1 00:00:08,600 --> 00:00:10,720 Speaker 1: What if one of your closest friends or your most 2 00:00:10,760 --> 00:00:13,720 Speaker 1: trusted work colleagues actually had a secret side to them 3 00:00:13,840 --> 00:00:14,800 Speaker 1: that you weren't aware of. 4 00:00:15,360 --> 00:00:17,119 Speaker 2: Well, it's more common than you think. 5 00:00:17,880 --> 00:00:20,160 Speaker 1: Hello, I'm Art Simone and I'm on a quest to 6 00:00:20,239 --> 00:00:23,520 Speaker 1: uncover the interesting sides that ordinary looking people keep hidden, 7 00:00:23,840 --> 00:00:24,960 Speaker 1: because what's. 8 00:00:24,680 --> 00:00:26,639 Speaker 2: The fun of hiding it? Let's get it out of 9 00:00:26,640 --> 00:00:28,240 Speaker 2: the shadows and celebrate it. 10 00:00:28,760 --> 00:00:30,800 Speaker 1: The tricky thing is I don't know who I will 11 00:00:30,800 --> 00:00:33,839 Speaker 1: be speaking to or what they're concealing from us. I'll 12 00:00:33,880 --> 00:00:36,480 Speaker 1: get to know them, ask three questions, and from there 13 00:00:36,640 --> 00:00:40,000 Speaker 1: I'm confident we can figure it out together. Welcome to 14 00:00:40,080 --> 00:00:43,640 Speaker 1: conceal it with me, Art Simone, Our guest is here. 15 00:00:43,880 --> 00:00:44,680 Speaker 2: Roll the time. 16 00:00:47,440 --> 00:00:47,640 Speaker 3: Hi. 17 00:00:47,720 --> 00:00:50,320 Speaker 4: I'm John, I'm fifty. I used to live in Sydney, 18 00:00:50,479 --> 00:00:52,360 Speaker 4: but now I live in the UK. I've been a 19 00:00:52,360 --> 00:00:55,800 Speaker 4: writer for thirty years. I'm married, I have two step children. 20 00:00:55,960 --> 00:00:58,520 Speaker 4: I like traveling and I like reading a lot, and 21 00:00:58,640 --> 00:01:01,640 Speaker 4: I mean a lot. I don't think Art will guess 22 00:01:01,840 --> 00:01:05,399 Speaker 4: what I'm concealing, because I even managed to conceal it 23 00:01:05,520 --> 00:01:10,240 Speaker 4: from my best friends. 24 00:01:10,920 --> 00:01:13,360 Speaker 2: Hello, John, how are you going very well? 25 00:01:13,400 --> 00:01:13,840 Speaker 3: How are you? 26 00:01:14,000 --> 00:01:17,160 Speaker 1: I'm doing very well, So we've never met before. This 27 00:01:17,240 --> 00:01:21,440 Speaker 1: is very twenty twenty. We are meeting through the wonders 28 00:01:21,440 --> 00:01:23,800 Speaker 1: of technology. I'm talking to you all the way in 29 00:01:23,840 --> 00:01:25,720 Speaker 1: the United Kingdom. Now, how long have you been in 30 00:01:25,760 --> 00:01:26,080 Speaker 1: the UK? 31 00:01:26,200 --> 00:01:28,039 Speaker 3: For three years? Oh? 32 00:01:28,160 --> 00:01:32,560 Speaker 1: Okay, okay, fairly recent then, yeah, okay, three years? Am 33 00:01:32,640 --> 00:01:34,600 Speaker 1: I alowed to ask you what brought you to the UK? 34 00:01:34,720 --> 00:01:37,560 Speaker 1: Or is that delve into your concealingness? 35 00:01:37,920 --> 00:01:39,800 Speaker 3: No? No, I can be very open about that. 36 00:01:39,959 --> 00:01:43,399 Speaker 4: I caught a plane, you bitch. 37 00:01:43,440 --> 00:01:49,000 Speaker 2: All right, Okay, so a plane brought you to the UK. 38 00:01:49,240 --> 00:01:49,840 Speaker 2: Good for you. 39 00:01:50,200 --> 00:01:52,320 Speaker 1: For me lived in Sydney. I won't hold that against you, 40 00:01:52,360 --> 00:01:53,559 Speaker 1: but I'm glad you got out. 41 00:01:53,880 --> 00:01:54,120 Speaker 2: Sorry. 42 00:01:54,120 --> 00:01:56,720 Speaker 1: I love Sydney everyone, and I love every place in 43 00:01:56,720 --> 00:01:59,200 Speaker 1: the world. It's my favorite. I'm looking at you through 44 00:01:59,200 --> 00:02:02,360 Speaker 1: this beautiful screen at the moment. You've got glasses, you've 45 00:02:02,360 --> 00:02:04,520 Speaker 1: got a bit of a stubble, bit of bed, wearing 46 00:02:04,520 --> 00:02:05,600 Speaker 1: a nice tablecloth. 47 00:02:05,680 --> 00:02:06,440 Speaker 2: Sorry, I mean shirt. 48 00:02:06,680 --> 00:02:11,520 Speaker 1: It's wonderful, you know, just look like everyday, wonderful, pixelated 49 00:02:11,520 --> 00:02:15,040 Speaker 1: person in front of me. I'm going to ask you 50 00:02:15,080 --> 00:02:19,680 Speaker 1: three questions. So question number one, John, what was your 51 00:02:19,800 --> 00:02:22,040 Speaker 1: favorite subject in school? 52 00:02:22,720 --> 00:02:26,680 Speaker 4: Oh? That's as tough one. I wasn't very good at school. 53 00:02:26,840 --> 00:02:30,600 Speaker 4: I wasn't a very good student at all. I think 54 00:02:30,760 --> 00:02:36,440 Speaker 4: probably i'd have to go with biology, maybe, I mean, yeah, biology, 55 00:02:36,680 --> 00:02:38,880 Speaker 4: how we tick, why we work, that sort of thing. 