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Speaker 1: Powered by the radio wapp from ninety six AIRVM to

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Speaker 1: whereever you're listening today.

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Speaker 2: This is Clearzy and Leasa's podcast.

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Speaker 3: On the podcast today, ben O'Shea talks up the new

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Speaker 3: paulmers Skull movie Carmen.

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Speaker 4: Look well you organized bring a plate this morning? It

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Speaker 4: was the most unusual number plates.

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Speaker 2: The Emmy nominations are out. We ran through a few.

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Speaker 4: Of those in the Sure report and no kissing goodbye

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Speaker 4: for too long at the airport or you can charge

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Speaker 4: six dollars.

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Speaker 3: The Transport Powers that be have revealed Way's worst and

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Speaker 3: best personalized number plates mass murder, drinking, to excess and pornography.

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Speaker 2: Some of the references deemed too rude do what a surprise?

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Speaker 3: But over twelve months, thirty seven thousand applications were made

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Speaker 3: for personalized number plates. Almost one thousand were deemed too offensive.

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Speaker 3: That's a lot, isn't it. Thirty seven thousand applications. A

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Speaker 3: majority of customized plate holders and men. They make up

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Speaker 3: seventy one percent of the market and the average age

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Speaker 3: of people who want a personalized plate is forty one.

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Speaker 3: Almost eleven percent belong to businesses. Well that makes sense,

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Speaker 3: turns their car into a bit of a mobile billboard.

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Speaker 3: They're also a bit suburb specific. Bowl Divers has the

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Speaker 3: most number of customized plates in town and regionally. Bumbrey

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Speaker 3: and Geraldton Wow top the list. So rejected genocide, well,

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Speaker 3: that speaks for itself. Sourced rampaged drug references are also

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Speaker 3: off the table.

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Speaker 2: But don't despair. We can tell just from the way

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Speaker 2: you drive. You don't have to have advertise it on

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Speaker 2: your plates.

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Speaker 4: Is a good one.

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Speaker 2: Uru Mate, which is double O double O M eight

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Speaker 2: is listed as one of the more creatives. I thought

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Speaker 2: we could get a bit more creative than that you.

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Speaker 4: Would have thought, so, I wouldn't it Bloren?

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Speaker 2: You do an apostrophe though a personal bloren s p

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Speaker 2: l O R.

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Speaker 4: I n just leave it out.

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Speaker 2: That's that they reckon. That's a good one. And was

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Speaker 2: his toy? Was his toy? Well, I guess that's a

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Speaker 2: got that in the divorce.

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Speaker 4: Yes, you do. You do see them too when they've

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Speaker 4: been brought quite often for you know, well, to do kids.

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Speaker 4: The car has been brought for them. You can tell

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Speaker 4: by the car it might be a beam or something.

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Speaker 3: Is there anything more gross than seeing pea plates on

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Speaker 3: a Porsch?

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Speaker 5: Now?

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Speaker 4: I see it and I go, oh, Daddy's girl or

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Speaker 4: something like that. I did see one of the lights dailies.

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Speaker 4: I was sitting at the lights of Glendo. That's pretty

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Speaker 4: wrong in it. I saw a pink car I think

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Speaker 4: it was a convertible and it had angel baby. Then

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Speaker 4: the car was bright pink, and I went, I guess

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Speaker 4: it's the Barbie movie.

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Speaker 6: Have it been for?

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Speaker 2: Just That's what I meant. You a lot of cars

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Speaker 2: just the look at them or the way you drive

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Speaker 2: says it all. You don't have to write it on

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Speaker 2: your number plate. That would be an example of it.

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Speaker 4: Yeah, they seem to have grown in popularity, haven't they.

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Speaker 4: What's that they're actually getting personalized plates?

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Speaker 3: Well, remember back in Ida you had to you still

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Speaker 3: had to have a certain number of be it letters

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Speaker 3: or numbers on your plate, so you were limited and

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Speaker 3: they had to be a mix of letters and numbers.

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Speaker 2: Now you can, I think, just have all letters.

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Speaker 4: Let me completely creative.

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Speaker 3: And so you had to make, you know, ease out

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Speaker 3: of threes and stuff, and.

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Speaker 2: It was all a bit awkward. I think we can

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Speaker 2: do a lot better than U.

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Speaker 3: Mate was the best or the very at the very

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Speaker 3: least the most.

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Speaker 2: Unusual number plate. Do you have seen Ron in around?

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Speaker 7: Hello?

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Speaker 5: Ron, Good morning guys.

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Speaker 2: How are you going good on the road A bit?

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Speaker 2: I've pulled up behind a few good ones.

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Speaker 5: Well, this is a friend of mine back in California.

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Speaker 5: He had a nice heart ride and it was kind

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Speaker 5: of a It was an odd looking hot ride, but

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Speaker 5: he wanted a different type of plate, so we ended

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Speaker 5: up getting Unique. The only problem was when he put

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Speaker 5: the licenses on his career says, you know that actually

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Speaker 5: looks like unique.

