WEBVTT - RODGER CORSER - THE FLOOR - CHANNEL NINE

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload, the podcast last week Their Life. Hey guys,

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<v Speaker 1>welcome back to TV Reload. My name is Benjamin Norris

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<v Speaker 1>and I want to thank you for clicking on my

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<v Speaker 1>podcast today where I go behind the scenes with the

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<v Speaker 1>biggest players in Australian television. This week, I'm joined by

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<v Speaker 1>the one and only Roger Corser, a name you would

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<v Speaker 1>definitely recognize from say Doctor, Doctor, Underbelly and pretty much

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<v Speaker 1>every major Australian drama that has been made over the

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<v Speaker 1>last two decades. He is a powerhouse in scripted television,

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<v Speaker 1>but more recently we have seen him take the leap

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<v Speaker 1>into the world of TV hosting. You might remember him

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<v Speaker 1>as the mysterious front man of The Traders, where let's

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<v Speaker 1>be honest, he was playing more of a character than

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<v Speaker 1>just being Roger Corser. But in Channel nine's new primetime

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<v Speaker 1>game show The Floor, we're finally seeing the real Roger

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<v Speaker 1>and it turns out that was a bit of a

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<v Speaker 1>challenge for him. Now, if you're wondering how The Floor works,

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<v Speaker 1>here's the gist. Eighty one contestants stand on a massive

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<v Speaker 1>led grid, each occupying a square representing their area of

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<v Speaker 1>trivial expertise. In each round, a contestant is randomly selected

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<v Speaker 1>to challenge a neighbour's player in the neighbour's specialty. They

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<v Speaker 1>face off in a rapid fire forty five second duel,

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<v Speaker 1>answering visually based questions. The winner claims the losers square

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<v Speaker 1>and category, expanding their territory, the ultimate goal being to

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<v Speaker 1>conquer the entire floor and take home a grand prize

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<v Speaker 1>of two hundred thousand dollars. In our chat today, Roger

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<v Speaker 1>opens up about the shift from being an actor to

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<v Speaker 1>a presenter and a very different way audiences seem to

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<v Speaker 1>perceive you. In each of those roles. We'll also get

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<v Speaker 1>the scoop on filming the Floor in Amsterdam, why they

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<v Speaker 1>took so many Australians across the globe, and how the

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<v Speaker 1>hell that even seemed to work logistically. Plus, we will

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<v Speaker 1>hear Roger's thoughts on Roblow, who hosted the US version,

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<v Speaker 1>and whether or not he felt the pressure of stepping

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<v Speaker 1>into those very polished shoes. So guys, sit back and

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<v Speaker 1>relax and enjoy as we dive into the wild, wonderful

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<v Speaker 1>and slightly chaotic world of the Floor with Roger Corser.

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<v Speaker 2>Benjamin, Hi, mate, how are you very good?

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<v Speaker 3>I'm in my son's room and it's away from the

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<v Speaker 3>school holidays, you see, so there's there's a ruckus downstairs.

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<v Speaker 3>So I thought I'd find a corner of the house

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<v Speaker 3>that might be a little bit more quiet.

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<v Speaker 1>I remember once Hughesy was doing one of these chats

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<v Speaker 1>and he had the kids home from school holidays. But

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<v Speaker 1>he had to run away because there was an incident

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<v Speaker 1>and it turned out one of his kids had put

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<v Speaker 1>the toaster in the kitchen underneath like a shelf, which

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<v Speaker 1>had basically set to his kitchen.

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<v Speaker 2>And he continued to the interview.

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<v Speaker 1>He stayed doing the interview because I mean, you've would

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<v Speaker 1>have met Dave hughes over the years. I mean, he's committed.

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<v Speaker 1>He will give you the content, you know what I mean.

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<v Speaker 1>So he's he's sitting there rabbiting on about I don't

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<v Speaker 1>know what shoul it was. It was Hughesy, we have

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<v Speaker 1>a problem, yeah, rat choe, but yeah he was his house.

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<v Speaker 1>Now he burned down, and he let it happen just

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<v Speaker 1>to talk.

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<v Speaker 2>I mean, I'd probably say can I call you back?

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<v Speaker 2>That my kids, my kids might be slightly threatened. But

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<v Speaker 2>I'll tell you what. He's committed to promoting a show,

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<v Speaker 2>isn't he? Yeah.

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<v Speaker 1>Absolutely, I'm so excited to have this chat with you

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<v Speaker 1>because I am so invested in this show. I watched

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<v Speaker 1>it with my best friend and we became so competitive

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<v Speaker 1>because this show is so interactive, like nothing we've ever

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<v Speaker 1>seen before. Talk to me about how this came across

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<v Speaker 1>your desk.

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<v Speaker 3>I'd actually heard about it coming out through my publicist actually,

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<v Speaker 3>and you know, she'd heard about the US version the

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<v Speaker 3>robb Blow hosts, and she actually gave me a heads

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<v Speaker 3>up and said, why didn't you see who's doing it?

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<v Speaker 2>We didn't even know that Nima was doing it, so

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<v Speaker 2>we made I made some inquiries through my agent and

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<v Speaker 2>they asked me questions and we.

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<v Speaker 3>Found out so we actually, I want to say it

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<v Speaker 3>wasn't chasing, but it was just like, oh that could

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<v Speaker 3>be interesting because I think after doing you know, doing

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<v Speaker 3>The Traders, and I mean it was nine that first

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<v Speaker 3>got me onto just a feeling today extra, which was

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<v Speaker 3>sort of you know, sort of got me into oh, okay,

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<v Speaker 3>maybe I can do something.

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<v Speaker 2>It's different to acting on the Telly.

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<v Speaker 3>So so yeah, it's just a bit more open to

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<v Speaker 3>maybe presenting shows.

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<v Speaker 2>You know, some of the acting work was getting a

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<v Speaker 2>little slower.

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<v Speaker 3>And still, I mean, I'm just in a different category

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<v Speaker 3>now that I'm over fifty, so you know that work

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<v Speaker 3>is in, you know, there's not as much of it

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<v Speaker 3>right now for me at the moment, so you just

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<v Speaker 3>sort of open up and look at look a different thing.

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<v Speaker 3>So so, yeah, I'd heard about it and I was interested,

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<v Speaker 3>and then you know, they had some other people in mind,

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<v Speaker 3>and then we started chatting and eventually I think I

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<v Speaker 3>went through a couple of meetings and we all sort

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<v Speaker 3>of spoke about what, you know, where the show was sitting,

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<v Speaker 3>and I kind of liked it. I'm a dad, and

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<v Speaker 3>it's a good you know, it's it's broad in a

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<v Speaker 3>great way. Sometimes people can use the word broad as

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<v Speaker 3>it's too broad. It doesn't sort of hit one genre

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<v Speaker 3>or anything. I think the fact that this is something

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<v Speaker 3>your primary school kids can kick your butt in a category.

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<v Speaker 3>Or you can have someone with four degrees, you know,

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<v Speaker 3>university degrees, you know, excel in something, and then someone

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<v Speaker 3>who just throlls their phone, you know, for all.

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<v Speaker 2>Their information excel as well.

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<v Speaker 3>Any any sort of walk of life can find their

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<v Speaker 3>category that they're good at.

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<v Speaker 1>But sometimes you hear oh, you see a category coming up,

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<v Speaker 1>and you go, oh, I can't wait for eighties movies,

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<v Speaker 1>and you think, yeah, that's what I'm going to be

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<v Speaker 1>really good at. But I found that some of the

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<v Speaker 1>categories that I thought I'd have absolutely no shot whatsoever,

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<v Speaker 1>I would beat my best mate, who is the smartest

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<v Speaker 1>person I know. She's a female engineer. I've never been

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<v Speaker 1>smarter in a room with her ever, except some categories

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<v Speaker 1>of the floor.

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<v Speaker 2>You're welcome, you know what I mean.

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<v Speaker 3>I thought we're here to boost people's ego, make them,

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<v Speaker 3>you know, walk away from the show and go I

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<v Speaker 3>feel a little better about myself, you know.

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<v Speaker 2>But it's great. It's a great leveler. I've said this

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<v Speaker 2>before about the show.

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<v Speaker 3>We had the periodic table on as one of our categories,

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<v Speaker 3>and people avoided it, like the play was so scared

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<v Speaker 3>of it. And we were saying in production that, well,

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<v Speaker 3>you know, we're not going to be asking really the

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<v Speaker 3>super you know, in depth questions about period of table.

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<v Speaker 3>I think, just go and basically learn learn the period

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<v Speaker 3>of table, which is finite.

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<v Speaker 2>It's finite. It's basically if you could just go in

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<v Speaker 2>in one night or two nights kind of learn eighty

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<v Speaker 2>percent of it.

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<v Speaker 3>You probably do pretty well as opposed to the person

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<v Speaker 3>who is very science based knowing nothing about pop culture.

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<v Speaker 2>And then where do you start with the celebrity.

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<v Speaker 3>Couples if you have no prior prior knowledge, I mean,

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<v Speaker 3>where do you start?

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<v Speaker 2>Where do you end?

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<v Speaker 3>Like I think that's a harder thing if you have

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<v Speaker 3>no sort of pop culture references. Where you start is

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<v Speaker 3>harder learn than some of the other ones. And the

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<v Speaker 3>one let's just go and do you know this for dummies?

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<v Speaker 3>You know, you go and pick up the Geography for

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<v Speaker 3>Dummies or something like that and go, well, I could

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<v Speaker 3>probably do a lot. You do do a lot to

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<v Speaker 3>do it at least help myself, you know, in one

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<v Speaker 3>night with capital cities or something like that, because you're

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<v Speaker 3>going to know a.

