1
00:00:00,760 --> 00:00:02,600
Speaker 1: Are you ready to listen to a podcast?

2
00:00:03,080 --> 00:00:07,720
Speaker 2: And Amanda in the Morning one w s f M Okay,

3
00:00:07,840 --> 00:00:08,920
Speaker 2: morning star Shine.

4
00:00:09,560 --> 00:00:11,920
Speaker 1: Right now, by the miracle of recording, we're going to

5
00:00:12,200 --> 00:00:14,800
Speaker 1: go to a recent Sunday morning service in the which

6
00:00:14,800 --> 00:00:15,960
Speaker 1: two precious little.

7
00:00:15,720 --> 00:00:20,360
Speaker 3: Girl were singing good good night in a dungeon somewhere

8
00:00:20,360 --> 00:00:20,919
Speaker 3: in Sydney.

9
00:00:20,960 --> 00:00:23,040
Speaker 2: Miss Keller Amanda Amanda.

10
00:00:22,720 --> 00:00:25,040
Speaker 1: Mistress Amanda is delivering discipline.

11
00:00:26,480 --> 00:00:29,360
Speaker 4: I've heard them describe him as a drunken idiot.

12
00:00:30,960 --> 00:00:33,880
Speaker 5: I wrap and he's pulling off, he says to me Jones,

13
00:00:34,440 --> 00:00:35,000
Speaker 5: personal friend.

14
00:00:35,080 --> 00:00:40,720
Speaker 3: It means let's start wearing lipsticks.

15
00:00:41,440 --> 00:00:45,280
Speaker 1: Congratulations, man, we're in the reading right now. Josie and Amanda,

16
00:00:45,320 --> 00:00:46,360
Speaker 1: you're doing a great job.

17
00:00:46,440 --> 00:00:47,000
Speaker 3: I'm not drunk.

18
00:00:48,000 --> 00:00:54,760
Speaker 6: The legendary pirate Josie and Amanda, the actress.

19
00:00:53,000 --> 00:00:53,920
Speaker 7: Jos and Amanda.

20
00:00:53,960 --> 00:00:56,840
Speaker 3: Those are names that you would never forget. You think

21
00:00:58,200 --> 00:01:02,640
Speaker 3: when those two lad over your boy escalated quickly.

22
00:01:02,720 --> 00:01:06,000
Speaker 4: No apology could ever compensate Amanda for what happened that.

23
00:01:06,120 --> 00:01:10,640
Speaker 1: Night, for anyone but your selfie, giant, what have you done?

24
00:01:10,720 --> 00:01:14,960
Speaker 8: A really good potch? Want to be in this job.

25
00:01:15,160 --> 00:01:16,880
Speaker 1: I am a self sourcing pudding.

26
00:01:18,120 --> 00:01:21,120
Speaker 2: Shoot, Tim, we're on there. At the top of the

27
00:01:21,120 --> 00:01:22,679
Speaker 2: morning to you, Amanda, how are you today?

28
00:01:22,840 --> 00:01:24,360
Speaker 1: It's fry, yay.

29
00:01:24,520 --> 00:01:26,520
Speaker 2: It is indeed, my gray jumping friend.

30
00:01:26,680 --> 00:01:30,800
Speaker 1: But there's color around the cuffs. Better see to that.

31
00:01:32,680 --> 00:01:36,280
Speaker 1: What a charming way to start today. But what did

32
00:01:36,280 --> 00:01:36,679
Speaker 1: they match?

33
00:01:37,280 --> 00:01:40,959
Speaker 2: Whether the collar matches the cuffs? Isn't it carpets carpets?

34
00:01:41,200 --> 00:01:42,080
Speaker 1: What matches?

35
00:01:42,080 --> 00:01:44,880
Speaker 2: What the drapes match the carpets.

36
00:01:45,200 --> 00:01:48,720
Speaker 1: Or collars match the cuffs. What if your carpet matches

37
00:01:48,760 --> 00:01:51,160
Speaker 1: your cuffs? Are they the same thing?

38
00:01:51,200 --> 00:01:52,680
Speaker 2: What if you don't have a carpet. What if you

39
00:01:52,680 --> 00:01:53,880
Speaker 2: have a floorboards?

40
00:01:54,080 --> 00:01:55,960
Speaker 1: What if you've got just floorboards because you ripped that

41
00:01:56,000 --> 00:01:58,400
Speaker 1: old stuff up years ago to see what was underneath.

42
00:01:58,360 --> 00:01:59,520
Speaker 1: And oh that's disappointing.

43
00:01:59,760 --> 00:02:01,200
Speaker 2: It's the old liner.

44
00:02:03,520 --> 00:02:05,880
Speaker 1: Messages from years ago hidden there.

45
00:02:06,080 --> 00:02:09,880
Speaker 2: There you go, an old newspaper declaring the end of

46
00:02:09,880 --> 00:02:10,280
Speaker 2: the war.

47
00:02:12,520 --> 00:02:14,040
Speaker 1: I'm not sure what we're talking.

48
00:02:13,720 --> 00:02:18,519
Speaker 4: About, sends vaguely rude night just action packed show today,

49
00:02:19,400 --> 00:02:21,520
Speaker 4: actually the packed Well, we got ten thousand dollars up

50
00:02:21,560 --> 00:02:22,120
Speaker 4: for grades with head.

51
00:02:22,160 --> 00:02:24,040
Speaker 1: Jamie's not only that, we've got a chance for you

52
00:02:24,080 --> 00:02:27,120
Speaker 1: to win a million dollars ten million. The numbers just

53
00:02:27,320 --> 00:02:28,080
Speaker 1: confound me.

54
00:02:28,680 --> 00:02:32,040
Speaker 4: Ten million confounded and the Magnificent seven. Well that starts

55
00:02:32,080 --> 00:02:33,560
Speaker 4: right here right now. Why don't you play that?

56
00:02:34,320 --> 00:02:35,320
Speaker 2: It's always fun.

57
00:02:36,040 --> 00:02:38,680
Speaker 4: We'll give you some thinking music in the form of

58
00:02:38,760 --> 00:02:41,239
Speaker 4: bon Jovi thirteen WSFM.

59
00:02:41,320 --> 00:02:44,480
Speaker 2: It's five past six one on what point seven WSFM.

60
00:02:44,480 --> 00:02:47,440
Speaker 4: Hello there, it's Jonesy and Amanda thanks to BMW Sydney

61
00:02:47,520 --> 00:02:49,840
Speaker 4: Shower or two twenty degrees in the city and our west.

62
00:02:49,880 --> 00:02:51,959
Speaker 4: Right now it's eleven degrees. It is nine past six.

63
00:02:52,160 --> 00:02:54,800
Speaker 4: The Magnificent seven seven questions? Can you go all the

64
00:02:54,800 --> 00:02:57,240
Speaker 4: way and answer all seven questions correctly?

65
00:02:57,240 --> 00:02:59,119
Speaker 1: We're going to kick off with Kate in Summer Hill.

66
00:02:59,120 --> 00:03:04,120
Speaker 1: Hello Kate, Hello, Amanda, Hello Jones Hello? Are you whispering?

67
00:03:04,120 --> 00:03:05,120
Speaker 1: Are being held captive?

68
00:03:06,080 --> 00:03:07,800
Speaker 8: No?

69
00:03:08,480 --> 00:03:11,200
Speaker 1: Nice alone?

70
00:03:11,680 --> 00:03:11,960
Speaker 8: Yes?

71
00:03:12,080 --> 00:03:14,800
Speaker 1: Yes, I am okay, I am all right?

72
00:03:14,800 --> 00:03:18,520
Speaker 4: Well question number one nothing wrong with that, of course you.

73
00:03:19,639 --> 00:03:24,560
Speaker 1: Do a big staffish question. A jam that's made with

74
00:03:24,639 --> 00:03:28,000
Speaker 1: citrus fruits, lemon, lime or orange, et cetera. It's called what.

75
00:03:30,320 --> 00:03:32,600
Speaker 2: Normally let's play speechless?

76
00:03:33,480 --> 00:03:35,840
Speaker 6: I'm speechless, speechless, I have no speech.

77
00:03:36,240 --> 00:03:37,400
Speaker 2: Who said this speech?

78
00:03:37,880 --> 00:03:40,680
Speaker 1: Thank you, mister Prime Minister of Canada for making me

79
00:03:40,720 --> 00:03:46,480
Speaker 1: feel so old. I just spelled old. Who's that.

80
00:03:48,360 --> 00:03:49,680
Speaker 9: That sounds like the Queen.

81
00:03:49,760 --> 00:03:50,760
Speaker 1: It is the Queen Queen.

82
00:03:51,160 --> 00:03:52,960
Speaker 2: She's doing a grade materia right.

83
00:03:53,000 --> 00:03:55,760
Speaker 1: The Statue of Liberty was a gift from the US,

84
00:03:55,800 --> 00:04:01,760
Speaker 1: A gift to the US from which country?

85
00:04:03,400 --> 00:04:03,560
Speaker 3: Is it?

86
00:04:03,640 --> 00:04:04,080
Speaker 7: Sweeden?

87
00:04:04,600 --> 00:04:08,480
Speaker 1: Ah doesn't have the cheekbones.

88
00:04:08,080 --> 00:04:10,120
Speaker 2: Or it would be like an Ica package, wouldn't it.

89
00:04:10,320 --> 00:04:12,400
Speaker 1: They're still working out how to put it together and they'll.

90
00:04:12,200 --> 00:04:13,760
Speaker 2: Be called anmalach.

91
00:04:15,000 --> 00:04:15,720
Speaker 1: No.

92
00:04:16,400 --> 00:04:18,760
Speaker 4: Thirteen WSFM. The Statue of Liberty was a gift to

93
00:04:18,800 --> 00:04:20,440
Speaker 4: the US from which country? Why don't you call us

94
00:04:20,480 --> 00:04:21,719
Speaker 4: for the mag seven? It's ten past six?

95
00:04:22,520 --> 00:04:23,920
Speaker 2: I want seven WSFM.

96
00:04:23,920 --> 00:04:27,040
Speaker 4: Hello, it's Tuernsey and Amanda shower or to today twenty

97
00:04:27,080 --> 00:04:28,920
Speaker 4: degrees in the city and our west right now it's

98
00:04:28,920 --> 00:04:29,520
Speaker 4: eleven degrees.

99
00:04:29,520 --> 00:04:31,480
Speaker 2: It is seventeen past six. Where we are?

100
00:04:32,440 --> 00:04:33,000
Speaker 1: Where we are?

101
00:04:33,200 --> 00:04:33,760
Speaker 2: Where we are?

102
00:04:34,160 --> 00:04:36,919
Speaker 1: Question number three of the Magnificent seven is going to

103
00:04:36,960 --> 00:04:41,400
Speaker 1: Ryan in Penrith. Hollo Ryan, Hi a you today, very well,

104
00:04:41,440 --> 00:04:43,320
Speaker 1: thank you. The Statue of Liberty was a gift to

105
00:04:43,360 --> 00:04:45,000
Speaker 1: the US. From which country.

106
00:04:48,120 --> 00:04:48,400
Speaker 2: It was?

107
00:04:48,520 --> 00:04:49,320
Speaker 1: Friends?

108
00:04:49,880 --> 00:04:51,960
Speaker 2: Who is a lady bag named after you?

109
00:04:52,000 --> 00:04:52,160
Speaker 3: Say?

110
00:04:52,200 --> 00:04:53,400
Speaker 1: Lady bug or lady bird?

111
00:04:54,040 --> 00:04:56,599
Speaker 2: I think you can say it's either to mate it tomato,

112
00:04:57,360 --> 00:04:57,920
Speaker 2: either one.

113
00:04:58,360 --> 00:05:03,880
Speaker 1: Right, Absolutely, No, it's not the question, Ryan, the question.

114
00:05:03,960 --> 00:05:05,400
Speaker 2: We're not going to hang out to drive.

115
00:05:06,240 --> 00:05:09,440
Speaker 4: We're in this together until you come on stack. Who

116
00:05:09,560 --> 00:05:12,960
Speaker 4: is a lady bug named after? Is it a Mother Teresa?

117
00:05:13,400 --> 00:05:18,600
Speaker 4: B Lady Diana? See Virgin Mary, mothers.

118
00:05:18,440 --> 00:05:21,480
Speaker 1: Of Jesus, not mothers of Jesus of Jesus? I think

119
00:05:21,480 --> 00:05:23,760
Speaker 1: does this mean there's their particular breed of it that's

120
00:05:23,880 --> 00:05:24,920
Speaker 1: named after someone?

121
00:05:27,320 --> 00:05:28,479
Speaker 3: I would.

122
00:05:29,560 --> 00:05:30,880
Speaker 8: What was the first one? Again?

123
00:05:30,960 --> 00:05:33,279
Speaker 2: Well, let's you know this question is terrible.

124
00:05:33,400 --> 00:05:35,560
Speaker 1: No, I like the question. The question is one of

125
00:05:35,600 --> 00:05:38,080
Speaker 1: these people, one of these women, it has a special

126
00:05:38,080 --> 00:05:41,640
Speaker 1: affinity with the ladybird? Is it Mother Teresa, is it

127
00:05:41,720 --> 00:05:43,800
Speaker 1: Lady Diana? Or is it Virgin Mary Mother?

128
00:05:44,320 --> 00:05:46,920
Speaker 4: A minute, Ryan, what's been around for the longest? Lady

129
00:05:47,080 --> 00:05:49,080
Speaker 4: bugs or birds have been around for.

130
00:05:49,080 --> 00:05:50,480
Speaker 2: Some time, haven't they?

131
00:05:51,160 --> 00:05:52,080
Speaker 8: Yeah?

132
00:05:52,160 --> 00:05:54,679
Speaker 4: And who out of those three people have been around

133
00:05:54,720 --> 00:05:55,840
Speaker 4: for a long time?

134
00:05:56,720 --> 00:05:57,640
Speaker 8: It's the Virgin Mary.

135
00:05:57,760 --> 00:06:00,440
Speaker 1: Correct. I'll give you some information. During the Middle Ages,

136
00:06:00,520 --> 00:06:03,520
Speaker 1: swarms of aphids were destroying the crops. Farmers prayed to

137
00:06:03,520 --> 00:06:06,320
Speaker 1: the Virgin Mary for help, and then ladybirds came along

138
00:06:06,320 --> 00:06:08,160
Speaker 1: and I was in a ladybirds netball team. I was

139
00:06:08,240 --> 00:06:10,800
Speaker 1: part of this, and I'm very old. We devoured the plant,

140
00:06:10,839 --> 00:06:14,520
Speaker 1: destroying pests. Save the crops, extraneous information.

141
00:06:15,320 --> 00:06:17,200
Speaker 2: You devoured the oranges at halftime too.

142
00:06:17,800 --> 00:06:23,120
Speaker 1: A swarm of ladybirds, as we speak, is swarming its

143
00:06:23,120 --> 00:06:26,039
Speaker 1: way across San Diego County. It's so the swarm is

144
00:06:26,080 --> 00:06:29,440
Speaker 1: so big it's registering on the National Weather Service. It

145
00:06:29,440 --> 00:06:33,120
Speaker 1: looks like a giant cloud. It's eighty miles long and

146
00:06:33,200 --> 00:06:35,680
Speaker 1: eighty miles wide, which is one hundred and thirty k's wide,

147
00:06:35,839 --> 00:06:39,200
Speaker 1: one hundred and thirty k's long. This giant swarm of ladybirds.

148
00:06:39,480 --> 00:06:41,160
Speaker 1: But it's supposed to be good luck if they land

149
00:06:41,200 --> 00:06:43,400
Speaker 1: on you, So good luck's coming your way.

150
00:06:44,040 --> 00:06:46,080
Speaker 2: I don't know. That's a lot of ladybirds.

151
00:06:45,640 --> 00:06:47,680
Speaker 1: Gonna get stuck in your teeth, but it's such good luck.

152
00:06:47,760 --> 00:06:49,360
Speaker 2: Ladybird, ladybird, fly away home.

153
00:06:49,480 --> 00:06:51,480
Speaker 1: Your house is on fire, your children are gone. That's

154
00:06:51,480 --> 00:06:52,440
Speaker 1: a sad stop people.

155
00:06:52,920 --> 00:06:55,960
Speaker 4: Ian Dixon is best known to be called what name

156
00:06:56,640 --> 00:06:57,640
Speaker 4: you know, Ian Dixon?

157
00:06:57,960 --> 00:07:03,960
Speaker 1: What's his nickname? Yeah, Austray And it was an idol judge.

158
00:07:04,640 --> 00:07:06,160
Speaker 2: It was on Dick's kitchen.

159
00:07:08,320 --> 00:07:13,520
Speaker 1: Yeah, I'm sorry, Jones, you just said the answer. But

160
00:07:13,840 --> 00:07:14,880
Speaker 1: luckily no one.

161
00:07:14,800 --> 00:07:19,400
Speaker 2: Noticed Corey's in Smithfield. Corey, Hi, guys, how are you

162
00:07:19,600 --> 00:07:20,120
Speaker 2: very well?

163
00:07:20,280 --> 00:07:22,600
Speaker 1: Ian Dixon? What do we know him by? What's his name?

164
00:07:23,600 --> 00:07:24,320
Speaker 5: Well Jones?

165
00:07:24,320 --> 00:07:27,200
Speaker 2: You just said, Corey, why don't you wrap me out?

166
00:07:27,480 --> 00:07:30,280
Speaker 4: Ce Ce Bloom is the central character in which famous

167
00:07:30,400 --> 00:07:33,119
Speaker 4: chick flick cee Cee Bloom?