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Speaker 2: Oh no, that's not what he was going forth like.

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Speaker 2: Stuck with it for three years because he ended up

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Speaker 2: changing to point it out wrong. I want to be

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Speaker 2: to pay twice like a good idea at the time.

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Speaker 4: Thanks your run every good day.

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Speaker 2: It's a fun line.

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Speaker 4: Yeah, you're gonna be careful, don't you remember? I had

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Speaker 4: a number plate with c w D at one stage,

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Speaker 4: which was not a personalized and all every someone pointed

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Speaker 4: out and goes all that looks like coward and I

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Speaker 4: think so much, thinks some being self deservant.

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Speaker 2: Sell your car.

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Speaker 3: Glenn in Byford, Hello, Hello, are you good? What's the

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Speaker 3: best number play you've seen?

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Speaker 2: Glenn? For you? Bye?

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Speaker 3: For you babe?

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Speaker 4: Oh well that's some explanatory, isn't it. What did you think, Glenn?

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Speaker 4: You have a chuckle. I had a bit of a chuck.

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Speaker 5: Call me and the wife in the car and every

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Speaker 5: time we drive down the Tompkin Hallway.

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Speaker 2: Now it's for you, babe, you.

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Speaker 4: Know, for you, babe.

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Speaker 2: You thank Glenny.

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Speaker 4: Looks so romantic.

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Speaker 2: Simon in margin up, what have you seen?

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Speaker 5: Cop camera? Some time back?

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Speaker 4: And the boss had some plates that I've been trying

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Speaker 4: to get ever since.

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Speaker 6: Every in w A it's six s U L.

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Speaker 4: D V eight.

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Speaker 2: I have to write it down six.

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Speaker 4: You explain them a bit slow.

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Speaker 2: dB eight oh V eight six six shield Yes, a

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Speaker 2: bit of a code to crack paper. People put a

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Speaker 2: lot of thought into it, don't they.

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Speaker 3: There's a are you in South Australia that's got NRH

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Speaker 3: that's pretty Australian.

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Speaker 2: Ye yeah no, there you go, thanks Simon.

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Speaker 4: Not if anyone's tried the old for the ad be,

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Speaker 4: it'd be someone absolutely Yeah, car.

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Speaker 2: Yeah, good, thank you. What have you seen? Carl?

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Speaker 8: Extractly? My brother in law was Silverado.

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Speaker 4: His license plate number is.

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Speaker 2: Compensating, compensating, compensating, Yeah.

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Speaker 8: Yeah, if you throw me's only like five nothing. That's

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Speaker 8: like a little child saying next to this monster nic

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Speaker 8: it's a great less but.

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Speaker 2: Yeah, that's true, that's true. Thanks Carl. That's great.

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Speaker 3: No worries, Greg and Rockingham. What's a great number plate

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Speaker 3: you've seen? I hate my head, I hate.

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Speaker 6: I hate y X.

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Speaker 4: Absolutely work on into that one.

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Speaker 2: Great thanks Greg, Nikky in Hal's head. Hello, what have

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Speaker 2: you seen?

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Speaker 8: Good morning?

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Speaker 7: I didn't actually see it, but my partner, who's very.

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Speaker 2: Naughty, has muscle cars.

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Speaker 9: Yeah, he's online looking up watch what's available, and he

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Speaker 9: said we need something really dirty because it's a muttle car.

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Speaker 4: So tea bagger was available.

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Speaker 2: Oh yeah, oh very lovely.

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Speaker 4: I said to him, you get that. I will never

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Speaker 4: get in the car.

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Speaker 2: It enjoys the last couple of el gray does he? Apparently?

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Speaker 2: I'll see you there. I'll take the bus.

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Speaker 4: You have the last tang?

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Speaker 2: Thanks Nick.

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Speaker 4: N Least he just saw what was available to don't

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Speaker 4: necessarily get.

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Speaker 2: It that, Maxie and Success, what have you seen?

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Speaker 4: I was just driving on the banana now and the

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Speaker 4: car next to me.

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Speaker 2: Can you see me? Can you see me?

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Speaker 4: Can you see me?

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Speaker 2: So look.

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Speaker 4: Quite a bit? Can you see me?

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Speaker 5: Yeah?

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Speaker 4: Make you smile? Maxian yeah, sometimes I amuse us, but

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Speaker 4: that can you see?

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Speaker 2: Thanks Maxie, Thank.

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Speaker 1: You the Sure Report on ninety six air FM.

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Speaker 3: This year's Emmy Award nominations have been announced. Not surprisingly,

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Speaker 3: Succession leads the way with twenty seven nominations. All the

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Speaker 3: main actors, including Ozzie Sarah Snook, are in the running,

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Speaker 3: and the show is of course up for Best Drama.

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Speaker 3: It's up against the likes of The White Lotus, The

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Speaker 3: Last of Us and perennial favorite Better Call Saul my

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Speaker 3: favorite show of the year. Beef has done alright. It's

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Speaker 3: up for Best Limited Series and all the main players

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Speaker 3: like Ali Wong, but Best Actor nominations.

