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Speaker 1: Woods is not joining us right now. We're trying. I mean,

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Speaker 1: he's in Africa. I can hear him already yelling that

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Speaker 1: from whatever room is in over there right now as

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Speaker 1: he painfully tries to figure out how his audio mixer

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Speaker 1: works so that he can join the feed here guys.

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Speaker 1: But I mean that because this isn't just a standard show.

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Speaker 1: We've got huge guests, but we also have the interview

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Speaker 1: right now that he's been wanting for ten years.

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Speaker 2: So look, Woods, if you.

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Speaker 1: Can hear me, I'm not sure what part of your

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Speaker 1: audio equipment's working, but tough titties, because right now I

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Speaker 1: have got the one and only Russell Crowe who joins

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Speaker 1: us right now.

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Speaker 2: I'm willham Woody.

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Speaker 3: Hello mate, how you doing?

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Speaker 2: We'll welcome to it. Welcome to Will. It doesn't have

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Speaker 2: the same ring to it, I said.

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Speaker 1: I said, welcome to Will. It doesn't have the same

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Speaker 1: ring to it. It's a bit embarrassing that I'm doing

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Speaker 1: this by myself, as I said, scary for you because

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Speaker 1: I've been wanting to interview for you for a very

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Speaker 1: very long time. So I'm pump to talk to You've

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Speaker 1: got a brand new film. It's called The Pope's Exorcist

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Speaker 1: where you play the Pope's chief exorcist, and yet despite

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Speaker 1: all the money and wealth and prowess behind the Vatican,

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Speaker 1: you take a scooter from Italy to Spain's.

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Speaker 3: He's a priest. What do you expecting to be in

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Speaker 3: a private Jane.

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Speaker 2: Yeah, absolutely, that's the deal these days.

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Speaker 4: Actually, I'm not sure that there was a scene. I'm

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Speaker 4: not sure if it's still in the movie. I don't

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Speaker 4: think it is still in the movie. But at one

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Speaker 4: point in time, you know, the Pope says, I'll arrange

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Speaker 4: a flight, and he's like, no, no, no.

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Speaker 3: Yeah, I'm not a fan of flying.

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Speaker 1: Have you been on one of them?

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Speaker 3: Yeah?

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Speaker 4: Yeah, you know, man, I've been a motor bike rider

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Speaker 4: for a large my life. You know, I've done I've

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Speaker 4: done motorbike rides of seven thousand kilometers. Mate, you know

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Speaker 4: Harley Davison going around around the outback, you know, at

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Speaker 4: two wheels is no problem for me, Obvitually.

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Speaker 3: I really enjoyed that they found such a cool scooter, right.

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Speaker 1: So it wasn't your request that you that you got

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Speaker 1: on a scooter, it was it was part of the scoop.

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Speaker 2: You weren't like it no.

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Speaker 4: No, no, that I added the scooter because it was

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Speaker 4: just a thing of like being so symbolic of Rome,

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Speaker 4: you know. And I also just liked the idea and

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Speaker 4: it seems a lot of other people are going with me.

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Speaker 4: I just like the visual idea of a priest on

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Speaker 4: a lambetta.

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Speaker 2: This is not the first time that somebody brought this

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Speaker 2: up with.

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Speaker 4: You, mate, I put I put images up on social

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Speaker 4: media and the explode.

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Speaker 2: You know, it was just Ida who knew that it's outrageous.

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Speaker 1: Well, you're talking about the last time you're in Rome,

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Speaker 1: and obviously a time that I know you from being

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Speaker 1: in Rome is obviously that the Gladiator movie was all

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Speaker 1: set in Rome from a long time ago. But the

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Speaker 1: difference was that obviously Father Gabrielle's has got an accent

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Speaker 1: that comes with him, you know, sounds Italian. Is there

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Speaker 1: a reason that Maximus didn't come with an Italian accent

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Speaker 1: or a Roman motif at the time.

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Speaker 4: See, I think that's a different period of time, because

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Speaker 4: I did suggest.

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Speaker 2: It, you know, Maximus with an Italian accent.

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Speaker 3: Yeah, but no, no, but he wasn't Italian.

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Speaker 2: Yeah, fair enough, he was yeah.

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Speaker 4: Yeah, yeah, I actually said to Ridley in one meeting.

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Speaker 4: I want to do this character like it's Antonio Banderas

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Speaker 4: with slightly better elocution, and sorry, can you give me

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Speaker 4: just absolutely not, but you're not doing that.

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Speaker 3: There's no way you're doing that.

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Speaker 1: However, can you give me a bit of Maximus with

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Speaker 1: is Antonio Benderos?

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Speaker 3: Please?

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Speaker 2: No Ah?

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Speaker 4: You know, but times have changed in twenty plus years

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Speaker 4: on or twenty four years on. You know, people are

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Speaker 4: more inclined to just understand that, you know, this is

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Speaker 4: an Italian character should be honored as an Italian man.

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Speaker 3: You know.

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Speaker 4: So look so far, you know people have responded to

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Speaker 4: that really well. There's a certain pathos I think that

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Speaker 4: comes with the accent when you know, put in an

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Speaker 4: mouth of the priest.

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Speaker 2: Well as an exorcist as well.

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Speaker 1: You got to get those You've got to reach those

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Speaker 1: levels as an exorcist, right, And everything sounds better when

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Speaker 1: you're yelling in Italian. It's probably the best language. It's

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Speaker 1: probably the best language to yell in, isn't it. They

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Speaker 1: managed to get a said the word pathos. They may

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Speaker 1: used to get a sense of drama out of their

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Speaker 1: speech that nobody els.

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Speaker 4: I just think it's such a beautiful milfluous sound the

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Speaker 4: Italian accent.

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Speaker 2: Yeah, yeah, I agree.

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Speaker 1: And now mate you, I want to talk a little

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Speaker 1: bit another project of yours because my junior producer analyst

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Speaker 1: text me this morning and she was like, Russell Crowe's

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Speaker 1: texting me dead ha ha, And I was like, what is.

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Speaker 2: Russell texting you about?

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Speaker 1: And you've got some shows coming up which I wasn't

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Speaker 1: across so Indo A garden Party is going to be touring.

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Speaker 1: You're playing everywhere as well Byron Sydney. I saw you

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Speaker 1: playing the new SBN Melbourne as well, which would be

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Speaker 1: hot gig if people get a chance to get down there.

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Speaker 4: It's been a long time since I've done, yeah, getting

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Speaker 4: on the road tour in Australia. Yeah, probably like since

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Speaker 4: twenty fourteen or something like that. Yeah, but in the

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Speaker 4: intervening years, you know, I've been doing these shows in

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Speaker 4: New York, Los Angeles, London, Leeds, South of France, you know.

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Speaker 3: So it's time to bring it home.