168
00:07:33,400 --> 00:07:34,320
Speaker 8: Can you repeat that much?

169
00:07:34,400 --> 00:07:34,600
Speaker 10: Shot?

170
00:07:34,800 --> 00:07:38,120
Speaker 4: Ce Ce Bloom is the central character in which famous

171
00:07:38,280 --> 00:07:40,800
Speaker 4: chick flick Disney Blue?

172
00:07:40,920 --> 00:07:41,040
Speaker 11: Was it?

173
00:07:41,360 --> 00:07:43,400
Speaker 1: Ce Blue? I don't think you're going to get it

174
00:07:43,920 --> 00:07:45,360
Speaker 1: to chick flick Blue?

175
00:07:46,200 --> 00:07:46,760
Speaker 10: Chick Flick?

176
00:07:48,640 --> 00:07:53,640
Speaker 1: You've got me sorry, Corey, Brad's in ross Hill, Hi, Brad, guys,

177
00:07:53,880 --> 00:07:57,240
Speaker 1: this is such a famous chick flick. Cee Cee Bloom

178
00:07:57,320 --> 00:07:58,280
Speaker 1: is the central.

179
00:07:58,000 --> 00:08:00,960
Speaker 5: Character yep, with mid features.

180
00:08:01,280 --> 00:08:01,520
Speaker 10: It was?

181
00:08:01,800 --> 00:08:04,160
Speaker 1: Can I just have one more extraneous story? Don't drop

182
00:08:04,240 --> 00:08:07,280
Speaker 1: your shoulders, Brendan, Okay. I was on a plane they

183
00:08:07,320 --> 00:08:10,440
Speaker 1: started showing this movie. But they showed this movie very

184
00:08:10,560 --> 00:08:13,360
Speaker 1: late into the flight, and I watched it right to

185
00:08:13,440 --> 00:08:15,400
Speaker 1: the end, and then the movie stopped and they said, sorry,

186
00:08:15,440 --> 00:08:17,160
Speaker 1: we've got to stop it. There she dies, the other

187
00:08:17,160 --> 00:08:19,440
Speaker 1: one gets the kid. That's how I know how that

188
00:08:19,600 --> 00:08:23,880
Speaker 1: movie ended. And Yesterday's Cricket, it's being rushed like I

189
00:08:23,960 --> 00:08:27,800
Speaker 1: am now. Yesterday's Cricket World Cup game? Who did Australia beat.

190
00:08:29,800 --> 00:08:31,360
Speaker 8: Footed? Australia beating cricket?

191
00:08:31,560 --> 00:08:33,520
Speaker 1: Yeah, they were losing when I went to bed. I

192
00:08:33,559 --> 00:08:38,240
Speaker 1: can't believe we won. Who'd we beat? Yes?

193
00:08:39,200 --> 00:08:41,400
Speaker 2: Close to eighty eight two seventy three.

194
00:08:41,520 --> 00:08:44,319
Speaker 1: We were like four wickets for eleven runs when I

195
00:08:44,360 --> 00:08:47,959
Speaker 1: went to bed. Have you got any extraneously quiet? On

196
00:08:48,040 --> 00:08:49,120
Speaker 1: the Brendan Jones show?

197
00:08:49,200 --> 00:08:50,760
Speaker 2: Shall I? Congratulations?

198
00:08:50,800 --> 00:08:52,680
Speaker 4: You've won the jam Pack brand, You've got the family

199
00:08:52,760 --> 00:08:55,120
Speaker 4: wail watching pass on a fantasy cruise four tickets to

200
00:08:55,160 --> 00:08:55,719
Speaker 4: Disney on ice.

201
00:08:55,840 --> 00:08:59,360
Speaker 1: She reminds me of a story character, Jewish Vie.

202
00:08:59,360 --> 00:09:01,280
Speaker 4: To Caloren and some stayed on the pencils. You know

203
00:09:01,360 --> 00:09:04,720
Speaker 4: the good news, Brad? What that we get to play

204
00:09:04,800 --> 00:09:05,240
Speaker 4: Gorge here?

205
00:09:05,400 --> 00:09:09,120
Speaker 1: That's better than hearing the girl talk, isn't it? Let

206
00:09:09,160 --> 00:09:10,320
Speaker 1: me talk about the time I met him?

207
00:09:10,559 --> 00:09:15,560
Speaker 2: Okay that for the months hour. It's twenty three past six.

208
00:09:16,200 --> 00:09:20,800
Speaker 2: I want seven WSFM? What I won't point seven WSFM? Hello? There,

209
00:09:20,840 --> 00:09:22,200
Speaker 2: it's Jeronsy matter you speak?

210
00:09:22,520 --> 00:09:22,760
Speaker 11: Go on?

211
00:09:24,160 --> 00:09:27,400
Speaker 2: What have upset you? By and large?

212
00:09:27,520 --> 00:09:30,000
Speaker 4: Well, we try to put the show together and there's

213
00:09:30,040 --> 00:09:32,720
Speaker 4: there's songs there's music, there's there's there's a whole.

214
00:09:32,880 --> 00:09:33,959
Speaker 1: There's you and me.

215
00:09:34,280 --> 00:09:36,319
Speaker 2: Yeah, of course there's you and me. So you speak.

216
00:09:36,400 --> 00:09:38,400
Speaker 1: Some days you like to get the toothpaste tube and

217
00:09:38,520 --> 00:09:42,360
Speaker 1: just squeeze out you, so it's just you on the toothbrush,

218
00:09:42,600 --> 00:09:44,719
Speaker 1: whereas people need both of us on the toothbrush.

219
00:09:44,880 --> 00:09:48,480
Speaker 2: I don't know what you're saying. I don't know what

220
00:09:48,559 --> 00:09:48,839
Speaker 2: you say.

221
00:09:48,880 --> 00:09:49,319
Speaker 1: I think you do.

222
00:09:49,520 --> 00:09:52,360
Speaker 2: I think there's a there's a something about dental hygiene.

223
00:09:52,400 --> 00:09:54,600
Speaker 2: What is this? I clean my teeth.

224
00:09:54,679 --> 00:09:56,199
Speaker 1: If you don't know, I'm not going to tell you.

225
00:09:57,559 --> 00:09:58,520
Speaker 2: Is it going to be like this today?

226
00:09:58,559 --> 00:10:04,079
Speaker 1: I haven't decided. It's my hormone speaking, how dare you?

227
00:10:04,320 --> 00:10:07,920
Speaker 1: Of course I've overheated because I've got a big, thick jumper.

228
00:10:08,320 --> 00:10:08,360
Speaker 11: This.

229
00:10:08,480 --> 00:10:09,199
Speaker 1: I'm overheating.

230
00:10:09,360 --> 00:10:12,360
Speaker 4: You've made the wrong decision when you jumper again, you

231
00:10:12,480 --> 00:10:13,840
Speaker 4: know that the building's air conditioning.

232
00:10:14,240 --> 00:10:16,160
Speaker 1: I am overheating. But when else will I wear my

233
00:10:16,240 --> 00:10:16,880
Speaker 1: nice jumpers.

234
00:10:18,240 --> 00:10:21,480
Speaker 2: It's six twenty seven. Fight for your flashback. We've got

235
00:10:21,520 --> 00:10:23,640
Speaker 2: a category reveal on the week. That was Jimbo Jibber

236
00:10:23,679 --> 00:10:25,920
Speaker 2: Jabber coming out, Jamesy and.

237
00:10:26,000 --> 00:10:30,040
Speaker 1: Amanda in the morning. Too early for drinking?

238
00:10:30,120 --> 00:10:31,760
Speaker 2: Okay, maybe just one bottoms.

239
00:10:35,120 --> 00:10:36,880
Speaker 1: I'm going to afflict with the jail mac our big

240
00:10:36,920 --> 00:10:40,280
Speaker 1: Book of musical fact good. On this day in nineteen

241
00:10:40,320 --> 00:10:44,400
Speaker 1: eighty seven, David Bowie performed in West Berlin, a concert

242
00:10:44,440 --> 00:10:48,880
Speaker 1: that some Germans still views having helped change history. Bowie

243
00:10:48,960 --> 00:10:51,640
Speaker 1: knew West Berlin well, he'd lived there in the late seventies,

244
00:10:51,679 --> 00:10:54,719
Speaker 1: sharing an apartment with Iggy Pop. He returned to do

245
00:10:54,840 --> 00:10:57,319
Speaker 1: the concert for Berlin, a three day open air show

246
00:10:57,360 --> 00:10:58,520
Speaker 1: in front of the rach Starg.

247
00:10:59,000 --> 00:11:01,440
Speaker 2: So many questions about Bowie and Iggy Pop. Who would

248
00:11:01,440 --> 00:11:02,360
Speaker 2: have labeled their food?

249
00:11:03,440 --> 00:11:05,400
Speaker 1: Who would have worn that? We know Iggy would have

250
00:11:05,440 --> 00:11:07,280
Speaker 1: had his shirt off most of the time, and he'd

251
00:11:07,320 --> 00:11:08,400
Speaker 1: be in his yoga pants.

252
00:11:08,960 --> 00:11:10,520
Speaker 2: He just looks like a bag of walnuts.

253
00:11:10,600 --> 00:11:14,320
Speaker 1: Yeah, doesn't he? I can't answer that question. I don't

254
00:11:14,320 --> 00:11:16,320
Speaker 1: know who used the post it notes more than the others.

255
00:11:17,000 --> 00:11:25,200
Speaker 1: But he performed a rakstag where he performed this. What's

256
00:11:27,320 --> 00:11:29,640
Speaker 1: what made this so amazing is the thousands of young

257
00:11:29,760 --> 00:11:32,680
Speaker 1: East Berliners crowded on the other side of the Berlin

258
00:11:32,720 --> 00:11:36,040
Speaker 1: wall to listen to this forbidden concert. See, we forget

259
00:11:36,679 --> 00:11:39,960
Speaker 1: how segregated they were. This was for forbidden. Bowie opened

260
00:11:40,000 --> 00:11:43,079
Speaker 1: his performance in German saying, we send our wishes to

261
00:11:43,120 --> 00:11:45,920
Speaker 1: all our friends on the other side of a chill.

262
00:11:46,200 --> 00:11:48,840
Speaker 1: Hugely symbolic. It was said that this led to East

263
00:11:48,840 --> 00:11:52,160
Speaker 1: Berlin to attempt to break away from authority. That's the

264
00:11:52,440 --> 00:11:55,040
Speaker 1: very nut of the beginning. Bowie later said it was

265
00:11:55,040 --> 00:11:57,360
Speaker 1: one of the most emotional performances he'd ever done. He

266
00:11:57,520 --> 00:12:01,400
Speaker 1: was in tears. What a man, What a moment. Let's

267
00:12:01,400 --> 00:12:02,240
Speaker 1: play a different song.

268
00:12:02,760 --> 00:12:07,840
Speaker 2: Okay, we won't play that one a hero. Let's danced week.

269
00:12:07,920 --> 00:12:10,480
Speaker 4: That was Jimbo's Jimmy Jabber comeing up next, twenty two

270
00:12:10,520 --> 00:12:13,959
Speaker 4: to seven WS one on one point seven WSFM. Hello,

271
00:12:14,040 --> 00:12:17,120
Speaker 4: there's Jonesy and Amanda shower to today. Twenty degrees in

272
00:12:17,160 --> 00:12:19,280
Speaker 4: the city and our west right now it is eleven degrees.

273
00:12:19,400 --> 00:12:20,400
Speaker 2: It is seventeen to seven.

274
00:12:20,400 --> 00:12:22,360
Speaker 4: You know, Jim Dolan has been working harder than the

275
00:12:22,440 --> 00:12:24,400
Speaker 4: points left on Amanda's license.

276
00:12:25,320 --> 00:12:29,920
Speaker 1: It's not double demerits today. No, Why today? I get Monday?

277
00:12:30,320 --> 00:12:30,880
Speaker 1: Why today?

278
00:12:31,000 --> 00:12:31,840
Speaker 2: Well it starts today.

279
00:12:31,960 --> 00:12:33,839
Speaker 1: Well, we're not allowed to take a sicky today, so

280
00:12:33,920 --> 00:12:35,240
Speaker 1: why should we be penalized?

281
00:12:35,320 --> 00:12:35,480
Speaker 8: You know?

282
00:12:36,240 --> 00:12:38,800
Speaker 1: Oh great, let me just rewind my trip to work

283
00:12:39,040 --> 00:12:39,600
Speaker 1: and he's.

284
00:12:39,440 --> 00:12:44,959
Speaker 6: Come up with this Jimbos Jimmy jab Before she was

285
00:12:45,000 --> 00:12:47,319
Speaker 6: the star of the stage and the screen. Jackie Weaver

286
00:12:47,679 --> 00:12:51,280
Speaker 6: was the face of iconic seventies handbag brand Gloamish.

287
00:12:51,440 --> 00:12:54,240
Speaker 4: Remember you did those ads for Gloamish bags and seventies

288
00:12:54,440 --> 00:12:56,720
Speaker 4: and there was a gold Gloamish bag.

289
00:12:57,800 --> 00:13:03,400
Speaker 3: And then I was holding a little a little doggie. Yeah, Luke, yeah,

290
00:13:03,559 --> 00:13:06,800
Speaker 3: that little dog in the phone shack. I gave him.

291
00:13:06,720 --> 00:13:11,079
Speaker 9: Away to David Atkins, the dancer, and really well, because

292
00:13:11,080 --> 00:13:14,800
Speaker 9: I moved into a flat, everyone in the streets started

293
00:13:14,920 --> 00:13:18,800
Speaker 9: calling Luke Jackie Weaver because he'd been my dog. And

294
00:13:18,920 --> 00:13:22,120
Speaker 9: then the poor thing got run over one day and

295
00:13:22,240 --> 00:13:25,720
Speaker 9: everybody was yelling out in the street Jackie Weaver's stead.

296
00:13:30,600 --> 00:13:33,079
Speaker 6: It was good to see jack Vision back singing again.

297
00:13:33,280 --> 00:13:36,079
Speaker 6: Half of some personal struggles. Jack revealed to us it

298
00:13:36,160 --> 00:13:37,120
Speaker 6: had been tough for him.

299
00:13:37,320 --> 00:13:40,200
Speaker 1: So what's brought you back to performing again? What made

300
00:13:40,240 --> 00:13:42,840
Speaker 1: the decision to step onto the stage again for the voice?

301
00:13:43,520 --> 00:13:45,640
Speaker 10: I think the past five years has just been a

302
00:13:45,679 --> 00:13:48,800
Speaker 10: big journey of personal growth, and I think I just

303
00:13:48,880 --> 00:13:50,920
Speaker 10: had to put my career and that stuff aside and

304
00:13:51,120 --> 00:13:54,160
Speaker 10: just work on myself and work on self love and

305
00:13:54,600 --> 00:13:56,959
Speaker 10: where I do love myself and I'm happy in life.

306
00:13:57,000 --> 00:14:00,160
Speaker 10: I'm confident I have self worth, and I've actually got

307
00:14:00,240 --> 00:14:02,560
Speaker 10: something i want to say now, and I've got I'm

308
00:14:02,559 --> 00:14:03,920
Speaker 10: able to share my narrative.

309
00:14:04,120 --> 00:14:07,520
Speaker 2: And didn't he bring it? Last night on the Voice

310
00:14:07,559 --> 00:14:08,880
Speaker 2: of four Chair Turn.

311
00:14:19,840 --> 00:14:23,800
Speaker 8: Wow, I got Goose buff Straw.

312
00:14:24,720 --> 00:14:27,280
Speaker 2: They all turned for so he went for Guy Say.

313
00:14:27,480 --> 00:14:30,000
Speaker 1: And also he said he lost his passion for singing.

314
00:14:30,120 --> 00:14:32,520
Speaker 1: So hopefully this time his head's in a better place

315
00:14:32,640 --> 00:14:32,840
Speaker 1: for it.

316
00:14:32,960 --> 00:14:34,720
Speaker 2: He should have asked me about self love. I've been

317
00:14:34,760 --> 00:14:35,160
Speaker 2: working on that.

318
00:14:35,560 --> 00:14:37,920
Speaker 1: Come on, no one's turned Brendan.

319
00:14:40,200 --> 00:14:42,480
Speaker 6: You'll be pleased to know. The great milk Thief of

320
00:14:42,600 --> 00:14:44,160
Speaker 6: Lynnfield has been thwarted.

321
00:14:44,240 --> 00:14:46,080
Speaker 1: Two weeks in a row. The milk were missing and

322
00:14:46,240 --> 00:14:48,680
Speaker 1: enough was enough. Entering the third week, he took the

323
00:14:48,760 --> 00:14:51,800
Speaker 1: matters into his own hands. What did he do in

324
00:14:51,920 --> 00:14:54,520
Speaker 1: a bid to take revenge? He added new ingredients to

325
00:14:54,640 --> 00:14:59,320
Speaker 1: the milk, fish oil and his own urine. The milk

326
00:14:59,400 --> 00:15:03,000
Speaker 1: Thief took debait. This is my favorite bit, Damon said.

327
00:15:03,360 --> 00:15:07,280
Speaker 1: Hopefully that's the end. The weirdo deserves it. I put

328
00:15:07,280 --> 00:15:10,960
Speaker 1: it to you, Damon, weing in your own milk. Who's

329
00:15:11,800 --> 00:15:13,080
Speaker 1: the weirder state.

330
00:15:12,920 --> 00:15:15,360
Speaker 6: Of origin has been played. Let's not dwell on who won.

