1 00:00:00,520 --> 00:00:03,000 Speaker 1: The Angels playing in Bundary at the Prince of Wales tonight, 2 00:00:03,080 --> 00:00:05,960 Speaker 1: the Port Beach in the Brewery there at Frio tomorrow 3 00:00:06,040 --> 00:00:08,119 Speaker 1: night and the Charles always a big night there in 4 00:00:08,119 --> 00:00:10,520 Speaker 1: North Perth on Saturday night with their new singer who 5 00:00:10,560 --> 00:00:12,520 Speaker 1: was the drummer Nick Norton out front and the bass 6 00:00:12,520 --> 00:00:15,400 Speaker 1: player Sam Brewster joins us. Sam, good morning, mate, welcome. 7 00:00:15,120 --> 00:00:17,480 Speaker 2: Good morning, good morning, moning morning Lisa. 8 00:00:17,600 --> 00:00:21,040 Speaker 3: They the Angels are fifty years as a band, I 9 00:00:21,120 --> 00:00:24,960 Speaker 3: mean a fee bit older than you. Yeah, I laught 10 00:00:25,000 --> 00:00:25,439 Speaker 3: without it. 11 00:00:25,800 --> 00:00:30,040 Speaker 2: No, that's right, yeah, pretty much. I mean it's been yeah, 12 00:00:30,360 --> 00:00:34,560 Speaker 2: I mean I've been in now eleven years. Yeah, yeah, yeah, 13 00:00:34,760 --> 00:00:37,960 Speaker 2: that's still yeah right Sam. 14 00:00:38,000 --> 00:00:39,839 Speaker 1: We've had plenty of good chats with your old man, 15 00:00:39,880 --> 00:00:43,800 Speaker 1: gentlemen John, but they were seemed to be Brewsters everywhere. 16 00:00:43,800 --> 00:00:45,800 Speaker 1: But what's it like now having Nick out front of 17 00:00:45,840 --> 00:00:48,600 Speaker 1: the departure of Dave Gleason, Nick. 18 00:00:48,560 --> 00:00:52,120 Speaker 2: Norton, Yeah, next, doing next, doing a great job. I mean, 19 00:00:52,120 --> 00:00:55,000 Speaker 2: as you know, Nick's been there for twelve years now 20 00:00:55,000 --> 00:00:57,720 Speaker 2: as the drummers, though the Angel was very much a 21 00:00:57,760 --> 00:01:00,840 Speaker 2: part of his life as well. He knows the songs 22 00:01:00,840 --> 00:01:04,160 Speaker 2: inside and out, and so yeah, it was just kind 23 00:01:04,160 --> 00:01:08,200 Speaker 2: of a natural progression when Dave had to step aside 24 00:01:08,360 --> 00:01:11,720 Speaker 2: do his commitments. It was Norton going down the front, 25 00:01:13,000 --> 00:01:17,560 Speaker 2: who's first and foremost actually a great singer and songwriter 26 00:01:17,920 --> 00:01:20,960 Speaker 2: and guitar player. So yeah, he's just slotted right in 27 00:01:21,160 --> 00:01:21,840 Speaker 2: straight off the bat. 28 00:01:22,200 --> 00:01:25,080 Speaker 3: So what's it like working with, you know, playing with 29 00:01:25,160 --> 00:01:27,559 Speaker 3: so many family members Rick John Tom? Is there any 30 00:01:27,560 --> 00:01:29,920 Speaker 3: on stage family feuding? I mean, I would imagine it 31 00:01:30,480 --> 00:01:33,280 Speaker 3: would be good because you can be so honest, but 32 00:01:33,360 --> 00:01:35,800 Speaker 3: also bad because you can be so honest. 33 00:01:36,280 --> 00:01:39,360 Speaker 2: Well yeah, I mean I guess, like you know, if 34 00:01:40,000 --> 00:01:43,760 Speaker 2: there definitely are those moments on occasion, but being that 35 00:01:43,840 --> 00:01:46,800 Speaker 2: it's family, says you would be aware, you know it's 36 00:01:47,760 --> 00:01:49,920 Speaker 2: you know, you might have a blow up and then 37 00:01:50,000 --> 00:01:52,360 Speaker 2: two minutes later you know you're having a laugh. So 38 00:01:52,600 --> 00:01:53,960 Speaker 2: yeahs all good exactly. 