1 00:00:02,360 --> 00:00:11,600 Speaker 1: YadA, yeah, yeah, yeah, yeah yeah yeah na yeah yeah 2 00:00:11,840 --> 00:00:18,279 Speaker 1: yet are you ready for Julie Goodwin in for Amanda 3 00:00:18,360 --> 00:00:21,800 Speaker 1: Keller Today? Something we missed on the show was this 4 00:00:21,880 --> 00:00:26,280 Speaker 1: story about a woman calling police for mistaking a realistic 5 00:00:26,360 --> 00:00:30,960 Speaker 1: sex doll for a body. She called the police because 6 00:00:30,960 --> 00:00:34,960 Speaker 1: this doll was on a beach and it appears to 7 00:00:35,000 --> 00:00:36,200 Speaker 1: be headless. There's no head? 8 00:00:36,400 --> 00:00:40,479 Speaker 2: Yeah, like, is that how it how it came? That's no? No, 9 00:00:41,280 --> 00:00:44,880 Speaker 2: Well do they I'm sure headless ones or the head? 10 00:00:44,880 --> 00:00:46,160 Speaker 2: Come on, isn't the word? 11 00:00:46,320 --> 00:00:49,279 Speaker 1: The world was terrible if people are ordering that, you know, 12 00:00:49,479 --> 00:00:51,880 Speaker 1: because at one time I went into a sex shop, 13 00:00:52,560 --> 00:00:54,240 Speaker 1: you know, just the one time. Why why I was 14 00:00:54,240 --> 00:00:55,880 Speaker 1: in there? But I was in there and I was 15 00:00:55,880 --> 00:00:57,720 Speaker 1: just looking at the array of stuff that they had. 16 00:00:57,960 --> 00:01:00,240 Speaker 1: But then on the wall there was a sheep, a 17 00:01:00,240 --> 00:01:04,080 Speaker 1: sex doll, sheep a sheep. Yeah, So at what point 18 00:01:04,080 --> 00:01:08,399 Speaker 1: are you going from, you know, a doll to the sheep? 19 00:01:09,040 --> 00:01:11,880 Speaker 2: What point are you going from you yes, to a doll? 20 00:01:12,720 --> 00:01:15,080 Speaker 1: Well exactly, But you know, I could see like people 21 00:01:15,080 --> 00:01:15,959 Speaker 1: that might get lonely. 22 00:01:16,200 --> 00:01:19,880 Speaker 3: I guess, well, I guess, I mean, look at it 23 00:01:19,920 --> 00:01:24,160 Speaker 3: this way, it'd probably be worse if you mistook a 24 00:01:24,200 --> 00:01:25,720 Speaker 3: dead body for a sex doll. 25 00:01:26,400 --> 00:01:29,320 Speaker 2: That's true, that could be started having it off with it. 26 00:01:31,200 --> 00:01:33,280 Speaker 2: I was going to leave that bit unsaid. Here we 27 00:01:33,319 --> 00:01:34,039 Speaker 2: are in court again. 28 00:01:34,080 --> 00:01:37,240 Speaker 1: Here we are the lady and I sort of have 29 00:01:37,959 --> 00:01:40,240 Speaker 1: a bit of empathy for her as well, because she 30 00:01:40,280 --> 00:01:42,400 Speaker 1: could see it was definitely the shape of a torso 31 00:01:42,840 --> 00:01:45,679 Speaker 1: face down, and could tell it was a woman's figure. 32 00:01:46,760 --> 00:01:48,920 Speaker 1: So she's looking at it, and you don't want to 33 00:01:48,920 --> 00:01:50,240 Speaker 1: go up there and see if it was a real 34 00:01:50,320 --> 00:01:51,720 Speaker 1: body because that'd be kind of gross. 35 00:01:51,800 --> 00:01:55,880 Speaker 3: Well yeah, like yeah, like if you you wouldn't want 36 00:01:55,880 --> 00:01:56,760 Speaker 3: to get too close to it. 37 00:01:56,960 --> 00:01:59,960 Speaker 2: No, And it looks like it's a it's not a bee. 38 00:02:00,160 --> 00:02:00,919 Speaker 1: It's on a beach. 39 00:02:01,200 --> 00:02:03,600 Speaker 2: It's kind of washed up there that. No, you wouldn't 40 00:02:03,600 --> 00:02:04,200 Speaker 2: want to see that. 41 00:02:04,360 --> 00:02:08,480 Speaker 1: No one wants to see that. Three police officers responded, 42 00:02:08,800 --> 00:02:11,760 Speaker 1: They were also convinced it was real when they first saw. 43 00:02:11,560 --> 00:02:15,360 Speaker 3: It, straight to Scotland the yard. 44 00:02:14,919 --> 00:02:17,680 Speaker 1: And that's the other job about being a copper, isn't it. 45 00:02:17,760 --> 00:02:19,240 Speaker 1: You have to go and investigate it. 46 00:02:19,320 --> 00:02:20,920 Speaker 2: You have to. And they thought it was a. 47 00:02:20,919 --> 00:02:23,080 Speaker 1: Real boy and they've gone on, hang on it, maybe Harry, 48 00:02:23,240 --> 00:02:26,040 Speaker 1: you go and have a look and see what you think. 