331
00:15:15,600 --> 00:15:17,680
Speaker 6: There's a lot of scrutiny on the coaches these days.

332
00:15:17,840 --> 00:15:19,760
Speaker 6: Freddie Fitler knows that only too well.

333
00:15:19,840 --> 00:15:22,160
Speaker 2: And you're going to be miked up to the Channel

334
00:15:22,240 --> 00:15:23,280
Speaker 2: nine coverage. Is this wise?

335
00:15:23,960 --> 00:15:24,200
Speaker 10: Camera?

336
00:15:24,600 --> 00:15:24,880
Speaker 8: Okay?

337
00:15:24,960 --> 00:15:25,240
Speaker 1: Camera?

338
00:15:25,600 --> 00:15:27,240
Speaker 2: So there you're not going to be you sure about that?

339
00:15:27,680 --> 00:15:29,320
Speaker 2: Check and look at one of those cough buttons in

340
00:15:33,160 --> 00:15:39,640
Speaker 2: a visual cough ba the last, Freddy.

341
00:15:39,680 --> 00:15:41,640
Speaker 11: You don't want to be that meme for the rest

342
00:15:41,680 --> 00:15:43,720
Speaker 11: of your life if you just go on go into

343
00:15:43,760 --> 00:15:45,840
Speaker 11: town on your snos or your wax.

344
00:15:46,520 --> 00:15:48,400
Speaker 6: We live in a strange world, and just when I

345
00:15:48,440 --> 00:15:50,880
Speaker 6: thought I'd seen it all, along comes this a lady

346
00:15:51,160 --> 00:15:52,560
Speaker 6: that sells her sneezes.

347
00:15:52,720 --> 00:15:56,320
Speaker 1: So she now sells sneezes for one hundred and eighty

348
00:15:56,400 --> 00:15:58,800
Speaker 1: one dollars. Costs a little bit more if you want

349
00:15:58,840 --> 00:16:03,240
Speaker 1: to customize them. So one if people pay four flatulence

350
00:16:03,320 --> 00:16:06,000
Speaker 1: fetish videos, I'm sitting on a gold mine.

351
00:16:06,440 --> 00:16:08,800
Speaker 2: You've got your own a DARNI. Yeah, I don't know

352
00:16:08,840 --> 00:16:11,280
Speaker 2: if I can afford that. This has been Jimbo's ever.

353
00:16:11,640 --> 00:16:14,000
Speaker 4: It's fourteen to seven five for your flashback, we'll have

354
00:16:14,040 --> 00:16:17,080
Speaker 4: a category reveal coming up next. One of one points

355
00:16:17,160 --> 00:16:19,440
Speaker 4: a WSFM. Hello there, it is Jonesy and a matter

356
00:16:19,480 --> 00:16:22,160
Speaker 4: effects to Bali. Bali is on sale at flight Center.

357
00:16:22,240 --> 00:16:24,440
Speaker 4: Fly Return to Ballei with Virgin Australia from five hundred

358
00:16:24,440 --> 00:16:26,400
Speaker 4: and sixty eight dollars. Called flight Center on one three, one,

359
00:16:26,480 --> 00:16:28,520
Speaker 4: six hundred. It is seven to seven.

360
00:16:29,360 --> 00:16:34,840
Speaker 2: Someone's at the door. It's Dicko Ian, Dicko Dixon. Hello,

361
00:16:34,880 --> 00:16:36,320
Speaker 2: are you lovely people?

362
00:16:36,720 --> 00:16:37,560
Speaker 1: What are you well?

363
00:16:37,600 --> 00:16:39,040
Speaker 2: I'm wonderful, actually I'm one ful.

364
00:16:39,080 --> 00:16:41,520
Speaker 12: I'm living up in southeast Queensland now, but I've come

365
00:16:41,600 --> 00:16:44,760
Speaker 12: down to the Big Smoke for some promotional duties.

366
00:16:44,840 --> 00:16:47,080
Speaker 1: Well, tell us about what it is your Well, look,

367
00:16:47,160 --> 00:16:47,640
Speaker 1: I've got.

368
00:16:47,520 --> 00:16:50,720
Speaker 12: Into the I've got into the field of a festival promotion.

369
00:16:51,720 --> 00:16:54,240
Speaker 12: I saw the Fire Festival documentary and I thought, I.

370
00:16:54,400 --> 00:16:55,680
Speaker 2: Want to give me a piece of that.

371
00:16:56,520 --> 00:16:56,600
Speaker 8: Now.

372
00:16:56,680 --> 00:16:58,560
Speaker 12: Obviously there's got to be an easy way to get

373
00:16:58,600 --> 00:17:02,680
Speaker 12: every and into this, but we've wrote that one out

374
00:17:02,760 --> 00:17:03,920
Speaker 12: and yeah, now I've I've.

375
00:17:03,800 --> 00:17:04,320
Speaker 2: Got a show.

376
00:17:04,680 --> 00:17:06,680
Speaker 12: It's it's something I've been dreaming of for ages. I

377
00:17:06,760 --> 00:17:10,320
Speaker 12: brought it altogether this year. It's called almost the greatest

378
00:17:10,359 --> 00:17:14,400
Speaker 12: gig on Earth, The Awesome eighties. It's Australia's biggest eighties

379
00:17:14,440 --> 00:17:18,000
Speaker 12: live music party. And yeah, it's it's the perfect form

380
00:17:18,040 --> 00:17:20,480
Speaker 12: of guilty pleasure almost tribute.

381
00:17:20,560 --> 00:17:21,640
Speaker 1: What's the almost tribute?

382
00:17:21,840 --> 00:17:21,919
Speaker 11: Oh?

383
00:17:22,000 --> 00:17:22,840
Speaker 1: I see, So it's not the.

384
00:17:22,840 --> 00:17:25,159
Speaker 12: Real artist because listen, there's a little secret in the

385
00:17:25,440 --> 00:17:27,879
Speaker 12: music industry. We've known for a long time the record

386
00:17:27,960 --> 00:17:31,520
Speaker 12: industry would be loads more fun without the artists, and

387
00:17:31,560 --> 00:17:33,560
Speaker 12: we're about to prove it because at our show you

388
00:17:33,600 --> 00:17:36,240
Speaker 12: will never hear the eleven mostly pressing words in music,

389
00:17:36,280 --> 00:17:38,480
Speaker 12: which are we'd like to play a few songs.

390
00:17:38,280 --> 00:17:40,440
Speaker 2: From album you play the hits.

391
00:17:41,560 --> 00:17:45,760
Speaker 12: We've got thirty five tributes. Basically, we've curated every single

392
00:17:45,840 --> 00:17:47,520
Speaker 12: song fifty seven number.

393
00:17:47,359 --> 00:17:49,720
Speaker 1: Ones and I do that in a half hour.

394
00:17:49,800 --> 00:17:52,000
Speaker 2: No exactly, This is like you in the shower, Amanda.

395
00:17:52,080 --> 00:17:55,720
Speaker 1: This is doing number ones. So so who are the

396
00:17:55,840 --> 00:17:58,120
Speaker 1: artists changed? Who have you got?

397
00:17:59,480 --> 00:18:03,080
Speaker 12: Jeff Duff's doing, Dave Bowie. We Rebecca O'Connor, who is

398
00:18:03,160 --> 00:18:05,560
Speaker 12: the best Tina Turner in Australia. In fact, she's the

399
00:18:05,600 --> 00:18:08,280
Speaker 12: only teena Turner in the world that Tina Turner has

400
00:18:08,320 --> 00:18:08,800
Speaker 12: approved of.

401
00:18:09,040 --> 00:18:09,200
Speaker 9: Real.

402
00:18:09,320 --> 00:18:12,000
Speaker 12: Yeah, we've got in excess, We've got an ac DC band,

403
00:18:12,040 --> 00:18:14,320
Speaker 12: We've got you two. But but also there's lots of

404
00:18:14,359 --> 00:18:16,960
Speaker 12: others that I wanted that we couldn't find, like like Wham,

405
00:18:17,040 --> 00:18:19,480
Speaker 12: we couldn't find a young George Michael. So I've gone

406
00:18:19,520 --> 00:18:21,080
Speaker 12: out and cast for it. So we've got a hot

407
00:18:21,160 --> 00:18:21,880
Speaker 12: young Greek.

408
00:18:21,680 --> 00:18:24,680
Speaker 2: Thing and he's good with white shorts, choose life and

409
00:18:24,760 --> 00:18:26,320
Speaker 2: a little bit of a shuttle cock down in front

410
00:18:26,320 --> 00:18:28,840
Speaker 2: of finding Andrew.

411
00:18:31,680 --> 00:18:31,880
Speaker 8: Hard.

412
00:18:32,119 --> 00:18:33,959
Speaker 2: Rather like the original, it just gets some going off

413
00:18:34,000 --> 00:18:34,359
Speaker 2: the street.

414
00:18:34,840 --> 00:18:40,439
Speaker 1: So I have a no no, I see you've got

415
00:18:40,480 --> 00:18:42,679
Speaker 1: a piece of paper, but let me just find out

416
00:18:42,720 --> 00:18:43,760
Speaker 1: where's all this happening.

417
00:18:44,080 --> 00:18:46,480
Speaker 12: Where this is up the Gold Coat, which of course

418
00:18:46,960 --> 00:18:50,520
Speaker 12: is the spiritual home of fun. I mean, look, this

419
00:18:50,680 --> 00:18:53,520
Speaker 12: is this is meant to be dependable day out for

420
00:18:53,560 --> 00:18:56,160
Speaker 12: Australings of a certain age. It's the most fun middle

421
00:18:56,200 --> 00:18:59,200
Speaker 12: aged Australiers can have with their spanks on. You'll know

422
00:18:59,400 --> 00:19:01,960
Speaker 12: every single song all day. And he's set the hot

423
00:19:02,040 --> 00:19:05,120
Speaker 12: at Home of the Arts, Gold Coast August the tenth,

424
00:19:05,720 --> 00:19:08,600
Speaker 12: and I'm hosting so you can come and have a squeeze.

425
00:19:08,840 --> 00:19:13,439
Speaker 2: And are you any talent TV shows? Have you been

426
00:19:13,480 --> 00:19:15,560
Speaker 2: watching the talent TV shows I've been watching?

427
00:19:15,680 --> 00:19:18,120
Speaker 12: Look, I have been I watched you on dancing, which

428
00:19:18,160 --> 00:19:21,000
Speaker 12: I thought was magnificent. And I have been watching a

429
00:19:21,040 --> 00:19:24,240
Speaker 12: bit of the Voice and actually we've been looking for

430
00:19:24,320 --> 00:19:26,240
Speaker 12: a we've been looking for a drag queen to play

431
00:19:26,359 --> 00:19:29,760
Speaker 12: cheer and that guy, that lady Selma Soul. You've been

432
00:19:29,800 --> 00:19:31,760
Speaker 12: on the phone to her. But yeah, the Voice, I'm

433
00:19:31,800 --> 00:19:34,679
Speaker 12: loving this year. I love George because he's sufficiently bitchy.

434
00:19:35,160 --> 00:19:37,840
Speaker 12: But look, I must admit, whenever I watch talent shows,

435
00:19:38,119 --> 00:19:40,000
Speaker 12: I get a little bit bitter and twisted saying I

436
00:19:40,040 --> 00:19:40,920
Speaker 12: could I could do that?

437
00:19:41,840 --> 00:19:44,200
Speaker 1: Is that when your wife says, drink to bed, go

438
00:19:44,320 --> 00:19:45,320
Speaker 1: to bed, And I said, yeah, But this.

439
00:19:45,440 --> 00:19:48,040
Speaker 12: Guy I found him. Now he's a judge and I'm

440
00:19:48,080 --> 00:19:49,840
Speaker 12: Australia's favorite same day booking.

441
00:19:51,080 --> 00:19:53,960
Speaker 4: Actually, that's that is quite that's quite extraordinary. When you're

442
00:19:53,960 --> 00:19:58,280
Speaker 4: pointed it like that, it's almost depressive. I know she

443
00:19:58,400 --> 00:19:59,320
Speaker 4: brought a piece of paper.

444
00:19:59,400 --> 00:20:03,200
Speaker 2: Oh yeah, yes, I have a piece of paper from management.

445
00:20:03,840 --> 00:20:06,840
Speaker 1: That's not how Marchdan, it's.

446
00:20:08,920 --> 00:20:09,520
Speaker 2: For your flashback.

447
00:20:10,280 --> 00:20:12,280
Speaker 1: Do we say goodbye to Dick? Now say good bye

448
00:20:12,320 --> 00:20:13,840
Speaker 1: to Dick on your way out the door. But I

449
00:20:13,960 --> 00:20:16,600
Speaker 1: look the way you can get the tickets. I'm sure

450
00:20:16,960 --> 00:20:18,480
Speaker 1: the greatest gig on earth almost greatest.

451
00:20:18,800 --> 00:20:20,040
Speaker 2: It's not like the fire Festival.

452
00:20:20,280 --> 00:20:22,920
Speaker 12: No, there'll be plenty of water and mouthwater.

453
00:20:25,440 --> 00:20:31,600
Speaker 2: Thank you. It's great to see him. This weekend is

454
00:20:31,600 --> 00:20:33,520
Speaker 2: the Queen's birthday, long weekend rights management.

455
00:20:33,760 --> 00:20:35,720
Speaker 4: Over her time, the Queen has had to sit through

456
00:20:35,840 --> 00:20:39,520
Speaker 4: many Royal variety performances. She's seen some massive artists, from

457
00:20:39,520 --> 00:20:41,600
Speaker 4: Elton John to the Beatles. Today's five few flash back

458
00:20:41,840 --> 00:20:45,040
Speaker 4: the lesser artists that her majesty might have used as

459
00:20:45,040 --> 00:20:47,080
Speaker 4: an excuse to visit the throne.

460
00:20:47,320 --> 00:20:48,320
Speaker 2: Play well the management.

461
00:20:48,440 --> 00:20:50,640
Speaker 1: So the bad ones do you go with her name?

462
00:20:50,880 --> 00:20:51,800
Speaker 1: So the bad one?

463
00:20:51,880 --> 00:20:54,960
Speaker 2: The bad ones are the raw variety performances. But he's gone.

464
00:20:55,280 --> 00:20:57,720
Speaker 1: What a shame. The sound effects have cut him off.

465
00:21:00,960 --> 00:21:04,840
Speaker 1: Only I knew it couldn't help himself.

466
00:21:04,880 --> 00:21:06,840
Speaker 2: It's two to seven, ten thousand dollars comeing out next

467
00:21:06,880 --> 00:21:12,520
Speaker 2: with head GM thirteen WSFM, good morning, let's join me.

468
00:21:12,520 --> 00:21:14,399
Speaker 1: And demand is ten thousand dollars.

469
00:21:15,359 --> 00:21:17,640
Speaker 4: Do you have the right answers to our wrong questions?

470
00:21:17,720 --> 00:21:20,000
Speaker 4: Thirteen WSFM is our number, ten thousand dollars.

471
00:21:20,160 --> 00:21:20,960
Speaker 2: He's at stake.

472
00:21:21,119 --> 00:21:23,199
Speaker 1: Well, here's what happens. When I ask you question number one,

473
00:21:23,280 --> 00:21:24,800
Speaker 1: you say nothing. You give me the answer to that

474
00:21:24,840 --> 00:21:26,280
Speaker 1: when I ask you a question number two, and so

475
00:21:26,440 --> 00:21:28,800
Speaker 1: on until the buzzer goes off the minute wrong, You're out.

476
00:21:28,880 --> 00:21:31,760
Speaker 2: Kenny is in wooman gone. Hello, Kenny, Hey, how are

477
00:21:31,760 --> 00:21:32,760
Speaker 2: you doing doing all right?

478
00:21:32,960 --> 00:21:35,080
Speaker 1: And what about you? Kenny? Are you're feeling fruity and

479
00:21:35,160 --> 00:21:35,760
Speaker 1: feeling lucky?

480
00:21:36,920 --> 00:21:40,000
Speaker 5: Ah? Well you're inswer the call, so that's kind of lucky.

481
00:21:40,040 --> 00:21:41,560
Speaker 1: That's kind of lucky. The mat your voice went.

482
00:21:43,800 --> 00:21:45,840
Speaker 2: When your voice breaks, it's going to be okay. He

483
00:21:45,880 --> 00:21:47,080
Speaker 2: doesn't denote confidence.

484
00:21:47,160 --> 00:21:49,480
Speaker 1: Well, you never know. Are you ready to begin? Kenny?

485
00:21:50,240 --> 00:21:50,560
Speaker 12: I am?

486
00:21:51,080 --> 00:21:53,040
Speaker 1: You can do this, Kenny, deep breath, because here we go.

487
00:21:55,280 --> 00:21:58,000
Speaker 1: The beer corona comes from? Which country? How many days

488
00:21:58,040 --> 00:21:58,480
Speaker 1: are in July?

489
00:21:59,480 --> 00:21:59,920
Speaker 8: Miik joke?

490
00:22:00,040 --> 00:22:01,760
Speaker 1: In what needed man first work on the moon?

491
00:22:03,080 --> 00:22:03,720
Speaker 3: Do you want which?

492
00:22:03,720 --> 00:22:07,320
Speaker 1: Australian band was also known as the Sherbs. In which

493
00:22:07,320 --> 00:22:11,920
Speaker 1: element is represented by the symbol auopier is associated with?

494
00:22:12,000 --> 00:22:12,800
Speaker 1: Which part of the body?

