay to poo at work. They put this song actually

400
00:19:17,280 --> 00:19:22,680
Speaker 3: behind their entire campaign to make you feel comfortable. This

401
00:19:22,800 --> 00:19:25,320
Speaker 3: is this is like this huge campaign do a poo?

402
00:19:25,560 --> 00:19:25,720
Speaker 1: Why?

403
00:19:25,880 --> 00:19:25,920
Speaker 7: What?

404
00:19:26,160 --> 00:19:26,919
Speaker 1: What's what's the.

405
00:19:28,880 --> 00:19:30,800
Speaker 3: If you hold onto it, the stool can get stuck

406
00:19:30,800 --> 00:19:33,480
Speaker 3: in your coal and hemorrhoids are really serious issues.

407
00:19:33,560 --> 00:19:33,840
Speaker 8: Okay.

408
00:19:33,920 --> 00:19:36,960
Speaker 3: Anyway, one of the recommendations that they say, if you

409
00:19:37,080 --> 00:19:39,880
Speaker 3: do have a bit of pooh renoia is to imagine

410
00:19:39,920 --> 00:19:40,879
Speaker 3: a celebrity doing it.

411
00:19:41,280 --> 00:19:41,800
Speaker 8: Is that right?

412
00:19:42,080 --> 00:19:45,280
Speaker 3: They said, imagine Taylor Swift doing a pooh, And apparently

413
00:19:45,840 --> 00:19:46,840
Speaker 3: that is supposed.

414
00:19:46,520 --> 00:19:47,760
Speaker 1: To make imagine that.

415
00:19:47,880 --> 00:19:50,960
Speaker 3: I don't know, I don't know, halftime with the Chiefs game,

416
00:19:54,560 --> 00:19:55,480
Speaker 3: no one filming there.

417
00:19:55,560 --> 00:19:58,359
Speaker 6: I just think she's on tour. You know, she's on

418
00:19:58,480 --> 00:20:00,920
Speaker 6: tour a lot. Oh sure, you know, Like why is that?

419
00:20:01,160 --> 00:20:04,119
Speaker 1: I don't know, I just poop yeah, well yeah, like,

420
00:20:05,080 --> 00:20:06,480
Speaker 1: well you've just got to do it a lot. I

421
00:20:06,480 --> 00:20:08,479
Speaker 1: think while you're on tour in lots of places, Well,

422
00:20:08,520 --> 00:20:10,919
Speaker 1: she'd be used to poohing in foreign places. Taylor Swift.

423
00:20:11,200 --> 00:20:13,080
Speaker 1: I'm going to say, I'm going to go I'm going

424
00:20:13,119 --> 00:20:14,400
Speaker 1: to go out in a limb and say that Taylor

425
00:20:14,400 --> 00:20:18,040
Speaker 1: Swift would have puoted in like, you know, more different

426
00:20:18,160 --> 00:20:21,480
Speaker 1: toilets than many people that have ever lived. It's funny

427
00:20:21,480 --> 00:20:23,480
Speaker 1: when he say, like that's that's actually that's not a

428
00:20:23,520 --> 00:20:24,040
Speaker 1: bad stat.

429
00:20:24,080 --> 00:20:24,680
Speaker 3: That's great stat.

430
00:20:24,960 --> 00:20:25,160
Speaker 8: Great.

431
00:20:25,440 --> 00:20:27,960
Speaker 6: She would have traveled more than pool all over the world.

432
00:20:28,200 --> 00:20:31,600
Speaker 1: She has She's probably taking a ship in most countries.

433
00:20:31,400 --> 00:20:33,800
Speaker 3: No doubt, no doubt. That's a fun new game.

434
00:20:34,440 --> 00:20:37,760
Speaker 1: That's wild, right, I'm getting she probably.

435
00:20:37,560 --> 00:20:40,439
Speaker 3: Has replaced easiert quiz. We just name a country has

436
00:20:40,520 --> 00:20:42,359
Speaker 3: tailor book for there, let's go.

437
00:20:42,960 --> 00:20:44,560
Speaker 1: I think we should go to a song because people

438
00:20:44,600 --> 00:20:46,800
Speaker 1: are caught coming in hot fast for this, and I

439
00:20:46,880 --> 00:20:48,359
Speaker 1: do think it is worth taking some time.

440
00:20:48,280 --> 00:20:48,800
Speaker 4: To go through this.

441
00:20:49,040 --> 00:20:52,120
Speaker 3: Okay, which celeb can you not imagine taking a pooh?

442
00:20:52,119 --> 00:20:54,560
Speaker 3: I think the main goal here is just shock will

443
00:20:54,600 --> 00:20:56,320
Speaker 3: and I yeah, hey, curveball.

444
00:20:56,760 --> 00:21:00,320
Speaker 1: Yes, Elijah Wood played famously played photo bagans.

445
00:21:02,520 --> 00:21:04,200
Speaker 3: I can't imagine that. It's funny.

446
00:21:04,280 --> 00:21:05,159
Speaker 1: I don't know what that is.

447
00:21:05,640 --> 00:21:08,400
Speaker 3: The example I used is visualized Taylor Swift doing the poop.

448
00:21:08,400 --> 00:21:11,399
Speaker 3: But as we've discussed, she's almost pupped everywhere in the

449
00:21:11,440 --> 00:21:12,720
Speaker 3: world because she does world to it.

450
00:21:12,840 --> 00:21:15,399
Speaker 1: Once you get your head around it, you realize when

451
00:21:15,480 --> 00:21:15,879
Speaker 1: she start.

452
00:21:15,760 --> 00:21:18,080
Speaker 3: Going specific as well. It's really interesting because when like

453
00:21:18,119 --> 00:21:20,560
Speaker 3: when she's touring here in Australia, like you know, it's excited, like,

454
00:21:20,560 --> 00:21:23,320
Speaker 3: oh my god, Taylor Swift's in our city. She's putting

455
00:21:23,359 --> 00:21:23,840
Speaker 3: in our city.

456
00:21:24,560 --> 00:21:26,600
Speaker 6: Yeah, yeah, well that's exactly right.

457
00:21:26,920 --> 00:21:29,040
Speaker 3: Let's go to James here. I'm putting one of whose

458
00:21:29,280 --> 00:21:32,359
Speaker 3: five James, who's the celebrity you can't imagine taking a pop.

459
00:21:33,520 --> 00:21:36,359
Speaker 7: I'm just trying to work out the process of the queen,

460
00:21:36,600 --> 00:21:40,720
Speaker 7: like when she's ready to go, who who's walking her there?

461
00:21:40,960 --> 00:21:43,280
Speaker 11: Or you get there?

462
00:21:43,480 --> 00:21:44,880
Speaker 6: And how she did get there?

463
00:21:44,960 --> 00:21:46,679
Speaker 1: James the first one put.

464
00:21:46,680 --> 00:21:49,439
Speaker 7: Me hands under there, collecting to sell it.

465
00:21:49,480 --> 00:21:53,200
Speaker 1: Off James from James.

466
00:21:53,280 --> 00:21:55,520
Speaker 3: I don't think we need to be James catching her

467
00:21:55,600 --> 00:21:57,960
Speaker 3: poop the Royal Book, James.

468
00:21:59,200 --> 00:22:02,320
Speaker 1: That was right off James came from.

469
00:22:02,200 --> 00:22:03,800
Speaker 3: When the Queen was a live though. I think that

470
00:22:03,960 --> 00:22:06,480
Speaker 3: is quite hard to imagine, quite hard to imagine.

471
00:22:06,480 --> 00:22:09,040
Speaker 1: Well, I think the Queen would would probably be able

472
00:22:09,119 --> 00:22:11,600
Speaker 1: to compete with Taylor in terms of countries pood in

473
00:22:12,040 --> 00:22:12,440
Speaker 1: no doubt.

474
00:22:12,560 --> 00:22:13,679
Speaker 3: Do you think there's a royal wiper?

475
00:22:14,480 --> 00:22:14,520
Speaker 10: No?

476
00:22:15,000 --> 00:22:17,240
Speaker 3: No, no, no, Let's go to Lara.

477
00:22:17,640 --> 00:22:19,840
Speaker 6: She does have someone change the TV channel for her.

478
00:22:20,320 --> 00:22:23,199
Speaker 1: I know that for a fact. I think did Anyway, I.

479
00:22:23,240 --> 00:22:25,480
Speaker 3: Think someone's breaking off the squares of toilet paper for

480
00:22:25,560 --> 00:22:27,200
Speaker 3: her and handing them to her so she doesn't have

481
00:22:27,280 --> 00:22:27,560
Speaker 3: to do that.

482
00:22:27,640 --> 00:22:27,760
Speaker 11: You know.

483
00:22:27,760 --> 00:22:29,639
Speaker 3: I when someone's like, twist right around, it hurts you

484
00:22:29,720 --> 00:22:32,360
Speaker 3: back a bit. And yeah, maybe gread to have someone

485
00:22:32,440 --> 00:22:34,240
Speaker 3: handing the tp LA.

486
00:22:34,600 --> 00:22:35,800
Speaker 1: Then you're probably wiping, aren't you.

487
00:22:36,840 --> 00:22:38,520
Speaker 6: You're a you're a hops given it up?

488
00:22:38,760 --> 00:22:40,800
Speaker 3: Who's the celeb you can't imagine taking a poop?

489
00:22:41,600 --> 00:22:44,880
Speaker 11: I just really can't imagine Julia Andrews on the toilet.

490
00:22:45,480 --> 00:22:49,720
Speaker 1: Julie Andrews, Lara, that is a cracker sound a music

491
00:22:49,800 --> 00:22:55,680
Speaker 1: woman absolutely. You can't see Mary Poppin's taking a no way.

492
00:22:55,800 --> 00:22:57,399
Speaker 6: You just can't just.

493
00:22:58,880 --> 00:23:02,359
Speaker 3: A quick pop and poop when she's of the von

494
00:23:02,400 --> 00:23:03,520
Speaker 3: Schlickels or whatever they're.

495
00:23:05,000 --> 00:23:06,720
Speaker 6: Mixture Julie Andrews movies.

496
00:23:07,400 --> 00:23:11,040
Speaker 3: Yeah, let's go to Sarah then Joey Sarah, which celeva,

497
00:23:11,119 --> 00:23:12,920
Speaker 3: are you struggling to imagine having a pooh?

498
00:23:13,560 --> 00:23:16,880
Speaker 12: I just can't picture Angeline and Jolie going to the toilet.

499
00:23:17,440 --> 00:23:18,080
Speaker 3: Yeah, agreed.

500
00:23:18,280 --> 00:23:19,800
Speaker 6: Now I think we start to end up in like

501
00:23:20,200 --> 00:23:22,199
Speaker 6: I agree, we started to end up in.

502
00:23:22,480 --> 00:23:25,320
Speaker 1: In in stereotype here, which is hot woman taking a

503
00:23:25,400 --> 00:23:26,520
Speaker 1: pooh territory.

