WEBVTT - Bunny ears 🐰

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<v Speaker 1>Hello, it's me Art Simone. And aren't you one lucky

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<v Speaker 1>bugger to have your earholes growth by my dulcet tones.

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<v Speaker 1>But it gets even better because I am introducing you

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<v Speaker 1>to some very exciting and interesting people who theme a

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<v Speaker 1>little dull and bland on the surface. Trust me, it's

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<v Speaker 1>worth finding out what this person is concealing. Well, I guess,

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<v Speaker 1>I mean I actually don't know what it is. We're

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<v Speaker 1>going to find that bit out together. This is concealed

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<v Speaker 1>with Art Simone. Let's get into it. Roll the shape.

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<v Speaker 2>Hi, I'm Peter.

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<v Speaker 3>I'm sixty six and live alone in Sydney. Everybody who

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<v Speaker 3>knows me to find me for how fast I drive?

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<v Speaker 2>Hello?

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<v Speaker 3>A very dry Marchini, Churchills and Vespers are my favorite.

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<v Speaker 1>Well, hello, Peter, how are you today? Oh?

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<v Speaker 2>Marvelous?

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<v Speaker 3>As always good to hear.

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<v Speaker 1>Now, all right, you've got your nice spectacles on? Are

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<v Speaker 1>they reading glasses?

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<v Speaker 3>They're multifolcure, Yes.

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<v Speaker 1>A bit of both. I have some of those when

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<v Speaker 1>I have to wear glasses, but for most of the

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<v Speaker 1>time I am a g amazon, so I wouldn't ever

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<v Speaker 1>be seen with a pair of glasses on. My lashes

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<v Speaker 1>wouldn't fit.

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<v Speaker 2>You could always go for contact.

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<v Speaker 1>That's true, that's what's in at the moment. They're glued on.

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<v Speaker 1>See what your glasses. You're a nice warm jumper. Did

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<v Speaker 1>you knit that jumper yourself?

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<v Speaker 3>Yeah? Nights in front of the fire. Oh yes, stoking.

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<v Speaker 2>It with coal.

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<v Speaker 1>What's the most flammable thing you've put in a fire before?

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<v Speaker 2>Probably petrol?

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<v Speaker 1>That is quite logical. Actually, all right, So you drive fast?

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<v Speaker 3>Others say that. I say I drive appropriate to the conditions.

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<v Speaker 1>Oh okay, do you have a bit of a lead foot?

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<v Speaker 3>Some people have said that. In fact, almost everybody says that.

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<v Speaker 1>So you're right, not an uber driver? Then I don't

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<v Speaker 1>think list.

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<v Speaker 3>I'm very proud of the fact that I was sixty

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<v Speaker 3>five before I've ever lost my license for speeding.

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<v Speaker 1>Oops. That's right. You can play at home. You can

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<v Speaker 1>get Mario Karsh. That'd be good. Okay. So what I'm

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<v Speaker 1>going to be doing, Peter, is asking you three questions,

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<v Speaker 1>and from the answers to those three questions, I have

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<v Speaker 1>to try and work out what it is you are

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<v Speaker 1>concealing from me today. Are you ready?

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<v Speaker 2>I'm ready?

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<v Speaker 3>But there was so much I'm concealing from you.

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<v Speaker 1>Well, hopefully I get one of them. Right, but I'll

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<v Speaker 1>let you know now my track record is pretty bad.

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<v Speaker 1>So first question I have for you is where in

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<v Speaker 1>Australia would you never go to.

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<v Speaker 3>I try never to go north as the true driver.

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<v Speaker 1>North of the Tweed River. Okay, where's the Tweed River?

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<v Speaker 3>Like I see you had the same geography teacher with

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<v Speaker 3>my children.

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<v Speaker 1>I know the Yarra and I know the Murray. Maybe

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<v Speaker 1>I should take more road trips. I'm usually in the air.

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<v Speaker 1>They should do that. And sometimes you're flying and they go,

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<v Speaker 1>if you look out the window, here's the mountain. It's this.

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<v Speaker 1>I would like give me like a little set of headphones,

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<v Speaker 1>like when you go to the gallery and they do

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<v Speaker 1>a tour, give me one of those so I can

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<v Speaker 1>look out the window and they could be like, that's

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<v Speaker 1>a cloud and this year is another cloud. And if

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<v Speaker 1>you look to your left you can see a field.

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<v Speaker 1>That'll be good. North of the Tweed River. Okay, Well

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<v Speaker 1>I sort of know where that is, but that's all right.

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<v Speaker 1>Where is it? It's like up near Byron Bay.

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<v Speaker 4>It's kind of like right on the border just before

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<v Speaker 4>you get into Queensland.