495
00:22:13,520 --> 00:22:14,680
Speaker 7: Eight Australia.

496
00:22:16,880 --> 00:22:16,920
Speaker 11: No?

497
00:22:17,160 --> 00:22:18,240
Speaker 12: Which a chemical symbol?

498
00:22:18,400 --> 00:22:19,120
Speaker 2: Yeah, the chemicals?

499
00:22:19,200 --> 00:22:22,600
Speaker 1: Which element is represented by the symbol au. It was

500
00:22:22,640 --> 00:22:31,160
Speaker 1: the word element. Oh damn, bugger killing me. I've lost

501
00:22:31,200 --> 00:22:35,320
Speaker 1: the will to live me too. I we're on the

502
00:22:35,400 --> 00:22:36,000
Speaker 1: June halfway.

503
00:22:36,040 --> 00:22:39,520
Speaker 8: I didn't. Well, I'm sorry.

504
00:22:39,840 --> 00:22:42,800
Speaker 1: Don't you be sorry. We're sorry for you, Kenny, Kenny, you.

505
00:22:42,800 --> 00:22:46,320
Speaker 2: Were so sorry, great gold singer. I thought you got

506
00:22:46,359 --> 00:22:47,760
Speaker 2: to get it. I thought it was happening for it.

507
00:22:47,920 --> 00:22:50,920
Speaker 1: Don't say that. Don't rub it in, Kenny.

508
00:22:50,960 --> 00:22:52,720
Speaker 5: I'm sorry, all right, I can't feel any worse.

509
00:22:52,760 --> 00:22:53,840
Speaker 12: That's fine, okay.

510
00:22:54,200 --> 00:22:57,440
Speaker 2: Oh great. There's always ten million dollars Kenny.

511
00:22:57,640 --> 00:22:59,359
Speaker 1: Yes, listen out for the song that you're going to

512
00:22:59,400 --> 00:23:03,960
Speaker 1: have to Oh no, this is the song. Have a listen, Kenny.

513
00:23:04,000 --> 00:23:06,280
Speaker 1: When you hear that song, other people might hear it

514
00:23:06,320 --> 00:23:09,040
Speaker 1: as well. Feel free to call up and you could

515
00:23:09,040 --> 00:23:11,920
Speaker 1: be in the running for ten million dollars hed jam.

516
00:23:12,000 --> 00:23:14,040
Speaker 2: You've done it again. It'll be back again on Monday.

517
00:23:14,040 --> 00:23:16,639
Speaker 4: It's nine past severn WSFM five for your Flashback is

518
00:23:16,680 --> 00:23:18,840
Speaker 4: coming up next well.

519
00:23:18,760 --> 00:23:20,159
Speaker 2: At one point seven WSFM.

520
00:23:20,240 --> 00:23:22,840
Speaker 4: Hello there, it's Jonesy and amand effects you to BMW

521
00:23:23,040 --> 00:23:25,119
Speaker 4: Sydney a shower or to today twenty degrees in the

522
00:23:25,200 --> 00:23:26,160
Speaker 4: city and our west.

523
00:23:26,240 --> 00:23:28,399
Speaker 2: Right now it's eleven degrees. It's twelve past seven.

524
00:23:34,840 --> 00:23:39,439
Speaker 6: Jonesy and Amanda's five for your flash Man stream your

525
00:23:39,520 --> 00:23:42,000
Speaker 6: favorite songs and artists on Apple Music.

526
00:23:42,480 --> 00:23:44,920
Speaker 4: Two songs end to one song leaves. This weekend is

527
00:23:44,960 --> 00:23:48,040
Speaker 4: the Queen's Birthday Long Weekend. Over a time, the Queen

528
00:23:48,320 --> 00:23:51,680
Speaker 4: has had to sit through many Royal Variety performances. She's

529
00:23:51,760 --> 00:23:54,320
Speaker 4: seen some massive artists, from Elton John to the Beatles.

530
00:23:54,359 --> 00:23:57,280
Speaker 4: Today's five few flashback the lesser artists that her majesty

531
00:23:57,600 --> 00:24:00,399
Speaker 4: might have used as an excuse to visit the thrown

532
00:24:00,600 --> 00:24:01,560
Speaker 4: playworlder management.

533
00:24:02,200 --> 00:24:04,920
Speaker 1: So in other words, plops ones, Yeah the rubbish Yet

534
00:24:05,119 --> 00:24:07,040
Speaker 1: the Queen goes, I'm after the love.

535
00:24:07,480 --> 00:24:10,240
Speaker 2: My most spot honey, Yeah, who have you got? Well?

536
00:24:10,280 --> 00:24:12,320
Speaker 4: Like, I'm just thinking because in nineteen eighty two I

537
00:24:12,440 --> 00:24:14,919
Speaker 4: was just looking when these guys performed ethel Merman.

538
00:24:16,040 --> 00:24:21,560
Speaker 1: What would she have done? More like? Are you not

539
00:24:21,680 --> 00:24:23,200
Speaker 1: playing Ethyl Murder? Yes?

540
00:24:23,240 --> 00:24:26,879
Speaker 2: I'm gonna play Ethyl Mrman. No, I would definitely be

541
00:24:27,000 --> 00:24:32,080
Speaker 2: heading straight for the duney house. These guys fox fizz

542
00:24:33,080 --> 00:24:34,120
Speaker 2: making your mind.

543
00:24:35,640 --> 00:24:40,240
Speaker 1: Fizz sown?

544
00:24:40,520 --> 00:24:40,800
Speaker 5: Wow?

545
00:24:41,200 --> 00:24:46,320
Speaker 2: Are you like this little? You'd be the only one

546
00:24:46,359 --> 00:24:48,920
Speaker 2: sitting there at the Crown Is anyone just skipping.

547
00:24:48,640 --> 00:24:55,480
Speaker 1: Into this toilet to foot? They won Eurovision, didn't they?

548
00:24:56,119 --> 00:24:56,320
Speaker 12: Yes?

549
00:24:58,560 --> 00:24:59,640
Speaker 2: Okay, that's enough.

550
00:25:00,280 --> 00:25:00,480
Speaker 11: I know.

551
00:25:03,400 --> 00:25:04,920
Speaker 1: Well you either gettel Morman was bad.

552
00:25:05,000 --> 00:25:06,000
Speaker 2: I would have rather heard.

553
00:25:06,480 --> 00:25:10,000
Speaker 1: There's no that's like in the year that I've chosen

554
00:25:10,119 --> 00:25:14,040
Speaker 1: my artists from Liberaci performed straight to.

555
00:25:14,080 --> 00:25:17,960
Speaker 2: The toot, but no whether you'd like Liberacci.

556
00:25:18,440 --> 00:25:20,280
Speaker 1: I wish my brother George was here.

557
00:25:20,840 --> 00:25:24,880
Speaker 4: You liked flamboyant piano players, How dare you? What about

558
00:25:24,960 --> 00:25:27,879
Speaker 4: Barry Barry Medlow? He performed what didn't you select here?

559
00:25:27,920 --> 00:25:31,160
Speaker 1: Because I wouldn't go to the toilet at all?

560
00:25:32,480 --> 00:25:35,160
Speaker 2: He'd make your own else can I've.

561
00:25:35,080 --> 00:25:39,200
Speaker 1: Gone with a very famous English group who was so

562
00:25:39,680 --> 00:25:43,240
Speaker 1: famous in nineteen seventy four. They had three UK Top

563
00:25:43,320 --> 00:25:45,600
Speaker 1: forty singles in that year and we've never heard of

564
00:25:45,640 --> 00:25:48,840
Speaker 1: them since. I've chosen my favorite one. The Queen and

565
00:25:48,920 --> 00:25:50,560
Speaker 1: the Queen Mother were there rushing out to hit the

566
00:25:50,640 --> 00:25:55,160
Speaker 1: lose in nineteen seventy four when this came on paper.

567
00:25:55,280 --> 00:26:04,640
Speaker 1: Lace Billy, don't be a hero marching down a long mainstream.

568
00:26:05,200 --> 00:26:14,360
Speaker 1: You like this song? You're a certain age. This song

569
00:26:14,440 --> 00:26:22,440
Speaker 1: goes banned into your soul and plexus maybe sad song

570
00:26:23,160 --> 00:26:26,600
Speaker 1: just what I think? You can't pick anything words speak,

571
00:26:30,320 --> 00:26:32,240
Speaker 1: None of us could get the high notes. That's school?

572
00:26:32,359 --> 00:26:34,640
Speaker 2: Is that him doing his wife as if he would?

573
00:26:37,440 --> 00:26:39,359
Speaker 2: I think you'd like to hear it, I'm actually rotten

574
00:26:39,400 --> 00:26:39,800
Speaker 2: for buck.

575
00:26:39,960 --> 00:26:45,480
Speaker 1: If you'd like to hear Billy don't be buy paper lace,

576
00:26:45,680 --> 00:26:48,200
Speaker 1: no go for bucks. Give us a call thirteen w

577
00:26:48,440 --> 00:26:50,320
Speaker 1: s FM to register vote, or you can go to

578
00:26:50,400 --> 00:26:52,600
Speaker 1: our Instagram story at Jones and News.

579
00:26:52,640 --> 00:26:54,520
Speaker 4: Everyone who gets to go to air today with a

580
00:26:54,640 --> 00:26:56,399
Speaker 4: vote for five for your flashback this morning, we'll win

581
00:26:56,440 --> 00:26:57,200
Speaker 4: a twelve months.

582
00:26:57,119 --> 00:26:59,480
Speaker 2: Access to Apple Music. Pretty good.

583
00:27:00,040 --> 00:27:03,000
Speaker 4: Thirteen WSFF. It's qued to past seven one on one

584
00:27:03,040 --> 00:27:06,760
Speaker 4: point seven WSFM. Hello there, it's Jonesy and Amanda Chower.

585
00:27:06,800 --> 00:27:08,760
Speaker 4: Or to today twenty degrees at the City and our West.

586
00:27:08,800 --> 00:27:11,160
Speaker 4: Right now it's eleven degrees, it's seven twenty four. Let's

587
00:27:13,440 --> 00:27:16,240
Speaker 4: fight for your flashback right now. This weekend is the

588
00:27:16,359 --> 00:27:19,680
Speaker 4: Queen's Birthday long weekend. Over a time, the Queen has

589
00:27:19,720 --> 00:27:22,000
Speaker 4: had to sit through many Royal Variety performances.

590
00:27:22,080 --> 00:27:23,840
Speaker 2: She's seen some massive artists.

591
00:27:23,600 --> 00:27:27,359
Speaker 4: Like Elton John, the Beatles. They're pretty massive. Today's five

592
00:27:27,400 --> 00:27:30,400
Speaker 4: for your flashback. The lesser artists that her Majesty might.

593
00:27:30,359 --> 00:27:32,480
Speaker 2: Have used as an excuse to visit the throne.

594
00:27:33,400 --> 00:27:35,760
Speaker 1: So, in other words, some of the plops once.

595
00:27:35,840 --> 00:27:37,720
Speaker 2: The chaff, and then she'd have to sit through a

596
00:27:37,760 --> 00:27:38,359
Speaker 2: lot of chaff.

597
00:27:38,480 --> 00:27:41,520
Speaker 1: Well the Queen and the Queen Mother in nineteen seventy four.

598
00:27:41,840 --> 00:27:43,840
Speaker 1: I was going to say, we're subjected to but you

599
00:27:43,960 --> 00:27:47,000
Speaker 1: know I like a daggy song. This song goes straight

600
00:27:47,080 --> 00:27:48,800
Speaker 1: to the heart of you. If you're a woman of

601
00:27:48,840 --> 00:27:51,040
Speaker 1: a certain age. You sang this in the school yard.

602
00:27:51,600 --> 00:27:53,680
Speaker 1: When I say the words, as Billy started to go,

603
00:27:53,920 --> 00:27:55,880
Speaker 1: she said, keep your pretty head low. You know, I'm

604
00:27:55,880 --> 00:27:59,240
Speaker 1: talking about this paper lace.

605
00:28:02,320 --> 00:28:03,080
Speaker 2: And what happened to Billy?

606
00:28:03,160 --> 00:28:05,240
Speaker 1: Get his head shot straight off to the in the barocks.

607
00:28:05,800 --> 00:28:07,480
Speaker 1: He didn't keep his head now, let's just put it

608
00:28:07,520 --> 00:28:07,760
Speaker 1: that way.

609
00:28:07,840 --> 00:28:09,000
Speaker 2: He didn't make it up the bus.

610
00:28:10,400 --> 00:28:13,920
Speaker 1: He never worrieds ran off. Get away from that shrew.

611
00:28:15,480 --> 00:28:21,440
Speaker 1: Stop lecturing me woman, Oh God, thanks for fading that down.

612
00:28:22,640 --> 00:28:24,480
Speaker 1: Oh let's get onto your great song, shall we?

613
00:28:24,880 --> 00:28:27,000
Speaker 2: I would rather listen to Bucks Fizz.

614
00:28:36,600 --> 00:28:37,960
Speaker 1: Did the leg kick thing, didn't they?

615
00:28:38,160 --> 00:28:38,320
Speaker 12: Yeah?

616
00:28:38,520 --> 00:28:40,000
Speaker 2: And the girls wear shorty skirts.

617
00:28:43,200 --> 00:28:44,680
Speaker 1: Those are our songs today.

618
00:28:45,560 --> 00:28:47,920
Speaker 2: Jolly the lesser of two evils.

619
00:28:48,040 --> 00:28:50,720
Speaker 1: Jolly is in Concord West. Fight for your flashback, yollye?

620
00:28:50,720 --> 00:28:51,320
Speaker 1: Which one is it?

621
00:28:51,840 --> 00:28:52,000
Speaker 8: God?

622
00:28:52,080 --> 00:28:53,120
Speaker 1: Mining my bottoms?

623
00:28:53,160 --> 00:28:53,560
Speaker 3: Grooving?

624
00:28:53,840 --> 00:28:54,600
Speaker 12: Buck me up?

625
00:28:54,760 --> 00:28:55,120
Speaker 3: Please?

626
00:28:55,520 --> 00:28:56,720
Speaker 1: Oh you want Bucks Fizz?

627
00:28:58,160 --> 00:28:58,360
Speaker 6: I do?

628
00:28:59,440 --> 00:28:59,720
Speaker 1: Thanks?

629
00:28:59,760 --> 00:28:59,800
Speaker 9: You.

630
00:29:00,480 --> 00:29:01,880
Speaker 2: Just a simple Bucks fizzoud be fine.

631
00:29:01,920 --> 00:29:03,320
Speaker 1: No, I'm enjoying the theatrics.

632
00:29:03,400 --> 00:29:06,040
Speaker 2: Meghan or Megan? Is it Megan or Megan?

633
00:29:06,920 --> 00:29:07,200
Speaker 7: Megan?

634
00:29:07,800 --> 00:29:08,120
Speaker 1: Meghan?

635
00:29:08,440 --> 00:29:09,840
Speaker 2: You had it before, Meghan? Michael too?

636
00:29:09,880 --> 00:29:11,520
Speaker 8: I bet I sure did?

637
00:29:12,280 --> 00:29:13,720
Speaker 1: What song do you want to hear? Megs?

638
00:29:14,320 --> 00:29:17,200
Speaker 8: I love a daggy song. It's all about you, Amanda.

639
00:29:19,040 --> 00:29:20,920
Speaker 1: You know who would have thought the Bucks Fizz wasn't

640
00:29:21,000 --> 00:29:22,560
Speaker 1: quite as dagg Who knew?

641
00:29:22,760 --> 00:29:27,800
Speaker 2: I know You've made Bucks sound like rage against the machine.

642
00:29:27,800 --> 00:29:29,320
Speaker 1: You got to take more of your calls, don't forget

643
00:29:29,320 --> 00:29:31,440
Speaker 1: every single caller on it. With a vote for Fight

644
00:29:31,480 --> 00:29:33,960
Speaker 1: for Your Flashback gets twelve months access to Apple Music

645
00:29:34,080 --> 00:29:45,520
Speaker 1: thirteen WS seven twenty six Fight for Your Flashbacks two.

646
00:29:45,480 --> 00:29:48,280
Speaker 4: Songs enter, one song leaves Today's five for Your Flashback.

647
00:29:48,320 --> 00:29:50,800
Speaker 4: This weekend is the Queen's Birthday Long Weekend. Over a

648
00:29:50,920 --> 00:29:53,320
Speaker 4: time the Queen has had to sit through many Royal

649
00:29:53,400 --> 00:29:54,400
Speaker 4: Variety performances.

650
00:29:54,600 --> 00:29:57,080
Speaker 2: She see some massive artists, from Elton John to the Beatles.

651
00:29:57,320 --> 00:30:00,160
Speaker 4: Today's Fight for Your Flashback, though the lesser artis that

652
00:30:00,280 --> 00:30:03,200
Speaker 4: her Majesty might have used as an excuse.

653
00:30:02,960 --> 00:30:05,720
Speaker 2: To visit the throne Playworlder Management, What have you gone

654
00:30:05,760 --> 00:30:06,640
Speaker 2: with I've gone.

655
00:30:06,840 --> 00:30:08,440
Speaker 4: She would have gone straight to the throne as soon

656
00:30:08,440 --> 00:30:09,960
Speaker 4: as these guys came on stage.

657
00:30:19,400 --> 00:30:19,880
Speaker 2: Were they.