56 00:02:39,000 --> 00:02:41,040 Speaker 1: Oh, I just think of biology and cutting up rats. 57 00:02:41,040 --> 00:02:43,120 Speaker 1: But I know, I mean that could work too. And 58 00:02:43,160 --> 00:02:46,160 Speaker 1: you're saying earlier that you love reading. Yeah, and you're 59 00:02:46,160 --> 00:02:49,560 Speaker 1: a writer. I wasn't very good at English, and you're 60 00:02:49,560 --> 00:02:49,919 Speaker 1: a writer. 61 00:02:50,040 --> 00:02:50,920 Speaker 3: Now I know. 62 00:02:51,000 --> 00:02:52,519 Speaker 4: It's bizarre, amazing. 63 00:02:52,600 --> 00:02:55,960 Speaker 1: Now anything can happen, Anything can happen, dreams can come true, guys. 64 00:02:56,440 --> 00:03:00,800 Speaker 2: Question number two, do you have a favorite superhero? 65 00:03:01,360 --> 00:03:01,960 Speaker 3: I do, but. 66 00:03:01,919 --> 00:03:05,040 Speaker 4: It's so boring. It's Superman. I mean it's I mean, 67 00:03:05,080 --> 00:03:07,560 Speaker 4: he's got to be the most boring superhero you can have. 68 00:03:07,720 --> 00:03:10,160 Speaker 4: He's pretty much indestructible. 69 00:03:10,440 --> 00:03:11,480 Speaker 2: Why do you like him? 70 00:03:12,280 --> 00:03:14,680 Speaker 3: I like the inevitability of him, I do. I do 71 00:03:14,800 --> 00:03:15,080 Speaker 3: like that. 72 00:03:15,120 --> 00:03:18,240 Speaker 4: I like the complication of the dual life, but I 73 00:03:18,280 --> 00:03:22,160 Speaker 4: do like the inevitability of his power is strength never. 74 00:03:22,720 --> 00:03:27,680 Speaker 2: I can't even write that word inevertability. He never yes 75 00:03:27,840 --> 00:03:28,320 Speaker 2: that word? 76 00:03:28,400 --> 00:03:33,080 Speaker 1: Okay, biology Superman, I can't piecing it together. A Question 77 00:03:33,120 --> 00:03:34,720 Speaker 1: number three, and the final question I have for you 78 00:03:34,920 --> 00:03:38,160 Speaker 1: is who is your favorite musical artist. 79 00:03:39,040 --> 00:03:44,880 Speaker 4: Well, I've gone through three major crushes through my youth 80 00:03:45,200 --> 00:03:48,520 Speaker 4: for music, and the first was Kiss, and the second 81 00:03:48,720 --> 00:03:51,640 Speaker 4: was Culture Club and the third was Bowie. So there 82 00:03:51,680 --> 00:03:53,400 Speaker 4: was a kind of a theme running through them. 83 00:03:53,600 --> 00:04:02,800 Speaker 1: Yeah, flamboyance, costumes, makeup, excitement, right right, right, Okay, Okay, 84 00:04:02,800 --> 00:04:07,600 Speaker 1: so we like Kiss, we like kissing rebellion in school. 85 00:04:08,000 --> 00:04:12,080 Speaker 1: Good guys, superhero, This is really hard today. Normally there's 86 00:04:12,120 --> 00:04:15,200 Speaker 1: like little hints in there, this is okay. And you're 87 00:04:15,200 --> 00:04:19,520 Speaker 1: in the UK and you're a rider and you're okay, 88 00:04:20,839 --> 00:04:22,720 Speaker 1: and you've hitden it you said, even your best friends 89 00:04:22,720 --> 00:04:25,920 Speaker 1: you've hitden it from Oh my god, this is chaos. Makeup, 90 00:04:26,240 --> 00:04:28,200 Speaker 1: all right, I'm going to stick with the makeup alright 91 00:04:28,240 --> 00:04:30,960 Speaker 1: because I like makeup, right, and I'm going towards makeup. 92 00:04:31,000 --> 00:04:35,280 Speaker 1: You like biology. I'm going to say you invented makeup. 93 00:04:35,400 --> 00:04:38,440 Speaker 1: I've just woked that you invented makeup. You've been time 94 00:04:38,480 --> 00:04:41,960 Speaker 1: traveling and you are the inventor of makeup because you 95 00:04:42,120 --> 00:04:44,160 Speaker 1: like the people that wear it in the music's And 96 00:04:44,520 --> 00:04:47,640 Speaker 1: you know Clark Kent, he dresses up, but he also, 97 00:04:47,760 --> 00:04:51,599 Speaker 1: like you know, has his kryptonite, and you know, you 98 00:04:51,760 --> 00:04:54,520 Speaker 1: like biology. So that's like almost like putting things together. 99 00:04:54,720 --> 00:04:56,400 Speaker 1: You invented makeup? Am I right? 100 00:04:57,080 --> 00:04:59,200 Speaker 4: Yes, I'm one hundred and eighty five years old and 101 00:04:59,240 --> 00:05:01,000 Speaker 4: my makeup is extraordinarily good. 102 00:05:03,160 --> 00:05:05,000 Speaker 2: Sarcastic, I'm writing that down. 103 00:05:05,160 --> 00:05:12,000 Speaker 4: Okay, you know me as John, but actually un Natasha Walker. 104 00:05:12,720 --> 00:05:16,239 Speaker 4: Under the pseudonym Natasha Walker, I published three erotic novels, 105 00:05:16,320 --> 00:05:19,240 Speaker 4: The Secret Lives of Emma Beginnings, The Secret Lives of 106 00:05:19,279 --> 00:05:23,400 Speaker 4: Emma Distractions, The Secret Lives of Emma Unmasked. They went 107 00:05:23,440 --> 00:05:26,080 Speaker 4: on to sell sixty thousand copies in Australia. 108 00:05:26,800 --> 00:05:29,120 Speaker 2: What how many hats are we wearing today? 109 00:05:31,279 --> 00:05:32,800 Speaker 3: You've actually got a real double life here. 110 00:05:32,880 --> 00:05:33,839 Speaker 2: Oh my god. 111 00:05:37,320 --> 00:05:39,520 Speaker 1: All right, so we've just found out that no, John 112 00:05:39,760 --> 00:05:41,840 Speaker 1: is not the inventor of makeup, which is a real 113 00:05:41,839 --> 00:05:43,440 Speaker 1: shame because I thought it could give me a discount. 