1 00:00:01,000 --> 00:00:06,960 Speaker 1: Christian Iconnell, Christian O'Connell show podcast, TV theme tune Thursday 2 00:00:07,080 --> 00:00:08,480 Speaker 1: on The Christian O'Connell Show. 3 00:00:08,560 --> 00:00:12,080 Speaker 2: Yesterday we were talking about the year nineteen ninety and 4 00:00:12,320 --> 00:00:14,600 Speaker 2: the Fresh Prince of bel Air was first on TV, 5 00:00:14,960 --> 00:00:16,880 Speaker 2: and we're asking you right about this time, you say, 6 00:00:17,079 --> 00:00:19,720 Speaker 2: can you call into the theme tune that rap that 7 00:00:20,000 --> 00:00:22,320 Speaker 2: Will Smith does? Can you do it? Turns out most 8 00:00:22,360 --> 00:00:26,640 Speaker 2: of you couldn't. Some amazing efforts, but it was really 9 00:00:26,640 --> 00:00:29,760 Speaker 2: hard to find somebody. A lot of anger, angry emails 10 00:00:29,880 --> 00:00:30,840 Speaker 2: yesterday going you. 11 00:00:30,840 --> 00:00:31,760 Speaker 3: Shouldn't called me. 12 00:00:32,920 --> 00:00:34,840 Speaker 2: I could have done it better than those guys. 13 00:00:34,880 --> 00:00:36,760 Speaker 4: And then the guy who could do it actually over 14 00:00:36,800 --> 00:00:38,680 Speaker 4: delivered and started giving us a whole lot of hidden 15 00:00:38,760 --> 00:00:40,199 Speaker 4: version versions, not just. 16 00:00:40,200 --> 00:00:43,720 Speaker 2: That someone that actually has seen it recently every episode 17 00:00:43,920 --> 00:00:46,360 Speaker 2: so there are no hidden verses in it. That guy 18 00:00:46,479 --> 00:00:50,199 Speaker 2: was freestyling. We gave him a prize yesterday as well. Anyway, 19 00:00:50,320 --> 00:00:52,440 Speaker 2: so we thought today we'd go back into TV theme 20 00:00:52,479 --> 00:00:54,880 Speaker 2: tunes because they've been so many great ones, and we're 21 00:00:54,880 --> 00:00:57,080 Speaker 2: talk about the ones that have got lyrics. Can you 22 00:00:57,160 --> 00:00:59,640 Speaker 2: call us up and do a TV theme tune this morning? 23 00:01:00,200 --> 00:01:02,279 Speaker 2: Four one four one O four three or ready this 24 00:01:02,280 --> 00:01:05,200 Speaker 2: morning run About an hour ago, Patsy gave us her 25 00:01:05,319 --> 00:01:08,240 Speaker 2: version of the Golden goes any chance of getting it again. 26 00:01:08,560 --> 00:01:14,200 Speaker 5: Thank you for being a friend, travel down the road 27 00:01:14,240 --> 00:01:19,560 Speaker 5: and back again. Your heart is true, your friend and 28 00:01:19,720 --> 00:01:24,679 Speaker 5: a comfort on doo do do? And if you threw 29 00:01:24,840 --> 00:01:30,000 Speaker 5: a party and invited everyone you knew. 30 00:01:30,280 --> 00:01:32,560 Speaker 2: I've actually enjoyed this, you would be no. 31 00:01:32,800 --> 00:01:36,120 Speaker 5: You would see the biggest gift would be from me, 32 00:01:36,680 --> 00:01:41,279 Speaker 5: and the card attached would say everyone, thank you. 33 00:01:41,200 --> 00:01:44,080 Speaker 2: For being you know what. Honestly, all I need right 34 00:01:44,120 --> 00:01:46,720 Speaker 2: now is someone to be here playing a piano with Patsy. 35 00:01:46,760 --> 00:01:50,120 Speaker 2: I'm happy. I gotta say, Patsy ten out of ten. 36 00:01:50,160 --> 00:01:53,080 Speaker 2: I'm going to give you the price today voucher for 37 00:01:53,200 --> 00:01:57,200 Speaker 2: ribsen Burgers. Okay, that was actually brilliant. All right, So 38 00:01:57,240 --> 00:01:59,600 Speaker 2: that's what we're looking for this morning. What can you do? 39 00:02:00,080 --> 00:02:00,240 Speaker 3: Four? 40 00:02:00,280 --> 00:02:06,280 Speaker 2: One four one o four three up? First, Aaron, good morning, 41 00:02:06,360 --> 00:02:08,080 Speaker 2: I'm good. So Aaron, are you at work? You're on 42 00:02:08,120 --> 00:02:08,919 Speaker 2: your way to work. 43 00:02:09,520 --> 00:02:10,480 Speaker 1: I'm at work at the moment. 