658
00:30:22,320 --> 00:30:28,040
Speaker 1: Related? You're doing hand actions. I think there was a

659
00:30:28,160 --> 00:30:31,920
Speaker 1: terrible bus accident with all of them. One yeah, they're

660
00:30:31,920 --> 00:30:36,680
Speaker 1: on tour, and one was intellectually disabled after that.

661
00:30:37,440 --> 00:30:38,080
Speaker 2: I didn't know that.

662
00:30:38,440 --> 00:30:40,640
Speaker 1: Actually, don't quote me, but I think that's what happens.

663
00:30:41,040 --> 00:30:43,320
Speaker 2: They're listening right now, Hang on, which one of us?

664
00:30:44,440 --> 00:30:47,960
Speaker 2: Which one? Which one's a really disabled? It's you.

665
00:30:49,760 --> 00:30:51,560
Speaker 1: If you're asking the question, it's you.

666
00:30:52,040 --> 00:30:52,800
Speaker 3: I thought it was you.

667
00:30:53,920 --> 00:30:56,680
Speaker 2: We haven't a bus accident recently, have we? Anyway?

668
00:30:56,720 --> 00:30:57,400
Speaker 1: Your dreadful?

669
00:30:57,480 --> 00:30:59,640
Speaker 2: I don't want to hear that song because it's terrible,

670
00:30:59,720 --> 00:31:00,720
Speaker 2: but I would rather.

671
00:31:00,680 --> 00:31:03,880
Speaker 1: Hear that than my fabulous I mean no, Well, I

672
00:31:03,920 --> 00:31:05,560
Speaker 1: don't know if the Queen would have enjoyed this. She

673
00:31:05,720 --> 00:31:07,920
Speaker 1: was there at the Royal Command performance with the Queen

674
00:31:07,960 --> 00:31:10,760
Speaker 1: Mother in seventy four when paper Lace unfilmed.

675
00:31:11,000 --> 00:31:18,800
Speaker 2: This left tragically alive.

676
00:31:25,560 --> 00:31:31,640
Speaker 1: Man, Come on, she's always too high for my register keep.

677
00:31:33,720 --> 00:31:35,840
Speaker 1: I'm just thinking, is it a good thing went this

678
00:31:36,040 --> 00:31:38,800
Speaker 1: instead of the night? I like them both equally.

679
00:31:39,840 --> 00:31:41,520
Speaker 4: By the way, everyone who gets to air with their

680
00:31:41,560 --> 00:31:43,320
Speaker 4: vote for five for your flash aback this morning will

681
00:31:43,320 --> 00:31:45,120
Speaker 4: win twelve months access to Apple Music.

682
00:31:45,160 --> 00:31:48,080
Speaker 2: Apple Music stream your favorite songs and artists. It's as

683
00:31:48,200 --> 00:31:49,520
Speaker 2: easy as it sounds.

684
00:31:50,040 --> 00:31:53,000
Speaker 1: Adam is in Penrith, Adam, fight for your flashback.

685
00:31:53,960 --> 00:31:55,479
Speaker 8: Yeah, it's got to be Jonesy.

686
00:31:55,480 --> 00:31:56,800
Speaker 2: I've got to give one to the boys.

687
00:31:56,880 --> 00:31:58,520
Speaker 7: You know, got to give you one, mate.

688
00:31:58,960 --> 00:32:01,800
Speaker 2: Thanks. I mean we didn't in origin, and so.

689
00:32:03,280 --> 00:32:04,200
Speaker 1: Your origin as well.

690
00:32:04,520 --> 00:32:05,080
Speaker 2: We're going to take it.

691
00:32:05,160 --> 00:32:07,120
Speaker 1: Origin. Isn't boys versus girls.

692
00:32:08,560 --> 00:32:10,400
Speaker 2: No, it's not. That was my understanding of them.

693
00:32:11,440 --> 00:32:12,520
Speaker 1: I'm surprised at all of that.

694
00:32:12,640 --> 00:32:14,360
Speaker 2: I'm just stirring you up. Thank you, Adam.

695
00:32:15,440 --> 00:32:17,280
Speaker 1: Kelly is in Reevesby, Fight for your flashback.

696
00:32:17,360 --> 00:32:23,960
Speaker 5: Kelly, I am a big dag. Billy Jae, bring.

697
00:32:23,880 --> 00:32:25,200
Speaker 1: It on, Thank you, Kelly.

698
00:32:25,720 --> 00:32:27,640
Speaker 2: Lindsay wattle Grove, Fight for your flashback.

699
00:32:27,720 --> 00:32:31,800
Speaker 5: Linn Hi, I'm going to join you because I'm making

700
00:32:31,920 --> 00:32:32,800
Speaker 5: my mind up.

701
00:32:33,280 --> 00:32:34,520
Speaker 1: I like how everyone's joining you.

702
00:32:35,280 --> 00:32:35,800
Speaker 7: I like it.

703
00:32:36,200 --> 00:32:42,760
Speaker 1: Dean's in Stanhope Gardens. Hello, Dean, fight for your flashbacky.

704
00:32:40,960 --> 00:32:44,800
Speaker 8: Amanda, good morning, Thank you awesome.

705
00:32:44,920 --> 00:32:49,560
Speaker 2: Look to make my mind up, i'd have to say it. Billy.

706
00:32:49,720 --> 00:32:52,200
Speaker 5: I'm an ex serviceman and Billy is always going to

707
00:32:52,240 --> 00:32:53,000
Speaker 5: be a hero to me.

708
00:32:53,200 --> 00:32:57,080
Speaker 1: So it's Billy, good on your Dean comes down to

709
00:32:57,160 --> 00:32:59,560
Speaker 1: Amanda and Glenn Dinning. All right, Amanda, over to you,

710
00:33:00,120 --> 00:33:01,720
Speaker 1: which song are we going to play today?

711
00:33:02,720 --> 00:33:03,960
Speaker 5: Good morning girls.

712
00:33:05,320 --> 00:33:06,680
Speaker 7: With the name commander.

713
00:33:06,880 --> 00:33:11,680
Speaker 8: You've got great taste, great tasting music. So I'm sorry, Tony,

714
00:33:12,200 --> 00:33:13,880
Speaker 8: I've got to go with Billy to be a hero.

715
00:33:14,040 --> 00:33:15,320
Speaker 3: That's thinks back from memory.

716
00:33:15,520 --> 00:33:16,000
Speaker 2: Oh look at that.

717
00:33:16,120 --> 00:33:18,120
Speaker 1: The phones were ninety for me.

718
00:33:18,720 --> 00:33:20,240
Speaker 2: That scares the hell out of me.

719
00:33:20,440 --> 00:33:23,600
Speaker 1: Come on, people, it's a flashback, Brendan. I'm back in

720
00:33:23,640 --> 00:33:25,120
Speaker 1: the school yard, miming along.

721
00:33:25,200 --> 00:33:27,560
Speaker 4: I'm just popping off to the throne, go by to

722
00:33:27,600 --> 00:33:32,520
Speaker 4: the queen twenty two Toway god w s.

723
00:33:35,440 --> 00:33:40,160
Speaker 2: That's it. So he dies in battle.

724
00:33:40,360 --> 00:33:41,080
Speaker 1: She gets a letter.

725
00:33:41,360 --> 00:33:41,560
Speaker 2: Yep.

726
00:33:41,840 --> 00:33:43,800
Speaker 1: She casually seems to throw it away and then runs

727
00:33:43,840 --> 00:33:45,200
Speaker 1: off with Jeff. Maybe I don't know.

728
00:33:45,440 --> 00:33:47,000
Speaker 2: She puts it straight the recycling.

729
00:33:47,080 --> 00:33:49,920
Speaker 1: He told him. I told him, not the mere freaking hero.

730
00:33:51,040 --> 00:33:53,560
Speaker 2: I just Billy, don't be a hero. Sorry, we don't

731
00:33:53,600 --> 00:33:55,600
Speaker 2: usually play that, but it was a five few flashback

732
00:33:55,680 --> 00:33:56,480
Speaker 2: winning song in.

733
00:33:58,080 --> 00:34:01,600
Speaker 1: Yeah, winning all winners for hearing that again.

734
00:34:01,600 --> 00:34:03,640
Speaker 4: I got a song with a narrative, Remember paper They

735
00:34:03,640 --> 00:34:06,360
Speaker 4: also had this one the night Chicago died.

736
00:34:06,800 --> 00:34:10,200
Speaker 1: Like this, try to make that town his own. I

737
00:34:10,320 --> 00:34:10,920
Speaker 1: know them all.

738
00:34:16,400 --> 00:34:16,720
Speaker 2: Cry.

739
00:34:20,360 --> 00:34:22,719
Speaker 4: Now, we had DICKO on the show this morning. Why

740
00:34:22,760 --> 00:34:24,600
Speaker 4: doesn't he get these guys back together for a bit

741
00:34:24,640 --> 00:34:25,040
Speaker 4: of a tour.

742
00:34:25,840 --> 00:34:27,200
Speaker 1: Silence from Dick go over that.

743
00:34:30,120 --> 00:34:33,279
Speaker 4: Congratulations, I guess are in order? Thank you at seventeen way.

744
00:34:33,360 --> 00:34:35,239
Speaker 4: Let's go to the Jonesy demand of arms right now

745
00:34:35,360 --> 00:34:39,120
Speaker 4: for the pub test. Suddenly, doorbell seemed to be as

746
00:34:39,280 --> 00:34:41,759
Speaker 4: archaic as pages or typewrinters.

747
00:34:41,760 --> 00:34:42,799
Speaker 2: And I say this the other day.

748
00:34:42,800 --> 00:34:45,400
Speaker 4: I said to my one child that's at home at

749
00:34:45,400 --> 00:34:49,080
Speaker 4: the moment, I'm expecting an important package. They're going to

750
00:34:49,160 --> 00:34:52,400
Speaker 4: ring the doorbell. Can you just answer the door anyway?

751
00:34:52,440 --> 00:34:54,120
Speaker 4: I find the little note that's gone back to.

752
00:34:54,160 --> 00:34:56,239
Speaker 2: The post office. I said, mate, you were here, did

753
00:34:56,280 --> 00:34:59,279
Speaker 2: you not hear the doorbell? He goes, yeah, why didn't

754
00:34:59,280 --> 00:35:00,759
Speaker 2: you answer? Know who it was?

755
00:35:01,040 --> 00:35:04,480
Speaker 1: This is the thing. Millennials have ruined the doorbell. That's

756
00:35:04,560 --> 00:35:06,279
Speaker 1: what the story is. And a whole lot of people

757
00:35:06,320 --> 00:35:08,920
Speaker 1: I saw this stream on Twitter talking about how the

758
00:35:09,480 --> 00:35:12,160
Speaker 1: It's like, why are you calling me when you can text? Now,

759
00:35:12,239 --> 00:35:13,960
Speaker 1: it's why are you ringing the doorbell? When you can

760
00:35:14,040 --> 00:35:16,080
Speaker 1: text me and tell me you're there. So people just

761
00:35:16,160 --> 00:35:18,440
Speaker 1: text and go here. So you either answer the door

762
00:35:18,480 --> 00:35:19,920
Speaker 1: or you get in the car with them, whatever it is.

763
00:35:20,239 --> 00:35:24,200
Speaker 1: If the doorbell goes, millennials think it's alarming. It's someone

764
00:35:24,239 --> 00:35:27,000
Speaker 1: I don't know, and they panic and when no one

765
00:35:27,040 --> 00:35:27,800
Speaker 1: wants the doorbell.

766
00:35:27,840 --> 00:35:30,040
Speaker 4: And I'm going to side with the millennials on this

767
00:35:30,160 --> 00:35:33,120
Speaker 4: one because really it's quite confronting when the doorbell rings.

768
00:35:33,239 --> 00:35:35,239
Speaker 2: And you know what, I don't think I've gone up

769
00:35:35,239 --> 00:35:38,080
Speaker 2: to someone's house and cold belld them.

770
00:35:38,640 --> 00:35:41,000
Speaker 4: I can't remember where I've just got up to someone's

771
00:35:41,040 --> 00:35:42,360
Speaker 4: house and rung their doorbell.

772
00:35:42,360 --> 00:35:44,279
Speaker 1: But if you're going out, if you're going over to

773
00:35:44,320 --> 00:35:45,200
Speaker 1: your friend's house.

774
00:35:45,040 --> 00:35:47,120
Speaker 2: What do you just text them first? I say, what

775
00:35:47,200 --> 00:35:48,439
Speaker 2: are you doing? I'm covering around?

776
00:35:48,520 --> 00:35:50,320
Speaker 1: Yes, But then when you arrive at their house, you

777
00:35:50,520 --> 00:35:51,399
Speaker 1: let them know you're there.

778
00:35:52,000 --> 00:35:53,680
Speaker 2: They're already prepared.

779
00:35:54,040 --> 00:35:58,480
Speaker 4: Okay, yes, you do probably knock on the doorbell, the knocker,

780
00:36:00,000 --> 00:36:01,800
Speaker 4: but do you know what I mean, You've you've already

781
00:36:02,200 --> 00:36:03,680
Speaker 4: around announced.

782
00:36:03,280 --> 00:36:03,759
Speaker 2: That you're coming.

783
00:36:03,920 --> 00:36:05,920
Speaker 1: Some people are saying they no longer have a doorbell.

784
00:36:06,200 --> 00:36:08,399
Speaker 1: It's like you no longer have a house phone. Don't

785
00:36:08,520 --> 00:36:10,840
Speaker 1: contact me, I don't want to be contacted. People now

786
00:36:10,920 --> 00:36:12,480
Speaker 1: freak out when their doorbells go off.

787
00:36:12,480 --> 00:36:13,840
Speaker 2: We all turned into the unibomber.

788
00:36:13,920 --> 00:36:14,880
Speaker 1: It's interesting, isn't it.

789
00:36:15,000 --> 00:36:15,040
Speaker 11: So?

790
00:36:15,160 --> 00:36:18,160
Speaker 1: What do you think doorbells? Do they pass the pub test?

791
00:36:18,360 --> 00:36:20,640
Speaker 2: Knockers? Do they pass the pub test? What am is?

792
00:36:21,040 --> 00:36:23,320
Speaker 4: Thirteen? Ws everyone? We'd love to hear your thoughts on that.

793
00:36:23,719 --> 00:36:26,000
Speaker 4: It's sixteen to wait a winning song ten million dollars.

794
00:36:26,000 --> 00:36:29,600
Speaker 4: Winning song sounds a lot like this, simple minds.

795
00:36:29,760 --> 00:36:32,080
Speaker 1: When you hear it, you call us simple minds could

796
00:36:32,080 --> 00:36:33,040
Speaker 1: win you ten million dollars.

797
00:36:33,080 --> 00:36:46,959
Speaker 4: It's a quarter away, a third, one of one points

798
00:36:47,000 --> 00:36:49,640
Speaker 4: even wsflo there it's Jonsey Demander, a shower or two

799
00:36:49,719 --> 00:36:51,319
Speaker 4: twenty degrees in the city and our west.

800
00:36:51,400 --> 00:36:53,080
Speaker 2: Right now it is eleven degrees. It is seven to

801
00:36:53,320 --> 00:36:56,200
Speaker 2: eight yesterday on the show with beat Me. I didn't

802
00:36:56,280 --> 00:36:56,520
Speaker 2: know that.

803
00:36:57,000 --> 00:36:59,520
Speaker 4: I realized I've been making shepherd's pie for many, many

804
00:36:59,600 --> 00:37:00,760
Speaker 4: years for State of Origin.

805
00:37:01,160 --> 00:37:03,160
Speaker 2: I used to make it a lot when we're in

806
00:37:03,239 --> 00:37:05,040
Speaker 2: Muscle Brooks. We had no money in state of origin.

807
00:37:05,080 --> 00:37:07,560
Speaker 4: When you first start doing shepherd's pie, when you first

808
00:37:07,560 --> 00:37:09,719
Speaker 4: start doing cookery, is an easy.

809
00:37:09,560 --> 00:37:10,600
Speaker 2: Meal to make for a lot of people.

810
00:37:10,600 --> 00:37:12,719
Speaker 1: Because you brown mince, put some potato on it.

811
00:37:12,920 --> 00:37:14,120
Speaker 2: You can't make it up really.

812
00:37:14,360 --> 00:37:16,000
Speaker 4: But I haven't made it for some time, but I thought,

813
00:37:16,040 --> 00:37:18,560
Speaker 4: you know, I've got some leftover ingredients, got a lot

814
00:37:18,600 --> 00:37:20,360
Speaker 4: of zucchini and stuff like that, and I put it

815
00:37:20,440 --> 00:37:22,879
Speaker 4: in there and it was really good, the shepherd's pie.

816
00:37:22,920 --> 00:37:24,440
Speaker 4: But I didn't realize when I was serving it up

817
00:37:24,440 --> 00:37:27,040
Speaker 4: to the family. My daughter said to me, so, is

818
00:37:27,080 --> 00:37:29,640
Speaker 4: it shepherd's pie. Yeah, and she has he's got lamb.

819
00:37:29,640 --> 00:37:30,920
Speaker 4: And I said, no, it's gonna be if. She said, well,

820
00:37:30,960 --> 00:37:34,040
Speaker 4: that's not shepherd's pie. Shepherd's pie is with lamb.

821
00:37:34,400 --> 00:37:38,200
Speaker 1: Beef pie is with cottage cottage pie. I didn't know

822
00:37:38,280 --> 00:37:38,719
Speaker 1: that either.

823
00:37:38,880 --> 00:37:42,640
Speaker 4: Yeah, well, according to Gordon Ramsay, bef stock and shepherds

824
00:37:42,640 --> 00:37:43,719
Speaker 4: pie is made out of this.

