1 00:00:00,400 --> 00:00:03,480 Speaker 1: Jump Mission with Jones and Amanda so. 2 00:00:04,160 --> 00:00:07,920 Speaker 2: S A S Australia last night. They got straight into 3 00:00:07,920 --> 00:00:10,120 Speaker 2: it and just set them all on fire. 4 00:00:11,720 --> 00:00:12,720 Speaker 3: What metaphorically? 5 00:00:13,280 --> 00:00:18,240 Speaker 2: No, they were wearing these boiler suits and Aunt Middleton 6 00:00:18,360 --> 00:00:22,079 Speaker 2: poured accelerant I guess all over their backs and then said, 7 00:00:22,280 --> 00:00:23,680 Speaker 2: off you go and run into the creek. 8 00:00:24,320 --> 00:00:25,600 Speaker 3: I have far was the creek away? 9 00:00:26,520 --> 00:00:31,319 Speaker 2: Would I'm bad? I'm bad at distances, but it was 10 00:00:31,360 --> 00:00:32,320 Speaker 2: a little bit of a run. 11 00:00:34,040 --> 00:00:36,800 Speaker 3: Of course. I don't think you'd be needed to be 12 00:00:36,880 --> 00:00:37,280 Speaker 3: told to. 13 00:00:39,320 --> 00:00:43,280 Speaker 2: Be a bit of a stop and get a coffee. 14 00:00:44,760 --> 00:00:46,360 Speaker 2: I'd go at a Dordle. 15 00:00:47,159 --> 00:00:49,960 Speaker 3: Because usually do does S A S go up against 16 00:00:49,960 --> 00:00:51,080 Speaker 3: Merredith first? Doesn't? 17 00:00:51,640 --> 00:00:52,199 Speaker 2: I think every year? 18 00:00:52,320 --> 00:00:55,600 Speaker 1: I don't think it happens because I love S A. S. 19 00:00:55,640 --> 00:00:58,240 Speaker 1: And I love MARRETI first. You can see where why. 20 00:00:58,120 --> 00:00:59,760 Speaker 2: Don't we set brides and grooms on fire? 21 00:01:00,360 --> 00:01:01,000 Speaker 3: There's a show. 22 00:01:01,120 --> 00:01:03,640 Speaker 2: The thing is a lot of people on this show 23 00:01:03,680 --> 00:01:07,800 Speaker 2: are looking for redemption. There's a guy, Richard Butchrose. He's introduced. 24 00:01:07,840 --> 00:01:10,760 Speaker 2: He says, I m at a buttros nephew. I smuggle 25 00:01:10,840 --> 00:01:14,640 Speaker 2: drugs and I was in prison. That's that's his LinkedIn profile. 26 00:01:15,319 --> 00:01:19,800 Speaker 2: That's why he's there. You have Jeff Hugel who says 27 00:01:19,840 --> 00:01:22,080 Speaker 2: he says, I was a swimmer, then I put on 28 00:01:22,120 --> 00:01:25,479 Speaker 2: some weight, and then I tried to get my life 29 00:01:25,520 --> 00:01:28,120 Speaker 2: back in order, and then my wife and I had 30 00:01:28,120 --> 00:01:30,199 Speaker 2: some drugs at the races and my life fell apart. 31 00:01:30,400 --> 00:01:33,160 Speaker 3: And as he lost the wake, I. 32 00:01:32,800 --> 00:01:34,720 Speaker 2: Don't know where it's gone, but it's still there. 33 00:01:34,720 --> 00:01:37,320 Speaker 3: It still looks show a little bit. He has. 34 00:01:37,720 --> 00:01:43,440 Speaker 2: And Wayne Carey, who AFL football player, AFL football commentator 35 00:01:43,800 --> 00:01:47,360 Speaker 2: but probably constantly has to introduce himself as this. I 36 00:01:47,400 --> 00:01:51,200 Speaker 2: hope the public know me from playing AFL footy, but 37 00:01:51,320 --> 00:01:54,080 Speaker 2: they might just know me from the affair with the 38 00:01:54,200 --> 00:01:56,000 Speaker 2: wife my teammate. 39 00:01:55,640 --> 00:01:56,080 Speaker 1: At the time. 40 00:01:56,920 --> 00:01:59,280 Speaker 2: Every time he spoke, he had to say, hello, I 41 00:01:59,320 --> 00:02:02,280 Speaker 2: had an affair with my teammates, so I'm way and 42 00:02:02,280 --> 00:02:04,120 Speaker 2: I had an affair with my teammates wife. 43 00:02:04,240 --> 00:02:06,240 Speaker 1: Have you noticed these days no one has a memory 44 00:02:06,280 --> 00:02:08,240 Speaker 1: for anything. 