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<v Speaker 2>Few just to sort of top up. Because the X

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<v Speaker 2>factor here is that you.

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<v Speaker 3>Could have two people that it isn't there that the

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<v Speaker 3>category has been passed down because you know, someone lost it.

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<v Speaker 3>You know it's been passed down, and so you've got

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<v Speaker 3>two people it's not their number one choice.

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<v Speaker 2>So you're equally got like novices at it. So a

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<v Speaker 2>little bit of study. You know you can you can

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<v Speaker 2>get on, you can get on quite well.

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<v Speaker 1>I started screaming about like pick the ones that are

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<v Speaker 1>left of center, like do you know what I mean?

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<v Speaker 1>Like pick the ones that are like babies, because they're

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<v Speaker 1>really basic. Like you started off thinking I don't want

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<v Speaker 1>to do babies. I don't even have any children, So

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<v Speaker 1>I was like, I can't do that one. But then

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<v Speaker 1>babies was a category that I could actually do. It

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<v Speaker 1>was bizarre.

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<v Speaker 3>Yeah, we at the kitchen draw was the one that

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<v Speaker 3>when I saw that, I thought that was absolutely anything.

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<v Speaker 2>You know, they just throw absolutely anything in there.

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<v Speaker 3>I mean, and the pressure of having to do it

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<v Speaker 3>up there, you know, under all the studio lights, and

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<v Speaker 3>we've got you know, eighty one contestants.

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<v Speaker 2>When we start, We've got a studio audience as well.

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<v Speaker 3>Some people who you know probably spoke, you talked a

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<v Speaker 3>good game, you know. I want to chat to everyone

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<v Speaker 3>on the floor, you know, and not all that made

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<v Speaker 3>that and made it. But I'm to the final cut,

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<v Speaker 3>but I'm having the conversations in between and getting to

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<v Speaker 3>know people, and they certain amounts of that. Some people

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<v Speaker 3>were super confident, super cocky, I mean, perhaps to try

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<v Speaker 3>and throw people off and intimidate other people and did

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<v Speaker 3>they get up there?

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<v Speaker 2>And you know, basically think about our game.

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<v Speaker 3>If you don't know what passed straight away, you know

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<v Speaker 3>and gone to something else. But people forget that one

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<v Speaker 3>thing and well I'm and r for ten plus seconds

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<v Speaker 3>just draining there.

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<v Speaker 2>Why it's just doesn't matter how much you know you did.

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<v Speaker 3>We've hit the one you know, the one spot, you know,

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<v Speaker 3>blind spot in your knowledge of this category. And because

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<v Speaker 3>you're desperate to get the right answer out, you won't

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<v Speaker 3>pass quickly. And then some people let fifteen seconds go

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<v Speaker 3>past and then they're shot.

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<v Speaker 1>You like, why would you do that to yourself? Did

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<v Speaker 1>you watch the Rob Low version? Because you know what

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<v Speaker 1>I did was that I watched the Roger cors version first,

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<v Speaker 1>and then I went to the Rob Low version, which

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<v Speaker 1>I think will be strange for people to hear. But

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<v Speaker 1>because I wasn't really that, I wasn't as drawn to

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<v Speaker 1>this idea and this concept as much. When I liked

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<v Speaker 1>this Australian version, I needed to go and see the

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<v Speaker 1>Rob Loan version.

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<v Speaker 2>Yeah.

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<v Speaker 3>Well, I mean, you know, hit the job and I mean,

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<v Speaker 3>I tell you what, he's a very attractive sixty year

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<v Speaker 3>old man you got to say.

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<v Speaker 2>I mean, I'm tend almost a decade behind him, and.

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<v Speaker 1>Roger, you sound a bit like him. This is going

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<v Speaker 1>to sound strange because he's obviously a really accent, but

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<v Speaker 1>there's times of your intonation of your voice where I'm like,

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<v Speaker 1>that's kind of because Rob Low, you can't help a

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<v Speaker 1>kind of you know, we've been watching him in movies

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<v Speaker 1>for years. I'm forty five, so like he kind of

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<v Speaker 1>has this way of talking. Anyway, I started looking at

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<v Speaker 1>it and being like, I think Roger Corsa is one

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<v Speaker 1>hundred percent the Australian version of Rob Low.

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<v Speaker 2>Well, you know, you know, he's had a great career.

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<v Speaker 2>I like that half of his career, but thank you,

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<v Speaker 2>but he does a great job.

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<v Speaker 3>We had we look, we had some We have one

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<v Speaker 3>of the same producers on.

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<v Speaker 2>The show can come over and help help us out.

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<v Speaker 3>Just with the format, it's a pretty fast paced sort

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<v Speaker 3>of show with lots of moving parts and lots of people.

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<v Speaker 3>You know, there's a little bit of people wrangling and involved,

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<v Speaker 3>and the jewels go past pretty quickly and obviously there's

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<v Speaker 3>got to be someone there giving the tick all the

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<v Speaker 3>cross so there's a lot of moving parts going on

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<v Speaker 3>in the production you know, sort of in the with

0:10:04.400 --> 0:10:06.280
<v Speaker 3>the production team, and it was a little bit of

0:10:06.320 --> 0:10:08.199
<v Speaker 3>a learning curve for me to sort of get amongst

0:10:08.200 --> 0:10:11.319
<v Speaker 3>this sort of crazy kind of live you know, shiny.

0:10:11.240 --> 0:10:15.000
<v Speaker 2>Game show kind of format. But I enjoyed it.

0:10:15.040 --> 0:10:17.320
<v Speaker 3>I enjoyed it in the end, and I definitely sort

0:10:17.320 --> 0:10:20.400
<v Speaker 3>of warmed into feeling more comfortable on stage. I sort

0:10:20.400 --> 0:10:23.240
<v Speaker 3>of just you know, by about halfway through is I

0:10:23.240 --> 0:10:24.960
<v Speaker 3>started to just really sort of find my feet.

0:10:25.040 --> 0:10:26.720
<v Speaker 1>I just love it when they get they can't guess

0:10:26.800 --> 0:10:29.319
<v Speaker 1>the answers that you are the answer. It's always funny

0:10:29.320 --> 0:10:32.000
<v Speaker 1>because I always think, you know, like under Belly, this

0:10:32.120 --> 0:10:34.920
<v Speaker 1>is a promo, so like, forgive me channel nine. I'm

0:10:34.920 --> 0:10:37.120
<v Speaker 1>not giving this away, but I think it's it's on

0:10:37.200 --> 0:10:39.800
<v Speaker 1>TV at the moment. But someone under Belly wrong. Oh my,

0:10:40.160 --> 0:10:44.200
<v Speaker 1>that show is so goddamn iconic. Like one that doesn't

0:10:44.200 --> 0:10:48.840
<v Speaker 1>get that show needs to be immediately eliminated because that's.

0:10:50.320 --> 0:10:51.160
<v Speaker 2>You just dropped your right.

0:10:51.160 --> 0:10:55.000
<v Speaker 3>You're forty five and fifty two, and you know, I've

0:10:55.040 --> 0:10:57.520
<v Speaker 3>got I've got a twenty two year old daughter and

0:10:57.520 --> 0:11:00.640
<v Speaker 3>a fifteen year old son, and you know, at thirteen

0:11:00.679 --> 0:11:04.040
<v Speaker 3>and down to nine, but you know, for the twenty

0:11:04.200 --> 0:11:06.520
<v Speaker 3>two year old under it was eighteen years ago, there

0:11:06.520 --> 0:11:11.440
<v Speaker 3>were four you know, so I mean for anyone between

0:11:11.559 --> 0:11:14.720
<v Speaker 3>maybe twenty and thirty, a big chunk of television viewers

0:11:14.840 --> 0:11:17.880
<v Speaker 3>or you know, people who were watching media in some form,

0:11:18.240 --> 0:11:21.640
<v Speaker 3>it's an whole show. It's like me thinking about you know,

0:11:21.760 --> 0:11:24.880
<v Speaker 3>a nineen sixties cop show that were like homicide or

0:11:24.880 --> 0:11:25.520
<v Speaker 3>something like that.

0:11:25.559 --> 0:11:27.040
<v Speaker 2>You know that we made so.

0:11:27.000 --> 0:11:28.920
<v Speaker 3>Then and there would have been released reruns of that

0:11:29.280 --> 0:11:31.400
<v Speaker 3>on a Telly where I don't know, you know, well,

0:11:31.440 --> 0:11:34.040
<v Speaker 3>I suppose Underbelly is available to stream, but where the

0:11:34.040 --> 0:11:36.040
<v Speaker 3>people are drawn to do that. But for a different

0:11:36.040 --> 0:11:39.439
<v Speaker 3>generation like your own, it was big because it was

0:11:39.480 --> 0:11:42.560
<v Speaker 3>an Underbelly was a time where I think we were

0:11:42.640 --> 0:11:45.720
<v Speaker 3>used to watching a lot of overseas shows and someone

0:11:45.840 --> 0:11:49.120
<v Speaker 3>swung back to some Aussie content. I think Underbelly was

0:11:49.160 --> 0:11:49.760
<v Speaker 3>a big part of that.

