1 00:00:01,080 --> 00:00:05,320 Speaker 1: Welcome to fearlessly Failing Hot Seat. In this EPP, I 2 00:00:05,400 --> 00:00:09,360 Speaker 1: fire rapid questions at one of our fearlessly failing guests. 3 00:00:10,320 --> 00:00:11,760 Speaker 2: PS. I'm gonna be honest with you. 4 00:00:11,800 --> 00:00:13,800 Speaker 1: I'm not so good at the rapid part. I get 5 00:00:13,840 --> 00:00:17,200 Speaker 1: too intrigued by the awesome answers. Now a new EPP 6 00:00:17,239 --> 00:00:20,960 Speaker 1: is going to drop every Wednesday, so enjoy this shorter 7 00:00:21,079 --> 00:00:24,520 Speaker 1: style episode of fearlessly Failing Hot Seat. 8 00:00:27,560 --> 00:00:31,760 Speaker 2: So welcome to the hot seat. My guess introduced themselves. 9 00:00:31,760 --> 00:00:32,479 Speaker 2: So what is your name? 10 00:00:32,520 --> 00:00:34,159 Speaker 3: My friend? My name is Stephen Madson. 11 00:00:34,680 --> 00:00:37,560 Speaker 2: Oh you did that with a really nice My name 12 00:00:37,680 --> 00:00:38,040 Speaker 2: is Lake. 13 00:00:38,120 --> 00:00:39,720 Speaker 4: I felt like I was doing a slate on a 14 00:00:39,800 --> 00:00:44,400 Speaker 4: self taken a light agent, you know, Space City. 15 00:00:46,520 --> 00:00:48,360 Speaker 2: Would you say sweet or savory with food? 16 00:00:49,600 --> 00:00:50,640 Speaker 3: Savory? Oh? 17 00:00:50,720 --> 00:00:52,640 Speaker 2: Yeah, because we've been talking about health this whole time. 18 00:00:52,680 --> 00:00:54,840 Speaker 2: What would be like a last meal? 19 00:00:55,440 --> 00:00:58,840 Speaker 4: My last meal would be some sort of Mexican feast, 20 00:00:58,960 --> 00:01:02,360 Speaker 4: probably like a big vegetarian nacho's, like salty things. 21 00:01:02,560 --> 00:01:05,600 Speaker 2: Yeah, okay, that isn't that kind of Oh yeah, you 22 00:01:05,680 --> 00:01:06,120 Speaker 2: like a mug? 23 00:01:06,360 --> 00:01:09,319 Speaker 3: I love a Margie. Yeah, it's a salt thing. 24 00:01:09,920 --> 00:01:13,200 Speaker 2: Well, how do you feel that, miss cal I feel okay. 25 00:01:13,040 --> 00:01:16,400 Speaker 4: About it's probably not the thing I'm rushing to first. Yeah, 26 00:01:16,400 --> 00:01:19,520 Speaker 4: maybe a bit, just a little salt rimmed margarita. 27 00:01:19,600 --> 00:01:22,880 Speaker 2: Oh really for me, I find Margie's too sweet. 28 00:01:23,680 --> 00:01:26,400 Speaker 4: I mean, I guess it's like that kind of lemony, 29 00:01:26,520 --> 00:01:29,440 Speaker 4: limey bitterness, like we don't want it to be too 30 00:01:29,440 --> 00:01:34,240 Speaker 4: sweet either. Yeah, as song as it's like, yeah, more salty, sour, 31 00:01:34,360 --> 00:01:34,959 Speaker 4: that kind of thing. 32 00:01:35,120 --> 00:01:36,000 Speaker 2: Okay, No, that's fair. 33 00:01:36,120 --> 00:01:36,440 Speaker 3: That's fair. 34 00:01:36,480 --> 00:01:39,119 Speaker 2: You're getting be excited for like Christmas and celebrating. 35 00:01:39,200 --> 00:01:41,039 Speaker 3: Like a very Australian summer kind of drink. 36 00:01:41,160 --> 00:01:43,560 Speaker 2: It definitely does. Do you have a favorite. 37 00:01:43,200 --> 00:01:49,000 Speaker 4: City, favorite city to live in or to visit or 38 00:01:49,040 --> 00:01:50,520 Speaker 4: either whatever. 39 00:01:50,280 --> 00:01:52,600 Speaker 2: Feels like, whatever feels good it can be to live 40 00:01:52,640 --> 00:01:53,520 Speaker 2: in can be the visit. 