WEBVTT - Rodger Corser - THE TRAITORS - Actor / Presenter

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload, the podcast last week they light Welcome back

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<v Speaker 1>guys to TV Reload. As you may know, my name

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<v Speaker 1>is Benjamin Norris and this is your podcast to get

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<v Speaker 1>all the inside goss on the popular TV shows you

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<v Speaker 1>may be watching from around the world. Undeniably, our TV

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<v Speaker 1>sets are a major part of our home entertainment, and

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<v Speaker 1>yet very little is known about how our favorite shows

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<v Speaker 1>get made. So each episode, I've been finding guests the

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<v Speaker 1>want to dive just that little bit deeper into the

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<v Speaker 1>shows they're currently making, so that you can hear all

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<v Speaker 1>their exclusive stories and gain access to the biggest names

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<v Speaker 1>in Australian television. I want to thank you for downloading

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<v Speaker 1>or subscribing to this podcast however you found it. I

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<v Speaker 1>love hearing your feedback, so make sure you leave a

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<v Speaker 1>review or a comment on your chosen podcast platform. On

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<v Speaker 1>today's podcast, I have actor presenter Roger Corser here to

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<v Speaker 1>talk about his hosting duties of Network ten's second series

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<v Speaker 1>of The Traders. Roger Corser is an Australian actor best

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<v Speaker 1>known for his portrayals of characters in Underbelly, Doctor, Doctor Five, Bedrooms,

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<v Speaker 1>amongst other scripted dramas series. We have obviously seen him

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<v Speaker 1>some very iconic roles here in Australia, but if I'm honest,

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<v Speaker 1>I was a little shocked last year to see him

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<v Speaker 1>as the host of The Traders, But as he found

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<v Speaker 1>who he is in this franchise, I've kind of really

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<v Speaker 1>come to love and appreciate him taking some chances within

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<v Speaker 1>this role. The Traders features a group of contestants participating

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<v Speaker 1>in a game similar to the party game Pluto, as

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<v Speaker 1>they all stay in this sort of historic luxury hotel.

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<v Speaker 1>During this stay, three contestants are selected by Roger as

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<v Speaker 1>the Traders and must work together to eliminate the other

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<v Speaker 1>contestants in order to win, while the other remaining contestants,

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<v Speaker 1>known as the Faithfuls, are tasked to discover and banish

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<v Speaker 1>the Traders by voting them out in order to win

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<v Speaker 1>the grand prize. It's a lot of fun. I will

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<v Speaker 1>find out what conversations Roger had with the producers and

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<v Speaker 1>if he used any influences like Rocky, horror pictures, show

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<v Speaker 1>or Clue the film to build a heightened role of

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<v Speaker 1>his personality. Roger will also talk about what makes a

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<v Speaker 1>good Trader what he would do if the game was

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<v Speaker 1>flipped and he was actually one of the Traders or

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<v Speaker 1>the Faithfuls will impact the latest series and find out

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<v Speaker 1>how adding familiar faces from other reality shows and actors

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<v Speaker 1>has changed the game in some ways for a lot

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<v Speaker 1>of the players. Plus, we will get plenty of exclusives

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<v Speaker 1>from behind the scenes of The Traders, which starts this

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<v Speaker 1>week on Network ten at seven thirty on Sunday nine. Plus,

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<v Speaker 1>you'll be able to catch up on ten Plus if

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<v Speaker 1>you miss the launch episode. Anyway, guys, let's bring Roger

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<v Speaker 1>into the podcast and I really hope you enjoy it's

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<v Speaker 1>very insightful look into the Traders for TV reload.

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<v Speaker 2>Hi Roger, and good to be with you.

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<v Speaker 1>Very excited, welcome back to The Traders.

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<v Speaker 2>Yes, season two. It's always nice. When you were a

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<v Speaker 2>one hit one night, the second season's always good.

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<v Speaker 1>It's a sign that things are going okay.

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<v Speaker 2>Yes, I mean you can always do better, you know.

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<v Speaker 2>Then that's what we're hoping for this year. Look, we've

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<v Speaker 2>had a bit of a bumping interest, especially from the

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<v Speaker 2>overseas contingent. You know, the Brits. The Brits. Brits are

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<v Speaker 2>loving us.

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<v Speaker 1>They are absolutely loving the format. But you know, I've

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<v Speaker 1>seen episode one, which starts on Sunday night, and I

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<v Speaker 1>have to tell you it really does feel like you

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<v Speaker 1>guys have leveled up.

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<v Speaker 2>Yeah, their challenges are bigger, I think also being a

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<v Speaker 2>new format last year, I mean everyone didn't know really

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<v Speaker 2>what to expect. I mean, players and production was our

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<v Speaker 2>first time around doing it, and you know, and you

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<v Speaker 2>can sort of change things in the second season. You

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<v Speaker 2>can review it and go which bits can we tighten

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<v Speaker 2>up and which bits do we amplify and so forth.

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<v Speaker 2>So yeah, and also this year around we added some

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<v Speaker 2>dare I say, some career you know, reality contestants. It's

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<v Speaker 2>been spent in the last ten years getting around several

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<v Speaker 2>shows and so forth and making a career out of it.

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<v Speaker 2>And look, they know how to bring the gameplay, the drama,

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<v Speaker 2>and they know, you know, they might be painted as

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<v Speaker 2>a certain role, a villain or so forth, but they

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<v Speaker 2>don't care. They kind of know that's what they're there for.

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<v Speaker 2>And they do make good television. I've got to say, well.

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<v Speaker 1>I have to. We're going to get into Luke and

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<v Speaker 1>Ash in a minute, because I feel like they're the

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<v Speaker 1>king and Queen of villainry and leaning into villainry and

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<v Speaker 1>making it extraordinarily likable. So we'll get there in a second.

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<v Speaker 1>But you know, last year it took me a little

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<v Speaker 1>while to get used to you being a host of

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<v Speaker 1>this show. And the reason why was because I was like,

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<v Speaker 1>I've actually i've met you before. I've been in your

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<v Speaker 1>audience as Australia has been for a long time as

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<v Speaker 1>Roger Corser, and it's quite different to who you are

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<v Speaker 1>as Roger Corser on this show. Was there many conversations

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<v Speaker 1>about what sort of parts of your personality you wanted

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<v Speaker 1>to bring to this role.

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<v Speaker 2>Finally my schizophrenic self could come bipolar and everything, all

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<v Speaker 2>the just different facets of my life. No, look, I've

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<v Speaker 2>been asked before to host. You know, I feeled in

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<v Speaker 2>a little bit on some Morning Telly, which was definitely

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<v Speaker 2>kind of me. I'm not a cue anyway, because it's

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<v Speaker 2>a kind of a genre. The thing that is really

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<v Speaker 2>kind of who done it? And mixed a little bit

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<v Speaker 2>of eyes white shut with those masks and knives out

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<v Speaker 2>and some very kind of theatrical in a sense that

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<v Speaker 2>I kind of liked the fun Pluto aspect to it.