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Speaker 1: Bloody exciting indoor Gardenparty dot com if you want to

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Speaker 1: see Russell, I imagine you guys are all touring around

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Speaker 1: on green vespers as well as a cheap shot guys

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Speaker 1: woods is in Africa. I've said for the last ten

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Speaker 1: minutes that I'm hoping he's going to be joining us.

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Speaker 1: A part of me feels as if he's probably electrocuted

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Speaker 1: himself trying to figure out how to work the mixer

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Speaker 1: that we sent him over with to Africa. And it's

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Speaker 1: devastating because right now, for ten years in radio, he's

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Speaker 1: been wanting to speak to one person and one person only,

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Speaker 1: and that's Russell Crowe. And Russell Crowe joins me right now, Russell,

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Speaker 1: welcome back to weather Windy.

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Speaker 3: Thank you very much, Russell.

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Speaker 1: I've got one more favorite to ask if you've got

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Speaker 1: a sec My friend wood he's about to go into

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Speaker 1: the jungle in Africa shitting himself. He's a massive fan

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Speaker 1: of yours. Is there any chance you give me call

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Speaker 1: and just wish him good luck?

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Speaker 3: Yeah, let's give me.

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Speaker 4: Let's give him a call, so we'll if he doesn't

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Speaker 4: pick up, can we leave a message?

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Speaker 2: I reckon, Yeah, I reckon, we can leave a message.

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Speaker 2: I think that's a great idea. Yeah. His favorite movie

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Speaker 2: in the whole world is probably Gladiator.

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Speaker 5: Just so you know, you have reached a message, Laugh,

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Speaker 5: You've reached Woody and Unfortunately I can't get to the

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Speaker 5: liver town, but I will endeavor to get back to

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Speaker 5: you when I can.

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Speaker 3: Cheers, Hey, Woody, how are you doing. It's Russell Crowe.

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Speaker 4: On Will's radio show, and he's doing really well without

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Speaker 4: year around.

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Speaker 3: Actually mate, he's doing. He's doing very good.

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Speaker 4: So look, while you're in Africa, I would just say,

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Speaker 4: take advantage of everybody you meet, every conversation, you know,

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Speaker 4: do some networking, you know, just in case things don't

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Speaker 4: work out so well for you back here. Now that

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Speaker 4: Will's taken over and everybody's seen that he actually operates

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Speaker 4: perfectly well as a solo act, not as a duo.

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Speaker 4: But anyway, I don't want you to scare you about

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Speaker 4: that you're about to go into the jungle with I'm

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Speaker 4: a celebrity. Get me out of here, and you know,

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Speaker 4: I know, and so doas Will know that you're going

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Speaker 4: to have a terrible time, absolutely shit time, and then

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Speaker 4: you're going to come back and try and pretend that

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Speaker 4: it was really good. Anyway, mate, all the best, have

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Speaker 4: fun over there and donate the dried insects.

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Speaker 2: Amazing you.

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Speaker 1: I didn't tells of Boland, but he has a serious

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Speaker 1: insecurity about me doing a radio show by myself, so

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Speaker 1: you and he was like he was in therapy before

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Speaker 1: going to the jungle about the fact that.

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Speaker 2: He was going to lose me and his partner.

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Speaker 1: So well done on pressing that button and probably sending

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Speaker 1: him into a meltdown before he actually goes in solo.

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Speaker 3: That's what I'm here for, Russell.

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Speaker 2: It's great to talk the Pope's exercise. You can go

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Speaker 2: and check it out.

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Speaker 1: Get back into the movies, guys, and keep saying that.

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Speaker 1: And the other great thing is live music which is

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Speaker 1: out and about as well indoor garden Party, dot com.

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Speaker 2: Fielding on c Russell.

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Speaker 1: He's doing the whole country is You get a chance

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Speaker 1: to see him all over the country in a range

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Speaker 1: of different locations there, mate, thanks so much for joining us.

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Speaker 2: Been a pleasure.

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Speaker 3: Good luck with the film.

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Speaker 2: It's been awesome, Thank you very much.

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Speaker 6: Government official in India is taking a selfie of himself

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Speaker 6: next to a reservoir. That's what he's doing on a

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Speaker 6: Monday afternoon. He's a big reservoir. Better take a shot

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Speaker 6: for the wife and kids.

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Speaker 5: Yeah, he's taking a selfie, a reservoir selfie. Drops his

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Speaker 5: phone in the reservoir, now this is where things get interesting.

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Speaker 5: He then pays for a whole bunch of divers.

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Speaker 6: So he just happy. Is the reservoir two million liters?

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Speaker 1: I think that's that big, but just.

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Speaker 6: Your average.

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Speaker 2: Excuse me.

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Speaker 6: Snuck through the cracks there from old button push and tongue.

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Speaker 6: It was supposed to be a splash.

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Speaker 5: Goodness has completely distracted me then and then has set

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Speaker 5: throne me. He didn't pup his pants while he was

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Speaker 5: taking his reservoir.

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Speaker 1: What is.

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Speaker 6: So?

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Speaker 5: So after he's dropped his phone, he's taking a poop

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Speaker 5: in the reservoir as well.

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Speaker 7: I don't know what's walk the Sorry, let me let

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Speaker 7: me try and get back on track.

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Speaker 5: So he's okay, come on, come on run, so drops

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Speaker 5: his phone in the reservoir. He then pays divers to

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Speaker 5: search for the phone. The divers don't find the phone.

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Speaker 5: This is government money. Then he decides, well, if you

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Speaker 5: haven't found me phone, I'm just going to drain the reservoir.

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Speaker 6: So he just drains two million liters of water.

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Speaker 5: Out of a reservoir, finds his phone, which is the

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Speaker 5: good news exact, his phone his phone doesn't work, so.

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Speaker 6: Off of that, but.

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Speaker 5: Nothing ah, and he's been fighting obviously, firstly for pooon

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Speaker 5: in the reservoir and secondly for draining it anyway, amazingly,

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Speaker 5: I'd like to get some calls here if you're still

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Speaker 5: with us, thirteen one oh six fives out number? Have

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Speaker 5: you used your job for selfish reasons?

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Speaker 2: Right?

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Speaker 6: He's using his position of power as a reservoir trainer

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Speaker 6: reservoir to find his phone. You and me will. When

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Speaker 6: we were doing radio.

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Speaker 5: In perv we once used the rooftop at the radio station.

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Speaker 5: Previous employer I mentioned that as well. We once used

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Speaker 5: the rooftop to host pre drinks. Ah yes, with all

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Speaker 5: our mates. Yep, we argon We had twenty people up there.

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Speaker 5: We just used the work rooftop and then we emptied

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Speaker 5: the fridge full of booze.

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Speaker 6: And then went to another party.

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Speaker 2: Well that was in Perth.

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Speaker 1: We used to do the same thing in Melbourne with

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Speaker 1: the previous employer as well.

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Speaker 6: We've pretty much done it to.