44 00:02:10,760 --> 00:02:11,120 Speaker 2: What do you do? 45 00:02:13,120 --> 00:02:13,600 Speaker 1: Siger? 46 00:02:13,760 --> 00:02:14,639 Speaker 2: Are you on the bus? 47 00:02:15,040 --> 00:02:15,360 Speaker 4: He said? 48 00:02:17,040 --> 00:02:19,160 Speaker 2: This would be great for other passengers. He starts breaking 49 00:02:19,160 --> 00:02:22,320 Speaker 2: into now the war dumb move till the bead of 50 00:02:22,360 --> 00:02:25,360 Speaker 2: just one drum. There's always alone on every bus. 51 00:02:26,720 --> 00:02:28,519 Speaker 4: People wouldn't even turn their head. 52 00:02:28,600 --> 00:02:30,160 Speaker 2: You just just do the thing when you look further 53 00:02:30,200 --> 00:02:35,360 Speaker 2: out the window to move my head. And it's like 54 00:02:35,400 --> 00:02:36,840 Speaker 2: you have to always agree who's going to be the 55 00:02:36,919 --> 00:02:38,639 Speaker 2: lune on the bus. Sometimes I've had to do because 56 00:02:38,800 --> 00:02:40,840 Speaker 2: no one else who wants to volunteer, you know, just 57 00:02:40,840 --> 00:02:42,839 Speaker 2: put a naval cap on or something like that. There's 58 00:02:42,840 --> 00:02:47,120 Speaker 2: always that one random tude on there. Alright, So different strokes. 59 00:02:47,240 --> 00:02:50,800 Speaker 2: Great TV show? Was it Philip Drummond, the billionaire that 60 00:02:50,840 --> 00:02:54,320 Speaker 2: adopted the two boys the twins from Harlem? That's the one. Yeah, 61 00:02:54,360 --> 00:02:57,400 Speaker 2: I just love this TV show, all right. So this 62 00:02:57,560 --> 00:03:04,160 Speaker 2: was the first line. Okay, I'm gonna kill I'm gonna 63 00:03:04,200 --> 00:03:06,520 Speaker 2: cure up a backing track for you, Aaron. You've done 64 00:03:06,520 --> 00:03:10,600 Speaker 2: it in your own time though, one, two, three, go well. 65 00:03:10,440 --> 00:03:13,519 Speaker 3: The will don't move to the beat. Just one job. 66 00:03:13,919 --> 00:03:16,600 Speaker 1: What might be ripped for you may not be rapping. 67 00:03:16,400 --> 00:03:19,760 Speaker 3: Some A man is long, he's a man off be 68 00:03:20,280 --> 00:03:21,639 Speaker 3: staying a long come too. 69 00:03:21,960 --> 00:03:24,880 Speaker 1: They got another muther of jeeves, but they got difference. 70 00:03:26,280 --> 00:03:33,000 Speaker 3: Difference Still through the world is different. Throw through the world. 71 00:03:33,639 --> 00:03:38,040 Speaker 3: Everybody's got a special kind of story. Everybody they find 72 00:03:38,080 --> 00:03:41,400 Speaker 3: the way to shine. They don't. Man, that's got not 73 00:03:41,560 --> 00:03:44,600 Speaker 3: a lot. So what they'll have their You have yours 74 00:03:44,600 --> 00:03:47,720 Speaker 3: and I'll have mine and together we'll be fine. 75 00:03:47,960 --> 00:03:49,440 Speaker 2: It takes given. 76 00:03:49,160 --> 00:03:53,800 Speaker 3: Stroll through the world. It give us throw through the world. 77 00:03:55,640 --> 00:03:59,800 Speaker 2: Wow, I mean a show stopper right at the start 78 00:03:59,840 --> 00:04:03,000 Speaker 2: of this. I mean faultless between what you did, Aaron 79 00:04:03,080 --> 00:04:12,560 Speaker 2: and this Aaron's version. I like it more. That was 80 00:04:12,920 --> 00:04:16,280 Speaker 2: isn't that amazing? And you can remember it word for words? 81 00:04:16,880 --> 00:04:17,040 Speaker 5: Oh? 82 00:04:17,120 --> 00:04:18,839 Speaker 3: I love that so I love a lot it was. 83 00:04:18,880 --> 00:04:20,520 Speaker 1: It was between that one and the family. 84 00:04:22,080 --> 00:04:24,320 Speaker 2: Yeah, another great show. We grew up with the ice 85 00:04:24,480 --> 00:04:25,680 Speaker 2: love different strokes. 