504
00:23:26,200 --> 00:23:27,960
Speaker 3: Which I you know, I didn't bring up Jolie.

505
00:23:28,119 --> 00:23:29,360
Speaker 1: I didn't bring up Jolie either.

506
00:23:29,960 --> 00:23:30,240
Speaker 3: I did.

507
00:23:30,440 --> 00:23:32,320
Speaker 6: You and I both got hands I had.

508
00:23:32,600 --> 00:23:34,640
Speaker 3: I did have Catherine Zita Jones written down.

509
00:23:34,760 --> 00:23:36,639
Speaker 1: I think that's just these women are, obviously, you know,

510
00:23:36,760 --> 00:23:38,879
Speaker 1: such beautiful creatures that often it is a bit you know,

511
00:23:39,240 --> 00:23:41,920
Speaker 1: just just not something that you'd like to imagine in

512
00:23:42,000 --> 00:23:42,679
Speaker 1: ather cases.

513
00:23:42,720 --> 00:23:44,119
Speaker 3: But here it's so funny though. As soon as you

514
00:23:44,160 --> 00:23:47,399
Speaker 3: say it, though, Sarah, I'm now imagining it Jolly. Of

515
00:23:47,520 --> 00:23:51,040
Speaker 3: course you can't. You can't, and you know I can see.

516
00:23:50,920 --> 00:23:54,240
Speaker 1: Jolie for some reason. Okay, it's because she's directed some

517
00:23:54,320 --> 00:23:56,600
Speaker 1: pretty horrific movies that I feel like she's got, you know,

518
00:23:56,800 --> 00:23:57,520
Speaker 1: that sign to her.

519
00:23:57,600 --> 00:24:00,359
Speaker 3: She's okay, going to the trenches. Yeah, she's come to

520
00:24:00,520 --> 00:24:02,680
Speaker 3: I don't even send the fan on, doesn't bother. Let's

521
00:24:02,680 --> 00:24:04,919
Speaker 3: go to bred Bread.

522
00:24:06,080 --> 00:24:06,879
Speaker 6: Some of her films.

523
00:24:07,760 --> 00:24:09,040
Speaker 1: You've seen some of her films.

524
00:24:09,840 --> 00:24:15,560
Speaker 3: Yeah, which can't you imagine having to put Brett?

525
00:24:16,960 --> 00:24:19,800
Speaker 11: There's no way I can imagine Posh Spice knuckling one out.

526
00:24:21,080 --> 00:24:29,440
Speaker 3: Jesus Christ great again, we're in that stereot But it's

527
00:24:29,440 --> 00:24:31,680
Speaker 3: just only because that she presents herself so well.

528
00:24:33,200 --> 00:24:35,960
Speaker 1: And can you imagine, David that I can't imagine, David.

529
00:24:36,359 --> 00:24:38,600
Speaker 3: I just can't imagine the whole Beckham family. I don't

530
00:24:38,600 --> 00:24:39,280
Speaker 3: know what they're doing.

531
00:24:39,359 --> 00:24:40,280
Speaker 1: I don't know about their kids.

532
00:24:40,280 --> 00:24:42,440
Speaker 3: I'm sure their kids have but can't say Romeo doing it?

533
00:24:42,480 --> 00:24:44,160
Speaker 1: Who's Romeo? They get the son of the kids.

534
00:24:44,760 --> 00:24:47,640
Speaker 6: A let's go to Carli now, David.

535
00:24:47,359 --> 00:24:48,439
Speaker 1: I can't see it happening.

536
00:24:48,560 --> 00:24:53,200
Speaker 3: No, neither neither two. It's just too clean, Carly. Who

537
00:24:53,240 --> 00:24:55,800
Speaker 3: do you think which celebrity is hard to imagine having

538
00:24:55,840 --> 00:24:56,080
Speaker 3: to put?

539
00:24:57,240 --> 00:24:58,480
Speaker 7: Definitely Judy Dench.

540
00:25:00,960 --> 00:25:03,000
Speaker 3: I do imagine, imagine.

541
00:25:08,400 --> 00:25:12,560
Speaker 1: There you go, Taylor, Taylor Swift could have taken a poll.

542
00:25:13,080 --> 00:25:16,359
Speaker 1: Has I think could have someone's able to generate that

543
00:25:16,520 --> 00:25:19,080
Speaker 1: map that awesome.

544
00:25:18,760 --> 00:25:20,960
Speaker 3: Would be awesome, or just someone create the app wherever

545
00:25:21,000 --> 00:25:22,399
Speaker 3: they it's what you call it and then you just

546
00:25:22,440 --> 00:25:24,960
Speaker 3: type in a celebrities name and then someone's just kind

547
00:25:24,960 --> 00:25:27,280
Speaker 3: of tracked that person over their lifetime and gone. They've

548
00:25:27,280 --> 00:25:29,280
Speaker 3: definitely put in Fiji. They hold on the Bahamas all

549
00:25:29,320 --> 00:25:30,919
Speaker 3: the time, so multiple phamas.

550
00:25:31,000 --> 00:25:34,639
Speaker 1: Want though, is you'd want like you'd want like the

551
00:25:34,720 --> 00:25:40,080
Speaker 1: celebrity would have to give the information effectively on the John.

552
00:25:40,240 --> 00:25:43,520
Speaker 1: I have to log into the app and go and

553
00:25:43,640 --> 00:25:44,399
Speaker 1: plant a flag.

554
00:25:44,680 --> 00:25:45,880
Speaker 3: Hard to convince Swift.

555
00:25:48,640 --> 00:25:48,920
Speaker 1: In the world.

556
00:25:48,920 --> 00:25:51,280
Speaker 3: Would you mind as giving us a quick just just

557
00:25:51,480 --> 00:25:54,320
Speaker 3: click a button, just drop a pin, drop a pin,

558
00:25:54,600 --> 00:25:56,359
Speaker 3: and then we can get the world up to date.

559
00:25:56,440 --> 00:25:59,600
Speaker 1: Then, like if you let's say you buy the app,

560
00:26:00,040 --> 00:26:03,720
Speaker 1: let's say you obviously by the app. Yeah, if you

561
00:26:03,800 --> 00:26:07,640
Speaker 1: get the premium, it's like Pokemon Go, where like if

562
00:26:07,680 --> 00:26:10,320
Speaker 1: you scan it over the toilet. Oh, I love that

563
00:26:10,920 --> 00:26:13,520
Speaker 1: you can see this celebrity on the on the john

564
00:26:13,560 --> 00:26:16,040
Speaker 1: switch he has pood here, I'll see them or like

565
00:26:16,119 --> 00:26:18,520
Speaker 1: a like an image or just not actually say, le's

566
00:26:18,560 --> 00:26:21,840
Speaker 1: just selfie of herself saying that too much, just like

567
00:26:21,880 --> 00:26:24,200
Speaker 1: a photo like a little hologram of Taylor Swift singing

568
00:26:24,240 --> 00:26:26,080
Speaker 1: or whatever. I just had the idea that when you

569
00:26:27,359 --> 00:26:31,680
Speaker 1: pooker ball and then catch them, that's I mean, that's

570
00:26:31,720 --> 00:26:32,120
Speaker 1: good gear.

571
00:26:32,200 --> 00:26:33,800
Speaker 3: I like the idea of taking a poose somewhere and

572
00:26:33,840 --> 00:26:35,639
Speaker 3: then you've being like, there's a list of celebrities like

573
00:26:35,720 --> 00:26:39,439
Speaker 3: sylvesterster Line, Arnold Schwartzenegger, Joe Biden, Taylor Swift, and oh

574
00:26:39,480 --> 00:26:41,000
Speaker 3: my god, all these people have pood here.

575
00:26:41,840 --> 00:26:45,920
Speaker 6: That was a weird list of the white Joe Biden,

576
00:26:47,640 --> 00:26:49,760
Speaker 6: Taylor Swift, Jay who else was in that?

577
00:26:50,240 --> 00:26:52,080
Speaker 3: Arnold Schwartzenegger and semesterister Line was.

578
00:26:52,080 --> 00:26:55,000
Speaker 1: A weird white house lies definitely been in that's that.

579
00:26:55,119 --> 00:26:59,960
Speaker 1: That's that's the Oval officer's male adjoining cubicle right there.

580
00:27:00,040 --> 00:27:01,120
Speaker 6: Yeah, Oh, Taylor.

581
00:27:00,920 --> 00:27:03,600
Speaker 1: Swift was in there. Sorry, Swift in the Oval office,

582
00:27:03,800 --> 00:27:05,480
Speaker 1: not in the mail, not in the male cube because

583
00:27:06,240 --> 00:27:08,159
Speaker 1: Nix and the o oh no, not wild Trump's in

584
00:27:08,240 --> 00:27:09,600
Speaker 1: It's probably not Unix.

585
00:27:09,560 --> 00:27:11,080
Speaker 3: Although maybe she's a bit of a bit of a

586
00:27:11,160 --> 00:27:13,320
Speaker 3: character like those The Men's a bit of a laugh.

587
00:27:14,119 --> 00:27:15,320
Speaker 1: Maybe you never know.

588
00:27:15,400 --> 00:27:18,280
Speaker 3: I don't actually know if that'd be her sense of humor.

589
00:27:19,160 --> 00:27:20,760
Speaker 1: Hey, let's get into this thing that I found really

590
00:27:20,800 --> 00:27:24,760
Speaker 1: hard to explain on Friday with Freedom Friday and what

591
00:27:24,920 --> 00:27:28,800
Speaker 1: turned out to be potentially a cultural footoment on. You know,

592
00:27:28,920 --> 00:27:33,879
Speaker 1: when you're trying to explain how somebody jumped off the playground, Okay,

593
00:27:34,040 --> 00:27:36,200
Speaker 1: you're just trying to explain that to someone, Okay, and

594
00:27:36,359 --> 00:27:39,320
Speaker 1: you would go, I personally would say, so the way

595
00:27:39,359 --> 00:27:42,920
Speaker 1: they jumped off, they went bang bang bang, And I

596
00:27:42,960 --> 00:27:45,159
Speaker 1: would say, bang bang bang. Isn't like they jumped there.

597
00:27:45,200 --> 00:27:47,399
Speaker 1: They jumped there and then they jumped there. Okay, are

598
00:27:47,400 --> 00:27:48,400
Speaker 1: you following that? Sure?

599
00:27:48,520 --> 00:27:50,120
Speaker 6: Yeah, yes, jumped.

600
00:27:50,160 --> 00:27:51,880
Speaker 3: I don't want to say bang bang bang, they jumped

601
00:27:51,880 --> 00:27:52,400
Speaker 3: off a playground.