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Speaker 1: Fleece the drink fridge, get drunk and then host drunken

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Speaker 1: board meetings around the boardroom table.

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Speaker 5: So that's an example of using your job for selfish reasons.

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Speaker 6: Danny, you're a technician of sprinklers. Yep, howd you leverage

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Speaker 6: your job for selfish reasons, Denny.

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Speaker 8: So I'm at the front of my head set a

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Speaker 8: fire hydrant. I'm got the sluice valve key and opened

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Speaker 8: her up and pulled up me pool for nothing and

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Speaker 8: quite quick.

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Speaker 2: Oh genius, off a fire hydrant, that's the one. Well,

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Speaker 2: how long did it? How big is you pull?

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Speaker 3: Danny?

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Speaker 8: Sorry?

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Speaker 2: How big is your pool?

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Speaker 9: I was read one of those inflated sort of pools,

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Speaker 9: but it was still.

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Speaker 2: How long did it take? How long did it take

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Speaker 2: you to fill it up?

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Speaker 10: Probably about ten cheese?

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Speaker 5: That's good, great work Downny, Next genius illegal, Oh totally.

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Speaker 5: But let's go to Dean Jolley, Dino, how did you

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Speaker 5: leverage your job for selfish reasons?

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Speaker 6: Good afternoon, boys, afternoon.

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Speaker 8: So I worked for the gas gas industry, and a

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Speaker 8: friend of mine told me that she needed her gas fixed.

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Speaker 8: And I didn't know this bird at the time, so

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Speaker 8: I used my job. I'm not space to be doing

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Speaker 8: by myself to actually pretend I'm fixing the appliance, but

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Speaker 8: actually meeting this girl. And then after a few days later,

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Speaker 8: I'm in a relationship with her because she was already

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Speaker 8: in a relationship. And then she swapped her boyfriend and became.

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Speaker 5: With me, Oh, so, Dean, what was the moment you're

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Speaker 5: in there, you're working the plumbers or you're working.

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Speaker 6: The pipes the plumb now.

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Speaker 1: But he wasn't, well.

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Speaker 6: What do you think we're so sexy about you working

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Speaker 6: the pipes there?

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Speaker 8: Jane, Oh, just the plumber's crack. And she's like, oh,

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Speaker 8: you know what you're doing. My man doesn't know. He

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Speaker 8: doesn't know how to fix a thing. I'm like, seriously.

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Speaker 8: And the funny part about it was is that her

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Speaker 8: partner at the time was an old friend of mine

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Speaker 8: that I realized, Oh, I.

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Speaker 1: Tell you what, he's got layers like worse and worse.

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Speaker 6: And he's literally laughing and made fast on radio.

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Speaker 2: The radio station is celebrating everything.

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Speaker 6: Totally well, Dane, al, let's go to Blade. Firstly, love the.

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Speaker 7: Name Blade, Thanks boys.

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Speaker 6: He picked his own name. So Blade, how do you

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Speaker 6: use your job to your advantage? My friends?

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Speaker 11: I work at Raging Waters, So one time I was

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Speaker 11: there it was a bit warm, so I put a

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Speaker 11: truck on the work the uniform, going to work, go

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Speaker 11: to the bathroom, takes off the uniform and start playing

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Speaker 11: on all the rods.

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Speaker 6: Where do you go, where do you work, Blade, Where.

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Speaker 11: Do you water Sydney?

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Speaker 12: It's like letting the wild rage?

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Speaker 1: So you sorry, raising waters raging.

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Speaker 2: They could do better with the name.

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Speaker 6: Sorry Blade.

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Speaker 2: But it's like a floodplane.

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Speaker 5: So you take off all your clothes and leave him

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Speaker 5: in the in the bathroom. So you're just out there

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Speaker 5: nude on all the water slides and yeah.

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Speaker 11: No, no, no, take a bag in, put the clothes.

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Speaker 9: In the bag.

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Speaker 2: On the water slide.

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Speaker 1: He told the story, really all assumed naked.

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Speaker 6: I mean a water slide.

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Speaker 5: Naked though, has an idea in that shocking is an

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Speaker 5: idea and joking radio if.

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Speaker 1: There's like anyone sticking up on the radios on the

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Speaker 1: water slide. Yeah, well that's not a good idea, but

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Speaker 1: it's the risk. I've got some audio to play for you.

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Speaker 1: And the question here was is it grosser? Is it sentimental?

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Speaker 3: Yes?

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Speaker 6: Take it away.

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Speaker 9: So just before me Dad passed away, just a couple

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Speaker 9: of months ago, I don't mind talking about it. I

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Speaker 9: didn't know that he actually got his idea. And after

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Speaker 9: he passed away, Mum's actually come to me and she

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Speaker 9: told me about it. She said, look, you can either

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Speaker 9: have it or you can't have it straight away. I

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Speaker 9: went and got it pissed and wear it every day

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Speaker 9: to remember.

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Speaker 5: Now, at that point of that phone call on we're

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Speaker 5: all thinking, oh, that's a bit gross. But we called

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Speaker 5: him back later in the day because we wanted to

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Speaker 5: get him on the po podcast Debrief. If you haven't

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Speaker 5: heard that podcast, we always someone's call calls back to

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Speaker 5: to get more details, et cetera.

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Speaker 1: Because we're not allowed to go into them on air.

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Speaker 1: Exactly got to be fast and tight and you've got

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Speaker 1: to go out in the laugh. But there's often a

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Speaker 1: lot of follow up questions which we can't do on air,

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Speaker 1: So if you want them to get definitely go to

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Speaker 1: the podcast.

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Speaker 4: Yeah.

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Speaker 5: Yes, And when we called Jason back and spoke to him,

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Speaker 5: all of a sudden, it was like, actually, this is

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Speaker 5: kind of beautiful.

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Speaker 13: Yeah, it's a full seat.

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Speaker 9: So it goes through, it runs around, and it comes

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Speaker 9: out the other side and it clicks.

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Speaker 6: The gup And your dad never told you about.

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Speaker 9: It, never told me about it. Blood hurts when you're pissed.

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Speaker 1: So I suppose every time that you take a piss

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Speaker 1: you look down and you think about your dad.

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Speaker 9: Yeah, pretty much every time.

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Speaker 2: Yeah, all the power to you mane kind of beautiful.

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Speaker 1: Yeah, because it got to a point where I was like,

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Speaker 1: this is really gross. You have the same it's called

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Speaker 1: a Prince Albert. Guys, if you're interested, if you're interested.

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Speaker 1: He has the same Prince Albert as his father, so

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Speaker 1: the same piercing has gone through both of their womb brooms,

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Speaker 1: which is gross prima facie. But every time he pisses,

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Speaker 1: he thinks of his dad, Like, there's something quite beautiful

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Speaker 1: about that, because you know he's going to piss, you know,

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Speaker 1: five or six times a day for a level, and

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Speaker 1: every time. Yeah, he's a beautiful moment where he's like,

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Speaker 1: I don't know, I'm torn. I'm torn because you know,

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Speaker 1: he's remembering his dad, because he's thinking about his dad's

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Speaker 1: dick dick effectively.