0:11:50.000 --> 0:11:52.599
<v Speaker 1>I know friends that had Underbelly parties during COVID and

0:11:52.720 --> 0:11:55.560
<v Speaker 1>they would watch the first series. Oh wow, it was

0:11:55.720 --> 0:11:58.720
<v Speaker 1>like it had a second coming, like hearing that with

0:11:58.840 --> 0:12:01.880
<v Speaker 1>people were like they were ordering in Italian food like

0:12:02.000 --> 0:12:06.720
<v Speaker 1>mobster style, and we're rewatching this show. And the weird

0:12:06.760 --> 0:12:08.480
<v Speaker 1>thing about it was when I heard that. I went

0:12:08.520 --> 0:12:11.440
<v Speaker 1>back to watch it as well, and it still stands

0:12:11.520 --> 0:12:12.720
<v Speaker 1>up that show, do you know what I mean? Like

0:12:12.720 --> 0:12:15.720
<v Speaker 1>it's such a bizarre time capsule, and it was like

0:12:15.800 --> 0:12:17.680
<v Speaker 1>lightning in a bottle because it didn't matter how many

0:12:17.679 --> 0:12:19.079
<v Speaker 1>times I tried to remake it.

0:12:19.280 --> 0:12:21.560
<v Speaker 2>Well, I think it was. I mean everything about IP.

0:12:21.760 --> 0:12:23.320
<v Speaker 3>You look a look at Hollywood and everyone, you know,

0:12:23.320 --> 0:12:26.880
<v Speaker 3>the top of ten grossing films over the last couple

0:12:26.920 --> 0:12:28.040
<v Speaker 3>of years, they're mounted them that.

0:12:28.040 --> 0:12:29.680
<v Speaker 2>Have you know, pre existing IP.

0:12:29.800 --> 0:12:32.280
<v Speaker 3>They're either a sequel so it's their own IP, or

0:12:32.320 --> 0:12:35.680
<v Speaker 3>it's Barbie, or it's you know, it's based on something

0:12:35.679 --> 0:12:38.880
<v Speaker 3>else where. So true true crime has a version of

0:12:38.920 --> 0:12:41.440
<v Speaker 3>that because you're familiar with the people and the stories

0:12:41.440 --> 0:12:44.280
<v Speaker 3>and the headlines, so the audience you're not sort of

0:12:44.440 --> 0:12:47.839
<v Speaker 3>having to explain, you know, from ground zero, exactly what

0:12:48.120 --> 0:12:50.520
<v Speaker 3>it is. And with Underbelly, in one way, it was

0:12:50.559 --> 0:12:53.440
<v Speaker 3>a detriment for a sequel. We couldn't have a sequel

0:12:54.559 --> 0:12:57.559
<v Speaker 3>all the all the pending court cases, they're all the

0:12:57.600 --> 0:13:00.520
<v Speaker 3>pending court cases, and you couldn't continue the story where

0:13:00.559 --> 0:13:03.360
<v Speaker 3>we'd finished it because it was locked up in court

0:13:03.720 --> 0:13:07.080
<v Speaker 3>and you couldn't influence a jury so you can't you know,

0:13:07.200 --> 0:13:09.760
<v Speaker 3>doing a dramatized version or something, you know, and that

0:13:09.880 --> 0:13:12.440
<v Speaker 3>might influence a jury. But the good thing about about

0:13:12.440 --> 0:13:15.080
<v Speaker 3>being in the zeitgeist, especially in Melbourne, I mean especially

0:13:15.120 --> 0:13:20.360
<v Speaker 3>in Victoria where these people were front page news so often,

0:13:20.720 --> 0:13:23.640
<v Speaker 3>so it became infamous because we got banned.

0:13:23.640 --> 0:13:25.040
<v Speaker 2>I don't even remember what we were banned.

0:13:25.640 --> 0:13:27.520
<v Speaker 1>My mum is a primary school teacher and she was

0:13:27.559 --> 0:13:29.920
<v Speaker 1>making I shouldn't say this, my mom's going to come

0:13:29.920 --> 0:13:32.960
<v Speaker 1>for me now, I copy. He was making pirated copies

0:13:32.960 --> 0:13:34.600
<v Speaker 1>at school and handing them out to the teachers.

0:13:34.800 --> 0:13:38.400
<v Speaker 3>People were driving up to the border, yes Aubury Ordonga,

0:13:38.559 --> 0:13:39.079
<v Speaker 3>passing it.

0:13:39.040 --> 0:13:41.680
<v Speaker 2>Over and passing it over, and like people going up

0:13:41.679 --> 0:13:45.040
<v Speaker 2>and getting their DVD burnt copies.

0:13:44.920 --> 0:13:48.560
<v Speaker 3>Which is the irony of someone different black market, you know,

0:13:48.720 --> 0:13:51.040
<v Speaker 3>sort of on a bunch of show about gangsters.

0:13:51.040 --> 0:13:52.200
<v Speaker 2>And your kids.

0:13:51.960 --> 0:13:54.440
<v Speaker 1>Would think that he's so bizarre telling them about the

0:13:54.440 --> 0:13:56.840
<v Speaker 1>floppy disk and the hard disk, you know what, they're like,

0:13:56.880 --> 0:13:58.959
<v Speaker 1>Oh my god. Anyway, we're going off on a tangent.

0:13:59.280 --> 0:14:01.480
<v Speaker 1>I need to ask you about the rationale as to

0:14:01.559 --> 0:14:03.520
<v Speaker 1>why a show like this, because it would have been

0:14:03.559 --> 0:14:07.320
<v Speaker 1>expensive to fly everyone overseas, so far away? Why are

0:14:07.320 --> 0:14:09.840
<v Speaker 1>you shooting so far away? It certainly wasn't to keep

0:14:09.880 --> 0:14:12.320
<v Speaker 1>it under wraps because most of the cast ended up

0:14:12.320 --> 0:14:14.720
<v Speaker 1>blabbing about being on the show anyway, so we found

0:14:14.720 --> 0:14:18.160
<v Speaker 1>out before time. But why be shooting over? It was Amsterdam,

0:14:18.240 --> 0:14:18.600
<v Speaker 1>wasn't it.

0:14:18.800 --> 0:14:21.600
<v Speaker 2>Yeah, it's just in my contract. I just I just

0:14:21.680 --> 0:14:24.600
<v Speaker 2>needed it to be in you know good. Yeah.

0:14:25.560 --> 0:14:29.240
<v Speaker 3>Now, look, yes, it is expensive for a cast to

0:14:29.280 --> 0:14:33.440
<v Speaker 3>come over, but a lot were sourced from Europe, so

0:14:33.960 --> 0:14:37.800
<v Speaker 3>expats in the UK and the Netherlands and you know,

0:14:38.520 --> 0:14:41.520
<v Speaker 3>adjoining European countries where you know, I suppose it's a

0:14:41.600 --> 0:14:44.240
<v Speaker 3>one hundred and fifty pounds easy jet flight and you

0:14:44.280 --> 0:14:46.440
<v Speaker 3>know it's only we shot it in the weeks weeks

0:14:46.440 --> 0:14:49.280
<v Speaker 3>accommodation and some people were flying from Australia because I

0:14:49.360 --> 0:14:52.120
<v Speaker 3>did want the right mix of people. Yeah, so you know,

0:14:52.160 --> 0:14:54.760
<v Speaker 3>you're going to have probably a lot of twenty and

0:14:54.800 --> 0:14:56.800
<v Speaker 3>thirty somethings that are in Europe because it's kind of

0:14:56.840 --> 0:14:59.400
<v Speaker 3>their time when they're traveling. Not all, but like that's

0:14:59.480 --> 0:15:01.240
<v Speaker 3>you know, a good chunk of people you probably find

0:15:01.240 --> 0:15:04.680
<v Speaker 3>that demographic touring and traveling in Europe, and then some

0:15:04.720 --> 0:15:07.120
<v Speaker 3>other people you know, so we could make sure we

0:15:07.200 --> 0:15:09.320
<v Speaker 3>sort of know, ticked the boxes and had people from

0:15:09.440 --> 0:15:12.200
<v Speaker 3>different parts of Australia in rural as well, not just

0:15:12.240 --> 0:15:15.120
<v Speaker 3>see people and you know, all backgrounds and all kind

0:15:15.160 --> 0:15:19.320
<v Speaker 3>of vocations and different categories that were their expertise and age.

0:15:19.120 --> 0:15:19.760
<v Speaker 2>Groups and everything.

0:15:19.800 --> 0:15:22.640
<v Speaker 3>So some people were flown from Australia, but I think

0:15:22.640 --> 0:15:24.920
<v Speaker 3>that was only probably ten to fifteen percent.

0:15:25.080 --> 0:15:29.280
<v Speaker 2>Actually, okay, well that's because the set is huge.

0:15:29.320 --> 0:15:31.760
<v Speaker 3>I mean, the things as big as a basketball court.

0:15:31.840 --> 0:15:34.520
<v Speaker 3>That the screen, that the floor they're standing on. You know,

0:15:34.800 --> 0:15:37.680
<v Speaker 3>that's not something you're just you know, putting you you know,

0:15:37.760 --> 0:15:40.400
<v Speaker 3>in your ludgage and sent back over to Australia. It's

0:15:40.760 --> 0:15:44.240
<v Speaker 3>a big bit of kit. And it's nine episodes. So look,

0:15:44.240 --> 0:15:48.360
<v Speaker 3>if we were a five times a week game show,

0:15:48.920 --> 0:15:51.480
<v Speaker 3>thirty five forty weeks the year, maybe that's worth building

0:15:51.480 --> 0:15:54.520
<v Speaker 3>the studio for for nine episodes. And even we have

0:15:55.040 --> 0:15:56.720
<v Speaker 3>a rope cam which is a bit like a spider cam,

0:15:56.760 --> 0:15:58.640
<v Speaker 3>but just on the one access back and forth, like

0:15:58.920 --> 0:16:01.560
<v Speaker 3>just to have the operator like he's just done the

0:16:01.560 --> 0:16:03.760
<v Speaker 3>German version, just done the next second season of the

0:16:03.800 --> 0:16:06.720
<v Speaker 3>Netherlands version, you know, just done some other European versions.