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<v Speaker 1>Oh, okay, never north of the Tweed River. Not going

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<v Speaker 1>to Queensland. Question number two, What do you value most

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<v Speaker 1>in a TV show or film?

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<v Speaker 2>Authenticity?

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<v Speaker 1>Authenticity? Okay? All right, So you don't like SpongeBob square

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<v Speaker 1>pan it so I can imagine maybe not for.

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<v Speaker 2>You, not for me.

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<v Speaker 1>What about Bluie? Everyone loves blue at the moment.

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<v Speaker 2>I love blue?

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<v Speaker 1>Oh good? Okay, all right. And the final question I

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<v Speaker 1>have for you is do you have any nicknames?

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<v Speaker 3>Yes, I have a nickname that is tied to something

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<v Speaker 3>I made famous.

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<v Speaker 1>Nickname tied to something you made famous? Well, what's the nickname?

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<v Speaker 1>Give me the nickname?

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<v Speaker 2>Rabbit?

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<v Speaker 1>Rabbit? Okay, rabbit? Okay, all right, so let's recap. Okay,

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<v Speaker 1>not going north of the tweed into queens Then do

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<v Speaker 1>you like authenticity? And do you have a nickname which

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<v Speaker 1>is rabbit? Okay? You like a martini, and you like

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<v Speaker 1>we not SpongeBob, and you drive really fast and you're

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<v Speaker 1>not a nuber driver. Okay, all right, okay, authenticity. My

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<v Speaker 1>brain went to like reality television then, but then reality

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<v Speaker 1>television is very authentic, so maybe not that, okay. And

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<v Speaker 1>north of the tweet, it's something about a river, river,

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<v Speaker 1>wet things, fish, irrigation, oh, irrigation, Okay, and rabbit rabbit.

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<v Speaker 1>My brain just says rabbit proof fence, and I don't

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<v Speaker 1>think that's about you, rabbit nickname, that's clue, bouncing rabbit,

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<v Speaker 1>rabbit proof fencing. What are rabbit's good breeding? Bouncing, borrowing, burrowing?

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<v Speaker 1>All the bees? Three bees? Okay, I was really going

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<v Speaker 1>to try and get it this time, but I'm really

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<v Speaker 1>it's just nothing. Can I put in no answer.

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<v Speaker 2>I don't write the rules. You can do whatever you like.

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<v Speaker 2>It's your show.

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<v Speaker 1>Okay. For the first time in history, I'm tapping out.

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<v Speaker 1>I'm saying pass. I cannot join the dots today. I

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<v Speaker 1>don't know if there's just the thing shewy of the

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<v Speaker 1>room not correct, but I can't. I can't join it.

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<v Speaker 1>I'm gonna tap it out. It's a first. Everyone here

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<v Speaker 1>is to tap it out. Oh, I give up. I surrender.

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<v Speaker 3>I was the original voice of Big Brother. I was

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<v Speaker 3>also executive produce for the first three seasons of Big Brother.

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<v Speaker 3>I was black clad.

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<v Speaker 4>No, yeah, I haven't in reality television. I went away

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<v Speaker 4>from it. I hate myself.

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<v Speaker 3>I don't get the rabbit, though seremary made Bunny ravity

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<v Speaker 3>is famous.

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<v Speaker 4>Peter is Big Brother, the Big Brother, the original Big brother.

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<v Speaker 1>I'm so close now. Well it's good though, because I

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<v Speaker 1>got a lot of questions with his big brother.

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<v Speaker 4>Okay, we are here with Peter, who is in fact

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<v Speaker 4>the original voice of Big Brother, the executive producer for

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<v Speaker 4>the first three seasons down under.

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<v Speaker 1>Oh my goodness. Now just to flashback, so first three seasons?

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<v Speaker 1>Can you name some of the memorable contestants from those

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<v Speaker 1>first three seasons.

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<v Speaker 3>Well as their notional father I have to love them

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<v Speaker 3>more equally. But people might remember Sarah Marie, people might

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<v Speaker 3>remember Reggie, people might remember Christy Swan.

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<v Speaker 1>Oh wow, oh wow, and look at them now. But

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<v Speaker 1>how did it happen? Did you see another country's version

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<v Speaker 1>and say, you know what, we have to have the

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<v Speaker 1>show down here.

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<v Speaker 3>I didn't do that. That was done by people higher

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<v Speaker 3>up the tree than I was. And then I was

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<v Speaker 3>asked for her to the show, and I said, well,

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<v Speaker 3>that's your decision. If I do the show, it'll be

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<v Speaker 3>done the way I do shows. You have to make

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<v Speaker 3>up your mind as to whether or not the way

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<v Speaker 3>I do shows is to show you want.