114 00:05:43,440 --> 00:05:47,159 Speaker 1: But he is instead a writer who writes erotic novels 115 00:05:47,320 --> 00:05:49,440 Speaker 1: under the name of a lady. 116 00:05:49,720 --> 00:05:52,200 Speaker 2: He's got a he's got his own drag name. I'm 117 00:05:52,880 --> 00:05:53,840 Speaker 2: so confused. 118 00:05:54,080 --> 00:05:56,520 Speaker 1: Also, how many kilometric pens is he used to write 119 00:05:56,560 --> 00:05:58,360 Speaker 1: these books? You must go through a lot of pins. 120 00:05:58,760 --> 00:06:12,880 Speaker 2: I needs me all right. 121 00:06:12,880 --> 00:06:14,480 Speaker 1: So we've just met John, but we found out that 122 00:06:14,560 --> 00:06:18,040 Speaker 1: John is also Natasha Walker. He was sickly writing erotic 123 00:06:18,080 --> 00:06:21,320 Speaker 1: novels under that female pen name. Oh my god, it's 124 00:06:21,320 --> 00:06:24,039 Speaker 1: so exciting. There's so many hats here. How did this start? 125 00:06:24,200 --> 00:06:26,200 Speaker 1: How did this happen? Did you just wake up one 126 00:06:26,240 --> 00:06:28,640 Speaker 1: day and decide today I am Natasha Walker? 127 00:06:29,000 --> 00:06:29,640 Speaker 2: What happened? 128 00:06:30,040 --> 00:06:33,080 Speaker 4: Well, what happened was that I was a writer who 129 00:06:33,120 --> 00:06:37,840 Speaker 4: was getting absolutely nowhere with my work. I had an agent, 130 00:06:37,880 --> 00:06:39,520 Speaker 4: I landed an agent. I was like, yeah, I'm going 131 00:06:39,560 --> 00:06:42,120 Speaker 4: to get somewhere now. But nothing happened. But I had 132 00:06:42,160 --> 00:06:46,440 Speaker 4: written quite a lot of very rude stories many years before, 133 00:06:46,800 --> 00:06:49,240 Speaker 4: and my agent was asking around, going, please, have you 134 00:06:49,279 --> 00:06:51,920 Speaker 4: got anything else, anything else you can show me because 135 00:06:51,960 --> 00:06:53,760 Speaker 4: the book you've given me I love, but I can't 136 00:06:53,880 --> 00:06:56,040 Speaker 4: find a publisher for right And so I gave her 137 00:06:56,080 --> 00:06:59,200 Speaker 4: these pages. She came back to me saying, you just 138 00:06:59,279 --> 00:07:01,560 Speaker 4: cannot know. No one should see these pages. These are 139 00:07:01,560 --> 00:07:04,520 Speaker 4: just filth. You'll be carted off to jail for these pages. 140 00:07:04,640 --> 00:07:06,200 Speaker 2: It's like, what is this muck? 141 00:07:06,320 --> 00:07:08,960 Speaker 1: Exactly what I think in my pigeon hole right now, 142 00:07:09,240 --> 00:07:10,440 Speaker 1: you filthy man. 143 00:07:10,600 --> 00:07:14,040 Speaker 4: So I took them away, but about a week later, 144 00:07:14,400 --> 00:07:16,440 Speaker 4: on the front page of the Sydney Morning Herald was 145 00:07:16,480 --> 00:07:19,680 Speaker 4: the story about fifty Shades of Gray, Yes, bursting onto 146 00:07:19,720 --> 00:07:22,960 Speaker 4: the scene and having this enormous publishing contract with Random House, 147 00:07:23,320 --> 00:07:25,960 Speaker 4: and suddenly the world went paorn crazy. 148 00:07:26,520 --> 00:07:30,200 Speaker 3: So there I was with a big. 149 00:07:29,960 --> 00:07:33,800 Speaker 4: Pile of pawn and my agent ran off to every 150 00:07:33,800 --> 00:07:36,440 Speaker 4: publisher in town and they snapped it up. 151 00:07:36,520 --> 00:07:39,239 Speaker 1: You said, you like fifty Shades of Gray vibe ha. 152 00:07:40,800 --> 00:07:43,800 Speaker 1: So what made you write all this erotic fiction in 153 00:07:43,800 --> 00:07:44,520 Speaker 1: the first place. 154 00:07:45,040 --> 00:07:48,480 Speaker 4: It was a kind of competitive spirit. My girlfriend at 155 00:07:48,480 --> 00:07:51,120 Speaker 4: the time was working this really dull job and one 156 00:07:51,200 --> 00:07:54,160 Speaker 4: of the girls that was working with her, her boyfriend, 157 00:07:54,400 --> 00:07:57,480 Speaker 4: was writing these erotic stories and sending them in and 158 00:07:57,520 --> 00:08:00,160 Speaker 4: so all the girls were reading them, and I was 159 00:08:00,560 --> 00:08:04,360 Speaker 4: I was kind of jealous. Really Enviously, these incredible power 160 00:08:04,400 --> 00:08:07,800 Speaker 4: over this room of girls, and so I wrote my own. 161 00:08:08,560 --> 00:08:11,600 Speaker 4: The problem was that they were very critical that you've 162 00:08:11,640 --> 00:08:13,000 Speaker 4: got a whole lot of girls in the room and 163 00:08:13,200 --> 00:08:15,040 Speaker 4: it's like a reading group, isn't it. And so they 164 00:08:15,080 --> 00:08:18,040 Speaker 4: sent back my work with red marks all the way 165 00:08:18,040 --> 00:08:20,800 Speaker 4: through it and critiqued it and ripped me to