602
00:27:52,400 --> 00:27:56,359
Speaker 1: The bang bang bangs are important, Okay, Okay, Because I

603
00:27:56,480 --> 00:27:58,240
Speaker 1: was listening to Captain poop Pants tell the story the

604
00:27:58,280 --> 00:28:01,000
Speaker 1: other day, and he's a buzz buz buz. Yeah he

605
00:28:01,040 --> 00:28:04,480
Speaker 1: does so when he's talking about when when he's talking

606
00:28:04,560 --> 00:28:07,480
Speaker 1: about like getting from one point to the other, he'll go, like,

607
00:28:07,640 --> 00:28:09,840
Speaker 1: you know, so let's say and again, maybe a different way,

608
00:28:10,320 --> 00:28:12,000
Speaker 1: how are you getting to Sydney? Oh, we're going via

609
00:28:12,320 --> 00:28:13,840
Speaker 1: We're going by a wogga wogga and then we're going

610
00:28:13,840 --> 00:28:16,520
Speaker 1: to Sydney. So he go, we go Melbourne bus bus

611
00:28:16,840 --> 00:28:19,760
Speaker 1: Sydney and then he's a boys and bulls boozer. All

612
00:28:19,880 --> 00:28:22,879
Speaker 1: French people very interestingly. When I was in France on

613
00:28:23,200 --> 00:28:26,480
Speaker 1: French Exchange when I was sixteen, they all go tech.

614
00:28:26,520 --> 00:28:32,159
Speaker 13: Tech tech there you go, very strange. Yeah, now I

615
00:28:32,240 --> 00:28:35,400
Speaker 13: knows is going. This is the little thing that's been

616
00:28:35,440 --> 00:28:37,680
Speaker 13: going on in my head about ten years now. I've

617
00:28:37,680 --> 00:28:43,120
Speaker 13: had this thoughts in French exchange. Okay, I just want

618
00:28:43,120 --> 00:28:45,440
Speaker 13: to know what other people do, like, are you like?

619
00:28:45,520 --> 00:28:47,479
Speaker 13: I want to know how many other like you think

620
00:28:47,520 --> 00:28:48,080
Speaker 13: I'm a boomer?

621
00:28:48,160 --> 00:28:49,160
Speaker 3: I go boom boom boom.

622
00:28:49,440 --> 00:28:51,800
Speaker 6: Yeah you are there, you're a boom.

623
00:28:52,360 --> 00:28:53,880
Speaker 3: I'm going to go to the cinema, gets some nandoz

624
00:28:53,880 --> 00:28:54,520
Speaker 3: boom boom boom.

625
00:28:54,560 --> 00:28:56,440
Speaker 8: What tonight? Yes I do, I do.

626
00:28:56,560 --> 00:28:59,040
Speaker 1: I'm a bang bang banger poop bans is bulls bulls buzzer.

627
00:28:59,160 --> 00:29:01,400
Speaker 1: Every French prisoner of have met is a tech tach tacker.

628
00:29:02,000 --> 00:29:05,520
Speaker 6: Now you might you might go no, I can't.

629
00:29:05,720 --> 00:29:07,160
Speaker 3: Yeah, what do you do, Tommy?

630
00:29:07,240 --> 00:29:07,680
Speaker 7: What do you do?

631
00:29:09,040 --> 00:29:09,680
Speaker 8: Bang? Bang? Bang?

632
00:29:09,720 --> 00:29:11,880
Speaker 3: You're a bang bang name bang bank, that'd be common.

633
00:29:12,120 --> 00:29:16,840
Speaker 3: I reckon banging and woman bang bang bang bang Okay

634
00:29:17,560 --> 00:29:20,520
Speaker 3: boom boom boom. That's right.

635
00:29:20,680 --> 00:29:25,720
Speaker 1: Look similar but different our EP captain book fans or plants,

636
00:29:30,160 --> 00:29:33,400
Speaker 1: he says. Boss. He's a big buzzer.

637
00:29:33,640 --> 00:29:37,560
Speaker 3: And what we're found is once you pick whatever noise

638
00:29:37,640 --> 00:29:40,200
Speaker 3: you make, you don't you got it for life exactly.

639
00:29:40,240 --> 00:29:42,360
Speaker 1: And I don't know when it happens, but for some reason,

640
00:29:42,520 --> 00:29:44,800
Speaker 1: and I spend a bit of time in the country France,

641
00:29:45,400 --> 00:29:49,080
Speaker 1: they all say dak, so they go dak dak tank.

642
00:29:49,800 --> 00:29:50,840
Speaker 1: I don't know what it is, but but I'm just

643
00:29:50,880 --> 00:29:52,760
Speaker 1: doing another French guy on holiday recently. He was a

644
00:29:52,800 --> 00:29:55,760
Speaker 1: big tactacker as well. The whole country does tag tag.

645
00:29:55,960 --> 00:29:58,600
Speaker 1: But here in Australia we're a multiculture nation. I'm finding

646
00:29:58,640 --> 00:30:01,400
Speaker 1: out that every he's got a different one. So look,

647
00:30:01,480 --> 00:30:02,640
Speaker 1: Jesse is called on thirty.

648
00:30:02,480 --> 00:30:05,600
Speaker 6: One and six, Jesse, Oh boys, there are you going?

649
00:30:05,880 --> 00:30:06,280
Speaker 1: So well?

650
00:30:06,360 --> 00:30:06,719
Speaker 12: Maude?

651
00:30:06,760 --> 00:30:07,160
Speaker 8: What do you do?

652
00:30:07,320 --> 00:30:07,560
Speaker 3: Jesse?

653
00:30:09,400 --> 00:30:14,080
Speaker 12: So I go dut dut du like d a like

654
00:30:14,200 --> 00:30:18,240
Speaker 12: dah yeah, And I mean even in strained it into

655
00:30:18,320 --> 00:30:20,080
Speaker 12: my kids. They go dut dut du.

656
00:30:21,880 --> 00:30:24,760
Speaker 6: Oh yeah, good is good?

657
00:30:25,400 --> 00:30:28,160
Speaker 3: Does my year one teacher was as just this just

658
00:30:28,200 --> 00:30:29,840
Speaker 3: come back to me fascinating.

659
00:30:29,920 --> 00:30:31,640
Speaker 6: It was really funny, and we were saying this in

660
00:30:31,720 --> 00:30:32,000
Speaker 6: the song.

661
00:30:32,840 --> 00:30:36,480
Speaker 1: Once you know the way like once it you recognize

662
00:30:36,800 --> 00:30:39,640
Speaker 1: or realize the way that someone does this thing, you

663
00:30:40,080 --> 00:30:43,000
Speaker 1: can't unsay it. No, and you know someone yes, you

664
00:30:43,200 --> 00:30:47,160
Speaker 1: know really well, yes, yes, yes here and you can't

665
00:30:47,160 --> 00:30:49,080
Speaker 1: show I don't know when you decide it. Maybe it's

666
00:30:49,120 --> 00:30:51,920
Speaker 1: a thing that like puberty. You know puberty, that's when

667
00:30:51,920 --> 00:30:54,600
Speaker 1: you get your hair. You go a little bit more

668
00:30:54,600 --> 00:30:57,000
Speaker 1: and then you learn how you spell out directions with

669
00:30:57,120 --> 00:31:03,040
Speaker 1: phonetic sounds, and is called on thirty one and six five. Anna, Hi, guys,

670
00:31:03,120 --> 00:31:04,320
Speaker 1: how are you going? Mate?

671
00:31:04,600 --> 00:31:06,840
Speaker 6: Are you enjoying this topic? Just out of I am?

672
00:31:07,120 --> 00:31:09,120
Speaker 11: I am a dinner? I think you guys have actually

673
00:31:09,200 --> 00:31:14,640
Speaker 11: discovered that perhaps it's multi cultural slang. Potentially I'm wandering.

674
00:31:18,400 --> 00:31:20,080
Speaker 3: Ducker dugger darker.

675
00:31:23,720 --> 00:31:26,600
Speaker 1: If I'm use the analogy for everyone else that we

676
00:31:26,680 --> 00:31:28,560
Speaker 1: are pointing out your steps on a journey on a map,

677
00:31:29,320 --> 00:31:32,080
Speaker 1: is every step get ad does every step get a

678
00:31:32,120 --> 00:31:32,680
Speaker 1: dug a ducker?

679
00:31:33,880 --> 00:31:35,640
Speaker 11: Every step is in. It's a little bit of a

680
00:31:35,760 --> 00:31:37,800
Speaker 11: hand action too. You've got to do like the hand

681
00:31:37,880 --> 00:31:42,840
Speaker 11: chopping you know, goes with the hand actions as well.

682
00:31:42,920 --> 00:31:45,640
Speaker 11: Where are you from, Anna, I'm from Uruguay.

683
00:31:46,120 --> 00:31:48,760
Speaker 1: Yeah right, so don't so it's not like it. If

684
00:31:48,760 --> 00:31:51,920
Speaker 1: there's three steps, you're not going duck guard.

685
00:31:52,400 --> 00:31:54,560
Speaker 11: A little bit, not not so slow.

686
00:31:58,760 --> 00:32:00,800
Speaker 3: Is quite extraordinary, is it? I can't believe it. This

687
00:32:00,840 --> 00:32:03,080
Speaker 3: is amazing, Jackie, thank you. I think Jackie, your husband

688
00:32:03,120 --> 00:32:03,760
Speaker 3: has a weird one.

689
00:32:03,800 --> 00:32:04,160
Speaker 8: What is it?

690
00:32:05,880 --> 00:32:10,000
Speaker 12: My husband always says fish slash bosh, Yeah.

691
00:32:09,920 --> 00:32:16,960
Speaker 6: Fish bash, classic fish bash bosh. That is a classic

692
00:32:17,080 --> 00:32:17,680
Speaker 6: fish bash.

693
00:32:18,280 --> 00:32:23,240
Speaker 3: I don't believe how many variations we're getting. This is phenomenal, Rihanna,

694
00:32:23,800 --> 00:32:24,520
Speaker 3: keep them coming.

695
00:32:24,760 --> 00:32:25,800
Speaker 1: What do you what do you do?

696
00:32:27,320 --> 00:32:32,400
Speaker 12: Hey, guys, I got it from my best mate boyfriend.

697
00:32:32,920 --> 00:32:36,760
Speaker 12: He tells the story and he goes, okayll Bubberty booperty

698
00:32:37,200 --> 00:32:37,840
Speaker 12: that's the end.

699
00:32:38,240 --> 00:32:42,479
Speaker 1: Yeah, I learned Bobby boy as well, Bubbany Booberty as well.

700
00:32:42,600 --> 00:32:46,200
Speaker 3: He doesn't bobbity booberty on a map, though, does Hee.

701
00:32:47,160 --> 00:32:51,640
Speaker 3: Cinder Rella vibes, Well, you know the fairy godmother Bopperty

702
00:32:51,640 --> 00:32:53,800
Speaker 3: bo pitty Bobby bebitty Bobby.