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<v Speaker 1>So your role as an executive producer, what kind of

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<v Speaker 1>fell under the umbrella of that? What were you kind

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<v Speaker 1>of in charge of.

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<v Speaker 3>Well, you were responsible for everything, so I watched and

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<v Speaker 3>re edited everything, supervised the games department who did all

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<v Speaker 3>the activities. I was responsible, legally, morally, creatively responsible to

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<v Speaker 3>the network.

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<v Speaker 1>And their requests remind me how long does a season

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<v Speaker 1>of Big Brother last? In terms of how many weeks

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<v Speaker 1>are they filming for? Thirteen weeks thirteen, So that's pretty intense.

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<v Speaker 1>That's almost what like twenty four seven thirteen weeks. Yeah,

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<v Speaker 1>you're on call, not even mentioning like pre production.

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<v Speaker 3>Not even mentioning pre production, but you do eighteen our days,

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<v Speaker 3>twenty our days. Times I went completely without sleep. I

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<v Speaker 3>had a bed in my office, and the orders to

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<v Speaker 3>the staff was you're more likely to get sacked for

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<v Speaker 3>not waking me up when you should have than waking

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<v Speaker 3>me up when you didn't need to.

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<v Speaker 1>Well, because you were the voice of Big Brother, So

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<v Speaker 1>that means if anyone wanted to talk to you, you

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<v Speaker 1>had to be on call to go and chat to them. Right.

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<v Speaker 3>If it was going to a air, yes, but if

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<v Speaker 3>it was just we're running out of toilet paper, other

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<v Speaker 3>people could do it.

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<v Speaker 1>Oh okay, So they might sit down in the diaryum

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<v Speaker 1>and be like I need two paper they go all right,

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<v Speaker 1>here it is. But if they go I'm really emotional,

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<v Speaker 1>they go all right, will you sit there for a bit?

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<v Speaker 1>We need to go and get Big Brother.

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<v Speaker 2>That's right.

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<v Speaker 1>In the process, when did they go, oh, you should

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<v Speaker 1>be the voice of Big Brother? When they're like, all right,

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<v Speaker 1>you're going to be the one that.

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<v Speaker 3>Was just me getting cranky. Series one, we found it

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<v Speaker 3>very hard to get production crew to think about moving

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<v Speaker 3>to Queen for twenty weeks, leaving their families all that.

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<v Speaker 3>So we ended up with a lot of what I

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<v Speaker 3>call backpacker employees, mostly Brits, and in the first week

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<v Speaker 3>Rome was burning the edits foaks for crashing, people getting hurt.

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<v Speaker 3>Nothing was working properly, nothing worked as well as had

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<v Speaker 3>had in rehearsals. And in the middle of all of that,

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<v Speaker 3>the network guy came up and said, there are too

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<v Speaker 3>many English voices on this show. This is Big Brother Australia.

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<v Speaker 3>And I just said, oh, that's ridiculous. I'm for generation

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<v Speaker 3>argue with that, and walked into the voiceover booth and discovered,

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<v Speaker 3>oh this is fun.

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<v Speaker 1>Oh I like this.

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<v Speaker 2>I like the power.

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<v Speaker 1>Obviously, when you set up a season of Big Brother,

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<v Speaker 1>you kind of know what you're going to be doing

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<v Speaker 1>in terms of like environment now or do you just

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<v Speaker 1>make that up? You to go along like you're like,

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<v Speaker 1>all right, we're going to chuck a dog in one day.

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<v Speaker 1>You know that's going to happen. Or were you just

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<v Speaker 1>kind of bouncing off what the housemates were doing?

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<v Speaker 3>A bit of both. There was a lot of making

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<v Speaker 3>it up on the spot. You have to have a

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<v Speaker 3>plane from which you then deviate.

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<v Speaker 1>How much deviation is that?

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<v Speaker 2>Well quite a lot.

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<v Speaker 3>Because I discovered the joy of being live on air

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<v Speaker 3>and changing my mind about how the healthmage could be

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<v Speaker 3>treated depending on their reaction to one thing. I could

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<v Speaker 3>then go, oh, okay, so you're going to be like that,

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<v Speaker 3>let me do this. In most foreign countries and I

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<v Speaker 3>think after me, there's often a voiceover person who does it,

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<v Speaker 3>and the producers have to handwrite notes to the voiceover person.

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<v Speaker 3>But I had the advantage of being in charge and

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<v Speaker 3>could just back up my mind and go, let's do this.

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<v Speaker 1>Was there anyone above you who could say no? Or

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<v Speaker 1>you were just like I'm the shots.

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<v Speaker 3>I were cast of thousands of people with more important titles,

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<v Speaker 3>but they didn't ever get involved deditorially.