86 00:04:25,360 --> 00:04:27,760 Speaker 4: And I appreciate you putting on the croner's voice as well. 87 00:04:29,480 --> 00:04:30,640 Speaker 3: That's actually Ellen Thick. 88 00:04:31,600 --> 00:04:34,239 Speaker 2: Yeah, his son with blurred lines. Didn't he Robin think 89 00:04:35,120 --> 00:04:36,720 Speaker 2: he was he was the dad at a growing paints 90 00:04:37,440 --> 00:04:39,240 Speaker 2: that is that the dad Adam think is the dad 91 00:04:39,240 --> 00:04:42,120 Speaker 2: and Crome paints. Yeah, yeah, I did not know that. 92 00:04:42,120 --> 00:04:44,560 Speaker 2: That is great. Tell you what sign Writer by day, 93 00:04:44,720 --> 00:04:45,640 Speaker 2: Crooner by night. 94 00:04:48,120 --> 00:04:50,960 Speaker 3: Christian O'Connell show podcast, Jack. 95 00:04:50,839 --> 00:04:53,479 Speaker 2: And I are trying to steer the show way from 96 00:04:53,520 --> 00:04:55,400 Speaker 2: our producer about at the moment, the world's oldest man 97 00:04:55,440 --> 00:04:58,120 Speaker 2: in radio, who's desperately trying to get someone to do 98 00:04:58,160 --> 00:05:01,000 Speaker 2: the Gilligan's Island theme tune, which was I don't know 99 00:05:01,040 --> 00:05:03,520 Speaker 2: if you're any of our older demo of listeners is 100 00:05:03,520 --> 00:05:04,720 Speaker 2: from eighteen fifty two. 101 00:05:05,839 --> 00:05:08,560 Speaker 4: It's still White Perth. I'm watching the intro Nous in 102 00:05:08,640 --> 00:05:09,400 Speaker 4: black and white. 103 00:05:09,760 --> 00:05:14,599 Speaker 2: It was a silent sitcoms Buster Keaton was the main 104 00:05:14,680 --> 00:05:18,039 Speaker 2: character in there. Charlie Champlin was his next door neighbor. 105 00:05:18,080 --> 00:05:23,279 Speaker 2: I believe in Gilligan's Let's Go to the Lines. And on 106 00:05:23,480 --> 00:05:26,600 Speaker 2: TV theme tune Thursday? What TV theme tune? Can he 107 00:05:26,680 --> 00:05:29,200 Speaker 2: call us up and do? Jake? Good morning? 108 00:05:29,960 --> 00:05:30,200 Speaker 3: Hey? 109 00:05:30,240 --> 00:05:32,320 Speaker 2: How I is? I'm good Jake? So what what's the 110 00:05:32,320 --> 00:05:34,000 Speaker 2: theme tune you can do? We've just had aaron with 111 00:05:34,120 --> 00:05:35,640 Speaker 2: different strokes. 112 00:05:36,360 --> 00:05:39,520 Speaker 1: I've been getting right into Star Trek lately. So I've 113 00:05:39,560 --> 00:05:41,239 Speaker 1: got Star Trek the original series. 114 00:05:41,480 --> 00:05:43,479 Speaker 2: So do you mean the one with no Lyse? Do 115 00:05:43,480 --> 00:05:49,320 Speaker 2: you mean this? You know, just the you're going to 116 00:05:49,400 --> 00:05:52,840 Speaker 2: do that? That's it. That's the one, all right? We said, 117 00:05:52,960 --> 00:05:56,560 Speaker 2: caught us up to a theme tune? You go, Jake a. 118 00:06:01,279 --> 00:06:05,440 Speaker 1: Space the Final Frontier. These are the voyages of the 119 00:06:05,480 --> 00:06:10,880 Speaker 1: Starship Enterprise. It's five year mission to explore strange new worlds, 120 00:06:11,000 --> 00:06:14,960 Speaker 1: to seek out new life, new civilization, to boldly go 121 00:06:15,200 --> 00:06:17,159 Speaker 1: where no man has gone before. 122 00:06:32,800 --> 00:06:39,600 Speaker 2: Jake, incredible, incredible, incredible scenes, amazing stuff, no difference, He's 123 00:06:39,680 --> 00:06:42,000 Speaker 2: re enacted it amazingly. Our one man orchestra. 124 00:06:42,440 --> 00:06:45,200 Speaker 4: Sometimes they can't help but imagine the person who's getting 125 00:06:45,200 --> 00:06:47,040 Speaker 4: in their car or turning on the radio just at 126 00:06:47,080 --> 00:06:48,119 Speaker 4: that moment when you're started. 