1 00:00:00,280 --> 00:00:04,880 Speaker 1: Break the Flick with Benocee on ninety six a FM 2 00:00:05,240 --> 00:00:06,200 Speaker 1: The Book Club. 3 00:00:06,680 --> 00:00:09,160 Speaker 2: The next chapter book Club two. So I'm going to 4 00:00:09,160 --> 00:00:13,560 Speaker 2: start this review with some statistics, like all good movie reviews. So, 5 00:00:13,680 --> 00:00:17,680 Speaker 2: according to the United Nations, the over sixty five demographic 6 00:00:17,800 --> 00:00:21,160 Speaker 2: is the fastest growing age group on the planet. Right, So, 7 00:00:21,239 --> 00:00:23,360 Speaker 2: for the first time in human history, back in twenty eighteen, 8 00:00:23,520 --> 00:00:24,840 Speaker 2: what did you say, over sixty five? 9 00:00:25,160 --> 00:00:25,919 Speaker 1: Over sixty fives? 10 00:00:26,040 --> 00:00:28,120 Speaker 2: So back in twenty eighteen, for the first time in 11 00:00:28,160 --> 00:00:31,680 Speaker 2: human history, there were more people over sixty five than 12 00:00:31,680 --> 00:00:36,519 Speaker 2: there were under five. It's never happened before. And in like, 13 00:00:36,560 --> 00:00:39,280 Speaker 2: by the year twenty fifty, a quarter of all people 14 00:00:39,320 --> 00:00:41,639 Speaker 2: living in Europe and North America will be sixty five 15 00:00:41,760 --> 00:00:46,920 Speaker 2: or older. So it's a rapidly increasing aging population around 16 00:00:46,960 --> 00:00:48,640 Speaker 2: the world. Right. It's a bit of pressure on pensions, 17 00:00:48,640 --> 00:00:52,159 Speaker 2: doesn't it. But the entertainment industry really hasn't really catered 18 00:00:52,159 --> 00:00:55,279 Speaker 2: to this group very well at all. But now all 19 00:00:55,320 --> 00:00:56,959 Speaker 2: of a sudden they've realized, you know what, people over 20 00:00:57,000 --> 00:00:59,800 Speaker 2: sixty five have money, they have time, and they also 21 00:01:00,080 --> 00:01:03,080 Speaker 2: from a generation who loves going to the movies. Yes, 22 00:01:03,880 --> 00:01:06,759 Speaker 2: they have an attention span, not like the kids these days, 23 00:01:06,760 --> 00:01:08,960 Speaker 2: who want to see their moving pictures on the tickety top. 24 00:01:11,880 --> 00:01:13,640 Speaker 1: It's not over forty five seconds. 25 00:01:13,920 --> 00:01:17,759 Speaker 2: It's boring. And so so along came The book Club 26 00:01:17,800 --> 00:01:22,120 Speaker 2: in twenty eighteen, starring an all icons cast. You have 27 00:01:22,200 --> 00:01:28,240 Speaker 2: Oscar winners Diane Keaton, Jane Fonder, Mary Steenbergen, Ted Danson's wife, 28 00:01:28,720 --> 00:01:31,720 Speaker 2: and also like a multi multi Emmy winner, Candas Bergen 29 00:01:31,760 --> 00:01:34,959 Speaker 2: from Murphy Brown fame. So they just don't get much 30 00:01:35,000 --> 00:01:37,360 Speaker 2: better than that. As far as as far as actresses 31 00:01:37,400 --> 00:01:41,600 Speaker 2: help line they put them into. This comedy was a mediocre. 32 00:01:42,319 --> 00:01:45,520 Speaker 2: It was about a book club, four lifelong friends. They 33 00:01:45,520 --> 00:01:47,440 Speaker 2: decide the book of the month is going to be 34 00:01:47,520 --> 00:01:49,840 Speaker 2: fifty shades of gray, and then things get a bit 35 00:01:49,920 --> 00:01:54,520 Speaker 2: raunchy from there and they start aging disgracefully. Yeah, that's 36 00:01:54,560 --> 00:01:58,440 Speaker 2: amazing making that book. The book it was like predictable. 37 00:01:58,880 --> 00:02:02,240 Speaker 2: It kind of was a bit patron yeah, exactly, but 38 00:02:02,320 --> 00:02:03,680 Speaker 2: it made a ton of money, like I made one 39 00:02:03,760 --> 00:02:06,480 Speaker 2: hundred and fifty million dollars around the world, and so 40 00:02:06,520 --> 00:02:08,240 Speaker 2: of course they're going to do a sequel. That's what 41 00:02:08,280 --> 00:02:10,800 Speaker 2: book Club. The next chapter is there's no really book 42 00:02:10,840 --> 00:02:13,680 Speaker 2: attached to it, you know, so I don't expect any 43 00:02:13,760 --> 00:02:17,800 Speaker 2: kind of literary literary examination here. Instead, they decide to 44 00:02:17,800 --> 00:02:21,080 Speaker 2: go on a jaunt to Italy, ostensibly as a hen's 45 00:02:21,080 --> 00:02:23,720 Speaker 2: trip for Jane Fonda's character before she gets married to 46 00:02:23,800 --> 00:02:27,200 Speaker 2: Don Johnson. And so off they go. And that's the thing. 