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<v Speaker 1>Yeah, it's crazy. There must be a lot of stuff

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<v Speaker 1>that would just end up on the cutting room floor,

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<v Speaker 1>but you have to be rolling just in case something

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<v Speaker 1>does happen.

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<v Speaker 3>Well, we get ninety six hours of material a day.

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<v Speaker 2>That's a lot of material.

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<v Speaker 1>Yeah, and that turnaround is so quick. Everything is so

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<v Speaker 1>overly produced these days. I agree, where they film it

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<v Speaker 1>in advance, they make up storylines. I was in one

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<v Speaker 1>of the shows, so I know what it's like to

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<v Speaker 1>be produced by someone with them. You know, you've got

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<v Speaker 1>the whole thing planned out and it comes across like

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<v Speaker 1>that on camera most of the time.

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<v Speaker 2>The way I.

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<v Speaker 3>Shore, you don't manipulate the people. You maniprate the environment

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<v Speaker 3>and then the people reacting wise that you couldn't possibly script.

0:12:49.720 --> 0:12:51.800
<v Speaker 1>So while it's all filming all right, so you know,

0:12:51.800 --> 0:12:55.720
<v Speaker 1>they phrased it that you know, they don't see anyone else,

0:12:55.760 --> 0:12:58.280
<v Speaker 1>it's just them. They see each other, they speak to

0:12:58.320 --> 0:13:00.680
<v Speaker 1>this voice. But were there any you had to go

0:13:00.720 --> 0:13:02.560
<v Speaker 1>into the Big brother House off camera to try and

0:13:02.960 --> 0:13:05.480
<v Speaker 1>resolve something you couldn't do just as a voiceover.

0:13:05.320 --> 0:13:09.680
<v Speaker 3>Once and I can't discuss it because it's in contempt

0:13:09.720 --> 0:13:10.240
<v Speaker 3>of court.

0:13:10.480 --> 0:13:11.440
<v Speaker 1>Sallacious.

0:13:11.640 --> 0:13:13.839
<v Speaker 3>I used to do what I called the last rites

0:13:13.920 --> 0:13:16.360
<v Speaker 3>with them before they went into the house, and I said,

0:13:16.520 --> 0:13:19.280
<v Speaker 3>you have to tell me anything that might come up

0:13:19.400 --> 0:13:23.280
<v Speaker 3>in the press so I can protect you. Never occurred

0:13:23.320 --> 0:13:26.920
<v Speaker 3>to this person to tell me that she'd been involved

0:13:26.960 --> 0:13:31.400
<v Speaker 3>in a crime and she's scared of living daylights out

0:13:31.400 --> 0:13:34.080
<v Speaker 3>of the rest of the housemates. Once she had won

0:13:34.240 --> 0:13:37.920
<v Speaker 3>too many drinks and started making up stories that weren't

0:13:37.960 --> 0:13:42.480
<v Speaker 3>even true, so I sent out called the psychologists who

0:13:42.520 --> 0:13:45.880
<v Speaker 3>came down from Brisburne, and she and I went in

0:13:46.320 --> 0:13:50.440
<v Speaker 3>for a couple of hours and settled everything down. I

0:13:50.520 --> 0:13:52.760
<v Speaker 3>even went so far as to send someone to the

0:13:52.760 --> 0:13:56.800
<v Speaker 3>twenty four hour service station and got some hamburgers.

0:13:56.960 --> 0:14:00.440
<v Speaker 1>As long as someone's fed, they're usually happy. The last

0:14:00.480 --> 0:14:03.319
<v Speaker 1>thing you can do to someone is limit their nibbles,

0:14:03.440 --> 0:14:05.480
<v Speaker 1>and then they make it a bit stoppy.

0:14:05.559 --> 0:14:08.800
<v Speaker 3>It's so luxurious by comparison to their ordinary food.

0:14:10.679 --> 0:14:13.760
<v Speaker 1>Were there any days when you were there and you go,

0:14:14.040 --> 0:14:19.520
<v Speaker 1>there is nothing today, like these guys are boring. Were

0:14:19.520 --> 0:14:22.400
<v Speaker 1>there any times you're like, what are we going to do? Oh?