0:16:06.720 --> 0:16:08.960
<v Speaker 3>He you know, they were a well oiled machine. So

0:16:09.000 --> 0:16:10.640
<v Speaker 3>we got over there, we had two days tech and

0:16:10.640 --> 0:16:12.840
<v Speaker 3>we're into it. You know, we've obviously done a lot

0:16:12.840 --> 0:16:14.600
<v Speaker 3>of pre production back here in Australia and they had

0:16:14.600 --> 0:16:17.440
<v Speaker 3>a great team doing that, screening all the testants and

0:16:17.880 --> 0:16:20.800
<v Speaker 3>and you know, working at aly categories and everything.

0:16:21.040 --> 0:16:23.840
<v Speaker 2>So we hit the ground running. So yes, I'm sure

0:16:23.880 --> 0:16:25.000
<v Speaker 2>it's expensive.

0:16:24.520 --> 0:16:26.400
<v Speaker 3>To do it over there, but the amount of time

0:16:26.400 --> 0:16:28.400
<v Speaker 3>we spent there, it was a well oiled machine and

0:16:28.400 --> 0:16:29.880
<v Speaker 3>we sort of get in and get out.

0:16:30.120 --> 0:16:32.160
<v Speaker 1>It's something about the way in which the production of

0:16:32.200 --> 0:16:34.840
<v Speaker 1>this show shows contestants on a game show that we've

0:16:34.880 --> 0:16:37.640
<v Speaker 1>never seen before. Like I can't even explain this to you,

0:16:37.760 --> 0:16:39.120
<v Speaker 1>and I don't know whether or not you and the

0:16:39.120 --> 0:16:41.200
<v Speaker 1>accountless interviews you've done have been able to do it.

0:16:41.320 --> 0:16:43.960
<v Speaker 1>But we get to know these people in a way

0:16:44.320 --> 0:16:46.160
<v Speaker 1>that I don't think has ever been done. Like Deal

0:16:46.280 --> 0:16:48.520
<v Speaker 1>or Nodeal Grant Dania. He might ask them one question,

0:16:48.680 --> 0:16:51.880
<v Speaker 1>but for some reason we are connecting through to these

0:16:51.880 --> 0:16:55.640
<v Speaker 1>personalities and wanting to follow them. We choose, oh, we

0:16:55.680 --> 0:16:58.320
<v Speaker 1>want that person to lose. Like it's a really strange

0:16:58.360 --> 0:17:01.080
<v Speaker 1>concept because we for these people in a way that

0:17:01.080 --> 0:17:03.160
<v Speaker 1>I've never seen on a game show before. Why do

0:17:03.200 --> 0:17:04.119
<v Speaker 1>you think that is the case?

0:17:04.400 --> 0:17:07.040
<v Speaker 3>Well, that's the thing about you for and what why

0:17:07.080 --> 0:17:10.240
<v Speaker 3>foremots some work and some don't. And it's a magic source,

0:17:10.280 --> 0:17:13.080
<v Speaker 3>isn't it? And I think you know you've got some

0:17:13.200 --> 0:17:14.800
<v Speaker 3>great elements put together.

0:17:14.560 --> 0:17:17.160
<v Speaker 2>And the things you really like about a game.

0:17:16.960 --> 0:17:20.280
<v Speaker 3>Show like Quick Essentially it's an easy to get battle

0:17:20.280 --> 0:17:22.760
<v Speaker 3>when we have our duel, you know, to break it

0:17:22.800 --> 0:17:25.840
<v Speaker 3>down to it, it's visual and it's a one on

0:17:25.840 --> 0:17:28.239
<v Speaker 3>one take turns and basically you can just yell out

0:17:28.240 --> 0:17:30.080
<v Speaker 3>at the screen. And that's why it's so great to

0:17:30.080 --> 0:17:33.080
<v Speaker 3>play at home. Getting to know our contestants, our characters.

0:17:33.520 --> 0:17:36.800
<v Speaker 3>Over nine episodes is a longer run than even a

0:17:36.920 --> 0:17:40.200
<v Speaker 3>the classic carryover champ a thirteenth century or something. Five

0:17:40.280 --> 0:17:43.240
<v Speaker 3>nights was at the top there. But we're also getting

0:17:43.520 --> 0:17:45.880
<v Speaker 3>much more like a reality show. We're getting their opinion

0:17:46.000 --> 0:17:48.800
<v Speaker 3>because we're asking their strategy out loud, so they're talking.

0:17:48.840 --> 0:17:50.840
<v Speaker 3>There's a little bit of trash talk, which is kind

0:17:50.880 --> 0:17:53.520
<v Speaker 3>of fun, and sometimes that's you can perceive that it's funny,

0:17:53.520 --> 0:17:55.639
<v Speaker 3>and sometimes you might go, oh, I didn't like that

0:17:55.680 --> 0:17:56.760
<v Speaker 3>person for saying that.

0:17:56.880 --> 0:17:57.840
<v Speaker 2>So we can see.

0:17:57.640 --> 0:18:01.320
<v Speaker 3>Their personality where you know, I mean hard PiZZ Sometimes

0:18:01.320 --> 0:18:02.840
<v Speaker 3>there's a bit of trash talk, but mostly from the

0:18:03.080 --> 0:18:06.000
<v Speaker 3>from the host, but you know, there's a little bit from.

0:18:05.920 --> 0:18:06.639
<v Speaker 2>The contestants there.

0:18:06.680 --> 0:18:09.280
<v Speaker 3>But we get our contestants, you know, they're interacting with

0:18:09.320 --> 0:18:11.240
<v Speaker 3>each other as well, so we get a little bit

0:18:11.280 --> 0:18:14.200
<v Speaker 3>of bravado and some other people keeping their cards close

0:18:14.240 --> 0:18:18.200
<v Speaker 3>to their chest. Some people are just telling absolute untrues

0:18:18.280 --> 0:18:20.680
<v Speaker 3>about themselves to try and throw people off about it.

0:18:20.800 --> 0:18:24.399
<v Speaker 3>I love what they know or may not know about

0:18:24.400 --> 0:18:27.040
<v Speaker 3>a category they want people they're sort of bluffing about. Oh,

0:18:27.080 --> 0:18:29.639
<v Speaker 3>I'm so glad I inherited that category because I you know,

0:18:29.760 --> 0:18:32.600
<v Speaker 3>I was once some nuclear scientist or something.

0:18:32.600 --> 0:18:35.199
<v Speaker 2>There get opened. They're not, but they're I think, I

0:18:35.200 --> 0:18:35.720
<v Speaker 2>think one.

0:18:35.600 --> 0:18:37.880
<v Speaker 3>Person, I don't want to say much category, but there's

0:18:37.880 --> 0:18:41.159
<v Speaker 3>a there's a category where someone is just bluffed the category.

0:18:41.200 --> 0:18:44.680
<v Speaker 3>The absolutely nothing about it. Yeah, people stayed away from

0:18:44.680 --> 0:18:45.440
<v Speaker 3>it for a long time.

0:18:45.720 --> 0:18:49.000
<v Speaker 1>I just am excited to see people engage with something

0:18:49.000 --> 0:18:50.879
<v Speaker 1>that's so new, you know what I mean. Like a

0:18:50.880 --> 0:18:52.760
<v Speaker 1>lot of these TV shows, like it was almost like

0:18:52.800 --> 0:18:54.800
<v Speaker 1>what you were saying about films, where we're like we

0:18:54.840 --> 0:18:57.679
<v Speaker 1>only get sequels and Marvel and Barbie and brands, you know,

0:18:57.840 --> 0:19:00.840
<v Speaker 1>and it's like we're not stepping outside of the circle

0:19:00.960 --> 0:19:05.320
<v Speaker 1>and looking at taking a chance on something that's completely new.

0:19:05.560 --> 0:19:07.639
<v Speaker 1>So when you see Channel nine say we're going to

0:19:07.720 --> 0:19:10.360
<v Speaker 1>put this sort of a game show for nine episodes,

0:19:10.400 --> 0:19:13.600
<v Speaker 1>it's seven thirty at nine. It's a ballsy move and

0:19:13.680 --> 0:19:16.520
<v Speaker 1>I can't wait to see how it lands. I kind

0:19:16.520 --> 0:19:18.840
<v Speaker 1>of feel like it could easily be huge.

0:19:18.960 --> 0:19:20.800
<v Speaker 2>I think that's what you know.

0:19:20.840 --> 0:19:22.919
<v Speaker 3>I feel that nine are really back, and you can

0:19:22.960 --> 0:19:26.680
<v Speaker 3>tell when you can a network really supports the show.

0:19:26.960 --> 0:19:29.600
<v Speaker 3>You can see it on screen. I'm worried about people

0:19:29.600 --> 0:19:31.360
<v Speaker 3>could be sick in my face before they even see

0:19:31.400 --> 0:19:34.160
<v Speaker 3>the show because I'm like, oh, there's so many primos.