shreds. Really, 166 00:08:21,240 --> 00:08:24,040 Speaker 4: it was a very tough lesson to learn that I 167 00:08:24,080 --> 00:08:28,000 Speaker 4: could not write erotica. And so from then on, of course, 168 00:08:28,120 --> 00:08:30,960 Speaker 4: the competitive spirit kicked in and I tried to perfect 169 00:08:30,960 --> 00:08:31,360 Speaker 4: my art. 170 00:08:33,760 --> 00:08:35,800 Speaker 1: So you're like, all right, you've been your homework's been 171 00:08:35,800 --> 00:08:38,160 Speaker 1: handed back to you. They said, absolutely not fix this, 172 00:08:38,160 --> 00:08:41,839 Speaker 1: This would never happen. So in these books, you're writing 173 00:08:41,840 --> 00:08:45,960 Speaker 1: from a female's perspective as Emma, but you're also writing 174 00:08:45,960 --> 00:08:50,080 Speaker 1: from Emma's perspective as Natasha Walker. Why make it so complicated? 175 00:08:50,240 --> 00:08:51,960 Speaker 1: Why did you create Natasha Walker? 176 00:08:52,559 --> 00:08:55,120 Speaker 4: Yeah, So one of the things that happened when I've 177 00:08:55,320 --> 00:08:57,640 Speaker 4: got the book contract was that it was a really 178 00:08:58,240 --> 00:09:02,480 Speaker 4: women led movement. Fifty Shades of Gray. They weren't aimed 179 00:09:02,480 --> 00:09:04,600 Speaker 4: at men like a most erotica in the history of 180 00:09:05,000 --> 00:09:08,280 Speaker 4: writing has been aimed at men. This was squarely aimed 181 00:09:08,280 --> 00:09:12,480 Speaker 4: at women. And so the publisher really wanted to publish 182 00:09:12,480 --> 00:09:14,400 Speaker 4: me as as a woman. They thought it would be 183 00:09:14,520 --> 00:09:18,280 Speaker 4: much much better for sales and for everything. Really, so 184 00:09:18,400 --> 00:09:20,559 Speaker 4: we count with a Natasha Walker and use that as 185 00:09:20,600 --> 00:09:24,200 Speaker 4: my pseudonym, and it did changed the way people read 186 00:09:24,200 --> 00:09:26,360 Speaker 4: the books. People will pick up a book by a 187 00:09:26,400 --> 00:09:27,679 Speaker 4: woman and read in one way, and pick up a 188 00:09:27,679 --> 00:09:29,679 Speaker 4: book by a man and read in another way. The 189 00:09:29,720 --> 00:09:34,560 Speaker 4: only problem with my stories was that my Emma very 190 00:09:34,559 --> 00:09:37,720 Speaker 4: different to fifty Shades. The heroine in that is an 191 00:09:37,720 --> 00:09:41,240 Speaker 4: eighteen year old virgin who was seduced by a billionaire. 192 00:09:40,760 --> 00:09:42,480 Speaker 2: By life story, Actually. 193 00:09:44,320 --> 00:09:47,240 Speaker 4: Emma, Emma is a thirty year old married woman who 194 00:09:47,240 --> 00:09:49,920 Speaker 4: seduces an eighteen year old neighbor next door. 195 00:09:51,640 --> 00:09:54,439 Speaker 1: Oh, she's the girl next door. Did not all with 196 00:09:54,559 --> 00:09:55,520 Speaker 1: the boy next door? 197 00:09:55,720 --> 00:09:56,560 Speaker 3: Yeah? 198 00:09:56,760 --> 00:09:59,440 Speaker 4: I mean in the first Emma book there was one 199 00:09:59,520 --> 00:10:01,200 Speaker 4: hundred page sex scene. 200 00:10:03,080 --> 00:10:07,600 Speaker 1: One hundred pages. Jesus Christ, I can't even last that long. 201 00:10:07,720 --> 00:10:10,720 Speaker 1: Oh my god, there'd be like a four part series. 202 00:10:11,320 --> 00:10:11,600 Speaker 2: Jeez. 203 00:10:12,240 --> 00:10:14,200 Speaker 1: How many descriptive words do you have to use in 204 00:10:14,200 --> 00:10:16,920 Speaker 1: one hundred page sex scene? Or is it just so 205 00:10:17,000 --> 00:10:20,320 Speaker 1: descriptive as like and then he took off his sock, 206 00:10:20,800 --> 00:10:23,160 Speaker 1: and then he took off the other one, and then 207 00:10:24,080 --> 00:10:26,400 Speaker 1: then he just stood there for a bit and looked 208 00:10:26,440 --> 00:10:28,720 Speaker 1: at her, and she was just having a good time. 209 00:10:28,960 --> 00:10:30,760 Speaker 1: And then anyway, Actually, I think I could write a 210 00:10:30,840 --> 00:10:33,199 Speaker 1: hundred page It would be very good, wouldn't be engaging, 211 00:10:33,360 --> 00:10:35,439 Speaker 1: but you wouldn't see what's coming. There's always surprise in 212 00:10:35,480 --> 00:10:40,480 Speaker 1: the bedroom with me. So you are writing as Natasha 213 00:10:40,520 --> 00:10:44,400 Speaker 1: but also as Emma. But also you were John, this 214 00:10:44,559 --> 00:10:46,240 Speaker 1: is hats on. Hats on hats sometimes and I put 215 00:10:46,320 --> 00:10:48,120 Speaker 1: makeup on, I'm like, wait, who am I today? 216 00:10:48,200 --> 00:10:50,440 Speaker 2: What's going on? What's my tone of voice? Who are you? 217 00:10:50,800 --> 00:10:53,600 Speaker 1: But how do you even like get yourself in that mindset? 