41 00:01:53,840 --> 00:01:56,440 Speaker 4: I mean, I love I love Sydney. Sidney's got like 42 00:01:56,480 --> 00:01:58,200 Speaker 4: a very special place in my heart. But I think 43 00:01:58,240 --> 00:01:59,960 Speaker 4: I probably have to say New York. I just think 44 00:02:00,000 --> 00:02:02,960 Speaker 4: there's something totally magical about New York to us. I think, 45 00:02:03,040 --> 00:02:05,480 Speaker 4: especially as Australians, it's a bit emerald city to us, 46 00:02:06,040 --> 00:02:08,680 Speaker 4: this magical place you've seen in films and you get 47 00:02:08,680 --> 00:02:12,280 Speaker 4: there and you realize, oh, it is exactly that steam 48 00:02:12,360 --> 00:02:15,680 Speaker 4: coming out of the ground and theater and nightlife and 49 00:02:16,200 --> 00:02:19,400 Speaker 4: restaurants open past ten pm, which is an incredible novelty 50 00:02:19,480 --> 00:02:20,480 Speaker 4: for people from Sydney. 51 00:02:20,560 --> 00:02:23,639 Speaker 1: Yeah, they say in New York it's one place where 52 00:02:23,680 --> 00:02:25,440 Speaker 1: you can get whatever you want at any time. 53 00:02:25,600 --> 00:02:28,480 Speaker 4: Yeah, and the city that never sleeps. Yeah, there's that exciting, 54 00:02:28,600 --> 00:02:29,720 Speaker 4: pulsing energy about it. 55 00:02:29,760 --> 00:02:32,760 Speaker 2: Oh so good. It's so good. But you do come back, like, 56 00:02:33,440 --> 00:02:34,919 Speaker 2: because I live in LA and I do a few 57 00:02:35,000 --> 00:02:37,360 Speaker 2: New York cripts, you come back kind of exhausted. Ye, 58 00:02:37,520 --> 00:02:39,120 Speaker 2: you're not like, wow, that was a holiday. 59 00:02:39,480 --> 00:02:41,200 Speaker 4: Yeah, I've only ever, I think the most simmer I've 60 00:02:41,200 --> 00:02:43,760 Speaker 4: spent there was about three weeks. That's so only ever, 61 00:02:43,880 --> 00:02:47,079 Speaker 4: you know, had little chunks and you can you can 62 00:02:47,160 --> 00:02:49,880 Speaker 4: stay up late and be living your best holiday life 63 00:02:49,960 --> 00:02:51,799 Speaker 4: three weeks. Maybe if you lived there for several years, 64 00:02:51,800 --> 00:02:53,079 Speaker 4: you'd feel a bit differently about it. 65 00:02:53,160 --> 00:02:54,560 Speaker 3: It's just totally magical to me. 66 00:02:54,639 --> 00:02:58,280 Speaker 2: Oh good bagels too, So okay. What about nature spots? 67 00:02:59,160 --> 00:03:05,200 Speaker 4: Nature spots, I'd probably say again, boyingly where I grew up, 68 00:03:05,240 --> 00:03:08,120 Speaker 4: Northern Beaches, it's just so beautiful. But then when I 69 00:03:08,160 --> 00:03:11,640 Speaker 4: think when I think of nature, I think actually of 70 00:03:11,680 --> 00:03:14,960 Speaker 4: New Zealand And, like South Island, New Zealand. I think 71 00:03:15,000 --> 00:03:17,440 Speaker 4: because my mum's family comes from Norway as well, so 72 00:03:17,440 --> 00:03:21,960 Speaker 4: there's something Norway is geographically quite similar to New Zealand 73 00:03:22,040 --> 00:03:26,720 Speaker 4: with those incredibly the mountains and yeah, very Tolkien kind 74 00:03:26,800 --> 00:03:31,600 Speaker 4: of fjords and deep clear fresh water and you know, 75 00:03:31,800 --> 00:03:34,680 Speaker 4: snowcaped mountains and that sort of thing speaks to my 76 00:03:34,920 --> 00:03:35,720 Speaker 4: soul in some way. 77 00:03:35,800 --> 00:03:38,200 Speaker 3: So probably New Zealand Norway that kind of thing. 78 00:03:38,720 --> 00:03:40,520 Speaker 2: This is a weird tangent. 79 00:03:40,560 --> 00:03:43,600 Speaker 1: But there's an amazing health retreat in Queenstown called a 80 00:03:43,720 --> 00:03:44,880 Speaker 1: Roha and. 81 00:03:45,040 --> 00:03:47,520 Speaker 2: If you ever and it's all plant based. 