703
00:32:56,080 --> 00:33:06,520
Speaker 1: Boops. Nobody expected that to be anything. We're gonna try

704
00:33:06,520 --> 00:33:10,360
Speaker 1: and brank my mum now, it's dangerous. It's dangerous, and

705
00:33:10,520 --> 00:33:12,400
Speaker 1: I but she said something to the other night which

706
00:33:12,440 --> 00:33:14,960
Speaker 1: I just think needs to be exposed. So she's got

707
00:33:15,520 --> 00:33:17,920
Speaker 1: a kitchen radio listen to a lot of radio actionally

708
00:33:17,960 --> 00:33:20,360
Speaker 1: my mum. And about a year or so ago, i'd

709
00:33:20,440 --> 00:33:24,600
Speaker 1: gone through her radio presets in the kitchen radio, sure,

710
00:33:24,760 --> 00:33:27,080
Speaker 1: and we weren't on there, I tell you what. So

711
00:33:27,240 --> 00:33:30,040
Speaker 1: kiss wasn't on the wasn't on the pre sets, and

712
00:33:30,080 --> 00:33:32,760
Speaker 1: she's got six so we're don't make the top six,

713
00:33:33,320 --> 00:33:35,120
Speaker 1: I think when we're on the second tier. So she

714
00:33:35,240 --> 00:33:38,600
Speaker 1: got Tier one six stations, and then second tier, we.

715
00:33:38,640 --> 00:33:40,800
Speaker 3: Didn't even make second tier. We're not in the top twelve.

716
00:33:41,040 --> 00:33:43,760
Speaker 1: No second tier we're on so but we're still not

717
00:33:44,160 --> 00:33:46,880
Speaker 1: like we're still in top six anyway. So a few

718
00:33:46,960 --> 00:33:48,680
Speaker 1: nights ago I asked her again, like if we're on there,

719
00:33:48,920 --> 00:33:53,440
Speaker 1: she said yes, okay, but I think she's lying interesting

720
00:33:53,480 --> 00:33:55,640
Speaker 1: and I think this is where the prank comes in,

721
00:33:55,880 --> 00:33:56,880
Speaker 1: or at least I then we need to do a

722
00:33:56,880 --> 00:33:59,440
Speaker 1: little bit of detective work. So I would like you

723
00:33:59,600 --> 00:34:01,800
Speaker 1: to call as I don't think we can call as

724
00:34:01,840 --> 00:34:04,880
Speaker 1: the official surveying body who we love and a door

725
00:34:04,960 --> 00:34:06,320
Speaker 1: by the way, take those books guys.

726
00:34:06,400 --> 00:34:09,440
Speaker 3: Oh absolutely absolutely get around the boys four till six

727
00:34:09,760 --> 00:34:11,600
Speaker 3: or so. We can't. We can't.

728
00:34:12,640 --> 00:34:15,680
Speaker 1: We can't impersonate them. I think they might be illegal.

729
00:34:15,920 --> 00:34:18,640
Speaker 3: Also just bad idea because they're the ones that keep

730
00:34:18,719 --> 00:34:21,480
Speaker 3: us in a job technically. Yeah, not that they take

731
00:34:21,560 --> 00:34:24,040
Speaker 3: bribes or niceties or that just do a good, accurate

732
00:34:24,120 --> 00:34:24,960
Speaker 3: job anyway, move on.

733
00:34:25,680 --> 00:34:27,200
Speaker 1: Yeah, well they're an independent authority.

734
00:34:27,239 --> 00:34:28,600
Speaker 3: Absolutely, they are the best of the best.

735
00:34:29,000 --> 00:34:29,200
Speaker 9: Yeah.

736
00:34:29,400 --> 00:34:35,720
Speaker 1: So so not to impersonate there, but I will require

737
00:34:35,760 --> 00:34:38,840
Speaker 1: you to put a voice on and impersonate a some

738
00:34:39,200 --> 00:34:40,160
Speaker 1: similar sort of a thing.

739
00:34:40,320 --> 00:34:42,960
Speaker 3: She knows she knows my voice. She's since I was fifteen.

740
00:34:43,000 --> 00:34:44,719
Speaker 3: Will I'd like she might not listen to us on

741
00:34:44,760 --> 00:34:48,080
Speaker 3: the radio, but she knows my voice irl in real life.

742
00:34:48,120 --> 00:34:49,920
Speaker 1: I think I think I've been listening to a bit

743
00:34:49,960 --> 00:34:52,279
Speaker 1: of your voice game recently. You've been doing the you've

744
00:34:52,320 --> 00:34:55,920
Speaker 1: been doing the da from Presumed Innocent.

745
00:34:56,000 --> 00:35:00,120
Speaker 14: Really, well, have you seen have you've seen presumed how

746
00:35:00,239 --> 00:35:07,800
Speaker 14: you're absolutely brilliant. You're to look at me, look at me,

747
00:35:08,800 --> 00:35:14,520
Speaker 14: you're absolutely rollian. So I mean, if you've seen Presumed,

748
00:35:15,200 --> 00:35:17,440
Speaker 14: you are just loving that. You're like, holy moly, that

749
00:35:17,480 --> 00:35:18,400
Speaker 14: guy's unbelievable.

750
00:35:21,760 --> 00:35:23,520
Speaker 3: With Ja Gillen all you've got no idea what's going on,

751
00:35:23,600 --> 00:35:27,080
Speaker 3: but you're absolutely right. Your mom is a saint and

752
00:35:27,120 --> 00:35:29,359
Speaker 3: an angel, and I totally comt lovely.

753
00:35:29,480 --> 00:35:34,399
Speaker 1: She's lovely. She can't get Yeah, don't push her, don't

754
00:35:34,440 --> 00:35:36,719
Speaker 1: and don't don't don't, like, you know, accuse her of

755
00:35:36,840 --> 00:35:40,399
Speaker 1: doing anything, you know, unmotherly, because that's when she takes fense.

756
00:35:40,440 --> 00:35:42,000
Speaker 3: I'm sorry, I'm going to be in character, and if

757
00:35:42,040 --> 00:35:43,560
Speaker 3: my character goes that way, I'm sorry. I'm not in

758
00:35:43,600 --> 00:35:44,560
Speaker 3: control of it. Let's do it.

759
00:35:44,640 --> 00:35:45,480
Speaker 1: Okay, you're funeral.

760
00:35:50,480 --> 00:35:52,480
Speaker 3: Hi there, This is Missus McMahons speaking.

761
00:35:52,520 --> 00:35:54,360
Speaker 15: My name is Paul. I'm calling from the d k

762
00:35:54,560 --> 00:35:56,960
Speaker 15: F Commercial Radio savein Body. How are you this afternoon?

763
00:35:57,840 --> 00:35:58,040
Speaker 7: Good?

764
00:35:58,120 --> 00:35:59,680
Speaker 1: Thank you excellent.

765
00:36:00,520 --> 00:36:02,200
Speaker 3: A couple of quick questions. If you've got a moment.

766
00:36:03,480 --> 00:36:08,600
Speaker 3: Do you listen to radio, Missus mutt? Yes, you do, excellent.

767
00:36:11,280 --> 00:36:14,320
Speaker 3: Where do you listen to most of your radio?

768
00:36:14,320 --> 00:36:15,000
Speaker 9: Missus mcmutt?

769
00:36:15,560 --> 00:36:17,640
Speaker 7: Why am I being asked this question? I don't know

770
00:36:17,719 --> 00:36:20,160
Speaker 7: who you are or what you're for or I don't

771
00:36:20,160 --> 00:36:22,960
Speaker 7: know anything about you, so you need to introduce yourself

772
00:36:23,000 --> 00:36:23,480
Speaker 7: better than that.

773
00:36:24,040 --> 00:36:26,400
Speaker 3: I apologize. My name is Paul Smith.

774
00:36:26,480 --> 00:36:30,560
Speaker 15: I'm calling from the DKF Commercial Radio Surveying body. We

775
00:36:30,719 --> 00:36:33,800
Speaker 15: are given random numbers that we call every couple of

776
00:36:33,880 --> 00:36:36,040
Speaker 15: months to survey.

777
00:36:37,680 --> 00:36:39,360
Speaker 3: Who people are listening to on the radio.

778
00:36:39,920 --> 00:36:44,920
Speaker 7: Okay, okay, so I've probably got a conflict of interest,

779
00:36:44,960 --> 00:36:47,880
Speaker 7: so I'll declare that now and probably you might need

780
00:36:47,960 --> 00:36:50,960
Speaker 7: to talk to me anymore. My son is a radio presenter.

781
00:36:50,800 --> 00:36:51,120
Speaker 8: He is.

782
00:36:51,480 --> 00:36:58,920
Speaker 15: Okay, that actually doesn't matter. I fully appreciate you coming

783
00:36:59,000 --> 00:37:01,960
Speaker 15: forth with that. I hope you can still be honest though,

784
00:37:02,400 --> 00:37:05,120
Speaker 15: with the questions that I'm asking you. But it is

785
00:37:05,200 --> 00:37:08,600
Speaker 15: okay if there is a connection to a radio host. Okay,

786
00:37:09,880 --> 00:37:13,200
Speaker 15: So where do you listen to the radio?

787
00:37:13,920 --> 00:37:16,960
Speaker 7: I don't listen to his at the station. I don't

788
00:37:17,000 --> 00:37:19,200
Speaker 7: listen to FM. I listened to AM. I listened to

789
00:37:19,440 --> 00:37:21,400
Speaker 7: seven seven four or Radio National?

790
00:37:21,960 --> 00:37:27,280
Speaker 3: Okay, very good? And do you have presets on the radio? Okay?

791
00:37:28,080 --> 00:37:30,320
Speaker 3: Can do you know who is on each preset?

792
00:37:31,120 --> 00:37:31,319
Speaker 7: Yep?

793
00:37:32,280 --> 00:37:33,600
Speaker 3: Could you please go who's number one?

794
00:37:34,120 --> 00:37:35,040
Speaker 7: Seven seven four?

795
00:37:35,640 --> 00:37:39,799
Speaker 3: Very good? Number two, six, two, one three?

796
00:37:40,480 --> 00:37:43,080
Speaker 7: No, I don't don't deferther than that I do. Then

797
00:37:43,360 --> 00:37:46,120
Speaker 7: we'd go to my son's station, which is FM KISS.

798
00:37:46,600 --> 00:37:48,680
Speaker 3: So you do you do occasionally listen to your son.

799
00:37:49,160 --> 00:37:52,719
Speaker 7: Oh, very occasionally. We are not the tabot audience. And

800
00:37:52,840 --> 00:37:58,239
Speaker 7: it's drive time four to six on nationally, So yeah, occasionally,

801
00:37:58,840 --> 00:37:59,160
Speaker 7: are you not?

802
00:37:59,800 --> 00:38:00,879
Speaker 3: Are you not proud of your son?

803
00:38:01,800 --> 00:38:04,800
Speaker 7: I'm very proud of my son, but I am not

804
00:38:04,960 --> 00:38:07,200
Speaker 7: the target audience, and I don't like all the acts.

805
00:38:08,640 --> 00:38:10,200
Speaker 3: Surely he had listened to your son to get him

806
00:38:10,200 --> 00:38:10,920
Speaker 3: the numbers.