218 00:10:53,679 --> 00:10:56,040 Speaker 1: Or do you just write everything like yeah, I'm writing 219 00:10:56,040 --> 00:10:57,640 Speaker 1: this job. It would just slap another name on it. 220 00:10:57,800 --> 00:11:02,000 Speaker 4: Pretty much my whole writing life is so far has 221 00:11:02,040 --> 00:11:04,640 Speaker 4: been writing from the point of view of a woman. 222 00:11:04,880 --> 00:11:07,920 Speaker 4: I don't know whether that's just that's just how naturally 223 00:11:07,960 --> 00:11:10,920 Speaker 4: whenever I have a character in my head, it's generally 224 00:11:11,200 --> 00:11:14,400 Speaker 4: the strongest character that I'm dealing with is a female character. 225 00:11:14,720 --> 00:11:17,480 Speaker 4: And so far I've written, I've published five novels, and 226 00:11:17,920 --> 00:11:20,280 Speaker 4: all five novels have a strong female lead. 227 00:11:20,960 --> 00:11:23,720 Speaker 2: So basically, you're kind of a drag queen. I'm putting 228 00:11:23,760 --> 00:11:25,440 Speaker 2: it out there. You're kind of a drag queen. 229 00:11:25,559 --> 00:11:29,000 Speaker 1: Just you don't look like one, but you're still kind 230 00:11:29,000 --> 00:11:29,800 Speaker 1: of getting in drag. 231 00:11:30,040 --> 00:11:34,680 Speaker 2: Mentally, I'm probably just a drag queen. So have you 232 00:11:34,679 --> 00:11:36,640 Speaker 2: ever tried drag? I have to ask you, Well, I'm 233 00:11:36,640 --> 00:11:37,199 Speaker 2: wearing it now. 234 00:11:37,280 --> 00:11:37,960 Speaker 3: This is this is my. 235 00:11:39,440 --> 00:11:42,000 Speaker 4: Restaurant tablecloth, as you referred to it earlier. 236 00:11:42,080 --> 00:11:43,600 Speaker 2: Yes, very pizza. 237 00:11:43,640 --> 00:11:48,360 Speaker 1: Hut, it's beautiful now okay. When they sat down, they said, oh, 238 00:11:48,440 --> 00:11:50,440 Speaker 1: do you want to try, you know, like going under 239 00:11:50,440 --> 00:11:52,600 Speaker 1: a pseudonym, you know, a female name. 240 00:11:53,000 --> 00:11:55,320 Speaker 2: What was your reaction? Were you like, oh, it's fine, 241 00:11:55,400 --> 00:11:57,480 Speaker 2: or were you like, I don't know. 242 00:11:58,040 --> 00:12:01,000 Speaker 4: I first wrote my first novel when I was twenty one, 243 00:12:01,320 --> 00:12:04,200 Speaker 4: and Natasha Walker happened when I was forty, So I 244 00:12:04,240 --> 00:12:07,600 Speaker 4: was desperate to get published, to see my name on 245 00:12:07,640 --> 00:12:10,079 Speaker 4: the front of a book. In one sense, I was 246 00:12:10,600 --> 00:12:13,760 Speaker 4: dying inside because all I wanted was my name on 247 00:12:13,800 --> 00:12:15,240 Speaker 4: the front of a book, and I wasn't going to 248 00:12:15,280 --> 00:12:16,400 Speaker 4: have my name on the front of the book. 249 00:12:16,640 --> 00:12:17,400 Speaker 3: But on the other. 250 00:12:17,240 --> 00:12:21,960 Speaker 4: Side, my professional life was booming at the time, and 251 00:12:22,160 --> 00:12:24,360 Speaker 4: I thought it probably best not to be known as 252 00:12:24,400 --> 00:12:27,840 Speaker 4: the porn guy at the same time, so having a 253 00:12:27,880 --> 00:12:30,560 Speaker 4: pseudonym might be might actually work for me. 254 00:12:31,240 --> 00:12:32,400 Speaker 2: So just your agent knew? 255 00:12:32,480 --> 00:12:35,000 Speaker 1: Who knew that when you were like in the closet, 256 00:12:35,120 --> 00:12:37,119 Speaker 1: essentially in the library. 257 00:12:37,559 --> 00:12:41,160 Speaker 4: My parents knew, my wife knew. Before I even signed 258 00:12:41,200 --> 00:12:42,960 Speaker 4: the contract, I kind of went up to my boss 259 00:12:43,000 --> 00:12:45,160 Speaker 4: at the time and said, I don't want to bring 260 00:12:45,240 --> 00:12:50,280 Speaker 4: the company's name into disrepute. By my behavior outside of work. 261 00:12:50,600 --> 00:12:52,599 Speaker 4: But I've done this thing and they want me to 262 00:12:52,640 --> 00:12:55,600 Speaker 4: publish it, and I'm going to use a pseudonym to 263 00:12:55,880 --> 00:12:58,680 Speaker 4: protect myself and my family and the business. And they're like, 264 00:12:58,800 --> 00:13:01,200 Speaker 4: you know, can I do this? And he just laughed. 265 00:13:01,400 --> 00:13:04,319 Speaker 4: He loved it. He thought it was the best idea ever. 266 00:13:04,520 --> 00:13:07,880 Speaker 4: So that my boss knew, my family knew pretty much. 267 00:13:08,679 --> 00:13:12,040 Speaker 4: So I had to live this lie day in day out. 268 00:13:12,559 --> 00:13:13,960 Speaker 2: Oh it's tough for you, isn't it. 269 00:13:14,160 --> 00:13:16,679 Speaker 1: You walk past the bookshop and you know there's a 270 00:13:16,720 --> 00:13:19,880 Speaker 1: Natasha Walker and you say to the person, she. 271 00:13:19,960 --> 00:13:22,280 Speaker 2: Must be a cool chick. She just be pretty cool. 272 00:13:22,800 --> 00:13:25,520 Speaker 1: But I totally get it because I'm a fool, like, 273 00:13:26,120 --> 00:13:28,880 Speaker 1: you know, narcissist. But I've managed to just live through 274 00:13:28,880 --> 00:13:31,400 Speaker 1: my drag name. But it could be really hard. You 275 00:13:31,440 --> 00:13:33,920 Speaker 1: spent your whole life being wanting to be published writer 276 00:13:34,480 --> 00:13:36,720 Speaker 1: and then you know your name is it on the book? 277 00:13:37,000 --> 00:13:39,960 Speaker 1: But maybe just an idea, you could legally change your 278 00:13:40,000 --> 00:13:40,640 Speaker 1: names to Natasha. 