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Speaker 2: It's also in for a few directing and writing. Definitely

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Speaker 2: should win some writing awards. It's very clever. The Best

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Speaker 2: Supporting Actor category. Now, this is it, this is what

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Speaker 2: I've been doing. This, This is something I have never

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Speaker 2: seen before.

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Speaker 3: There's eight nominations for Best Supporting Actor and it is

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Speaker 3: literally a case of the White Lotus versus Succession. Four

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Speaker 3: White Lotus supporting actors are nominated and four Succession supporting

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Speaker 3: actors are nominated.

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Speaker 2: Never ever, ever have I seen that before.

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Speaker 4: That is incredible.

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Speaker 3: You know what I mean there are like three the

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Speaker 3: three top guys in succession are all up for Best Actor.

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Speaker 3: That happens a bit when you've got a couple of

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Speaker 3: good actors in one show. But for it to be

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Speaker 3: straight down the middle just two shows amazing, credible. So

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Speaker 3: the AEMI ceremony is usually in September, but could be

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Speaker 3: delayed this year by the continuing writers strike and now

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Speaker 3: the potential actors strike. Now they are having meetings today

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Speaker 3: a SAG you know, the Screen Actors Guild and the

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Speaker 3: other actors unions. This is over TV streaming compensation and

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Speaker 3: perhaps even more importantly, safeguarding or safeguards over the use

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Speaker 3: of AI artificial intelligence. Now, if you've seen the first

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Speaker 3: episode in season six of Black Mirror, you will see

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Speaker 3: you will agree that it's some scary, scary stuff, scary.

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Speaker 4: Zone we're moving into.

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Speaker 2: It is a very.

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Speaker 3: Very scary zone that we're moving into. So we need

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Speaker 3: some pretty clear guidelines before things kick off. So the

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Speaker 3: likes of when I say actors strike, the likes of

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Speaker 3: Meryl Streep, and you know, we're talking that caliber of

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Speaker 3: actor talking about walking out of whatever it is that

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Speaker 3: they're working on.

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Speaker 4: The script down and.

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Speaker 2: So potentially Hollywood could be a bit of a mess

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Speaker 2: second half of this year.

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Speaker 4: To lay a whole lot of productions. Really, maybe I

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Speaker 4: need some bad actors to go over there.

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Speaker 2: To cross I'm really great rolling filled in by some degrader.

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Speaker 7: Oh.

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Speaker 3: There's been a decision in the Aretha Franklin will dispute

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Speaker 3: between in her sons. The court has ruled that the

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Speaker 3: handwritten will that was literally found in Aretha's couch cushion

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Speaker 3: is in fact Vallid. The jury deliberated for less than

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Speaker 3: an hour before deciding that will shows her intent. It

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Speaker 3: was written and signed in twenty fourteen, but not found

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Speaker 3: until twenty nineteen, the year after she died.

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Speaker 2: He's doing the cleaning of the stuff.

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Speaker 3: It names different sons as executors to the more formal

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Speaker 3: version of her will that had been written in twenty ten. Okay,

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Speaker 3: but even though it was handwritten and shoved in the

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Speaker 3: back of the couch, that's the one they've said that

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Speaker 3: they think, you know, is what she intended. And Tom

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Speaker 3: Cruise has revealed tentative progress is being made on his

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Speaker 3: ambitious space film project. His plan to film in Out

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Speaker 3: of Space in partnership with Elon Musk's SpaceX.

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Speaker 6: Space the final up frontier.

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Speaker 3: The original news came out in twenty twenty, with the

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Speaker 3: film's initial space launch planned for October twenty twenty one,

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Speaker 3: but delays pushed it back, resulting in Rusha's challenge becoming

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Speaker 3: the first film to shoot an actor in space not shooting.

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Speaker 3: Tom would like to shoot that actual No, I likes

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Speaker 3: to get beat into the punch. But now while promoting

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Speaker 3: the new Mission Impossible movie, Tom admitted the final timeline

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Speaker 3: for shooting in space is still uncertain, but confirmed his

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Speaker 3: commitment to making it happen.

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Speaker 2: Is still there.

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Speaker 4: I'm sure we'll hear about it on Twitter for me

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Speaker 4: on as on stage.

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Speaker 2: No doubt. IM will tell you all about it too, will.

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Speaker 1: More Lisa, more podcasts soon.

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Speaker 3: Okay, so be warned as of I think it's August

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Speaker 3: next month, you're gonna have six minutes to drop off

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Speaker 3: or pick up someone from the Perth Airport if you

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Speaker 3: don't plan on going into the car park and ranking

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Speaker 3: and doing it that way. New changes to Perth Airport.

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Speaker 3: It means you'll be charged if you take longer than

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Speaker 3: six minutes. In the x breass pick up and drop

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Speaker 3: off areas at t three and T four. You'll know

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Speaker 3: where that is if you're doing this a lot, especially

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Speaker 3: I expect dropping off and picking up five FO workers

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Speaker 3: as who This would really apply to a lot of

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Speaker 3: people just traveling, you know, into state for.