0:14:22.520 --> 0:14:25.680
<v Speaker 3>No, it bored me as your friend. Many days of

0:14:25.800 --> 0:14:30.480
<v Speaker 3>the week, the producer who was assigned to tomorrow's show would

0:14:30.520 --> 0:14:34.120
<v Speaker 3>come bursting into my office about eight o'clock at night

0:14:34.720 --> 0:14:36.960
<v Speaker 3>and say I don't have a show. I don't have

0:14:37.000 --> 0:14:38.440
<v Speaker 3>a show. I'm going to have to put it in

0:14:38.520 --> 0:14:42.840
<v Speaker 3>an activity. And I would watch my food for a

0:14:42.880 --> 0:14:47.360
<v Speaker 3>bit and say, no, just let them boil. And of

0:14:47.400 --> 0:14:51.720
<v Speaker 3>course something that you could never have imagined anyone would

0:14:51.800 --> 0:14:56.400
<v Speaker 3>do would happen when a girl called Turkan decided that

0:14:56.480 --> 0:14:59.240
<v Speaker 3>she was going to leave the house in the middle

0:14:59.280 --> 0:15:03.760
<v Speaker 3>of another wise I was highly structured show. We shut

0:15:03.800 --> 0:15:06.520
<v Speaker 3>off the rest of the story, and the story became

0:15:06.600 --> 0:15:10.960
<v Speaker 3>about Turkey and wanting to leave, and we stayed on

0:15:11.080 --> 0:15:16.960
<v Speaker 3>air with this drama until after eleven. We actually kept

0:15:17.080 --> 0:15:18.360
<v Speaker 3>Rove off air.

0:15:18.160 --> 0:15:20.920
<v Speaker 1>And not Rove Live.

0:15:21.640 --> 0:15:25.160
<v Speaker 3>Rove Live couldn't be live. And I came out of

0:15:25.200 --> 0:15:29.480
<v Speaker 3>the outside broadcast truck and someone walked up to me

0:15:29.520 --> 0:15:33.960
<v Speaker 3>and said that was fantastic television. And I said, well,

0:15:34.240 --> 0:15:35.680
<v Speaker 3>I only wish I'd thought of it.

0:15:37.560 --> 0:15:39.320
<v Speaker 1>I wish I could claim it is my idea.

0:15:39.840 --> 0:15:44.920
<v Speaker 3>Yeah, because people do things that you would never dare script.

0:15:45.400 --> 0:15:48.120
<v Speaker 1>I think the first three seasons were like the Golden Era,

0:15:48.200 --> 0:15:51.680
<v Speaker 1>They're amazing. So were you part of casting.

0:15:51.600 --> 0:15:56.640
<v Speaker 3>The first one? I cast almost by myself, and then

0:15:56.720 --> 0:15:59.120
<v Speaker 3>it was a huge hit and then I suddenly had

0:15:59.120 --> 0:16:02.520
<v Speaker 3>a retinue of people who wanted to be attached to

0:16:02.640 --> 0:16:07.080
<v Speaker 3>a hit, and the second series was cast. I thought

0:16:07.120 --> 0:16:10.120
<v Speaker 3>not as well because it was done as a committee.

0:16:10.280 --> 0:16:13.200
<v Speaker 3>And at the end of series two, I said, I

0:16:13.240 --> 0:16:16.440
<v Speaker 3>don't care. It doesn't have to be me, but one

0:16:16.560 --> 0:16:20.280
<v Speaker 3>person has to cast this show, and the cast has

0:16:20.360 --> 0:16:23.840
<v Speaker 3>to make sense to them. A Series two cast it

0:16:23.880 --> 0:16:27.680
<v Speaker 3>didn't make sense. I couldn't make it do things because

0:16:27.840 --> 0:16:30.360
<v Speaker 3>the dynamics between the people weren't correct.

0:16:31.000 --> 0:16:33.320
<v Speaker 1>How hard was it to cast the first season when

0:16:33.480 --> 0:16:36.040
<v Speaker 1>in reality you didn't really know what the beast was

0:16:36.120 --> 0:16:37.480
<v Speaker 1>yet you were kind of making it up as you

0:16:37.520 --> 0:16:40.520
<v Speaker 1>go along. You could obviously look overseas, but yeah, how

0:16:40.560 --> 0:16:42.000
<v Speaker 1>did you pick what you were looking for?

0:16:42.360 --> 0:16:44.240
<v Speaker 2>Well, you just kind of know.

0:16:45.120 --> 0:16:48.160
<v Speaker 3>The main thing was we were making a show that,

0:16:48.600 --> 0:16:52.000
<v Speaker 3>unlike the overseas ones, we were running at seven o'clock,

0:16:52.440 --> 0:16:56.440
<v Speaker 3>So we had to be child friendly, family friendly in

0:16:56.480 --> 0:17:00.640
<v Speaker 3>that seven o'clock show, and that effects who you cast. Effectively,

0:17:01.080 --> 0:17:04.879
<v Speaker 3>we were running against Home and Away, and so we

0:17:05.000 --> 0:17:09.120
<v Speaker 3>had to provide an alternative to Home and Away that

0:17:09.400 --> 0:17:12.080
<v Speaker 3>was as cheerful and engaging.