0:19:33.720 --> 0:19:36.000
<v Speaker 1>Think about it, like Rob Low, You're the attractive bloke

0:19:36.080 --> 0:19:38.720
<v Speaker 1>that we get to see. And what's so smart about

0:19:38.720 --> 0:19:41.320
<v Speaker 1>this decision with you this time is Roger, we do

0:19:41.440 --> 0:19:43.919
<v Speaker 1>get to know you a little bit better because with

0:19:43.960 --> 0:19:47.680
<v Speaker 1>the Traders, I felt like they gave you a caricature

0:19:47.760 --> 0:19:50.320
<v Speaker 1>to sort of play, which worked and it didn't work

0:19:50.359 --> 0:19:53.200
<v Speaker 1>at times. Where with this show, you know, I've met

0:19:53.200 --> 0:19:56.000
<v Speaker 1>you in the flesh a number of times. I've gotten

0:19:56.000 --> 0:19:58.399
<v Speaker 1>a sense over time meeting you in real life about

0:19:58.400 --> 0:20:00.199
<v Speaker 1>who you are as a person, and I feel like

0:20:00.200 --> 0:20:01.360
<v Speaker 1>that comes across in this.

0:20:01.800 --> 0:20:03.720
<v Speaker 3>That was probably my I think I pushed the character

0:20:03.840 --> 0:20:05.720
<v Speaker 3>in the Trader is a bit too much problem, probably

0:20:05.720 --> 0:20:10.080
<v Speaker 3>because I was scared of being because I'm used to

0:20:10.160 --> 0:20:13.600
<v Speaker 3>keeping a little bit separate like you in interviews. I

0:20:13.600 --> 0:20:17.000
<v Speaker 3>don't try and sort of hide too much. But you know,

0:20:17.600 --> 0:20:20.120
<v Speaker 3>if people someone doesn't like show you do, you can go, well,

0:20:20.160 --> 0:20:21.639
<v Speaker 3>that's that's a character, you know what I mean.

0:20:21.680 --> 0:20:24.080
<v Speaker 2>You put yourself out there as yourself and I just

0:20:24.280 --> 0:20:27.240
<v Speaker 2>I don't like that. Host No, there's no other version

0:20:27.280 --> 0:20:28.080
<v Speaker 2>of yourself is there?

0:20:28.160 --> 0:20:30.680
<v Speaker 1>So well that's the life, isn't it. The actor can

0:20:30.720 --> 0:20:32.560
<v Speaker 1>say that, you know, like when you are doing that,

0:20:32.960 --> 0:20:35.640
<v Speaker 1>and I guess it is taking away a net from

0:20:35.680 --> 0:20:37.840
<v Speaker 1>underneath you. I remember sitting next to you at a

0:20:37.840 --> 0:20:40.840
<v Speaker 1>film premiere once years ago. It was The Square I

0:20:40.840 --> 0:20:42.320
<v Speaker 1>think was the name of the film, was a Joel

0:20:42.359 --> 0:20:45.399
<v Speaker 1>Legit in film they did at the Nova, and I

0:20:45.400 --> 0:20:49.040
<v Speaker 1>remember thinking, wow, Roger Cours is really shy compared to

0:20:49.080 --> 0:20:51.800
<v Speaker 1>what I thought you were going to be. I was

0:20:51.880 --> 0:20:55.320
<v Speaker 1>really taken aback by your shyness. I would have thought

0:20:55.520 --> 0:20:55.959
<v Speaker 1>I think a lot.

0:20:56.000 --> 0:20:58.760
<v Speaker 3>I think a lot of people in who actors or

0:20:59.080 --> 0:21:01.160
<v Speaker 3>have you know you got you get one or two

0:21:01.160 --> 0:21:02.960
<v Speaker 3>gigs under your But this is what I say to

0:21:03.359 --> 0:21:03.959
<v Speaker 3>other actors.

0:21:03.960 --> 0:21:06.480
<v Speaker 2>We laugh at you know, we'll go to an award

0:21:06.560 --> 0:21:07.640
<v Speaker 2>ceremony and they'll be.

0:21:08.400 --> 0:21:12.360
<v Speaker 3>This year's in a reality TV contestants I mean from

0:21:12.400 --> 0:21:14.960
<v Speaker 3>a certain type of show, usually not not all of them,

0:21:15.240 --> 0:21:18.280
<v Speaker 3>And how confident they are strutting down a red carpet

0:21:18.400 --> 0:21:20.720
<v Speaker 3>when they've you know, I don't know that it's because

0:21:20.720 --> 0:21:23.240
<v Speaker 3>of social media now and people are out there and

0:21:23.359 --> 0:21:26.720
<v Speaker 3>more confident where it took a long time, and I'm

0:21:26.720 --> 0:21:27.120
<v Speaker 3>sure for.

0:21:27.080 --> 0:21:27.919
<v Speaker 2>A lot of other actors.

0:21:28.000 --> 0:21:30.040
<v Speaker 3>Until you get what you feel like is a body

0:21:30.080 --> 0:21:34.040
<v Speaker 3>of work under your belt, that you feel that you're accepted,

0:21:34.160 --> 0:21:36.760
<v Speaker 3>or that you deserve to be at a premiere or

0:21:36.840 --> 0:21:40.000
<v Speaker 3>a red carpet or at an industry event or anything

0:21:40.080 --> 0:21:42.080
<v Speaker 3>like that, you know, it takes a while. Man.

0:21:42.080 --> 0:21:45.240
<v Speaker 2>Maybe that's just my generation that you have so to

0:21:45.280 --> 0:21:46.080
<v Speaker 2>had to earn your strips.

0:21:46.080 --> 0:21:48.280
<v Speaker 3>Where I think anyone that suddenly gets you know, name

0:21:48.320 --> 0:21:50.320
<v Speaker 3>the number of followers, what you know.

0:21:50.320 --> 0:21:53.840
<v Speaker 2>You see is making fifty one hundred and ten thousand.

0:21:54.119 --> 0:21:56.320
<v Speaker 2>I don't know that all of a sudden, there's.

0:21:56.160 --> 0:21:59.800
<v Speaker 3>A I'm here, I've arrived, and it's a it's just

0:21:59.840 --> 0:22:01.159
<v Speaker 3>a different.

0:22:00.960 --> 0:22:04.280
<v Speaker 2>But everyone's out there, everyone's presenting themselves in a way

0:22:04.359 --> 0:22:08.760
<v Speaker 2>that only people in music and entertainment had to do.

0:22:10.200 --> 0:22:13.439
<v Speaker 3>Twenty years ago. You know, your local tradesmen didn't have

0:22:13.480 --> 0:22:15.360
<v Speaker 3>to turn a camera around on them and look good

0:22:15.400 --> 0:22:17.360
<v Speaker 3>and present and go, you know, this is what I do,

0:22:17.400 --> 0:22:19.280
<v Speaker 3>and you know, tell themselves yeah with me.

0:22:19.640 --> 0:22:21.399
<v Speaker 1>Yeah, but you know I have to tell you that

0:22:21.440 --> 0:22:23.840
<v Speaker 1>those people that now are drawn to reality this is

0:22:23.880 --> 0:22:26.720
<v Speaker 1>now a different podcast. But I'm very fascinated by unpacking

0:22:26.760 --> 0:22:28.840
<v Speaker 1>a little bit of this. But like I think people

0:22:28.880 --> 0:22:31.199
<v Speaker 1>who want to go on reality TV are drawn to

0:22:31.240 --> 0:22:33.919
<v Speaker 1>the fame of it, of the red carpet. They've been

0:22:33.960 --> 0:22:36.480
<v Speaker 1>preparing that for that their whole life. Where I know

0:22:36.560 --> 0:22:39.920
<v Speaker 1>my friends who actors, and there's this sort of nature

0:22:40.080 --> 0:22:42.560
<v Speaker 1>of the work, you know, and wanting to be good

0:22:42.560 --> 0:22:44.840
<v Speaker 1>at the work. When you're an actor, you're not drawn

0:22:44.920 --> 0:22:48.080
<v Speaker 1>to that industry to be walking the red carpets and

0:22:48.119 --> 0:22:50.639
<v Speaker 1>talking about yourself. And an actual fact, most of the

0:22:50.680 --> 0:22:53.760
<v Speaker 1>best actors in this world hate talking about themselves.

0:22:54.240 --> 0:22:56.679
<v Speaker 2>Yeah, You've got a difference between loving the craft that

0:22:56.680 --> 0:22:57.040
<v Speaker 2>you're doing.

0:22:57.040 --> 0:22:59.960
<v Speaker 3>Whether you're a musician, you just love playing the guitar,

0:23:00.200 --> 0:23:01.920
<v Speaker 3>the piano or whatever that is.

0:23:02.160 --> 0:23:05.480
<v Speaker 2>And you know, people have ambition. I'm going to say that.

0:23:05.480 --> 0:23:08.120
<v Speaker 3>You know there is a healthy ego either that comes

0:23:08.119 --> 0:23:12.160
<v Speaker 3>along along with that. But it's not just the desire

0:23:12.320 --> 0:23:15.600
<v Speaker 3>to be the under the lights for the applause. I

0:23:15.640 --> 0:23:18.520
<v Speaker 3>mean it's a good it's a nice rush with you.

0:23:18.600 --> 0:23:20.359
<v Speaker 3>You know, you do a stage show or back when

0:23:20.400 --> 0:23:22.040
<v Speaker 3>I was some rock bands and you know, you get

0:23:22.040 --> 0:23:22.919
<v Speaker 3>a big crowd and they're.

0:23:22.800 --> 0:23:25.399
<v Speaker 2>Applauding and going off is a great rush.