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Speaker 2: Business. The system has.

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Speaker 3: Been used at T two for a few years already,

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Speaker 3: but PERAP Airport Acting CEO Kate Holsgrove says the goal

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Speaker 3: is to reduce congestion and allow quick access to the

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Speaker 3: drop off areas. The express pickup and drop off system

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Speaker 3: especially reduces over stays, but it operates with license plate

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Speaker 3: recognition and no tickets are needed. If you overstay the

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Speaker 3: six minute time frame that's going to be in place

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Speaker 3: from next month, the boomgate won't go up, oh dear,

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Speaker 3: and you'll need to pay on exit A six dollars

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Speaker 3: for the initial overstay and then after that it goes

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Speaker 3: up to about twelve dollars.

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Speaker 4: So the time you drive in and they it takes

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Speaker 4: a little photo of you license, you're in the system.

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Speaker 3: Curious as to how I'm a bit confused as to

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Speaker 3: how it works. I mean I remember back in the

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Speaker 3: you know, once upon a time you can sort of

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Speaker 3: skirt around the airport avoiding the car parks if you

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Speaker 3: wanted to just quickly drop someone off and did.

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Speaker 4: It last month Laurie went away and I did it.

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Speaker 3: Yeah, you could do that well up in front of

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Speaker 3: the terminal. So where is this boomgate? Is this boomgate

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Speaker 3: something that's there now or is this something that's going

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Speaker 3: to be in place from next month? Is there going

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Speaker 3: to be a way of trapping They're going to be

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Speaker 3: no escape?

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Speaker 4: I think anyone does the case.

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Speaker 3: Anyone is familiar with this area that we're talking because

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Speaker 3: I'm not quite getting it, give us a call and

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Speaker 3: tell us exactly what's happening.

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Speaker 4: To say that once you're in the system and they

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Speaker 4: will be a boomgate there to stop me from going out.

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Speaker 4: It's a bit rough, isn't it. I mean six minutes

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Speaker 4: is not that long. I guess it's for people who

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Speaker 4: faff around a bit with their bags and that it's

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Speaker 4: a problem if you've got I'm all for speeding up,

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Speaker 4: of course. Yeah.

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Speaker 2: I don't like being kept waiting by faffas.

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Speaker 4: Yeah, it's going to cause problems.

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Speaker 2: Now it doesn't take six minutes to get your bag

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Speaker 2: out of the boot.

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Speaker 4: Yeah. It might also stop passionate lovers from doing the

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Speaker 4: long embrace.

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Speaker 2: That would be annoying.

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Speaker 4: The long embrace, it goes for more than six minutes,

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Speaker 4: like they're breathless. If you've got more luggage than Stevie

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Speaker 4: Nicks when she's on tour.

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Speaker 2: It's a call Phil in w Let's see what Phil says.

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Speaker 5: Right there?

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Speaker 2: You go, Hi, what can you clear this up? What

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Speaker 2: are we dealing with here? What's going on?

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Speaker 9: Well, we were picking up my daughter, yes, and we

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Speaker 9: drove in through the area yep, and she wasn't ready yet,

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Speaker 9: so we drove out in there for less than two minutes.

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Speaker 9: Yeah okay, and then she said she was ready, so

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Speaker 9: we drove in, she hopped in the car and drove out. Yeah,

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Speaker 9: less than again six thanks for coming.

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Speaker 4: Oh really okay, so you've been recognize you played from

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Speaker 4: so recently?

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Speaker 9: Yeah, well that's what I reckon that we know how

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Speaker 9: they did, but it must be played recognition and that's

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Speaker 9: a cumulated so yeah.

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Speaker 2: Oh my god.

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Speaker 4: So the book is already there, you feel, Yeah, okay,

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Speaker 4: So if you normally go through that, you go through

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Speaker 4: the boomgate for free. But you you got the six

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Speaker 4: bucks because it was six minutes in terms more than Yeah,

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Speaker 4: that's right.

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Speaker 3: Wow, there's no just doing a lapp and picking someone

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Speaker 3: up anymore, is there?

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Speaker 4: No?

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Speaker 2: No thanks Phil?

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Speaker 4: You feel thanks?

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Speaker 3: Make you take the bus next time with your luggage.

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Speaker 2: There's a bus to the airport now.

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Speaker 4: So does this move to primary school car parks? Now?

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Speaker 4: For the kiss and ride you get a six minute

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Speaker 4: limit dropping your kids and you know there's clinging parents,

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Speaker 4: especially early.

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Speaker 2: In term, and all of them in a four wheel drive.

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Speaker 4: Of course.

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Speaker 3: Is there a parent in Perth that doesn't drive a

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Speaker 3: four wheel drive?

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Speaker 4: Yeah, we'll hand the card down to the kids.

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Speaker 2: Oh my god.

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Speaker 4: Yeah, they all kiss and ride?

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Speaker 2: Lily, Hi, how are you hi? Lily?

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Speaker 3: So this this system is going to be in place.