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Speaker 5: Well, yeah he is, but let's just focus on his

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00:16:29,720 --> 00:16:32,080
Speaker 5: dad wore that through Let's go twenty years. His dad

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Speaker 5: was wearing that, and now he is wearing that same thing,

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Speaker 5: so his dad is with him everywhere. I actually I

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Speaker 5: lean towards sentimental now and right now on thirteen one

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Speaker 5: oh six five, I'd just love to take more examples

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Speaker 5: of things that are on the line between gross or sentimental.

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Speaker 5: So maybe this is something you did for someone or

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Speaker 5: something that you wear, or maybe it's something that someone

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Speaker 5: did for you.

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Speaker 6: Yeah, but if you're not sure where it sits.

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Speaker 5: Thirteen one oh sixty five, let's get on there, let's disco.

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Speaker 5: I'll give you one example before the show.

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Speaker 6: Sure.

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Speaker 1: So are they defending the fact that it's sentimental but

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Speaker 1: other people think it's gross?

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Speaker 6: I definitely can. I definitely can. Okay, okay, I am

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Speaker 6: wearing a necklace right now.

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Speaker 3: Yeah.

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Speaker 5: I had this made for when I was in the

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00:17:12,000 --> 00:17:14,359
Speaker 5: jungle farm a celebrity. Get me out of here. It

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Speaker 5: is a necklace which holds in it. It's a vial

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00:17:17,680 --> 00:17:19,760
Speaker 5: on the end of a necklace. An inside here is

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Speaker 5: Remy's umbilical cord. Now, I think this is beautiful that

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00:17:25,440 --> 00:17:28,160
Speaker 5: I always get to carry not only my beautiful daughter,

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00:17:28,200 --> 00:17:29,800
Speaker 5: but also it's sort of a part of my fiance

384
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Speaker 5: as well. It's sort of like both of them, and

385
00:17:32,280 --> 00:17:34,679
Speaker 5: I wear it around my neck. I haven't met someone

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Speaker 5: yet who also thinks this is beautiful. Everyone thinks it's disgusting.

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Speaker 6: What are you going?

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Speaker 2: What do you think? Give us your calls.

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00:17:50,520 --> 00:17:53,399
Speaker 1: Gross or sentimental? Third one and six five. That's the

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Speaker 1: question after we got a call from a guy yesterday

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Speaker 1: who did this.

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Speaker 9: So just before me, dad passed away a cup months agar.

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Speaker 9: I don't mind talking about it. I didn't know that

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Speaker 9: he actually got his heir, and after he passed away,

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Speaker 9: Mum's actually come to me and she's told me about it.

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00:18:10,359 --> 00:18:11,840
Speaker 9: She says, look, you can either have it or you

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Speaker 9: can't have it. Straight away, I went and got it,

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Speaker 9: pissed and wear it every day.

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00:18:15,880 --> 00:18:21,480
Speaker 5: Remember now, initially I was thinking gross, but now I

400
00:18:21,560 --> 00:18:25,840
Speaker 5: actually think it's really beautiful that he's wearing something that

401
00:18:25,880 --> 00:18:28,200
Speaker 5: his dad wore for twenty years and then he's just

402
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Speaker 5: a constant reminder of his father that has now passed.

403
00:18:30,840 --> 00:18:33,080
Speaker 1: Would you get one if you found out that Steve

404
00:18:33,160 --> 00:18:33,479
Speaker 1: had one?

405
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Speaker 5: If I my dad, I think I'd have to, just honestly,

406
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Speaker 5: out of respect to him.

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Speaker 6: He's that he's hidden that for so long.

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Speaker 1: You would wear your dad's Prince Albert if you foundally

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Speaker 1: had one.

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Speaker 5: You know, the longer I live, the more I realized

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Speaker 5: that I'm very much like my father. So whatever he's doing,

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00:18:51,560 --> 00:18:54,119
Speaker 5: I'm keen to do so if he decided at some

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Speaker 5: point of his life that that's what he has to do.

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00:18:55,960 --> 00:18:57,960
Speaker 5: Then it's about time I started doing it as well.

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Speaker 3: Will.

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Speaker 1: But what about that you don't have to have a

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Speaker 1: conversation with men as well.

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Speaker 2: This is what I'm true. She's the one who's.

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00:19:04,600 --> 00:19:08,080
Speaker 1: You know, gotta get around there totally, and she also

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Speaker 1: conjuring images of your the potential.

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Speaker 2: Do you know what I mean?

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Speaker 6: I probably didn't have that conversation with my partner.

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Speaker 2: Yeah, that's probably it.

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Speaker 5: I can't come home with a Prince Alfred and you know,

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Speaker 5: expect to be loved and adored.

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Speaker 6: Dad's anyway, let's go to Gladys.

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Speaker 5: Gladys you you you wear something and it's right on

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Speaker 5: the line of gross or sentimental.

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00:19:31,680 --> 00:19:32,480
Speaker 6: What is it, Gladys.

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Speaker 14: I don't think it's gross. Some people might think it's gross,

431
00:19:37,160 --> 00:19:37,840
Speaker 14: but I don't think so.

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Speaker 15: I think it's very sentimental.

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00:19:40,119 --> 00:19:43,200
Speaker 14: I wear my mom's My mom passed away two years

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Speaker 14: ago and I've got her underwear and I wear.

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00:19:47,520 --> 00:19:51,679
Speaker 5: Oh wow, what's Gladys all the undies?

436
00:19:51,680 --> 00:19:51,760
Speaker 1: Like?

437
00:19:51,760 --> 00:19:55,080
Speaker 5: Have you have you literally rinsed your your now dead

438
00:19:55,119 --> 00:19:56,840
Speaker 5: mother of all of her underwear? It's just like a

439
00:19:56,840 --> 00:19:59,000
Speaker 5: cost cutting thing. Or is there one particular pair of

440
00:19:59,040 --> 00:19:59,760
Speaker 5: undies that you wear?

441
00:20:00,480 --> 00:20:00,640
Speaker 15: No?

442
00:20:00,640 --> 00:20:01,600
Speaker 12: No, no, no, all.

443
00:20:03,320 --> 00:20:05,680
Speaker 14: Has never worn, and she's got some that she's worn,

444
00:20:06,520 --> 00:20:08,479
Speaker 14: which I thought, you know, I'm not going to check

445
00:20:08,560 --> 00:20:10,480
Speaker 14: them away what they're still brand news, so I'm going

446
00:20:10,560 --> 00:20:11,000
Speaker 14: to wear them.

447
00:20:11,840 --> 00:20:13,600
Speaker 6: So, glads, are you just to tight us or is

448
00:20:13,640 --> 00:20:14,359
Speaker 6: this sentimental?

