1 00:00:00,560 --> 00:00:05,160 Speaker 1: Read the flick with Ben Oshe Hello Ben, Hey, guys, 2 00:00:05,360 --> 00:00:07,000 Speaker 1: how you doing good now? 3 00:00:07,120 --> 00:00:10,520 Speaker 2: June? I never saw the original and I didn't see 4 00:00:10,560 --> 00:00:11,160 Speaker 2: part one. 5 00:00:11,119 --> 00:00:16,120 Speaker 3: Okay, so we relying We're relying on you, Ben. I. 6 00:00:16,120 --> 00:00:18,200 Speaker 3: I did think it would probably be a struggle for 7 00:00:18,239 --> 00:00:22,280 Speaker 3: people in your position. But the premiere in Perth happened 8 00:00:22,280 --> 00:00:24,319 Speaker 3: this week, and I've spoken to a few people since 9 00:00:24,320 --> 00:00:28,200 Speaker 3: then who hadn't seen any of the previous June, the 10 00:00:28,240 --> 00:00:31,320 Speaker 3: original David Lynch adaptation of Frank Herbert's book in nineteen 11 00:00:31,360 --> 00:00:35,960 Speaker 3: eighty four, or Denis Villeneuve's first movie, June Part one 12 00:00:36,000 --> 00:00:38,840 Speaker 3: that came out in twenty twenty one. They came into 13 00:00:38,880 --> 00:00:42,080 Speaker 3: it cold, they liked it, They got something out of it. 14 00:00:42,240 --> 00:00:44,640 Speaker 3: And that's because you know the phrase bigger than ben Hur, 15 00:00:45,440 --> 00:00:48,920 Speaker 3: which of course refers to the epic Sword and sand 16 00:00:49,040 --> 00:00:51,360 Speaker 3: Or film from back in the day. Take that phrase, 17 00:00:51,560 --> 00:00:54,360 Speaker 3: chuck it in the bin, because now it's bigger than 18 00:00:54,440 --> 00:00:55,280 Speaker 3: June Part two? 19 00:00:55,640 --> 00:00:56,600 Speaker 1: Is that is the new. 20 00:00:57,920 --> 00:01:04,679 Speaker 2: Replacing that'speaking of your Convince you? 21 00:01:04,720 --> 00:01:06,759 Speaker 3: What do I have to do to convince you? It 22 00:01:06,800 --> 00:01:10,920 Speaker 3: is in terms of a cinematic spectacle. Yeah, with the 23 00:01:11,280 --> 00:01:15,319 Speaker 3: grand monstrous, most impressive thing that I have ever seen 24 00:01:15,360 --> 00:01:19,759 Speaker 3: on a cinema string is it is on another level? 25 00:01:19,800 --> 00:01:21,480 Speaker 2: Didn't I say to you this morning? It looks good? 26 00:01:21,600 --> 00:01:27,119 Speaker 1: Yeah, it looks spectacular. It is so good. 27 00:01:27,200 --> 00:01:30,360 Speaker 3: The CG effects are so incredible that you watch some 28 00:01:30,400 --> 00:01:32,800 Speaker 3: things that you know are completely fake. Like there's one 29 00:01:32,880 --> 00:01:36,640 Speaker 3: scene where these three huge sandworms that are as big 30 00:01:36,640 --> 00:01:40,200 Speaker 3: as bigger than the Empire State, and they're rearing up 31 00:01:40,240 --> 00:01:42,360 Speaker 3: in the air before crashing into this kind of high 32 00:01:42,440 --> 00:01:45,399 Speaker 3: tech futuristic fortress. You know it's fake, you know it's 33 00:01:45,400 --> 00:01:48,960 Speaker 3: not real, but you're watching it going I'm so immersed 34 00:01:48,960 --> 00:01:53,160 Speaker 3: in this. This could be happening, you know, up. 35 00:01:55,080 --> 00:01:55,640 Speaker 2: Is this going on? 36 00:01:55,680 --> 00:01:59,600 Speaker 3: It's a pinnacles It seems so realistic. It is incredible. 