0:17:12.720 --> 0:17:16.520
<v Speaker 1>So what was the casting process like for the years

0:17:16.520 --> 0:17:17.000
<v Speaker 1>you were there.

0:17:17.640 --> 0:17:25.160
<v Speaker 3>Every potential contestant went to two different casting sorts whatever

0:17:25.480 --> 0:17:28.600
<v Speaker 3>else you want to call them, and I made them

0:17:28.680 --> 0:17:31.280
<v Speaker 3>rank them on a scale of one to five. And

0:17:31.359 --> 0:17:35.879
<v Speaker 3>I was really interested in the double, five, five, and zero.

0:17:36.440 --> 0:17:40.159
<v Speaker 3>I wasn't very interested in anyone that was two, three,

0:17:41.040 --> 0:17:45.719
<v Speaker 3>four maybe, But basically the most interesting characters were the

0:17:45.760 --> 0:17:48.720
<v Speaker 3>ones who got a zero from one and a five

0:17:48.840 --> 0:17:51.640
<v Speaker 3>from the other, the polarizing people.

0:17:51.920 --> 0:17:54.840
<v Speaker 1>And then when you get those characters, how do you

0:17:54.920 --> 0:17:57.119
<v Speaker 1>then interview them to find their stories.

0:17:57.359 --> 0:18:01.680
<v Speaker 3>They did quite detailed biographies of themselves and lots answered

0:18:01.680 --> 0:18:02.680
<v Speaker 3>lots of questions.

0:18:02.720 --> 0:18:04.800
<v Speaker 2>There was a lot of paperwork, and.

0:18:04.720 --> 0:18:08.399
<v Speaker 3>Then we would have casting days where forty or fifty

0:18:08.440 --> 0:18:11.440
<v Speaker 3>people would be invited to come along and play some

0:18:11.960 --> 0:18:15.880
<v Speaker 3>games and talk to each other and engage in activities.

0:18:16.119 --> 0:18:19.119
<v Speaker 3>And then as I saw people I thought you were interesting,

0:18:19.320 --> 0:18:22.040
<v Speaker 3>I would drag them aside and give them an interview.

0:18:22.359 --> 0:18:27.840
<v Speaker 3>And it sounds terrible that I really knew i'd found somebody.

0:18:27.880 --> 0:18:32.000
<v Speaker 1>When they cried, well, it means they're willing to show

0:18:32.040 --> 0:18:34.280
<v Speaker 1>emotion around other people.

0:18:34.840 --> 0:18:39.200
<v Speaker 3>Well, I felt like I'd found there in a self, right.

0:18:39.520 --> 0:18:42.439
<v Speaker 3>I didn't do anything mean to make them cry, but

0:18:42.520 --> 0:18:45.879
<v Speaker 3>if you just keep asking people, and why say that yes,

0:18:46.080 --> 0:18:49.719
<v Speaker 3>eventually I'll get somewhere. Well, I'll cry.

0:18:49.880 --> 0:18:54.000
<v Speaker 1>Well, it's true. I've always wondered because I did drag Race,

0:18:54.000 --> 0:18:56.080
<v Speaker 1>and I always wondered if they had like a file

0:18:56.520 --> 0:18:58.280
<v Speaker 1>about me where they're like, all right, here's all the

0:18:58.280 --> 0:19:01.600
<v Speaker 1>information on this one. We can tap into this, tap

0:19:01.600 --> 0:19:05.119
<v Speaker 1>into that. Were there little you know, guardbooks on the housemates.

0:19:05.680 --> 0:19:09.040
<v Speaker 3>There was an approved biography that all the crew members

0:19:09.040 --> 0:19:13.679
<v Speaker 3>got and then everything else was withheld for privacy. But

0:19:13.800 --> 0:19:18.000
<v Speaker 3>I had their psyche reports, I had their application forms,

0:19:18.080 --> 0:19:22.040
<v Speaker 3>I had their application tapes. I had everything at my fingertips.

0:19:22.520 --> 0:19:26.280
<v Speaker 1>What was the process for kind of getting someone acclimatized

0:19:26.359 --> 0:19:28.040
<v Speaker 1>back into the world, you know, because there's a lot

0:19:28.080 --> 0:19:31.080
<v Speaker 1>of stuff to catch up on. They've obviously been broadcast

0:19:31.160 --> 0:19:34.320
<v Speaker 1>across the country and everyone knows who they are. Was

0:19:34.320 --> 0:19:36.160
<v Speaker 1>there kind of a process in there you just went off,

0:19:36.160 --> 0:19:36.680
<v Speaker 1>you go love?