449
00:20:15,080 --> 00:20:15,159
Speaker 16: No?

450
00:20:15,280 --> 00:20:16,959
Speaker 14: I'm not a tight us, but I think it's just

451
00:20:17,040 --> 00:20:17,840
Speaker 14: very sentimental.

452
00:20:18,040 --> 00:20:19,639
Speaker 2: What do you get out of it? What do you

453
00:20:19,680 --> 00:20:20,280
Speaker 2: get out of it?

454
00:20:20,320 --> 00:20:20,399
Speaker 14: Like?

455
00:20:20,480 --> 00:20:22,840
Speaker 1: What what? What part of that is sentimental? Do you

456
00:20:22,880 --> 00:20:26,320
Speaker 1: feel like you're touching your mum's Well, my.

457
00:20:26,400 --> 00:20:27,520
Speaker 14: Mom was very close to me.

458
00:20:27,600 --> 00:20:29,880
Speaker 2: She was very close to as well.

459
00:20:30,680 --> 00:20:34,359
Speaker 14: Well, yeah, of course she is, and says, oh, where'd

460
00:20:34,400 --> 00:20:36,000
Speaker 14: you get these on this from? I said, these are

461
00:20:36,000 --> 00:20:36,320
Speaker 14: my mom?

462
00:20:36,680 --> 00:20:40,040
Speaker 6: And what does he say? What does he say? Gladys,

463
00:20:45,119 --> 00:20:45,880
Speaker 6: It's the same.

464
00:20:45,760 --> 00:20:49,439
Speaker 1: Thing that applies to the bloke with the Prince Albert

465
00:20:49,520 --> 00:20:49,920
Speaker 1: as well.

466
00:20:50,359 --> 00:20:50,760
Speaker 2: Gladys.

467
00:20:50,920 --> 00:20:53,360
Speaker 1: Yeah, surely. Is there a part of you that feels

468
00:20:53,359 --> 00:20:58,400
Speaker 1: slightly gross about the fact that you're effectively touching ferbies

469
00:20:58,440 --> 00:20:59,280
Speaker 1: with your mom?

470
00:20:59,760 --> 00:21:04,240
Speaker 14: No? No, it's not grossing more No, so I mean

471
00:21:04,640 --> 00:21:09,200
Speaker 14: I'm you know, I love wearing them. Yeah, she had

472
00:21:09,200 --> 00:21:09,880
Speaker 14: good underwear.

473
00:21:10,160 --> 00:21:14,960
Speaker 1: Yeah, okay, all of these are quite like, you know,

474
00:21:15,040 --> 00:21:17,520
Speaker 1: I'm wearing something I've got one for you.

475
00:21:17,680 --> 00:21:19,240
Speaker 2: So when my partner.

476
00:21:18,920 --> 00:21:21,040
Speaker 1: Goes away, if Sam goes away and I'm and I'm

477
00:21:21,080 --> 00:21:24,000
Speaker 1: missing her, I will smell her pillow.

478
00:21:24,720 --> 00:21:26,399
Speaker 6: Very normal, Fine, right, I'll do that.

479
00:21:26,480 --> 00:21:26,760
Speaker 2: Cool?

480
00:21:26,840 --> 00:21:28,840
Speaker 6: Does she do you do? Do you spray a little

481
00:21:28,840 --> 00:21:30,320
Speaker 6: bit of colone or saying on the pillow to give

482
00:21:30,320 --> 00:21:34,400
Speaker 6: her a bit more of a sniff, or you just.

483
00:21:34,320 --> 00:21:36,560
Speaker 1: Have let's go to even I reckon anyone, I said,

484
00:21:36,560 --> 00:21:39,520
Speaker 1: why is that weird? Sounds a little bit like you're

485
00:21:39,520 --> 00:21:40,920
Speaker 1: making a sex doll out of your pillow.

486
00:21:41,000 --> 00:21:43,040
Speaker 2: I'm going to be honest. I didn't want to go

487
00:21:43,119 --> 00:21:45,080
Speaker 2: down that line. If you also get your drill out

488
00:21:45,080 --> 00:21:51,280
Speaker 2: and you know six five, what do you do? What

489
00:21:51,320 --> 00:21:54,480
Speaker 2: do you have? Sentimental?

490
00:21:56,760 --> 00:21:59,919
Speaker 10: So I have a ring made out of breast smelk.

491
00:22:00,520 --> 00:22:02,359
Speaker 6: Yeah, I wanted to do this. I want to do this.

492
00:22:03,760 --> 00:22:05,240
Speaker 2: So what made out of breast milk?

493
00:22:05,280 --> 00:22:06,360
Speaker 6: A ringing?

494
00:22:06,480 --> 00:22:09,080
Speaker 5: So is there just actual fluid within like some sort

495
00:22:09,119 --> 00:22:12,359
Speaker 5: of orb or is the material hardened or whatever?

496
00:22:13,320 --> 00:22:15,800
Speaker 10: No, So you say, I sent my breast milk off

497
00:22:15,960 --> 00:22:18,879
Speaker 10: to a lady in Queensland and she used a bit

498
00:22:18,920 --> 00:22:24,239
Speaker 10: of resin and put my fluid in a ring.

499
00:22:24,359 --> 00:22:26,600
Speaker 5: Yees, And is it like those scratch and sniff stickers

500
00:22:26,600 --> 00:22:28,639
Speaker 5: that you used to get back at school, where you

501
00:22:28,680 --> 00:22:31,360
Speaker 5: can somehow enjoy the breast milk sweet.

502
00:22:33,920 --> 00:22:36,640
Speaker 1: You used to put lifesavers, or when you put Cheeto's

503
00:22:36,640 --> 00:22:38,160
Speaker 1: on your finger if you get a bit hungry.

504
00:22:38,160 --> 00:22:39,600
Speaker 2: Have you ever thought about eating it either?

505
00:22:40,040 --> 00:22:41,760
Speaker 10: No, but I do kiss it when I get lonely,

506
00:22:41,760 --> 00:22:45,960
Speaker 10: which is a bit odd.

507
00:22:46,119 --> 00:22:48,040
Speaker 5: You need to break the glass in emergencies and then

508
00:22:48,040 --> 00:22:55,280
Speaker 5: you can suck it back. We heard a totally wild

509
00:22:55,400 --> 00:23:00,600
Speaker 5: story from a bride named Sarah yesterday and look, basically,

510
00:23:00,640 --> 00:23:02,840
Speaker 5: all we knew about this story before we heard was

511
00:23:02,880 --> 00:23:06,800
Speaker 5: that her wedding night ended in a hospital visits.

512
00:23:07,040 --> 00:23:10,840
Speaker 6: But no one expected this, so we.

