1 00:00:00,400 --> 00:00:03,840 Speaker 1: Job Mission with Jonesy and Amanda Well Next. 2 00:00:03,680 --> 00:00:09,640 Speaker 2: Cause has a rather unconventional career. He helps recently deceased 3 00:00:09,680 --> 00:00:14,400 Speaker 2: clients by crashing their funerals and sharing their uncensored last 4 00:00:14,440 --> 00:00:18,760 Speaker 2: words and secrets. He's known as the Coffin Confessor. He's 5 00:00:18,800 --> 00:00:21,880 Speaker 2: written a book about his extraordinary life. Bill Edgar, Hello, 6 00:00:22,640 --> 00:00:24,640 Speaker 2: good morning, and thank you for having me. It's good 7 00:00:24,640 --> 00:00:26,360 Speaker 2: to have you on Bill, Bill, how does a job 8 00:00:26,480 --> 00:00:28,720 Speaker 2: like this come about? How do you become known as 9 00:00:28,760 --> 00:00:31,280 Speaker 2: the guy that people talk to us they're about to die. 10 00:00:32,560 --> 00:00:34,640 Speaker 3: Look, I really started as a joke. I was just 11 00:00:34,680 --> 00:00:37,760 Speaker 3: telling you talking to a dying man about death, the 12 00:00:37,840 --> 00:00:39,839 Speaker 3: after life and that. And then I suggested that I 13 00:00:39,920 --> 00:00:42,519 Speaker 3: crash his funeral for him, and he took me up 14 00:00:42,560 --> 00:00:44,920 Speaker 3: on the offer. And since then it just went nuts. 15 00:00:45,640 --> 00:00:46,839 Speaker 1: And what did he want you to do? 16 00:00:46,920 --> 00:00:50,519 Speaker 3: Bill? I had to add his best mate while his 17 00:00:50,600 --> 00:00:53,080 Speaker 3: best mate was performing the eulogy and tell the audience 18 00:00:53,120 --> 00:00:55,040 Speaker 3: that his best mate has been trying to add sex 19 00:00:55,080 --> 00:00:57,120 Speaker 3: with his wife while he's been laying on his death bed. 20 00:00:58,880 --> 00:00:59,280 Speaker 2: Wow. 21 00:01:00,360 --> 00:01:03,480 Speaker 3: There was also three members of the audience that my 22 00:01:03,640 --> 00:01:06,119 Speaker 3: clients said if they did attend, I was to remove 23 00:01:06,160 --> 00:01:08,120 Speaker 3: them because he hadn't seen them in thirty years, So 24 00:01:08,160 --> 00:01:10,080 Speaker 3: why take their respects when he's gotten. 25 00:01:11,160 --> 00:01:13,880 Speaker 2: What's the psychology here, Bill? Why do people want you 26 00:01:13,920 --> 00:01:17,119 Speaker 2: to reveal this after they've gone, rather than them saying 27 00:01:17,160 --> 00:01:18,440 Speaker 2: these words themselves. 28 00:01:19,680 --> 00:01:21,920 Speaker 3: Well, a lot of time my clients are knocking on 29 00:01:22,000 --> 00:01:25,679 Speaker 3: death's door. They're two weaks fail they even't got the 30 00:01:25,680 --> 00:01:29,440 Speaker 3: emotional strength. And plus those people that they want this 31 00:01:29,560 --> 00:01:32,200 Speaker 3: said to, they're not coming around. They're not saying goodbye 32 00:01:32,240 --> 00:01:34,760 Speaker 3: to them. They're just digving up their assets before they're 33 00:01:34,760 --> 00:01:37,240 Speaker 3: even gone, half of them. So they're turning to boxes 34 00:01:37,319 --> 00:01:39,520 Speaker 3: and it's the family around them. 35 00:01:39,560 --> 00:01:41,960 Speaker 2: So what are some of the scenarios that you've dealt with? 36 00:01:42,000 --> 00:01:43,720 Speaker 2: What are some of the things people have wanted you 37 00:01:43,760 --> 00:01:46,480 Speaker 2: to say after they've gone all? 38 00:01:46,560 --> 00:01:50,680 Speaker 3: Look the things like extra marital affairs. There's small amounts 39 00:01:50,720 --> 00:01:54,080 Speaker 3: of crime, nothing big, but there's just little confessions that 40 00:01:54,120 --> 00:01:57,000 Speaker 3: people who want to confess. And there's also love for 41 00:01:57,200 --> 00:02:00,360 Speaker 3: another person or you know, the love for their family 42 00:02:00,400 --> 00:02:03,600 Speaker 3: and friends. So a lot of people they accept the desk. 43 00:02:04,040 --> 00:02:08,160 Speaker 3: What they current accept is leaving behind everybody. You're separating themselves. 