82 00:03:47,840 --> 00:03:51,000 Speaker 1: Oh yeah, and you high can do yogs and get massages, 83 00:03:51,040 --> 00:03:54,240 Speaker 1: hot cold therapy. You should totally treat yourself one day. 84 00:03:54,360 --> 00:03:57,880 Speaker 2: It's really good. Right after Alley, I reckon, Okay, this 85 00:03:57,920 --> 00:03:59,800 Speaker 2: is a hard one, but what is a quality about 86 00:03:59,840 --> 00:04:01,120 Speaker 2: your self that you really like? 87 00:04:02,240 --> 00:04:05,880 Speaker 4: A passion? My passion. I think I'm a very passionate 88 00:04:05,920 --> 00:04:09,040 Speaker 4: person about a lot of things. But it's always something 89 00:04:09,040 --> 00:04:11,119 Speaker 4: I've liked about myself ever since I was a little kid. 90 00:04:11,280 --> 00:04:16,120 Speaker 4: So that I felt intensely passionate about things. Oh that's cool, 91 00:04:16,160 --> 00:04:17,440 Speaker 4: and acting is included in that. 92 00:04:17,520 --> 00:04:18,279 Speaker 3: I just love it. 93 00:04:18,400 --> 00:04:20,840 Speaker 2: If you could list your top three passions. What would 94 00:04:20,839 --> 00:04:22,599 Speaker 2: they be Acting? 95 00:04:22,960 --> 00:04:28,280 Speaker 4: Yeah, probably acting, like reading books, It's always been a 96 00:04:28,360 --> 00:04:31,880 Speaker 4: huge part of my life. And then I think probably 97 00:04:31,920 --> 00:04:35,640 Speaker 4: like psychology. I guess that's lead to acting. But understanding people. 98 00:04:35,400 --> 00:04:37,320 Speaker 2: Like human behavior. Yeah, that's cool. 99 00:04:37,480 --> 00:04:39,719 Speaker 3: Just fascinated by humans and what's not to be for 100 00:04:39,760 --> 00:04:39,960 Speaker 3: you know. 101 00:04:40,040 --> 00:04:41,680 Speaker 1: Yeah, I mean it's pretty good that you've got that 102 00:04:41,800 --> 00:04:43,040 Speaker 1: fascination if you're an actor. 103 00:04:43,240 --> 00:04:47,040 Speaker 4: Yeah, just so good picking apart behaviors, Yeah, observing people. 104 00:04:47,080 --> 00:04:48,880 Speaker 4: I think that's a lot of actors would have that 105 00:04:48,920 --> 00:04:51,400 Speaker 4: same sort of thing. We're just drawn to people. 106 00:04:51,680 --> 00:04:54,880 Speaker 1: Yeah, you just mentioned reading, So do you have a 107 00:04:54,920 --> 00:04:57,359 Speaker 1: book that you would recommend to the listeners? Can be 108 00:04:57,400 --> 00:04:59,039 Speaker 1: a favor or just something you've read recently. 109 00:05:00,600 --> 00:05:04,919 Speaker 4: I love David Mitchell, who wrote Cloud Outless. Yeah, like 110 00:05:04,960 --> 00:05:08,359 Speaker 4: The Bone Clocks, Ghost written all those books. All of 111 00:05:08,400 --> 00:05:11,760 Speaker 4: his books are incredibly different, but they often feature characters 112 00:05:11,760 --> 00:05:15,680 Speaker 4: that overlap. It's like a literary cinematic universe kind of thing, 113 00:05:15,720 --> 00:05:18,080 Speaker 4: where even though they're set in different periods in history 114 00:05:18,120 --> 00:05:20,880 Speaker 4: and written in different styles, there's things that link them 115 00:05:20,920 --> 00:05:21,360 Speaker 4: all together. 116 00:05:21,680 --> 00:05:23,040 Speaker 3: Just think he's a total genius. 