279 00:13:40,640 --> 00:13:42,080 Speaker 3: What do you think I think I should by? 280 00:13:42,160 --> 00:13:45,760 Speaker 4: Now? I was interviewing writers at the time too, so 281 00:13:45,800 --> 00:13:48,560 Speaker 4: I was interviewing her best selling authors, and I just 282 00:13:48,559 --> 00:13:51,600 Speaker 4: wanted to scream at them saying I'm a writer too. 283 00:13:52,679 --> 00:13:53,079 Speaker 2: Guys. 284 00:13:53,160 --> 00:13:55,880 Speaker 1: Take me seriously, Come on, guys, I've got a book 285 00:13:55,920 --> 00:13:59,160 Speaker 1: two it's really popular. They were like, yeah, all right, 286 00:13:59,360 --> 00:14:01,920 Speaker 1: like you, Kasha, Yeah, what's that like? Have you ever 287 00:14:01,960 --> 00:14:03,880 Speaker 1: told someone to like prove it? 288 00:14:04,480 --> 00:14:06,719 Speaker 2: Prove it? You be like, oh, I'll write something now, 289 00:14:06,720 --> 00:14:07,280 Speaker 2: I don't know what. 290 00:14:08,720 --> 00:14:09,080 Speaker 3: Yeah. 291 00:14:09,160 --> 00:14:12,120 Speaker 4: I had a few encounters where people just laughed. They 292 00:14:12,160 --> 00:14:14,240 Speaker 4: just laughed so much and they thought it was funny 293 00:14:14,240 --> 00:14:17,160 Speaker 4: and they had no sense of it being true. And 294 00:14:17,240 --> 00:14:19,040 Speaker 4: it was a few days later that count to me 295 00:14:19,080 --> 00:14:23,280 Speaker 4: and going, wait, it was true what you were saying. 296 00:14:24,320 --> 00:14:26,560 Speaker 2: After you go and tell them, do they go and 297 00:14:26,560 --> 00:14:28,240 Speaker 2: have a little read? Do they let you know? 298 00:14:28,880 --> 00:14:32,680 Speaker 4: Most people, thankfully, people I know well decided for their 299 00:14:32,720 --> 00:14:36,640 Speaker 4: mental health, not to which I think is good. I'm pleased. 300 00:14:37,120 --> 00:14:39,840 Speaker 4: I remember a friend of mine gave it to his 301 00:14:39,920 --> 00:14:42,480 Speaker 4: mum and she devoured them. That was awkward. 302 00:14:42,680 --> 00:14:44,760 Speaker 1: I would love you to like hand the books to 303 00:14:44,800 --> 00:14:48,120 Speaker 1: someone without saying anything like did you like it? Like, 304 00:14:48,200 --> 00:14:51,560 Speaker 1: oh yeah, that Natasha Walker. She's a dirty bitch and 305 00:14:51,720 --> 00:14:56,760 Speaker 1: you well surprise trick jar, trick chair. I'm tashi now 306 00:14:56,760 --> 00:14:59,760 Speaker 1: with Natasha Walker? How did you pick this name? Where'd 307 00:14:59,760 --> 00:15:01,360 Speaker 1: it come? From, you know, because there's a lot of 308 00:15:01,360 --> 00:15:03,320 Speaker 1: ways you can pick a name. Did you live in 309 00:15:03,360 --> 00:15:05,680 Speaker 1: Walker Street and your first pet was called Natasha? 310 00:15:05,880 --> 00:15:08,440 Speaker 4: What I wanted was because the title was strong, it 311 00:15:08,480 --> 00:15:11,680 Speaker 4: was Secret Lives of Emma, and I really wanted a 312 00:15:11,720 --> 00:15:14,320 Speaker 4: dull name. So the name wasn't the thing. It was 313 00:15:14,400 --> 00:15:16,600 Speaker 4: just the title of the book was the thing. And 314 00:15:16,960 --> 00:15:20,600 Speaker 4: I created a spreadsheet of boring names and made a 315 00:15:20,600 --> 00:15:23,320 Speaker 4: list of them. 316 00:15:23,560 --> 00:15:26,080 Speaker 1: I just want to say, if Natasha Walker, a real 317 00:15:26,120 --> 00:15:29,320 Speaker 1: life Natasha Walker is listening right now, we love your name. 318 00:15:29,360 --> 00:15:33,520 Speaker 1: And it's very special, Okay, very special. It's really unique. Okay, 319 00:15:33,560 --> 00:15:36,960 Speaker 1: if you're out there, Natasha. 