127 00:06:48,120 --> 00:06:49,920 Speaker 2: It might be at traffic lights. Right now, look over, 128 00:06:49,960 --> 00:06:52,240 Speaker 2: there's a guy doing the Star Trek theme tune Welcome 129 00:06:52,279 --> 00:06:56,440 Speaker 2: to twenty twenty. That's really good, really, Jake, that's incredible. 130 00:06:57,880 --> 00:07:00,680 Speaker 2: And you did the intro, the spoken word bit he 131 00:07:00,760 --> 00:07:04,280 Speaker 2: used to do it the beginning. Shut you must you 132 00:07:04,440 --> 00:07:05,120 Speaker 2: must do that? 133 00:07:05,120 --> 00:07:08,520 Speaker 1: That is the that is what is Star Trek? Is 134 00:07:08,520 --> 00:07:08,880 Speaker 1: that open? 135 00:07:09,040 --> 00:07:10,720 Speaker 2: And I tell you what, aren't they a great watch 136 00:07:10,760 --> 00:07:13,880 Speaker 2: these days? That original Star Trek was shut am I. 137 00:07:14,720 --> 00:07:17,960 Speaker 1: It's so good. It's very funny. It's actually really funny 138 00:07:18,000 --> 00:07:19,600 Speaker 1: lines they we should get onto it. 139 00:07:19,760 --> 00:07:21,800 Speaker 2: Yeah have you gotten too? The episode where there were 140 00:07:21,800 --> 00:07:24,160 Speaker 2: two Captain James T. Kirks, the good one and the 141 00:07:24,840 --> 00:07:31,720 Speaker 2: yeah yeah I heard on YouTube. It is actually one 142 00:07:31,720 --> 00:07:35,600 Speaker 2: of the most unintentionally funny half hours ever. It's so 143 00:07:35,920 --> 00:07:38,520 Speaker 2: badly done. Isn't he green the evil one? Or do 144 00:07:38,600 --> 00:07:39,760 Speaker 2: they paint his face red? 145 00:07:41,320 --> 00:07:45,640 Speaker 1: He goes bright red. That's acting because he goes so 146 00:07:45,880 --> 00:07:49,000 Speaker 1: committed to his role that he actually goes red the. 147 00:07:48,960 --> 00:07:51,480 Speaker 2: Fake, brilliant stuff. Jake, thank you very much. You're going 148 00:07:51,520 --> 00:07:53,600 Speaker 2: to give you the one hundred dollars for voucher for 149 00:07:53,680 --> 00:07:55,200 Speaker 2: ribsen Burgers. 150 00:07:55,200 --> 00:07:56,320 Speaker 1: Excellent, just what I mean? 151 00:07:56,440 --> 00:07:59,080 Speaker 2: All right, cheers, buddy, well done. Let's us get one 152 00:07:59,200 --> 00:08:01,600 Speaker 2: last one on the This is a really great classic 153 00:08:01,640 --> 00:08:04,160 Speaker 2: theme tune. That's a feel good one as well. I'm 154 00:08:04,200 --> 00:08:06,720 Speaker 2: just nervously seeing it. Who Brade is putting through? Get 155 00:08:06,760 --> 00:08:09,600 Speaker 2: that Gilligans in and one off? I know you're there, 156 00:08:09,680 --> 00:08:13,000 Speaker 2: Chrissy and Frankston. There's nothing against you. Got a whold 157 00:08:13,040 --> 00:08:18,160 Speaker 2: strong today, Peter, Yes, Peter, you are the guys doing 158 00:08:18,160 --> 00:08:19,120 Speaker 2: Happy Days, aren't you. 159 00:08:19,560 --> 00:08:21,960 Speaker 3: Yes, I'll try good Man, good. 160 00:08:21,720 --> 00:08:24,600 Speaker 2: Man, great great show. So in your own time if 161 00:08:24,600 --> 00:08:27,800 Speaker 2: you go do the happy Days theme tune, Oh Bad. 162 00:08:27,680 --> 00:08:31,040 Speaker 3: Gray Skuys, Hello Blue. Nothing can hold me When I 163 00:08:31,120 --> 00:08:34,880 Speaker 3: hold you feel so right, can't be wrong? Rock and 164 00:08:35,040 --> 00:08:42,880 Speaker 3: rolling along these happy Daysiers and Mine these happy Daysiers 165 00:08:43,000 --> 00:08:47,440 Speaker 3: and mine, these happy days of yours, and man, these 166 00:08:47,520 --> 00:08:51,960 Speaker 3: happy days yours and my happy days. 167 00:08:52,400 --> 00:08:57,880 Speaker 2: Man. Wow wow, Peter, that was grim word for word. 168 00:08:57,880 --> 00:09:02,679 Speaker 2: Another fullest performance to O'Connell Show podcast