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<v Speaker 2>So we said yes, but look, it wasn't off the

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<v Speaker 2>off the bat, you know that we said we're going

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<v Speaker 2>to kind of do a bit of a kind of

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<v Speaker 2>a quasi kind of character. It just sort of naturally

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<v Speaker 2>went that way because we just I was sitting down

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<v Speaker 2>with with Matt Lovecas who's the writer of this show,

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<v Speaker 2>does a fantastic job, and we hit it off just

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<v Speaker 2>with kind of the references we could use in some

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<v Speaker 2>of the speeches, and then just to make it work,

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<v Speaker 2>we're like, want, you know, funny little puns and gags,

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<v Speaker 2>what if it's my hotel and what it's been handed

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<v Speaker 2>down in the family, And it just lent us to

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<v Speaker 2>be able to say a whole lot more sort of

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<v Speaker 2>ridiculous stuff. So we went with it, and we were

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<v Speaker 2>waiting for the producers to pull us up and go, guys,

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<v Speaker 2>that's just you know, running off the rails here, but

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<v Speaker 2>they never did, so we just so, look, it's probably

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<v Speaker 2>the worst plot of character I've ever done, because it

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<v Speaker 2>starts off with some place and it ends up somewhere else.

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<v Speaker 2>So over the course of the first series it's a

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<v Speaker 2>little up and down. I think, you know, I may

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<v Speaker 2>lose the accent a little bit here and there, so

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<v Speaker 2>we didn't know what we were really doing, but we're

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<v Speaker 2>just having fun doing it, so we kept doing it.

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<v Speaker 1>Well, you know what I kept thinking of. I kept

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<v Speaker 1>thinking of the movie Clue with Tim Curry, and I

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<v Speaker 1>was thinking, I wonder if Roger said yes to this

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<v Speaker 1>and then went Because we're about the same age, so

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<v Speaker 1>we probably watched that growing up. I wonder if you

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<v Speaker 1>went back and watched Tim Curry's role and sort of

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<v Speaker 1>lean into some of that butlery it's not a real word.

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<v Speaker 2>But yeah, yeah, well it's definitely that element with Tim Curry.

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<v Speaker 2>I mean, I probably not Clue, which I should have

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<v Speaker 2>a lot more. We did do the cludo. We kind

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<v Speaker 2>of reference, if you know, Colonel must in the drawing

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<v Speaker 2>room with a candlestick, that that kind of you know,

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<v Speaker 2>sort of fadulous lends itself to a kind of a

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<v Speaker 2>camp kind of fun thing. Even more, one of his

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<v Speaker 2>other roles, like a frankenfurd I said, it's it's a

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<v Speaker 2>lot less obviously, but that kind of mischievous host of

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<v Speaker 2>the manner, you know what I mean, And you know,

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<v Speaker 2>welcoming the guests into their place and then doing horrible

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<v Speaker 2>things things to them and having a great time.

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<v Speaker 1>Doing it with size white shot, Horrible Things more, Yeah, yeah,

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<v Speaker 1>hung in cheek, murder mystery.

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<v Speaker 3>More, you know, a little bit rocky horror, you know

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<v Speaker 3>what I mean, without without the pants down of stuff

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<v Speaker 3>that show. Yeah, lening it, leaning into that and just

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<v Speaker 3>having a fun old time and just you know. And

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<v Speaker 3>then we just found this sort of synergy with some

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<v Speaker 3>of the challenges and we just sort of because I

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<v Speaker 3>have to want to want to try and be entertaining

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<v Speaker 3>instead of just being kind of droll because you have

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<v Speaker 3>to explain the rules.

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<v Speaker 2>I mean, then we're going to just sort of dress

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<v Speaker 2>it up and a little bit of fun. So, for instance,

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<v Speaker 2>last year, there's a there's a scene on a tarmac

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<v Speaker 2>with the planes, and that was literally we made that

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<v Speaker 2>up five minutes beforehand because this safety officer had this

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<v Speaker 2>electric motorbike and the intro was just going to be

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<v Speaker 2>standing the tarmac. But because top kind of just come out,

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<v Speaker 2>we have these sort of planes sitting on the tarmac

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<v Speaker 2>and I'm like, oh, well, that's in the trailer is

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<v Speaker 2>him roaring up the tarmac in a leather jacket on

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<v Speaker 2>a bike trying to look cool. And I said, I

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<v Speaker 2>can pretend to look cool and fail dismally. So we

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<v Speaker 2>got this stunties sort of electric bike. We had a

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<v Speaker 2>kind of bomb and jack. What we did that. I

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<v Speaker 2>got someone to run out at the service station and

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<v Speaker 2>get some bad rip off ray band sunglasses and whacked

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<v Speaker 2>them on and we just sort of wet with this

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<v Speaker 2>kind of theme and we were allowed to do that

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<v Speaker 2>all the way through. We're just sort of like, oh,

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<v Speaker 2>this matches the challenge, so let's just ham it up.

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<v Speaker 2>And it kind of. I mean some reality TV can

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<v Speaker 2>be a little bit earnest and serious. It's all dramatic,

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<v Speaker 2>dramatic all the time, and I just think it's a game.

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<v Speaker 2>We're playing a big, wonderful game. You know, it should

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<v Speaker 2>be fun and so the drama will come absolutely and

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<v Speaker 2>you see that when it gets intense as well, and

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<v Speaker 2>people can get a bit shirty with each other, but

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<v Speaker 2>you also want to have those lighter moments. And if

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<v Speaker 2>that's because they they're laughing at me a little bit,

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<v Speaker 2>I don't mind it. It's fun.

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<v Speaker 1>I love that you have that ability to, you know,

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<v Speaker 1>be the butt of the joke as well. I think

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<v Speaker 1>that that shows part of your true character. That's the

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<v Speaker 1>real Roger Corsa that can take themselves a little less seriously.

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<v Speaker 2>Yeah, I mean it's whatever's good for the you know,

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<v Speaker 2>you got to entertain them. Hopefully we're doing that. And look,

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<v Speaker 2>I think there can be a lot of nerves that

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<v Speaker 2>people there, that these cameras in their face, and that

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<v Speaker 2>they ease into it pretty quickly, but always giving trying

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<v Speaker 2>to give them the unexpected and instead of coming out

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<v Speaker 2>always being the authority in knowing it all you look

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<v Speaker 2>a bit ridiculou some of the things I'm wearing and

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<v Speaker 2>saying and doing it.

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<v Speaker 1>Glad you're aware.

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<v Speaker 2>So it starts off. It starts the challenge or the

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<v Speaker 2>management you know. And mind you, I don't mind having

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<v Speaker 2>a go with them as well. So I mean I

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<v Speaker 2>sort of I give as good as I get, you know, well,

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<v Speaker 2>point out if people are failing or you know, being

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<v Speaker 2>a bit ridiculous or or whatever. And you know, we

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<v Speaker 2>try and make moments in the management room at least

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<v Speaker 2>have a few light moments, because it does get sometimes

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<v Speaker 2>pretty dark pretty quickly.

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<v Speaker 1>Did you watch some of the other hosts now of

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<v Speaker 1>the show, because I mean Alan Cumming has taken it

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<v Speaker 1>on in you know, one of the other successful versions

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<v Speaker 1>of this franchise around the world and that sort of

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<v Speaker 1>after you'd already attempted this role, do you know what

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<v Speaker 1>I mean? Like I wondered whether or not you were like, oh,

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<v Speaker 1>Alan's now doing that. I'm going to borrow some of

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<v Speaker 1>this because all I will say about season two, which

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<v Speaker 1>people haven't seen yet, is that you are nailing this

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<v Speaker 1>more succinctly, like I think you fully have worked out

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<v Speaker 1>how to do it. And then I wondered whether you

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<v Speaker 1>borrowed some of the elements.

