WEBVTT - Dirty pages 📖

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<v Speaker 1>What if one of your closest friends or your most

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<v Speaker 1>trusted work colleagues actually had a secret side to them

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<v Speaker 1>that you weren't aware of.

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<v Speaker 2>Well, it's more common than you think.

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<v Speaker 1>Hello, I'm Art Simone and I'm on a quest to

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<v Speaker 1>uncover the interesting sides that ordinary looking people keep hidden,

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<v Speaker 1>because what's.

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<v Speaker 2>The fun of hiding it? Let's get it out of

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<v Speaker 2>the shadows and celebrate it.

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<v Speaker 1>The tricky thing is I don't know who I will

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<v Speaker 1>be speaking to or what they're concealing from us. I'll

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<v Speaker 1>get to know them, ask three questions, and from there

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<v Speaker 1>I'm confident we can figure it out together. Welcome to

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<v Speaker 1>conceal it with me, Art Simone, Our guest is here.

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<v Speaker 2>Roll the time.

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<v Speaker 3>Hi.

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<v Speaker 4>I'm John, I'm fifty. I used to live in Sydney,

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<v Speaker 4>but now I live in the UK. I've been a

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<v Speaker 4>writer for thirty years. I'm married, I have two step children.

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<v Speaker 4>I like traveling and I like reading a lot, and

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<v Speaker 4>I mean a lot. I don't think Art will guess

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<v Speaker 4>what I'm concealing, because I even managed to conceal it

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<v Speaker 4>from my best friends.

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<v Speaker 2>Hello, John, how are you going very well?

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<v Speaker 3>How are you?

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<v Speaker 1>I'm doing very well, So we've never met before. This

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<v Speaker 1>is very twenty twenty. We are meeting through the wonders

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<v Speaker 1>of technology. I'm talking to you all the way in

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<v Speaker 1>the United Kingdom. Now, how long have you been in

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<v Speaker 1>the UK?

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<v Speaker 3>For three years? Oh?

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<v Speaker 1>Okay, okay, fairly recent then, yeah, okay, three years? Am

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<v Speaker 1>I alowed to ask you what brought you to the UK?

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<v Speaker 1>Or is that delve into your concealingness?

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<v Speaker 3>No? No, I can be very open about that.

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<v Speaker 4>I caught a plane, you bitch.

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<v Speaker 2>All right, Okay, so a plane brought you to the UK.

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<v Speaker 2>Good for you.

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<v Speaker 1>For me lived in Sydney. I won't hold that against you,

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<v Speaker 1>but I'm glad you got out.

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<v Speaker 2>Sorry.

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<v Speaker 1>I love Sydney everyone, and I love every place in

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<v Speaker 1>the world. It's my favorite. I'm looking at you through

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<v Speaker 1>this beautiful screen at the moment. You've got glasses, you've

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<v Speaker 1>got a bit of a stubble, bit of bed, wearing

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<v Speaker 1>a nice tablecloth.

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<v Speaker 2>Sorry, I mean shirt.

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<v Speaker 1>It's wonderful, you know, just look like everyday, wonderful, pixelated

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<v Speaker 1>person in front of me. I'm going to ask you

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<v Speaker 1>three questions. So question number one, John, what was your

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<v Speaker 1>favorite subject in school?

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<v Speaker 4>Oh? That's as tough one. I wasn't very good at school.

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<v Speaker 4>I wasn't a very good student at all. I think

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<v Speaker 4>probably i'd have to go with biology, maybe, I mean, yeah, biology,

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<v Speaker 4>how we tick, why we work, that sort of thing.

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<v Speaker 1>Oh, I just think of biology and cutting up rats.

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<v Speaker 1>But I know, I mean that could work too. And

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<v Speaker 1>you're saying earlier that you love reading. Yeah, and you're

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<v Speaker 1>a writer. I wasn't very good at English, and you're

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<v Speaker 1>a writer.

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<v Speaker 3>Now I know.

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<v Speaker 4>It's bizarre, amazing.

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<v Speaker 1>Now anything can happen, Anything can happen, dreams can come true, guys.

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<v Speaker 2>Question number two, do you have a favorite superhero?

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<v Speaker 3>I do, but.

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<v Speaker 4>It's so boring. It's Superman. I mean it's I mean,

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<v Speaker 4>he's got to be the most boring superhero you can have.

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<v Speaker 4>He's pretty much indestructible.

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<v Speaker 2>Why do you like him?

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<v Speaker 3>I like the inevitability of him, I do. I do

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<v Speaker 3>like that.

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<v Speaker 4>I like the complication of the dual life, but I

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<v Speaker 4>do like the inevitability of his power is strength never.