45 00:02:09,160 --> 00:02:12,600 Speaker 3: Are you still doing that radio show? So why is 46 00:02:12,639 --> 00:02:13,360 Speaker 3: he saying that. 47 00:02:13,240 --> 00:02:15,200 Speaker 2: Well, he has to because that's why he's there, so 48 00:02:15,240 --> 00:02:17,200 Speaker 2: that we go. You know what, I know he had 49 00:02:17,240 --> 00:02:19,320 Speaker 2: an affair with his teammates wife, and he's a good guy. 50 00:02:19,440 --> 00:02:21,120 Speaker 2: They just want to be good guys. And girls, and 51 00:02:21,120 --> 00:02:23,119 Speaker 2: there's a variety of blondes who want to be known 52 00:02:23,120 --> 00:02:25,440 Speaker 2: for more than being blonde. Right, Okay, so there's a 53 00:02:25,480 --> 00:02:28,440 Speaker 2: lot of that they have to, Like, I would rather 54 00:02:28,520 --> 00:02:31,480 Speaker 2: be set on fire than stripped down to my undies. 55 00:02:31,600 --> 00:02:32,000 Speaker 3: They always do. 56 00:02:32,080 --> 00:02:34,960 Speaker 2: Then they have to strip down to their underpants and 57 00:02:35,000 --> 00:02:38,600 Speaker 2: then strip off in front of everyone. It's kind of pixelated, 58 00:02:38,880 --> 00:02:41,320 Speaker 2: but the list they're in their undies until we get 59 00:02:41,320 --> 00:02:42,080 Speaker 2: to Paul Fennick. 60 00:02:42,200 --> 00:02:42,960 Speaker 3: What would poorly do? 61 00:02:43,080 --> 00:02:45,560 Speaker 2: Have a listen, strip everything down to your underwear. 62 00:02:46,040 --> 00:02:48,600 Speaker 3: Go me, We've got a streaker. 63 00:02:49,000 --> 00:02:52,320 Speaker 1: Clearly, a confident individual must be hung like an afghaniac 64 00:02:52,800 --> 00:02:53,040 Speaker 1: or not. 65 00:02:53,560 --> 00:02:56,880 Speaker 3: Holy you said it won't cold. I don't feel them 66 00:02:56,880 --> 00:02:59,480 Speaker 3: made for underwear stuff, clearly true. 67 00:02:59,480 --> 00:03:03,240 Speaker 2: Commando, I'm on a picture of him here. He's got 68 00:03:03,280 --> 00:03:05,200 Speaker 2: like a cumber bund and he has to have that 69 00:03:05,720 --> 00:03:10,840 Speaker 2: so because at the back that's where their microphones go. 70 00:03:11,160 --> 00:03:13,840 Speaker 2: So some poor sound recorders has had to and you 71 00:03:13,840 --> 00:03:16,000 Speaker 2: can see the wire just almost at his bump. 72 00:03:16,840 --> 00:03:20,480 Speaker 3: Ah. Actually the pixels kind of well, the. 73 00:03:20,480 --> 00:03:23,760 Speaker 2: Hard thing is that you are just making problems for 74 00:03:23,800 --> 00:03:26,760 Speaker 2: the post production team who have to blur it all 75 00:03:26,800 --> 00:03:28,960 Speaker 2: out in every scene where he's not wearing undies. 76 00:03:29,160 --> 00:03:31,600 Speaker 3: Pay come and you work in the business. 77 00:03:32,520 --> 00:03:35,280 Speaker 1: The poor pixel guys said, we need some more pixels 78 00:03:35,280 --> 00:03:36,040 Speaker 1: for Paulie. 79 00:03:36,040 --> 00:03:37,360 Speaker 2: One of the things they had to do they had 80 00:03:37,360 --> 00:03:39,840 Speaker 2: to get into a plane fuselage. It had no wings. 81 00:03:39,880 --> 00:03:43,280 Speaker 2: I've flown that airline as well with my meal. 82 00:03:44,160 --> 00:03:46,400 Speaker 3: Welcome to Bonsa. 83 00:03:45,680 --> 00:03:49,240 Speaker 2: And then they submerge it. It would be confronting and 84 00:03:49,280 --> 00:03:50,920 Speaker 2: it tilts to the side. We're going to be talking. 85 00:03:50,960 --> 00:03:54,160 Speaker 2: I think it's tomorrow to Milissic counts and she just 86 00:03:54,240 --> 00:03:56,800 Speaker 2: hates everything. There's some people just cried the whole day. 87 00:03:57,120 --> 00:03:59,240 Speaker 2: What did you think were signed up for? You're not 88 00:03:59,320 --> 00:04:01,040 Speaker 2: going to be tickled with a feather on your back, 89 00:04:01,440 --> 00:04:02,720 Speaker 2: You're going to be submerged. 90 00:04:02,760 --> 00:04:03,520 Speaker 3: Please, I can't do it. 91 00:04:03,840 --> 00:04:06,600 Speaker 1: If I ever if they ever say to me be 92 00:04:06,720 --> 00:04:09,480 Speaker 1: on this show, and I say, yes, can you punch 93 00:04:09,560 --> 00:04:10,720 Speaker 1: me fear in the face. 94 00:04:11,000 --> 00:04:11,840 Speaker 2: Let's roll plane. 