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<v Speaker 2>We watch some pieces, not specifically for their delivery style.

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<v Speaker 2>I think some of the you know, you just the format.

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<v Speaker 2>I mean, the producers definitely did for what do they

0:10:06.600 --> 0:10:08.120
<v Speaker 2>do for challenges? What do they do for that? And

0:10:08.400 --> 0:10:11.240
<v Speaker 2>also we have rights holders that you know, because it

0:10:11.360 --> 0:10:14.120
<v Speaker 2>reginally a Dutch format, and you know, they don't want

0:10:14.520 --> 0:10:16.920
<v Speaker 2>all the versions to be radically different from each other

0:10:16.960 --> 0:10:19.480
<v Speaker 2>because they've got a bitlet of brand. And so when

0:10:19.520 --> 0:10:21.680
<v Speaker 2>people watch the show and you know, this is what

0:10:21.720 --> 0:10:24.800
<v Speaker 2>happens now, people watch The Survivor or The Traders or

0:10:24.840 --> 0:10:27.560
<v Speaker 2>you know, Big Brother or something, and they'll watch multiple

0:10:27.800 --> 0:10:31.240
<v Speaker 2>versions from from different places, and they need to know that,

0:10:31.360 --> 0:10:34.080
<v Speaker 2>you know, it's still what they expect. And then obviously

0:10:34.160 --> 0:10:37.040
<v Speaker 2>there's it's great to see the differences. So yeah, so

0:10:37.040 --> 0:10:39.000
<v Speaker 2>we would watch and see how they did some challenges

0:10:39.000 --> 0:10:41.679
<v Speaker 2>and so forth. But yeah, look it's it's a lot

0:10:41.679 --> 0:10:44.240
<v Speaker 2>easier when you're a grand the castle. They really lent

0:10:44.320 --> 0:10:47.839
<v Speaker 2>into the castle kind of you know, met medieval gould

0:10:47.840 --> 0:10:49.959
<v Speaker 2>of you know, witch is in dungeons and that kind

0:10:49.960 --> 0:10:51.800
<v Speaker 2>of that kind of gear. And he played at Bilman.

0:10:51.840 --> 0:10:53.520
<v Speaker 2>He's a brand actor as well, you know, but he

0:10:53.880 --> 0:10:58.120
<v Speaker 2>had some pretty fantastic tart from memory. Yes, so but

0:10:58.200 --> 0:11:00.600
<v Speaker 2>I sort of played more I suppose the villain or

0:11:00.600 --> 0:11:03.640
<v Speaker 2>the Bond or sort of version the manner. Everyone's got

0:11:03.679 --> 0:11:06.200
<v Speaker 2>their own kind of way of doing it. And I

0:11:06.200 --> 0:11:08.400
<v Speaker 2>mean I originally watched the Dutch version that we've got

0:11:08.400 --> 0:11:10.440
<v Speaker 2>a subtitle, and I watched all that first season and

0:11:10.480 --> 0:11:14.319
<v Speaker 2>to understand the hold the gameplay. But there's there's versions everywhere.

0:11:14.360 --> 0:11:16.000
<v Speaker 2>There's the Key. We has got a version I think

0:11:16.120 --> 0:11:17.120
<v Speaker 2>coming out now as well.

0:11:17.200 --> 0:11:19.200
<v Speaker 1>Everyone's got their own version. But I like that we

0:11:19.240 --> 0:11:21.240
<v Speaker 1>have an Australian take on it as well. I also

0:11:21.280 --> 0:11:23.720
<v Speaker 1>think it's interesting that we did like a full civilian

0:11:23.840 --> 0:11:26.240
<v Speaker 1>series to start it, and then when we saw what

0:11:26.280 --> 0:11:29.520
<v Speaker 1>they did with it in the UK, with blending recognizable

0:11:29.559 --> 0:11:32.480
<v Speaker 1>faces with everyday people. We we really haven't seen that

0:11:32.480 --> 0:11:35.559
<v Speaker 1>that much, you know, and it's interesting to watch civilians,

0:11:35.720 --> 0:11:38.880
<v Speaker 1>everyday people competing on a show against people that they're

0:11:39.040 --> 0:11:41.760
<v Speaker 1>already familiar with, you know. I think that adds something

0:11:41.840 --> 0:11:42.760
<v Speaker 1>quite juicy to it.

0:11:42.920 --> 0:11:44.719
<v Speaker 2>There is another level. I mean, yeah, we're used to

0:11:44.760 --> 0:11:47.440
<v Speaker 2>some you know, the celebrity master chaff, you know, where

0:11:47.559 --> 0:11:50.080
<v Speaker 2>you bring everyone's you know, or celebrity get you out

0:11:50.120 --> 0:11:52.200
<v Speaker 2>of here. But the mix it is different because it

0:11:52.200 --> 0:11:55.160
<v Speaker 2>does sort of almost threw some players off the game.

0:11:55.240 --> 0:11:57.600
<v Speaker 2>If you've seen the first episode, you know, the Annabel

0:11:57.720 --> 0:11:59.720
<v Speaker 2>was quite taken it back and saying we'll rock up

0:11:59.720 --> 0:12:01.880
<v Speaker 2>to the the train station with her, and you know,

0:12:02.360 --> 0:12:05.000
<v Speaker 2>sort of star struck a little bit. So they're like, oh,

0:12:05.000 --> 0:12:07.000
<v Speaker 2>I'm going to be playing this sort of game of

0:12:07.080 --> 0:12:11.560
<v Speaker 2>reception and having to form allegiances and friendships and clicks

0:12:11.600 --> 0:12:13.679
<v Speaker 2>with people with people have done it, and I've seen

0:12:13.760 --> 0:12:16.959
<v Speaker 2>how they've done it before and perhaps you know, stab

0:12:17.000 --> 0:12:18.719
<v Speaker 2>people in the back and do all those sort of

0:12:18.760 --> 0:12:22.280
<v Speaker 2>wonderful things that show promotes. I think they sort of went,

0:12:22.320 --> 0:12:25.480
<v Speaker 2>oh wow, you know, it's I would say uneven playing field.

0:12:25.480 --> 0:12:28.160
<v Speaker 2>But they've got some pros and they are the professional

0:12:28.240 --> 0:12:31.960
<v Speaker 2>reality too condestines in there with first timers as well.

0:12:32.080 --> 0:12:35.640
<v Speaker 2>But I've got to say the reason that we're getting

0:12:35.679 --> 0:12:38.840
<v Speaker 2>success in the UK with our version and some people

0:12:38.880 --> 0:12:42.080
<v Speaker 2>are saying that the gameplay is superior to that to

0:12:42.080 --> 0:12:45.199
<v Speaker 2>the British version, I think is you know, end of

0:12:45.280 --> 0:12:47.840
<v Speaker 2>mold shy. I know how to cast, you know, they've

0:12:47.880 --> 0:12:50.080
<v Speaker 2>been doing this for many years. They've got a big

0:12:50.120 --> 0:12:53.200
<v Speaker 2>track record with this genre. They know how to bring

0:12:53.240 --> 0:12:55.640
<v Speaker 2>the right people together, some that are going to get on,

0:12:55.920 --> 0:12:59.400
<v Speaker 2>some that are not a wide demographic demographic of people

0:12:59.440 --> 0:13:02.640
<v Speaker 2>that might not necessarily ever be in the same room together,

0:13:02.720 --> 0:13:04.240
<v Speaker 2>and sort of throw them all in and sort of

0:13:04.240 --> 0:13:06.480
<v Speaker 2>see what happens. It's a wonderful sort of social.