44 00:02:08,200 --> 00:02:09,720 Speaker 3: But that's the hardest part about this. 45 00:02:11,000 --> 00:02:14,480 Speaker 1: So at what point do you interject? Is it during 46 00:02:14,480 --> 00:02:17,320 Speaker 1: the eulogy? Before the eulogy, when do you pop up? 47 00:02:18,160 --> 00:02:20,880 Speaker 3: Yeah? So I attend the funeral as one of the mourners. 48 00:02:20,880 --> 00:02:22,960 Speaker 3: So I sit with family and friends and a specific 49 00:02:23,040 --> 00:02:26,200 Speaker 3: time set by my client. They stand up, interrupt the 50 00:02:26,240 --> 00:02:30,919 Speaker 3: service and open a letter. Read the letter and yeah, 51 00:02:30,919 --> 00:02:32,440 Speaker 3: and that's how it will. 52 00:02:32,480 --> 00:02:35,040 Speaker 2: And what's the fall out? I mean, the ultimate mic drop, 53 00:02:35,080 --> 00:02:37,400 Speaker 2: isn't it? But then how do people respond to that? 54 00:02:37,440 --> 00:02:38,639 Speaker 2: What happens next? 55 00:02:39,280 --> 00:02:41,520 Speaker 3: Yeah? So at first it's very confronting for a lot 56 00:02:41,520 --> 00:02:43,880 Speaker 3: of people. They'll sit there, they'll gass a couple of people. 57 00:02:43,960 --> 00:02:47,160 Speaker 3: May they sit down or shut up? However, I'll continue 58 00:02:47,200 --> 00:02:50,040 Speaker 3: because I'm there to do a job on behalf of 59 00:02:49,040 --> 00:02:52,760 Speaker 3: the person in the coffin. So their funeral they get 60 00:02:52,800 --> 00:02:55,280 Speaker 3: together the way they want. But once you get the 61 00:02:55,320 --> 00:02:57,359 Speaker 3: crowd on your side, I've got to say. They want 62 00:02:57,360 --> 00:02:59,720 Speaker 3: to hear what their loved one left unsaid, And a 63 00:02:59,760 --> 00:03:03,079 Speaker 3: lot of the times, in most cases they're all like, oh, yes, 64 00:03:03,200 --> 00:03:06,440 Speaker 3: that's the way it should be. For instance, one gentlemen, 65 00:03:06,639 --> 00:03:08,720 Speaker 3: he didn't want a religious sing or. He said, no, 66 00:03:09,160 --> 00:03:11,000 Speaker 3: I do not want a religious n or. If there 67 00:03:11,080 --> 00:03:14,760 Speaker 3: is an religious serial bill, please interject, and the interjection 68 00:03:14,960 --> 00:03:17,560 Speaker 3: was when the pre said let us pray, Can I 69 00:03:17,639 --> 00:03:21,000 Speaker 3: say there'll be no praying today? Who? 70 00:03:21,440 --> 00:03:23,119 Speaker 2: And is there a bit of a shoot the messenger 71 00:03:23,200 --> 00:03:25,200 Speaker 2: thing where you cop the abuse. 72 00:03:26,840 --> 00:03:30,440 Speaker 3: Uh No, at the start, I thought that would happen, 73 00:03:30,480 --> 00:03:34,040 Speaker 3: but no, it's become a thing where people really want 74 00:03:34,080 --> 00:03:37,400 Speaker 3: to hear what's left behind and left unsaid. So and 75 00:03:37,480 --> 00:03:39,320 Speaker 3: at the end of it, once I read and do 76 00:03:39,400 --> 00:03:41,840 Speaker 3: what I've done, I leave the envelope on the coffin 77 00:03:42,000 --> 00:03:44,480 Speaker 3: and I walk out. So whatever happened after Mark, I 78 00:03:44,520 --> 00:03:45,240 Speaker 3: have no idea. 79 00:03:46,200 --> 00:03:48,400 Speaker 2: Wow, that's amazing, fascinating. 