807
00:38:10,600 --> 00:38:14,239
Speaker 7: Though, I think this conversation should go ahead because that's

808
00:38:14,280 --> 00:38:17,840
Speaker 7: a very judgmental thing to say, and I listened to

809
00:38:18,000 --> 00:38:21,439
Speaker 7: him to support him, but I don't want to listen

810
00:38:21,600 --> 00:38:23,960
Speaker 7: for more than about five minutes because we're not the

811
00:38:24,040 --> 00:38:27,600
Speaker 7: target audience. We're not the people that he would want.

812
00:38:29,840 --> 00:38:32,680
Speaker 3: Totally, I apologize for my judgmental tone. I totally understand.

813
00:38:33,040 --> 00:38:35,880
Speaker 7: Yeah, no, that's really rude. Actually, you know, are you

814
00:38:36,000 --> 00:38:38,160
Speaker 7: not proud of your son? Is a very rude comment.

815
00:38:38,560 --> 00:38:42,360
Speaker 6: Mom, it's Woody, it's Will Benny.

816
00:38:42,560 --> 00:38:42,759
Speaker 3: Mom.

817
00:38:43,680 --> 00:38:47,319
Speaker 7: Mom, I'm so upset. Will so rude.

818
00:38:49,280 --> 00:38:53,320
Speaker 1: I'm sorry your buttons, Sorry Benny, just pushing your buttons.

819
00:38:54,080 --> 00:38:57,040
Speaker 7: Oh, I'm going They was saying I wasn't proud of you.

820
00:38:57,160 --> 00:38:58,600
Speaker 7: I'm so proud of you.

821
00:39:00,640 --> 00:39:04,799
Speaker 3: We know that I was just joking, was just joking.

822
00:39:06,560 --> 00:39:08,760
Speaker 1: If I was still on your preceints in the kitchen.

823
00:39:09,200 --> 00:39:11,960
Speaker 1: In the kitchen, Oh my god.

824
00:39:12,360 --> 00:39:19,680
Speaker 7: Now I'm nearly crying. Oh my god, that's the main person.

825
00:39:19,880 --> 00:39:21,120
Speaker 7: Was that you wouldy, That was.

826
00:39:21,160 --> 00:39:22,400
Speaker 3: Me putting on a voice Penny.

827
00:39:22,960 --> 00:39:25,280
Speaker 1: Oh my god, But I was a character.

828
00:39:25,920 --> 00:39:26,120
Speaker 8: I was.

829
00:39:26,320 --> 00:39:29,960
Speaker 7: I know that I'm merely crying. Oh no, I thought

830
00:39:29,960 --> 00:39:32,680
Speaker 7: I'm going to end this conversation on the other end

831
00:39:32,719 --> 00:39:33,280
Speaker 7: of the phone.

832
00:39:35,040 --> 00:39:36,520
Speaker 3: I'm sorry, I'm sorry.

833
00:39:36,680 --> 00:39:39,320
Speaker 7: I know that we know you have crossed the line.

834
00:39:39,400 --> 00:39:40,640
Speaker 7: We don't know.

835
00:39:42,120 --> 00:39:44,240
Speaker 3: I'm sorry, Penny. I'm so sorry.

836
00:39:44,960 --> 00:39:46,279
Speaker 7: Yes, I'm very proud of you.

837
00:39:47,040 --> 00:39:47,239
Speaker 11: I know.

838
00:39:47,560 --> 00:39:59,560
Speaker 1: Thanks Mom, I appreciate it. Thank you, all right, welcome

839
00:39:59,680 --> 00:40:02,279
Speaker 1: back to the pot. I'm just going to keep doing it.

840
00:40:02,360 --> 00:40:05,000
Speaker 1: It's telling you don't laugh at me, Marry, I can

841
00:40:05,160 --> 00:40:06,040
Speaker 1: do it. It's fine.

842
00:40:06,080 --> 00:40:09,239
Speaker 3: People feel But imagine if you had someone over.

843
00:40:10,120 --> 00:40:11,680
Speaker 1: Sorry, I was just going to say, it's as if

844
00:40:11,880 --> 00:40:14,600
Speaker 1: you it's as if somebody who is a friend of

845
00:40:14,640 --> 00:40:19,239
Speaker 1: yours has come back to your house. If you didn't

846
00:40:19,280 --> 00:40:23,680
Speaker 1: say to them like, welcome back. Here's the thing that now,

847
00:40:23,680 --> 00:40:25,640
Speaker 1: here's the thing, welcome back to my own It's also

848
00:40:25,760 --> 00:40:27,360
Speaker 1: you just sound like you're read to lock them in

849
00:40:27,440 --> 00:40:29,560
Speaker 1: and keep them back, definitely. It's also weird though, because

850
00:40:29,600 --> 00:40:31,840
Speaker 1: some lotion on your skin quickly, it's like they're already

851
00:40:31,880 --> 00:40:32,239
Speaker 1: in the house.

852
00:40:32,320 --> 00:40:35,720
Speaker 6: Drink this That goods creepy, but also it's like they're.

853
00:40:35,520 --> 00:40:38,120
Speaker 3: Already in the house. Welcome so like they've been in

854
00:40:38,200 --> 00:40:40,279
Speaker 3: the house this whole time. It's like someone's been over

855
00:40:40,360 --> 00:40:42,200
Speaker 3: for dinner and they've been there for you know, forty

856
00:40:42,239 --> 00:40:44,440
Speaker 3: five minutes. Then you go, hey, welcome, welcome back, and

857
00:40:44,480 --> 00:40:47,560
Speaker 3: they go, I've been here for forty five minutes. That's

858
00:40:47,600 --> 00:40:51,279
Speaker 3: what we're doing every time. Realize if i'd like that, though, Hey,

859
00:40:51,600 --> 00:40:54,719
Speaker 3: welcome back. Have I welcome viewed at this space? Oh,

860
00:40:54,920 --> 00:40:57,520
Speaker 3: if you move to a living room, go hey, welcome,

861
00:40:57,600 --> 00:40:59,359
Speaker 3: welcome back, and welcome back.

862
00:41:00,200 --> 00:41:01,120
Speaker 1: Yeah something.

863
00:41:01,120 --> 00:41:02,359
Speaker 3: I can say that, but I don't know I can

864
00:41:02,400 --> 00:41:05,080
Speaker 3: say that, all right, Yeah, nice filter.

865
00:41:06,080 --> 00:41:08,360
Speaker 1: Yeah, I've got a really good analogy for this.

866
00:41:08,680 --> 00:41:10,760
Speaker 3: But gets sick? Is it sexy?

867
00:41:10,840 --> 00:41:11,080
Speaker 6: Sick?

868
00:41:11,239 --> 00:41:14,080
Speaker 3: Is it just? Is it rud words or was sort

869
00:41:14,120 --> 00:41:14,720
Speaker 3: of category?

870
00:41:14,760 --> 00:41:14,920
Speaker 4: Is it?

871
00:41:18,719 --> 00:41:19,400
Speaker 6: I think I can do it.

872
00:41:20,520 --> 00:41:21,200
Speaker 3: I don't think you can.

873
00:41:21,760 --> 00:41:22,759
Speaker 6: Why you don't know yet?

874
00:41:22,800 --> 00:41:24,520
Speaker 3: People look on your face when you know this is

875
00:41:24,800 --> 00:41:26,040
Speaker 3: really way over the line.

876
00:41:26,080 --> 00:41:28,840
Speaker 1: It's not over the line. It's just like.

877
00:41:30,400 --> 00:41:31,719
Speaker 3: Be worried as well.

878
00:41:31,800 --> 00:41:33,160
Speaker 6: Now I do enjoy this.

879
00:41:33,320 --> 00:41:36,680
Speaker 3: Everyone's worried about edit button. Ready, you may not hear this.

880
00:41:36,880 --> 00:41:40,200
Speaker 1: Not just an edit button, you dickhead, What do you edit?

881
00:41:41,280 --> 00:41:44,399
Speaker 3: Imagine if you had a live edit button. Don't laugh

882
00:41:44,440 --> 00:41:45,960
Speaker 3: about that. I don't know someone else in this network

883
00:41:45,960 --> 00:41:49,560
Speaker 3: who has a live button. I wonder who that is.

884
00:41:49,719 --> 00:41:52,520
Speaker 6: Could be anyone, it could be mich Chury.

885
00:41:52,320 --> 00:41:57,400
Speaker 1: At nights, it's times like this, just got a sensor outside,

886
00:41:59,120 --> 00:42:03,600
Speaker 1: we get the everyone starts to everyone starts doing scissors

887
00:42:03,640 --> 00:42:05,560
Speaker 1: with their hands, like, drop that out, drop that out.

888
00:42:05,680 --> 00:42:07,960
Speaker 1: I wasn't going to say something that dodgy. Oh it's

889
00:42:08,000 --> 00:42:09,560
Speaker 1: not bad, Okay, I'm just going to really build it

890
00:42:09,640 --> 00:42:11,000
Speaker 1: up now, it's not that bad. That's what I'm trying

891
00:42:11,000 --> 00:42:13,560
Speaker 1: to say. Yeah, you know what like it's it's it's

892
00:42:13,680 --> 00:42:15,720
Speaker 1: kind of like when you gonna say welcome back to someone,

893
00:42:15,920 --> 00:42:21,520
Speaker 1: and welcome back, it's like they've been somewhere else in

894
00:42:21,600 --> 00:42:25,040
Speaker 1: their mind and then they come back to you. So

895
00:42:25,120 --> 00:42:26,359
Speaker 1: they might have been daydreaming.

896
00:42:26,600 --> 00:42:27,759
Speaker 3: You don't know what you're going to say.

897
00:42:27,960 --> 00:42:31,600
Speaker 6: And yeah, that's another thing.

898
00:42:32,160 --> 00:42:35,400
Speaker 3: Yes, just think of anything in your life where you

899
00:42:35,480 --> 00:42:37,960
Speaker 3: might lose yourself mentally for a short period of time

900
00:42:38,600 --> 00:42:42,680
Speaker 3: and then you're right then and we were good yea, and.

901
00:42:42,800 --> 00:42:47,359
Speaker 6: We were good and he took it out. Yeah, he said,

902
00:42:47,520 --> 00:42:48,760
Speaker 6: lose yourself mentally.

903
00:42:48,880 --> 00:42:51,520
Speaker 1: I mean, come on, what are you referring to there?

904
00:42:51,600 --> 00:42:53,120
Speaker 3: Good point? And then you go welcome back.

905
00:42:53,280 --> 00:42:55,560
Speaker 1: Yeah, and you go, mate, welcome back, welcome.

906
00:42:55,320 --> 00:42:58,480
Speaker 3: Back back to the land that are living. Yeah, we

907
00:42:58,640 --> 00:42:59,719
Speaker 3: lost you for a little while there.

908
00:43:01,000 --> 00:43:01,600
Speaker 1: That's kind of what.

909
00:43:01,640 --> 00:43:04,920
Speaker 3: Happens because during a stunt playing you might lose yourself

910
00:43:06,520 --> 00:43:09,400
Speaker 3: links all around anyway. It makes a bit showy.