0:13:06.160 --> 0:13:08.680
<v Speaker 1>Experiment, that's what it is. I mean, reality TV works

0:13:08.679 --> 0:13:11.040
<v Speaker 1>best when it is that social experiment that fly on

0:13:11.080 --> 0:13:13.160
<v Speaker 1>the wall. You know, how are people going to behave?

0:13:13.480 --> 0:13:16.920
<v Speaker 1>And this shows format leans into allowing people to be

0:13:16.960 --> 0:13:19.600
<v Speaker 1>the worst version of themselves sometimes, which I think is

0:13:19.880 --> 0:13:23.239
<v Speaker 1>the psychology of that is also extraordinarily fascinating.

0:13:23.440 --> 0:13:25.760
<v Speaker 2>Yeah, the game aspect allows you to mean, you know,

0:13:25.760 --> 0:13:27.800
<v Speaker 2>it's not myself playing a character, but there's people and

0:13:27.840 --> 0:13:30.720
<v Speaker 2>they're playing a character. People are hiding what they do

0:13:30.800 --> 0:13:33.960
<v Speaker 2>for a living because they think they perceive that there'll

0:13:34.000 --> 0:13:36.800
<v Speaker 2>be a disadvantage to them if they do have instance

0:13:37.440 --> 0:13:39.560
<v Speaker 2>in law enforcement or they're a lawyer. So some people

0:13:39.600 --> 0:13:41.760
<v Speaker 2>are straight up with it, but other people think, oh,

0:13:41.960 --> 0:13:43.480
<v Speaker 2>you're going to think that I'm going to be too

0:13:43.480 --> 0:13:47.240
<v Speaker 2>good at this game. Probably never in questions with some pable, but.

0:13:48.120 --> 0:13:49.680
<v Speaker 1>You can be too good at this game and that

0:13:49.760 --> 0:13:51.160
<v Speaker 1>ruins your game, do you know what I mean?

0:13:51.200 --> 0:13:53.440
<v Speaker 2>Like, oh, I mean did last year Alex who won it?

0:13:53.480 --> 0:13:55.319
<v Speaker 2>I mean, I think a lot of people didn't know

0:13:55.320 --> 0:13:58.160
<v Speaker 2>who she was until about episode seven because she was

0:13:58.400 --> 0:14:01.920
<v Speaker 2>a classic flying under the radar. And really it's a

0:14:02.080 --> 0:14:04.760
<v Speaker 2>brilliant strategy because you don't ruffle the feathers. You let

0:14:05.040 --> 0:14:08.000
<v Speaker 2>you know, the fantastic sort of characters burn brightly and

0:14:08.040 --> 0:14:10.800
<v Speaker 2>then burn out and get shot like that. In our game,

0:14:11.200 --> 0:14:14.520
<v Speaker 2>it's sort of people self titledselves as a traitor hunter,

0:14:14.600 --> 0:14:15.840
<v Speaker 2>you know, if we've had a bit of success. But

0:14:15.840 --> 0:14:18.400
<v Speaker 2>if you do that too well, you're going to be murdered.

0:14:18.840 --> 0:14:20.440
<v Speaker 1>The last thing that I would say, I would not

0:14:20.520 --> 0:14:23.480
<v Speaker 1>be declaring anything, you know, I'd be leaning into my

0:14:23.920 --> 0:14:25.800
<v Speaker 1>you know the stupidity of it, you know what I mean,

0:14:25.920 --> 0:14:26.400
<v Speaker 1>Like I've.

0:14:26.280 --> 0:14:27.760
<v Speaker 2>Just done Lark or someone else's.

0:14:28.400 --> 0:14:30.040
<v Speaker 1>I don't even know how I did that, you.

0:14:30.000 --> 0:14:33.680
<v Speaker 2>Know, yeah, yeah, exactly because people you know, this is

0:14:33.720 --> 0:14:37.080
<v Speaker 2>the thing. Look, the second season compared to the first,

0:14:37.160 --> 0:14:40.240
<v Speaker 2>people have seen that, So maybe there's a little bit

0:14:40.240 --> 0:14:42.360
<v Speaker 2>more strategy. Even with our first time is on Telly.

0:14:42.960 --> 0:14:44.720
<v Speaker 2>You know, they've seen the formats and I mean, I

0:14:44.760 --> 0:14:48.880
<v Speaker 2>think Annabel And in the first episode says that no

0:14:49.000 --> 0:14:51.040
<v Speaker 2>one is more more versed on this game than May.

0:14:51.120 --> 0:14:53.880
<v Speaker 2>I've seen every English speaking version of it. I've listened

0:14:53.880 --> 0:14:56.040
<v Speaker 2>to every podcast that mentions it, and so you know,

0:14:56.240 --> 0:14:59.680
<v Speaker 2>she had a game plan down and she's a fabulous character.

0:14:59.680 --> 0:15:01.640
<v Speaker 2>St that really isn't that amazing.

0:15:01.680 --> 0:15:04.920
<v Speaker 1>We get to see some players like Giton, who's a

0:15:05.000 --> 0:15:07.360
<v Speaker 1>very well known actor as you know, and we get

0:15:07.360 --> 0:15:09.520
<v Speaker 1>to see some of these heroes of reality TV. But

0:15:09.800 --> 0:15:12.280
<v Speaker 1>one thing I want people listening to this podcast to

0:15:12.320 --> 0:15:16.400
<v Speaker 1>know is that we very quickly connect with everyone that's

0:15:16.400 --> 0:15:18.960
<v Speaker 1>in there. It's not as though you're watching it and

0:15:19.000 --> 0:15:21.000
<v Speaker 1>you are going to stick to watching those people you

0:15:21.040 --> 0:15:23.960
<v Speaker 1>already know. I actually think that these people are ready

0:15:24.000 --> 0:15:26.400
<v Speaker 1>to play and are very interesting in their own right.

0:15:26.320 --> 0:15:29.360
<v Speaker 2>And they have to audition for the show, and you

0:15:29.360 --> 0:15:31.160
<v Speaker 2>know they're going to bring their best selves and it's

0:15:31.200 --> 0:15:32.880
<v Speaker 2>just like an actor winning a role, you know. I mean,

0:15:32.920 --> 0:15:35.320
<v Speaker 2>it's just their first one. They're they're the stars of

0:15:35.320 --> 0:15:37.520
<v Speaker 2>the future. It's just this is the this is their

0:15:37.520 --> 0:15:39.920
<v Speaker 2>first gig. And some people are just you know, they

0:15:40.000 --> 0:15:43.000
<v Speaker 2>print really really well, you know, they they make they

0:15:43.040 --> 0:15:45.560
<v Speaker 2>sort of crack me up. Sometimes there's things that they

0:15:45.800 --> 0:15:48.880
<v Speaker 2>totally unscripted come out of their mouth, and it's just

0:15:49.080 --> 0:15:51.680
<v Speaker 2>it's really fun. I'm going to say there's this second

0:15:51.720 --> 0:15:54.520
<v Speaker 2>season again I said before, but I think it's funnier.

