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Speaker 1: Christ Yeah, welcome friends to the Christian O'Connell Show podcast.

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Speaker 2: Maybe you should have some good jokes for change, Shane.

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Speaker 3: I spent a childhood in a girl's ninety see s weeks.

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Speaker 4: Old, but look at the definition on his gun.

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Speaker 1: Sir Christian O'Connell show, Gold one four point three.

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Speaker 4: Good morning, Christian O'Connell Show, Wednesday morning, Welcome to the show.

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Speaker 4: Good morning, Patsy, Good morning, Good morning Jack.

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Speaker 3: Good morning guys. I've got I want to take the

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Speaker 3: temperature in the room straight away on something that happened

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Speaker 3: to me yesterday. Would you or would you not eat

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Speaker 3: chocolate off the ground if it was still in its

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Speaker 3: wrap up, perfectly wrapped?

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Speaker 5: What ground?

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Speaker 6: Though?

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Speaker 3: Pay for me to me what ground?

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Speaker 4: How is that determined? The back?

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Speaker 3: Fair enough?

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Speaker 2: It was a muddy bog no, but like if it

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Speaker 2: was your kitchen floor.

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Speaker 5: But are you talking? Like in the public way.

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Speaker 3: Home from the supermarket, banker and I came across two

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Speaker 3: fun sized cherry ripes still in their wrapper. One was

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Speaker 3: on the page, one was in the gutter.

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Speaker 4: This was like a hidden camera thing. What a test

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Speaker 4: for anybody?

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Speaker 3: Well, we only passed because if Biancher wouldn't let me

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Speaker 3: pick them up. I said, they're in the wrapper. They

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Speaker 3: were perfectly preserved. She said, what if someone put a

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Speaker 3: pin size hole.

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Speaker 4: In it would say someone's poising that.

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Speaker 3: Why would somebody brother put it in a pin size hole?

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Speaker 4: Once a year there's someone going on the supermarkets when

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Speaker 4: I put something in the strawberries or something. A lot

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Speaker 4: of widows out there.

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Speaker 3: So I said, all right, let me just have the

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Speaker 3: pavement one. I won't eat the one in the gutter

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Speaker 3: that I agree that looks bad to get out of

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Speaker 3: the gutter. But the one on the footpath we can.

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Speaker 3: Anyone's business. It's a it's a banquet, just waiting to

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Speaker 3: be enjoyed. A couple of things I need to know, right,

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Speaker 3: What was the chocolate bar again? Cherry Ripe, my favorite

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Speaker 3: chocolate bar of all time.

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Speaker 4: See, that's what makes this hard to resist. If it

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Speaker 4: was it was a violet crumble for me on the floor,

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Speaker 4: I'm like a dog. Someone's going to pull me off

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Speaker 4: by my collar, even if there's vomit around it. I'm going.

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Speaker 4: And then the other thing that I can't control. If

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Speaker 4: it says fun size, I've got no inPulse control. Well

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Speaker 4: it's it's fun size. I love fun. I love fun,

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Speaker 4: fun size. That's what this breakfast show is. Fun sizes,

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Speaker 4: not lots of fun, but fun size.

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Speaker 2: Way Jack could have been contaminated or anything. I think

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Speaker 2: the anchor was on there, it.

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Speaker 4: Would be a we can never pick how we're going

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Speaker 4: to die, but it would be my pleasure to die eating.

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Speaker 3: And if I had to go like that.

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Speaker 4: One, my funeral energy would say he died doing what enough?

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Speaker 4: He loved those violet crumbles. He was in a coffin

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Speaker 4: that it is that replica of crumble. I'd say it's.

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Speaker 7: The Christian O'Connell show podcast.

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Speaker 4: Just in about your dynamma about whether or not to

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Speaker 4: pick up a chocolate bar, fun size one on the

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Speaker 4: on the pavement one the gutter in their rappers.

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Speaker 3: I've got to say, they're in their rappers so they

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Speaker 3: are protected.

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Speaker 4: I can hear them voice and the same situation and going.

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Speaker 4: They got in injections these days, we're sixty foot syringches.