49 00:02:25,880 --> 00:02:27,240 Speaker 2: Of that with a stick and see what happens. 50 00:02:27,480 --> 00:02:29,560 Speaker 1: So they would have been relieved. They've gone over there 51 00:02:29,600 --> 00:02:31,600 Speaker 1: and they've poked it with a stick, as you said, 52 00:02:32,320 --> 00:02:36,040 Speaker 1: and discovered that it's not indeed, it's just a it's 53 00:02:36,080 --> 00:02:38,880 Speaker 1: a sex style. But if you ever like, I find 54 00:02:38,919 --> 00:02:43,040 Speaker 1: that as I get older, my short sight it's more 55 00:02:43,080 --> 00:02:44,920 Speaker 1: and more so. One day I was walking down my 56 00:02:44,919 --> 00:02:48,920 Speaker 1: street and I thought I saw it was this massive dog, 57 00:02:49,000 --> 00:02:52,320 Speaker 1: this big domman sitting on the Oh my god, look 58 00:02:52,360 --> 00:02:53,800 Speaker 1: at that side of the dog. And I'm not scared 59 00:02:53,800 --> 00:02:57,399 Speaker 1: of dogs. I don't and I wouldn't usually cross the road. 60 00:02:57,440 --> 00:03:01,200 Speaker 1: Brother on that dog that looks like the hound of Baskerville. 61 00:03:01,200 --> 00:03:03,840 Speaker 1: So I'm keeping away from that. As I get closer, 62 00:03:03,880 --> 00:03:06,000 Speaker 1: I've crossed the other side of the road. It's a 63 00:03:06,040 --> 00:03:11,440 Speaker 1: tree stump, two tree stumps together, and the optical illusion 64 00:03:11,480 --> 00:03:12,880 Speaker 1: looked like it was this big doberman. 65 00:03:13,120 --> 00:03:17,160 Speaker 3: You're just like my husband, right, So I wear glasses 66 00:03:17,400 --> 00:03:20,480 Speaker 3: because I'm not too vain to wear glasses. He's constantly 67 00:03:20,520 --> 00:03:22,920 Speaker 3: walking around squinting at things. I show him something on 68 00:03:22,960 --> 00:03:25,160 Speaker 3: my phone, I have to he borrows my glasses. In 69 00:03:25,160 --> 00:03:27,160 Speaker 3: the restaurants, we can read the menu. It's like, come 70 00:03:27,160 --> 00:03:32,000 Speaker 3: on time, Jonesy, if you're mistaking tree stumps for Doberman 71 00:03:32,160 --> 00:03:34,720 Speaker 3: and hounds of Baskerville's time for the glasses. 72 00:03:34,720 --> 00:03:35,560 Speaker 2: Well, it's funny you say that. 73 00:03:35,600 --> 00:03:37,760 Speaker 1: I do go and get my eyes checked quite regularly, 74 00:03:37,840 --> 00:03:38,880 Speaker 1: do you though, And yeah, I do? 75 00:03:38,960 --> 00:03:39,200 Speaker 3: I do? 76 00:03:39,440 --> 00:03:41,000 Speaker 1: You know you don't check my macula? 77 00:03:41,200 --> 00:03:43,400 Speaker 2: Do you pay attention to what they say? And they do? 78 00:03:43,880 --> 00:03:45,840 Speaker 1: And the guy said, well, I've got I've got this 79 00:03:46,000 --> 00:03:49,520 Speaker 1: like stigmatism. So one eye is short and one eye 80 00:03:49,520 --> 00:03:51,800 Speaker 1: is long, right, so they correct each other. 81 00:03:52,640 --> 00:03:54,720 Speaker 2: Is that how it works? That's what he said. He's 82 00:03:54,720 --> 00:03:55,880 Speaker 2: just seeing tree stump dogs. 83 00:03:55,960 --> 00:03:58,760 Speaker 1: This is the eye guy. It was a very effective illusion. 84 00:03:59,080 --> 00:04:01,080 Speaker 3: Okay, well yeah, I mean I can see how you 85 00:04:01,080 --> 00:04:02,920 Speaker 3: can go saving very effective. 86 00:04:03,160 --> 00:04:05,160 Speaker 1: I was waving at a palm tree thinking that it 87 00:04:05,200 --> 00:04:06,720 Speaker 1: was a friend of mine. 88 00:04:08,040 --> 00:04:10,480 Speaker 2: Do you ever say hello to those kaya dudes? 89 00:04:12,120 --> 00:04:14,520 Speaker 1: Now I go in and buy stuff. You buy all 90 00:04:14,560 --> 00:04:17,039 Speaker 1: the goods they have on offer, not outside of sections. 91 00:04:17,120 --> 00:04:18,040 Speaker 2: You can't say the price. 92 00:04:21,240 --> 00:04:24,560 Speaker 1: Okay, kids, that's it for today. Come back tomorrow from 93 00:04:24,640 --> 00:04:27,240 Speaker 1: morrow Jonesy and Amanda's cutting room for