1 00:00:00,320 --> 00:00:03,480 Speaker 1: James and Amanda jam Nation. 2 00:00:03,560 --> 00:00:05,920 Speaker 2: On the fourth of May. May the fourth be with You. 3 00:00:06,160 --> 00:00:10,200 Speaker 3: The Piano premieres Monday night on ABC iView and ABC TV. 4 00:00:10,600 --> 00:00:13,120 Speaker 2: It's hosted by that very nice lady Amanda Keller. 5 00:00:13,680 --> 00:00:18,239 Speaker 1: We've searched the nation for passionate everyday pianists. But there's 6 00:00:18,280 --> 00:00:21,920 Speaker 1: a secret that our performers don't know. Listening on are 7 00:00:21,960 --> 00:00:24,400 Speaker 1: two of the world's greatest pianists. 8 00:00:24,480 --> 00:00:27,920 Speaker 4: That was nuts. Give me more, Give me more of that. 9 00:00:29,640 --> 00:00:32,960 Speaker 1: V John is to select one pianist from each location 10 00:00:33,479 --> 00:00:36,120 Speaker 1: to be mentored. You're the centerpiece. 11 00:00:36,200 --> 00:00:38,239 Speaker 4: Those people are there to celebrate you and. 12 00:00:38,240 --> 00:00:40,600 Speaker 1: To perform in a spectacular concert. 13 00:00:40,960 --> 00:00:41,840 Speaker 2: You are the host times. 14 00:00:41,840 --> 00:00:44,040 Speaker 3: They should have some sort of award that they give 15 00:00:44,159 --> 00:00:46,880 Speaker 3: some sort of trophy to people that host stuff. 16 00:00:46,920 --> 00:00:50,839 Speaker 1: Wouldn't you think, Brendan, wouldn't you think? Look? Those two 17 00:00:50,840 --> 00:00:54,040 Speaker 1: people who are watching on are Harry Coonic Junior and 18 00:00:54,040 --> 00:00:58,000 Speaker 1: Andrea Lamb. Andrea is one of the world's greatest classical pianists, 19 00:00:58,200 --> 00:01:00,560 Speaker 1: Australia's own and one of the best things about doing 20 00:01:00,640 --> 00:01:02,120 Speaker 1: this show was a chance to hang out with her. 21 00:01:02,320 --> 00:01:04,880 Speaker 1: She joins us. Now, Hello Andrea, how are you? 22 00:01:05,080 --> 00:01:05,480 Speaker 2: Hello? 23 00:01:05,600 --> 00:01:06,199 Speaker 4: Amanda? 24 00:01:06,680 --> 00:01:07,320 Speaker 1: I've missed you. 25 00:01:08,040 --> 00:01:10,920 Speaker 4: I've missed you too. This is weird. It's the first 26 00:01:10,959 --> 00:01:13,000 Speaker 4: time I've heard your voice, but not being able to 27 00:01:13,040 --> 00:01:15,120 Speaker 4: give you a hug. 28 00:01:16,160 --> 00:01:19,280 Speaker 3: I'm here as well. Andrea, by the way, you know, 29 00:01:19,400 --> 00:01:23,840 Speaker 3: I know this is but I saw you play at 30 00:01:23,880 --> 00:01:26,040 Speaker 3: that final concert and you are so good. 31 00:01:26,360 --> 00:01:28,679 Speaker 2: I think you were better. I think you're better than Harry. 32 00:01:28,760 --> 00:01:35,319 Speaker 1: Don't tell him quite about that now. When I first 33 00:01:35,360 --> 00:01:37,679 Speaker 1: heard about this show, the piano, because you hear the piano, 34 00:01:37,720 --> 00:01:39,880 Speaker 1: what does it mean just people playing classical piano and thing, 35 00:01:39,959 --> 00:01:42,119 Speaker 1: what's that going to be? It's not that at all. 36 00:01:42,280 --> 00:01:45,000 Speaker 1: It's about people's connection to the piano. And I saw 37 00:01:45,000 --> 00:01:48,400 Speaker 1: the English version of this show and I just sobbed. 38 00:01:48,640 --> 00:01:52,400 Speaker 1: Not because it's sad, because it's heartwarming, it's life affirming, 39 00:01:52,720 --> 00:01:56,720 Speaker 1: it's emotional in all the great ways. Andrew, you hadn't 40 00:01:56,760 --> 00:01:59,480 Speaker 1: done television before, and there you are sitting next to 41 00:01:59,520 --> 00:02:04,200 Speaker 1: Harry Connick Jr. Being filmed in the strangest of circumstances 42 00:02:04,200 --> 00:02:06,280 Speaker 1: because we heard you in luggage rooms and all kinds 43 00:02:06,320 --> 00:02:08,880 Speaker 1: of things. How did this experience feel for you? 44 00:02:10,000 --> 00:02:12,480 Speaker 4: Oh, it was very surreal, but it was amazing to 45 00:02:12,520 --> 00:02:14,760 Speaker 4: be part of it with you and with Harry because 46 00:02:14,760 --> 00:02:17,800 Speaker 4: you're both such superstars and it just was really lovely 47 00:02:17,880 --> 00:02:20,600 Speaker 4: to tap into that. But you did put us in 48 00:02:20,639 --> 00:02:25,440 Speaker 4: some strange places, which was really fun. You're a toilet. 