513
00:23:10,920 --> 00:23:15,560
Speaker 16: Had an amazing wedding day. Jay wanted to consummate the marriage,

514
00:23:15,680 --> 00:23:19,200
Speaker 16: so we were doing that and pushed forward a little

515
00:23:19,200 --> 00:23:22,520
Speaker 16: bit missed and there was a bit of a pop,

516
00:23:22,880 --> 00:23:25,160
Speaker 16: but he was pretty adamant that No, we were good

517
00:23:25,680 --> 00:23:30,800
Speaker 16: to go on, so that continued. Finished up, want to sleep,

518
00:23:31,000 --> 00:23:34,960
Speaker 16: and I got woken up. Babe, there's something wrong. It's

519
00:23:35,080 --> 00:23:35,760
Speaker 16: very swollen.

520
00:23:36,440 --> 00:23:37,320
Speaker 12: Everything swollen.

521
00:23:37,720 --> 00:23:39,560
Speaker 16: Oh, I think we.

522
00:23:39,480 --> 00:23:40,400
Speaker 12: Need to go to the hospital.

523
00:23:40,640 --> 00:23:44,320
Speaker 6: Oh no, oh no, oh no.

524
00:23:44,960 --> 00:23:47,920
Speaker 5: And then so he missed the recovery the next day

525
00:23:48,560 --> 00:23:50,680
Speaker 5: and when we asked Sarah, like, what do you say

526
00:23:50,680 --> 00:23:54,399
Speaker 5: there when obviously your new husband isn't rocking up to

527
00:23:54,440 --> 00:23:56,320
Speaker 5: the recovery and apparently her mum has got on the

528
00:23:56,320 --> 00:23:57,160
Speaker 5: mic and said.

529
00:23:57,000 --> 00:23:59,480
Speaker 6: My daughter was giving a very good roger in last.

530
00:23:59,320 --> 00:24:01,000
Speaker 2: Night and he got injured.

531
00:24:01,320 --> 00:24:04,240
Speaker 5: Now, well I know that that her words, her words,

532
00:24:04,240 --> 00:24:05,960
Speaker 5: not mine, her mum's words.

533
00:24:06,040 --> 00:24:09,600
Speaker 6: Her mum's were. Mum got up at the recovery recovery, I.

534
00:24:09,840 --> 00:24:12,600
Speaker 2: Said my daughter was giving a really good rogering last night.

535
00:24:12,720 --> 00:24:12,920
Speaker 3: Yeah.

536
00:24:13,080 --> 00:24:14,480
Speaker 1: Yeah, and now the groom's injured.

537
00:24:14,720 --> 00:24:18,359
Speaker 6: Yeah, he's in hospital. Now I know this is really simple,

538
00:24:19,000 --> 00:24:20,320
Speaker 6: but we know it's going to be good.

539
00:24:20,880 --> 00:24:21,600
Speaker 3: Thirteen one oh.

540
00:24:21,600 --> 00:24:23,800
Speaker 6: Sixty five their droom injuries.

541
00:24:25,480 --> 00:24:28,080
Speaker 5: We're a family friendly show, so obviously let's not get

542
00:24:28,080 --> 00:24:30,240
Speaker 5: into the real nuts and bolts, the ins and outs

543
00:24:30,280 --> 00:24:31,359
Speaker 5: of what you were doing.

544
00:24:31,359 --> 00:24:33,600
Speaker 6: But we all know what you were doing. Let's just

545
00:24:33,640 --> 00:24:36,640
Speaker 6: focus on how you got injured in the bed.

546
00:24:36,960 --> 00:24:40,160
Speaker 1: And the story doesn't mean just the story doesn't necessarily

547
00:24:40,280 --> 00:24:44,480
Speaker 1: need to involve the actual swapping of gravy. No, it

548
00:24:44,560 --> 00:24:48,320
Speaker 1: can be yeah, something incidental to that.

549
00:24:48,520 --> 00:24:51,199
Speaker 6: I'll give you a great example. So a number of

550
00:24:51,320 --> 00:24:53,760
Speaker 6: years ago, I.

551
00:24:53,520 --> 00:24:56,639
Speaker 5: Well, I was in the throats of passion, and I

552
00:24:56,680 --> 00:25:01,680
Speaker 5: thought I'd love to see one, really, yeah, I would

553
00:25:01,680 --> 00:25:06,880
Speaker 5: be open that I'll speak to him tonight. I thought

554
00:25:06,880 --> 00:25:09,359
Speaker 5: to set the moves, I would light some candles. I

555
00:25:09,440 --> 00:25:11,439
Speaker 5: was like, that's you know, that's a thing. I'll got

556
00:25:11,480 --> 00:25:16,600
Speaker 5: a flickering light. And I flipped a pillow off the bed,

557
00:25:17,280 --> 00:25:20,920
Speaker 5: which then went into a candle, and then like lit

558
00:25:21,080 --> 00:25:25,160
Speaker 5: the pillow on fire. Obviously the pillow went up quick wow.

559
00:25:25,240 --> 00:25:28,000
Speaker 5: And then because it would have been cheap, yeah, yeah,

560
00:25:29,320 --> 00:25:32,040
Speaker 5: or whatever, So the pillow goes up, and then I think,

561
00:25:32,040 --> 00:25:33,600
Speaker 5: obviously the first thing to do is to just.

562
00:25:33,560 --> 00:25:36,240
Speaker 6: Like, of course brush the pillow out, the off, the

563
00:25:36,280 --> 00:25:37,240
Speaker 6: off the candle.

564
00:25:37,520 --> 00:25:39,879
Speaker 5: Shocking idea that because then embers flew everywhere, and so

565
00:25:39,920 --> 00:25:42,160
Speaker 5: I ended up with like burns all over my left

566
00:25:42,240 --> 00:25:44,560
Speaker 5: arm because all these embers kept landing on my arm

567
00:25:44,600 --> 00:25:46,720
Speaker 5: because not the sam hero here, but I obviously put

568
00:25:46,760 --> 00:25:48,840
Speaker 5: my arms, you know, in the line of fire the

569
00:25:49,560 --> 00:25:51,480
Speaker 5: breasts well, you know, in.

570
00:25:51,520 --> 00:25:53,439
Speaker 6: Front of her body. I's got to beck here.

571
00:25:53,440 --> 00:25:56,720
Speaker 5: If anyone six y five beck this was your partner

572
00:25:56,720 --> 00:25:58,440
Speaker 5: who suffered a bedroom injury.

573
00:25:59,359 --> 00:26:03,960
Speaker 13: He cup in the morning as you do, and went

574
00:26:04,080 --> 00:26:08,000
Speaker 13: to climb in the shower and shut the door, and

575
00:26:08,080 --> 00:26:10,520
Speaker 13: he sort of got in the way and shut the

576
00:26:10,560 --> 00:26:11,480
Speaker 13: door on himself.