80 00:03:49,400 --> 00:03:51,160 Speaker 1: Yeah, because when you're at a funeral, you just don't 81 00:03:51,160 --> 00:03:54,040 Speaker 1: expect that. And if someone stood up and you say 82 00:03:54,160 --> 00:03:56,720 Speaker 1: I've got something to say on behalf of the deceased, 83 00:03:57,200 --> 00:03:58,200 Speaker 1: that's excreting exactly. 84 00:03:58,240 --> 00:04:00,280 Speaker 3: And then it leads on to other things. Now, so 85 00:04:00,440 --> 00:04:02,360 Speaker 3: now I'm going to viewies and I'm taking it and 86 00:04:02,480 --> 00:04:04,520 Speaker 3: being coffins or I'm pin pricking in the body to 87 00:04:04,560 --> 00:04:08,120 Speaker 3: make sure there's no motion. Because people are absolutely terrified 88 00:04:08,120 --> 00:04:10,120 Speaker 3: about being buried or cremated alive. 89 00:04:11,240 --> 00:04:14,360 Speaker 1: Right, You've been hired by the deceased to go up 90 00:04:14,360 --> 00:04:17,520 Speaker 1: and poke them while they're in front of their family. 91 00:04:18,760 --> 00:04:20,640 Speaker 3: Well, it's not in front of their family. I do 92 00:04:20,720 --> 00:04:24,359 Speaker 3: it privately and confidentially. You know, for sure there's something 93 00:04:24,440 --> 00:04:26,480 Speaker 3: my clients who range for me to do this, but 94 00:04:26,640 --> 00:04:29,440 Speaker 3: they basically say yes, stick a pin in this. 95 00:04:30,160 --> 00:04:32,279 Speaker 2: What have you learnt, Bill from hanging out with people 96 00:04:32,279 --> 00:04:34,120 Speaker 2: at the very end of their lives? Are there any 97 00:04:34,120 --> 00:04:36,719 Speaker 2: Are there any commonalities that everyone has? 98 00:04:38,960 --> 00:04:43,120 Speaker 3: Yeah, they accepted, they accept it that there's the fear 99 00:04:43,160 --> 00:04:45,520 Speaker 3: of leaving families. But what I've learned about the families 100 00:04:45,520 --> 00:04:47,560 Speaker 3: and those left behind is I'd rather be with their 101 00:04:47,600 --> 00:04:48,320 Speaker 3: animals than they. 102 00:04:51,600 --> 00:04:53,719 Speaker 1: Well, Bill, I'd love to talk to you all day. 103 00:04:54,400 --> 00:04:56,720 Speaker 1: I can see this becoming a feature film, surely. 104 00:04:58,560 --> 00:05:01,520 Speaker 3: Yes, I have been approached and I have Yeah, I 105 00:05:01,760 --> 00:05:05,760 Speaker 3: signed a contract with Plenty himself. So rather at this stage, 106 00:05:05,760 --> 00:05:09,480 Speaker 3: it's all about the book. Now, I'm really well with 107 00:05:09,560 --> 00:05:12,279 Speaker 3: the book of really loving that side of it at 108 00:05:12,320 --> 00:05:12,719 Speaker 3: the moment. 109 00:05:13,200 --> 00:05:15,880 Speaker 1: Well, Bill, you can buy The Coffin Confessor in all 110 00:05:15,960 --> 00:05:17,159 Speaker 1: good bookstores today. 111 00:05:17,360 --> 00:05:20,720 Speaker 2: Fascinating Bill. Thank you, thank you, Bill, Oh, thank you. 112 00:05:20,640 --> 00:05:22,839 Speaker 3: So much for having me. And don't forget if you guys, 113 00:05:22,880 --> 00:05:25,599 Speaker 3: if anything ever happens on the way home, what's left 114 00:05:25,600 --> 00:05:27,919 Speaker 3: at home? You don't want somebody to find Did you 115 00:05:28,000 --> 00:05:29,200 Speaker 3: call and I'll go get rid of it. 116 00:05:29,440 --> 00:05:32,039 Speaker 1: Oh yeah, I've got my copies of Big and Bouncy. 117 00:05:32,760 --> 00:05:34,320 Speaker 2: Who knew you're into jumping castles? 118 00:05:35,440 --> 00:05:36,120 Speaker 1: Thank you, Bill? 119 00:05:36,960 --> 00:05:42,240 Speaker 3: All right, guys, thank you. Jonesy and Amanda's