49 00:02:25,600 --> 00:02:25,799 Speaker 2: Yeah. 50 00:02:27,480 --> 00:02:29,280 Speaker 1: Well, who were some of the people that stood out 51 00:02:29,320 --> 00:02:31,760 Speaker 1: for you? Because you've loved the piano from a very 52 00:02:31,800 --> 00:02:34,600 Speaker 1: early age, but how heartwarming it was to see the 53 00:02:34,680 --> 00:02:36,640 Speaker 1: rolets played in other people's lives. What are some of 54 00:02:36,639 --> 00:02:38,400 Speaker 1: the stories that stuck with you? 55 00:02:39,360 --> 00:02:41,600 Speaker 4: Yeah, I mean I loved that. It was you know, 56 00:02:41,680 --> 00:02:44,440 Speaker 4: we had Bill who was one hundred and three, and 57 00:02:44,480 --> 00:02:47,240 Speaker 4: then right after him, Maya came on and she was five. 58 00:02:47,360 --> 00:02:52,320 Speaker 4: And just to literally see people at those and parts 59 00:02:52,320 --> 00:02:55,839 Speaker 4: of their lives coming and playing the same instrument and 60 00:02:55,880 --> 00:02:59,400 Speaker 4: having that same love and approach from you know, learning 61 00:02:59,480 --> 00:03:01,680 Speaker 4: it at a big beginning to having it with them 62 00:03:01,720 --> 00:03:09,440 Speaker 4: all their lives was really moving. And there's who else? 63 00:03:09,520 --> 00:03:12,079 Speaker 4: There were so many, There's so many. Just the variety 64 00:03:12,120 --> 00:03:13,280 Speaker 4: of it was really astounding. 65 00:03:13,560 --> 00:03:15,360 Speaker 2: When did you first touch a piano? 66 00:03:16,919 --> 00:03:19,880 Speaker 4: Ah? Probably, you know with one of the things I 67 00:03:19,919 --> 00:03:22,040 Speaker 4: love is that you can walk around and just like 68 00:03:22,200 --> 00:03:25,040 Speaker 4: probably when I was you know, six months or or 69 00:03:24,960 --> 00:03:27,680 Speaker 4: or something like that. So when I started actually trying 70 00:03:27,720 --> 00:03:31,720 Speaker 4: to learn was around five, and I don't have any 71 00:03:31,800 --> 00:03:35,240 Speaker 4: memories of not playing the piano, which is yeah, because. 72 00:03:35,040 --> 00:03:37,240 Speaker 2: When I was a kid, my dad he played the piano. 73 00:03:37,280 --> 00:03:39,680 Speaker 3: And one of my fondest memories were when I come 74 00:03:39,680 --> 00:03:41,720 Speaker 3: home from school, Dad and be playing Black and White 75 00:03:41,800 --> 00:03:45,800 Speaker 3: Rag on the and he'd smoking his cigarette and I 76 00:03:45,840 --> 00:03:48,040 Speaker 3: just come home and go, hey, Dad, and he wanted 77 00:03:48,120 --> 00:03:50,440 Speaker 3: us to play piano. My brother went on to become 78 00:03:50,440 --> 00:03:52,640 Speaker 3: a musician and he's very good at piano. For me, 79 00:03:52,720 --> 00:03:55,320 Speaker 3: it just never ended up becoming a drama, which I 80 00:03:55,320 --> 00:03:56,240 Speaker 3: failed at anyway. 81 00:03:56,240 --> 00:03:58,880 Speaker 4: But no, I mean that's the thing. It's in your life. 82 00:03:58,960 --> 00:04:00,920 Speaker 4: You were around it, and I think that that's the 83 00:04:00,960 --> 00:04:03,440 Speaker 4: crucial part. To have it in your family or to 84 00:04:03,480 --> 00:04:05,600 Speaker 4: have it in school, and then it's part of you 85 00:04:05,880 --> 00:04:08,000 Speaker 4: in whatever way it expresses itself. I love that you're 86 00:04:08,000 --> 00:04:09,200 Speaker 4: a drummer. That's very important. 