0:19:36.880 --> 0:19:41.960
<v Speaker 3>Oh No, they had ongoing psychological support and our support

0:19:42.240 --> 0:19:44.919
<v Speaker 3>depending on their needs. I mean, some of them needed

0:19:45.480 --> 0:19:48.960
<v Speaker 3>security guards, some of them needed a lot of time

0:19:49.040 --> 0:19:53.760
<v Speaker 3>as a therapist. Because you know that phenomenon of when

0:19:53.800 --> 0:19:56.240
<v Speaker 3>you show someone a picture of themselves, they go I

0:19:56.280 --> 0:19:57.720
<v Speaker 3>didn't didn't.

0:19:58.440 --> 0:20:02.399
<v Speaker 1>That was me earlier today, Well.

0:20:02.280 --> 0:20:05.200
<v Speaker 3>The same thing happens. I didn't make them say any

0:20:05.240 --> 0:20:08.040
<v Speaker 3>of the words they said. I didn't make them do

0:20:08.160 --> 0:20:11.240
<v Speaker 3>any of the things they did, but they'd come out

0:20:11.560 --> 0:20:15.600
<v Speaker 3>and have a terrible reaction to seeing themselves as they

0:20:15.640 --> 0:20:19.040
<v Speaker 3>appear to others. We took good care of them.

0:20:19.280 --> 0:20:21.560
<v Speaker 1>Yeah, that would be wild. I guess for some of them,

0:20:21.600 --> 0:20:23.680
<v Speaker 1>you'd be like enemy number one. But they need to

0:20:23.680 --> 0:20:26.440
<v Speaker 1>blame someone, so they'd be like, oh, it's all your fault, Peter.

0:20:26.720 --> 0:20:30.000
<v Speaker 3>Well, it was we who invented the idea of blaming

0:20:30.040 --> 0:20:34.960
<v Speaker 3>the editor. Ah, because sometimes people do things that don't

0:20:35.000 --> 0:20:38.440
<v Speaker 3>come across very well because they're odd, very nice things

0:20:38.480 --> 0:20:42.399
<v Speaker 3>to do. Then they face exposure to the public. And

0:20:42.440 --> 0:20:45.920
<v Speaker 3>so the answer to that was to say, oh, I

0:20:45.960 --> 0:20:47.120
<v Speaker 3>was edited badly.

0:20:47.560 --> 0:20:49.840
<v Speaker 1>What's that RuPaul has released her own song, blame it

0:20:49.880 --> 0:20:53.280
<v Speaker 1>on the edit. Because so many people will comeup with

0:20:53.400 --> 0:20:56.440
<v Speaker 1>drag race and be like, it's the editing, it's the editing.

0:20:57.160 --> 0:21:00.840
<v Speaker 1>I'm not like that. I sway, well, no, you might

0:21:00.880 --> 0:21:02.159
<v Speaker 1>not be like that all the time, but in that

0:21:02.200 --> 0:21:03.080
<v Speaker 1>situation you were.

0:21:03.320 --> 0:21:06.280
<v Speaker 3>I don't know about RuPaul, but I don't think they

0:21:06.320 --> 0:21:07.480
<v Speaker 3>put words in your mouth.

0:21:07.760 --> 0:21:12.360
<v Speaker 1>No, oh, that be said. I've been in a situation

0:21:12.400 --> 0:21:15.160
<v Speaker 1>where I was coerced to say something like battered down

0:21:15.520 --> 0:21:17.080
<v Speaker 1>until the words came out of my mouth because they

0:21:17.080 --> 0:21:17.920
<v Speaker 1>wouldn't let me leave.

0:21:18.160 --> 0:21:22.240
<v Speaker 3>They're what I called god puppet shows where the producer

0:21:22.320 --> 0:21:26.200
<v Speaker 3>is so involved you can almost pick who the producer

0:21:26.520 --> 0:21:28.680
<v Speaker 3>was who got them to just say that.

0:21:29.040 --> 0:21:31.720
<v Speaker 1>I remember when I walked into drag Race when I

0:21:31.720 --> 0:21:33.520
<v Speaker 1>filmed it, I was like, I know how the how

0:21:33.600 --> 0:21:35.679
<v Speaker 1>this all works. I'm not going to fall for it.

0:21:35.760 --> 0:21:37.879
<v Speaker 1>I'm not going to lean into what they want me

0:21:37.920 --> 0:21:39.240
<v Speaker 1>to do. I'm just going to be myself and do

0:21:39.320 --> 0:21:41.240
<v Speaker 1>my own thing. But it got to the point where

0:21:41.240 --> 0:21:44.119
<v Speaker 1>I'd been fighting with them for so long that it

0:21:44.200 --> 0:21:46.960
<v Speaker 1>was just so tiring that the easiest way was just

0:21:47.000 --> 0:21:48.480
<v Speaker 1>to go along with it and be like, Okay, this

0:21:48.560 --> 0:21:49.600
<v Speaker 1>is what we're doing. Fine.