825
00:37:43,840 --> 00:37:47,440
Speaker 1: One has actually beef, a cottage pie, not a shepherd's.

826
00:37:47,040 --> 00:37:51,120
Speaker 2: Pie, because shepherd stands for the sheep. That's before he

827
00:37:51,200 --> 00:37:54,359
Speaker 2: unleashed the tyrant of abuse to that poor lady.

828
00:37:54,400 --> 00:37:54,800
Speaker 1: But there you go.

829
00:37:54,960 --> 00:37:55,520
Speaker 2: I didn't know that.

830
00:37:55,960 --> 00:37:57,759
Speaker 4: All this year, fifty one years of age, I didn't

831
00:37:57,800 --> 00:37:59,879
Speaker 4: know that. And then we had a lot of people

832
00:38:00,120 --> 00:38:02,520
Speaker 4: send emails about this. We got one from Ray Jones.

833
00:38:02,560 --> 00:38:04,080
Speaker 4: You demand have been listening to the show this morning.

834
00:38:04,080 --> 00:38:05,839
Speaker 4: I think Cole's need to have a chat with Gordon

835
00:38:05,880 --> 00:38:08,399
Speaker 4: Ramsey on the difference between Shepherd's pie and cottage pie.

836
00:38:08,600 --> 00:38:12,280
Speaker 4: Look at that, I've got a hand out Shepherd's classic

837
00:38:12,400 --> 00:38:14,640
Speaker 4: Shepherd's pie. Australian beef.

838
00:38:15,880 --> 00:38:17,920
Speaker 1: Well, get thee to the cottage.

839
00:38:17,760 --> 00:38:21,040
Speaker 4: Get Yeah, it's a rich Australian beef and all hang on.

840
00:38:21,080 --> 00:38:23,360
Speaker 4: They've tried to save themselves. I've got and lamb gravy.

841
00:38:23,560 --> 00:38:25,920
Speaker 1: Yes, but it's made with Australian beef. But the gravy

842
00:38:26,000 --> 00:38:26,719
Speaker 1: has some lamb in.

843
00:38:26,719 --> 00:38:28,799
Speaker 2: It, so maybe maybe that gets over there.

844
00:38:29,080 --> 00:38:31,320
Speaker 1: Well, we've got We've got a lot of correspondence about this.

845
00:38:31,520 --> 00:38:33,800
Speaker 2: This is the most correspondence we've ever got for anything

846
00:38:33,840 --> 00:38:34,560
Speaker 2: we've done on this show.

847
00:38:34,680 --> 00:38:36,839
Speaker 1: Chris Taylor has emailed us. I heard Jones. You're talking

848
00:38:36,880 --> 00:38:39,360
Speaker 1: about making Shepherd's pie. This might be a silly request,

849
00:38:39,440 --> 00:38:41,080
Speaker 1: but if he gets time, could he email me a

850
00:38:41,120 --> 00:38:43,600
Speaker 1: copy of his recipe. I've never made one. I'm sure

851
00:38:43,640 --> 00:38:44,600
Speaker 1: my husband would like it.

852
00:38:45,840 --> 00:38:47,120
Speaker 2: What's shepherd's pipe?

853
00:38:47,320 --> 00:38:49,000
Speaker 1: Did you do anything special? Because it look good in

854
00:38:49,040 --> 00:38:49,400
Speaker 1: the picture.

855
00:38:49,560 --> 00:38:51,080
Speaker 2: Left over veggies? You know my wife's going on. We

856
00:38:51,160 --> 00:38:52,280
Speaker 2: gonna eat more fruit and vegetable.

857
00:38:52,320 --> 00:38:53,840
Speaker 1: So we have to put some fruit in it, a

858
00:38:53,880 --> 00:38:54,799
Speaker 1: lot of zucchinis.

859
00:38:55,680 --> 00:38:57,759
Speaker 2: And so what I did I peeled as a keyed.

860
00:38:57,760 --> 00:38:59,520
Speaker 1: I've never peeled as akiini.

861
00:38:59,160 --> 00:39:02,200
Speaker 2: Because this is the thing. My son might need vegetables.

862
00:39:02,239 --> 00:39:05,560
Speaker 4: So what I do is I secrete it's to eat

863
00:39:05,719 --> 00:39:09,960
Speaker 4: that secrete the vegetables into the shepherd spice.

864
00:39:10,000 --> 00:39:11,319
Speaker 2: So I've peeled as a key.

865
00:39:11,400 --> 00:39:12,600
Speaker 1: So he couldn't taste it.

866
00:39:13,440 --> 00:39:16,040
Speaker 2: Little cubes. Chop the carrots in the little cubes. Some

867
00:39:16,200 --> 00:39:18,640
Speaker 2: onion in the fry.

868
00:39:18,520 --> 00:39:20,520
Speaker 1: Pounds, so he softened them soft, soft soft.

869
00:39:20,719 --> 00:39:22,480
Speaker 2: Then I put the mince on top and.

870
00:39:22,520 --> 00:39:25,040
Speaker 1: Then brown the mint, brown the mint tea splitter.

871
00:39:24,800 --> 00:39:29,600
Speaker 2: Carry paste, some gray box rosemary, other stuff.

872
00:39:29,760 --> 00:39:32,000
Speaker 4: But I had some leftover cream. Here's the top tip.

873
00:39:32,320 --> 00:39:35,960
Speaker 4: Leftover cream for the potato topping. And I put that

874
00:39:36,160 --> 00:39:39,000
Speaker 4: in and I whipped that like nobody's.

875
00:39:38,840 --> 00:39:40,000
Speaker 1: And did you put any cheese or anything?

876
00:39:40,120 --> 00:39:41,720
Speaker 2: You didn't need to? It was so fluffy.

877
00:39:41,760 --> 00:39:43,239
Speaker 4: You know when you go to the pie shop and

878
00:39:43,239 --> 00:39:45,600
Speaker 4: you get one of those professional pies that because of.

879
00:39:45,640 --> 00:39:47,839
Speaker 1: The cream, when you make it at home, it's never

880
00:39:47,920 --> 00:39:49,400
Speaker 1: the same. They put cream in it.

881
00:39:49,520 --> 00:39:52,560
Speaker 2: Good, yeah, yeah, oh, might make it for you.

882
00:39:52,840 --> 00:39:55,239
Speaker 1: I'd love that because you know you've always made me

883
00:39:55,280 --> 00:39:56,600
Speaker 1: make secretions.

884
00:39:57,360 --> 00:40:00,360
Speaker 2: You want to eat my secretions. Thank you for that

885
00:40:00,600 --> 00:40:02,520
Speaker 2: rubbish that make me every Wednesday in your.

886
00:40:02,360 --> 00:40:06,280
Speaker 1: Horrible seventies dinner party, add more cream and bananas.

887
00:40:06,320 --> 00:40:09,239
Speaker 2: Apparently, thank you for all your emails about that.

888
00:40:09,400 --> 00:40:11,480
Speaker 1: We still haven't played our ten million dollar song. It

889
00:40:11,520 --> 00:40:15,359
Speaker 1: goes a little bit like this. When you hear that song,

890
00:40:15,480 --> 00:40:18,080
Speaker 1: you give us a call. That song could make you

891
00:40:18,200 --> 00:40:19,520
Speaker 1: the winner of ten million dollars.

892
00:40:19,600 --> 00:40:24,560
Speaker 2: It's through away. I want you to go right now,

893
00:40:24,680 --> 00:40:29,280
Speaker 2: I'm taking go to your windows, stick.

894
00:40:29,080 --> 00:40:31,800
Speaker 1: Your head on a yell, hell.

895
00:40:34,360 --> 00:40:36,040
Speaker 2: Into the jen zy, no matter of arms for the

896
00:40:36,200 --> 00:40:37,320
Speaker 2: pub test this morning.

897
00:40:37,800 --> 00:40:42,400
Speaker 4: Suddenly door bells seem as archaic as pages or typewriters.

898
00:40:42,600 --> 00:40:44,600
Speaker 2: Do doorbells past the pup test?

899
00:40:44,640 --> 00:40:47,759
Speaker 1: Well, we're hearing that millennials text, and maybe we all

900
00:40:47,840 --> 00:40:50,880
Speaker 1: do you text someone when I'm here now, and so

901
00:40:51,000 --> 00:40:52,480
Speaker 1: they'll either I'm the door or they'll come out and

902
00:40:52,520 --> 00:40:54,560
Speaker 1: get in your car, whatever it might be. I saw

903
00:40:54,640 --> 00:40:57,120
Speaker 1: this one particular tweet that said, ringing a doorbell is like,

904
00:40:57,840 --> 00:40:59,759
Speaker 1: oh no, here, If you're ringing my doorbell, it means

905
00:40:59,760 --> 00:41:02,319
Speaker 1: I don't know you. You came unannounced and thus gives

906
00:41:02,360 --> 00:41:04,400
Speaker 1: me no obligation to open my doors. What do you do?

907
00:41:04,480 --> 00:41:06,960
Speaker 1: You just sit inside your house while they're at the door.

908
00:41:07,080 --> 00:41:09,000
Speaker 1: It doesn't take much to be alarmed. People don't want

909
00:41:09,000 --> 00:41:11,319
Speaker 1: to be phoned on their home phones anymore. People don't

910
00:41:11,320 --> 00:41:13,480
Speaker 1: want to be phoned on their mobiles text me. So

911
00:41:13,600 --> 00:41:15,720
Speaker 1: people are now some people are getting rid of their.

912
00:41:15,600 --> 00:41:17,280
Speaker 2: Doorbells, But the unannounced doorbell.

913
00:41:17,400 --> 00:41:19,279
Speaker 4: When was the last time you had someone at your

914
00:41:19,360 --> 00:41:21,600
Speaker 4: doorbell and you didn't know they were coming?

915
00:41:22,120 --> 00:41:24,600
Speaker 2: You know uber each you know they're coming, and you're

916
00:41:24,600 --> 00:41:25,319
Speaker 2: happy to see them.

917
00:41:25,440 --> 00:41:27,319
Speaker 1: If it is an unsolicited one, it is a moment

918
00:41:27,360 --> 00:41:30,800
Speaker 1: of everyone goes. Everyone looks, what's happening, Who's at the door? Who?

919
00:41:30,920 --> 00:41:32,040
Speaker 2: What in your house is?

920
00:41:32,120 --> 00:41:36,719
Speaker 1: Decide the stash Man doorbells. Do they pass the pub test?

921
00:41:37,440 --> 00:41:40,960
Speaker 7: Of course I do, absolutely, especially when you're waiting for

922
00:41:41,080 --> 00:41:44,200
Speaker 7: a package. I have millennials at my house and they're

923
00:41:44,239 --> 00:41:45,640
Speaker 7: the ones that are buying the.

924
00:41:45,719 --> 00:41:47,480
Speaker 10: Packages that are going to be delivered.

925
00:41:47,640 --> 00:41:48,880
Speaker 6: So if they're not listening.

926
00:41:48,680 --> 00:41:50,719
Speaker 7: Out for the doorbell, then they're going to go down

927
00:41:50,800 --> 00:41:51,400
Speaker 7: to the post.

928
00:41:51,239 --> 00:41:53,400
Speaker 3: Office and have to go and pick up their package.

929
00:41:53,680 --> 00:41:54,720
Speaker 1: No, they don't anymore.

930
00:41:55,280 --> 00:41:58,520
Speaker 12: Every time the doorbell rings, it jervis witness or someone's

931
00:41:58,520 --> 00:42:00,600
Speaker 12: trying to get charity money off here, I install it.

932
00:42:00,640 --> 00:42:03,240
Speaker 8: I think I'm old school, one of the older generation,

933
00:42:03,440 --> 00:42:05,319
Speaker 8: and I think, of course you need a door bell.

934
00:42:05,480 --> 00:42:08,080
Speaker 8: But the kids resay and have them with cameras on

935
00:42:08,200 --> 00:42:10,840
Speaker 8: them because they're a bit paranoid about who's on the

936
00:42:10,880 --> 00:42:13,280
Speaker 8: other side of the door, which I find rather amusing.

937
00:42:15,640 --> 00:42:17,440
Speaker 4: I'd a Joe over come around the other day. I

938
00:42:17,480 --> 00:42:19,960
Speaker 4: actually I had some time. I let him in and

939
00:42:20,280 --> 00:42:22,000
Speaker 4: I said, what happens now days? I don't know, mate,

940
00:42:22,000 --> 00:42:23,040
Speaker 4: I've never got this far for.

941
00:42:24,520 --> 00:42:27,080
Speaker 1: You've been happily married ever since. We'll come out next.

942
00:42:27,200 --> 00:42:30,520
Speaker 1: Let's talk about your pet sex life right oh.

943
00:42:31,160 --> 00:42:34,719
Speaker 2: At seven past eight? A winning song, ten million dollar

944
00:42:34,800 --> 00:42:36,879
Speaker 2: winning song. It sounds like this simple mine?

945
00:42:37,040 --> 00:42:39,120
Speaker 1: Is this one? Call us now thirteen.

946
00:42:38,880 --> 00:42:41,400
Speaker 2: WSFM, one of one point Severn WSFM.

947
00:42:41,440 --> 00:42:44,520
Speaker 4: Hello there, it's Jonesy and Amanda. Thanks to BMW Sydney

948
00:42:44,560 --> 00:42:46,520
Speaker 4: Shower or to today. Twenty degrees in the city and

949
00:42:46,760 --> 00:42:50,759
Speaker 4: our west. Over the long weekend, partly cloudy nineteen Sunday,

950
00:42:51,000 --> 00:42:53,960
Speaker 4: sunny in twenty two, Monday's Public Holiday twenty three mostly Sunday.

951
00:42:54,200 --> 00:42:55,720
Speaker 2: You know as well as double demerits.

952
00:42:55,760 --> 00:42:57,719
Speaker 1: You told me that earlier. I don't understand why we

953
00:42:57,800 --> 00:42:59,520
Speaker 1: have the double demerits today because you're not allowed to

954
00:42:59,520 --> 00:43:02,319
Speaker 1: take to day work. You're seen as a laus if

955
00:43:02,360 --> 00:43:04,759
Speaker 1: you take today off and yet you still have to.

956
00:43:05,440 --> 00:43:07,759
Speaker 1: I know you always try and drive legally, of course,

957
00:43:07,840 --> 00:43:10,040
Speaker 1: but you get penalized today as if it's a holiday.

958
00:43:10,040 --> 00:43:10,600
Speaker 1: It's not fair.

959
00:43:11,560 --> 00:43:13,239
Speaker 4: Yeah, well you know, I tell that to someone that

960
00:43:13,400 --> 00:43:16,560
Speaker 4: will die on the weekend and said that was like,

961
00:43:16,719 --> 00:43:17,720
Speaker 4: that's really sobering.

962
00:43:17,800 --> 00:43:19,480
Speaker 2: That's the sort of stuff. Is someone walking around they

963
00:43:19,520 --> 00:43:21,279
Speaker 2: don't know they're going to die, So just tak thank you,

964
00:43:21,640 --> 00:43:22,799
Speaker 2: Sorry to be a debbie down.

965
00:43:23,480 --> 00:43:24,920
Speaker 1: Well, I don't know. I just want everyone to be

966
00:43:25,040 --> 00:43:27,920
Speaker 1: back on Tuesday now, of course we all do. Now,

967
00:43:28,120 --> 00:43:30,520
Speaker 1: let me tell you about a documentary I've been reading about.

968
00:43:31,040 --> 00:43:33,920
Speaker 1: It's on Channel four, so it's an English thing, but

969
00:43:34,040 --> 00:43:38,080
Speaker 1: it's about dogs and cats and pets being homosexual having

970
00:43:38,160 --> 00:43:41,480
Speaker 1: same sex preferences. So a new documentary is featuring a

971
00:43:41,520 --> 00:43:44,600
Speaker 1: pair of lesbian pugs and a gay greyhound and they

972
00:43:44,760 --> 00:43:47,160
Speaker 1: say these experts are looking at this saying it's possible

973
00:43:47,200 --> 00:43:51,200
Speaker 1: for animals to have same sex preferences. They say that

974
00:43:51,400 --> 00:43:54,840
Speaker 1: this animal behavioralists and academics are insisting that this behavior

975
00:43:54,920 --> 00:43:58,400
Speaker 1: can't be explained away as dominant behavior or bonding. They

976
00:43:58,560 --> 00:44:03,680
Speaker 1: actually have preferences. The documentary starts with a dog behavioralist

977
00:44:03,760 --> 00:44:08,480
Speaker 1: looking at a greyhound called Franco. When the test was

978
00:44:08,560 --> 00:44:13,680
Speaker 1: they put Franco has always preferred Norman to mount as

979
00:44:13,719 --> 00:44:19,839
Speaker 1: opposed to a variety of females. When there were females, well,

980
00:44:19,960 --> 00:44:23,560
Speaker 1: I'll get to that. When introduced to a female dog

981
00:44:23,640 --> 00:44:27,800
Speaker 1: in heat, Franco wasn't interested. He continued to try to

982
00:44:27,840 --> 00:44:30,840
Speaker 1: attract the attention of other males. And that's what they're saying,

983
00:44:31,000 --> 00:44:34,719
Speaker 1: is that a regular dog like Norman, Norman puts up

984
00:44:34,760 --> 00:44:37,960
Speaker 1: with Franco, apparently, except when there are dogs on heat,

985
00:44:38,120 --> 00:44:41,200
Speaker 1: female dogs, and then he's like every other male dog.