0:23:25.440 --> 0:23:29.840
<v Speaker 3>So the adulation in a crowd sense is great, but

0:23:30.000 --> 0:23:33.760
<v Speaker 3>purely just being recognized or that kind of thing is

0:23:34.160 --> 0:23:36.679
<v Speaker 3>purely being that being the motivation. It just seems a

0:23:36.680 --> 0:23:39.400
<v Speaker 3>bit foreign to me, you know, multiple time the reality

0:23:39.560 --> 0:23:42.200
<v Speaker 3>of stars. Do they love the craft of getting on

0:23:42.240 --> 0:23:44.239
<v Speaker 3>a show and being the bitchy one or like, like

0:23:44.400 --> 0:23:45.919
<v Speaker 3>is that what they enjoy?

0:23:46.560 --> 0:23:48.000
<v Speaker 1>I think there is a bit of that, to be

0:23:48.000 --> 0:23:50.680
<v Speaker 1>honest with you, because like it's now so many years

0:23:50.680 --> 0:23:54.320
<v Speaker 1>gone from doing Big Brother, but I did enjoy I

0:23:54.359 --> 0:23:56.439
<v Speaker 1>could have done that show as a social experiment, if

0:23:56.480 --> 0:23:58.880
<v Speaker 1>that makes any sense, without cameras and it ever being

0:23:58.880 --> 0:24:01.800
<v Speaker 1>played on TV. I was fascinated by the idea of

0:24:01.840 --> 0:24:04.440
<v Speaker 1>Big Brother, and I really was there for ninety seven

0:24:04.520 --> 0:24:08.600
<v Speaker 1>days with no phone, and it was a life changing experience,

0:24:09.119 --> 0:24:12.120
<v Speaker 1>just the social experiment side of things, what it does

0:24:12.160 --> 0:24:14.520
<v Speaker 1>to you as a person. But then I knew there

0:24:14.600 --> 0:24:16.040
<v Speaker 1>was a lot of people in that show that were

0:24:16.119 --> 0:24:17.920
<v Speaker 1>just there because they talked about it all the time.

0:24:18.000 --> 0:24:19.520
<v Speaker 1>When we get out of this show, everyone's going to

0:24:19.680 --> 0:24:20.840
<v Speaker 1>you know, I'm going to have this and I'm going

0:24:20.920 --> 0:24:24.199
<v Speaker 1>to have Instagram followers. That to me was really like, oh, so,

0:24:24.320 --> 0:24:26.320
<v Speaker 1>I think that there are people like me who were

0:24:26.400 --> 0:24:30.480
<v Speaker 1>drawn to being on these reality TV shows for the experience, the.

0:24:30.440 --> 0:24:33.639
<v Speaker 3>Actual experience, as opposed to always having that yeah, this

0:24:33.760 --> 0:24:35.159
<v Speaker 3>is a publicity tool for me.

0:24:35.240 --> 0:24:37.399
<v Speaker 1>So I didn't do anything on Instagram for three months

0:24:37.440 --> 0:24:39.320
<v Speaker 1>basically after I did Big Brother because I was scared

0:24:39.320 --> 0:24:41.080
<v Speaker 1>of it. You know, I didn't like the people. I

0:24:41.119 --> 0:24:43.600
<v Speaker 1>actually found it really uncomfortable. My whole life, I used

0:24:43.640 --> 0:24:45.280
<v Speaker 1>to pretend to walking down the streets, what would be

0:24:45.320 --> 0:24:47.760
<v Speaker 1>like to be PAPARAZZI thought that would be fun, and

0:24:47.800 --> 0:24:49.760
<v Speaker 1>then I found that when I was in that experience,

0:24:49.800 --> 0:24:54.439
<v Speaker 1>I found it extremely intrusive and uncontrollable. And when I

0:24:54.480 --> 0:24:56.840
<v Speaker 1>got my notoriety back because now that show's so old,

0:24:57.080 --> 0:24:58.600
<v Speaker 1>I was like, I'd never do that again.

0:24:58.800 --> 0:25:01.400
<v Speaker 2>You know, I've never had to really worry about any

0:25:01.400 --> 0:25:02.360
<v Speaker 2>of that sort of thing.

0:25:02.400 --> 0:25:04.919
<v Speaker 3>And I think if you're a boring, relatively boring as in

0:25:05.040 --> 0:25:07.840
<v Speaker 3>like nothing controversial. I mean, I'm married with you know,

0:25:08.240 --> 0:25:10.080
<v Speaker 3>four kids of three kids that live at home with me.

0:25:10.680 --> 0:25:13.560
<v Speaker 3>We often go out to things. It's not like you

0:25:13.640 --> 0:25:15.480
<v Speaker 3>know who's he dating or who's you know what I mean.

0:25:15.400 --> 0:25:16.919
<v Speaker 1>So no, one really don't have to worry about any

0:25:16.960 --> 0:25:17.159
<v Speaker 1>of that.

0:25:17.240 --> 0:25:19.720
<v Speaker 2>Yeah, is because there's no juice there. It's kind of boring,

0:25:19.800 --> 0:25:23.080
<v Speaker 2>So so I don't. I'm out in the suburbs as

0:25:23.080 --> 0:25:24.040
<v Speaker 2>well in Sydney.

0:25:24.080 --> 0:25:26.520
<v Speaker 3>I'm not in the inner city where you know, all

0:25:26.520 --> 0:25:29.480
<v Speaker 3>the things are happening, so just it's just never. The

0:25:29.520 --> 0:25:32.280
<v Speaker 3>only time I've been packed in my own suburb is

0:25:32.320 --> 0:25:37.360
<v Speaker 3>because of other people. I mean, there was a controversial

0:25:37.400 --> 0:25:39.080
<v Speaker 3>football figure around here that had.

0:25:38.960 --> 0:25:41.000
<v Speaker 2>Done it was, you know, in the courts for something,

0:25:41.240 --> 0:25:42.160
<v Speaker 2>and I.

0:25:42.119 --> 0:25:44.000
<v Speaker 3>Went past the cafe and now I was sort of

0:25:44.000 --> 0:25:46.120
<v Speaker 3>stalking his home, and they got me because I walked

0:25:46.119 --> 0:25:49.800
<v Speaker 3>past and there was another another TV personality that was

0:25:49.840 --> 0:25:54.199
<v Speaker 3>stalking them who look quite quite close to me, and

0:25:54.359 --> 0:25:56.280
<v Speaker 3>try to trying to wait for them to, you know,

0:25:56.320 --> 0:25:58.040
<v Speaker 3>to appear at home because they were in the media

0:25:58.119 --> 0:26:02.200
<v Speaker 3>for various reasons. I happened to again walk past, so

0:26:02.200 --> 0:26:04.960
<v Speaker 3>I think, like, oh, I suppose we've got to be option,

0:26:05.200 --> 0:26:05.960
<v Speaker 3>you know, and.

0:26:05.840 --> 0:26:07.879
<v Speaker 2>That's the only two times that's it, because they was

0:26:07.960 --> 0:26:08.720
<v Speaker 2>talking other people.

0:26:08.880 --> 0:26:10.680
<v Speaker 1>I want to go back to the original thing, which

0:26:10.760 --> 0:26:14.040
<v Speaker 1>is that Roger, where we started this was about you

0:26:14.200 --> 0:26:17.240
<v Speaker 1>worrying about, you know, letting us, letting a guide down,

0:26:17.560 --> 0:26:20.159
<v Speaker 1>not being a character and showing us Roger Courser. It

0:26:20.280 --> 0:26:22.119
<v Speaker 1>seemed to me like you were trying to say that

0:26:22.200 --> 0:26:24.919
<v Speaker 1>you thought you were boring, where in actual fact, you know,

0:26:25.119 --> 0:26:27.480
<v Speaker 1>that's your take on it. I think people are fascinated

0:26:27.520 --> 0:26:30.159
<v Speaker 1>by you, and I watched them watching the floor, and

0:26:30.200 --> 0:26:32.399
<v Speaker 1>I think what you bring to that show is the

0:26:32.480 --> 0:26:36.639
<v Speaker 1>right level of personality and doing the job, doing the

0:26:36.920 --> 0:26:39.399
<v Speaker 1>doing the role, you know. And I think if this

0:26:39.440 --> 0:26:42.040
<v Speaker 1>show continues on and we continue to see more seasons

0:26:42.040 --> 0:26:44.520
<v Speaker 1>of it, I think you need to lean more into

0:26:44.640 --> 0:26:47.159
<v Speaker 1>the vulnerability of just being Roger Krser and allowing us

0:26:47.160 --> 0:26:49.240
<v Speaker 1>to see a little bit seeing a little bit more.

0:26:49.160 --> 0:26:51.760
<v Speaker 3>You know what. I warmed into this, and I was

0:26:51.800 --> 0:26:54.200
<v Speaker 3>pushed by by our producers, you know that the voices

0:26:54.240 --> 0:26:56.040
<v Speaker 3>in my head, in my ear and my sort of

0:26:56.080 --> 0:26:59.919
<v Speaker 3>going ask the more like and I realized I was

0:27:00.080 --> 0:27:05.600
<v Speaker 3>worried about getting this very correct live performance down, and

0:27:05.680 --> 0:27:07.159
<v Speaker 3>they sort of said.

0:27:06.960 --> 0:27:08.960
<v Speaker 2>Look, yes, it's got a live feeld, but we can

0:27:09.000 --> 0:27:11.080
<v Speaker 2>go back at any time. So you stuff something up,

0:27:11.119 --> 0:27:12.439
<v Speaker 2>don't worry. It's don't be so worried.