117 00:05:23,640 --> 00:05:28,160 Speaker 4: At the moment I'm reading Aaron Daddy Roy's memoir just 118 00:05:28,640 --> 00:05:31,920 Speaker 4: came out a few weeks ago called Mother Mary Comes 119 00:05:31,960 --> 00:05:34,280 Speaker 4: to Me, and it's just a beautiful memoir that I'm 120 00:05:34,839 --> 00:05:36,680 Speaker 4: recommending to people at the moment. She wrote God of 121 00:05:36,720 --> 00:05:39,440 Speaker 4: Small Things from the book or a few years ago. She's 122 00:05:39,480 --> 00:05:42,560 Speaker 4: a great author. But I've sort of intermittently worked at 123 00:05:42,560 --> 00:05:44,520 Speaker 4: a bookshop throughout my career, so. 124 00:05:44,480 --> 00:05:45,159 Speaker 3: I read a lot. 125 00:05:45,400 --> 00:05:48,640 Speaker 2: That's a fun job, Like, that's fun as it. 126 00:05:48,640 --> 00:05:50,799 Speaker 3: Is a bookshop. It is an independent bookshop. 127 00:05:50,920 --> 00:05:53,680 Speaker 1: Oh yeah, there's one in Lost Fearless when you've got 128 00:05:53,720 --> 00:05:56,560 Speaker 1: a shadowst Point bookshop. 129 00:05:56,600 --> 00:05:59,560 Speaker 3: It's a beautiful little bookshop, nice Sydney on McClay Street. 130 00:06:00,320 --> 00:06:03,159 Speaker 1: If you go to Los Angeles, there's a really good 131 00:06:03,160 --> 00:06:06,560 Speaker 1: one on Hillhurst Ab in Los Pheelers and it's got 132 00:06:06,560 --> 00:06:08,480 Speaker 1: a free in the middle of the bookstore. 133 00:06:09,400 --> 00:06:10,600 Speaker 2: Yeah, it's really good. 134 00:06:10,640 --> 00:06:13,080 Speaker 1: And then downtown is the last bookstore, which is like 135 00:06:13,400 --> 00:06:15,320 Speaker 1: you're on the set of Harry Potter the whole time, 136 00:06:15,400 --> 00:06:17,880 Speaker 1: and there's like you go into the crime fiction area 137 00:06:17,920 --> 00:06:21,440 Speaker 1: and it's like red and dark and scary and there's 138 00:06:21,480 --> 00:06:22,920 Speaker 1: like spooky things hanging from the sea. 139 00:06:23,880 --> 00:06:24,080 Speaker 2: Yeah. 140 00:06:24,560 --> 00:06:25,719 Speaker 3: I feel like one of those. 141 00:06:25,600 --> 00:06:27,800 Speaker 4: People who's like you go to a new place and 142 00:06:27,800 --> 00:06:29,880 Speaker 4: you immediately just scope out where the bookshelves are. 143 00:06:29,920 --> 00:06:32,159 Speaker 1: Oh okay, the ballet is for you, because there's like 144 00:06:32,200 --> 00:06:33,200 Speaker 1: bookstores just for. 145 00:06:33,240 --> 00:06:35,520 Speaker 2: Old scripts, great. 146 00:06:35,440 --> 00:06:39,040 Speaker 1: Like and just dedicated to like for cinophiles, like, yeah, 147 00:06:39,160 --> 00:06:39,640 Speaker 1: so fun. 148 00:06:39,760 --> 00:06:41,840 Speaker 3: It's like in New York the theater bookshop and. 149 00:06:42,440 --> 00:06:44,880 Speaker 2: Yeah yeah yeah yeah yeah yeah yeah, that's so good. 150 00:06:45,720 --> 00:06:48,320 Speaker 2: This isn't a fair question to ask an actor, but 151 00:06:48,440 --> 00:06:50,240 Speaker 2: I can't have you on without asking you. Do you 152 00:06:50,279 --> 00:06:52,360 Speaker 2: have a favorite movie? And you can have top three 153 00:06:52,400 --> 00:06:53,080 Speaker 2: if you need it? 154 00:06:53,240 --> 00:06:56,240 Speaker 4: Do I have a favorite movie? I've got I've got 155 00:06:56,240 --> 00:06:58,479 Speaker 4: a lot of favorite movies. It's sort of it's hard 156 00:06:58,480 --> 00:06:59,200 Speaker 4: to name a face. 157 00:06:59,400 --> 00:07:02,240 Speaker 2: I know you can give every actor is like I 158 00:07:02,279 --> 00:07:03,320 Speaker 2: need three. 159 00:07:03,120 --> 00:07:07,720 Speaker 4: Okay, Melancholia, last one trio, I just absolutely love it. 160 00:07:09,120 --> 00:07:10,680 Speaker 3: Probably Vertigo Hitchcock. 