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Speaker 3: It's already in place at T two, but it's going

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Speaker 3: to be in place at T three and four from

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Speaker 3: next month. There is something that affects you. You drop

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Speaker 3: ubb off for five fox, I.

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Speaker 2: Do, yes, a T two yeah, and get at it.

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Speaker 7: Yeah yeah, But I mean they're saying that it's supposed

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Speaker 7: to be better traffic flow than all the rest of that,

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Speaker 7: but it just isn't. So many of us that's dropping

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Speaker 7: off partners, and even if you give each other quick

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Speaker 7: huge cais goodbye and can and go before you get

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Speaker 7: to the boon gate.

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Speaker 2: Right, So there's there's chewing up in minutes.

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Speaker 7: Yeah, you've got three boon goates to get through, and

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Speaker 7: you're right onto a roundabout into a second a single name.

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Speaker 4: It doesn't bottle nicking from the start, and you can't

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Speaker 4: get through that little.

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Speaker 7: Absolutely if you come from Grogen, which is where we

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Speaker 7: are coming from, onto that massive big ground about there

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Speaker 7: that's got of branches off to highways and whatever. I've

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Speaker 7: been on the roundabout waiting.

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Speaker 2: Right so' and you're getting slow every week?

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Speaker 7: No, no, thankfully, thankfully I've not. But it's not the

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Speaker 7: flow isn't there.

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Speaker 2: It's not working.

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Speaker 4: Yeah, okay, and imagine there'll be some discribed people and

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Speaker 4: four yeah, and when people start getting fine, there will

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Speaker 4: be some unhappy people leaving those carpopes.

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Speaker 3: But I mean, you know, as Lily says, it's not

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Speaker 3: her fault if she's waiting in the queue to get

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Speaker 3: out through the boom gate. I mean she's she's got

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Speaker 3: him out, she's trained him to, you know, start getting

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Speaker 3: out before him. He's not done her, bitch.

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Speaker 4: Yeah, not good.

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Speaker 2: But the bank has gone out the window after it.

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Speaker 4: Actually, you should be angry voice wise, Lily, he's sounding

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Speaker 4: very calm.

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Speaker 2: It's what it is. It doesn't work. I don't know

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Speaker 2: who thought that up.

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Speaker 7: You know, three boom gays around.

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Speaker 3: About and on the second l there's not rocket sized

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Speaker 3: the opening credits of Get Smart to try to get

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Speaker 3: it excellently.

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Speaker 1: More clezy. Lisa podcasts Bread the Flick with Ben O

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Speaker 1: on ninety six FM.

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Speaker 2: Hi Ben, Hello, So I'm a girl, So sorry, and

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Speaker 2: I have noticed so I, like most of the females

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Speaker 2: of the world, watched Normal People and there was this

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Speaker 2: young fellow, Paul mescal who is just this unassuming spunk.

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Speaker 2: There is something about.

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Speaker 3: You hot right now that we all fell in love

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Speaker 3: with it. Now he's everywhere he is well.

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Speaker 6: He got an Oscar nomination last year for the indie

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Speaker 6: movie After Stunt After Sun, which is an extremely small movie.

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Speaker 6: Not a lot of people watched it until he got

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Speaker 6: that Oscar nomination, and then I think plenty of people

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Speaker 6: did after that. And you know, he played a sort

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00:19:50,320 --> 00:19:53,040
Speaker 6: of a troubled dad who was on a holiday with

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Speaker 6: his young daughter. It's a very kind of, you know, poignant,

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Speaker 6: somber film, but he was fantastic in it. He's in

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Speaker 6: a new movie. It's a very loose adaptation of Carmen.

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Speaker 6: And I know les like sometimes I bring you these

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Speaker 6: blockbusters and transformers and things like that, and I can

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00:20:09,080 --> 00:20:11,080
Speaker 6: tell you know, maybe your eyes gloze over a little

411
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Speaker 6: bit sometimes, But this one I know you're going to

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Speaker 6: be very interested in, honestly because of Paul mescal And

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Speaker 6: I can tell you so he plays and the tenuous

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Speaker 6: link Carmen, well it is tenuous. So the director Benjamin

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Speaker 6: Milpied French ballet dancer and choreographer whose claim to fame

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Speaker 6: he got too. Claim to fames one was that he

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Speaker 6: was the bloke who choreographed the ballet in Black Swan fantastic,

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Speaker 6: and that's where he met his wife, on Natalie Portman.

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Speaker 4: So there you go.

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Speaker 6: So he's Natalie Portman's hubby and this is his first feature.

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Speaker 6: So he set out to make an adaptation of the

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Speaker 6: classic opera Carmen. But as he got in the development process,

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Speaker 6: he realized that he didn't really like the idea of

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Speaker 6: the tragic end of Carmen, where you know, the men

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Speaker 6: who love her think she's so beautiful they can't let

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Speaker 6: her live basically, and they knock her off. He just

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Speaker 6: didn't think that was that was really something that really

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Speaker 6: really floated his boat. In this modern age.