0:27:12.680 --> 0:27:15.640
<v Speaker 3>Like, take some chances and you know, and if it's

0:27:15.680 --> 0:27:17.720
<v Speaker 3>too much, it doesn't work, we will cut it out.

0:27:17.760 --> 0:27:21.119
<v Speaker 2>It's not live, live live, you know, it's heavily edited.

0:27:21.320 --> 0:27:22.000
<v Speaker 2>Now all the.

0:27:22.000 --> 0:27:24.639
<v Speaker 3>Games aren't obviously they're they're run from start fities, but

0:27:24.680 --> 0:27:28.280
<v Speaker 3>all the pattern in between, you know, because they I realized,

0:27:28.680 --> 0:27:30.879
<v Speaker 3>they want four times the amount of powder with the

0:27:30.880 --> 0:27:32.680
<v Speaker 3>contestants and then they'll pick and choose the best bit,

0:27:32.920 --> 0:27:35.240
<v Speaker 3>you know. So as soon as I kind of understood that,

0:27:35.480 --> 0:27:37.200
<v Speaker 3>then I relax. And when I try and crack a

0:27:37.280 --> 0:27:39.359
<v Speaker 3>joke and it doesn't work, just don't hang me. Just

0:27:39.400 --> 0:27:41.800
<v Speaker 3>don't use it, you know, because and then I realized

0:27:41.840 --> 0:27:44.879
<v Speaker 3>that that's my job is My job is to introduce

0:27:45.359 --> 0:27:47.800
<v Speaker 3>a lot of people, you know, these characters which is

0:27:47.840 --> 0:27:50.680
<v Speaker 3>a high attrition rate. So after a couple of episodes,

0:27:50.800 --> 0:27:52.840
<v Speaker 3>we'll lose some people and you'll start to see the

0:27:52.840 --> 0:27:55.520
<v Speaker 3>same faces crop up, and then you'll start to bond

0:27:55.560 --> 0:27:57.560
<v Speaker 3>and so I'll you know, have more of a chat

0:27:57.560 --> 0:28:00.199
<v Speaker 3>with that person and ask them more and you know,

0:28:00.640 --> 0:28:04.800
<v Speaker 3>encourage them to interact between and so, you know, if

0:28:04.840 --> 0:28:07.200
<v Speaker 3>it's the second season fingers fingers crossed, you know, I

0:28:07.440 --> 0:28:10.280
<v Speaker 3>sort of know going in from episode one what my

0:28:10.440 --> 0:28:12.000
<v Speaker 3>role is, and yes, it's to show a bit of

0:28:12.000 --> 0:28:15.359
<v Speaker 3>my personality, but it is within for the purpose of

0:28:15.560 --> 0:28:17.200
<v Speaker 3>you know, if I can give a bit to get

0:28:17.200 --> 0:28:19.600
<v Speaker 3>a bit, that's the reason, you know, because we want.

0:28:19.440 --> 0:28:21.680
<v Speaker 2>To see these people shine up there. We want to

0:28:21.680 --> 0:28:22.800
<v Speaker 2>see all those fun moments.

0:28:22.840 --> 0:28:24.520
<v Speaker 3>We want people that you can identify with, and we

0:28:24.560 --> 0:28:26.520
<v Speaker 3>want people to have a gag and a laugh and

0:28:26.520 --> 0:28:28.399
<v Speaker 3>and you know, give us some great light moments.

0:28:28.760 --> 0:28:31.640
<v Speaker 1>They'll follow you as well, you know, to finish off

0:28:31.680 --> 0:28:33.240
<v Speaker 1>the chat, thank you for opening up and talking to

0:28:33.280 --> 0:28:35.399
<v Speaker 1>me about And sometimes I feel like I start asking

0:28:35.400 --> 0:28:37.919
<v Speaker 1>people questions and you're like, this is why really famous

0:28:37.960 --> 0:28:40.640
<v Speaker 1>people don't do podcasts, because then they get one like

0:28:40.720 --> 0:28:42.560
<v Speaker 1>me asking them questions that they.

0:28:42.560 --> 0:28:45.400
<v Speaker 2>Were very disarming like what Andrew Dentlem was, you know,

0:28:45.480 --> 0:28:46.240
<v Speaker 2>maybe you can have your.

0:28:46.120 --> 0:28:49.120
<v Speaker 1>Own show, Like, Yeah, I sat next to him once

0:28:49.160 --> 0:28:51.000
<v Speaker 1>on a plane and I couldn't speak to him because

0:28:51.880 --> 0:28:55.080
<v Speaker 1>I just loved him on I loved his ability to

0:28:55.520 --> 0:28:59.560
<v Speaker 1>unearthed conversation. Yeah, it's very incredible because he's the best questions.

0:28:59.560 --> 0:29:02.240
<v Speaker 1>We're always something that came off, like the third question.

0:29:02.560 --> 0:29:05.560
<v Speaker 2>It was very disarming and an incredible, incredible show.

0:29:05.520 --> 0:29:07.640
<v Speaker 1>So good, and that's what people want at the end

0:29:07.640 --> 0:29:09.720
<v Speaker 1>of the day, is they want to listen to conversation.

0:29:10.040 --> 0:29:12.600
<v Speaker 3>It's a hard job interviewing because I have to do

0:29:12.640 --> 0:29:17.040
<v Speaker 3>it in small ways on the show. But I think

0:29:17.120 --> 0:29:19.120
<v Speaker 3>if people are doing a lot of these things and

0:29:19.160 --> 0:29:21.160
<v Speaker 3>they hear and it's the same and you think, oh right,

0:29:21.160 --> 0:29:23.760
<v Speaker 3>well they're going to get that same question seventeen times,

0:29:23.800 --> 0:29:26.960
<v Speaker 3>I'm probably going to get a very similar response to

0:29:27.360 --> 0:29:30.720
<v Speaker 3>the prepared response as opposed to that question that's a

0:29:30.760 --> 0:29:32.120
<v Speaker 3>little bit left us center.

0:29:32.320 --> 0:29:34.160
<v Speaker 1>I'd love to know. I always finished the podcast with

0:29:34.200 --> 0:29:36.160
<v Speaker 1>what is something from behind the scenes? And it always

0:29:36.160 --> 0:29:38.280
<v Speaker 1>stresses people actually think, fuck, I haven't had a chance

0:29:38.320 --> 0:29:40.240
<v Speaker 1>to think about what's behind the scenes or a good

0:29:40.240 --> 0:29:43.600
<v Speaker 1>answer to this question. But I was wondering if and

0:29:43.640 --> 0:29:46.760
<v Speaker 1>if you feel comfortable answering this, because The Traders are

0:29:46.760 --> 0:29:49.080
<v Speaker 1>so big around the world and people keep talking about it.

0:29:49.280 --> 0:29:52.640
<v Speaker 1>If Australia decides to do this show again and you're

0:29:52.720 --> 0:29:55.360
<v Speaker 1>now this superstar on the floor and you can't do it,

0:29:55.680 --> 0:29:57.720
<v Speaker 1>have you ever thought about who would be a good

0:29:57.760 --> 0:29:59.200
<v Speaker 1>replacement on that show?

0:30:00.080 --> 0:30:02.080
<v Speaker 2>Plenty of people who could do it, of course.

0:30:02.000 --> 0:30:04.120
<v Speaker 1>And I was thinking about you. I was thinking you

0:30:04.200 --> 0:30:06.600
<v Speaker 1>must have thought at some point, because The Traders is

0:30:06.680 --> 0:30:09.280
<v Speaker 1>huge around the world, like it's so in the UK,

0:30:09.640 --> 0:30:13.200
<v Speaker 1>like it's actually succeeded in every environment except Australia. At

0:30:13.200 --> 0:30:16.000
<v Speaker 1>New Zealand it was huge, and so the idea that

0:30:16.040 --> 0:30:17.920
<v Speaker 1>it didn't really work here means that people are going

0:30:17.960 --> 0:30:21.120
<v Speaker 1>to circle around that idea. And I think the floor

0:30:21.560 --> 0:30:24.840
<v Speaker 1>is your better if that's not too rude to say, Like,

0:30:24.880 --> 0:30:27.880
<v Speaker 1>I think it's more you're laying So I thought at nighttime,

0:30:27.920 --> 0:30:30.600
<v Speaker 1>you must be thinking it's gonna Who would be the

0:30:30.680 --> 0:30:31.840
<v Speaker 1>right person to do that?

0:30:31.960 --> 0:30:34.080
<v Speaker 3>I've got to say I probably I'm not thinking who

0:30:34.120 --> 0:30:35.719
<v Speaker 3>should take that job that I lost?

0:30:36.320 --> 0:30:41.440
<v Speaker 4>Probably how would I get that job back? More than

0:30:41.440 --> 0:30:43.040
<v Speaker 4>I wonder who ask could do a better job than me?

0:30:43.320 --> 0:30:45.680
<v Speaker 4>You know, like a Ctelia Piccola or something like that

0:30:45.680 --> 0:30:47.680
<v Speaker 4>would smash it. I think, you know, should be great

0:30:47.960 --> 0:30:49.160
<v Speaker 4>something something like that.

0:30:49.920 --> 0:30:52.480
<v Speaker 2>Yeah, it'd be interesting to know whether it comes back.

