1 00:00:01,200 --> 00:00:06,560 Speaker 1: Podcasting. Now what about fives on the show right now? Woulds? 2 00:00:06,600 --> 00:00:10,959 Speaker 1: She's actually nominated for multiple ARIA Awards again. Oh we 3 00:00:11,000 --> 00:00:12,719 Speaker 1: saw her take out the Best Artist WoT she was 4 00:00:12,760 --> 00:00:15,080 Speaker 1: their last time? She for Best Female Artists, Best Pop 5 00:00:15,120 --> 00:00:17,600 Speaker 1: Release and Best Live Australian Act. You guys can try 6 00:00:17,640 --> 00:00:19,760 Speaker 1: and piece that together, or just listen to this banging 7 00:00:19,800 --> 00:00:21,960 Speaker 1: intro with made as to who's up next. 8 00:00:22,040 --> 00:00:25,159 Speaker 2: It's been quite a year for our next guest. A 9 00:00:25,280 --> 00:00:27,920 Speaker 2: gold selling single Everybody Rise. 10 00:00:28,520 --> 00:00:30,280 Speaker 1: An NRL Growth final. 11 00:00:30,040 --> 00:00:34,920 Speaker 2: Performance and a documentary appearance with surfer Mick Fanning about 12 00:00:35,000 --> 00:00:38,000 Speaker 2: saving sharkscky, I barely got off the couch. 13 00:00:38,159 --> 00:00:39,240 Speaker 3: She's not done yet though. 14 00:00:39,400 --> 00:00:42,599 Speaker 2: She's been nominated for numerous awards that this year's Arias, 15 00:00:42,680 --> 00:00:46,600 Speaker 2: and she's collaborated with drummer Travis Barker from Blenkborne to 16 00:00:47,000 --> 00:00:49,640 Speaker 2: their brand new single is called come On. 17 00:00:50,040 --> 00:00:51,879 Speaker 1: Oh I'm robably shit that bring here is? 18 00:00:52,840 --> 00:00:53,440 Speaker 4: That's better? 19 00:00:53,640 --> 00:00:55,840 Speaker 2: Need to chat to the voice about her new music 20 00:00:55,960 --> 00:00:59,120 Speaker 2: and to play a little game we've called which courts. 21 00:00:58,880 --> 00:01:04,080 Speaker 1: Is leadon ewitt com Welcome to the show by Shark. 22 00:01:05,880 --> 00:01:09,280 Speaker 5: Oh gay, you guys when that that is the best 23 00:01:09,319 --> 00:01:11,000 Speaker 5: intro I've ever had. 24 00:01:11,200 --> 00:01:14,280 Speaker 1: Oh that's great too. Wow. We will pass that on 25 00:01:14,360 --> 00:01:16,560 Speaker 1: to the people who sorted it out. We cannot take 26 00:01:16,560 --> 00:01:18,600 Speaker 1: credit for that, but it was well done. 27 00:01:19,400 --> 00:01:22,120 Speaker 5: It's also funny because like this year was like at 28 00:01:22,120 --> 00:01:23,920 Speaker 5: the start of the year, it's like, yeah, we probably 29 00:01:23,959 --> 00:01:25,800 Speaker 5: won't do much this year, and then hearing all that, 30 00:01:25,880 --> 00:01:27,880 Speaker 5: I'm like, I actually had a pretty decent year. 31 00:01:28,040 --> 00:01:31,919 Speaker 1: Yeah you did, actually, And now all of a sudden, 32 00:01:31,920 --> 00:01:35,119 Speaker 1: teaming up with Yeah, I've been cult hero of I'm 33 00:01:35,160 --> 00:01:37,800 Speaker 1: sure everyone listening Trav Barker from Blink one eight two, 34 00:01:38,200 --> 00:01:39,960 Speaker 1: I've got a question because I know you're a fan 35 00:01:40,040 --> 00:01:42,640 Speaker 1: of his amy this brand new song come on, which 36 00:01:42,640 --> 00:01:44,960 Speaker 1: we're going to play very shortly for everyone. I'm going 37 00:01:45,000 --> 00:01:46,399 Speaker 1: to play you a little bit of Tras Barker. I've 38 00:01:46,400 --> 00:01:49,640 Speaker 1: got two things to ask you about this audio involving 39 00:01:49,880 --> 00:01:52,240 Speaker 1: Trav Barker from Mark Tom Travis Blink one eight to 40 00:01:52,400 --> 00:02:02,360 Speaker 1: listen something in the back room. How it's not that 41 00:02:02,560 --> 00:02:07,360 Speaker 1: creatures from a foga. Firstly, how was it being with 42 00:02:07,920 --> 00:02:09,959 Speaker 1: a guy who lays down beats like that? Because he 43 00:02:10,320 --> 00:02:12,480 Speaker 1: is a wild, wild drammer. 44 00:02:12,919 --> 00:02:16,480 Speaker 5: Travis is such a sweetie, like he honestly is so 45 00:02:17,080 --> 00:02:19,120 Speaker 5: like he's like a Monk. I don't know. He's so 46 00:02:19,320 --> 00:02:24,080 Speaker 5: like shy but very considerate and self spoken, and I 47 00:02:24,160 --> 00:02:27,600 Speaker 5: just couldn't even believe that he was like loving the 48 00:02:27,680 --> 00:02:31,560 Speaker 5: song that much, wanting to play on it, and just 49 00:02:31,639 --> 00:02:35,920 Speaker 5: being so accommodating to everything that I needed. So I 50 00:02:35,960 --> 00:02:37,800 Speaker 5: think I was in a bit of shock. I was 51 00:02:37,880 --> 00:02:41,960 Speaker 5: just lucky that before everything shut down, I was in 52 00:02:42,919 --> 00:02:45,880 Speaker 5: I was in Nashville shooting the video for Everybody Rise, 53 00:02:46,160 --> 00:02:48,160 Speaker 5: and then I got to go to LA and he 54 00:02:48,280 --> 00:02:50,400 Speaker 5: was like, while you're in LA, let's like try and 55 00:02:50,600 --> 00:02:53,440 Speaker 5: just at least like hang out, meet chat, you know, 56 00:02:54,320 --> 00:02:54,640 Speaker 5: to do that. 57 00:02:54,880 --> 00:02:57,440 Speaker 1: How about this, I mean, like you pinch yourself, Amy Shark, Like, 58 00:02:57,560 --> 00:03:01,640 Speaker 1: I'm serious, pinch yourself right now because like seven eight 59 00:03:01,720 --> 00:03:03,799 Speaker 1: years ago, like someone came to you and said, hey, 60 00:03:03,800 --> 00:03:05,679 Speaker 1: you're going to be you know, just talking casually about 61 00:03:05,680 --> 00:03:07,640 Speaker 1: the time that you were hanging out with Mark, Tom 62 00:03:07,639 --> 00:03:11,120 Speaker 1: and Travis from having dinners with them. You're in You're 63 00:03:11,160 --> 00:03:13,000 Speaker 1: in Nashville. He was like, come to LA, let's get 64 00:03:13,000 --> 00:03:15,040 Speaker 1: some lunch. I mean, what it's wild? 65 00:03:15,160 --> 00:03:18,399 Speaker 5: Can go to remember my friends and I trading posts 66 00:03:18,440 --> 00:03:21,600 Speaker 5: like we're like, oh yeah, you know, I'll give you 67 00:03:21,639 --> 00:03:24,960 Speaker 5: that poster that poster and like we're just at the 68 00:03:24,960 --> 00:03:29,480 Speaker 5: front of the mosh being so like trying to get 69 00:03:29,520 --> 00:03:33,040 Speaker 5: on stage and minute crazy. 70 00:03:33,080 --> 00:03:36,320 Speaker 6: Collabor I had the Blink Wantity two naughty Nurse poster 71 00:03:36,560 --> 00:03:39,080 Speaker 6: on my wall, so if you want to train Amy, 72 00:03:39,160 --> 00:03:39,520 Speaker 6: let me know. 73 00:03:39,560 --> 00:03:41,480 Speaker 1: I think that might have been the nurse. 