161 00:07:11,400 --> 00:07:13,440 Speaker 2: I haven't seen it, but loves just such. 162 00:07:13,280 --> 00:07:15,240 Speaker 4: An one of those films that was really important to 163 00:07:15,240 --> 00:07:17,440 Speaker 4: me as a young person, the first thing that probably 164 00:07:17,480 --> 00:07:21,320 Speaker 4: just that blew my mind and that gets better every 165 00:07:21,360 --> 00:07:22,440 Speaker 4: time I revisit it. 166 00:07:24,480 --> 00:07:26,320 Speaker 3: And what am I going to say my third? 167 00:07:29,360 --> 00:07:30,600 Speaker 2: It's such a hard question. 168 00:07:30,920 --> 00:07:31,360 Speaker 3: It's hard. 169 00:07:31,400 --> 00:07:36,840 Speaker 4: Maybe the English patient, Oh notice, just intelligent, sprawling, romantic, 170 00:07:37,000 --> 00:07:37,800 Speaker 4: beautifully acted. 171 00:07:38,280 --> 00:07:39,640 Speaker 2: The sort of film I would love to be in, 172 00:07:40,400 --> 00:07:43,560 Speaker 2: so off the back of that, Yeah, do you have 173 00:07:43,600 --> 00:07:44,360 Speaker 2: a favorite play? 174 00:07:45,000 --> 00:07:47,560 Speaker 3: Do I have a favorite play or play? 175 00:07:47,600 --> 00:07:49,200 Speaker 2: Right? If that's too tricky. 176 00:07:50,480 --> 00:07:52,040 Speaker 4: It's funny because I've listened to a few of these 177 00:07:52,080 --> 00:07:55,040 Speaker 4: episodes and the things that come up you think like, oh, yeah, 178 00:07:56,200 --> 00:07:59,520 Speaker 4: you know where you're drawn to these classic it feels 179 00:07:59,520 --> 00:08:00,600 Speaker 4: like almost stereotypical. 180 00:08:00,720 --> 00:08:01,920 Speaker 3: It's just because they're so good. 181 00:08:02,120 --> 00:08:04,600 Speaker 4: You know, I'm thinking about like Macbeth that Ellen Tel said, 182 00:08:04,640 --> 00:08:07,200 Speaker 4: and is there a better play than Macbeth? You know, 183 00:08:07,320 --> 00:08:10,600 Speaker 4: is there a better play than The Crucible or street Car? 184 00:08:12,040 --> 00:08:16,760 Speaker 4: I think these plays are huge during classics for a reason, 185 00:08:16,880 --> 00:08:18,840 Speaker 4: So probably something like that, Like I was in the 186 00:08:18,880 --> 00:08:21,920 Speaker 4: Crucible in high school and just being exposed to that 187 00:08:22,000 --> 00:08:25,119 Speaker 4: kind of writing when you're that age when you're wanting 188 00:08:25,160 --> 00:08:27,160 Speaker 4: to be an actor and you're ready to soak that 189 00:08:27,200 --> 00:08:30,840 Speaker 4: stuff up. The Crucibles are perfect play. It can be 190 00:08:30,920 --> 00:08:34,120 Speaker 4: on in any country at any time. It's immediately relevant. 191 00:08:34,160 --> 00:08:37,600 Speaker 4: The writing is so juicy, the characters are so meady. 192 00:08:37,720 --> 00:08:40,880 Speaker 4: You know, we all know of it, but it's it's great, 193 00:08:41,559 --> 00:08:42,200 Speaker 4: one of the greatest. 194 00:08:42,360 --> 00:08:42,560 Speaker 2: Yeah. 195 00:08:42,600 --> 00:08:43,800 Speaker 3: I love Cloud nine as well. 196 00:08:43,880 --> 00:08:46,720 Speaker 4: It's like yeah, yeah, or in terms of like plays 197 00:08:46,720 --> 00:08:49,079 Speaker 4: I've been to see that I loved. I went and 198 00:08:49,200 --> 00:08:54,360 Speaker 4: saw wolf Hall, the RSC production when it transferred to Broadway. Yeah, 199 00:08:54,880 --> 00:08:57,319 Speaker 4: it's based on these Hillary Mantel books. It's one of 200 00:08:57,320 --> 00:08:59,079 Speaker 4: those plays that's like part one, part two of it 201 00:08:59,400 --> 00:09:02,280 Speaker 4: nights about Thomas Cromwell and the quart of Henry the 202 00:09:02,280 --> 00:09:05,360 Speaker 4: Eighth and going through the first few wives and wow, 203 