0:15:54.800 --> 0:15:57.720
<v Speaker 2>I think there's more moments in there that just that

0:15:57.440 --> 0:15:59.320
<v Speaker 2>are that aren't scripted and when we try the gags

0:15:59.320 --> 0:16:01.760
<v Speaker 2>and with the puns and things in the little speeches,

0:16:01.800 --> 0:16:04.160
<v Speaker 2>but there's just some moments that just happened. Because I

0:16:04.200 --> 0:16:07.560
<v Speaker 2>think there is the drama and some people don't get

0:16:07.600 --> 0:16:10.840
<v Speaker 2>on and there is the friction and that type of thing,

0:16:11.080 --> 0:16:13.400
<v Speaker 2>but the people also do get on really well and

0:16:13.440 --> 0:16:15.480
<v Speaker 2>they have a great time. Some of the challenges are

0:16:15.520 --> 0:16:19.720
<v Speaker 2>really fun, and sometimes they fail just terribly at them,

0:16:19.760 --> 0:16:22.760
<v Speaker 2>but they're frustrated, but they're also having an incredible type.

0:16:22.760 --> 0:16:26.200
<v Speaker 2>There's one moment on the lake with a boat and

0:16:26.240 --> 0:16:29.440
<v Speaker 2>it just goes beautifully and horribly wrong and there's a

0:16:29.480 --> 0:16:31.720
<v Speaker 2>sinking ship. I don't know all how we' supposed to

0:16:31.720 --> 0:16:33.160
<v Speaker 2>do this challenge there. We just went with it and

0:16:33.160 --> 0:16:35.520
<v Speaker 2>it just became something else and it was fun. But

0:16:35.560 --> 0:16:37.960
<v Speaker 2>the failing's fun and it's all everyone's having a great time.

0:16:38.000 --> 0:16:40.720
<v Speaker 2>And then obviously as we get deep into the season,

0:16:41.240 --> 0:16:43.680
<v Speaker 2>then you know the game place has come on and

0:16:43.720 --> 0:16:47.280
<v Speaker 2>where where Look? I can't obviously can't say too much,

0:16:47.320 --> 0:16:50.240
<v Speaker 2>but we have an ending this year which has never

0:16:50.280 --> 0:16:54.280
<v Speaker 2>been seen in any version ever. The stakeholders from the

0:16:54.280 --> 0:16:58.440
<v Speaker 2>real version were shocked our particular ending because the ending

0:16:58.520 --> 0:17:01.760
<v Speaker 2>is very different depending on the mix of people you

0:17:01.840 --> 0:17:04.440
<v Speaker 2>get at the end Traders and faithful, and you know,

0:17:04.520 --> 0:17:06.919
<v Speaker 2>there's different there's a whole big rule book of how

0:17:06.960 --> 0:17:08.600
<v Speaker 2>it can go at the end. If you're left two

0:17:08.640 --> 0:17:11.600
<v Speaker 2>traders and one faithful, one faithful, all faithful, all traders,

0:17:11.640 --> 0:17:13.680
<v Speaker 2>you know, like how many there are, There's all these

0:17:13.720 --> 0:17:15.159
<v Speaker 2>different sort of things. You're going to go down a

0:17:15.200 --> 0:17:18.240
<v Speaker 2>subsection for how we're going to play this end game out,

0:17:18.320 --> 0:17:20.160
<v Speaker 2>and we got to a scenario they're like we haven't

0:17:20.160 --> 0:17:23.280
<v Speaker 2>aught of that, so it's it's kind of a real

0:17:23.320 --> 0:17:25.119
<v Speaker 2>big water cooler moment at the end. It's going to

0:17:25.160 --> 0:17:25.920
<v Speaker 2>be It's going to be great.

0:17:26.160 --> 0:17:28.240
<v Speaker 1>Reality TV also works best when you don't know who

0:17:28.240 --> 0:17:30.240
<v Speaker 1>the winner is, Like I think the shows that do

0:17:30.359 --> 0:17:33.560
<v Speaker 1>work out more interesting for the viewer is when we

0:17:33.640 --> 0:17:35.399
<v Speaker 1>don't know who's going to win, or we don't know

0:17:35.400 --> 0:17:37.920
<v Speaker 1>how it's going to end, and it feels uncontrolled, And

0:17:38.000 --> 0:17:38.399
<v Speaker 1>I think.

0:17:38.720 --> 0:17:41.119
<v Speaker 2>Can I say there is no better example of this season?

0:17:41.560 --> 0:17:44.120
<v Speaker 2>We didn't know In fact, we sort of we kind

0:17:44.119 --> 0:17:45.840
<v Speaker 2>of had to pause the last and what are we

0:17:45.840 --> 0:17:47.760
<v Speaker 2>going to do now? I don't know? What do you

0:17:47.760 --> 0:17:48.320
<v Speaker 2>think we should do?

0:17:48.880 --> 0:17:50.719
<v Speaker 1>Come back in a week, we know what we can do?

0:17:51.160 --> 0:17:53.320
<v Speaker 2>We don't. Yeah, it was we were flying by the

0:17:53.359 --> 0:17:55.359
<v Speaker 2>seat of our pants, and I think that's going to

0:17:55.440 --> 0:17:58.240
<v Speaker 2>come across going like you're not going to see it

0:17:58.440 --> 0:17:59.040
<v Speaker 2>coming at all?

0:17:59.160 --> 0:18:01.359
<v Speaker 1>Do you watch a lot of I mean, I know

0:18:01.400 --> 0:18:03.760
<v Speaker 1>who Ash Pollard is, I know who Luke Talkie is,

0:18:03.960 --> 0:18:06.119
<v Speaker 1>I know who all these people are. But did you

0:18:06.200 --> 0:18:07.600
<v Speaker 1>know who they are and then when you found it

0:18:07.640 --> 0:18:09.280
<v Speaker 1>they're involved? Did you have to go and do some

0:18:09.320 --> 0:18:12.000
<v Speaker 1>research and watch some like highlights reels like how much

0:18:12.040 --> 0:18:13.960
<v Speaker 1>did you know of some of these familiar faces.

0:18:14.240 --> 0:18:17.399
<v Speaker 2>I think some people are just become yeah, personality as

0:18:17.400 --> 0:18:20.880
<v Speaker 2>they sort of transcend being on a reality TV show.

0:18:20.920 --> 0:18:24.040
<v Speaker 2>They've just become a personality in their own right. So

0:18:24.600 --> 0:18:27.560
<v Speaker 2>Ash definitely I understand because she'd been on a celebrity

0:18:27.600 --> 0:18:29.560
<v Speaker 2>gets you out of here. That's probably one of the kids.

0:18:29.600 --> 0:18:32.480
<v Speaker 2>My kids love that show, so that's on, you know,

0:18:32.760 --> 0:18:34.800
<v Speaker 2>especially when it was on sort of in summer, you

0:18:34.840 --> 0:18:36.520
<v Speaker 2>know what I mean, every one time in school holidays

0:18:36.520 --> 0:18:38.840
<v Speaker 2>and that show is differently. They love watching that and

0:18:38.840 --> 0:18:41.600
<v Speaker 2>we've had some friends that have done the show as well.