986
00:44:41,280 --> 00:44:46,600
Speaker 1: It seems so. And apparently there's two female pugs who

987
00:44:46,640 --> 00:44:49,799
Speaker 1: were in an intimate relationship, and the behaviorists are saying,

988
00:44:49,840 --> 00:44:53,480
Speaker 1: it's not just I'm an animal, you're an animal. Let's

989
00:44:53,480 --> 00:44:57,600
Speaker 1: get on with it. These are preferences. So the tribal

990
00:44:57,680 --> 00:45:00,520
Speaker 1: drum is beating for my pets love life.

991
00:45:00,680 --> 00:45:02,560
Speaker 2: I figure said my gay dog could be.

992
00:45:03,080 --> 00:45:05,200
Speaker 1: But I've seen a documentary where an emu was in

993
00:45:05,280 --> 00:45:09,400
Speaker 1: love with a v dub the car a car. It

994
00:45:09,520 --> 00:45:11,439
Speaker 1: was huge. It would chased it all around the farm.

995
00:45:11,520 --> 00:45:13,960
Speaker 1: It was hugely protective if anyone came, but they had

996
00:45:14,000 --> 00:45:15,920
Speaker 1: to find ways to get rid of the emu if

997
00:45:15,960 --> 00:45:19,959
Speaker 1: they wanted to get into the car. My pet's love

998
00:45:20,080 --> 00:45:24,160
Speaker 1: life could be normal, could be unusual. What have you seen?

999
00:45:24,360 --> 00:45:25,840
Speaker 2: Well, we weren't unusual.

1000
00:45:25,960 --> 00:45:28,640
Speaker 1: Yeah, but if it's normal, but normal might be interesting too.

1001
00:45:28,880 --> 00:45:32,280
Speaker 1: Maybe your animals asexual, maybe it's hyper sexual.

1002
00:45:32,360 --> 00:45:34,240
Speaker 2: Maybe you own Norman. I want to hear the story

1003
00:45:34,280 --> 00:45:34,720
Speaker 2: of Norman.

1004
00:45:35,080 --> 00:45:38,359
Speaker 1: Look, come on, mate, Franco's and mate, I like him.

1005
00:45:38,360 --> 00:45:41,280
Speaker 1: I'll put up with it. But I really like svit Lana.

1006
00:45:42,160 --> 00:45:44,960
Speaker 2: Thirteen WFM is our number if you're a man of

1007
00:45:44,960 --> 00:45:45,200
Speaker 2: the match.

1008
00:45:45,239 --> 00:45:47,040
Speaker 4: What about this five hundred dollars to spend at cost

1009
00:45:47,080 --> 00:45:50,360
Speaker 4: it dot com dot au, the only luxury designer outlet

1010
00:45:50,600 --> 00:45:53,239
Speaker 4: selling with up to seventy five percent head to cost

1011
00:45:53,280 --> 00:45:54,279
Speaker 4: it dot com dot Au.

1012
00:45:54,800 --> 00:45:57,319
Speaker 2: Well at one point seven WSFM. Hello there, it's Jones,

1013
00:45:57,320 --> 00:45:59,640
Speaker 2: you demanded, no doubt you'll be Wang chunging tonight?

1014
00:46:00,760 --> 00:46:05,759
Speaker 1: Do I have to who made that band? The social police.

1015
00:46:05,520 --> 00:46:06,200
Speaker 2: Hit up themselves?

1016
00:46:06,200 --> 00:46:09,480
Speaker 1: Aren't they are? You going to Jones and Amanda tonight.

1017
00:46:09,800 --> 00:46:10,759
Speaker 1: We'd never dream of it.

1018
00:46:11,000 --> 00:46:14,560
Speaker 4: What would happen with go to sleep at nine shower

1019
00:46:14,680 --> 00:46:16,520
Speaker 4: to twenty degrees in the city and in our west

1020
00:46:16,600 --> 00:46:18,759
Speaker 4: right now it is eleven degrees, it's eight twenty five.

1021
00:46:18,800 --> 00:46:20,359
Speaker 2: The tribal dramas beating.

1022
00:46:20,400 --> 00:46:25,439
Speaker 1: Am luck love no, my pet's love life. The reason

1023
00:46:25,480 --> 00:46:28,040
Speaker 1: we're discussing this is there's a documentary in English, documentary

1024
00:46:28,160 --> 00:46:30,759
Speaker 1: My Gay Dog and Other Animals. It's called you keep

1025
00:46:30,840 --> 00:46:33,760
Speaker 1: peppering Me throughout that entire song. Brendan for more information

1026
00:46:33,800 --> 00:46:34,680
Speaker 1: about Norman, Why I.

1027
00:46:34,680 --> 00:46:36,960
Speaker 2: Did find an extraordinary so compliant.

1028
00:46:36,719 --> 00:46:38,719
Speaker 1: Well, let me read you a sentence that I wasn't

1029
00:46:38,719 --> 00:46:39,600
Speaker 1: going to read you before.

1030
00:46:40,120 --> 00:46:42,799
Speaker 2: Norman Norman is, I'll tell you the story heterosexual dog.

1031
00:46:43,000 --> 00:46:47,800
Speaker 1: Well, there is an Italian greyhound called Franco whose owners

1032
00:46:47,840 --> 00:46:52,480
Speaker 1: say that, rather than had liking female dogs, Franco gravitates

1033
00:46:52,520 --> 00:46:55,560
Speaker 1: to Norman their other dog. Yep, it was put to

1034
00:46:55,600 --> 00:46:55,879
Speaker 1: the test.

1035
00:46:57,160 --> 00:46:59,160
Speaker 2: Normandy is, what sort of makeey is no dog?

1036
00:46:59,760 --> 00:47:04,760
Speaker 1: But the dog behavioralists and some of these animal experts

1037
00:47:05,080 --> 00:47:08,719
Speaker 1: watched them in action, and female dogs on heat were

1038
00:47:08,760 --> 00:47:12,560
Speaker 1: put in front of Franco and Norman. Norman wanted to

1039
00:47:12,600 --> 00:47:15,040
Speaker 1: go to the females, but Franco had no interest and

1040
00:47:15,120 --> 00:47:18,160
Speaker 1: wanted to go to Norman, and so Norman often puts

1041
00:47:18,239 --> 00:47:22,440
Speaker 1: up with it. Because watching Franco's behavior, the experts said, wow,

1042
00:47:22,960 --> 00:47:25,160
Speaker 1: this is when he's with Norman. This is a quote.

1043
00:47:25,480 --> 00:47:28,400
Speaker 1: He's really going for it there, Oh my God. And Norman,

1044
00:47:28,520 --> 00:47:32,759
Speaker 1: bless him, is just standing there taking it. But when

1045
00:47:32,920 --> 00:47:35,600
Speaker 1: there's females there, Norman says, can I please go there?

1046
00:47:36,120 --> 00:47:37,200
Speaker 2: Give it a.

1047
00:47:37,239 --> 00:47:41,000
Speaker 1: Rest, Franco. My pets love life. I've seen a documentary

1048
00:47:41,040 --> 00:47:43,279
Speaker 1: where an Ami was in love with the VW What

1049
00:47:43,520 --> 00:47:46,120
Speaker 1: goes onre Hi, Linda, tell us.

1050
00:47:46,040 --> 00:47:49,040
Speaker 5: About your pet Hi guys. So, we used to have

1051
00:47:49,120 --> 00:47:54,000
Speaker 5: a cavalier male called Wilson, and not long after we

1052
00:47:54,080 --> 00:47:56,200
Speaker 5: bought him, my father bought a female cab in the

1053
00:47:56,239 --> 00:47:58,320
Speaker 5: hopes that we would be able to make him. On

1054
00:47:58,440 --> 00:48:00,880
Speaker 5: a few occasions, Wilson went. Had nothing to do with

1055
00:48:01,000 --> 00:48:04,040
Speaker 5: the female, but you could guarantee that whenever we let

1056
00:48:04,120 --> 00:48:07,160
Speaker 5: our female chickens out, Wilson would grab a hold of one,

1057
00:48:07,400 --> 00:48:10,360
Speaker 5: lay down on the side and just hump away and

1058
00:48:10,520 --> 00:48:13,759
Speaker 5: a chicken a chicken. He was just obsessed with our

1059
00:48:13,880 --> 00:48:16,880
Speaker 5: chickens and would hump them all the time, but wanted

1060
00:48:17,000 --> 00:48:19,520
Speaker 5: nothing to do with my dad's female cab.

1061
00:48:19,880 --> 00:48:23,080
Speaker 1: How did the chickens feel, Linda, Well, I'm sure.

1062
00:48:22,920 --> 00:48:26,799
Speaker 5: They felt violated, but you know, he would just grab

1063
00:48:26,840 --> 00:48:28,439
Speaker 5: a hold of it with his poor and lay down.

1064
00:48:28,520 --> 00:48:30,400
Speaker 5: He was ever so gentle and loving.

1065
00:48:31,000 --> 00:48:34,040
Speaker 1: But yeah, don't go over the eggs.

1066
00:48:34,040 --> 00:48:40,560
Speaker 2: I'd imagine it feels like chicken tonight, thank you. I'm

1067
00:48:43,520 --> 00:48:44,760
Speaker 2: imagine a dog would eat a chicken.

1068
00:48:45,160 --> 00:48:48,399
Speaker 1: Well, Heather's in guy me a Hello, Heather, Hello, tell

1069
00:48:48,480 --> 00:48:49,200
Speaker 1: us about your pet.

1070
00:48:50,080 --> 00:48:52,920
Speaker 7: My little Sammy, he's a kazoodle. Is in love with

1071
00:48:53,040 --> 00:48:53,919
Speaker 7: a sanitary pad.

1072
00:48:54,840 --> 00:48:55,200
Speaker 1: Just one.

1073
00:48:56,239 --> 00:49:00,000
Speaker 7: Well, he's had multiple relationships with multiple sanitary pads because

1074
00:49:00,040 --> 00:49:02,160
Speaker 7: as I found them throughout the house and I couldn't

1075
00:49:02,200 --> 00:49:05,000
Speaker 7: work out where they were coming from. And then one

1076
00:49:05,120 --> 00:49:07,040
Speaker 7: night I saw him in his bed and he was

1077
00:49:07,560 --> 00:49:09,880
Speaker 7: making out with a sanitary paddy. He was licking it.

1078
00:49:09,960 --> 00:49:12,240
Speaker 7: Then he gets it in the right position and curls

1079
00:49:12,320 --> 00:49:13,400
Speaker 7: up and they sleep together.

1080
00:49:15,840 --> 00:49:16,280
Speaker 1: Cripes.

1081
00:49:16,880 --> 00:49:20,000
Speaker 7: Yeah, And he's hid them in places where between the lounge,

1082
00:49:20,560 --> 00:49:22,840
Speaker 7: under his bed, and then every time I have to

1083
00:49:22,920 --> 00:49:25,560
Speaker 7: throw one out, he really mourns the loss of his

1084
00:49:25,680 --> 00:49:26,440
Speaker 7: sanitary He's.

1085
00:49:26,280 --> 00:49:29,040
Speaker 1: Got one in every port by the soundio.

1086
00:49:29,600 --> 00:49:33,480
Speaker 2: You'll not take him to a chemist. I did.

1087
00:49:34,480 --> 00:49:35,160
Speaker 1: Fascinating.

1088
00:49:35,239 --> 00:49:37,200
Speaker 2: Sometimes things are just best left on.

1089
00:49:37,480 --> 00:49:38,800
Speaker 1: Oh thank you for sharing that.

1090
00:49:39,440 --> 00:49:41,279
Speaker 2: It's eight twenty eight gets my gorul is coming over.

1091
00:49:41,280 --> 00:49:42,120
Speaker 2: You're sending on your case.

1092
00:49:42,120 --> 00:49:44,200
Speaker 4: If you have a brand new car, best you'd be

1093
00:49:44,280 --> 00:49:48,239
Speaker 4: calling us thirteen WSFM. Also the week that was Jimbo Jibijabber.

1094
00:49:51,280 --> 00:49:53,000
Speaker 1: Jozy and Amanda in the morning.

1095
00:49:53,120 --> 00:49:53,840
Speaker 2: What's just occurred to me?

1096
00:49:53,920 --> 00:49:56,040
Speaker 4: We really haven't had a completely successful test of this

1097
00:49:56,160 --> 00:49:57,120
Speaker 4: equipment process.

1098
00:49:57,239 --> 00:49:59,319
Speaker 8: Worrying about it now. He switched me on a one

1099
00:49:59,360 --> 00:49:59,919
Speaker 8: point seven.

1100
00:50:01,360 --> 00:50:03,239
Speaker 4: This week we're giving away some golden gifts to the

1101
00:50:03,280 --> 00:50:06,480
Speaker 4: wonderful patients and staff at the Sydney Children's Hospital in

1102
00:50:06,600 --> 00:50:08,520
Speaker 4: Ramwick and support of the Gold Appeal.

1103
00:50:09,440 --> 00:50:17,080
Speaker 1: Go love the Gold Appeal. And this is where we

1104
00:50:17,160 --> 00:50:19,799
Speaker 1: do what we can to help the incredible people at

1105
00:50:19,840 --> 00:50:22,120
Speaker 1: the hospital, whether their patients, whether their families or whether

1106
00:50:22,160 --> 00:50:24,719
Speaker 1: they're staff. Let me reach into our golden box and

1107
00:50:24,760 --> 00:50:28,080
Speaker 1: see what we've got today. It's the gift of appreciation.

1108
00:50:29,560 --> 00:50:31,239
Speaker 1: We're going to give the gift of appreciation to the

1109
00:50:31,360 --> 00:50:33,880
Speaker 1: nurses at the Sydney Children's Hospital who do an amazing

1110
00:50:34,000 --> 00:50:36,360
Speaker 1: job day in day out. We're going to reward them

1111
00:50:36,400 --> 00:50:38,360
Speaker 1: and say thank you for everything they do by sending

1112
00:50:38,480 --> 00:50:42,160
Speaker 1: some massage therapists to the hospital to provide some relaxation

1113
00:50:42,280 --> 00:50:44,200
Speaker 1: to the team who are so busy looking after others.

1114
00:50:44,320 --> 00:50:45,839
Speaker 2: They need that sort of stuff. They're on their feed

1115
00:50:45,880 --> 00:50:46,480
Speaker 2: for a long time.

1116
00:50:46,560 --> 00:50:50,200
Speaker 1: Absolutely, and you know the emotional toll that this takes

1117
00:50:50,239 --> 00:50:52,399
Speaker 1: on the people who work there too. Sometimes just having

1118
00:50:52,440 --> 00:50:55,680
Speaker 1: someone lay some non judgmental, beautiful hands on you would

1119
00:50:55,680 --> 00:50:56,520
Speaker 1: be a lovely thing.

1120
00:50:56,719 --> 00:51:00,440
Speaker 2: That sounds like my street, your street right up.

1121
00:51:01,560 --> 00:51:03,160
Speaker 4: Maybe that's something I can do on because I'm going

1122
00:51:03,200 --> 00:51:06,320
Speaker 4: to the Channel nine gold telephone appeal of some massage.

1123
00:51:06,920 --> 00:51:08,000
Speaker 2: I'm just there to help out.

1124
00:51:08,120 --> 00:51:09,240
Speaker 1: Let's leave it to the professional.

1125
00:51:09,280 --> 00:51:12,200
Speaker 2: I'll be a Channel nine massaging many egos, I would imagine.

1126
00:51:12,239 --> 00:51:14,440
Speaker 1: Well, if you'd like to give your own Golden Gift donation,

1127
00:51:14,560 --> 00:51:16,680
Speaker 1: we urge you to this year's twenty nine Gold Appeal,

1128
00:51:16,800 --> 00:51:18,239
Speaker 1: visit gold Appeal dot org.

1129
00:51:18,160 --> 00:51:19,680
Speaker 4: Dot A year gets my gorule is coming up. You

1130
00:51:19,680 --> 00:51:21,040
Speaker 4: get something on your case, you come straight to us

1131
00:51:21,080 --> 00:51:25,480
Speaker 4: thirteen WSFM. It's twenty two to night point seven WSFM.

1132
00:51:25,520 --> 00:51:26,360
Speaker 2: Hello there, it's.

1133
00:51:26,200 --> 00:51:28,680
Speaker 4: Jerency Demantic Chower to twenty degrees in the city and

1134
00:51:28,960 --> 00:51:31,360
Speaker 4: our west right now it's eleven degrees TLR.

1135
00:51:31,760 --> 00:51:33,400
Speaker 2: That's what people in the no call it.

1136
00:51:34,239 --> 00:51:35,080
Speaker 1: Living room tonight.

1137
00:51:35,440 --> 00:51:37,040
Speaker 2: I'm home tonight. I might tell him I'd sit and

1138
00:51:37,120 --> 00:51:37,360
Speaker 2: watch it.

1139
00:51:37,440 --> 00:51:39,320
Speaker 1: That'd be nice. I'll tell you what's on tonight, what

1140
00:51:39,400 --> 00:51:39,800
Speaker 1: else is on?

1141
00:51:40,400 --> 00:51:41,239
Speaker 2: No, No, I'll watch it.

1142
00:51:41,400 --> 00:51:43,600
Speaker 1: We all know that Miguel can talk underwater, but can

1143
00:51:43,680 --> 00:51:47,759
Speaker 1: he cook blindfolded? That's what he does tonight. It's quite extraordinary,

1144
00:51:47,960 --> 00:51:52,719
Speaker 1: chopping onions, all using blenders, all kinds of stuff. But

1145
00:51:52,880 --> 00:51:56,040
Speaker 1: why well, just to see if he can and he can?