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<v Speaker 2>I can't even write that word inevertability. He never yes

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<v Speaker 2>that word?

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<v Speaker 1>Okay, biology Superman, I can't piecing it together. A Question

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<v Speaker 1>number three, and the final question I have for you

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<v Speaker 1>is who is your favorite musical artist.

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<v Speaker 4>Well, I've gone through three major crushes through my youth

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<v Speaker 4>for music, and the first was Kiss, and the second

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<v Speaker 4>was Culture Club and the third was Bowie. So there

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<v Speaker 4>was a kind of a theme running through them.

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<v Speaker 1>Yeah, flamboyance, costumes, makeup, excitement, right right, right, Okay, Okay,

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<v Speaker 1>so we like Kiss, we like kissing rebellion in school.

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<v Speaker 1>Good guys, superhero, This is really hard today. Normally there's

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<v Speaker 1>like little hints in there, this is okay. And you're

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<v Speaker 1>in the UK and you're a rider and you're okay,

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<v Speaker 1>and you've hitden it you said, even your best friends

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<v Speaker 1>you've hitden it from Oh my god, this is chaos. Makeup,

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<v Speaker 1>all right, I'm going to stick with the makeup alright

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<v Speaker 1>because I like makeup, right, and I'm going towards makeup.

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<v Speaker 1>You like biology. I'm going to say you invented makeup.

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<v Speaker 1>I've just woked that you invented makeup. You've been time

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<v Speaker 1>traveling and you are the inventor of makeup because you

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<v Speaker 1>like the people that wear it in the music's And

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<v Speaker 1>you know Clark Kent, he dresses up, but he also,

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<v Speaker 1>like you know, has his kryptonite, and you know, you

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<v Speaker 1>like biology. So that's like almost like putting things together.

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<v Speaker 1>You invented makeup? Am I right?

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<v Speaker 4>Yes, I'm one hundred and eighty five years old and

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<v Speaker 4>my makeup is extraordinarily good.

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<v Speaker 2>Sarcastic, I'm writing that down.

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<v Speaker 4>Okay, you know me as John, but actually un Natasha Walker.

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<v Speaker 4>Under the pseudonym Natasha Walker, I published three erotic novels,

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<v Speaker 4>The Secret Lives of Emma Beginnings, The Secret Lives of

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<v Speaker 4>Emma Distractions, The Secret Lives of Emma Unmasked. They went

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<v Speaker 4>on to sell sixty thousand copies in Australia.

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<v Speaker 2>What how many hats are we wearing today?

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<v Speaker 3>You've actually got a real double life here.

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<v Speaker 2>Oh my god.

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<v Speaker 1>All right, so we've just found out that no, John

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<v Speaker 1>is not the inventor of makeup, which is a real

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<v Speaker 1>shame because I thought it could give me a discount.

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<v Speaker 1>But he is instead a writer who writes erotic novels

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<v Speaker 1>under the name of a lady.

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<v Speaker 2>He's got a he's got his own drag name. I'm

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<v Speaker 2>so confused.

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<v Speaker 1>Also, how many kilometric pens is he used to write

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<v Speaker 1>these books? You must go through a lot of pins.

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<v Speaker 2>I needs me all right.

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<v Speaker 1>So we've just met John, but we found out that

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<v Speaker 1>John is also Natasha Walker. He was sickly writing erotic

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<v Speaker 1>novels under that female pen name. Oh my god, it's

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<v Speaker 1>so exciting. There's so many hats here. How did this start?

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<v Speaker 1>How did this happen? Did you just wake up one

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<v Speaker 1>day and decide today I am Natasha Walker?

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<v Speaker 2>What happened?

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<v Speaker 4>Well, what happened was that I was a writer who

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<v Speaker 4>was getting absolutely nowhere with my work. I had an agent,

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<v Speaker 4>I landed an agent. I was like, yeah, I'm going

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<v Speaker 4>to get somewhere now. But nothing happened. But I had

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<v Speaker 4>written quite a lot of very rude stories many years before,

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<v Speaker 4>and my agent was asking around, going, please, have you

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<v Speaker 4>got anything else, anything else you can show me because

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<v Speaker 4>the book you've given me I love, but I can't

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<v Speaker 4>find a publisher for right And so I gave her

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<v Speaker 4>these pages. She came back to me saying, you just

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<v Speaker 4>cannot know. No one should see these pages. These are

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<v Speaker 4>just filth. You'll be carted off to jail for these pages.

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<v Speaker 2>It's like, what is this muck?

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<v Speaker 1>Exactly what I think in my pigeon hole right now,

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<v Speaker 1>you filthy man.