0:18:41.760 --> 0:18:43.359
<v Speaker 1>So you don't want to do that one because you've

0:18:43.359 --> 0:18:45.760
<v Speaker 1>said no to that, Yeah, I ask you.

0:18:46.000 --> 0:18:48.399
<v Speaker 2>I ask that question. I'm not really great with heights.

0:18:49.040 --> 0:18:51.840
<v Speaker 2>I don't know about editing parts of animals, which should

0:18:51.880 --> 0:18:56.400
<v Speaker 2>be I just don't don't know about that. So I think, yeah,

0:18:56.440 --> 0:18:58.200
<v Speaker 2>the heights thing. I don't want to jump at a

0:18:58.240 --> 0:18:59.919
<v Speaker 2>plane or a helicopter or what if they do.

0:19:00.720 --> 0:19:03.080
<v Speaker 1>But that makes you the perfect person for that show.

0:19:03.160 --> 0:19:05.320
<v Speaker 1>No one, of course, any of those things. If you

0:19:05.440 --> 0:19:07.520
<v Speaker 1>wanted to Ben, it's crap I.

0:19:07.480 --> 0:19:10.080
<v Speaker 2>Don't want to do. When I saw Shane warn squeal

0:19:10.160 --> 0:19:12.480
<v Speaker 2>and scream. It was like a big, big, tough, izzy cricketer,

0:19:12.600 --> 0:19:14.680
<v Speaker 2>you know what I mean. Like it was like, wow, yeah,

0:19:14.680 --> 0:19:16.399
<v Speaker 2>it's really they're really making people. I think he was

0:19:16.400 --> 0:19:19.159
<v Speaker 2>afraid of spiders or snakes or something. But yeah, so

0:19:19.480 --> 0:19:23.119
<v Speaker 2>I knew Ash from that. And then I'm probably more

0:19:23.440 --> 0:19:26.159
<v Speaker 2>of a stuff that I've watched because I fancy myself

0:19:26.160 --> 0:19:27.680
<v Speaker 2>a bit of a chef, So I have watched a

0:19:27.720 --> 0:19:30.480
<v Speaker 2>lot of Master Chef over the years, and I can't

0:19:30.640 --> 0:19:32.879
<v Speaker 2>I seen all of the sort of Survivors. I've got

0:19:32.960 --> 0:19:35.960
<v Speaker 2>friends though, that are mad fans of Survivor and will

0:19:36.000 --> 0:19:39.160
<v Speaker 2>watch every season, some other active friends of mine that

0:19:39.240 --> 0:19:41.520
<v Speaker 2>really that's the kind of show that they dig. And

0:19:41.560 --> 0:19:43.840
<v Speaker 2>I think we have all the best elements of that,

0:19:44.280 --> 0:19:46.760
<v Speaker 2>sort of the clicks and you know, fake friendships and

0:19:46.800 --> 0:19:50.160
<v Speaker 2>so forth. Sort of a Survivors sort of in our show,

0:19:50.240 --> 0:19:50.919
<v Speaker 2>but amplified.

0:19:51.240 --> 0:19:53.680
<v Speaker 1>It's interesting a different setting. What about Ginton though, because

0:19:53.720 --> 0:19:56.320
<v Speaker 1>you'd worked with him in the very first season of Underbelly,

0:19:56.359 --> 0:19:59.879
<v Speaker 1>which is such an iconic series it just still penetrates

0:19:59.880 --> 0:20:02.439
<v Speaker 1>the these days. I mean I rewatched the first season

0:20:02.440 --> 0:20:06.639
<v Speaker 1>of Underbelly recently and it is still magnificent. Television, and

0:20:06.680 --> 0:20:08.840
<v Speaker 1>both of you are so iconic in that series. So

0:20:08.880 --> 0:20:11.959
<v Speaker 1>to find yourself in this position, were you able to

0:20:11.960 --> 0:20:15.119
<v Speaker 1>connect with him as your old co star and have

0:20:15.240 --> 0:20:17.639
<v Speaker 1>a chat or were you trying to put some distance there?

0:20:17.840 --> 0:20:21.000
<v Speaker 2>Yeah, we discussed it. Look, I honestly don't think some

0:20:21.040 --> 0:20:24.240
<v Speaker 2>of the producers knew the connection, because some did. I

0:20:24.240 --> 0:20:26.600
<v Speaker 2>think some did after that, No, like, it's fine, it's fine,

0:20:26.720 --> 0:20:29.199
<v Speaker 2>But I did question. I go, you know, it was

0:20:29.359 --> 0:20:31.879
<v Speaker 2>kind of a springboard for both of us that series,

0:20:31.920 --> 0:20:34.119
<v Speaker 2>you know, and they're like, oh, what's that. Some of

0:20:34.119 --> 0:20:36.240
<v Speaker 2>the some people are already in their late twenties and

0:20:36.240 --> 0:20:38.320
<v Speaker 2>that are producers, you know, and you're going, that's right.

0:20:38.359 --> 0:20:41.280
<v Speaker 2>It was fifteen years ago. So but I was really

0:20:41.280 --> 0:20:44.840
<v Speaker 2>conscious not to look like I was giving anyone an advantage.

0:20:44.840 --> 0:20:46.840
<v Speaker 2>But not every guy. And I know who the traders are.

0:20:47.000 --> 0:20:49.359
<v Speaker 2>Oh yeah, so you have to have a poker face

0:20:49.560 --> 0:20:51.600
<v Speaker 2>because I noticed this year one of the tactics of

0:20:51.680 --> 0:20:55.800
<v Speaker 2>some of the people on there was at the banishment,

0:20:56.280 --> 0:20:59.639
<v Speaker 2>someone's getting grilled or they really asking big questions of someone.

0:21:00.240 --> 0:21:02.639
<v Speaker 2>A couple of smart players wouldn't be watching the reaction.

0:21:02.680 --> 0:21:05.720
<v Speaker 2>They turn around and watch my reaction to see if

0:21:06.000 --> 0:21:08.720
<v Speaker 2>I was smirking at what they were saying, or there's

0:21:08.720 --> 0:21:11.240
<v Speaker 2>someone's you know, trying to excuse themselves. Oh, I'd never

0:21:11.240 --> 0:21:13.440
<v Speaker 2>been doing that, and just to see if I'm kind

0:21:13.440 --> 0:21:15.880
<v Speaker 2>of like not buying their story and if you've got

0:21:15.880 --> 0:21:17.399
<v Speaker 2>a shit. I was getting looked at it, so I

0:21:17.440 --> 0:21:18.760
<v Speaker 2>was like, it was a pretty smart move. So I

0:21:19.000 --> 0:21:20.680
<v Speaker 2>sat to put the poker face on the whole time.

0:21:20.720 --> 0:21:22.680
<v Speaker 2>So I can't I can't play an advenage for guy,

0:21:22.800 --> 0:21:24.560
<v Speaker 2>and I can't play an advantage for anymore because I've

0:21:24.560 --> 0:21:25.879
<v Speaker 2>got to not give the game away.

0:21:26.160 --> 0:21:28.280
<v Speaker 1>But what about the choicing of that though? Like as

0:21:28.320 --> 0:21:31.199
<v Speaker 1>in is there many conversations about who is going to

0:21:31.200 --> 0:21:33.520
<v Speaker 1>be who? Because you just go around and tap people.