74 00:03:46,520 --> 00:03:52,040 Speaker 5: I didn't have many of the nurs. 75 00:03:49,920 --> 00:03:54,560 Speaker 1: Let's cut out of the bag though. My bad podcasting. Now, Amy, 76 00:03:54,640 --> 00:03:56,560 Speaker 1: welcome back to the show. Pleasure to have you on 77 00:03:56,680 --> 00:04:04,080 Speaker 1: You mate, now nominated for multiple Arias again this year 78 00:04:04,760 --> 00:04:07,880 Speaker 1: Best Female Artist, Best Pop, Relea's Best Live Australian Act. 79 00:04:07,920 --> 00:04:10,520 Speaker 1: First Arias that Woods and I went to We've Got 80 00:04:10,520 --> 00:04:14,000 Speaker 1: a Chance to see you there performing live with Keith 81 00:04:14,080 --> 00:04:15,440 Speaker 1: Urban at the end of the hours, which is a 82 00:04:15,440 --> 00:04:18,039 Speaker 1: bit of a surprise for everyone. And then I think 83 00:04:18,080 --> 00:04:21,920 Speaker 1: we mooched off your sony credit card tap for at 84 00:04:22,000 --> 00:04:26,960 Speaker 1: least three or four hours at a bar. It was 85 00:04:27,000 --> 00:04:29,080 Speaker 1: a great time. Can we expecting on the performance for 86 00:04:29,120 --> 00:04:29,480 Speaker 1: you this year? 87 00:04:29,520 --> 00:04:29,719 Speaker 7: Mate? 88 00:04:30,000 --> 00:04:30,240 Speaker 3: Yeah? 89 00:04:30,320 --> 00:04:34,040 Speaker 5: I mean I'm expected to play, so hopefully nice will 90 00:04:34,080 --> 00:04:37,640 Speaker 5: see me perform unless I've been cut and I don't know. 91 00:04:38,000 --> 00:04:40,840 Speaker 1: Well yeah, well that's what I asked the question. I've 92 00:04:40,880 --> 00:04:48,000 Speaker 1: got some news this Yeah. Aria called us. They said, 93 00:04:48,000 --> 00:04:50,640 Speaker 1: you speaking to Amy Shark. I don't know lightly she's 94 00:04:50,640 --> 00:04:54,640 Speaker 1: been cut from the lineup cut. Yeah, yeah, and I'm 95 00:04:54,640 --> 00:04:56,520 Speaker 1: looking forward to it. Good luck with all that this 96 00:04:56,600 --> 00:04:57,840 Speaker 1: year and it's been a bit of a wild year. 97 00:04:57,839 --> 00:04:59,560 Speaker 1: What are they doing, like a virtual arias or what's 98 00:04:59,560 --> 00:04:59,960 Speaker 1: the story? 99 00:05:00,400 --> 00:05:02,320 Speaker 5: I don't know, but I think like you guys are 100 00:05:02,400 --> 00:05:05,719 Speaker 5: probably like the I don't know twentieth people that have 101 00:05:05,839 --> 00:05:08,080 Speaker 5: asked me, and I feel like someone said, hey, go 102 00:05:08,120 --> 00:05:13,120 Speaker 5: ask Amy Shark. She knows, because I honestly I feel 103 00:05:13,160 --> 00:05:14,400 Speaker 5: explain to everyone. 104 00:05:14,200 --> 00:05:21,560 Speaker 7: I don't know, no one, this is something, this is 105 00:05:21,560 --> 00:05:23,640 Speaker 7: that you know more about, well, ask more about your music, 106 00:05:23,680 --> 00:05:25,560 Speaker 7: maybe not the organization of the areas. 107 00:05:26,279 --> 00:05:29,000 Speaker 1: Amy. I saw a video how many people can you 108 00:05:29,040 --> 00:05:30,600 Speaker 1: fit in the auditory? 109 00:05:30,920 --> 00:05:34,120 Speaker 5: Well, you know, we're having a meeting tomorrow, and what do. 110 00:05:34,080 --> 00:05:35,360 Speaker 1: You do in the case of a fire? Has it 111 00:05:35,480 --> 00:05:38,440 Speaker 1: during the areas? Amy? 112 00:05:38,480 --> 00:05:40,960 Speaker 4: I saw you do a video on Twitter where you 113 00:05:40,960 --> 00:05:43,719 Speaker 4: were on set of the music video for come On, 114 00:05:43,839 --> 00:05:47,240 Speaker 4: and you said in the caption of the video that 115 00:05:47,320 --> 00:05:52,640 Speaker 4: you wrote come on late at night feeling frustrated and lonely. 