577
00:26:12,400 --> 00:26:14,879
Speaker 5: Oh you don't so what was the damage there when

578
00:26:14,880 --> 00:26:15,960
Speaker 5: he shut the door on himself.

579
00:26:17,240 --> 00:26:20,160
Speaker 13: He just had a little quick trip for the emergency apartment.

580
00:26:20,240 --> 00:26:22,840
Speaker 12: But he was going good after about a week.

581
00:26:23,240 --> 00:26:26,480
Speaker 6: When you shut the door on it, when yeah, yeah, yeah,

582
00:26:26,520 --> 00:26:30,040
Speaker 6: well it's behind him obviously big.

583
00:26:31,440 --> 00:26:33,200
Speaker 13: I think he just didn't get out of the way,

584
00:26:33,320 --> 00:26:34,760
Speaker 13: to be honest.

585
00:26:34,880 --> 00:26:37,800
Speaker 1: Credit on a second though, without again without going too much,

586
00:26:37,800 --> 00:26:40,040
Speaker 1: you know, I'm interested in the ergonomics here because if

587
00:26:40,080 --> 00:26:42,160
Speaker 1: it's a door, if it's a door that you're closing

588
00:26:42,240 --> 00:26:47,639
Speaker 1: behind you, rightmlocks and turn the story. It was a

589
00:26:47,680 --> 00:26:50,960
Speaker 1: door that you're closing behind you, it would take like

590
00:26:51,880 --> 00:26:55,879
Speaker 1: it'd have to be lag.

591
00:26:54,280 --> 00:26:58,679
Speaker 5: It sings like a grandfather clock. That's what I imagining.

592
00:27:00,040 --> 00:27:00,600
Speaker 6: That just stallion.

593
00:27:00,760 --> 00:27:03,280
Speaker 2: Was it a close behind door? Was it because sliding door?

594
00:27:03,320 --> 00:27:04,879
Speaker 1: I can imagine he just got a little bit too

595
00:27:04,880 --> 00:27:06,560
Speaker 1: close to the sun still swingful.

596
00:27:06,800 --> 00:27:06,960
Speaker 15: Yeah.

597
00:27:06,960 --> 00:27:09,320
Speaker 13: I think he was facing the door and he went

598
00:27:09,359 --> 00:27:14,400
Speaker 13: to grab it and pulled it.

599
00:27:15,800 --> 00:27:17,720
Speaker 2: Grandfather clas mid ninety.

600
00:27:22,560 --> 00:27:26,399
Speaker 1: My, goly, gosh, well, Sarah, what's your bedroom injury?

601
00:27:26,600 --> 00:27:27,720
Speaker 2: What should be a new phone to it.

602
00:27:27,800 --> 00:27:29,439
Speaker 1: Can we tell our bigger is based on how you

603
00:27:29,480 --> 00:27:32,240
Speaker 1: heard it?

604
00:27:32,520 --> 00:27:34,280
Speaker 6: Hi, Sarah wants your bedroom injury.

605
00:27:35,000 --> 00:27:35,320
Speaker 10: Hello.

606
00:27:35,760 --> 00:27:39,800
Speaker 15: So I was with my partner of five years now,

607
00:27:39,840 --> 00:27:41,600
Speaker 15: but when we first got together, we went out, had

608
00:27:41,600 --> 00:27:45,480
Speaker 15: a lovely night sinner, come home and went together, went

609
00:27:45,520 --> 00:27:48,399
Speaker 15: to bed. But I was still a little bit shy,

610
00:27:48,480 --> 00:27:50,720
Speaker 15: and you know, I didn't want to go like, yeah,

611
00:27:51,359 --> 00:27:54,240
Speaker 15: to the so I went to the powder rooms and

612
00:27:54,280 --> 00:27:57,040
Speaker 15: everything that's dark. As I sort of come back, I

613
00:27:57,119 --> 00:28:01,080
Speaker 15: literally chipped over my foot and my head landed on

614
00:28:01,400 --> 00:28:02,040
Speaker 15: the end.

615
00:28:01,920 --> 00:28:04,760
Speaker 2: Of no no.

616
00:28:04,720 --> 00:28:08,560
Speaker 15: Sarah, Yeah, no, it's pretty bad, like really bad. So

617
00:28:08,720 --> 00:28:12,960
Speaker 15: I split my forehead open, and yeah, I thought that

618
00:28:13,040 --> 00:28:15,439
Speaker 15: was okay, Like I said, I'm okay, I'm okay, and

619
00:28:15,480 --> 00:28:18,320
Speaker 15: he looked at me and he said, Sarah, you're not. Yeah.

620
00:28:18,800 --> 00:28:20,120
Speaker 12: After the emergency.

621
00:28:19,720 --> 00:28:22,560
Speaker 15: Department, and then once we've got in there, once they

622
00:28:22,560 --> 00:28:24,800
Speaker 15: sort of cleaned everything up, it wasn't just my forehead.

623
00:28:24,840 --> 00:28:26,960
Speaker 15: They once they cleaned up, my whole nose was like

624
00:28:27,080 --> 00:28:32,399
Speaker 15: slapped open. Oh intersection on my face.

625
00:28:32,840 --> 00:28:36,240
Speaker 6: Oh, oh my god.

626
00:28:36,080 --> 00:28:38,080
Speaker 1: Did when when you go to the hospital, Sarah, Like,

627
00:28:38,120 --> 00:28:41,320
Speaker 1: so he takes you in there, obviously, do you do

628
00:28:41,360 --> 00:28:42,560
Speaker 1: you have to have that. Does he have to have

629
00:28:42,600 --> 00:28:45,200
Speaker 1: that moment where he's like, look just met a you

630
00:28:45,240 --> 00:28:47,160
Speaker 1: know we were gonna we're gonna hook up.

631
00:28:47,160 --> 00:28:50,080
Speaker 2: But did you he was?

632
00:28:50,400 --> 00:28:52,440
Speaker 15: He was, he knew, he was like, okay this, I'm

633
00:28:52,440 --> 00:28:55,480
Speaker 15: going to keep me on my tace. So nothing's changed since.

634
00:28:55,600 --> 00:28:56,400
Speaker 2: Are you still with him?

635
00:28:57,280 --> 00:28:57,480
Speaker 1: Oh?

636
00:28:57,560 --> 00:29:01,840
Speaker 5: Yes, yeah, story and scars had character, Sarah.

637
00:29:01,920 --> 00:29:04,200
Speaker 6: So I'm sure that the t intersection looks looks great.

638
00:29:04,600 --> 00:29:07,440
Speaker 15: He can't leave me after the star on my face anyway.

639
00:29:07,320 --> 00:29:10,680
Speaker 6: So after the whatsay I said.

640
00:29:10,440 --> 00:29:12,000
Speaker 15: He can't leave me. Now I've got like a star

641
00:29:12,080 --> 00:29:12,560
Speaker 15: on my face.