0:21:33.800 --> 0:21:36.919
<v Speaker 1>Surely that's not you, Roger Corsa picking those people you

0:21:36.960 --> 0:21:40.360
<v Speaker 1>told who to tap? What process is there and are

0:21:40.400 --> 0:21:41.879
<v Speaker 1>you involved? Do you get to help you?

0:21:42.320 --> 0:21:43.760
<v Speaker 2>You'd like to think that I had all the power

0:21:43.760 --> 0:21:47.440
<v Speaker 2>in the game, but I do. I don't know. There's

0:21:48.080 --> 0:21:50.520
<v Speaker 2>no they do tell me beforehand, There is conversation. Its

0:21:50.720 --> 0:21:54.240
<v Speaker 2>very hush hush, like this is a I mean, you

0:21:54.280 --> 0:21:57.680
<v Speaker 2>cannot let the group know what what's going to happen,

0:21:58.119 --> 0:22:01.639
<v Speaker 2>and the actual of the traders that the ceremony that

0:22:01.680 --> 0:22:04.200
<v Speaker 2>we have takes a lot longer than what you see

0:22:04.200 --> 0:22:06.560
<v Speaker 2>on television. I do a dry run first. I go

0:22:06.560 --> 0:22:08.679
<v Speaker 2>around and I tap everyone on the shoulder, one after

0:22:08.720 --> 0:22:10.320
<v Speaker 2>the other hand, I say, they've all got their masks on.

0:22:10.440 --> 0:22:12.359
<v Speaker 2>So by the time you see it, they've had the

0:22:12.440 --> 0:22:15.760
<v Speaker 2>masks on for up to fifteen to twenty minutes. So disorientated,

0:22:15.840 --> 0:22:18.640
<v Speaker 2>they're hot, the lights are going, you know, they're getting

0:22:18.680 --> 0:22:22.120
<v Speaker 2>a bit agitated, and they've kind of lost They don't

0:22:22.119 --> 0:22:25.920
<v Speaker 2>have any power or any control. So it changes very

0:22:25.960 --> 0:22:28.280
<v Speaker 2>quickly from the cocktail party they were having before, and

0:22:28.320 --> 0:22:31.000
<v Speaker 2>everyone's having jokes and fun and having a drink and everything.

0:22:31.080 --> 0:22:32.680
<v Speaker 2>And then I go into this and the masks have

0:22:32.760 --> 0:22:34.480
<v Speaker 2>been on for twenty minutes. I go around and tap

0:22:34.480 --> 0:22:36.400
<v Speaker 2>everyone in the shoulder, and then when I just say,

0:22:36.480 --> 0:22:38.600
<v Speaker 2>right now, we're doing it, and my tone changes with them,

0:22:38.640 --> 0:22:40.919
<v Speaker 2>and I was like, you know, very direct, and you know.

0:22:41.560 --> 0:22:43.880
<v Speaker 2>And then I go around and I go around four

0:22:43.960 --> 0:22:45.800
<v Speaker 2>or five times. I go back the wrong way, and

0:22:45.840 --> 0:22:48.240
<v Speaker 2>I stop, and I touch parts in my clothing and

0:22:48.320 --> 0:22:50.720
<v Speaker 2>make noise, and then I clear my throat and then

0:22:50.920 --> 0:22:53.240
<v Speaker 2>I'll move fast quickly, and then I'll stop again, and

0:22:53.280 --> 0:22:56.080
<v Speaker 2>then eventually, after about three minutes, I'll tap the first person,

0:22:56.359 --> 0:22:58.879
<v Speaker 2>but usually as I'm going past and not stopping, and

0:22:58.920 --> 0:23:01.000
<v Speaker 2>so they're all thinking that hearing these things are going

0:23:01.000 --> 0:23:04.600
<v Speaker 2>a bit nuts. When those masks come off, the tone

0:23:04.760 --> 0:23:07.600
<v Speaker 2>just changes instantly to what it was. Everyone has just

0:23:07.640 --> 0:23:08.240
<v Speaker 2>freaked out.

0:23:08.600 --> 0:23:11.840
<v Speaker 1>I love the torture element of this show. I'm a sicko.

0:23:11.960 --> 0:23:14.000
<v Speaker 1>I'm a sicko, I realized because I like all of

0:23:14.040 --> 0:23:17.000
<v Speaker 1>the confusion that you're creating through that. And then how

0:23:17.040 --> 0:23:19.280
<v Speaker 1>long are they there for? Because it's a very punchy show.

0:23:19.320 --> 0:23:22.480
<v Speaker 1>It happens very fast, so I'm assuming that you're there

0:23:22.520 --> 0:23:25.040
<v Speaker 1>for like three weeks. I mean, these people have their

0:23:25.080 --> 0:23:27.840
<v Speaker 1>phones and everything taken away from them while they're going

0:23:27.880 --> 0:23:30.280
<v Speaker 1>to their rooms at night. Sounds more like prison than

0:23:30.280 --> 0:23:31.600
<v Speaker 1>it does like a night at the hotel.

0:23:32.160 --> 0:23:35.000
<v Speaker 2>Yeah, all of they've got they've they've they've got streaming TV.

0:23:35.560 --> 0:23:35.920
<v Speaker 2>Thank you.

0:23:36.000 --> 0:23:37.959
<v Speaker 1>They can watch all of your shows. They're all in

0:23:37.960 --> 0:23:40.399
<v Speaker 1>their rooms watching a back catalog of Doctor Doctor.

0:23:41.000 --> 0:23:44.240
<v Speaker 2>That's that's exactly that's exactly right. They had their force

0:23:44.320 --> 0:23:47.399
<v Speaker 2>to watch only my prof shows. Now they get you know,

0:23:47.400 --> 0:23:50.679
<v Speaker 2>they got an on sweet hotel room and and you know,

0:23:50.800 --> 0:23:52.920
<v Speaker 2>and they've got to streaming TV, but they don't. They

0:23:52.920 --> 0:23:54.720
<v Speaker 2>get a phone a couple of times a week to

0:23:54.840 --> 0:23:58.120
<v Speaker 2>call home Proof of Flying, and we shoot six days

0:23:58.119 --> 0:24:00.040
<v Speaker 2>a week, so they're working six days a week and

0:24:00.040 --> 0:24:02.160
<v Speaker 2>in the Sunday off. I think as opposed to last

0:24:02.200 --> 0:24:03.760
<v Speaker 2>year where they kind of were locked in the rooms,

0:24:03.760 --> 0:24:05.800
<v Speaker 2>I think they were sort of taken out more on

0:24:05.840 --> 0:24:08.800
<v Speaker 2>some supervised day trips. But they do. They do if

0:24:08.800 --> 0:24:12.399
<v Speaker 2>the producers are there and they are told not to

0:24:12.440 --> 0:24:15.159
<v Speaker 2>continue the game, if the cameras are there, So they

0:24:15.160 --> 0:24:17.320
<v Speaker 2>are locked in their room just so they are one

0:24:17.359 --> 0:24:21.440
<v Speaker 2>hundred percent involved in this game, and they are deep

0:24:21.440 --> 0:24:23.200
<v Speaker 2>in this game and when they come out, that's all

0:24:23.200 --> 0:24:26.400
<v Speaker 2>they're doing. So it's it's a really intense experience for them.