00:09:05,800 --> 00:09:09,120 Speaker 4: and you know, over we eight hours all up over 204 00:09:09,160 --> 00:09:14,920 Speaker 4: two nights, just so good, you know, sitting as an 205 00:09:14,920 --> 00:09:18,520 Speaker 4: actor in the audience, just lapping up every second of it. 206 00:09:19,240 --> 00:09:20,240 Speaker 3: So that was wonderful too. 207 00:09:20,440 --> 00:09:21,920 Speaker 2: Oh my goodness. I love it. 208 00:09:22,240 --> 00:09:27,000 Speaker 1: I love as well, Like as an actor, that's a 209 00:09:27,040 --> 00:09:30,040 Speaker 1: really good way to feed your passion, you know what 210 00:09:30,080 --> 00:09:33,600 Speaker 1: I mean, Like seeing art, going to the theater, you know, 211 00:09:33,920 --> 00:09:37,000 Speaker 1: going going and seeing plays, going and seeing Like in 212 00:09:37,120 --> 00:09:38,679 Speaker 1: La there are a couple of cool theaters that are 213 00:09:38,720 --> 00:09:41,920 Speaker 1: owned by Quentin Tarantino and they only show stuff on film, 214 00:09:42,120 --> 00:09:44,880 Speaker 1: and you go there and the whole place is filled 215 00:09:44,920 --> 00:09:49,240 Speaker 1: with Cinophiles and it's just like like oh, just the 216 00:09:49,400 --> 00:09:50,960 Speaker 1: energy of the room as well. 217 00:09:51,000 --> 00:09:52,920 Speaker 4: So it's like I was working my way through the 218 00:09:52,960 --> 00:09:55,120 Speaker 4: New York Times one hundred Top Films of the twenty 219 00:09:55,120 --> 00:09:57,200 Speaker 4: first century this year, and you know, kind of filling 220 00:09:57,200 --> 00:09:59,520 Speaker 4: in the little holes and stuff going and revisiting all 221 00:09:59,559 --> 00:10:01,040 Speaker 4: of that amazing work. 222 00:10:01,320 --> 00:10:03,640 Speaker 3: It's a way to feed our artists. You know. 223 00:10:03,720 --> 00:10:05,200 Speaker 4: A friend of mine said this thing to me once 224 00:10:05,200 --> 00:10:07,160 Speaker 4: that I feel like I should share because I loved 225 00:10:07,160 --> 00:10:10,000 Speaker 4: it so much, which was we were talking about, you know, 226 00:10:10,040 --> 00:10:12,240 Speaker 4: the pressure to create work and or what are you doing? 227 00:10:12,280 --> 00:10:14,280 Speaker 4: Are you writing something for yourself? Are you producing something? 228 00:10:14,360 --> 00:10:17,120 Speaker 4: You know, that's a part of that's a big part 229 00:10:17,160 --> 00:10:19,480 Speaker 4: of lots of people's careers, and it's great, But he 230 00:10:19,559 --> 00:10:21,320 Speaker 4: was like, you know what, I actually don't feel that 231 00:10:21,320 --> 00:10:24,199 Speaker 4: compulsion to create when I'm not in work. I feel 232 00:10:24,200 --> 00:10:26,719 Speaker 4: the compulsion to be an audience member. I feel the 233 00:10:26,760 --> 00:10:30,080 Speaker 4: compulsion to take in, you know, I feel the compulsion 234 00:10:30,120 --> 00:10:32,600 Speaker 4: to go and watch other people do their thing on 235 00:10:32,640 --> 00:10:34,520 Speaker 4: stage and let that feed me. I don't need to 236 00:10:34,520 --> 00:10:37,200 Speaker 4: be producing it every second of the day. Actually, we 237 00:10:37,240 --> 00:10:40,400 Speaker 4: need audience members also, people who are going to absorb 238 00:10:40,440 --> 00:10:42,320 Speaker 4: this and think about it and be moved by it. 239 00:10:42,360 --> 00:10:45,960 Speaker 4: And it's always like been something that I've kept in 240 00:10:46,000 --> 00:10:48,200 Speaker 4: my mind of it's as much a part of being 241 00:10:48,200 --> 00:10:50,199 Speaker 4: an artist to also be an audience member. 