39 00:01:54,200 --> 00:01:56,160 Speaker 1: But I remember at gigs, at Angel's gigs, people to 40 00:01:56,160 --> 00:01:58,560 Speaker 1: try and put you know, like uncle Rick off, because 41 00:01:58,600 --> 00:02:02,160 Speaker 1: he just stood there hempletely dead plan. He was brilliant guitarists, 42 00:02:02,160 --> 00:02:04,360 Speaker 1: but completely dead pan. He's lighted up a bit in 43 00:02:04,440 --> 00:02:05,480 Speaker 1: more recent years, hasn't he? 44 00:02:05,680 --> 00:02:08,359 Speaker 2: Yeah too much? In my opinion, I was telling stopped 45 00:02:08,360 --> 00:02:10,160 Speaker 2: moving so much Yeah. 46 00:02:10,240 --> 00:02:13,120 Speaker 1: He was always pretty pretty stationary, pretty straight, straight lived 47 00:02:13,160 --> 00:02:15,440 Speaker 1: he was. He was a man who didn't move pretty 48 00:02:15,520 --> 00:02:15,960 Speaker 1: much there. 49 00:02:16,080 --> 00:02:17,960 Speaker 2: Yeah, well, I mean I guess you know, back then 50 00:02:18,000 --> 00:02:21,440 Speaker 2: you had Angus Young who's all over the stage, so 51 00:02:21,520 --> 00:02:24,160 Speaker 2: amazing to watch. And then so yeah, I mean Rick 52 00:02:24,240 --> 00:02:27,799 Speaker 2: did the polar opposite and and it kind of yeah, 53 00:02:27,840 --> 00:02:30,600 Speaker 2: it kind of worked and let people, you know, twitch 54 00:02:30,680 --> 00:02:32,760 Speaker 2: here we are talking about it now, you know, these 55 00:02:32,840 --> 00:02:34,840 Speaker 2: years later, the. 56 00:02:34,800 --> 00:02:37,120 Speaker 1: Elligant godlet of rock. He didn't there wasn't much going 57 00:02:37,120 --> 00:02:41,520 Speaker 1: on like that. That just great play rock. That's horrible image. 58 00:02:42,720 --> 00:02:46,200 Speaker 3: Did you ever sort of tour, not tour with, but 59 00:02:46,280 --> 00:02:48,640 Speaker 3: go on the road for any period of time with 60 00:02:48,720 --> 00:02:52,040 Speaker 3: the band when you were a little kid. No, No, 61 00:02:52,360 --> 00:02:55,120 Speaker 3: probably not, because it would have been the perception must be. 62 00:02:55,880 --> 00:02:57,960 Speaker 3: So this is actually what it's like. It would be 63 00:02:58,000 --> 00:02:59,399 Speaker 3: so different from being a little kid. 64 00:03:00,840 --> 00:03:06,600 Speaker 2: Yeah, you know, being no I mean, particularly because most 65 00:03:06,639 --> 00:03:10,760 Speaker 2: of these venues they are over eighteen, yeah of course, yeah, yeah, yeah, 66 00:03:10,800 --> 00:03:13,160 Speaker 2: and I just I mean. 67 00:03:13,160 --> 00:03:14,919 Speaker 3: Probably for the best regularly. 68 00:03:15,160 --> 00:03:21,240 Speaker 2: Yeah, absolutely in hindsight. Yeah, it's too crazy out there. 69 00:03:21,280 --> 00:03:23,600 Speaker 2: I mean maybe back in those days, but I mean 70 00:03:23,800 --> 00:03:26,880 Speaker 2: it's free, civilized, but still yeah, probably not. You know 71 00:03:26,960 --> 00:03:28,679 Speaker 2: the place for a kid. 72 00:03:28,919 --> 00:03:31,800 Speaker 3: Yeah, I do have my suspicions about back in those days, Sam, 73 00:03:31,800 --> 00:03:33,200 Speaker 3: I think it might have been a bit crazier. 