0:24:26.520 --> 0:24:28.400
<v Speaker 1>Well, before you go, I need to ask you what

0:24:29.200 --> 0:24:30.400
<v Speaker 1>makes a good traitor?

0:24:31.320 --> 0:24:34.679
<v Speaker 2>Well, I mean seems pretty obvious, but being able to

0:24:34.920 --> 0:24:37.600
<v Speaker 2>lie and you know, I keep several lives going. I

0:24:37.640 --> 0:24:41.760
<v Speaker 2>think you know that's the friends. They always could have

0:24:42.080 --> 0:24:44.760
<v Speaker 2>multiple girlfriends at once and it's like to too many

0:24:44.760 --> 0:24:47.040
<v Speaker 2>stories to keep up, you know, I mean, honesty is

0:24:47.040 --> 0:24:50.560
<v Speaker 2>the best policy. I think, you know, they're quite good.

0:24:50.560 --> 0:24:53.200
<v Speaker 2>Ones are quite crafted. They think three, three steps ahead,

0:24:53.480 --> 0:24:56.040
<v Speaker 2>and they're planting. They know they just can't come up

0:24:56.040 --> 0:24:59.280
<v Speaker 2>with a fantastical lie about someone out of blue. They

0:24:59.280 --> 0:25:01.680
<v Speaker 2>start planting seeds. You know, they're thinking, it's like a

0:25:01.720 --> 0:25:03.920
<v Speaker 2>chess game. They're thinking three steps ahead because and they

0:25:04.160 --> 0:25:06.280
<v Speaker 2>might follow through with that. And we see that with

0:25:06.320 --> 0:25:09.040
<v Speaker 2>one of our traders who starts planning some seeds and

0:25:09.080 --> 0:25:11.320
<v Speaker 2>then doesn't act on it until like two sort of

0:25:11.320 --> 0:25:14.879
<v Speaker 2>banishments later. But then it seems authentic because it's not

0:25:14.920 --> 0:25:16.840
<v Speaker 2>just out of the blue. Oh well, you had suspicions before,

0:25:16.840 --> 0:25:20.120
<v Speaker 2>but it was all being planted there to deflect off them,

0:25:20.200 --> 0:25:22.439
<v Speaker 2>So you know, it is. It is a good It

0:25:22.440 --> 0:25:25.200
<v Speaker 2>does take someone that has got a lot of strategy

0:25:25.480 --> 0:25:27.639
<v Speaker 2>and can keep their cool, you know, and keep it

0:25:27.720 --> 0:25:28.680
<v Speaker 2>up because some people can't.

0:25:28.920 --> 0:25:31.000
<v Speaker 1>It makes me wonder, you know, what do you think

0:25:31.000 --> 0:25:32.600
<v Speaker 1>if it was flipped on you, would you be a

0:25:32.600 --> 0:25:35.159
<v Speaker 1>better trader or would you be a better faithful It's.

0:25:35.040 --> 0:25:37.439
<v Speaker 2>A lot simpler, it's a lot simpler game plan to

0:25:37.520 --> 0:25:40.679
<v Speaker 2>be faithful because you just tell the truth. You know,

0:25:40.760 --> 0:25:43.520
<v Speaker 2>you stick to your one story and you think the

0:25:43.520 --> 0:25:46.680
<v Speaker 2>truth will save me. But it is incredible advantage in

0:25:46.720 --> 0:25:49.680
<v Speaker 2>the game to be a trader because you cut out

0:25:50.080 --> 0:25:53.800
<v Speaker 2>one way of being exited from the game. You're not

0:25:53.800 --> 0:25:57.520
<v Speaker 2>going to murder yourself, so or you'd be pretty silly

0:25:57.560 --> 0:26:01.520
<v Speaker 2>to anyway, but yourself offered. Well, you can be falsely

0:26:01.560 --> 0:26:03.840
<v Speaker 2>accused and banished in a banishment even though you're not

0:26:03.880 --> 0:26:05.880
<v Speaker 2>a trader, and you can be murdered. So there's two

0:26:05.880 --> 0:26:08.200
<v Speaker 2>ways to go there. So you do have an advantage

0:26:08.240 --> 0:26:10.359
<v Speaker 2>and you can't. You can manipulate the game a little

0:26:10.359 --> 0:26:13.000
<v Speaker 2>bit more as a trader. So I think if I

0:26:13.040 --> 0:26:15.000
<v Speaker 2>was really serious about trying to win, you'd want to

0:26:15.000 --> 0:26:15.560
<v Speaker 2>be a trader.

0:26:15.920 --> 0:26:18.679
<v Speaker 1>What is something from behind the scenes, something that we

0:26:18.720 --> 0:26:22.440
<v Speaker 1>won't see, something of a behind the scenes maybe secret

0:26:22.840 --> 0:26:24.920
<v Speaker 1>from your time making The Trader season two?

0:26:25.320 --> 0:26:28.040
<v Speaker 2>Well, I mean I had a full time sketch artist

0:26:28.119 --> 0:26:31.280
<v Speaker 2>following around, you know, just just doing portraits, which you

0:26:31.280 --> 0:26:35.680
<v Speaker 2>will see fine art work to varying degrees of success.

0:26:35.960 --> 0:26:38.119
<v Speaker 2>Maybe next time I shouldn't choose some of the art

0:26:38.160 --> 0:26:40.399
<v Speaker 2>students from the local school because they have a bit

0:26:40.480 --> 0:26:40.840
<v Speaker 2>to learn.

0:26:42.320 --> 0:26:45.960
<v Speaker 4>Yeah, there's a portrait in the main room there. They

0:26:45.960 --> 0:26:51.000
<v Speaker 4>forgot to paint my chin in. They took it off

0:26:51.000 --> 0:26:53.040
<v Speaker 4>an old publicity shot, and I don't know.

0:26:53.040 --> 0:26:55.280
<v Speaker 2>Ran it through AI, and that's what AI came up

0:26:55.320 --> 0:26:57.920
<v Speaker 2>with it. Ai isppothed to paint you in a good light.

0:26:58.200 --> 0:27:02.680
<v Speaker 2>But maybe I can pass that off as my dearly

0:27:02.720 --> 0:27:07.080
<v Speaker 2>beloved past twin brother that passed away early, something like that.

0:27:07.119 --> 0:27:10.760
<v Speaker 1>But Burnett, I'd say, Burnett, I am going to say,

0:27:10.840 --> 0:27:12.840
<v Speaker 1>I am such a big fan of you. I have

0:27:12.920 --> 0:27:15.200
<v Speaker 1>been in your audience for an extraordinary long time. I

0:27:15.359 --> 0:27:17.160
<v Speaker 1>think I even saw you in a musical years ago,

0:27:17.280 --> 0:27:20.040
<v Speaker 1>so I've been there from the start. But I just

0:27:20.040 --> 0:27:22.760
<v Speaker 1>think you're fantastic in this role. And I'm so excited

0:27:22.760 --> 0:27:25.440
<v Speaker 1>that we're getting a season two of this and I

0:27:25.680 --> 0:27:28.960
<v Speaker 1>actually look, we're already looking forward to season three, so

0:27:28.680 --> 0:27:29.600
<v Speaker 1>so am I.

0:27:29.600 --> 0:27:31.679
<v Speaker 2>I'm happy for the renewal, tell you that, but I

0:27:31.680 --> 0:27:33.760
<v Speaker 2>appreciate the support. Thank you so so much.