911
00:43:09,560 --> 00:43:12,319
Speaker 1: Yeah, yeah, you pass out if you pass out, if

912
00:43:12,360 --> 00:43:15,239
Speaker 1: you pass out, yes, so that's what someone's had a

913
00:43:15,320 --> 00:43:18,040
Speaker 1: knocking football or something. You go, hey, ye you lost

914
00:43:18,080 --> 00:43:19,239
Speaker 1: yourself mentally there for a while.

915
00:43:19,280 --> 00:43:19,799
Speaker 3: Welcome back.

916
00:43:20,080 --> 00:43:24,400
Speaker 1: Now what are we up to?

917
00:43:24,560 --> 00:43:26,680
Speaker 6: Oh yeah, Woodrow.

918
00:43:27,120 --> 00:43:30,720
Speaker 1: I have put a bit of time into thinking about

919
00:43:31,200 --> 00:43:35,480
Speaker 1: you as a friend. Thank you, and you spending I

920
00:43:35,520 --> 00:43:37,000
Speaker 1: don't know, I just think that that needs to kind

921
00:43:37,040 --> 00:43:40,279
Speaker 1: of be heralded and celebrated because you are such a

922
00:43:40,320 --> 00:43:40,760
Speaker 1: good friend.

923
00:43:40,880 --> 00:43:41,120
Speaker 3: Thank you.

924
00:43:41,680 --> 00:43:45,880
Speaker 1: And so what I went and did to sort of

925
00:43:46,160 --> 00:43:48,960
Speaker 1: explain my happiness was I reached out to somebody to

926
00:43:49,040 --> 00:43:51,440
Speaker 1: see if they would write a song.

927
00:43:51,280 --> 00:43:54,600
Speaker 3: About that about me being a good friend to you. Yeah,

928
00:43:54,719 --> 00:43:58,000
Speaker 3: about working my ass off, slaving away, and you you

929
00:43:58,360 --> 00:44:01,120
Speaker 3: being a good guy. I've just been a good guy

930
00:44:01,120 --> 00:44:02,640
Speaker 3: in general. Well yeah, and just like.

931
00:44:03,120 --> 00:44:06,200
Speaker 1: Namely on how like loyal you are and how reliable

932
00:44:06,360 --> 00:44:06,640
Speaker 1: you are.

933
00:44:06,760 --> 00:44:09,600
Speaker 3: I imagine musicians were lining up to put this song together.

934
00:44:10,000 --> 00:44:12,239
Speaker 1: Well no, but I did get I did get someone

935
00:44:12,320 --> 00:44:14,600
Speaker 1: to do it though, and all I did was just

936
00:44:14,640 --> 00:44:17,200
Speaker 1: like a little jingle initially. But I think it perfectly

937
00:44:17,280 --> 00:44:20,760
Speaker 1: encapsulates your loyalty and the fact that I can always.

938
00:44:20,560 --> 00:44:21,160
Speaker 11: Rely on you.

939
00:44:21,400 --> 00:44:22,200
Speaker 3: Oh great.

940
00:44:23,920 --> 00:44:29,800
Speaker 1: Line evening any jam now, I guess.

941
00:44:32,520 --> 00:44:36,840
Speaker 3: M oh, the like the sixties filter they put on it.

942
00:44:36,960 --> 00:44:39,920
Speaker 1: Yeah, it's nice, sounds sounds old, it's beautiful.

943
00:44:39,560 --> 00:44:41,799
Speaker 3: Right, and you're having me at all times of day? Right,

944
00:44:42,640 --> 00:44:44,799
Speaker 3: that's that's Who did that? What's up?

945
00:44:45,040 --> 00:44:45,560
Speaker 1: Who did that?

946
00:44:45,800 --> 00:44:46,760
Speaker 3: Well, I'm funny.

947
00:44:46,760 --> 00:44:48,200
Speaker 1: It's funny you didn't pick up on that because I

948
00:44:48,200 --> 00:44:49,759
Speaker 1: did actually play a little bit more audio than I

949
00:44:49,880 --> 00:44:50,400
Speaker 1: expected to.

950
00:44:50,880 --> 00:44:52,640
Speaker 6: You don't know what that I don't hear lyrics. All

951
00:44:52,719 --> 00:44:57,320
Speaker 6: I heard was heard in the morning, in the evening.

952
00:44:57,520 --> 00:44:58,920
Speaker 3: What do you whenever? The buddy how you want him?

953
00:44:58,960 --> 00:45:02,000
Speaker 3: That's the take home. That great what else happened? This

954
00:45:02,160 --> 00:45:04,239
Speaker 3: is one of those like optical illusions. You know, you're

955
00:45:04,280 --> 00:45:06,000
Speaker 3: watching about the basketballs and then it's like, did you

956
00:45:06,120 --> 00:45:09,319
Speaker 3: notice the gorilla walking behind in the back? And I'm

957
00:45:09,360 --> 00:45:11,480
Speaker 3: always like, no, where was the gorilla?

958
00:45:12,600 --> 00:45:15,239
Speaker 1: There's a gorilla in there's no doubt.

959
00:45:15,400 --> 00:45:16,080
Speaker 3: What was the gorilla?

960
00:45:16,160 --> 00:45:18,040
Speaker 6: No doubt there's there's a gorilla in the picture.

961
00:45:18,520 --> 00:45:18,960
Speaker 3: What was it?

962
00:45:19,120 --> 00:45:20,399
Speaker 6: Do you mean to play you the fourth thing?

963
00:45:20,600 --> 00:45:22,399
Speaker 3: We'll play it to me again. Just play that bit again.

964
00:45:23,360 --> 00:45:28,279
Speaker 3: I missed the gorilla completely, evening.

965
00:45:28,480 --> 00:45:28,560
Speaker 1: And.

966
00:45:30,719 --> 00:45:31,800
Speaker 3: Now I give.

967
00:45:33,480 --> 00:45:34,680
Speaker 8: Thanks Tom.

968
00:45:36,080 --> 00:45:36,719
Speaker 6: What's a am? I?

969
00:45:41,600 --> 00:45:42,280
Speaker 3: Is that the gorilla?

970
00:45:42,960 --> 00:45:44,480
Speaker 6: The I M I is definitely the gorilla.

971
00:45:44,560 --> 00:45:45,160
Speaker 14: You don't know that.

972
00:45:45,400 --> 00:45:46,800
Speaker 6: You don't know what IM is?

973
00:45:47,320 --> 00:45:49,960
Speaker 3: Okay, okay, sounds like a bank.

974
00:45:51,719 --> 00:45:52,120
Speaker 8: I am I.

975
00:45:52,800 --> 00:45:56,000
Speaker 3: I mean you can bank on them, that's for sure. Yeah.

976
00:45:57,960 --> 00:46:00,839
Speaker 3: Do you want to hear do you want to hear

977
00:46:00,840 --> 00:46:02,359
Speaker 3: the full gorilla? You want? You want to go full?

978
00:46:02,440 --> 00:46:04,080
Speaker 3: You want to go full King Kong on this thing. Yeah,

979
00:46:04,120 --> 00:46:06,120
Speaker 3: let's do it, give it, give it all to me, alright,

980
00:46:06,200 --> 00:46:06,400
Speaker 3: you go.

981
00:46:08,000 --> 00:46:11,600
Speaker 11: Lining evening any term.

982
00:46:12,719 --> 00:46:16,960
Speaker 3: Now I get thanks, domma.

983
00:46:17,600 --> 00:46:21,000
Speaker 1: If you can't get a good erection on your true products,

984
00:46:21,320 --> 00:46:24,200
Speaker 1: all the doctors at Ami A and I has helped

985
00:46:24,320 --> 00:46:26,800
Speaker 1: thousands of couples with longer lasting sex.

986
00:46:27,000 --> 00:46:30,120
Speaker 3: Ami has a fast aiding oral strip that may provide

987
00:46:30,160 --> 00:46:32,320
Speaker 3: better stamina at a prolonged performance.

988
00:46:32,480 --> 00:46:43,759
Speaker 1: All the doctors at Ami on one all right, which

989
00:46:43,840 --> 00:46:46,239
Speaker 1: means you guys have made it to the dead zone,

990
00:46:46,320 --> 00:46:49,080
Speaker 1: which is the last five minutes of the podcast and

991
00:46:49,160 --> 00:46:51,320
Speaker 1: also the last bit on Mount Everest.

992
00:46:51,320 --> 00:46:53,560
Speaker 3: Am I right, absolutely, they call the death zone where

993
00:46:53,560 --> 00:46:57,000
Speaker 3: you slowly die as you do that final bit to

994
00:46:57,040 --> 00:46:59,160
Speaker 3: the top of the mountain. Yeah, it's true. You're slowly

995
00:46:59,280 --> 00:47:03,040
Speaker 3: dying the confused faces outside because the oxygen level so low. Anyway,

996
00:47:03,920 --> 00:47:08,680
Speaker 3: analys levels really low here have been for me for

997
00:47:08,719 --> 00:47:11,839
Speaker 3: a very long time. Analy's I'm so intrigued. Top three

998
00:47:11,920 --> 00:47:16,160
Speaker 3: movies all time. So far, we've had Love Me, Rosie

999
00:47:16,440 --> 00:47:18,440
Speaker 3: and Catch Me if you can. What was the second one?

1000
00:47:18,920 --> 00:47:20,359
Speaker 1: I've already had love only had one.

1001
00:47:22,200 --> 00:47:24,000
Speaker 3: Let's cut to three. I don't want to hear you four.

1002
00:47:24,080 --> 00:47:26,919
Speaker 1: Well, I think we'll just do honorable mention for the fourth. Okay, sorry,

1003
00:47:27,320 --> 00:47:28,000
Speaker 1: Love Me Rosie.

1004
00:47:28,040 --> 00:47:30,719
Speaker 5: By the way, Rosie was the honorable mention, But that's fine.

1005
00:47:31,200 --> 00:47:34,240
Speaker 5: Number four coming in hot we have the Great Gatsby.

1006
00:47:35,080 --> 00:47:37,160
Speaker 1: Oh, yeah, I mean, okay, it's not bad. But like

1007
00:47:37,600 --> 00:47:41,399
Speaker 1: fas Learmont, yeah, we don't. We know the film mate,

1008
00:47:41,400 --> 00:47:45,759
Speaker 1: it was heavily advertised films of all time. So you

1009
00:47:45,840 --> 00:47:50,439
Speaker 1: know what, guys, very wealthy, we know, so good movie.

1010
00:47:50,760 --> 00:47:54,239
Speaker 1: So this is again top films of all time. I'll

1011
00:47:54,320 --> 00:47:56,919
Speaker 1: remind everyone, like I wouldn't put that in my top

1012
00:47:57,000 --> 00:47:57,919
Speaker 1: films of that month.

1013
00:47:58,840 --> 00:47:59,760
Speaker 2: It was one of those.

