1 00:00:11,160 --> 00:00:14,240 Speaker 1: Cleary Releases The story behind the album. 2 00:00:14,640 --> 00:00:15,320 Speaker 2: Rumors. 3 00:00:15,400 --> 00:00:18,919 Speaker 3: Its Fleetwood Mac's eleventh studio album. Released in February of 4 00:00:19,040 --> 00:00:22,040 Speaker 3: nineteen seventy seven, It became the band's first number one 5 00:00:22,040 --> 00:00:25,000 Speaker 3: album on the UK Album's Chart. It topped the US 6 00:00:25,079 --> 00:00:29,240 Speaker 3: Billboard two hundred and here in Australia received multi platinum certifications, 7 00:00:29,280 --> 00:00:33,240 Speaker 3: as it did in many other countries. Recorded largely in California, 8 00:00:33,760 --> 00:00:36,680 Speaker 3: the recording sessions took place as the band members were 9 00:00:36,720 --> 00:00:42,080 Speaker 3: dealing with a lot so much breakups. Lots of breakups 10 00:00:42,440 --> 00:00:43,839 Speaker 3: and struggles with drugs. 11 00:00:44,080 --> 00:00:49,400 Speaker 1: Yeah, lots of jealousy going on, a lot of jealousy. Yeah, 12 00:00:49,640 --> 00:00:52,720 Speaker 1: obviously helped the songwriting as well, isn't it clearly? 13 00:00:52,960 --> 00:00:57,000 Speaker 4: Yeah? But at what costs? Yeah, lots of challenges. Mick 14 00:00:57,040 --> 00:00:59,840 Speaker 4: Fleet with the very tall figure. 15 00:00:59,520 --> 00:01:02,000 Speaker 1: There, the drummer of course, from the band talking about 16 00:01:02,000 --> 00:01:03,240 Speaker 1: those challenges in the recording. 17 00:01:03,520 --> 00:01:06,399 Speaker 5: By the time we got to Sacle to start Rumors, 18 00:01:06,720 --> 00:01:08,520 Speaker 5: the roller coaster was in motion. 19 00:01:09,040 --> 00:01:11,200 Speaker 4: The two challenges really, one was. 20 00:01:11,120 --> 00:01:16,160 Speaker 5: A musical challenge and make another Fleetwood Mac album, and 21 00:01:16,240 --> 00:01:23,080 Speaker 5: two was knowing that what was going on personally, which 22 00:01:23,120 --> 00:01:27,440 Speaker 5: was everyone splitting up because Steven Lindsay they were very 23 00:01:27,480 --> 00:01:30,800 Speaker 5: much a couple of basically many ways married although they 24 00:01:30,840 --> 00:01:34,520 Speaker 5: were never married. And John and Chris, who were married. 25 00:01:37,200 --> 00:01:40,119 Speaker 4: What a mess and what a place to start. 26 00:01:40,400 --> 00:01:44,600 Speaker 3: What a mess? Indeed, wasn't I mean it didn't. Lindy 27 00:01:44,680 --> 00:01:46,440 Speaker 3: only ever agreed to be in Fleetwood Mac as long 28 00:01:46,480 --> 00:01:48,560 Speaker 3: as they took Stevie as well. It was the and 29 00:01:48,680 --> 00:01:51,000 Speaker 3: then once they got there, it was like, oh, she's 30 00:01:51,120 --> 00:01:53,520 Speaker 3: really good. I mean we like you. 31 00:01:53,520 --> 00:01:56,840 Speaker 4: Too, but wow, she's awsome. I think she blew them away. Yeah, 32 00:01:56,840 --> 00:01:57,880 Speaker 4: because they were a very different band. 33 00:01:57,880 --> 00:01:59,280 Speaker 1: There were blues band before that, and then all of 34 00:01:59,320 --> 00:02:01,280 Speaker 1: a sudden these two came in and might the more commercial, 35 00:02:01,320 --> 00:02:03,840 Speaker 1: but who have so many problems and issues. 