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<v Speaker 4>So I took them away, but about a week later,

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<v Speaker 4>on the front page of the Sydney Morning Herald was

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<v Speaker 4>the story about fifty Shades of Gray, Yes, bursting onto

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<v Speaker 4>the scene and having this enormous publishing contract with Random House,

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<v Speaker 4>and suddenly the world went paorn crazy.

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<v Speaker 3>So there I was with a big.

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<v Speaker 4>Pile of pawn and my agent ran off to every

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<v Speaker 4>publisher in town and they snapped it up.

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<v Speaker 1>You said, you like fifty Shades of Gray vibe ha.

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<v Speaker 1>So what made you write all this erotic fiction in

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<v Speaker 1>the first place.

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<v Speaker 4>It was a kind of competitive spirit. My girlfriend at

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<v Speaker 4>the time was working this really dull job and one

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<v Speaker 4>of the girls that was working with her, her boyfriend,

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<v Speaker 4>was writing these erotic stories and sending them in and

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<v Speaker 4>so all the girls were reading them, and I was

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<v Speaker 4>I was kind of jealous. Really Enviously, these incredible power

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<v Speaker 4>over this room of girls, and so I wrote my own.

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<v Speaker 4>The problem was that they were very critical that you've

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<v Speaker 4>got a whole lot of girls in the room and

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<v Speaker 4>it's like a reading group, isn't it. And so they

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<v Speaker 4>sent back my work with red marks all the way

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<v Speaker 4>through it and critiqued it and ripped me to shreds. Really,

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<v Speaker 4>it was a very tough lesson to learn that I

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<v Speaker 4>could not write erotica. And so from then on, of course,

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<v Speaker 4>the competitive spirit kicked in and I tried to perfect

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<v Speaker 4>my art.

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<v Speaker 1>So you're like, all right, you've been your homework's been

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<v Speaker 1>handed back to you. They said, absolutely not fix this,

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<v Speaker 1>This would never happen. So in these books, you're writing

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<v Speaker 1>from a female's perspective as Emma, but you're also writing

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<v Speaker 1>from Emma's perspective as Natasha Walker. Why make it so complicated?

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<v Speaker 1>Why did you create Natasha Walker?

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<v Speaker 4>Yeah, So one of the things that happened when I've

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<v Speaker 4>got the book contract was that it was a really

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<v Speaker 4>women led movement. Fifty Shades of Gray. They weren't aimed

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<v Speaker 4>at men like a most erotica in the history of

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<v Speaker 4>writing has been aimed at men. This was squarely aimed

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<v Speaker 4>at women. And so the publisher really wanted to publish

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<v Speaker 4>me as as a woman. They thought it would be

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<v Speaker 4>much much better for sales and for everything. Really, so

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<v Speaker 4>we count with a Natasha Walker and use that as

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<v Speaker 4>my pseudonym, and it did changed the way people read

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<v Speaker 4>the books. People will pick up a book by a

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<v Speaker 4>woman and read in one way, and pick up a

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<v Speaker 4>book by a man and read in another way. The

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<v Speaker 4>only problem with my stories was that my Emma very

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<v Speaker 4>different to fifty Shades. The heroine in that is an

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<v Speaker 4>eighteen year old virgin who was seduced by a billionaire.

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<v Speaker 2>By life story, Actually.

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<v Speaker 4>Emma, Emma is a thirty year old married woman who

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<v Speaker 4>seduces an eighteen year old neighbor next door.

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<v Speaker 1>Oh, she's the girl next door. Did not all with

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<v Speaker 1>the boy next door?

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<v Speaker 3>Yeah?

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<v Speaker 4>I mean in the first Emma book there was one

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<v Speaker 4>hundred page sex scene.

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<v Speaker 1>One hundred pages. Jesus Christ, I can't even last that long.

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<v Speaker 1>Oh my god, there'd be like a four part series.

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<v Speaker 2>Jeez.

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<v Speaker 1>How many descriptive words do you have to use in

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<v Speaker 1>one hundred page sex scene? Or is it just so

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<v Speaker 1>descriptive as like and then he took off his sock,

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<v Speaker 1>and then he took off the other one, and then

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<v Speaker 1>then he just stood there for a bit and looked

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<v Speaker 1>at her, and she was just having a good time.

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<v Speaker 1>And then anyway, Actually, I think I could write a

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<v Speaker 1>hundred page It would be very good, wouldn't be engaging,

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<v Speaker 1>but you wouldn't see what's coming. There's always surprise in

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<v Speaker 1>the bedroom with me. So you are writing as Natasha

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<v Speaker 1>but also as Emma. But also you were John, this

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<v Speaker 1>is hats on. Hats on hats sometimes and I put

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<v Speaker 1>makeup on, I'm like, wait, who am I today?