1146
00:51:56,560 --> 00:52:00,520
Speaker 2: What about we see Dr Chris Brown in Seminator Cow unfolded.

1147
00:52:00,760 --> 00:52:02,880
Speaker 1: He does a lot of things blindfolded. You know the

1148
00:52:02,960 --> 00:52:05,319
Speaker 1: other day that we're reading that story that they're going

1149
00:52:05,400 --> 00:52:08,200
Speaker 1: to breath test cows to see if they're pregnant. Rather

1150
00:52:08,239 --> 00:52:10,560
Speaker 1: happy to put your arm up. So Chris Brown's on

1151
00:52:10,680 --> 00:52:12,720
Speaker 1: notice that if he's still doing it with the gloves,

1152
00:52:12,760 --> 00:52:13,680
Speaker 1: he's doing because.

1153
00:52:13,480 --> 00:52:16,480
Speaker 2: He likes that. I'm damn, I love this. What are

1154
00:52:16,520 --> 00:52:16,919
Speaker 2: you doing?

1155
00:52:17,160 --> 00:52:19,319
Speaker 1: Well, I'm hosting, I'm the ring leader, Brandan and I'll

1156
00:52:19,360 --> 00:52:21,959
Speaker 1: be there good, I'll will you watching it seven thirty

1157
00:52:22,000 --> 00:52:22,879
Speaker 1: tonight it's a good one.

1158
00:52:23,239 --> 00:52:24,279
Speaker 2: It's seventeen to nine.

1159
00:52:33,080 --> 00:52:36,120
Speaker 1: A reminder, everyone who gets to air with us before

1160
00:52:36,320 --> 00:52:39,319
Speaker 1: June twenty eight with a ghoulie goes into the drawer

1161
00:52:39,320 --> 00:52:42,120
Speaker 1: to whin a brand new Ford Ecosport on Beyond Tak.

1162
00:52:42,200 --> 00:52:43,279
Speaker 2: What a machine they did.

1163
00:52:43,239 --> 00:52:45,040
Speaker 1: At twenty seven thousand dollars and you get twelve months

1164
00:52:45,080 --> 00:52:47,280
Speaker 1: on road cost. This is thanks to Sinclair Fort Penrith,

1165
00:52:47,320 --> 00:52:49,480
Speaker 1: where they don't just sell cars, they gain family members.

1166
00:52:49,600 --> 00:52:52,839
Speaker 2: Carol's in Miranda. Hello Carol, Hi, Hell, are you very well?

1167
00:52:52,880 --> 00:52:54,080
Speaker 1: We'll get your gooolies Carol.

1168
00:52:54,520 --> 00:52:59,760
Speaker 8: Well, Lily gets more goolie is when somebody clex opened

1169
00:52:59,800 --> 00:53:03,520
Speaker 8: some eggs, makes their breakfast, then they stick the empty

1170
00:53:03,600 --> 00:53:05,840
Speaker 8: egg shells back in the cartan and then back in

1171
00:53:05,920 --> 00:53:06,320
Speaker 8: the fridge.

1172
00:53:06,400 --> 00:53:08,279
Speaker 2: I hear you're putting garbage back into your fridge. I

1173
00:53:08,320 --> 00:53:09,840
Speaker 2: said this to my daughter constantly.

1174
00:53:10,120 --> 00:53:10,359
Speaker 1: Yeah.

1175
00:53:10,480 --> 00:53:12,759
Speaker 8: Yeah, Then when you go to use them, you think

1176
00:53:12,760 --> 00:53:14,839
Speaker 8: you've got eggs there. There's nothing there.

1177
00:53:15,080 --> 00:53:16,880
Speaker 2: Yeah, but it's garbage. You're putting garbage back.

1178
00:53:17,120 --> 00:53:20,040
Speaker 1: It's the empty milk bottle, it's the cracked eggs, it's

1179
00:53:20,160 --> 00:53:20,560
Speaker 1: all of that.

1180
00:53:20,760 --> 00:53:21,880
Speaker 2: But you're putting garbage back.

1181
00:53:21,920 --> 00:53:23,399
Speaker 1: And do you we understand what you're saying.

1182
00:53:23,480 --> 00:53:24,600
Speaker 2: We know, do not see that.

1183
00:53:24,800 --> 00:53:28,239
Speaker 1: It's laziness, that's just yeah, you think it'd be easy

1184
00:53:28,239 --> 00:53:29,360
Speaker 1: to put it in the bin and to put it

1185
00:53:29,440 --> 00:53:30,680
Speaker 1: back in the thing and a fridge.

1186
00:53:31,680 --> 00:53:31,960
Speaker 8: That's it.

1187
00:53:32,520 --> 00:53:35,080
Speaker 1: Yeah, we feel your pa. Thank you.

1188
00:53:35,400 --> 00:53:37,760
Speaker 2: We need another war. That's send him to the front

1189
00:53:39,480 --> 00:53:40,279
Speaker 2: with the bad with the good of you.

1190
00:53:40,320 --> 00:53:42,520
Speaker 4: Dipped out doesn't make you can always email us JAMWSM

1191
00:53:42,600 --> 00:53:44,560
Speaker 4: dot com dot a you the week that was Jimbo

1192
00:53:44,640 --> 00:53:48,160
Speaker 4: Jibbi Jabber coming up next, well at one point seven WSFM,

1193
00:53:48,200 --> 00:53:48,640
Speaker 4: Helen there.

1194
00:53:48,520 --> 00:53:49,360
Speaker 2: It's Jonesy Demanda.

1195
00:53:49,360 --> 00:53:51,279
Speaker 4: You know, Jim Doland has been working harder than the

1196
00:53:51,320 --> 00:53:53,000
Speaker 4: points left on Amanda's license.

1197
00:53:53,960 --> 00:53:56,560
Speaker 1: It's a double demerits, yes, and he's come up with

1198
00:53:56,680 --> 00:53:57,480
Speaker 1: this Jimbo.

1199
00:54:01,160 --> 00:54:03,160
Speaker 6: Before she was the star of the stage and screen,

1200
00:54:03,360 --> 00:54:08,080
Speaker 6: Jackie Weaver was the face of iconic seventies handbag brand Gloamish.

1201
00:54:08,239 --> 00:54:11,000
Speaker 4: Remember you did those ads for Gloamish bags and seventies

1202
00:54:11,239 --> 00:54:13,759
Speaker 4: and there was a gold Gloamish bag.

1203
00:54:14,560 --> 00:54:20,280
Speaker 3: And I was holding a little a little doggy, yeah, Luke, yes,

1204
00:54:20,320 --> 00:54:23,480
Speaker 3: that little dog in the smash as I gave him

1205
00:54:23,480 --> 00:54:27,840
Speaker 3: away to David Atkins, the dancer and really well, because

1206
00:54:27,880 --> 00:54:29,040
Speaker 3: I moved into a flat.

1207
00:54:29,760 --> 00:54:34,839
Speaker 9: Everyone in the street started calling Luke Jackie Weaver because.

1208
00:54:34,480 --> 00:54:35,439
Speaker 8: He'd been my dog.

1209
00:54:35,560 --> 00:54:38,880
Speaker 9: And then the pausing got run over one day and

1210
00:54:39,040 --> 00:54:42,520
Speaker 9: everybody was yelling out in the street Jackie Weaver's stead.

1211
00:54:47,360 --> 00:54:49,880
Speaker 6: It was good to see Jack Vision back singing again.

1212
00:54:50,080 --> 00:54:52,840
Speaker 6: Half of some personal struggles. Jack revealed to us it

1213
00:54:52,960 --> 00:54:53,879
Speaker 6: had been tough for him.

1214
00:54:54,080 --> 00:54:56,960
Speaker 1: So what's brought you back to performing again? What made

1215
00:54:57,000 --> 00:54:59,600
Speaker 1: the decision to step onto the stage again for the Voice?

1216
00:55:00,280 --> 00:55:02,400
Speaker 10: I think the past five years has just been a

1217
00:55:02,480 --> 00:55:05,600
Speaker 10: big journey of personal growth, and I think I just

1218
00:55:05,640 --> 00:55:07,680
Speaker 10: had to put a career and that stuff aside and

1219
00:55:07,880 --> 00:55:10,920
Speaker 10: just work on myself and work on self love and

1220
00:55:11,360 --> 00:55:13,719
Speaker 10: where I do love myself and I'm happy in life.

1221
00:55:13,760 --> 00:55:16,920
Speaker 10: I'm confident, I have self worth and I've actually got

1222
00:55:17,000 --> 00:55:19,319
Speaker 10: something I want to say now, and I've got I'm

1223
00:55:19,360 --> 00:55:21,640
Speaker 10: able to share my narrative and yeah.

1224
00:55:22,160 --> 00:55:24,280
Speaker 2: And didn't he bring it last night on the Voice

1225
00:55:24,320 --> 00:55:25,640
Speaker 2: of four Chair turn.

1226
00:55:36,640 --> 00:55:42,320
Speaker 1: Wow, I've got Goose buff Straw they all turned for

1227
00:55:43,200 --> 00:55:45,600
Speaker 1: he went for guy side and also he said he

1228
00:55:45,640 --> 00:55:48,200
Speaker 1: lost his passion for singing, So hopefully this time his

1229
00:55:48,360 --> 00:55:49,480
Speaker 1: head's in a better place for.

1230
00:55:49,560 --> 00:55:51,319
Speaker 2: It he should have asked me about self love. I've

1231
00:55:51,360 --> 00:55:51,920
Speaker 2: been working on that.

1232
00:55:52,320 --> 00:55:54,680
Speaker 1: Come on, no one's turned Brendan.

1233
00:55:56,960 --> 00:55:59,239
Speaker 6: You'll be pleased to know the great milk Thief of

1234
00:55:59,360 --> 00:56:01,279
Speaker 6: Lynnfield has been thwarted two.

1235
00:56:01,239 --> 00:56:03,200
Speaker 1: Weeks in a row. The milk we're missing and enough

1236
00:56:03,320 --> 00:56:05,840
Speaker 1: was enough. Entering the third week, he took the matters

1237
00:56:05,880 --> 00:56:06,880
Speaker 1: into his own hands.

1238
00:56:07,239 --> 00:56:07,680
Speaker 2: What do you do?

1239
00:56:08,560 --> 00:56:11,200
Speaker 1: In a bid to take revenge? He added new ingredients

1240
00:56:11,280 --> 00:56:15,719
Speaker 1: to the milk, fish oil and his own urine. The

1241
00:56:15,840 --> 00:56:18,799
Speaker 1: milk thief took the bait. It is my favorite bit,

1242
00:56:19,120 --> 00:56:22,880
Speaker 1: Damon said. Hopefully that's the end. The weirdo deserves it.

1243
00:56:23,760 --> 00:56:26,760
Speaker 1: I put it to you, Damon weing in your own milk.

1244
00:56:27,400 --> 00:56:29,200
Speaker 1: Who's the weirder?

1245
00:56:29,440 --> 00:56:30,080
Speaker 2: State of origin?

1246
00:56:30,120 --> 00:56:32,600
Speaker 6: Has been played? Let's not dwell on who won. There's

1247
00:56:32,600 --> 00:56:34,960
Speaker 6: a lot of scrutiny on the coaches these days. Freddie

1248
00:56:34,960 --> 00:56:37,160
Speaker 6: Fitler knows that only too well. And you're going to

1249
00:56:37,200 --> 00:56:39,520
Speaker 6: be miked up to the Channel nine coverage?

1250
00:56:39,600 --> 00:56:42,040
Speaker 1: Is this wise camera? Okay camera?

1251
00:56:42,360 --> 00:56:44,600
Speaker 2: So that you're not going to be you sure about that? Check?

1252
00:56:44,640 --> 00:56:45,759
Speaker 1: We look at one of those cough but.

1253
00:56:50,160 --> 00:56:51,120
Speaker 2: Visual cough button.

1254
00:56:52,680 --> 00:56:53,320
Speaker 1: The last.

1255
00:56:56,120 --> 00:56:58,120
Speaker 11: Freddie, you don't want to be that meme for the

1256
00:56:58,200 --> 00:57:00,279
Speaker 11: rest of your life if you just go on go

1257
00:57:00,320 --> 00:57:01,840
Speaker 11: into town on your snows.

1258
00:57:01,560 --> 00:57:02,600
Speaker 1: Or eating your own ear wax.

1259
00:57:03,320 --> 00:57:05,160
Speaker 6: We live in a strange world, and just when I

1260
00:57:05,200 --> 00:57:07,680
Speaker 6: thought I'd seen it all, along comes this a lady

1261
00:57:07,960 --> 00:57:09,360
Speaker 6: that sells her sneezes.

1262
00:57:09,520 --> 00:57:13,080
Speaker 1: So she now sells sneezes for one hundred and eighty

1263
00:57:13,160 --> 00:57:15,600
Speaker 1: one dollars. Costs a little bit more if you want

1264
00:57:15,640 --> 00:57:18,919
Speaker 1: to customize them. So I wonder if people pay four

1265
00:57:19,400 --> 00:57:22,800
Speaker 1: flatulence fetish videos. I'm sitting on a gold mine.

1266
00:57:23,200 --> 00:57:25,600
Speaker 6: You've got your own a darning Yeah, I don't know

1267
00:57:25,600 --> 00:57:28,120
Speaker 6: if I can afford that. This has been Jimbo's youbijaba,

1268
00:57:32,440 --> 00:57:32,880
Speaker 6: I've a.

1269
00:57:32,920 --> 00:57:35,360
Speaker 1: Caller, email or Facebook friend. When it's five hundred dollars

1270
00:57:35,400 --> 00:57:37,520
Speaker 1: to send to spend at cosst dot com DoD a,

1271
00:57:37,640 --> 00:57:40,240
Speaker 1: you the only luxury designer outlets selling with up to

1272
00:57:40,320 --> 00:57:42,840
Speaker 1: seventy five percent off. Head to cosst dot com dodau.

1273
00:57:42,880 --> 00:57:44,439
Speaker 2: You also going to jen Zy Demount of Tea Toowl.

1274
00:57:44,480 --> 00:57:45,080
Speaker 2: That's pretty good.

1275
00:57:45,360 --> 00:57:45,440
Speaker 11: Now.

1276
00:57:45,480 --> 00:57:47,840
Speaker 1: I've been reading about a new documentary featuring a pair

1277
00:57:47,880 --> 00:57:50,920
Speaker 1: of lesbian pugs and a gay greyhound, highlighting that animals

1278
00:57:51,040 --> 00:57:54,880
Speaker 1: actually can have same sex preferences. The tribal drum was

1279
00:57:54,920 --> 00:57:58,600
Speaker 1: beating for my pet's love life. He ems Lucksmiths love

1280
00:57:59,040 --> 00:58:00,960
Speaker 1: No Linda from Glenmore.

1281
00:58:01,080 --> 00:58:04,520
Speaker 5: We used to have a cavalier male called Wilson. Not

1282
00:58:04,640 --> 00:58:06,880
Speaker 5: long after we bought him, my father bought a female

1283
00:58:06,920 --> 00:58:08,560
Speaker 5: calve in the hope that we would be able to

1284
00:58:08,640 --> 00:58:11,440
Speaker 5: make him. Wilson wanted nothing to do with the female,

1285
00:58:11,800 --> 00:58:14,520
Speaker 5: but you could guarantee that whenever we let our female

1286
00:58:14,600 --> 00:58:17,440
Speaker 5: chickens out, Wilson would grab a hold of one, lay

1287
00:58:17,520 --> 00:58:20,920
Speaker 5: down on the side and just hump away, have a chicken.

1288
00:58:21,080 --> 00:58:22,960
Speaker 5: It was ever so gentle and loving.

1289
00:58:23,840 --> 00:58:26,439
Speaker 2: Wilson felt like chickens tonight. Chickens tonight.

1290
00:58:26,600 --> 00:58:29,080
Speaker 1: If he's Abreasta or a thigh man, that would foghorn

1291
00:58:29,200 --> 00:58:37,280
Speaker 1: lead get along, little friday et. That's enough. Mike Hamond

1292
00:58:37,320 --> 00:58:40,280
Speaker 1: will have a ten million dollar song for you straight

1293
00:58:40,360 --> 00:58:42,880
Speaker 1: after nine am. I can confirm his first song. We'll

1294
00:58:42,920 --> 00:58:43,600
Speaker 1: be a winning song.

1295
00:58:43,760 --> 00:58:45,120
Speaker 2: Well, you've just given that away, haven't you.

1296
00:58:45,200 --> 00:58:47,400
Speaker 1: We'll have a great long weekend. Be safe, Be safe,

1297
00:58:47,440 --> 00:58:50,120
Speaker 1: Come on double demerits and I see you're back here

1298
00:58:50,160 --> 00:58:51,920
Speaker 1: in an orderly fashion on Tuesday.

1299
00:58:52,000 --> 00:58:54,400
Speaker 2: Good day to you. Well, thank god, that's over.

1300
00:58:54,560 --> 00:58:57,000
Speaker 7: Good bite, good bite.

1301
00:58:59,160 --> 00:59:02,480
Speaker 6: From your cast of today's show is available for download

1302
00:59:02,560 --> 00:59:04,800
Speaker 6: from w s f M dot com dot a U.

1303
00:59:05,440 --> 00:59:11,720
Speaker 2: All the cool kids are doing it thin thing. Good

1304
00:59:11,880 --> 00:59:16,000
Speaker 2: Bye one O one point seven w s f M