642
00:29:12,640 --> 00:29:15,840
Speaker 6: Yeah, exactly right, Yeah, exactly right. It's like a tattoo

643
00:29:15,880 --> 00:29:17,240
Speaker 6: for him. What a scar form?

644
00:29:19,280 --> 00:29:21,720
Speaker 2: He doesn't know you one because you've got a scar and.

645
00:29:22,280 --> 00:29:23,960
Speaker 6: You tripped out of your own feet, Sarah. It wasn't

646
00:29:24,000 --> 00:29:24,680
Speaker 6: really his fault.

647
00:29:24,920 --> 00:29:27,520
Speaker 1: He can't leave you because I've got his bed imprinted

648
00:29:27,560 --> 00:29:30,880
Speaker 1: on my forehead. Maybe he loves you, Sarah, Give yourself

649
00:29:30,920 --> 00:29:32,360
Speaker 1: some value, mate, he's into you.

650
00:29:32,560 --> 00:29:34,240
Speaker 2: I reckon, Thanks for the call.

651
00:29:34,440 --> 00:29:37,040
Speaker 1: We've got Eva here on thirty one and six foot

652
00:29:37,080 --> 00:29:39,480
Speaker 1: Eva bedroom in Jesus is a few years back, hit.

653
00:29:39,400 --> 00:29:43,880
Speaker 12: Us Hi, Yeah, so early days in our relationship with

654
00:29:43,920 --> 00:29:48,880
Speaker 12: my partner. We thought we'd be adventurers. Oh yeah, and

655
00:29:48,920 --> 00:29:50,640
Speaker 12: we were going to try the new move that we

656
00:29:50,720 --> 00:29:53,440
Speaker 12: invented ourselves. Nice helicopter.

657
00:29:55,080 --> 00:29:57,760
Speaker 2: Hang on, hang on, let's just back a couple of weeks.

658
00:29:57,880 --> 00:29:59,400
Speaker 6: Can't come on?

659
00:29:59,400 --> 00:29:59,920
Speaker 3: You always do.

660
00:30:00,760 --> 00:30:02,000
Speaker 6: We're right there, come on.

661
00:30:02,200 --> 00:30:03,160
Speaker 2: But I just want to know.

662
00:30:03,520 --> 00:30:05,360
Speaker 1: I don't want to know about I don't want to

663
00:30:05,400 --> 00:30:06,120
Speaker 1: know the details.

664
00:30:06,160 --> 00:30:06,560
Speaker 2: Woulds.

665
00:30:06,680 --> 00:30:10,520
Speaker 1: I just want to know, Eva, just did you sit

666
00:30:10,640 --> 00:30:13,600
Speaker 1: down together and have a discussion let's inventor move?

667
00:30:13,920 --> 00:30:15,040
Speaker 2: Or was it incidental?

668
00:30:16,280 --> 00:30:19,720
Speaker 12: It was kind of incidental. There wasn't a lot of discussion.

669
00:30:19,800 --> 00:30:22,280
Speaker 12: If there was, we probably would have realized that.

670
00:30:23,560 --> 00:30:25,560
Speaker 2: It was dangerous sticks an ergonomy shop.

671
00:30:25,600 --> 00:30:26,680
Speaker 12: It just wouldn't have worked.

672
00:30:26,920 --> 00:30:28,040
Speaker 2: It's called the helicopter.

673
00:30:28,880 --> 00:30:31,400
Speaker 6: It's like the iron loaders in Blades of Gloria. Imagine

674
00:30:31,440 --> 00:30:34,160
Speaker 6: that's what I'm picturing. What are we talking about?

675
00:30:34,400 --> 00:30:40,560
Speaker 5: That it involved him of slinging me ivery shoulder.

676
00:30:41,880 --> 00:30:42,200
Speaker 15: Why is it?

677
00:30:42,240 --> 00:30:42,440
Speaker 3: Why?

678
00:30:42,480 --> 00:30:42,680
Speaker 2: Why?

679
00:30:42,720 --> 00:30:43,800
Speaker 6: Why is that the helicopter?

680
00:30:45,160 --> 00:30:51,400
Speaker 12: Well, there was a spin involved, so.

681
00:30:50,120 --> 00:30:51,080
Speaker 2: How big was it?

682
00:30:52,080 --> 00:30:54,920
Speaker 5: He's helicopter in it and then fireman holding you over

683
00:30:54,960 --> 00:30:55,440
Speaker 5: his shoulder.

684
00:30:55,440 --> 00:30:58,200
Speaker 1: He's got a helicoptering it while fireman holding her she's

685
00:30:58,240 --> 00:31:02,200
Speaker 1: the blade of the helicopter. The helicopter while this is

686
00:31:02,240 --> 00:31:02,840
Speaker 1: going on.

687
00:31:02,760 --> 00:31:05,040
Speaker 6: This doesn't sound like a bedroom move like it.

688
00:31:05,000 --> 00:31:06,840
Speaker 2: Sounds like borroom dancing exactly.

689
00:31:07,240 --> 00:31:08,560
Speaker 6: Anyway, Sorry, what happened?

690
00:31:09,760 --> 00:31:10,000
Speaker 3: Eva?

691
00:31:10,040 --> 00:31:10,880
Speaker 2: Do you mind? Actually?

692
00:31:10,880 --> 00:31:13,400
Speaker 1: I wouldn't mind if you can draw a diagram and

693
00:31:13,480 --> 00:31:15,880
Speaker 1: send it to our Instagram page, will if you.

694
00:31:15,800 --> 00:31:17,760
Speaker 2: Can d m s. I'd really love to see what

695
00:31:17,800 --> 00:31:22,440
Speaker 2: this looks like. Yeah, that'd be great. I'd appreciate that. Allright,

696
00:31:22,440 --> 00:31:24,360
Speaker 2: carry on though, you're in You're in the helicopter.

697
00:31:25,120 --> 00:31:27,239
Speaker 12: So yeah, it didn't it didn't go too well. I

698
00:31:27,320 --> 00:31:30,040
Speaker 12: landed awkwardly on his shoulder and cracked the rib.

699
00:31:30,480 --> 00:31:35,760
Speaker 6: Oh god, and so did you? Did you continue though?

700
00:31:36,160 --> 00:31:38,280
Speaker 5: Or was that that that was cracked the rib and

701
00:31:38,400 --> 00:31:39,680
Speaker 5: helicopter needs to be grounded?

702
00:31:40,480 --> 00:31:43,720
Speaker 12: Yeah, the helicopter was grounded real quick. A bit of

703
00:31:43,720 --> 00:31:45,520
Speaker 12: a crash landing actually a.

704
00:31:46,200 --> 00:31:47,640
Speaker 2: Nice like what you've done there?

705
00:31:47,720 --> 00:31:51,120
Speaker 1: Carried on with the helicopter metaphor, very very unlucky cockpit

706
00:31:53,240 --> 00:31:54,040
Speaker 15: Y again