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<v Speaker 2>What's going on? What's my tone of voice? Who are you?

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<v Speaker 1>But how do you even like get yourself in that mindset?

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<v Speaker 1>Or do you just write everything like yeah, I'm writing

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<v Speaker 1>this job. It would just slap another name on it.

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<v Speaker 4>Pretty much my whole writing life is so far has

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<v Speaker 4>been writing from the point of view of a woman.

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<v Speaker 4>I don't know whether that's just that's just how naturally

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<v Speaker 4>whenever I have a character in my head, it's generally

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<v Speaker 4>the strongest character that I'm dealing with is a female character.

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<v Speaker 4>And so far I've written, I've published five novels, and

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<v Speaker 4>all five novels have a strong female lead.

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<v Speaker 2>So basically, you're kind of a drag queen. I'm putting

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<v Speaker 2>it out there. You're kind of a drag queen.

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<v Speaker 1>Just you don't look like one, but you're still kind

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<v Speaker 1>of getting in drag.

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<v Speaker 2>Mentally, I'm probably just a drag queen. So have you

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<v Speaker 2>ever tried drag? I have to ask you, Well, I'm

0:11:36.640 --> 0:11:37.199
<v Speaker 2>wearing it now.

0:11:37.280 --> 0:11:37.960
<v Speaker 3>This is this is my.

0:11:39.440 --> 0:11:42.000
<v Speaker 4>Restaurant tablecloth, as you referred to it earlier.

0:11:42.080 --> 0:11:43.600
<v Speaker 2>Yes, very pizza.

0:11:43.640 --> 0:11:48.360
<v Speaker 1>Hut, it's beautiful now okay. When they sat down, they said, oh,

0:11:48.440 --> 0:11:50.440
<v Speaker 1>do you want to try, you know, like going under

0:11:50.440 --> 0:11:52.600
<v Speaker 1>a pseudonym, you know, a female name.

0:11:53.000 --> 0:11:55.320
<v Speaker 2>What was your reaction? Were you like, oh, it's fine,

0:11:55.400 --> 0:11:57.480
<v Speaker 2>or were you like, I don't know.

0:11:58.040 --> 0:12:01.000
<v Speaker 4>I first wrote my first novel when I was twenty one,

0:12:01.320 --> 0:12:04.200
<v Speaker 4>and Natasha Walker happened when I was forty, So I

0:12:04.240 --> 0:12:07.600
<v Speaker 4>was desperate to get published, to see my name on

0:12:07.640 --> 0:12:10.079
<v Speaker 4>the front of a book. In one sense, I was

0:12:10.600 --> 0:12:13.760
<v Speaker 4>dying inside because all I wanted was my name on

0:12:13.800 --> 0:12:15.240
<v Speaker 4>the front of a book, and I wasn't going to

0:12:15.280 --> 0:12:16.400
<v Speaker 4>have my name on the front of the book.

0:12:16.640 --> 0:12:17.400
<v Speaker 3>But on the other.

0:12:17.240 --> 0:12:21.960
<v Speaker 4>Side, my professional life was booming at the time, and

0:12:22.160 --> 0:12:24.360
<v Speaker 4>I thought it probably best not to be known as

0:12:24.400 --> 0:12:27.840
<v Speaker 4>the porn guy at the same time, so having a

0:12:27.880 --> 0:12:30.560
<v Speaker 4>pseudonym might be might actually work for me.

0:12:31.240 --> 0:12:32.400
<v Speaker 2>So just your agent knew?

0:12:32.480 --> 0:12:35.000
<v Speaker 1>Who knew that when you were like in the closet,

0:12:35.120 --> 0:12:37.119
<v Speaker 1>essentially in the library.

0:12:37.559 --> 0:12:41.160
<v Speaker 4>My parents knew, my wife knew. Before I even signed

0:12:41.200 --> 0:12:42.960
<v Speaker 4>the contract, I kind of went up to my boss

0:12:43.000 --> 0:12:45.160
<v Speaker 4>at the time and said, I don't want to bring

0:12:45.240 --> 0:12:50.280
<v Speaker 4>the company's name into disrepute. By my behavior outside of work.

0:12:50.600 --> 0:12:52.599
<v Speaker 4>But I've done this thing and they want me to

0:12:52.640 --> 0:12:55.600
<v Speaker 4>publish it, and I'm going to use a pseudonym to

0:12:55.880 --> 0:12:58.680
<v Speaker 4>protect myself and my family and the business. And they're like,

0:12:58.800 --> 0:13:01.200
<v Speaker 4>you know, can I do this? And he just laughed.

0:13:01.400 --> 0:13:04.319
<v Speaker 4>He loved it. He thought it was the best idea ever.

