WEBVTT - MINI: Best TV Themes

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<v Speaker 1>Christian Iconnell, Christian O'Connell show podcast, TV theme tune Thursday

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<v Speaker 1>on The Christian O'Connell Show.

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<v Speaker 2>Yesterday we were talking about the year nineteen ninety and

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<v Speaker 2>the Fresh Prince of bel Air was first on TV,

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<v Speaker 2>and we're asking you right about this time, you say,

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<v Speaker 2>can you call into the theme tune that rap that

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<v Speaker 2>Will Smith does? Can you do it? Turns out most

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<v Speaker 2>of you couldn't. Some amazing efforts, but it was really

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<v Speaker 2>hard to find somebody. A lot of anger, angry emails

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<v Speaker 2>yesterday going you.

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<v Speaker 3>Shouldn't called me.

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<v Speaker 2>I could have done it better than those guys.

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<v Speaker 4>And then the guy who could do it actually over

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<v Speaker 4>delivered and started giving us a whole lot of hidden

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<v Speaker 4>version versions, not just.

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<v Speaker 2>That someone that actually has seen it recently every episode

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<v Speaker 2>so there are no hidden verses in it. That guy

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<v Speaker 2>was freestyling. We gave him a prize yesterday as well. Anyway,

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<v Speaker 2>so we thought today we'd go back into TV theme

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<v Speaker 2>tunes because they've been so many great ones, and we're

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<v Speaker 2>talk about the ones that have got lyrics. Can you

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<v Speaker 2>call us up and do a TV theme tune this morning?

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<v Speaker 2>Four one four one O four three or ready this

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<v Speaker 2>morning run About an hour ago, Patsy gave us her

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<v Speaker 2>version of the Golden goes any chance of getting it again.

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<v Speaker 5>Thank you for being a friend, travel down the road

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<v Speaker 5>and back again. Your heart is true, your friend and

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<v Speaker 5>a comfort on doo do do? And if you threw

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<v Speaker 5>a party and invited everyone you knew.

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<v Speaker 2>I've actually enjoyed this, you would be no.

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<v Speaker 5>You would see the biggest gift would be from me,

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<v Speaker 5>and the card attached would say everyone, thank you.

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<v Speaker 2>For being you know what. Honestly, all I need right

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<v Speaker 2>now is someone to be here playing a piano with Patsy.

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<v Speaker 2>I'm happy. I gotta say, Patsy ten out of ten.

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<v Speaker 2>I'm going to give you the price today voucher for

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<v Speaker 2>ribsen Burgers. Okay, that was actually brilliant. All right, So

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<v Speaker 2>that's what we're looking for this morning. What can you do?

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<v Speaker 3>Four?

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<v Speaker 2>One four one o four three up? First, Aaron, good morning,

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<v Speaker 2>I'm good. So Aaron, are you at work? You're on

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<v Speaker 2>your way to work.

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<v Speaker 1>I'm at work at the moment.

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<v Speaker 2>What do you do?

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<v Speaker 1>Siger?

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<v Speaker 2>Are you on the bus?

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<v Speaker 4>He said?

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<v Speaker 2>This would be great for other passengers. He starts breaking

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<v Speaker 2>into now the war dumb move till the bead of

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<v Speaker 2>just one drum. There's always alone on every bus.

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<v Speaker 4>People wouldn't even turn their head.

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<v Speaker 2>You just just do the thing when you look further

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<v Speaker 2>out the window to move my head. And it's like

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<v Speaker 2>you have to always agree who's going to be the

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<v Speaker 2>lune on the bus. Sometimes I've had to do because

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<v Speaker 2>no one else who wants to volunteer, you know, just

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<v Speaker 2>put a naval cap on or something like that. There's

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<v Speaker 2>always that one random tude on there. Alright, So different strokes.

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<v Speaker 2>Great TV show? Was it Philip Drummond, the billionaire that

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<v Speaker 2>adopted the two boys the twins from Harlem? That's the one. Yeah,

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<v Speaker 2>I just love this TV show, all right. So this

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<v Speaker 2>was the first line. Okay, I'm gonna kill I'm gonna

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<v Speaker 2>cure up a backing track for you, Aaron. You've done

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<v Speaker 2>it in your own time though, one, two, three, go well.

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<v Speaker 3>The will don't move to the beat. Just one job.

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<v Speaker 1>What might be ripped for you may not be rapping.

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<v Speaker 3>Some A man is long, he's a man off be

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<v Speaker 3>staying a long come too.

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<v Speaker 1>They got another muther of jeeves, but they got difference.

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<v Speaker 3>Difference Still through the world is different. Throw through the world.

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<v Speaker 3>Everybody's got a special kind of story. Everybody they find

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<v Speaker 3>the way to shine. They don't. Man, that's got not

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<v Speaker 3>a lot. So what they'll have their You have yours

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<v Speaker 3>and I'll have mine and together we'll be fine.

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<v Speaker 2>It takes given.

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<v Speaker 3>Stroll through the world. It give us throw through the world.

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<v Speaker 2>Wow, I mean a show stopper right at the start

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<v Speaker 2>of this. I mean faultless between what you did, Aaron

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<v Speaker 2>and this Aaron's version. I like it more. That was

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<v Speaker 2>isn't that amazing? And you can remember it word for words?

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<v Speaker 5>Oh?

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<v Speaker 3>I love that so I love a lot it was.

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<v Speaker 1>It was between that one and the family.

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<v Speaker 2>Yeah, another great show. We grew up with the ice

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<v Speaker 2>love different strokes.

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<v Speaker 4>And I appreciate you putting on the croner's voice as well.