37 00:02:00,080 --> 00:02:02,600 Speaker 3: It is the best CG technology ever committed to a 38 00:02:02,640 --> 00:02:06,600 Speaker 3: cinema screen, and so Denis Villanev's First June Part one 39 00:02:07,440 --> 00:02:10,560 Speaker 3: won six Oscars in twenty twenty two. A lot of 40 00:02:10,560 --> 00:02:12,919 Speaker 3: the technical stuff. It won Best Score for Hans Zimma, 41 00:02:12,919 --> 00:02:17,720 Speaker 3: Who's back again, and for its incredible CG effects. This 42 00:02:17,840 --> 00:02:22,760 Speaker 3: film is better in every way. It stars Timitate Chalomay, 43 00:02:22,919 --> 00:02:27,400 Speaker 3: who is so hot right now, as Paula Trades, who's 44 00:02:27,919 --> 00:02:31,320 Speaker 3: you know, sort of the young exiled duke of the 45 00:02:31,360 --> 00:02:34,040 Speaker 3: House at Trade's one of these great houses of the 46 00:02:34,040 --> 00:02:37,880 Speaker 3: Galactic Empire, who has been exiled on the desert planet 47 00:02:37,919 --> 00:02:40,520 Speaker 3: of Aracus, which also happens to be home to the 48 00:02:40,560 --> 00:02:44,520 Speaker 3: most valuable commodity in the universe, this thing they call spice, 49 00:02:44,560 --> 00:02:48,000 Speaker 3: which basically makes interstellar travel possible. So if whoever controls 50 00:02:48,000 --> 00:02:51,480 Speaker 3: the Spice controls interstellar travel, which is critical to know 51 00:02:51,520 --> 00:02:53,600 Speaker 3: the galactic economy or that sort of stuff. 52 00:02:53,800 --> 00:02:57,359 Speaker 1: It was like the original of Me Too, Yeah, exactly. Yeah. 53 00:02:57,400 --> 00:03:02,960 Speaker 3: And so in the first movie, his dad, Oscar Isaac 54 00:03:03,120 --> 00:03:07,120 Speaker 3: was knocked off by the evil Hearkenans and send him 55 00:03:07,240 --> 00:03:09,800 Speaker 3: young Paula trades off into the desert. So he wants 56 00:03:09,840 --> 00:03:12,640 Speaker 3: revenge in film two, and the only way he's going 57 00:03:12,680 --> 00:03:15,920 Speaker 3: to get it is if he befriends the indigenous tribe 58 00:03:15,960 --> 00:03:18,280 Speaker 3: of the planet that live in the desert. And they've mastered, 59 00:03:18,919 --> 00:03:21,919 Speaker 3: you know, sort of warfare in this very very desolate environment, 60 00:03:22,120 --> 00:03:25,280 Speaker 3: the Fremen, and the leader of the Fremen is played 61 00:03:25,320 --> 00:03:28,880 Speaker 3: by Javier Badem, and you've got Zendaya who's his sort 62 00:03:28,919 --> 00:03:32,000 Speaker 3: of love interest, another one of the Fremen people, and 63 00:03:32,040 --> 00:03:35,680 Speaker 3: they look at Paula trades as more than just this outsider. 64 00:03:35,760 --> 00:03:38,280 Speaker 3: They think that, based on this prophecy, that maybe he 65 00:03:38,280 --> 00:03:40,080 Speaker 3: could be their messiah sort of you know, like the 66 00:03:40,120 --> 00:03:44,400 Speaker 3: second Coming of Jesus kind of situation. And he is 67 00:03:44,440 --> 00:03:47,400 Speaker 3: not into it. But as the film progresses, he starts 68 00:03:47,440 --> 00:03:50,720 Speaker 3: ticking off all of these things from the prophecy that 69 00:03:50,920 --> 00:03:52,840 Speaker 3: only the Messiah is supposed to be able to do. 70 00:03:52,960 --> 00:03:54,720 Speaker 3: So all of a sudden, he gets all of this 71 00:03:54,800 --> 00:04:00,400 