0:13:04.520 --> 0:13:07.880
<v Speaker 4>So that my boss knew, my family knew pretty much.

0:13:08.679 --> 0:13:12.040
<v Speaker 4>So I had to live this lie day in day out.

0:13:12.559 --> 0:13:13.960
<v Speaker 2>Oh it's tough for you, isn't it.

0:13:14.160 --> 0:13:16.679
<v Speaker 1>You walk past the bookshop and you know there's a

0:13:16.720 --> 0:13:19.880
<v Speaker 1>Natasha Walker and you say to the person, she.

0:13:19.960 --> 0:13:22.280
<v Speaker 2>Must be a cool chick. She just be pretty cool.

0:13:22.800 --> 0:13:25.520
<v Speaker 1>But I totally get it because I'm a fool, like,

0:13:26.120 --> 0:13:28.880
<v Speaker 1>you know, narcissist. But I've managed to just live through

0:13:28.880 --> 0:13:31.400
<v Speaker 1>my drag name. But it could be really hard. You

0:13:31.440 --> 0:13:33.920
<v Speaker 1>spent your whole life being wanting to be published writer

0:13:34.480 --> 0:13:36.720
<v Speaker 1>and then you know your name is it on the book?

0:13:37.000 --> 0:13:39.960
<v Speaker 1>But maybe just an idea, you could legally change your

0:13:40.000 --> 0:13:40.640
<v Speaker 1>names to Natasha.

0:13:40.640 --> 0:13:42.080
<v Speaker 3>What do you think I think I should by?

0:13:42.160 --> 0:13:45.760
<v Speaker 4>Now? I was interviewing writers at the time too, so

0:13:45.800 --> 0:13:48.560
<v Speaker 4>I was interviewing her best selling authors, and I just

0:13:48.559 --> 0:13:51.600
<v Speaker 4>wanted to scream at them saying I'm a writer too.

0:13:52.679 --> 0:13:53.079
<v Speaker 2>Guys.

0:13:53.160 --> 0:13:55.880
<v Speaker 1>Take me seriously, Come on, guys, I've got a book

0:13:55.920 --> 0:13:59.160
<v Speaker 1>two it's really popular. They were like, yeah, all right,

0:13:59.360 --> 0:14:01.920
<v Speaker 1>like you, Kasha, Yeah, what's that like? Have you ever

0:14:01.960 --> 0:14:03.880
<v Speaker 1>told someone to like prove it?

0:14:04.480 --> 0:14:06.719
<v Speaker 2>Prove it? You be like, oh, I'll write something now,

0:14:06.720 --> 0:14:07.280
<v Speaker 2>I don't know what.

0:14:08.720 --> 0:14:09.080
<v Speaker 3>Yeah.

0:14:09.160 --> 0:14:12.120
<v Speaker 4>I had a few encounters where people just laughed. They

0:14:12.160 --> 0:14:14.240
<v Speaker 4>just laughed so much and they thought it was funny

0:14:14.240 --> 0:14:17.160
<v Speaker 4>and they had no sense of it being true. And

0:14:17.240 --> 0:14:19.040
<v Speaker 4>it was a few days later that count to me

0:14:19.080 --> 0:14:23.280
<v Speaker 4>and going, wait, it was true what you were saying.

0:14:24.320 --> 0:14:26.560
<v Speaker 2>After you go and tell them, do they go and

0:14:26.560 --> 0:14:28.240
<v Speaker 2>have a little read? Do they let you know?

0:14:28.880 --> 0:14:32.680
<v Speaker 4>Most people, thankfully, people I know well decided for their

0:14:32.720 --> 0:14:36.640
<v Speaker 4>mental health, not to which I think is good. I'm pleased.

0:14:37.120 --> 0:14:39.840
<v Speaker 4>I remember a friend of mine gave it to his

0:14:39.920 --> 0:14:42.480
<v Speaker 4>mum and she devoured them. That was awkward.

0:14:42.680 --> 0:14:44.760
<v Speaker 1>I would love you to like hand the books to

0:14:44.800 --> 0:14:48.120
<v Speaker 1>someone without saying anything like did you like it? Like,

0:14:48.200 --> 0:14:51.560
<v Speaker 1>oh yeah, that Natasha Walker. She's a dirty bitch and

0:14:51.720 --> 0:14:56.760
<v Speaker 1>you well surprise trick jar, trick chair. I'm tashi now

0:14:56.760 --> 0:14:59.760
<v Speaker 1>with Natasha Walker? How did you pick this name? Where'd

0:14:59.760 --> 0:15:01.360
<v Speaker 1>it come? From, you know, because there's a lot of

0:15:01.360 --> 0:15:03.320
<v Speaker 1>ways you can pick a name. Did you live in

0:15:03.360 --> 0:15:05.680
<v Speaker 1>Walker Street and your first pet was called Natasha?