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<v Speaker 3>That's actually Ellen Thick.

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<v Speaker 2>Yeah, his son with blurred lines. Didn't he Robin think

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<v Speaker 2>he was he was the dad at a growing paints

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<v Speaker 2>that is that the dad Adam think is the dad

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<v Speaker 2>and Crome paints. Yeah, yeah, I did not know that.

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<v Speaker 2>That is great. Tell you what sign Writer by day,

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<v Speaker 2>Crooner by night.

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<v Speaker 3>Christian O'Connell show podcast, Jack.

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<v Speaker 2>And I are trying to steer the show way from

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<v Speaker 2>our producer about at the moment, the world's oldest man

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<v Speaker 2>in radio, who's desperately trying to get someone to do

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<v Speaker 2>the Gilligan's Island theme tune, which was I don't know

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<v Speaker 2>if you're any of our older demo of listeners is

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<v Speaker 2>from eighteen fifty two.

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<v Speaker 4>It's still White Perth. I'm watching the intro Nous in

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<v Speaker 4>black and white.

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<v Speaker 2>It was a silent sitcoms Buster Keaton was the main

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<v Speaker 2>character in there. Charlie Champlin was his next door neighbor.

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<v Speaker 2>I believe in Gilligan's Let's Go to the Lines. And on

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<v Speaker 2>TV theme tune Thursday? What TV theme tune? Can he

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<v Speaker 2>call us up and do? Jake? Good morning?

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<v Speaker 3>Hey?

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<v Speaker 2>How I is? I'm good Jake? So what what's the

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<v Speaker 2>theme tune you can do? We've just had aaron with

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<v Speaker 2>different strokes.

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<v Speaker 1>I've been getting right into Star Trek lately. So I've

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<v Speaker 1>got Star Trek the original series.

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<v Speaker 2>So do you mean the one with no Lyse? Do

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<v Speaker 2>you mean this? You know, just the you're going to

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<v Speaker 2>do that? That's it. That's the one, all right? We said,

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<v Speaker 2>caught us up to a theme tune? You go, Jake a.

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<v Speaker 1>Space the Final Frontier. These are the voyages of the

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<v Speaker 1>Starship Enterprise. It's five year mission to explore strange new worlds,

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<v Speaker 1>to seek out new life, new civilization, to boldly go

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<v Speaker 1>where no man has gone before.

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<v Speaker 2>Jake, incredible, incredible, incredible scenes, amazing stuff, no difference, He's

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<v Speaker 2>re enacted it amazingly. Our one man orchestra.

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<v Speaker 4>Sometimes they can't help but imagine the person who's getting

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<v Speaker 4>in their car or turning on the radio just at

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<v Speaker 4>that moment when you're started.

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<v Speaker 2>It might be at traffic lights. Right now, look over,

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<v Speaker 2>there's a guy doing the Star Trek theme tune Welcome

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<v Speaker 2>to twenty twenty. That's really good, really, Jake, that's incredible.

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<v Speaker 2>And you did the intro, the spoken word bit he

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<v Speaker 2>used to do it the beginning. Shut you must you

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<v Speaker 2>must do that?

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<v Speaker 1>That is the that is what is Star Trek? Is

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<v Speaker 1>that open?

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<v Speaker 2>And I tell you what, aren't they a great watch

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<v Speaker 2>these days? That original Star Trek was shut am I.

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<v Speaker 1>It's so good. It's very funny. It's actually really funny

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<v Speaker 1>lines they we should get onto it.

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<v Speaker 2>Yeah have you gotten too? The episode where there were

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<v Speaker 2>two Captain James T. Kirks, the good one and the

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<v Speaker 2>yeah yeah I heard on YouTube. It is actually one

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<v Speaker 2>of the most unintentionally funny half hours ever. It's so

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<v Speaker 2>badly done. Isn't he green the evil one? Or do

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<v Speaker 2>they paint his face red?

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<v Speaker 1>He goes bright red. That's acting because he goes so

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<v Speaker 1>committed to his role that he actually goes red the.

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<v Speaker 2>Fake, brilliant stuff. Jake, thank you very much. You're going

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<v Speaker 2>to give you the one hundred dollars for voucher for

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<v Speaker 2>ribsen Burgers.

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<v Speaker 1>Excellent, just what I mean?

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<v Speaker 2>All right, cheers, buddy, well done. Let's us get one

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<v Speaker 2>last one on the This is a really great classic

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<v Speaker 2>theme tune. That's a feel good one as well. I'm

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<v Speaker 2>just nervously seeing it. Who Brade is putting through? Get

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<v Speaker 2>that Gilligans in and one off? I know you're there,

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<v Speaker 2>Chrissy and Frankston. There's nothing against you. Got a whold

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<v Speaker 2>strong today, Peter, Yes, Peter, you are the guys doing

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<v Speaker 2>Happy Days, aren't you.

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<v Speaker 3>Yes, I'll try good Man, good.

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<v Speaker 2>Man, great great show. So in your own time if

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<v Speaker 2>you go do the happy Days theme tune, Oh Bad.

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<v Speaker 3>Gray Skuys, Hello Blue. Nothing can hold me When I

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<v Speaker 3>hold you feel so right, can't be wrong? Rock and

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<v Speaker 3>rolling along these happy Daysiers and Mine these happy Daysiers

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<v Speaker 3>and mine, these happy days of yours, and man, these

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<v Speaker 3>happy days yours and my happy days.

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<v Speaker 2>Man. Wow wow, Peter, that was grim word for word.

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<v Speaker 2>Another fullest performance to O'Connell Show podcast