Speaker 3: support from this entire nation of millions of indigenous ibesman 72 00:04:00,560 --> 00:04:02,080 Speaker 3: who go, you know what, we'll fight for you. We 73 00:04:02,160 --> 00:04:06,160 Speaker 3: will go and fight these Harkenen. And because what's at 74 00:04:06,240 --> 00:04:08,920 Speaker 3: stake is the spice trade, it goes all the way 75 00:04:09,040 --> 00:04:13,360 Speaker 3: to the Emperor's attention, played by Christopher Walken, and we 76 00:04:13,400 --> 00:04:15,520 Speaker 3: we're talking about the stars in this far like it 77 00:04:15,640 --> 00:04:19,960 Speaker 3: is just it is just bonker Christopher Walken, who wasn't 78 00:04:20,000 --> 00:04:22,880 Speaker 3: in the first movie. Florence Pugh plays his daughter, wasn't 79 00:04:22,920 --> 00:04:25,440 Speaker 3: in the first movie. You've got Lea do the great 80 00:04:25,480 --> 00:04:31,560 Speaker 3: French actress. You've also got so many returning cast members, 81 00:04:31,560 --> 00:04:36,279 Speaker 3: so from Zendea, Timothy Shalla, May, Josh Brolin, Rebecca Ferguson, 82 00:04:37,200 --> 00:04:42,240 Speaker 3: Dave Battista, a really interesting character in this film is great, 83 00:04:43,760 --> 00:04:47,719 Speaker 3: absolutely well. Austin Butler from the Elvis Movielman's Elvis Movie 84 00:04:47,880 --> 00:04:52,159 Speaker 3: plays a bold psychopath, Fate Ralther, who's one of the 85 00:04:52,200 --> 00:04:57,920 Speaker 3: Harkenans who takes over this desert planet. Firstly, he's unrecognizable, 86 00:04:58,560 --> 00:05:01,440 Speaker 3: both in terms of how he looks. He's doing this 87 00:05:01,720 --> 00:05:04,200 Speaker 3: like really crazy. He's doing kind of a Stellon Scars 88 00:05:04,200 --> 00:05:06,400 Speaker 3: guard who's also in the film. He's doing his accent, 89 00:05:06,440 --> 00:05:09,520 Speaker 3: that sort of Swedish American accent, does it so perfectly. 90 00:05:10,320 --> 00:05:13,320 Speaker 3: And I'll tell you what, Austin Butler is amazing. He 91 00:05:13,480 --> 00:05:16,640 Speaker 3: is so just watchable in this film as well. And 92 00:05:16,680 --> 00:05:18,440 Speaker 3: so you've got all of this drama and people might 93 00:05:18,480 --> 00:05:20,400 Speaker 3: be listening thinking, you know what, this just sounds like 94 00:05:20,440 --> 00:05:24,799 Speaker 3: Star Wars, But that's probably because George Lucas borrowed pretty 95 00:05:24,839 --> 00:05:28,240 Speaker 3: heavily from Frank Herbert's book, which came out ten years 96 00:05:28,240 --> 00:05:29,560 Speaker 3: ten years before Star Wars. 97 00:05:29,560 --> 00:05:31,320 Speaker 1: It's this big space opera, right, and you've. 98 00:05:31,200 --> 00:05:33,920 Speaker 3: Got you know, the sort of the son who's questioning 99 00:05:34,000 --> 00:05:36,400 Speaker 3: is what's happened with his father and all this kind 100 00:05:36,400 --> 00:05:42,279 Speaker 3: of stuff, And so visually it's incredible. The cast is incredible. 