0:21:49.840 --> 0:21:55.760
<v Speaker 3>I don't admire that personally as a production method, the

0:21:55.920 --> 0:21:59.040
<v Speaker 3>less you have to do with what people say and

0:21:59.160 --> 0:22:03.160
<v Speaker 3>do more authentic the production becomes.

0:22:03.840 --> 0:22:06.439
<v Speaker 1>Out of those first three seasons, it'd big brother, what

0:22:06.720 --> 0:22:09.080
<v Speaker 1>are you most proud of? What do you walk away with?

0:22:09.160 --> 0:22:11.040
<v Speaker 1>And go I'm really happy I did that.

0:22:11.359 --> 0:22:16.280
<v Speaker 3>Oh a lot, just to pick an example the friendship

0:22:16.280 --> 0:22:17.800
<v Speaker 3>between Blair and Johnny.

0:22:18.200 --> 0:22:20.520
<v Speaker 2>Blair, middle class.

0:22:20.119 --> 0:22:24.760
<v Speaker 3>White boy would never have met Johnny in the city

0:22:25.320 --> 0:22:29.520
<v Speaker 3>gay boy, and formed a friendship so close that when

0:22:29.640 --> 0:22:34.800
<v Speaker 3>Johnny was evicted, Blair cried. And I think that models

0:22:34.840 --> 0:22:39.560
<v Speaker 3>to a lot of teenagers it's okay to accept difference

0:22:39.640 --> 0:22:43.639
<v Speaker 3>and be friends. I think there was a lot of

0:22:43.680 --> 0:22:46.560
<v Speaker 3>that kind of messaging in those shows.

0:22:46.880 --> 0:22:48.399
<v Speaker 1>Yeah, I think there was a lot of magic in

0:22:48.440 --> 0:22:51.119
<v Speaker 1>bringing people together. You know. That's the exciting thing of

0:22:51.160 --> 0:22:54.200
<v Speaker 1>Big Brother is a big melting pot of different types

0:22:54.240 --> 0:22:57.280
<v Speaker 1>of people from all different corners of the country.

0:22:57.080 --> 0:23:00.639
<v Speaker 3>And friendships that you wouldn't have predicted and they would

0:23:00.640 --> 0:23:03.080
<v Speaker 3>never have had it had they not gone into the house.

0:23:05.520 --> 0:23:07.320
<v Speaker 1>I want to know if you can give me some

0:23:07.480 --> 0:23:11.600
<v Speaker 1>tips to becoming the Big Brother voice and getting the

0:23:11.600 --> 0:23:14.120
<v Speaker 1>housemates to do things that like you wanted them to do.

0:23:14.240 --> 0:23:16.880
<v Speaker 1>So I talked too fast, I probably should slow down.

0:23:16.920 --> 0:23:21.320
<v Speaker 3>First of all, Well, yeah, the hardest thing about being

0:23:21.359 --> 0:23:26.600
<v Speaker 3>Picked Brother is not laughing. And sometimes people would be

0:23:26.640 --> 0:23:30.200
<v Speaker 3>so ridiculous that I'd have to turn my mic off

0:23:30.240 --> 0:23:32.240
<v Speaker 3>and have a good old laugh and the voice over

0:23:32.359 --> 0:23:36.040
<v Speaker 3>birth and then flick the microphone back on and sound Stern.

0:23:38.640 --> 0:23:40.160
<v Speaker 3>You sound too good natured.

0:23:44.200 --> 0:23:46.800
<v Speaker 2>Hoo is this big brother y'all? My god? Could you

0:23:46.800 --> 0:23:48.560
<v Speaker 2>just say clean up your man's and stop yelling at

0:23:48.560 --> 0:23:49.280
<v Speaker 2>each other things?

0:23:49.359 --> 0:24:04.679
<v Speaker 1>Maybe so that was Peter the original voice of being brother,

0:24:05.440 --> 0:24:07.800
<v Speaker 1>and well, while I think I do have the deep

0:24:07.840 --> 0:24:11.239
<v Speaker 1>and booming in very important voice, I guess he can

0:24:11.320 --> 0:24:14.439
<v Speaker 1>climb that one. For now. You've been listening to an

0:24:14.440 --> 0:24:18.439
<v Speaker 1>iHeart Australia production concealed with artsimone. Listen to more of

0:24:18.440 --> 0:24:20.880
<v Speaker 1>what you love on iHeart, and to check out two

0:24:21.000 --> 0:24:24.480
<v Speaker 1>people whose voices have changed a nation, check us out

0:24:24.480 --> 0:24:32.640
<v Speaker 1>on the socials