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Speaker 4: They inject them from cars. They get mooks like you

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Speaker 4: what you're calling an easy mark. However, it is determined

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Speaker 4: by what the type of chocolate bar is like. So

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Speaker 4: I was thinking, right, do you regularly get chocolate bars

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Speaker 4: I'm every weekend, every single weekend, I will get a

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Speaker 4: chocolate bar. I think I've been doing that since about

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Speaker 4: the age of sixteen or seventeen. I see, it's my

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Speaker 4: treat for the working week.

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Speaker 3: I find it really hard to walk through that chocolate

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Speaker 3: and chip aisle without snatching up a little chocolate bar

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Speaker 3: for Jackie on the way through.

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Speaker 4: Yeah, that's it. I see. It's a gift to the

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Speaker 4: person doing the shopping right right, And it's the only

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Speaker 4: time I would gladly go and do the supermarket shopping.

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Speaker 4: When it's the weekend, I'll go. I'll go first of

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Speaker 4: my wife says, have you eaten? Because if I haven't eaten,

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Speaker 4: I get way too much food right to tele to show. Yeah,

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Speaker 4: and I always start with the chocolate aisle, then do

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Speaker 4: the rubbish like the st of greenery and the healthy stuff.

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Speaker 4: Oh that's interesting for a forty eight year old man

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Speaker 4: to start in the chocolate.

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Speaker 3: Don't get tempted though, by the chocolate bar that's in your.

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Speaker 4: Because once it goes in there, I feel like I've

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Speaker 4: already given myself the gift. I know it's there. I

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Speaker 4: can't relax otherwise because what happens if I do all

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Speaker 4: the other stuff that takes off an hour. Go in

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Speaker 4: the chocolate aisle and the one I wanted the gift

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Speaker 4: is gone.

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Speaker 3: And you see that somebody else, I say, a.

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Speaker 4: Guy, go and check out the back at each other.

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Speaker 4: There's no more. That's it. Fresh stuff's coming on a Monday.

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Speaker 4: I can't have that happen.

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Speaker 3: All our good violet caramels got injected by the sixty syringe.

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Speaker 3: It's incredible.

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Speaker 4: This is what they do now, all right. Top three

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Speaker 4: chocolate bars.

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Speaker 3: Cherry Ripe is at the top for me. Number one,

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Speaker 3: Number two the kit Kat, Chunky, Great Chocolate Bar, Great

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Speaker 3: Chocolate Bar.

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Speaker 4: Alas you know what that is. It's suck your best mate,

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Speaker 4: It's always, it's dependable, it's never going to surprise you.

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Speaker 3: Number three is controversial. The bounty.

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Speaker 5: Oh no, that's my number one.

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Speaker 3: No, I love some people can understand the required taste

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Speaker 3: that you need for a bounty and you understand he shocking.

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Speaker 4: I actually think you can divide the world up into

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Speaker 4: those people that like a bounty part and the rest

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Speaker 4: of us, smart ones that don't care too much coconut

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Speaker 4: in the mix.

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Speaker 3: There is a lot of coconut.

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Speaker 4: Where's mister chocolate. He's just on the outside. He's just cortext.

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Speaker 3: It's a good mix. People don't like coconut.

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Speaker 2: It's like a big mushy pillow. And then there's that

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Speaker 2: beautiful chocolate after taste.

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Speaker 4: Chocolate should never be the after taste. It's the foretaste,

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Speaker 4: all right.

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Speaker 3: So Jackie, by your I'm a cherry ripe, kick Kat Bounty.

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Speaker 4: Gotcha, Patsy? What are you?

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Speaker 8: Yeah?

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Speaker 5: Bounty is number one, cherry Ripe is number two.

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Speaker 4: You talk? Yeah? What language is that? Creole? Can you

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Speaker 4: never do that character again? I don't think that's allowed.

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Speaker 4: This happened twenty decades on the radio here.

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Speaker 3: I wasn't doing.

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Speaker 4: Let's just move on, steel Jack.

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Speaker 2: Number two is cherry ripe, but not the dark chocolate

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Speaker 2: one and number two free for me again controversial Jack

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Speaker 2: Turkish delight.