0:15:05.880 --> 0:15:08.440
<v Speaker 4>What I wanted was because the title was strong, it

0:15:08.480 --> 0:15:11.680
<v Speaker 4>was Secret Lives of Emma, and I really wanted a

0:15:11.720 --> 0:15:14.320
<v Speaker 4>dull name. So the name wasn't the thing. It was

0:15:14.400 --> 0:15:16.600
<v Speaker 4>just the title of the book was the thing. And

0:15:16.960 --> 0:15:20.600
<v Speaker 4>I created a spreadsheet of boring names and made a

0:15:20.600 --> 0:15:23.320
<v Speaker 4>list of them.

0:15:23.560 --> 0:15:26.080
<v Speaker 1>I just want to say, if Natasha Walker, a real

0:15:26.120 --> 0:15:29.320
<v Speaker 1>life Natasha Walker is listening right now, we love your name.

0:15:29.360 --> 0:15:33.520
<v Speaker 1>And it's very special, Okay, very special. It's really unique. Okay,

0:15:33.560 --> 0:15:36.960
<v Speaker 1>if you're out there, Natasha.

0:15:37.160 --> 0:15:37.640
<v Speaker 2>Okay.

0:15:37.920 --> 0:15:41.080
<v Speaker 1>So people didn't know who Natasha was. They couldn't see

0:15:41.080 --> 0:15:43.160
<v Speaker 1>her face, they didn't know what she looked like, they

0:15:43.160 --> 0:15:45.480
<v Speaker 1>hadn't spoken to her. Was there ever a bit of

0:15:45.480 --> 0:15:47.800
<v Speaker 1>a witch hunt of people trying to work it out

0:15:47.840 --> 0:15:50.400
<v Speaker 1>and be like, you know, fool like me right now?

0:15:50.720 --> 0:15:53.640
<v Speaker 1>Many people actually guess correctly, unlike me.

0:15:54.280 --> 0:15:56.880
<v Speaker 4>Within the book community. Definitely, because I was working in

0:15:56.920 --> 0:15:59.400
<v Speaker 4>the book industry at the time, because it's very small

0:16:00.160 --> 0:16:02.800
<v Speaker 4>industry really, and the number of writers who know each

0:16:02.800 --> 0:16:05.960
<v Speaker 4>other and people were there were suggestions because it was

0:16:06.000 --> 0:16:09.120
<v Speaker 4>set in Mossman. The bookshop in Mossman was rife with

0:16:09.320 --> 0:16:13.200
<v Speaker 4>accusations that they were writing it someone they knew, and

0:16:13.240 --> 0:16:16.760
<v Speaker 4>so there was a lot of speculation around, and the

0:16:16.800 --> 0:16:20.080
<v Speaker 4>publisher really wanted to keep it that it was a

0:16:20.120 --> 0:16:22.160
<v Speaker 4>woman who wrote it, and so there was kind of

0:16:22.160 --> 0:16:24.080
<v Speaker 4>a little bit of pressure on me to keep it secret.

0:16:24.800 --> 0:16:26.480
<v Speaker 3>I had people come up to me.

0:16:26.760 --> 0:16:30.600
<v Speaker 4>One person't come up to me at a dinner and

0:16:31.360 --> 0:16:33.840
<v Speaker 4>pretty much declared that I was Natasha Walker to the

0:16:33.880 --> 0:16:36.160
<v Speaker 4>group that I was standing in, and I pretty much

0:16:36.160 --> 0:16:38.520
<v Speaker 4>had to say, under, there's no chance that I had

0:16:38.640 --> 0:16:41.080
<v Speaker 4>any time to write. Everyone knew that I was very

0:16:41.120 --> 0:16:44.040
<v Speaker 4>busy at the time. Their business I was involved with

0:16:44.120 --> 0:16:46.760
<v Speaker 4>was booming at the time, and I was taking on

0:16:46.800 --> 0:16:50.080
<v Speaker 4>more and more work, so it seemed plausible that I

0:16:50.160 --> 0:16:52.400
<v Speaker 4>had no time to write this kind of smut. So

0:16:52.480 --> 0:16:54.360
<v Speaker 4>I was able to back out of that one. But

0:16:54.400 --> 0:16:58.160
<v Speaker 4>there were twitter conversations in front of me, and conversations

0:16:58.160 --> 0:17:00.800
<v Speaker 4>that I was a part of where I couldn't join

0:17:00.880 --> 0:17:02.800
<v Speaker 4>in really because all I wanted to do is go,

0:17:03.000 --> 0:17:05.399
<v Speaker 4>it's me, and I couldn't do that.