36 00:02:03,920 --> 00:02:06,400 Speaker 4: During the recording between Stadium, lindsay, we. 37 00:02:06,360 --> 00:02:09,000 Speaker 6: Really wondered whether or not we would get through Rumors 38 00:02:10,880 --> 00:02:14,880 Speaker 6: again in this studio, in that room, and there in 39 00:02:14,880 --> 00:02:18,639 Speaker 6: that tiny little room there was you know, five people 40 00:02:18,680 --> 00:02:20,359 Speaker 6: that were totally breaking up. 41 00:02:20,680 --> 00:02:23,600 Speaker 7: Whatever was going on in the band, specifically between the 42 00:02:23,639 --> 00:02:28,480 Speaker 7: two couples very much informed the material and I think 43 00:02:28,520 --> 00:02:31,080 Speaker 7: that was a very great appeal of the album. If 44 00:02:31,160 --> 00:02:36,000 Speaker 7: you look at the success that Rumors enjoyed, I think 45 00:02:36,320 --> 00:02:40,880 Speaker 7: that it goes a little bit beyond the music itself. 46 00:02:41,680 --> 00:02:44,400 Speaker 7: I think a resonance kicks in that has to do 47 00:02:44,480 --> 00:02:47,000 Speaker 7: with the interaction of the people, the whole being greater 48 00:02:47,040 --> 00:02:49,760 Speaker 7: than the sum of the parts. And I think a 49 00:02:49,840 --> 00:02:52,359 Speaker 7: tangible element of that is the fact that you had 50 00:02:52,360 --> 00:02:54,920 Speaker 7: these dialogues shooting back and forth between members of the 51 00:02:54,919 --> 00:02:58,200 Speaker 7: band about things that were happening to all of us 52 00:02:58,360 --> 00:03:00,000 Speaker 7: while we were recording these songs. 53 00:03:01,240 --> 00:03:03,400 Speaker 3: You can and in some of you know, you say videos, 54 00:03:03,440 --> 00:03:07,240 Speaker 3: you can see them. You can see them singing at 55 00:03:07,240 --> 00:03:10,040 Speaker 3: each other like some kind of sing battle. 56 00:03:10,160 --> 00:03:12,280 Speaker 1: I know, yeah, when you see them on stage around 57 00:03:12,280 --> 00:03:14,760 Speaker 1: that time, even since then, and they could see them 58 00:03:14,760 --> 00:03:15,359 Speaker 1: going each other. 59 00:03:16,200 --> 00:03:17,320 Speaker 4: But it's quite scary. 60 00:03:17,440 --> 00:03:20,200 Speaker 3: The thing is that I don't think either of them, 61 00:03:20,240 --> 00:03:23,359 Speaker 3: Lindsay or Stevie, could deny that they were each other's 62 00:03:23,480 --> 00:03:24,720 Speaker 3: musical soulmates. 63 00:03:24,960 --> 00:03:31,320 Speaker 7: Whatever Stevie's music was, somehow I was the soulmate that 64 00:03:31,520 --> 00:03:33,160 Speaker 7: just knew exactly what to do with it. 65 00:03:34,320 --> 00:03:35,360 Speaker 4: And that never went away. 66 00:03:36,640 --> 00:03:41,360 Speaker 7: It just became a little bittersweet in terms of wanting 67 00:03:41,440 --> 00:03:44,280 Speaker 7: to do it. There were times when I had the 68 00:03:44,440 --> 00:03:47,800 Speaker 7: urge not to want to help her, and that's a 69 00:03:47,800 --> 00:03:52,240 Speaker 7: weird thing to admit, but these were the challenging things. 70 00:03:53,000 --> 00:03:54,080 Speaker 4: Peoplere bitter than sweet. 