1014
00:47:59,640 --> 00:48:02,920
Speaker 5: Films that I watch religiously on repeat, I think, for

1015
00:48:03,000 --> 00:48:04,480
Speaker 5: a months solid every day.

1016
00:48:05,680 --> 00:48:09,040
Speaker 1: Wow, have you read the book? Yeah? I actually have

1017
00:48:09,160 --> 00:48:10,480
Speaker 1: read the books Great Gatsby.

1018
00:48:10,719 --> 00:48:12,080
Speaker 6: Yeah, oh nice? Did you like it?

1019
00:48:13,080 --> 00:48:14,759
Speaker 2: It was a bit slow, a bit of a slow read.

1020
00:48:15,480 --> 00:48:17,160
Speaker 3: Yeah, I agree. I prefer the movies too.

1021
00:48:17,520 --> 00:48:20,640
Speaker 1: Yeah, but Leo in it, that's one of the great

1022
00:48:21,120 --> 00:48:24,880
Speaker 1: Like that is that that's cited as one of the

1023
00:48:24,920 --> 00:48:26,640
Speaker 1: greatest novels of the twentieth century.

1024
00:48:26,680 --> 00:48:28,560
Speaker 3: He does it was much better? Yeah, he dragged it.

1025
00:48:28,760 --> 00:48:32,480
Speaker 1: The movie has a forty seven percent rating on Rotten Tomatoes. No,

1026
00:48:32,680 --> 00:48:34,400
Speaker 1: I'm not kidding. Why does it surprise you? Am I

1027
00:48:34,560 --> 00:48:36,360
Speaker 1: the only one that has any idea what makes up

1028
00:48:36,360 --> 00:48:36,799
Speaker 1: a good film?

1029
00:48:36,840 --> 00:48:36,960
Speaker 3: Here?

1030
00:48:37,840 --> 00:48:39,160
Speaker 6: It feels like it number one.

1031
00:48:39,280 --> 00:48:40,719
Speaker 3: Honestly, it is kind of blow.

1032
00:48:43,080 --> 00:48:44,399
Speaker 1: So let's go the next one.

1033
00:48:45,840 --> 00:48:48,160
Speaker 3: Canning your hands? This is awesome? Have you forgotten what

1034
00:48:48,320 --> 00:48:48,719
Speaker 3: number three?

1035
00:48:49,280 --> 00:48:53,280
Speaker 1: Who's your pa performance performance in Gatsby, by the way, I'd.

1036
00:48:53,120 --> 00:48:55,560
Speaker 2: Probably say Toby Maguire was pretty good.

1037
00:48:57,080 --> 00:49:00,759
Speaker 1: He is no such thing.

1038
00:49:01,640 --> 00:49:03,600
Speaker 6: All right, we all know biscuits required?

1039
00:49:04,040 --> 00:49:04,960
Speaker 3: How dare you all right?

1040
00:49:09,480 --> 00:49:09,520
Speaker 13: No?

1041
00:49:11,160 --> 00:49:11,680
Speaker 8: No, no, no.

1042
00:49:12,120 --> 00:49:14,520
Speaker 1: I particularly have the part where he turns into Emo

1043
00:49:14,640 --> 00:49:16,640
Speaker 1: Spider Man when he emerges with Venom.

1044
00:49:16,440 --> 00:49:17,960
Speaker 3: In Spider Man three. That's a hard good.

1045
00:49:18,160 --> 00:49:18,520
Speaker 8: That's good.

1046
00:49:19,080 --> 00:49:23,200
Speaker 3: It's craft there. Three Give me three away.

1047
00:49:24,239 --> 00:49:26,000
Speaker 2: Three is a bit boring, but I've only seen it

1048
00:49:26,080 --> 00:49:27,239
Speaker 2: once and just I loved it.

1049
00:49:27,400 --> 00:49:30,040
Speaker 6: I'll be more boring, more boring than Love Me Rosie.

1050
00:49:31,160 --> 00:49:34,239
Speaker 5: I'm a critically acclaimed movie, and they're just didn't make

1051
00:49:34,320 --> 00:49:35,200
Speaker 5: it sound professional.

1052
00:49:36,080 --> 00:49:38,520
Speaker 2: So I'm going with number three. La La land.

1053
00:49:39,120 --> 00:49:39,759
Speaker 3: It's a great film.

1054
00:49:39,840 --> 00:49:40,880
Speaker 2: I enjoyed.

1055
00:49:41,080 --> 00:49:41,759
Speaker 6: How is that?

1056
00:49:42,640 --> 00:49:45,960
Speaker 1: In the same conversation as Love Me Rosie? And that

1057
00:49:46,080 --> 00:49:49,160
Speaker 1: other ship box that you had? That is a really

1058
00:49:49,320 --> 00:49:52,640
Speaker 1: good film. I mean, it's stunning.

1059
00:49:52,760 --> 00:49:56,240
Speaker 3: I haven't seen it. It's stunning. It's not a singing,

1060
00:49:56,320 --> 00:49:56,600
Speaker 3: isn't it.

1061
00:49:57,120 --> 00:50:01,160
Speaker 1: Yeah? But it's Ryan Gosling and Emma Stone in beautifully

1062
00:50:01,280 --> 00:50:05,160
Speaker 1: choreographed pieces with a lovely narrative and gorgeous cinematography. It's like,

1063
00:50:05,480 --> 00:50:07,120
Speaker 1: it's amazing. It's a beautiful watch.

1064
00:50:07,320 --> 00:50:08,480
Speaker 3: Sounds pretty boring.

1065
00:50:08,360 --> 00:50:13,000
Speaker 1: Ninety two percent on Rotten Tomatoes. Well done, well if you.

1066
00:50:13,040 --> 00:50:15,839
Speaker 2: Kind of ignore the scene. The film itself storyline is great.

1067
00:50:16,120 --> 00:50:18,600
Speaker 3: Okay, I can just mute it during the singing bit.

1068
00:50:18,680 --> 00:50:20,040
Speaker 1: This sing is great.

1069
00:50:20,600 --> 00:50:26,319
Speaker 3: That's awesome. The storyline singing shit ours storyline two. Give

1070
00:50:26,360 --> 00:50:28,799
Speaker 3: me two, I just can't. That's a good one. That's

1071
00:50:28,800 --> 00:50:30,760
Speaker 3: a good one. I'm happy with Lala Land at three. Okay,

1072
00:50:31,000 --> 00:50:31,320
Speaker 3: well we're not.

1073
00:50:31,640 --> 00:50:33,840
Speaker 1: We're happy with la Land La Land at three. I

1074
00:50:33,840 --> 00:50:35,480
Speaker 1: think we're about to find out what Lara Lane's about

1075
00:50:35,480 --> 00:50:37,760
Speaker 1: to be beaten by. And I gave everyone a teaser

1076
00:50:37,840 --> 00:50:39,560
Speaker 1: as to what could have been in the top three.

1077
00:50:40,000 --> 00:50:41,000
Speaker 1: This is where it gets scary.

1078
00:50:41,120 --> 00:50:42,680
Speaker 6: These are best films of all time, by the way,

1079
00:50:42,719 --> 00:50:43,240
Speaker 6: it is awesome.

1080
00:50:43,520 --> 00:50:45,080
Speaker 3: Give me two, number two.

1081
00:50:45,400 --> 00:50:47,480
Speaker 5: I'm trying to decide between one and two, but I

1082
00:50:47,600 --> 00:50:51,080
Speaker 5: think I've gone with Sultburn Sorry.

1083
00:50:55,360 --> 00:50:58,880
Speaker 6: Time, all time, of all time.

1084
00:50:59,239 --> 00:51:02,520
Speaker 3: Stultburn so that it was like it was a pop

1085
00:51:02,600 --> 00:51:05,279
Speaker 3: culture phenomenon because of a few particular scenes. But I

1086
00:51:05,360 --> 00:51:07,560
Speaker 3: don't like you can't be putting that a second best film.

1087
00:51:07,600 --> 00:51:08,480
Speaker 1: Now, I'll remind you.

1088
00:51:08,520 --> 00:51:09,920
Speaker 6: I think we all know why she liked it.

1089
00:51:12,280 --> 00:51:14,279
Speaker 1: The first thing she said was I think I'm going

1090
00:51:14,360 --> 00:51:16,840
Speaker 1: to go with Salburn starring Jacob a Lordie.

1091
00:51:17,560 --> 00:51:18,880
Speaker 6: That's the first thing he said.

1092
00:51:19,800 --> 00:51:22,080
Speaker 2: The storyline just completely rocked me.

1093
00:51:22,280 --> 00:51:28,040
Speaker 5: Like it amazing twist at the end, and I was like,

1094
00:51:28,239 --> 00:51:30,480
Speaker 5: oh my god, I did not expect it, and I'm

1095
00:51:30,640 --> 00:51:31,640
Speaker 5: thoroughly obsessed with it.

1096
00:51:31,960 --> 00:51:32,920
Speaker 2: I really enjoyed it.

1097
00:51:34,080 --> 00:51:36,680
Speaker 1: Favorite performance, I mean, I have a standout performance in

1098
00:51:36,760 --> 00:51:37,080
Speaker 1: that film.

1099
00:51:37,160 --> 00:51:41,680
Speaker 5: But yeah, yeah, it's obviously there's no questions.

1100
00:51:43,400 --> 00:51:46,680
Speaker 1: I like the dad of a Lordie.

1101
00:51:47,400 --> 00:51:50,600
Speaker 3: What's his name, Lordy's dad in the film.

1102
00:51:51,000 --> 00:51:52,200
Speaker 2: You can call him a Lordy's dad.

1103
00:51:52,200 --> 00:51:58,520
Speaker 1: If you like the lord's dad, you've got I think

1104
00:51:58,560 --> 00:52:00,600
Speaker 1: you mean Richard E. Grant is his name.

1105
00:52:00,640 --> 00:52:04,400
Speaker 3: He's very good in that he's very good, and he's very.

1106
00:52:04,280 --> 00:52:04,960
Speaker 1: Good full stop.

1107
00:52:06,120 --> 00:52:07,560
Speaker 3: This is just doing to a movie podcast.

1108
00:52:07,600 --> 00:52:08,719
Speaker 1: I swear to god, it's gonna happen.

1109
00:52:10,080 --> 00:52:11,759
Speaker 3: Is also in Spice World. That might have been the

1110
00:52:11,800 --> 00:52:12,840
Speaker 3: movie you were thinking about.

1111
00:52:12,840 --> 00:52:16,080
Speaker 6: It wasn't the Manager You remember him from something.

1112
00:52:16,239 --> 00:52:19,000
Speaker 1: He's in a very old movie called The Scarlet pimpanel

1113
00:52:19,000 --> 00:52:20,000
Speaker 1: from nineteen ninety.

1114
00:52:19,840 --> 00:52:24,680
Speaker 3: Nine Scarlet pimpanel, isn't your number one.

1115
00:52:28,880 --> 00:52:31,080
Speaker 1: He's also in Loki. He plays a good villain.

1116
00:52:31,160 --> 00:52:31,480
Speaker 3: That guy.