0:17:05.880 --> 0:17:11.120
<v Speaker 2>It's me, guys, I'm a treasure.

0:17:12.520 --> 0:17:15.600
<v Speaker 1>And then what happens when you know someone wants to

0:17:15.640 --> 0:17:18.879
<v Speaker 1>interview Natasha about a fabulous book, like You're like, no

0:17:18.960 --> 0:17:21.080
<v Speaker 1>phone interviews, no phone interviews. Do you put a voice

0:17:21.119 --> 0:17:24.720
<v Speaker 1>changer on or can you do a very convincing lady voice.

0:17:24.880 --> 0:17:27.120
<v Speaker 3>That was the worst part of it. I mean I did.

0:17:27.240 --> 0:17:32.320
<v Speaker 4>I absolutely considered some dark room interviews with me and

0:17:32.400 --> 0:17:37.920
<v Speaker 4>drag with wonderful silhouettes. I didn't say no, I said

0:17:37.960 --> 0:17:42.000
<v Speaker 4>I'd think about it. It was difficult because there's so

0:17:42.119 --> 0:17:44.760
<v Speaker 4>much promotion needs to be done for these books at

0:17:44.760 --> 0:17:48.359
<v Speaker 4>the time, and I think things would have gone even

0:17:48.400 --> 0:17:51.800
<v Speaker 4>better if I had been able to do interviews. But no,

0:17:52.160 --> 0:17:55.199
<v Speaker 4>because of the pseudonym, it just became text interviews and

0:17:55.280 --> 0:17:58.119
<v Speaker 4>email interviews and that was really all I could do,

0:17:58.160 --> 0:17:59.480
<v Speaker 4>which was a real bummer.

0:18:00.119 --> 0:18:02.679
<v Speaker 1>Just go so so my phone credits run out, goers

0:18:02.760 --> 0:18:06.000
<v Speaker 1>I can't call, but you know, maybe just you know,

0:18:06.160 --> 0:18:06.879
<v Speaker 1>send me a letter.

0:18:07.000 --> 0:18:08.239
<v Speaker 2>I'll write a letter back to you.

0:18:10.200 --> 0:18:12.800
<v Speaker 1>When did you decide to finally like start telling people

0:18:13.080 --> 0:18:15.800
<v Speaker 1>because it was a secret, it sold lots of books.

0:18:16.280 --> 0:18:18.720
<v Speaker 1>You said, yeah, I reckon I could come clean that

0:18:18.880 --> 0:18:20.800
<v Speaker 1>I John M.

0:18:20.920 --> 0:18:21.520
<v Speaker 2>Natasha.

0:18:21.880 --> 0:18:25.240
<v Speaker 4>Well, publishing is a very much a rollercoaster, and I

0:18:25.320 --> 0:18:29.320
<v Speaker 4>enjoyed an incredible high, and everyone in the industry could

0:18:29.320 --> 0:18:32.560
<v Speaker 4>see that the low was coming. There was a rush

0:18:32.600 --> 0:18:35.240
<v Speaker 4>for porn. Every woman on the planet was reading porn

0:18:35.280 --> 0:18:39.159
<v Speaker 4>openly on buses and on trains, and suddenly it was

0:18:39.160 --> 0:18:41.600
<v Speaker 4>as if no one had ever read porn before, and

0:18:41.640 --> 0:18:45.040
<v Speaker 4>that reading porn was just publicly unacceptable, and so the

0:18:45.600 --> 0:18:49.120
<v Speaker 4>market just dropped and fell out. So I saw the end.

0:18:49.240 --> 0:18:51.639
<v Speaker 4>I saw the end coming, and so I decided to

0:18:52.440 --> 0:18:55.240
<v Speaker 4>reveal that it was me and get a little tiny

0:18:55.280 --> 0:18:57.240
<v Speaker 4>bit of a pat in the back before it all

0:18:57.240 --> 0:19:00.600
<v Speaker 4>disappeared and disappeared forever. And I got a little of

0:19:00.600 --> 0:19:04.199
<v Speaker 4>a spike in sales because the Woman's Weekly ran a

0:19:04.240 --> 0:19:08.159
<v Speaker 4>story about how this dude was writing all this women's pawn.

0:19:08.760 --> 0:19:11.840
<v Speaker 4>And I got on TV because I was this mysterious

0:19:12.000 --> 0:19:15.040
<v Speaker 4>man behind this mysterious writer called Natasha Walker.

0:19:15.760 --> 0:19:18.800
<v Speaker 1>A narcissist comes out, baby, it's what we like. I

0:19:18.920 --> 0:19:22.359
<v Speaker 1>knew there was one in there like me. Oh, he said,

0:19:22.480 --> 0:19:24.159
<v Speaker 1>I need to be on TV too.