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Speaker 3: I love a Turkish no no no, and I love

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Speaker 3: it in a box of favorites left from the bottom

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Speaker 3: of everybody else.

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Speaker 4: Because the rest of us could decent. People know that

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Speaker 4: that what is that muck in the middle there?

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Speaker 3: It's the Turkish.

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Speaker 4: It's all right? Mine is I'd go Whittaker's coconut bloc

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Speaker 4: expelling what when it comes to making chocolate. My key

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Speaker 4: we friends. They know what they're doing over there on

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Speaker 4: that island. That Whittaker's coconut bloc is irresistible. Mat it

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Speaker 4: number two are good for invited grumble, that's discuss solid

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Speaker 4: number three. This is a British chocolate bar. You've got

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Speaker 4: to go to the special art in certain supermarkets. In

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Speaker 4: my local always they have a little section, the British section.

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Speaker 4: Double decker never heard of it would never bother. I'll

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Speaker 4: get you one today, Okay, get you on today. Can

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Speaker 4: you just try a bite tomorrow? Where do you stand

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Speaker 4: on nougat? Ah?

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Speaker 3: Is it the same as in a mass bar? Mars

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Speaker 3: Bar would be low on the list of my favorite

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Speaker 3: chocolate bars.

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Speaker 4: Mass Once you've had a bite of a mass Bar

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Speaker 4: for the day, I see the fun size actual size one.

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Speaker 4: Who is eating? All right?

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Speaker 8: Hero?

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Speaker 4: Who aire mass Bar? And they must be doing very well.

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Speaker 4: They're making a lot of money the Mars Warld Corporation.

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Speaker 4: I've never seen anyone just walking down the street actually

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Speaker 4: plowing through a Mars Bar. I'd have to rest for

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Speaker 4: the rest of the week.

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Speaker 3: So if a double decker is anything like a mass bar, no.

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Speaker 4: No, no, no, it's not. It's got the new car

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Speaker 4: honeycomb nutty mix is perfection.

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Speaker 3: Sounds like it's Snickers.

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Speaker 4: No, that's too sickly for this correspondent and the chocolate world.

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Speaker 4: I'm going to bring in double deckers today tomorrow for

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Speaker 4: both of you guys.

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Speaker 3: The only thing I'll say is British people in the

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Speaker 3: past who have come in contact with have said that

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Speaker 3: their Cabri is superior to our cabris.

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Speaker 4: It's different. There is a one key ingredient which is different.

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Speaker 4: Which is why if you were asking me this question

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Speaker 4: in the UK, that's that's a fun scene. I would

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Speaker 4: have dairy milk through nutbar at number one. Here it's different.

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Speaker 4: I go to my good friends in New Zealand, the

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Speaker 4: Witcher's Corporation, happy to be a happy to be a

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Speaker 4: spokesperson for free if I get a lifetime supplant.

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Speaker 3: That British persons, they wait, do you have this Cabri

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Speaker 3: from the UK? And I had it and it was

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Speaker 3: it was like, all right, yeah, that's normal Cabri.

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Speaker 4: To me, this feels like a story someone tells you

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Speaker 4: at midnight at the bar. What has this got to

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Speaker 4: do with anything? I met this British person once. You

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Speaker 4: don't know them and his anyway. It started with that

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Speaker 4: strange character did earlier? Is he coming on every week?

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Speaker 4: Rank your top three chocolates? Do not pick up the

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Speaker 4: phone if you like a Bounty bark.

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Speaker 7: Christian Connell Show podcast.

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Speaker 4: Rang them top three your favorite chop three chocolate bars

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Speaker 4: Jackie Boy yours once more.

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Speaker 3: Cherry Ripe at number one, the kid Kat Chunky at

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Speaker 3: number two, and the Bounty at number three.

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Speaker 2: Patrina, Yes, Bounty number one, two, Cherry Ripe three, the

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Speaker 2: Turkish to like.

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Speaker 4: I know it didn't take us long to come up

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Speaker 4: with our top threes, did it? You just know what

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Speaker 4: they are? Wit tookers coconut block for me, vite it

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Speaker 4: crumble and then the double decker. Uh? Who you go here?