116 00:05:53,680 --> 00:05:55,039 Speaker 4: Can you talk to us a bit about that? 117 00:05:55,520 --> 00:05:59,560 Speaker 5: Yeah, it's funny, like, some songs come at weird times, 118 00:05:59,680 --> 00:06:02,120 Speaker 5: and this one, I think one of some of my 119 00:06:02,200 --> 00:06:05,960 Speaker 5: favorite songs end up coming out when I'm probably just 120 00:06:06,000 --> 00:06:10,480 Speaker 5: not feeling one hundred percent or just not super stoked. 121 00:06:10,680 --> 00:06:12,600 Speaker 5: And a lot of the time it's hard to talk 122 00:06:12,640 --> 00:06:15,720 Speaker 5: about it because you don't want to sound ungrateful. And 123 00:06:15,880 --> 00:06:18,480 Speaker 5: you know, we've been given this great life to do music, 124 00:06:18,640 --> 00:06:21,600 Speaker 5: and you know, everyone sees the highs all the time. 125 00:06:21,600 --> 00:06:24,120 Speaker 5: But I remember the night there was a lot going on, 126 00:06:24,360 --> 00:06:28,680 Speaker 5: and there's many many personalities to manage and people to 127 00:06:28,800 --> 00:06:31,000 Speaker 5: sort of, you know, if I get to steal with 128 00:06:31,160 --> 00:06:34,279 Speaker 5: in my life, and it just felt really difficult. And 129 00:06:34,279 --> 00:06:36,840 Speaker 5: then I knew I had a massive day the next day, 130 00:06:36,920 --> 00:06:39,240 Speaker 5: so I was a bit, you know, just couldn't sleep, 131 00:06:39,880 --> 00:06:42,440 Speaker 5: and I just remember getting up. It was like ably 132 00:06:42,480 --> 00:06:46,000 Speaker 5: midnight or just after and I just started playing and 133 00:06:46,360 --> 00:06:48,400 Speaker 5: I just fell into those chords and the song was 134 00:06:48,440 --> 00:06:51,520 Speaker 5: written so quick. And then I'm staying up for about 135 00:06:51,600 --> 00:06:53,440 Speaker 5: two am, and I was just walking around the hotel 136 00:06:53,560 --> 00:06:55,560 Speaker 5: listening to it because I was so excited about it. 137 00:06:55,880 --> 00:06:57,960 Speaker 5: And I guess that's what I love about music is 138 00:06:58,000 --> 00:07:00,760 Speaker 5: I wasn't feeling like sad anymore. Because I was like, 139 00:07:01,120 --> 00:07:04,760 Speaker 5: this song sick like he's great. So yeah, I don't know. 140 00:07:04,760 --> 00:07:07,239 Speaker 5: I guess it was just the beauty of using music 141 00:07:07,320 --> 00:07:09,960 Speaker 5: for therapy. So yeah, I'm glad it's out. It's a 142 00:07:09,960 --> 00:07:12,000 Speaker 5: special past. 143 00:07:12,480 --> 00:07:16,720 Speaker 1: Now, well you have got Amy Shark on the line. Now, Amy, 144 00:07:16,960 --> 00:07:20,800 Speaker 1: you were just talking before about writing music being therapeutic 145 00:07:20,880 --> 00:07:22,480 Speaker 1: for you and maybe this is a little bit too 146 00:07:22,920 --> 00:07:25,720 Speaker 1: highbrow for a Friday afternoon and Woods, I know you're 147 00:07:25,720 --> 00:07:27,520 Speaker 1: going to roll your eyes at me in a second. 