101 00:05:43,160 --> 00:05:46,120 Speaker 3: It is honestly like nothing on a scale, like nothing 102 00:05:46,200 --> 00:05:49,000 Speaker 3: you've ever seen before at the movies, So. 103 00:05:48,960 --> 00:05:51,120 Speaker 1: You're not surprised people are rolling up to previews dressed up, 104 00:05:51,160 --> 00:05:53,240 Speaker 1: no question, not at all, Not at all. 105 00:05:53,480 --> 00:05:55,960 Speaker 3: And it'll be the biggest movie in the box office, 106 00:05:55,960 --> 00:05:58,000 Speaker 3: There's no doubt about that. There's not much out at 107 00:05:58,000 --> 00:06:01,360 Speaker 3: the moment, and this will just kill it internetly. It's 108 00:06:01,400 --> 00:06:04,320 Speaker 3: going to be absolutely huge, and I would encourage everybody 109 00:06:04,360 --> 00:06:05,880 Speaker 3: to see it on the biggest screen possible. 110 00:06:05,960 --> 00:06:06,200 Speaker 2: Yeah. 111 00:06:06,360 --> 00:06:10,080 Speaker 4: Yeah, I was saying earlier to Clary in the ads, 112 00:06:10,160 --> 00:06:13,480 Speaker 4: I'm intrigued. Is that oxygen that's going into there? 113 00:06:12,680 --> 00:06:16,520 Speaker 1: Yes, we weren't sure if it was because it's during. 114 00:06:16,440 --> 00:06:19,240 Speaker 2: This scene getting a vitamin B drip. 115 00:06:19,120 --> 00:06:22,599 Speaker 1: Or something they might have or something. 116 00:06:22,680 --> 00:06:25,000 Speaker 3: But now, basically the desert is so dry that they 117 00:06:25,040 --> 00:06:26,960 Speaker 3: all all the desert people wear these suits that kind 118 00:06:26,960 --> 00:06:30,560 Speaker 3: of recycle all of their bodies moisture, all of it 119 00:06:31,160 --> 00:06:33,880 Speaker 3: and including their moisture coming out of their nose. 120 00:06:34,240 --> 00:06:36,760 Speaker 4: Right, So, how many I've been there on a horse 121 00:06:36,800 --> 00:06:39,000 Speaker 4: with no names? Are you giving it? 122 00:06:39,279 --> 00:06:41,560 Speaker 3: Well, hold on to your horse, because I'm going to 123 00:06:41,560 --> 00:06:46,520 Speaker 3: give this one four and a half half four and 124 00:06:46,600 --> 00:06:49,600 Speaker 3: three quarters. Second, look, if we can do three quarters, 125 00:06:49,640 --> 00:06:52,200 Speaker 3: I'll give it four and three quarters. All new records 126 00:06:52,320 --> 00:06:54,760 Speaker 3: four and three quarters. Let's give it four and three quarters. 127 00:06:54,960 --> 00:06:57,400 Speaker 3: Just one tiny little thing at the end knocks it off. Well, 128 00:06:58,560 --> 00:07:00,880 Speaker 3: just it's one of those kind of gimactic scenes that 129 00:07:00,920 --> 00:07:02,760 Speaker 3: I can see what the director was doing. He wanted 130 00:07:02,760 --> 00:07:05,360 Speaker 3: it to be a bit suspenseful and no no, so 131 00:07:05,680 --> 00:07:07,440 Speaker 3: the audience thinks something and then it turns out to 132 00:07:07,440 --> 00:07:09,039 Speaker 3: be something else. But if it had just been a 133 00:07:09,040 --> 00:07:10,440 Speaker 3: bit maybe more obvious, I think it. 134 00:07:10,400 --> 00:07:10,760 Speaker 1: Would have been. 135 00:07:11,200 --> 00:07:14,520 Speaker 2: Well that you have hooked me through act for us. 136 00:07:14,640 --> 00:07:17,320 Speaker 1: It's also three hours long, so okay, and no lightsabers. 137 00:07:17,360 --> 00:07:19,040 Speaker 3: Right, yeah, yeah, you might need one of those suits 138 00:07:19,040 --> 00:07:20,360 Speaker 3: that recycle stuff. 139 00:07:20,760 --> 00:07:24,440 Speaker 1: If you have a jumbo can, it's not recycling. Thank you, Ben, 140 00:07:24,840 --> 00:07:25,520 Speaker 1: Thanks guys,