71 00:03:54,160 --> 00:03:56,440 Speaker 3: I think, to be honest, I know how you could 72 00:03:56,520 --> 00:03:57,480 Speaker 3: make that better, but I'm. 73 00:03:57,320 --> 00:03:58,760 Speaker 4: Going to hold it back. Yeah, we've got to hold 74 00:03:58,760 --> 00:04:00,400 Speaker 4: a name. I'm not going to help her out assist 75 00:04:00,480 --> 00:04:01,080 Speaker 4: with your songs. 76 00:04:01,320 --> 00:04:07,280 Speaker 3: Rumors contains a mix of electric and acoustic instrumentation, accented rhythms, 77 00:04:07,360 --> 00:04:11,720 Speaker 3: guitars and keyboards, and of course it's the lyrics concerned 78 00:04:11,760 --> 00:04:14,200 Speaker 3: personal and often troubled relationship. 79 00:04:14,240 --> 00:04:17,080 Speaker 1: Yes, yeah, very sad recently when we lost Christine McVay 80 00:04:17,080 --> 00:04:21,080 Speaker 1: wonderful songwrite a beautiful voice, and her talking about John, 81 00:04:21,160 --> 00:04:24,200 Speaker 1: her former husband at that stage, suggesting rumors and on songwriting. 82 00:04:24,320 --> 00:04:27,719 Speaker 2: We were all writing songs about each other basically, although 83 00:04:27,760 --> 00:04:32,800 Speaker 2: we were unaware of it at the time. All the 84 00:04:32,880 --> 00:04:37,520 Speaker 2: songs were about our own private relationships and our own 85 00:04:37,560 --> 00:04:43,039 Speaker 2: troubled relationships. And I think it was John that suggested 86 00:04:43,760 --> 00:04:46,800 Speaker 2: the name Rumors because we were writing sort of journals 87 00:04:46,800 --> 00:04:50,599 Speaker 2: and diaries about one another in which we hadn't realized. 88 00:04:50,600 --> 00:04:52,400 Speaker 2: So we heard all the songs all strung together. 89 00:04:52,800 --> 00:04:54,640 Speaker 4: Wow, that's a big going on. 90 00:04:55,000 --> 00:04:57,000 Speaker 1: Even after Lindsay was later kicked out of the band, 91 00:04:57,000 --> 00:04:59,640 Speaker 1: he worked, He worked and recorded an album with Christine. 92 00:05:00,000 --> 00:05:02,320 Speaker 1: Two of them work really well together at Christy McVay 93 00:05:02,360 --> 00:05:03,159 Speaker 1: and Lizzie Buckingham. 94 00:05:03,200 --> 00:05:08,800 Speaker 7: Christina and I somehow had a common foundation, even though 95 00:05:09,720 --> 00:05:13,320 Speaker 7: she was trained and I was not, and even though 96 00:05:13,880 --> 00:05:17,880 Speaker 7: her background was in the blues, we had a very 97 00:05:17,920 --> 00:05:22,360 Speaker 7: similar musical sense, of very similar melodic sense in many ways, 98 00:05:22,720 --> 00:05:26,200 Speaker 7: so that we could jam on a guitar and piano 99 00:05:27,120 --> 00:05:30,200 Speaker 7: and it would just spark off. She would play around 100 00:05:30,200 --> 00:05:31,360 Speaker 7: me and I would play around her. 101 00:05:32,520 --> 00:05:35,800 Speaker 3: What an album, as we say, written such personal lyrics, 102 00:05:35,800 --> 00:05:39,480 Speaker 3: everyone writing about each other. But one one track on it, 103 00:05:39,640 --> 00:05:42,719 Speaker 3: the Chain, which is number one on side to lists 104 00:05:42,839 --> 00:05:47,640 Speaker 3: the lot as writers written by Buckingham, Fleetwood, C mcveie, 105 00:05:47,760 --> 00:05:50,520 Speaker 3: John mcveig and Nick's team Effort