95 00:04:12,400 --> 00:04:15,160 Speaker 3: Can you just punch me fear in the face. 96 00:04:15,320 --> 00:04:18,280 Speaker 2: But also you know you're going to getting screamed at. 97 00:04:18,440 --> 00:04:21,880 Speaker 2: You're asked to do strange tasks that aren't natural and 98 00:04:21,920 --> 00:04:24,400 Speaker 2: when you don't do them correctly. For example, if you're 99 00:04:24,440 --> 00:04:27,160 Speaker 2: in a plane and it goes over on its side, submerged, 100 00:04:27,400 --> 00:04:29,920 Speaker 2: and you have to wait till it's stopped moving under 101 00:04:29,960 --> 00:04:32,160 Speaker 2: your seat belt. Take it in turns to go out 102 00:04:32,160 --> 00:04:34,720 Speaker 2: of a certain doorway, get all your duty free, get 103 00:04:34,720 --> 00:04:38,080 Speaker 2: all that and you're still alive. You get abused because 104 00:04:38,120 --> 00:04:39,400 Speaker 2: you went out the wrong door. 105 00:04:39,760 --> 00:04:41,279 Speaker 3: Where did you come out of? 106 00:04:42,279 --> 00:04:43,440 Speaker 2: And where the was you? 107 00:04:43,920 --> 00:04:46,320 Speaker 3: I went out the window, different windows, staff you went up, 108 00:04:46,760 --> 00:04:50,680 Speaker 3: So you both up. You're both dead right now? Not 109 00:04:50,920 --> 00:04:55,200 Speaker 3: your heads? Sorry stuff, maybe sorry. I'll go back to 110 00:04:55,240 --> 00:05:00,960 Speaker 3: our family, tell her that you're useless. You can't get 111 00:05:00,960 --> 00:05:04,400 Speaker 3: her out, and vice versa to the pixel and the 112 00:05:04,400 --> 00:05:04,920 Speaker 3: beep guy. 113 00:05:05,960 --> 00:05:07,520 Speaker 2: They're the two who worked the hardest. 114 00:05:07,560 --> 00:05:09,920 Speaker 3: And that's Aunt Middleton. And we love Aunt Middleton. 115 00:05:09,920 --> 00:05:11,839 Speaker 1: And he's been on our shows many times, and I 116 00:05:11,880 --> 00:05:15,240 Speaker 1: admire him a fair bit. And I asked him last time, 117 00:05:15,320 --> 00:05:16,599 Speaker 1: do you ever get tired of the yelling? 118 00:05:16,680 --> 00:05:18,280 Speaker 3: You get tired of yelling at people? Do you ever 119 00:05:18,279 --> 00:05:19,719 Speaker 3: get to a point and saying, oh, man, I just 120 00:05:19,720 --> 00:05:21,680 Speaker 3: want to soothe I just do. 121 00:05:21,680 --> 00:05:23,680 Speaker 2: You know what? I don't. I'm not a yelly type 122 00:05:23,720 --> 00:05:25,920 Speaker 2: of guy, I believe it or not, but I get 123 00:05:25,960 --> 00:05:28,320 Speaker 2: in the moment as well. You know, I'm reliving the 124 00:05:28,360 --> 00:05:29,080 Speaker 2: moment with them. 125 00:05:29,200 --> 00:05:31,960 Speaker 1: I suppose he must have been in the moment eye contacts. 126 00:05:32,040 --> 00:05:34,240 Speaker 3: I want to see your eyes so I can tell 127 00:05:34,279 --> 00:05:37,359 Speaker 3: you what to do. He's not a yell you know what. 128 00:05:37,400 --> 00:05:39,320 Speaker 2: I don't. I'm not a yelly type of guy. I 129 00:05:39,320 --> 00:05:41,520 Speaker 2: believe it or not. Really one of. 130 00:05:41,480 --> 00:05:46,599 Speaker 1: You pant guess what fail get out my sight. 131 00:05:47,120 --> 00:05:48,679 Speaker 2: In the midst of that you have. I'm wine, Carrie, 132 00:05:48,760 --> 00:05:51,520 Speaker 2: I slept with my teammate's wife. 133 00:05:52,560 --> 00:05:55,320 Speaker 3: And there's a man's standing on fire drinking cope. 134 00:05:57,360 --> 00:05:58,640 Speaker 2: Anyone up for a movie. 135 00:06:00,080 --> 00:06:00,800 Speaker 3: Are on fire? 136 00:06:01,240 --> 00:06:02,240 Speaker 2: Thank you? 137 00:06:02,279 --> 00:06:03,320 Speaker 3: What a great show. 138 00:06:03,960 --> 00:06:05,680 Speaker 2: Jonesy and Amanda's gamation