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Speaker 4: Mic Is textans s good morning guys, Turkish to light

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Speaker 4: but frozen.

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Speaker 5: Oh I have to try that.

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Speaker 4: I don't know what I just said about Sir Mike's recommendation.

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Speaker 4: Let's go to Nick here.

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Speaker 9: Come on in, Nick, good morning, Christian, how are you?

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Speaker 4: I'm good mate, I'm curious to hear your top three

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Speaker 4: chocolate bars. Off you go.

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Speaker 10: Top is Chequo, second is Cherry Ripe, and third.

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Speaker 4: Is Bounty interesting. What is a tiquito chikuto is.

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Speaker 10: It's almost hard to describe, but it's a bit of

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Speaker 10: a chocolate bar that's got sort of cocoa pop sensation

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Speaker 10: on the outside coded in choplers. The internal is soft

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Speaker 10: and creamy biscuity style center.

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Speaker 11: It's it's amazing.

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Speaker 9: You've got to try it.

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Speaker 8: I reckon.

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Speaker 10: I'll could eat ten at a time if I had

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Speaker 10: the opportunity.

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Speaker 4: I have to say for that on the spot description.

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Speaker 4: You sold that to me. I will be trying that

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Speaker 4: the next couple of days. That sounds great.

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Speaker 10: Ah, it's fantastic.

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Speaker 12: I'm telling you.

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Speaker 10: Everyone needs to give it a guy and they'll change

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Speaker 10: in mind and what their top chocolate is.

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Speaker 3: Guarantee it, Nick, I can hardly picture it. Do you

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Speaker 3: have to go to a specialty stored by it? Or

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Speaker 3: is it in the normal chocolate aisle?

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Speaker 10: No, No, they're currently they're in the normal chocolate I reckon.

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Speaker 11: They disappeared for a couple of years.

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Speaker 10: They weren't very popular and I was very disappointed. But

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Speaker 10: now they're back in action.

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Speaker 4: They've opened up the warehouse factory doors once more Chiquito's

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Speaker 4: will come out.

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Speaker 9: I got to go, Nick, Thanks mate, what kind.

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Speaker 4: Of specialist store do you think you go to to

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Speaker 4: get under the counter chocolate? Some guy going in waiting

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Speaker 4: till these stores empty.

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Speaker 3: These are meant to be off the shells. They took

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Speaker 3: them off.

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Speaker 7: The shell.

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Speaker 4: Fell off the back of a Lorry Jonah. Yes, Chris,

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Speaker 4: I'm good. Top three chocolate bars.

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Speaker 12: Number three will go the Curly were we yes?

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Speaker 4: Great?

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Speaker 12: One, Number two the Snickers mm hmm, and number one

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Speaker 12: the coil.

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Speaker 3: You've let yourself down with the twelve A towel is

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Speaker 3: just chocolate. They've not added anything into that.

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Speaker 4: Sometimes that's a good thing.

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Speaker 12: But the toil, it's got it's like a flake, its

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Speaker 12: case in that chocolate.

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Speaker 4: It's the casing, isn't it the casing.

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Speaker 8: Yes, it's not.

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Speaker 12: It's not a it's not flaky like the flake.

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Speaker 8: It's clean.

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Speaker 4: It's the chocolate cousin of the croissant. You're gonna have

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Speaker 4: that alone, alone, somewhere right and be naked because whatever

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Speaker 4: you're wearing will get contaminated with that, either the flake

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Speaker 4: or the You need to lean over your eat it

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Speaker 4: over a bin.

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Speaker 3: A toil is a friendly a flake, but both of

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Speaker 3: them are just chocolate. At the end of the day.

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Speaker 3: In a different variation.

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Speaker 4: Do you know what? Do you know what? We need

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Speaker 4: to revisit the twelve? We need to give older chikito?

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Speaker 4: Is it? I go tomorrow morning? We need to try these. Okay, Jonah,

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Speaker 4: thank you very much. Sure, have a good day.

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Speaker 12: Thank you, Christian Kelly.

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Speaker 4: Hello, Hi gang, morning Kelly. Welcome to the show. So

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Speaker 4: chocolate bars Top three.