47 00:02:27,240 --> 00:02:29,640 Speaker 2: There's some great older actors in here, Andy Garcia as 48 00:02:29,680 --> 00:02:33,200 Speaker 2: well and Don Johnson. It's a really cool cast in 49 00:02:33,240 --> 00:02:36,399 Speaker 2: the same for women. So all the girls are back, 50 00:02:36,760 --> 00:02:41,440 Speaker 2: they go to Italy, they tour around Rome, go to Tuscany, Venice, 51 00:02:41,840 --> 00:02:47,560 Speaker 2: some classic, some classic, basic, some beautiful scenery. So there's 52 00:02:47,560 --> 00:02:50,960 Speaker 2: a lot of that going on. The jokes bizarrely off color, 53 00:02:51,000 --> 00:02:52,320 Speaker 2: like the sort of jokes you find in a Seth 54 00:02:52,400 --> 00:02:55,880 Speaker 2: Rogan movie. There's a joke about mother Teresa and what 55 00:02:55,960 --> 00:02:58,239 Speaker 2: she does while she's I'm not even going to go 56 00:02:58,320 --> 00:03:01,840 Speaker 2: into it. Let's just say it is so inappropriate. I'm 57 00:03:01,880 --> 00:03:02,360 Speaker 2: not approved. 58 00:03:02,480 --> 00:03:09,840 Speaker 1: But you give them how Mary, it's definitely none is 59 00:03:09,880 --> 00:03:14,480 Speaker 1: behaving badly, and but the performances from the key cast 60 00:03:14,480 --> 00:03:15,240 Speaker 1: are all really good. 61 00:03:15,720 --> 00:03:18,240 Speaker 2: But unfortunately the dialogue is just so clunky, like it 62 00:03:18,320 --> 00:03:20,760 Speaker 2: is some of the worst dialogue you'll see in a movie, 63 00:03:21,400 --> 00:03:23,400 Speaker 2: which is just such a shame when you have these 64 00:03:23,480 --> 00:03:26,120 Speaker 2: amazing actresses and then you give them such a terrible 65 00:03:26,160 --> 00:03:29,200 Speaker 2: script to work with and it's im you know, like 66 00:03:29,240 --> 00:03:31,560 Speaker 2: they can get into trouble with the cops over over 67 00:03:31,639 --> 00:03:35,000 Speaker 2: some rubbish and then they have to will they make 68 00:03:35,040 --> 00:03:37,320 Speaker 2: it to the you know, to the wedding on time. 69 00:03:37,440 --> 00:03:40,720 Speaker 2: It's just the biggest bunch of cliches you could ever imagine, 70 00:03:41,320 --> 00:03:44,240 Speaker 2: and it doesn't really showcase their talents as well as 71 00:03:44,240 --> 00:03:44,640 Speaker 2: it might have. 72 00:03:45,680 --> 00:03:47,960 Speaker 1: You can't just get a great cast and think that's 73 00:03:48,000 --> 00:03:49,600 Speaker 1: gonna enough. 74 00:03:49,680 --> 00:03:54,000 Speaker 2: It's not enough to them. Watch all the Exotic Merrygold 75 00:03:54,000 --> 00:03:56,160 Speaker 2: Hotel movies are being into this one moment and that's 76 00:03:56,240 --> 00:03:58,320 Speaker 2: that's the thing, right crowd. The British do this type 77 00:03:58,360 --> 00:04:01,720 Speaker 2: of cinema very well. They do cater to older audiences 78 00:04:01,760 --> 00:04:03,839 Speaker 2: in a way that Hollywood hasn't been able to figure out, 79 00:04:04,360 --> 00:04:06,840 Speaker 2: and movies like Best Exotic Margot Hotel is a great 80 00:04:06,880 --> 00:04:08,680 Speaker 2: example of how to do it well. This is the 81 00:04:08,720 --> 00:04:12,560 Speaker 2: opposite spectrum, but it will still probably do well just 82 00:04:12,560 --> 00:04:15,000 Speaker 2: because there are not many options for people who want 83 00:04:15,040 --> 00:04:17,000 Speaker 2: to see people that look like them on the screen 84 00:04:17,040 --> 00:04:21,359 Speaker 2: and you're over sixty five, yeah, eighty five, yeah, and 85 00:04:21,360 --> 00:04:23,880 Speaker 2: the not going to I spoke to. I spoke to 86 00:04:23,880 --> 00:04:26,840 Speaker 2: her last week. She's doing fantastically well. Jane fond yep, 87 00:04:27,000 --> 00:04:31,000 Speaker 2: coming back, coming back from not Hodgkins last year, because 88 00:04:31,040 --> 00:04:34,480 Speaker 2: you spoke to that's I think that's the sort of 89 00:04:34,560 --> 00:04:40,159 Speaker 2: joke that was in How Many Cheeseboards book Club Nie 90 00:04:41,600 --> 00:04:47,039 Speaker 2: two and a half cheese Balls, then the dialogue thank 91 00:04:47,080 --> 00:04:47,320 Speaker 2: you bea