74 00:03:34,360 --> 00:03:37,680 Speaker 1: Yeah, that's funny. We're talking to you today, mate, I 75 00:03:37,800 --> 00:03:40,040 Speaker 1: say the least earlier. That almost famous one of the 76 00:03:40,040 --> 00:03:43,320 Speaker 1: great rock road movies came on telling last night. And 77 00:03:44,160 --> 00:03:46,200 Speaker 1: you must have a few few good stories from over 78 00:03:46,240 --> 00:03:48,400 Speaker 1: the years of traveling in the tour of bus or 79 00:03:48,440 --> 00:03:50,560 Speaker 1: is it mostly by what are you driving around in 80 00:03:50,560 --> 00:03:52,400 Speaker 1: these days? Or is it all plane trips. 81 00:03:54,040 --> 00:03:58,119 Speaker 2: It's a bit of both. So we were in Hobart 82 00:03:58,480 --> 00:04:01,240 Speaker 2: on Tuesday. We had a gig there for a corporate 83 00:04:01,360 --> 00:04:06,760 Speaker 2: and then you perth through Melbourne and then we pick 84 00:04:06,840 --> 00:04:11,559 Speaker 2: up a higher car from the airport. It's usually a 85 00:04:11,560 --> 00:04:16,120 Speaker 2: a story or a or a a carnival. 86 00:04:16,640 --> 00:04:20,640 Speaker 1: Yeah, yeah, yeah. 87 00:04:20,680 --> 00:04:23,200 Speaker 3: Well, in your in your not touring time, you're a 88 00:04:23,279 --> 00:04:27,039 Speaker 3: music teacher. You've got a couple of music degrees. Do 89 00:04:27,120 --> 00:04:31,080 Speaker 3: you see exciting things coming ahead? You know, with the 90 00:04:31,120 --> 00:04:35,240 Speaker 3: next generation? Should we be excited? It's a good stuff coming. 91 00:04:36,120 --> 00:04:37,320 Speaker 2: The next generation of. 92 00:04:39,440 --> 00:04:40,239 Speaker 3: That you're teaching. 93 00:04:41,440 --> 00:04:45,120 Speaker 2: I'm actually not teaching. You're not teaching Okay, no, not 94 00:04:45,160 --> 00:04:48,839 Speaker 2: at the moment. You know, the like, we've got so 95 00:04:48,920 --> 00:04:52,000 Speaker 2: many shows that you and I've got I've got a toddler, 96 00:04:52,080 --> 00:04:54,480 Speaker 2: and you are forgiven. 97 00:04:56,279 --> 00:04:58,680 Speaker 3: Exactly, yeah, exactly. 98 00:04:59,040 --> 00:05:02,280 Speaker 2: The teaching might revisit it at some point, but at 99 00:05:02,279 --> 00:05:04,880 Speaker 2: the moment, we just we roll on. 100 00:05:05,240 --> 00:05:07,640 Speaker 1: Yeah, and my being part of the all important rhythm section. 101 00:05:07,680 --> 00:05:10,680 Speaker 1: Who's on drums with Nick out front? Now that's my 102 00:05:10,720 --> 00:05:13,400 Speaker 1: brother Tom terrific. Yeah, good family. 103 00:05:13,640 --> 00:05:16,120 Speaker 2: But two sets of two sets of Brewster brothers in 104 00:05:16,160 --> 00:05:21,479 Speaker 2: the angels now fantastic. And then an honorary Brewister out front. Yeah, yeah, yes, 105 00:05:21,760 --> 00:05:22,679 Speaker 2: basically he is a Brewster. 106 00:05:23,240 --> 00:05:27,320 Speaker 3: Basically, have a great few shows kicking off tonight in Bumbery. 107 00:05:27,920 --> 00:05:30,160 Speaker 2: Thanks so much, Thanks God, Thanks Sam.