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Speaker 13: Okay, First of all, I have to say the Turkish

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Speaker 13: Delight is the worst, Patsy.

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Speaker 3: I'm sorry, but that's worse.

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Speaker 4: It would have feeled that my fellow Turkish Delight haters

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Speaker 4: have woken up.

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Speaker 13: Yes, worst whatever, Okay, Top top three.

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Speaker 4: Number one the crunchy get in any honey because yeah.

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Speaker 14: The honeycomb kits.

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Speaker 9: Some parts of it can melt in your mouth and

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Speaker 9: the other parts can be hard.

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Speaker 14: It's just amazing.

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Speaker 4: Do you know what I love to do with the

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Speaker 4: honey honeycomb is when you snap it in half, right,

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Speaker 4: you just put your tongue on that exposed bit. There's

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Speaker 4: a honeycomb just says on this.

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Speaker 13: I agree, Christian, definitely a.

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Speaker 3: Con't believe two people have done that. But all right, Kelly,

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Speaker 3: if you say you've done it as well.

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Speaker 4: My shopping this I'm bringing you in a crunchy bar.

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Speaker 4: Just put your tongue at batteries when you were kids.

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Speaker 4: Just lick the endpoon. Sorry, Kelly, where were we Crunchy

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Speaker 4: number one?

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Speaker 15: Yes, number one?

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Speaker 13: Number two?

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Speaker 16: Christian, this is a UK chocolate a topic bar, Yes,

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Speaker 16: Nouga is back.

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Speaker 14: Yes, and hazel nuts yeah, just amazing.

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Speaker 4: I don't forget if we got the third one. They're

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Speaker 4: coming to the party, mister caramel, come on board.

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Speaker 14: Yes. And number three Terry's dark Chocolate Orange Oh winner, one.

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Speaker 4: Of the greatest Easter eggs you can have?

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Speaker 8: Yeah?

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Speaker 4: Yes, all those slices, the slivers, Yes, where do you

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Speaker 4: get one of those from? By the way, you.

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Speaker 14: Order the topic bars and the orange choco that.

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Speaker 4: Jack ghost to. No, you have to order them.

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Speaker 16: Online at a place called Joy's Online.

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Speaker 3: Too hard. The entry level is too hard.

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Speaker 4: For chocolate amateurs, but us proper lovers. It's not too hard.

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Speaker 4: I will be going to Joys Online, correct, got it,

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Speaker 4: I'm on it. Okay, Kelly, thank you very much.

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Speaker 17: Have a great day, guys.

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Speaker 4: Thank you very much for the chocolate consensus this morning. Everyone.

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Speaker 7: Christian Connell's show podcast.

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Speaker 4: Just seeing Adrian's email about her husband here in his

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Speaker 4: lunch box every day for work has the Choquito chocolate bar.

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Speaker 4: Maybe you should get me recalling this morning what is

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Speaker 4: in your lunch box? We will rate and review your

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Speaker 4: lunch boxes. You went through a period of having a

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Speaker 4: lunch box. Was it made by your wife?

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Speaker 3: Yeah, that's right with what happened to that in there?

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Speaker 4: And raisins, I just got the energy box. We need it.

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Speaker 3: I just got sick of eating you know, apples and cashews.

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Speaker 3: They just wasn't wasn't very exciting to eat it every morning,

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Speaker 3: So I said, let's put a rest of that pattera.

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Speaker 4: You are overseeing Chris's lunchbox now for what see?

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Speaker 5: I am?

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Speaker 2: Oh wow, I've got mine here today too. I've got

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Speaker 2: some watermelon grapes and some figgi sticks and some homus

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Speaker 2: picnic in.

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Speaker 4: What's in Chris is now? That is on his health kick?

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Speaker 2: Pretty much the same very little bread he only has

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Speaker 2: like a pewter rap is his bread content and nothing sweet.

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Speaker 4: There's been like a really so I guess there has

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Speaker 4: to be has been some sort of interventions.

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Speaker 5: Intervention?

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Speaker 4: Are you monitoring everything he eats and does?

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Speaker 3: Pretty much Chris wouldn't even be allowed to call up

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Speaker 3: for the last segment about right your top three chocolate bars.