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Speaker 2: It was problematic, it's been problematic, but it was a

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Speaker 2: story of its start.

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Speaker 6: Yeah, nineteenth century times are different back then, and so

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Speaker 6: he wanted to write a film where Carmen, the central character,

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Speaker 6: comes out on top, even though similar similar sort of thing, like,

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Speaker 6: she's very central character and a guy sort of completely

435
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Speaker 6: falls head over heels and kind of, you know, throws

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Speaker 6: away his life and duty, which is what Paul Mescal's

437
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Speaker 6: character does. So Carmen played by Melissa Barrera from the

438
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Speaker 6: last two screen movies and In the Heights the musical

439
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Speaker 6: adaptation of Lin Manuel's musical, and she was great in

440
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Speaker 6: that she plays Carmen, a young Mexican woman who's escaping

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Speaker 6: a drug cartel flees illegally into America across the border,

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Speaker 6: which is where she encounters this group of American militia

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Speaker 6: who were patrolling the you know, the border wall, and

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Speaker 6: one of them is Paul Mescal, a return marine who's

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Speaker 6: dealing with PTSD. Kind of a bit mixed up. There's

446
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Speaker 6: something happens, someone is killed, and Paul Mescal's aidan character

447
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Speaker 6: and Carmen have to go on the run together despite

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Speaker 6: not really having a lot of trust and respect for

449
00:22:17,680 --> 00:22:19,879
Speaker 6: each other. But then over time they sort of, of

450
00:22:19,920 --> 00:22:22,399
Speaker 6: course romantic feelings start to develop. They end up in

451
00:22:22,480 --> 00:22:27,520
Speaker 6: Los Angeles in a flamenco club run by Carmen's kind

452
00:22:27,520 --> 00:22:31,080
Speaker 6: of estranged Auntie, who's played by Rossi Depama, who's one

453
00:22:31,080 --> 00:22:35,520
Speaker 6: of Pedro Moldova's great muses from all Spanish greats. You know,

454
00:22:36,840 --> 00:22:40,119
Speaker 6: her face is see and she's amazing this as well, right,

455
00:22:40,760 --> 00:22:43,800
Speaker 6: and so then it kind of unfolds from there. It's

456
00:22:43,840 --> 00:22:46,200
Speaker 6: a very conceptual work. That's the one thing I will

457
00:22:46,200 --> 00:22:50,000
Speaker 6: say about this film. So I guess Benjamin the director

458
00:22:50,040 --> 00:22:52,240
Speaker 6: has taken a bit of inspiration from Black Swan, where

459
00:22:52,280 --> 00:22:56,159
Speaker 6: not everything was as it seems. Occasionally they kind of

460
00:22:56,160 --> 00:22:59,320
Speaker 6: break spontaneously into dance routines, which is not going to

461
00:22:59,320 --> 00:23:01,680
Speaker 6: be to everybody taste. Some people are going to watch

462
00:23:01,680 --> 00:23:03,399
Speaker 6: it and going to find that a bit frustrating. I

463
00:23:03,440 --> 00:23:07,160
Speaker 6: think that it's not just a more straightforward narrative. But

464
00:23:07,560 --> 00:23:10,800
Speaker 6: Melissa is phenomenal as calm, and she really is brilliant

465
00:23:10,840 --> 00:23:13,640
Speaker 6: and Paul Mescal if you're a Paul Mescal fan, oh

466
00:23:13,720 --> 00:23:16,000
Speaker 6: my gosh, be still your beating heart. Like, all I

467
00:23:16,040 --> 00:23:18,359
Speaker 6: need to tell is there's a scene where he's sitting

468
00:23:18,359 --> 00:23:21,560
Speaker 6: by a campfire playing an acoustic guitar, singing a song

469
00:23:21,960 --> 00:23:24,679
Speaker 6: he will melt hearts. And also he's dancing without his

470
00:23:24,720 --> 00:23:27,199
Speaker 6: shirt on. So there's a few things going on in

471
00:23:27,200 --> 00:23:31,760
Speaker 6: this film that you might be interested in. And it's

472
00:23:31,800 --> 00:23:34,600
Speaker 6: beautiful shot. It's beautifully shot as well. It was made.

473
00:23:34,680 --> 00:23:37,080
Speaker 6: It was made in and around Broken Hill in New

474
00:23:37,119 --> 00:23:37,600
Speaker 6: South Wales.

475
00:23:38,840 --> 00:23:40,399
Speaker 4: Kidding, I didn't know that it was.

476
00:23:40,480 --> 00:23:42,880
Speaker 6: It's meant to be Texas and Los Angeles, but shot

477
00:23:42,960 --> 00:23:46,360
Speaker 6: and broken Do you know why? Because Portman was here

478
00:23:46,440 --> 00:23:49,240
Speaker 6: shooting thor Love and Thunder. You brought the family over

479
00:23:49,520 --> 00:23:51,840
Speaker 6: and so Benjamin, Natalie Portman's hubby, is like, oh, I

480
00:23:51,840 --> 00:23:57,240
Speaker 6: guess making my film here as well.