0:30:52.560 --> 0:30:54.280
<v Speaker 1>I loved it, by the way, like I loved the

0:30:54.320 --> 0:30:57.719
<v Speaker 1>Australian version. And you know what's really a really strange

0:30:57.760 --> 0:31:01.560
<v Speaker 1>tidbit is Sam who I think one. I think he

0:31:01.680 --> 0:31:03.400
<v Speaker 1>was the guy that was from Queensland. He was very

0:31:03.400 --> 0:31:05.280
<v Speaker 1>attractive and more a cowboy hat. You know, it's a

0:31:05.320 --> 0:31:05.800
<v Speaker 1>couple of years.

0:31:05.800 --> 0:31:09.200
<v Speaker 2>Well spoiler alert, he didn't win. I mean spoiler alert,

0:31:09.280 --> 0:31:09.640
<v Speaker 2>but you.

0:31:09.600 --> 0:31:13.440
<v Speaker 3>Know, you know, we haven't one second series that was

0:31:13.480 --> 0:31:15.480
<v Speaker 3>that was a twist, but he was kind of he

0:31:15.560 --> 0:31:17.520
<v Speaker 3>was the puppet master all the way through and until

0:31:17.520 --> 0:31:18.080
<v Speaker 3>it bit him.

0:31:18.000 --> 0:31:18.440
<v Speaker 2>On the bump.

0:31:18.560 --> 0:31:20.880
<v Speaker 1>That's right. He was the antagonist. But so I just

0:31:20.880 --> 0:31:23.240
<v Speaker 1>wanted to tell you this that episode of my podcast,

0:31:23.280 --> 0:31:25.600
<v Speaker 1>and this is episode five hundred and fifty. So, like

0:31:25.600 --> 0:31:27.520
<v Speaker 1>I've done a lot of these, but I remember me

0:31:27.640 --> 0:31:31.520
<v Speaker 1>chatting to him is my most downloaded podcast ever. Really,

0:31:31.840 --> 0:31:33.120
<v Speaker 1>how weird is that is.

0:31:33.120 --> 0:31:34.360
<v Speaker 2>That because he's got a lot of it, because he's

0:31:34.400 --> 0:31:35.880
<v Speaker 2>got a big social media following, isn't it.

0:31:36.000 --> 0:31:38.400
<v Speaker 1>I don't think so. I think that people were you

0:31:38.440 --> 0:31:41.960
<v Speaker 1>know how sometimes people's personalities polarize and sort of penetrate

0:31:42.040 --> 0:31:43.000
<v Speaker 1>an audience in a way that.

0:31:43.760 --> 0:31:45.960
<v Speaker 3>I saw some of the chat about about and people

0:31:45.960 --> 0:31:47.800
<v Speaker 3>were infuriated by him.

0:31:47.840 --> 0:31:51.200
<v Speaker 2>But he should playing the game, you know to a point.

0:31:51.200 --> 0:31:53.600
<v Speaker 3>I think people were just up in arms that there

0:31:53.680 --> 0:31:54.960
<v Speaker 3>was how dishonest he was.

0:31:55.000 --> 0:31:59.240
<v Speaker 2>And I was like, you know what the game's called, right,

0:31:59.360 --> 0:32:02.720
<v Speaker 2>he just lets him to the brand being treacherous. Yeah,

0:32:02.880 --> 0:32:06.280
<v Speaker 2>that's what he's that's what he's doing. But I suppose it's.

0:32:05.640 --> 0:32:09.080
<v Speaker 3>Sometimes people I would say, oh, it's the worst season ever,

0:32:09.120 --> 0:32:11.480
<v Speaker 3>and people say it's the best season ever. I think

0:32:11.480 --> 0:32:15.920
<v Speaker 3>because you were so frustrated by it, by the whole thing,

0:32:16.080 --> 0:32:18.760
<v Speaker 3>because you wanted the Traders to be voted out and

0:32:18.800 --> 0:32:20.560
<v Speaker 3>you know, for the facebo to get a win here

0:32:20.560 --> 0:32:22.880
<v Speaker 3>and there. But they went totally against script and people

0:32:22.920 --> 0:32:24.920
<v Speaker 3>were you know, pulling their hair out over it.

0:32:24.960 --> 0:32:27.360
<v Speaker 2>But also they couldn't look away to tune in the

0:32:27.400 --> 0:32:30.360
<v Speaker 2>next week. You know, obviously not enough people because we

0:32:30.400 --> 0:32:33.400
<v Speaker 2>were canned, but we go about behind the scenes or

0:32:33.440 --> 0:32:34.040
<v Speaker 2>something different.

0:32:34.600 --> 0:32:36.760
<v Speaker 3>There was a little bit of tension when we finished

0:32:37.000 --> 0:32:40.280
<v Speaker 3>that final night shoot. We had you know, we had

0:32:40.480 --> 0:32:42.800
<v Speaker 3>the crew was packing up, but we you know, produce

0:32:42.840 --> 0:32:45.360
<v Speaker 3>as an iron sort of final three contestants.

0:32:46.040 --> 0:32:47.240
<v Speaker 2>There was a few drinks.

0:32:46.960 --> 0:32:48.360
<v Speaker 3>That came out, you know, as people are sort of

0:32:48.360 --> 0:32:50.440
<v Speaker 3>packing up and you know we clocked off.

0:32:50.680 --> 0:32:53.360
<v Speaker 2>There was definitely still a little bit of tension.

0:32:53.480 --> 0:32:55.720
<v Speaker 3>There's money involved, isn't there And people had already sort

0:32:55.720 --> 0:32:57.360
<v Speaker 3>of been there in their own mind, spent that money,

0:32:57.720 --> 0:32:59.720
<v Speaker 3>had it in the bank, and then it ripped away

0:32:59.720 --> 0:33:00.000
<v Speaker 3>from him.

0:33:00.240 --> 0:33:02.200
<v Speaker 2>That wasn't like, oh, well, you know, it's the where

0:33:02.200 --> 0:33:02.520
<v Speaker 2>it goes.

0:33:02.600 --> 0:33:06.440
<v Speaker 3>There was a little tens I think that then that dissipated,

0:33:06.240 --> 0:33:08.920
<v Speaker 3>and you know, there was an initial kind of initial hour.

0:33:08.840 --> 0:33:11.760
<v Speaker 2>Or two I think after the after that result, they were.

0:33:11.680 --> 0:33:14.040
<v Speaker 1>Think we need to pitch the show back to Channel Line.

0:33:14.120 --> 0:33:16.840
<v Speaker 1>You can stay there at nine. It's a great role

0:33:16.880 --> 0:33:17.160
<v Speaker 1>to pay.

0:33:17.240 --> 0:33:21.720
<v Speaker 2>Look, I'm happy to have a second gig. That more money.

0:33:21.880 --> 0:33:24.280
<v Speaker 1>We'll set the traders, not in Australia, somewhere else. Do

0:33:24.280 --> 0:33:26.560
<v Speaker 1>you want to go well, I mean the.

0:33:26.600 --> 0:33:29.120
<v Speaker 2>Show shot answerdam I remember the course.

0:33:29.800 --> 0:33:32.440
<v Speaker 3>I'm happy to you know, they shoot the American and

0:33:32.480 --> 0:33:34.280
<v Speaker 3>the European version of that Scottish castle.

0:33:34.320 --> 0:33:36.719
<v Speaker 2>Why don't we just go and go and steal their set.

0:33:36.880 --> 0:33:40.080
<v Speaker 1>That's absolutely what we need to do. But for people

0:33:40.120 --> 0:33:42.880
<v Speaker 1>listening to this podcast and who have been watching the

0:33:42.880 --> 0:33:45.640
<v Speaker 1>ads of the Floor, I really need you to give

0:33:45.640 --> 0:33:49.360
<v Speaker 1>the show a chance and bring your friends, bring your

0:33:49.360 --> 0:33:52.680
<v Speaker 1>family in to watch it because it is something so

0:33:52.960 --> 0:33:56.200
<v Speaker 1>fun which we rarely get to do. It kind of

0:33:56.200 --> 0:33:59.560
<v Speaker 1>feels like appointment television, which we rarely can create anymore.

0:34:00.040 --> 0:34:03.720
<v Speaker 1>And have a good time watching this show because watch.

0:34:03.480 --> 0:34:06.400
<v Speaker 2>It with people, watch it with people more people better.

0:34:06.760 --> 0:34:09.319
<v Speaker 3>You're all watching the same screen, which which is so

0:34:09.560 --> 0:34:10.360
<v Speaker 3>foreign to anyone.

0:34:10.440 --> 0:34:12.839
<v Speaker 2>Kind of under twenty one, I know, but even under

0:34:12.880 --> 0:34:13.520
<v Speaker 2>twenty five.

0:34:13.360 --> 0:34:15.279
<v Speaker 3>I think they ones use their own screens, their own

0:34:15.360 --> 0:34:17.759
<v Speaker 3>ear pods and everything. Yeah, you can sit down and

0:34:17.800 --> 0:34:20.480
<v Speaker 3>you get to have a collective experience.

0:34:20.520 --> 0:34:22.080
<v Speaker 2>Right you should want. Roger.

0:34:22.239 --> 0:34:23.879
<v Speaker 1>I have to say thank you so much for being

0:34:23.920 --> 0:34:27.200
<v Speaker 1>so generous with your time and chatting with me today

0:34:27.239 --> 0:34:29.799
<v Speaker 1>about the show I'd like to see. I can't wait

0:34:29.800 --> 0:34:30.600
<v Speaker 1>to see what people's read.

0:34:30.640 --> 0:34:32.840
<v Speaker 2>Actually, Benjamin jeeus amazing