320 00:15:37,160 --> 00:15:37,640 Speaker 2: Okay. 321 00:15:37,920 --> 00:15:41,080 Speaker 1: So people didn't know who Natasha was. They couldn't see 322 00:15:41,080 --> 00:15:43,160 Speaker 1: her face, they didn't know what she looked like, they 323 00:15:43,160 --> 00:15:45,480 Speaker 1: hadn't spoken to her. Was there ever a bit of 324 00:15:45,480 --> 00:15:47,800 Speaker 1: a witch hunt of people trying to work it out 325 00:15:47,840 --> 00:15:50,400 Speaker 1: and be like, you know, fool like me right now? 326 00:15:50,720 --> 00:15:53,640 Speaker 1: Many people actually guess correctly, unlike me. 327 00:15:54,280 --> 00:15:56,880 Speaker 4: Within the book community. Definitely, because I was working in 328 00:15:56,920 --> 00:15:59,400 Speaker 4: the book industry at the time, because it's very small 329 00:16:00,160 --> 00:16:02,800 Speaker 4: industry really, and the number of writers who know each 330 00:16:02,800 --> 00:16:05,960 Speaker 4: other and people were there were suggestions because it was 331 00:16:06,000 --> 00:16:09,120 Speaker 4: set in Mossman. The bookshop in Mossman was rife with 332 00:16:09,320 --> 00:16:13,200 Speaker 4: accusations that they were writing it someone they knew, and 333 00:16:13,240 --> 00:16:16,760 Speaker 4: so there was a lot of speculation around, and the 334 00:16:16,800 --> 00:16:20,080 Speaker 4: publisher really wanted to keep it that it was a 335 00:16:20,120 --> 00:16:22,160 Speaker 4: woman who wrote it, and so there was kind of 336 00:16:22,160 --> 00:16:24,080 Speaker 4: a little bit of pressure on me to keep it secret. 337 00:16:24,800 --> 00:16:26,480 Speaker 3: I had people come up to me. 338 00:16:26,760 --> 00:16:30,600 Speaker 4: One person't come up to me at a dinner and 339 00:16:31,360 --> 00:16:33,840 Speaker 4: pretty much declared that I was Natasha Walker to the 340 00:16:33,880 --> 00:16:36,160 Speaker 4: group that I was standing in, and I pretty much 341 00:16:36,160 --> 00:16:38,520 Speaker 4: had to say, under, there's no chance that I had 342 00:16:38,640 --> 00:16:41,080 Speaker 4: any time to write. Everyone knew that I was very 343 00:16:41,120 --> 00:16:44,040 Speaker 4: busy at the time. Their business I was involved with 344 00:16:44,120 --> 00:16:46,760 Speaker 4: was booming at the time, and I was taking on 345 00:16:46,800 --> 00:16:50,080 Speaker 4: more and more work, so it seemed plausible that I 346 00:16:50,160 --> 00:16:52,400 Speaker 4: had no time to write this kind of smut. So 347 00:16:52,480 --> 00:16:54,360 Speaker 4: I was able to back out of that one. But 348 00:16:54,400 --> 00:16:58,160 Speaker 4: there were twitter conversations in front of me, and conversations 349 00:16:58,160 --> 00:17:00,800 Speaker 4: that I was a part of where I couldn't join 350 00:17:00,880 --> 00:17:02,800 Speaker 4: in really because all I wanted to do is go, 351 00:17:03,000 --> 00:17:05,399 Speaker 4: it's me, and I couldn't do that. 352 00:17:05,880 --> 00:17:11,120 Speaker 2: It's me, guys, I'm a treasure. 353 00:17:12,520 --> 00:17:15,600 Speaker 1: And then what happens when you know someone wants to 354 00:17:15,640 --> 00:17:18,879 Speaker 1: interview Natasha about a fabulous book, like You're like, no 355 00:17:18,960 --> 00:17:21,080 Speaker 1: phone interviews, no phone interviews. Do you put a voice 356 00:17:21,119 --> 00:17:24,720 Speaker 1: changer on or can you do a very convincing lady voice. 357 00:17:24,880 --> 00:17:27,120 Speaker 3: That was the worst part of it. I mean I did. 358 00:17:27,240 --> 00:17:32,320 Speaker 4: I absolutely considered some dark room interviews with me and 359 00:17:32,400 --> 00:17:37,920 Speaker 4: drag with wonderful silhouettes. I didn't say no, I said 360 00:17:37,960 --> 00:17:42,000 Speaker 4: I'd think about it. It was difficult because there's so 361 00:17:42,119 --> 00:17:44,760 Speaker 4: much promotion needs to be done for these books at 362 00:17:44,760 --> 00:17:48,359 Speaker 4: the time, and I think things would have gone even 363 00:17:48,400 --> 00:17:51,800 Speaker 4: better if I had been able to do interviews. But no, 364 00:17:52,160 --> 00:17:55,199 Speaker 4: because of the pseudonym, it just became text interviews and 365 00:17:55,280 --> 00:17:58,119 Speaker 4: email interviews and that was really all I could do, 366 00:17:58,160 --> 00:17:59,480 Speaker 4: which was a real bummer. 367 00:18:00,119 --> 00:18:02,679 Speaker 1: Just go so so my phone credits run out, goers 368 00:18:02,760 --> 00:18:06,000 Speaker 1: I can't call, but you know, maybe just you know, 369 00:18:06,160 --> 00:18:06,879 Speaker 1: send me a letter. 370 00:18:07,000 --> 00:18:08,239 Speaker 2: I'll write a letter back to you. 371 00:18:10,200 --> 00:18:12,800 Speaker 1: When did you decide to finally like start telling people 372 00:18:13,080 --> 00:18:15,800 Speaker 1: because it was a secret, it sold lots of books. 373 00:18:16,280 --> 00:18:18,720 Speaker 1: You said, yeah, I reckon I could come clean that 374 00:18:18,880 --> 00:18:20,800 Speaker 1: I John M. 375 00:18:20,920 --> 00:18:21,520 Speaker 2: Natasha. 