481
00:23:57,480 --> 00:23:59,840
Speaker 2: All right, well, how many Tory Adores are you?

482
00:24:00,080 --> 00:24:03,480
Speaker 6: Victory does what a great song. So it probably doesn't

483
00:24:03,520 --> 00:24:06,399
Speaker 6: quite get to where it needs to because of the conceptual,

484
00:24:06,480 --> 00:24:08,440
Speaker 6: but it's so beautiful and the performances are great. I'm

485
00:24:08,440 --> 00:24:10,119
Speaker 6: going to give this a very solid three star. Just

486
00:24:10,240 --> 00:24:12,560
Speaker 6: lead yourself in it, lose yourself. Yeah, I love it.

487
00:24:12,880 --> 00:24:16,080
Speaker 6: Ridley Scott also loves Sir Paul Meska Lovely Gladiated two coming.

488
00:24:15,960 --> 00:24:19,080
Speaker 4: Up next year. All right, you Ben, thanks bad days guys.

489
00:24:19,200 --> 00:24:22,200
Speaker 4: At least thirty eight years ago today, after the success,

490
00:24:22,200 --> 00:24:24,800
Speaker 4: of course of the band Aid single, Bob geldof Mide

491
00:24:24,960 --> 00:24:27,280
Speaker 4: wanted to do more. They wanted to raise more money

492
00:24:27,280 --> 00:24:29,439
Speaker 4: and they raised over one hundred and fifty million bucks

493
00:24:29,480 --> 00:24:32,600
Speaker 4: by putting together this incredible concert which was thirty eight

494
00:24:32,680 --> 00:24:35,080
Speaker 4: years ago for African famine relief, and it was called

495
00:24:35,119 --> 00:24:35,399
Speaker 4: Live A.

496
00:24:35,520 --> 00:24:37,159
Speaker 3: I mean, one hundred and fifty million dollars is a

497
00:24:37,160 --> 00:24:42,520
Speaker 3: lot now, let alone that it was pounds too, yeah, pounds, yes,

498
00:24:42,640 --> 00:24:44,320
Speaker 3: So an incredible effort.

499
00:24:44,560 --> 00:24:44,840
Speaker 5: Yeah.

500
00:24:45,240 --> 00:24:47,239
Speaker 4: You had the two stadiums. The old Wembley Stadium had

501
00:24:47,240 --> 00:24:50,720
Speaker 4: seventy something thousand people and then JFK Stadium in Philadelphia

502
00:24:50,800 --> 00:24:54,080
Speaker 4: had ninety found nearly ninety thousand people, and the lineups

503
00:24:54,080 --> 00:24:55,520
Speaker 4: were incredible.

504
00:24:54,960 --> 00:24:58,919
Speaker 3: And again at the time a strategic you know, incredible

505
00:24:58,960 --> 00:25:02,120
Speaker 3: and who was it the plate both film he jumped

506
00:25:02,119 --> 00:25:05,760
Speaker 3: on the concord, Yeah, yeah, amazing werew.

507
00:25:05,600 --> 00:25:08,440
Speaker 4: Across and when he got to the States, he played

508
00:25:08,440 --> 00:25:12,280
Speaker 4: with led Zeppelin because they needed a drumm. I know,

509
00:25:12,440 --> 00:25:15,080
Speaker 4: so bizarre, but you had status quo kicked off things

510
00:25:15,080 --> 00:25:17,320
Speaker 4: at Wembley Stadium were rotten all over the world, and

511
00:25:17,320 --> 00:25:20,320
Speaker 4: of course Bob changed the lineup so Boomtown Rats were

512
00:25:20,320 --> 00:25:22,639
Speaker 4: in a place when Diana was in the crowd, Diana

513
00:25:22,680 --> 00:25:25,680
Speaker 4: and Charles. He changed the lineup. When it's your gig,

514
00:25:26,160 --> 00:25:28,280
Speaker 4: Miduer with Ultravox, of course, and we had spanned out

515
00:25:28,320 --> 00:25:31,560
Speaker 4: ballet Phil Collins before he flew with Sting and we

516
00:25:31,640 --> 00:25:33,680
Speaker 4: had U two and of course that Queen set.

517
00:25:33,520 --> 00:25:38,080
Speaker 3: Everyone's familiar would be amazing Queen set that was re

518
00:25:38,160 --> 00:25:41,120
Speaker 3: enacted in the last fifteen minutes of the movie and.

519
00:25:41,040 --> 00:25:43,240
Speaker 4: The finale with Paul McCartney and all his famous mates

520
00:25:43,320 --> 00:25:46,960
Speaker 4: up there and JFK the Hooter's got a gig and

521
00:25:47,160 --> 00:25:50,200
Speaker 4: because they were from Philadelphia, simple Minds of the Pretenders

522
00:25:50,200 --> 00:25:53,240
Speaker 4: were both both in Stateside at the time. Yeah, Madonna

523
00:25:53,280 --> 00:25:54,960
Speaker 4: played with the Thompson Twins.