242 00:10:50,960 --> 00:10:53,840 Speaker 1: Have you heard the Killian Murphy quote, because he's not 243 00:10:53,880 --> 00:10:58,320 Speaker 1: in the Odyssey, the Christopher Nolan movie, and he was 244 00:10:58,360 --> 00:11:00,480 Speaker 1: doing interview and they're like, oh, do you I have Fomo? 245 00:11:00,600 --> 00:11:02,240 Speaker 1: This is the first time you haven't done a Christopher 246 00:11:02,240 --> 00:11:04,080 Speaker 1: Nolan movie in ages is like, no, I have Jomo 247 00:11:04,200 --> 00:11:05,960 Speaker 1: joy of missing out because he goes I get to 248 00:11:06,000 --> 00:11:07,079 Speaker 1: be an audience member. 249 00:11:07,480 --> 00:11:10,280 Speaker 2: Yeah, how wonderful and get to see his work. 250 00:11:10,559 --> 00:11:13,200 Speaker 1: Yeah, as an audience member is like, I am so 251 00:11:13,360 --> 00:11:15,040 Speaker 1: joyful that I get that experience. 252 00:11:15,080 --> 00:11:17,720 Speaker 4: And when you're a fan of these incredible I can't 253 00:11:17,760 --> 00:11:19,560 Speaker 4: wait to watch their work. It's a great way to 254 00:11:19,559 --> 00:11:21,360 Speaker 4: be about your friends too, you know, I can't wait 255 00:11:21,400 --> 00:11:23,720 Speaker 4: to see what they're doing, Yeah, or things you miss 256 00:11:23,760 --> 00:11:26,040 Speaker 4: out on. I can't wait to go and see which 257 00:11:26,080 --> 00:11:27,720 Speaker 4: direction they went in. I can't wait to see the 258 00:11:27,760 --> 00:11:29,240 Speaker 4: actor that got it, what they're going to do with it. 259 00:11:29,360 --> 00:11:29,880 Speaker 3: Can't wait. 260 00:11:30,080 --> 00:11:32,760 Speaker 2: That's such a great That's such a great mentality to 261 00:11:32,800 --> 00:11:34,560 Speaker 2: have too, because I think it's also easy to get 262 00:11:34,640 --> 00:11:37,520 Speaker 2: stuck in comparison of course as an actor, and so 263 00:11:37,559 --> 00:11:39,360 Speaker 2: I think having that like joy of being like, wow, 264 00:11:39,440 --> 00:11:42,360 Speaker 2: let's see what happens and celebrate. 265 00:11:42,400 --> 00:11:44,439 Speaker 4: We got into this because we were fans of these 266 00:11:44,480 --> 00:11:46,920 Speaker 4: things to begin with, and to you know, protect that 267 00:11:47,080 --> 00:11:48,040 Speaker 4: childlike approach to it. 268 00:11:48,120 --> 00:11:50,200 Speaker 3: Of I just love movies, I love plays. 269 00:11:50,280 --> 00:11:52,120 Speaker 4: I love to sit in the theater, whether it's a 270 00:11:52,160 --> 00:11:55,280 Speaker 4: cinema or a you know, a stage theater and be 271 00:11:55,440 --> 00:11:56,080 Speaker 4: taken somewhere. 272 00:11:56,280 --> 00:11:56,679 Speaker 3: Love it. 273 00:11:57,360 --> 00:12:00,480 Speaker 2: How good? Final question, It doesn't matter if you're repeated 274 00:12:00,480 --> 00:12:03,000 Speaker 2: yourself from the long form, but what advice have you 275 00:12:03,000 --> 00:12:05,679 Speaker 2: got for an actor or someone that looks up to you. 276 00:12:06,720 --> 00:12:13,079 Speaker 4: Make a contributions to your super account earlier? I think 277 00:12:13,679 --> 00:12:20,320 Speaker 4: that's my joking, joking advice the answer at all? No, 278 00:12:20,480 --> 00:12:23,480 Speaker 4: I think, you know, retreating a little bit of ground 279 00:12:23,480 --> 00:12:26,400 Speaker 4: from the long form, but just find ways, find ways 280 00:12:26,440 --> 00:12:29,760 Speaker 4: to keep feeling like an artist because it can be tricky. 