148 00:07:27,640 --> 00:07:30,920 Speaker 1: I know you are perfect. I know that the Dutch 149 00:07:30,960 --> 00:07:34,679 Speaker 1: painter Van Goff actually felt that he would get madder 150 00:07:35,240 --> 00:07:37,520 Speaker 1: if he didn't paint, so he got locked up in 151 00:07:37,520 --> 00:07:39,560 Speaker 1: a mental asylum for a long time, away from his 152 00:07:39,640 --> 00:07:42,200 Speaker 1: nephew and stuff, and they took away his painting tools 153 00:07:42,200 --> 00:07:44,800 Speaker 1: because I thought that that was making him madder. But 154 00:07:45,000 --> 00:07:48,280 Speaker 1: his when he wasn't painting, he went crazier and crazier, 155 00:07:48,280 --> 00:07:51,360 Speaker 1: and he needed to paint to feel like his madness 156 00:07:51,400 --> 00:07:55,720 Speaker 1: and his creativity were like undeniably linked. Do you ever 157 00:07:55,760 --> 00:07:58,720 Speaker 1: feel that if you stop making music or stop creating it, 158 00:07:58,760 --> 00:08:01,720 Speaker 1: you ever scared of the thing that exists when you're 159 00:08:01,760 --> 00:08:02,800 Speaker 1: not doing it. 160 00:08:02,800 --> 00:08:05,680 Speaker 5: It's so weird that you are saying this because I'd 161 00:08:05,720 --> 00:08:08,440 Speaker 5: literally just had like a conversation with someone not that 162 00:08:08,520 --> 00:08:12,000 Speaker 5: long ago about that exact thing, and because I actually 163 00:08:12,080 --> 00:08:14,640 Speaker 5: do I get in. I'm probably in a worse mood 164 00:08:14,640 --> 00:08:16,680 Speaker 5: if I hadn't written a song or if I haven't 165 00:08:17,000 --> 00:08:19,840 Speaker 5: played guitar. I'm like, you know, my partner will say, 166 00:08:20,040 --> 00:08:22,120 Speaker 5: just go on freaking write a song or something, because 167 00:08:22,160 --> 00:08:27,480 Speaker 5: you are absolutely rank right now. But also, and you 168 00:08:27,520 --> 00:08:30,360 Speaker 5: know it sounds really bad, but I'm like, you could 169 00:08:30,400 --> 00:08:33,319 Speaker 5: take everything from me, like you could take it all, 170 00:08:33,400 --> 00:08:35,240 Speaker 5: and I could be left alone. As long as I 171 00:08:35,240 --> 00:08:38,480 Speaker 5: could play music, I would start to rebuild because it's 172 00:08:38,480 --> 00:08:42,080 Speaker 5: such a strong part of who I am. And I 173 00:08:42,120 --> 00:08:45,199 Speaker 5: think I would be okay as long as I had 174 00:08:45,320 --> 00:08:49,079 Speaker 5: my hands and the guitar, and so you know, it's just, yeah, 175 00:08:49,160 --> 00:08:51,679 Speaker 5: it's weird. It's a really weird relationship. 176 00:08:51,920 --> 00:08:54,319 Speaker 6: Now, I've spoken for a long time, so I'm going 177 00:08:54,320 --> 00:08:56,480 Speaker 6: to give you the option here as to whether you 178 00:08:56,520 --> 00:09:00,280 Speaker 6: would like to play or not play a game we 179 00:09:00,320 --> 00:09:03,880 Speaker 6: have coined, which court is Leyton Hewitt Coming On. 180 00:09:04,120 --> 00:09:06,120 Speaker 1: Because your songs called come On, Yes, and that's the 181 00:09:06,160 --> 00:09:06,800 Speaker 1: game we came up. 182 00:09:07,040 --> 00:09:09,720 Speaker 5: I like it, okay, all right, and I think I 183 00:09:09,720 --> 00:09:12,160 Speaker 5: think I'll put you guys. You know we're good friends, 184 00:09:12,200 --> 00:09:13,080 Speaker 5: so I'll play. 185 00:09:14,240 --> 00:09:17,080 Speaker 4: Okay, Well, Amy, you're in like it's a wild game. 186 00:09:17,559 --> 