524
00:25:55,240 --> 00:25:57,800
Speaker 2: And that would have been something.

525
00:25:57,720 --> 00:26:00,280
Speaker 4: Run around doing a version of Revolution, which yeah, pretty

526
00:26:00,280 --> 00:26:02,600
Speaker 4: mind blowing and a bit loose. Of course, Neil Young

527
00:26:02,720 --> 00:26:05,320
Speaker 4: was there and so many more. I mean, Bowie was in,

528
00:26:05,640 --> 00:26:08,520
Speaker 4: bou was in at Wembley.

529
00:26:08,160 --> 00:26:10,639
Speaker 2: Elton John and George Michael doing that.

530
00:26:10,960 --> 00:26:12,680
Speaker 3: We talked about this when we talked about the Wham

531
00:26:12,760 --> 00:26:16,960
Speaker 3: film documentary the other day that they you know, and

532
00:26:16,960 --> 00:26:20,199
Speaker 3: Andrew Ridgeley Sosa because they said to Andrew you can

533
00:26:20,240 --> 00:26:21,280
Speaker 3: sing the backup if you like.

534
00:26:21,359 --> 00:26:24,280
Speaker 2: It's like, no, this is George's moment. Yeah, George's moment

535
00:26:24,320 --> 00:26:24,800
Speaker 2: with Elton.

536
00:26:25,040 --> 00:26:26,679
Speaker 4: Yeah, so the world could see him. And of course

537
00:26:26,760 --> 00:26:29,040
Speaker 4: we were reminded of it when Tina Turner passed Mick

538
00:26:29,119 --> 00:26:32,800
Speaker 4: and Tina together Mick Jagger Tina Turner on stage doing

539
00:26:32,800 --> 00:26:34,919
Speaker 4: State of Shops in the US one they were in

540
00:26:34,920 --> 00:26:36,960
Speaker 4: the state So that was just incredible. And I do

541
00:26:37,040 --> 00:26:39,320
Speaker 4: remember hearing a story of Ellison Moyer, the English singer

542
00:26:39,320 --> 00:26:41,840
Speaker 4: who was a huge Sarah at the time, and she

543
00:26:42,119 --> 00:26:44,639
Speaker 4: asked by Bob Geldof to get on a helicopter flying

544
00:26:44,640 --> 00:26:46,720
Speaker 4: because it was hard to get to Wembley Stadium. And

545
00:26:46,760 --> 00:26:48,480
Speaker 4: she goes, oh, yeah, I'll did this gig whatever it is,

546
00:26:48,520 --> 00:26:50,479
Speaker 4: and he gets he gets on. She turned around and

547
00:26:50,480 --> 00:26:52,600
Speaker 4: Freddie Vickery's on one side of her and David Bowie

548
00:26:52,680 --> 00:26:54,320
Speaker 4: on the other and she went, oh, this is a

549
00:26:54,359 --> 00:26:58,879
Speaker 4: bit of a bite, but so many things. I know,

550
00:26:58,920 --> 00:27:00,560
Speaker 4: what were you doing? Least because I remember being in

551
00:27:00,600 --> 00:27:03,840
Speaker 4: Merriton staying up all night changing videotapes pressing record, and

552
00:27:04,040 --> 00:27:05,040
Speaker 4: I missed the last one.

553
00:27:05,240 --> 00:27:07,280
Speaker 2: To get it all because I slept because it was

554
00:27:07,280 --> 00:27:10,040
Speaker 2: for everyone else. Yet watching as much of it as

555
00:27:10,160 --> 00:27:10,639
Speaker 2: we could.

556
00:27:11,240 --> 00:27:13,200
Speaker 4: Incredible simular cast on ninety six.

557
00:27:13,280 --> 00:27:16,840
Speaker 3: Probably not even realizing at the time, just the you know,

558
00:27:16,960 --> 00:27:18,879
Speaker 3: the hugeness.

559
00:27:18,720 --> 00:27:20,720
Speaker 4: The magnitude of it was mind blowing, was it?

560
00:27:20,800 --> 00:27:21,000
Speaker 2: Yeah?

561
00:27:21,119 --> 00:27:24,159
Speaker 4: Yeah, incredible. Yeah. I've never really seen all of the

562
00:27:24,200 --> 00:27:26,399
Speaker 4: Last McCartney finale all the way through because I was

563
00:27:26,400 --> 00:27:28,520
Speaker 4: asleep and I didn't wake up to press the video

564
00:27:28,520 --> 00:27:29,480
Speaker 4: overcord one more time.

565
00:27:29,600 --> 00:27:31,560
Speaker 2: I don't worry that. I think the Queen it was

566
00:27:31,600 --> 00:27:32,120
Speaker 2: the best bet.

567
00:27:32,200 --> 00:27:33,840
Speaker 4: I wasn't that incredible? And in the movie they did

568
00:27:33,840 --> 00:27:34,320
Speaker 4: it so well.

569
00:27:34,400 --> 00:27:38,560
Speaker 2: Yeah, Cley Lisa