87 00:04:09,240 --> 00:04:10,760 Speaker 1: Well he's also not a very good one, but we'll 88 00:04:10,800 --> 00:04:13,520 Speaker 1: move on toide. But everyone that a lot of the 89 00:04:13,600 --> 00:04:16,039 Speaker 1: stories were that kids were forced to learn when they 90 00:04:16,040 --> 00:04:18,880 Speaker 1: were younger and didn't like it that much. But interso, yeah, 91 00:04:19,000 --> 00:04:22,320 Speaker 1: crisis or during COVID or when there was when they 92 00:04:22,320 --> 00:04:25,680 Speaker 1: were moments of sadness or beauty in their lives. They 93 00:04:25,680 --> 00:04:27,880 Speaker 1: went back to the piano, and we're very grateful they'd 94 00:04:27,920 --> 00:04:28,560 Speaker 1: followed through. 95 00:04:29,600 --> 00:04:31,280 Speaker 4: It's so true. I mean, it's so it's a hard 96 00:04:31,279 --> 00:04:33,520 Speaker 4: thing to learn. It's like learning a different language, and 97 00:04:33,560 --> 00:04:36,360 Speaker 4: it takes a lot of skill and anything that takes 98 00:04:36,360 --> 00:04:38,720 Speaker 4: skill and craft will take time to learn. And it's 99 00:04:38,760 --> 00:04:41,640 Speaker 4: not fun sometimes to sit down and work. But the 100 00:04:41,839 --> 00:04:45,800 Speaker 4: rewards are just so extraordinary, just being able to tap 101 00:04:45,839 --> 00:04:50,840 Speaker 4: into this world of you know, sound and emotions and color. 102 00:04:51,360 --> 00:04:53,960 Speaker 4: And you're right, like, in these times of crisis, that's 103 00:04:54,000 --> 00:04:56,000 Speaker 4: when we need art, and that's when we need things 104 00:04:56,040 --> 00:04:58,839 Speaker 4: like that. So I think that, yeah, it's a really 105 00:04:58,839 --> 00:05:00,920 Speaker 4: crucial lesson. I think I'm going. 106 00:05:00,880 --> 00:05:02,320 Speaker 2: To give you a dilemma. You're on a plane. 107 00:05:03,000 --> 00:05:08,440 Speaker 3: There's only two parachutes, Elton John, yourself and Billy Joel. 108 00:05:08,960 --> 00:05:11,680 Speaker 3: So you have to save yourself, okay, So you can 109 00:05:11,720 --> 00:05:14,880 Speaker 3: only give the other parachute to another persons, either Billy 110 00:05:15,000 --> 00:05:15,480 Speaker 3: or Elton. 111 00:05:15,560 --> 00:05:16,040 Speaker 2: Who are you. 112 00:05:16,000 --> 00:05:18,039 Speaker 4: Saving Billy or Elton? 113 00:05:18,120 --> 00:05:18,440 Speaker 1: Really? 114 00:05:18,520 --> 00:05:18,880 Speaker 4: Okay? 115 00:05:20,760 --> 00:05:23,800 Speaker 2: I know the sort of person would say, okay, you boys. 116 00:05:24,040 --> 00:05:25,919 Speaker 1: Actually, I know you're not a pop culture fan, so 117 00:05:25,960 --> 00:05:26,839 Speaker 1: you might say neither. 118 00:05:27,920 --> 00:05:34,960 Speaker 4: Ah, that's it. I would take Elton, I mean, yeah. 119 00:05:33,480 --> 00:05:36,080 Speaker 1: Well, luckily no one's Billy. Joel's not listening to this, 120 00:05:36,120 --> 00:05:36,720 Speaker 1: so you're going to be. 121 00:05:38,839 --> 00:05:40,599 Speaker 3: Well. We're looking forward to seeing you on the on 122 00:05:40,680 --> 00:05:44,320 Speaker 3: the Telly seven thirty, ABC IV and ABC TV on 123 00:05:44,480 --> 00:05:48,360 Speaker 3: Sunday Night, hosted by am Manda Keller Andrea Lamb playing 124 00:05:48,360 --> 00:05:49,960 Speaker 3: the piano Harry Connick Junior as well. 125 00:05:50,120 --> 00:05:53,919 Speaker 1: It's such a great show, Andrea, thank you, Thank. 126 00:05:53,800 --> 00:05:55,480 Speaker 4: You, Amanda. I can't wait to see it. 127 00:05:55,520 --> 00:05:57,120 Speaker 1: Hopefully i'll see you before too long. 128 00:05:57,880 --> 00:05:58,600 Speaker 4: That would be great. 129 00:05:58,640 --> 00:06:00,320 Speaker 2: She's going to lock you in your base, her. 130 00:06:00,200 --> 00:06:02,400 Speaker 1: Basement, and I'll take your parachute. 131 00:06:02,920 --> 00:06:04,240 Speaker 2: See entry, take it eas