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Speaker 4: She heard him on this trouble. All right, give us

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Speaker 4: a call. What is in your lunchbox this morning? For what?

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Speaker 1: This is the Christian O'Connell show podcast.

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Speaker 4: What's in your lunch Box? Graham? Good morning morning. I'm

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Speaker 4: good Graham. What have you got in your lunchbox today?

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Speaker 11: Okay, we'll start the chili can't come?

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Speaker 4: Oh wow, nice shepherds.

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Speaker 11: Fire, got a bit of fum, the couple of ca

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Speaker 11: that's that's that's that's an area.

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Speaker 4: Tell what it's a big old aqui, isn't it? Cans

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Speaker 4: and Petsy Max. You got two meals obviously left over there,

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Speaker 4: the chili con can and the shepherd's pie. Living like

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Speaker 4: a king?

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Speaker 6: Yeah, yeah, I have to.

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Speaker 8: I'm on the right.

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Speaker 4: And what are you doing? What you're eating? Mainly most

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Speaker 4: of the time, n I worked for the lunch box.

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Speaker 11: That's that's in the fridge.

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Speaker 4: Gotcha, all right? With sh it's in the fridge.

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Speaker 11: Then I have all my dry stuff as well, right.

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Speaker 4: Gotcha dry stuff? What do you mean dry stuff?

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Speaker 9: Stuff?

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Speaker 8: You don't work the fridge?

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Speaker 4: Right? Okay, was going around the fridge. This guy of

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Speaker 4: his car while he's on the road is a fridge

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Speaker 4: and he's got meats hanging up. Now I'm in the truck,

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Speaker 4: all right, it's in the truck, all right, Graham, Well

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Speaker 4: let you go. Thanks a lot, not going on grime

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Speaker 4: too much in the lunch bot was too much in

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Speaker 4: his life. There needs to be a merry condo of

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Speaker 4: the lunchbox. Say goodbye to the chili con kann mindfully

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Speaker 4: h we got here, Nikki. Good morning, Good morning Nikki.

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Speaker 4: By the way, can I just ask you a quick

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Speaker 4: question about customer service? Oh maybe producer I heard him, Yeah,

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Speaker 4: Producer Ria was his chat to you while you're in

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Speaker 4: the hold and he said, hey, Nikki, you're up second

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Speaker 4: in the queue after Graham. Do you pay attention that?

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Speaker 4: Were you waiting to speak after Graham? There?

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Speaker 7: Oh?

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Speaker 4: Had you forgotten? No?

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Speaker 5: I always waiting.

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Speaker 4: Good to know that, Well done? Real carry on, all right, Nikki.

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Speaker 4: What's in a lunch box?

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Speaker 14: A mixture of bone broth and some leftover soup and

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Speaker 14: maybe some bread that was in the back of the freezer.

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Speaker 4: I'll be honest here this sounds revolting.

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Speaker 3: To liquid meals bone broth and soup.

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Speaker 4: The liquid is not a meal. This is what they

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Speaker 4: pump into you are you're unconscious in a hospital.

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Speaker 14: It's nice and warning on a cold day.

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Speaker 4: It's not something to look for to like John, you

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Speaker 4: know your lunch is always I think something to look to.

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Speaker 4: Extra serving of hot liquid. I can spin all down

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Speaker 4: my chin and then just use It's like a napkin.

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Speaker 4: The bread they're just to mop it up, Isn't.

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Speaker 9: It exactly all right?

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Speaker 4: Nicky? Thank you very much?

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Speaker 12: Bye, I wondered.

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Speaker 4: Rob knows that he's after Nikki? Who is after Graham?

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Speaker 4: So long going on this morning with Robbie boy? Rob?

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Speaker 6: Good morning, Mining guys. Are you young?

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Speaker 4: We're good Rob? What have you gone to the lunch box?

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Speaker 8: Well?

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Speaker 18: Look, traveling pretty light for morning tea. That's going to

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Speaker 18: be just a hot chocolates and blueberries. But it gets

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Speaker 18: pretty serious after that lunchtime. He's going to be my

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Speaker 18: own home smoked and cured maple bacon that's infused with

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Speaker 18: cracking spiced rump.