281 00:12:29,800 --> 00:12:30,680 Speaker 3: The job that we do. 282 00:12:32,040 --> 00:12:34,360 Speaker 4: Our sense of identity is wrapped up in it. And 283 00:12:34,400 --> 00:12:38,200 Speaker 4: so in those times where you're not being selected to 284 00:12:38,240 --> 00:12:39,800 Speaker 4: go and be an actor on a set or on 285 00:12:39,840 --> 00:12:43,880 Speaker 4: a stage, it's finding things that keep you feeling like 286 00:12:43,920 --> 00:12:48,400 Speaker 4: an artist. You know, the great Sydney acting coach lets Chantry, 287 00:12:49,920 --> 00:12:52,440 Speaker 4: you know, stay dangerously inspired, and it's a great piece 288 00:12:52,480 --> 00:12:53,960 Speaker 4: of advice. You know, what do you need to do 289 00:12:54,000 --> 00:12:56,319 Speaker 4: to stay dangerously inspired. What work do you need to 290 00:12:56,320 --> 00:12:59,240 Speaker 4: be engaging in, you know, what little things little practice 291 00:12:59,280 --> 00:13:02,120 Speaker 4: tapes or or like learning bits of scripts that you 292 00:13:02,160 --> 00:13:06,120 Speaker 4: really like, or whether it's writing or you know, having 293 00:13:06,120 --> 00:13:07,640 Speaker 4: a book club or whatever it is that you need 294 00:13:07,679 --> 00:13:10,160 Speaker 4: to do to keep your creative wheels turning and keep 295 00:13:10,200 --> 00:13:12,920 Speaker 4: you feeling like an artist, you know, to stay dangerous inspired. 296 00:13:13,679 --> 00:13:15,080 Speaker 4: Those things help you stay ready. 297 00:13:15,720 --> 00:13:17,400 Speaker 1: I was going to say, it reminds me I always 298 00:13:17,400 --> 00:13:19,760 Speaker 1: come back to the Owen Teel thing, which is readiness 299 00:13:19,840 --> 00:13:22,720 Speaker 1: is always like which I know is a Hamlet quote, 300 00:13:22,720 --> 00:13:25,479 Speaker 1: but like this idea of like, you'll get the opportunity, 301 00:13:25,520 --> 00:13:27,439 Speaker 1: but if you're not ready for it, you can let 302 00:13:27,480 --> 00:13:29,960 Speaker 1: that slip through. And I think, Yeah, if you've got 303 00:13:29,960 --> 00:13:35,280 Speaker 1: that dangerously inspired mentality, you're essentially you're ready and. 304 00:13:35,480 --> 00:13:37,840 Speaker 4: You never know when that opportunity is going to come 305 00:13:37,880 --> 00:13:41,520 Speaker 4: around the corner. And if you if you've decided to 306 00:13:41,520 --> 00:13:43,199 Speaker 4: be an actor, I'm assuming it's because you love it. 307 00:13:43,360 --> 00:13:45,440 Speaker 4: That's that's the only reason to be an actor, because 308 00:13:45,440 --> 00:13:48,560 Speaker 4: it's tough, and if you love it, it's not work, 309 00:13:48,920 --> 00:13:51,480 Speaker 4: you know, staying dangerous inspired doing all of these things, 310 00:13:51,679 --> 00:13:53,400 Speaker 4: it's for enjoyments. 311 00:13:54,000 --> 00:13:55,760 Speaker 3: Love doing it, that's why I do it. 312 00:13:55,760 --> 00:13:58,120 Speaker 4: It's fun for me to get with my actor friends 313 00:13:58,120 --> 00:13:58,959 Speaker 4: and do things. 314 00:13:59,120 --> 00:14:00,720 Speaker 3: That's that's what we all like doing. 315 00:14:01,120 --> 00:14:02,840 Speaker 2: Well, it's been fun to have you on. It's been 316 00:14:02,880 --> 00:14:05,320 Speaker 2: a joy to have you on this joy and I 317 00:14:05,360 --> 00:14:06,880 Speaker 2: can't wait to see what is next for you. You've 318 00:14:06,880 --> 00:14:09,280 Speaker 2: got a fan in me. Thanks so much, and yeah, 319 00:14:09,400 --> 00:14:10,880 Speaker 2: have a wonderful rest of your day. 320 00:14:11,400 --> 00:14:12,040 Speaker 3: Thanks you too.