00:09:19,720 Speaker 1: Have some game show music or something really lift this 187 00:09:20,800 --> 00:09:28,600 Speaker 1: good idea YouTube. Welcome to William Winning and Amy Shark 188 00:09:28,679 --> 00:09:31,320 Speaker 1: play which court is Layton Stewart coming on? In honor 189 00:09:31,360 --> 00:09:35,320 Speaker 1: of Amy Shark's brand new song come On with Travis Barker. Yeah. 190 00:09:35,760 --> 00:09:39,720 Speaker 3: Now, rules are simple, Amy, we play Leyton Hewitt saying 191 00:09:39,800 --> 00:09:43,200 Speaker 3: come on, he was obviously famous for that cat crime 192 00:09:43,920 --> 00:09:46,679 Speaker 3: or war cry. Really and you have to tell us 193 00:09:46,920 --> 00:09:54,320 Speaker 3: which court he came on effectively, So here is number one? 194 00:09:57,040 --> 00:09:58,360 Speaker 6: Which court was that? 195 00:09:58,640 --> 00:09:59,280 Speaker 1: Amy Shark? 196 00:09:59,400 --> 00:10:03,360 Speaker 5: Come on? This is this is this is a bit heart, 197 00:10:04,200 --> 00:10:04,760 Speaker 5: this is a little bit. 198 00:10:05,120 --> 00:10:06,760 Speaker 1: Well, I'll give you here. It's at one of the 199 00:10:06,840 --> 00:10:08,719 Speaker 1: It's at one of the Grand Slam courts. So you've 200 00:10:08,760 --> 00:10:12,240 Speaker 1: either it's either Flushing Meadows, you can Rod Labor Arena. 201 00:10:12,400 --> 00:10:15,679 Speaker 1: It's either Roland Garross or Wimbledon. And you can hear 202 00:10:15,679 --> 00:10:17,520 Speaker 1: the surface there. I mean, the tennis fans out there 203 00:10:17,559 --> 00:10:19,920 Speaker 1: will be up in arms right now, Amy Shark, You're 204 00:10:19,920 --> 00:10:20,320 Speaker 1: better than this. 205 00:10:24,000 --> 00:10:25,800 Speaker 5: I'm just going to go with Wimbledon. 206 00:10:26,520 --> 00:10:29,560 Speaker 1: It's incorrect, and I'm disappointed there. Wimbled is obviously on 207 00:10:29,640 --> 00:10:32,760 Speaker 1: grass and you can hear the hard court, so yeah, 208 00:10:32,800 --> 00:10:35,040 Speaker 1: it's a shame and look but look, that's the nature 209 00:10:35,040 --> 00:10:35,400 Speaker 1: of the game. 210 00:10:36,000 --> 00:10:36,240 Speaker 5: It is. 211 00:10:36,280 --> 00:10:37,640 Speaker 1: I think that's all good time for though. 212 00:10:39,360 --> 00:10:42,000 Speaker 7: One round, really good game, one round only. 213 00:10:44,960 --> 00:10:45,720 Speaker 3: I think your. 214 00:10:45,559 --> 00:10:47,680 Speaker 5: Intro music is better than that game. 215 00:10:48,000 --> 00:10:52,600 Speaker 1: Yeah, that's fair, that's fair. Thanks so much for joining us. 216 00:10:52,720 --> 00:10:55,640 Speaker 1: It's always good to talk to you. Brand new gear, there, 217 00:10:55,720 --> 00:10:58,240 Speaker 1: new single, come on with Travis Bark friend Blink one 218 00:10:58,400 --> 00:11:01,120 Speaker 1: two fans out there, get around it always good to 219 00:11:01,160 --> 00:11:02,599 Speaker 1: have you on the show mate. Good luck with the 220 00:11:02,640 --> 00:11:03,960 Speaker 1: aris and thanks for joining us. 221 00:11:03,960 --> 00:11:05,080 Speaker 4: Man, Thank you guys. 222 00:11:05,120 --> 00:11:05,800 Speaker 5: Good to chet up. 223 00:11:05,840 --> 00:11:08,400 Speaker 2: To see what you're hearing, find us on Instagram and 224 00:11:08,480 --> 00:11:10,200 Speaker 2: Facebook search Will and Woody