376 00:18:21,880 --> 00:18:25,240 Speaker 4: Well, publishing is a very much a rollercoaster, and I 377 00:18:25,320 --> 00:18:29,320 Speaker 4: enjoyed an incredible high, and everyone in the industry could 378 00:18:29,320 --> 00:18:32,560 Speaker 4: see that the low was coming. There was a rush 379 00:18:32,600 --> 00:18:35,240 Speaker 4: for porn. Every woman on the planet was reading porn 380 00:18:35,280 --> 00:18:39,159 Speaker 4: openly on buses and on trains, and suddenly it was 381 00:18:39,160 --> 00:18:41,600 Speaker 4: as if no one had ever read porn before, and 382 00:18:41,640 --> 00:18:45,040 Speaker 4: that reading porn was just publicly unacceptable, and so the 383 00:18:45,600 --> 00:18:49,120 Speaker 4: market just dropped and fell out. So I saw the end. 384 00:18:49,240 --> 00:18:51,639 Speaker 4: I saw the end coming, and so I decided to 385 00:18:52,440 --> 00:18:55,240 Speaker 4: reveal that it was me and get a little tiny 386 00:18:55,280 --> 00:18:57,240 Speaker 4: bit of a pat in the back before it all 387 00:18:57,240 --> 00:19:00,600 Speaker 4: disappeared and disappeared forever. And I got a little of 388 00:19:00,600 --> 00:19:04,199 Speaker 4: a spike in sales because the Woman's Weekly ran a 389 00:19:04,240 --> 00:19:08,159 Speaker 4: story about how this dude was writing all this women's pawn. 390 00:19:08,760 --> 00:19:11,840 Speaker 4: And I got on TV because I was this mysterious 391 00:19:12,000 --> 00:19:15,040 Speaker 4: man behind this mysterious writer called Natasha Walker. 392 00:19:15,760 --> 00:19:18,800 Speaker 1: A narcissist comes out, baby, it's what we like. I 393 00:19:18,920 --> 00:19:22,359 Speaker 1: knew there was one in there like me. Oh, he said, 394 00:19:22,480 --> 00:19:24,159 Speaker 1: I need to be on TV too. 395 00:19:24,680 --> 00:19:27,720 Speaker 2: Fuck you, Natasha, Fuck you. It's not about you anymore. 396 00:19:27,760 --> 00:19:28,720 Speaker 2: It's me. It's me. 397 00:19:29,480 --> 00:19:31,280 Speaker 1: So does that mean you have you stopped? Is there 398 00:19:31,280 --> 00:19:34,360 Speaker 1: no moditor Natasha Walker? No more dirty pages? 399 00:19:35,160 --> 00:19:35,360 Speaker 3: Yeah? 400 00:19:35,359 --> 00:19:38,880 Speaker 4: Well, efficiently, there's no more dirty pages. I dropped Natasha 401 00:19:38,880 --> 00:19:41,960 Speaker 4: Walker at that time, the whole world dropped erotic fiction. 402 00:19:42,119 --> 00:19:42,680 Speaker 3: At that time. 403 00:19:43,359 --> 00:19:46,679 Speaker 4: Charity shops were filling up with copies of Unwanted fifty 404 00:19:46,680 --> 00:19:50,600 Speaker 4: Shades of Gray, and suddenly it was just overwhelming and 405 00:19:50,760 --> 00:19:52,960 Speaker 4: everyone just pulled away from it and just gave it up. 406 00:19:53,280 --> 00:19:56,520 Speaker 4: So there hasn't really been a market for it. I 407 00:19:56,560 --> 00:20:02,200 Speaker 4: think for Australia it ended abruptly when Tony Abbott admitted 408 00:20:02,240 --> 00:20:04,639 Speaker 4: to reading the book in his in his Budget Smuggler 409 00:20:04,640 --> 00:20:06,840 Speaker 4: as well on holidays. I mean that was a real 410 00:20:06,920 --> 00:20:09,159 Speaker 4: dampner that that really was a cold shower for the 411 00:20:09,160 --> 00:20:09,439 Speaker 4: whole of. 412 00:20:09,560 --> 00:20:12,399 Speaker 2: I really kill it. Yeah, Bloody, Tony Abbitt. 413 00:20:14,320 --> 00:20:16,160 Speaker 1: I need to think about this because you know, maybe 414 00:20:16,200 --> 00:20:17,840 Speaker 1: I want to write a sexy book. 415 00:20:17,840 --> 00:20:18,280 Speaker 2: One day. 416 00:20:18,680 --> 00:20:21,119 Speaker 1: People couldn't know that I possibly was writing a sexy book. 417 00:20:21,320 --> 00:20:22,960 Speaker 1: So if I was to write a sexy book, I'd 418 00:20:23,000 --> 00:20:25,240 Speaker 1: need another name, and I've already got two names. But 419 00:20:25,280 --> 00:20:27,720 Speaker 1: I'm going to do a third name today. My pen 420 00:20:27,840 --> 00:20:29,960 Speaker 1: name could be Anita Root. 421 00:20:30,280 --> 00:20:31,200 Speaker 2: That could work. 422 00:20:31,160 --> 00:20:36,359 Speaker 1: Lovely, Amanda Rene, Amanda play with that could be a 423 00:20:36,359 --> 00:20:39,560 Speaker 1: good one actually, or just like Aphelia Cox, it was 424 00:20:39,560 --> 00:20:41,960 Speaker 1: a book that said, you know, it was called The 425 00:20:42,080 --> 00:20:57,000 Speaker 1: Damp Pillow by Philia Cox. That'd be pretty good. So 426 00:20:57,240 --> 00:21:00,560 Speaker 1: John isn't the inventor of makeup. No, it's hands out 427 00:21:00,640 --> 00:21:03,040 Speaker 1: that he was hiding behind a female pen name and 428 00:21:03,040 --> 00:21:06,160 Speaker 1: writing erotic novels about women for women. 429 00:21:06,560 --> 00:21:09,359 Speaker 2: Dirty Dirty, Dirty Given. 430 00:21:09,400 --> 00:21:12,760 Speaker 1: Listening to an iHeart Australia and Kiss production Concealed with 431 00:21:12,920 --> 00:21:15,399 Speaker 1: Art Simone. Listen for free on the iHeart app and 432 00:21:15,560 --> 00:21:19,399 Speaker 1: listen to your art's content and for some sexy fashion inspo, 433 00:21:19,560 --> 00:21:22,000 Speaker 1: check us out on the socials. Just search for Concealed 434 00:21:22,040 --> 00:21:24,679 Speaker 1: with Art Simone. I look really good today, I promise 435 00:21:25,440 --> 00:21:25,480 Speaker 1: ma