0:19:24.680 --> 0:19:27.720
<v Speaker 2>Fuck you, Natasha, Fuck you. It's not about you anymore.

0:19:27.760 --> 0:19:28.720
<v Speaker 2>It's me. It's me.

0:19:29.480 --> 0:19:31.280
<v Speaker 1>So does that mean you have you stopped? Is there

0:19:31.280 --> 0:19:34.360
<v Speaker 1>no moditor Natasha Walker? No more dirty pages?

0:19:35.160 --> 0:19:35.360
<v Speaker 3>Yeah?

0:19:35.359 --> 0:19:38.880
<v Speaker 4>Well, efficiently, there's no more dirty pages. I dropped Natasha

0:19:38.880 --> 0:19:41.960
<v Speaker 4>Walker at that time, the whole world dropped erotic fiction.

0:19:42.119 --> 0:19:42.680
<v Speaker 3>At that time.

0:19:43.359 --> 0:19:46.679
<v Speaker 4>Charity shops were filling up with copies of Unwanted fifty

0:19:46.680 --> 0:19:50.600
<v Speaker 4>Shades of Gray, and suddenly it was just overwhelming and

0:19:50.760 --> 0:19:52.960
<v Speaker 4>everyone just pulled away from it and just gave it up.

0:19:53.280 --> 0:19:56.520
<v Speaker 4>So there hasn't really been a market for it. I

0:19:56.560 --> 0:20:02.200
<v Speaker 4>think for Australia it ended abruptly when Tony Abbott admitted

0:20:02.240 --> 0:20:04.639
<v Speaker 4>to reading the book in his in his Budget Smuggler

0:20:04.640 --> 0:20:06.840
<v Speaker 4>as well on holidays. I mean that was a real

0:20:06.920 --> 0:20:09.159
<v Speaker 4>dampner that that really was a cold shower for the

0:20:09.160 --> 0:20:09.439
<v Speaker 4>whole of.

0:20:09.560 --> 0:20:12.399
<v Speaker 2>I really kill it. Yeah, Bloody, Tony Abbitt.

0:20:14.320 --> 0:20:16.160
<v Speaker 1>I need to think about this because you know, maybe

0:20:16.200 --> 0:20:17.840
<v Speaker 1>I want to write a sexy book.

0:20:17.840 --> 0:20:18.280
<v Speaker 2>One day.

0:20:18.680 --> 0:20:21.119
<v Speaker 1>People couldn't know that I possibly was writing a sexy book.

0:20:21.320 --> 0:20:22.960
<v Speaker 1>So if I was to write a sexy book, I'd

0:20:23.000 --> 0:20:25.240
<v Speaker 1>need another name, and I've already got two names. But

0:20:25.280 --> 0:20:27.720
<v Speaker 1>I'm going to do a third name today. My pen

0:20:27.840 --> 0:20:29.960
<v Speaker 1>name could be Anita Root.

0:20:30.280 --> 0:20:31.200
<v Speaker 2>That could work.

0:20:31.160 --> 0:20:36.359
<v Speaker 1>Lovely, Amanda Rene, Amanda play with that could be a

0:20:36.359 --> 0:20:39.560
<v Speaker 1>good one actually, or just like Aphelia Cox, it was

0:20:39.560 --> 0:20:41.960
<v Speaker 1>a book that said, you know, it was called The

0:20:42.080 --> 0:20:57.000
<v Speaker 1>Damp Pillow by Philia Cox. That'd be pretty good. So

0:20:57.240 --> 0:21:00.560
<v Speaker 1>John isn't the inventor of makeup. No, it's hands out

0:21:00.640 --> 0:21:03.040
<v Speaker 1>that he was hiding behind a female pen name and

0:21:03.040 --> 0:21:06.160
<v Speaker 1>writing erotic novels about women for women.

0:21:06.560 --> 0:21:09.359
<v Speaker 2>Dirty Dirty, Dirty Given.

0:21:09.400 --> 0:21:12.760
<v Speaker 1>Listening to an iHeart Australia and Kiss production Concealed with

0:21:12.920 --> 0:21:15.399
<v Speaker 1>Art Simone. Listen for free on the iHeart app and

0:21:15.560 --> 0:21:19.399
<v Speaker 1>listen to your art's content and for some sexy fashion inspo,

0:21:19.560 --> 0:21:22.000
<v Speaker 1>check us out on the socials. Just search for Concealed

0:21:22.040 --> 0:21:24.679
<v Speaker 1>with Art Simone. I look really good today, I promise

0:21:25.440 --> 0:21:25.480
<v Speaker 1>ma