1117
00:52:31,600 --> 00:52:32,879
Speaker 6: He's in Logan as well.

1118
00:52:33,480 --> 00:52:36,560
Speaker 3: Anyway, it's awesome, analytes number one.

1119
00:52:36,760 --> 00:52:37,000
Speaker 4: This is.

1120
00:52:38,480 --> 00:52:39,000
Speaker 3: Past.

1121
00:52:39,360 --> 00:52:44,280
Speaker 1: This is it the final best film. Analyst's best film

1122
00:52:44,560 --> 00:52:49,000
Speaker 1: of all time in the history of moving pictures, the

1123
00:52:49,239 --> 00:52:52,600
Speaker 1: thing that she thinks sits above all others. I want

1124
00:52:52,640 --> 00:52:54,520
Speaker 1: everyone to have to think about what their favorite film

1125
00:52:54,560 --> 00:52:57,239
Speaker 1: of all time is. Just just think about what your

1126
00:52:57,320 --> 00:53:02,240
Speaker 1: top three film is of all time, Analyst. We are ready.

1127
00:53:07,400 --> 00:53:10,400
Speaker 2: God stop the hunger games. Catching Fire.

1128
00:53:11,520 --> 00:53:15,520
Speaker 3: You're joking. That's a joke. That's obviously a joke.

1129
00:53:16,160 --> 00:53:19,840
Speaker 2: It's so good, it's so good. I like love it

1130
00:53:20,040 --> 00:53:20,680
Speaker 2: so much.

1131
00:53:22,520 --> 00:53:25,399
Speaker 3: What the greatest movie of all time?

1132
00:53:25,719 --> 00:53:26,400
Speaker 8: Is that?

1133
00:53:26,520 --> 00:53:27,319
Speaker 3: The second? Or the third?

1134
00:53:27,400 --> 00:53:27,760
Speaker 1: Second?

1135
00:53:27,880 --> 00:53:28,360
Speaker 3: The second?

1136
00:53:28,760 --> 00:53:31,520
Speaker 6: By the way, by the way, I came in Okay,

1137
00:53:31,600 --> 00:53:31,880
Speaker 6: so I.

1138
00:53:31,960 --> 00:53:40,240
Speaker 3: Had best movie of all time? Catching Why are you laughing?

1139
00:53:40,800 --> 00:53:42,719
Speaker 1: Watch watched it?

1140
00:53:42,800 --> 00:53:45,200
Speaker 6: I've seen it, gonna watch it standing, I'll tell you

1141
00:53:45,280 --> 00:53:45,640
Speaker 6: that much.

1142
00:53:46,200 --> 00:53:47,279
Speaker 11: What are you what?

1143
00:53:48,040 --> 00:53:50,840
Speaker 6: What what is it about? First of all, why are

1144
00:53:50,880 --> 00:53:52,480
Speaker 6: you laughing? Why do you find this funny?

1145
00:53:52,600 --> 00:53:53,080
Speaker 2: I find it.

1146
00:53:53,160 --> 00:53:55,920
Speaker 5: Funny because everyone just keeps giggling at me, and I

1147
00:53:56,200 --> 00:53:59,040
Speaker 5: love it so much. I'm so passionate about this movie,

1148
00:53:59,239 --> 00:54:02,520
Speaker 5: Like I have thought about this for months, like I've

1149
00:54:02,560 --> 00:54:04,720
Speaker 5: been thinking about my top four films for months.

1150
00:54:04,880 --> 00:54:07,480
Speaker 1: Okay, okay, and it's out there all right, So Woodie.

1151
00:54:07,520 --> 00:54:11,080
Speaker 1: The interesting thing for me is I initially was like,

1152
00:54:11,200 --> 00:54:13,719
Speaker 1: because I stopped watching The Hunger Games after that piece

1153
00:54:13,760 --> 00:54:15,440
Speaker 1: of shit that they called the movie that was the

1154
00:54:15,480 --> 00:54:17,400
Speaker 1: first one with the parachutes with the medicine.

1155
00:54:18,080 --> 00:54:22,120
Speaker 3: Oh yeah, sure. Did you ever see Ballad of the

1156
00:54:22,160 --> 00:54:27,480
Speaker 3: Bluebirds and the Snakes because that was that was a prequel.

1157
00:54:27,719 --> 00:54:32,680
Speaker 1: Oh my, my, my, my, Countinus Everdeen's ad never dick

1158
00:54:32,840 --> 00:54:36,840
Speaker 1: after the first after the first one, because I was like,

1159
00:54:36,960 --> 00:54:39,279
Speaker 1: this is rific. I know what they're going for here.

1160
00:54:39,480 --> 00:54:40,600
Speaker 1: This is gonna be all.

1161
00:54:40,640 --> 00:54:43,840
Speaker 3: They lost me when old Hutchie he got into the

1162
00:54:43,880 --> 00:54:46,480
Speaker 3: game and he painted himself like a rock and then

1163
00:54:46,640 --> 00:54:49,160
Speaker 3: lay down next to rocks and was like, you won't

1164
00:54:49,200 --> 00:54:51,720
Speaker 3: find me. I'm like, actually, there's a nude man painted

1165
00:54:51,800 --> 00:54:54,840
Speaker 3: like a rock, like we can see you. But somehow

1166
00:54:54,920 --> 00:54:57,000
Speaker 3: that worked, and she just climbed a tree.

1167
00:54:57,440 --> 00:54:58,359
Speaker 1: Yeah, she climbed a tree.

1168
00:54:59,040 --> 00:54:59,880
Speaker 6: Not a bad tactic.

1169
00:55:00,320 --> 00:55:04,240
Speaker 1: Sh Yeah, so I turned off there, so I didn't

1170
00:55:04,239 --> 00:55:07,080
Speaker 1: know anything about Hunger Games Catching Fire?

1171
00:55:07,719 --> 00:55:10,080
Speaker 3: Why does she come back? Sorry? And at least, why

1172
00:55:10,120 --> 00:55:10,879
Speaker 3: does she come back?

1173
00:55:10,960 --> 00:55:13,040
Speaker 1: Does it's not go into it because she's just going

1174
00:55:13,120 --> 00:55:22,880
Speaker 1: to carry on. So Hunger Games Catching Fire has ninety

1175
00:55:23,040 --> 00:55:23,719
Speaker 1: percent on.

1176
00:55:25,520 --> 00:55:32,319
Speaker 3: No way, rot, No, it's a really good film. Oh

1177
00:55:32,400 --> 00:55:37,920
Speaker 3: my god, full Vindication. It's a hot movie from it

1178
00:55:38,080 --> 00:55:44,160
Speaker 3: was the greatest film I've all it's why does she

1179
00:55:44,200 --> 00:55:46,400
Speaker 3: come back? I haven't seen it. I couldn't believe it.

1180
00:55:46,640 --> 00:55:49,600
Speaker 1: I was like, what, I'm going to watch it tonight.

1181
00:55:50,120 --> 00:55:52,800
Speaker 3: Actually, why does she come back? Why does she go back? To?

1182
00:55:53,000 --> 00:55:54,719
Speaker 3: Sorry to spoil the start of the film, but she

1183
00:55:54,880 --> 00:55:56,680
Speaker 3: feels like after the first one, it's done. They have

1184
00:55:56,800 --> 00:55:59,000
Speaker 3: the I'm gonna eat this blueberry and we're both gonna

1185
00:55:59,000 --> 00:56:01,040
Speaker 3: die at the same time. Great play to end the games.

1186
00:56:01,400 --> 00:56:03,160
Speaker 3: Why why does she go back?

1187
00:56:03,360 --> 00:56:05,200
Speaker 2: So the next one is the Next Games.

1188
00:56:05,239 --> 00:56:07,759
Speaker 5: It's a quarter qual It's the seventy fifth Hunger Games,

1189
00:56:07,800 --> 00:56:08,880
Speaker 5: and there's a massive twist.

1190
00:56:09,000 --> 00:56:10,840
Speaker 6: What's a quarter Well, he ends back.

1191
00:56:10,760 --> 00:56:13,800
Speaker 2: Up in the games with a lot of old victors.

1192
00:56:13,960 --> 00:56:15,320
Speaker 6: So what's a quarter quell?

1193
00:56:15,560 --> 00:56:15,880
Speaker 2: Past?

1194
00:56:16,560 --> 00:56:17,800
Speaker 1: You said it's a quarter quell?

1195
00:56:18,600 --> 00:56:19,120
Speaker 3: Yeah, So the.

1196
00:56:19,160 --> 00:56:20,839
Speaker 2: Seventy fifth or it's a third quarter.

1197
00:56:20,880 --> 00:56:23,640
Speaker 3: Well, what's a quarter, Well, it's a quarter of a century.

1198
00:56:23,680 --> 00:56:24,680
Speaker 3: It's a quarter quill two.

1199
00:56:24,960 --> 00:56:28,839
Speaker 2: That's what they called in the movie. So it's they've

1200
00:56:28,880 --> 00:56:31,319
Speaker 2: got all these victors. It's all the best of the best.

1201
00:56:31,480 --> 00:56:33,640
Speaker 5: Everyone who survived for the past seventy five years of

1202
00:56:33,640 --> 00:56:35,759
Speaker 5: the Hunger Games goes into the Hunger Games.

1203
00:56:35,800 --> 00:56:39,239
Speaker 1: There's seventy five year olds in there. They'd be easy.

1204
00:56:40,600 --> 00:56:43,040
Speaker 3: Run the Games in seventy two.

1205
00:56:44,120 --> 00:56:45,640
Speaker 2: It's like Survivor All Stars.

1206
00:56:46,520 --> 00:56:50,640
Speaker 3: Great seal. It's on the poster. It's like Survivor All Stars.

1207
00:56:51,800 --> 00:56:54,000
Speaker 1: You know, we made a ship movie, just Dart, but

1208
00:56:54,200 --> 00:56:56,600
Speaker 1: this tie is like Survivoral Stars.

1209
00:56:56,800 --> 00:56:57,799
Speaker 3: Bring them back work.

1210
00:56:58,760 --> 00:57:01,879
Speaker 1: Don't watch it and give me your yeah, actually will?

1211
00:57:01,920 --> 00:57:03,959
Speaker 1: I think I'm going to watch it tonight, So looking

1212
00:57:04,000 --> 00:57:07,560
Speaker 1: forward to it. Guys, have a great weekend. We will

1213
00:57:07,600 --> 00:57:10,080
Speaker 1: see you next week. We're actually away next week.

1214
00:57:11,160 --> 00:57:13,440
Speaker 3: I'm not meant to say that, but keep it, keep

1215
00:57:13,480 --> 00:57:14,120
Speaker 3: it between you.

1216
00:57:15,520 --> 00:57:18,919
Speaker 1: It wants to cut this out because he's he's under

1217
00:57:19,360 --> 00:57:26,680
Speaker 1: presidents knows thumb. But I we'll see We'll see you

1218
00:57:26,840 --> 00:57:28,040
Speaker 1: next week, but we won't really