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00:18:39,000 --> 00:18:41,760
Speaker 4: Oh my god, please can you spare a couple of

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Speaker 4: rashes for me? That sounds amazing.

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Speaker 18: It's in hot demand, mate, yeah, bed, it's pretty popular.

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Speaker 4: And how long does that take to smoke and cure.

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Speaker 18: Well, yeah, it's a big lead up. So it starts

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Speaker 18: from you know, your own pork belly and then you

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Speaker 18: then you trim that and cue in the in the

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Speaker 18: sugars and the salts being the maple syrup and some

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Speaker 18: flamed off spiced ram that's in there, and then that

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Speaker 18: cures for ten days and you kind of turn it

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Speaker 18: every day.

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Speaker 4: I'm getting starved and this sounds beautiful.

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Speaker 18: Yeah, go all my stuff, and then I'll be wrapping

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Speaker 18: it up in the afternoon with some of my own

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Speaker 18: venison cabana with a bit of cheese.

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Speaker 4: You're the meat man's meat.

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Speaker 3: Is this to go on a sandwich or something?

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Speaker 17: Rob?

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Speaker 3: Or are you just eating the bacon straight?

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Speaker 12: Nah?

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Speaker 18: I'll tie him with some veggies, yeah, and an egg.

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Speaker 18: But yeah, I'm a bit off the bread, you know.

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Speaker 18: I've got to offset the spot bram. So I'm trying

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Speaker 18: to be healthy after can.

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Speaker 4: I just got this image of you in your lunch bread,

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Speaker 4: just dangling that cured meat like a crazy king in

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Speaker 4: your mouth. Please, if there's any rashes left over, please

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Speaker 4: send them to us.

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Speaker 7: Rob.

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Speaker 4: Thank you very much. You cool have a good day.

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Speaker 6: Enjoyed the meats?

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Speaker 7: Rub the meat man you're listening to the question you

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Speaker 7: know Carl Show.

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Speaker 4: Podcast today for the second time the last two weeks,

447
00:19:59,680 --> 00:20:01,840
Speaker 4: and say, can week of the Gold Ofthon? It takes

448
00:20:01,840 --> 00:20:05,919
Speaker 4: a breather. It takes a breather. Robert Ian Esn's to

449
00:20:06,680 --> 00:20:09,080
Speaker 4: stuck up for what could be of the next couple

450
00:20:09,080 --> 00:20:11,439
Speaker 4: of days, a very big couple of days on the

451
00:20:11,440 --> 00:20:14,040
Speaker 4: Gold of On would definitely be giving at least one

452
00:20:14,040 --> 00:20:17,400
Speaker 4: away tomorrow because if I understand this right, some fell

453
00:20:17,440 --> 00:20:19,159
Speaker 4: it just has to turn up in his boating shoes

454
00:20:19,480 --> 00:20:20,680
Speaker 4: and he gets a gold today.

455
00:20:21,080 --> 00:20:22,280
Speaker 3: And that's what happened on Sunday?

456
00:20:23,920 --> 00:20:24,280
Speaker 4: Is it?

457
00:20:24,320 --> 00:20:29,480
Speaker 3: Salely has to understand climax in yes, like its climaxing.

458
00:20:29,840 --> 00:20:31,479
Speaker 3: This guy has already won the gold. All he has

459
00:20:31,520 --> 00:20:33,160
Speaker 3: to do is not get The squad.

460
00:20:33,080 --> 00:20:34,919
Speaker 4: Came this morning and the team told me he just

461
00:20:34,960 --> 00:20:37,760
Speaker 4: has to show up. You can't get a medal for

462
00:20:37,920 --> 00:20:40,399
Speaker 4: just showing up. You're on the podium. How good is

463
00:20:40,440 --> 00:20:43,639
Speaker 4: he that he's got such an unassailable lead. I do

464
00:20:43,720 --> 00:20:45,879
Speaker 4: not understand. But the good news is we're take it

465
00:20:45,880 --> 00:20:48,080
Speaker 4: for tomorrow. It means a Goldon can crank back up

466
00:20:48,119 --> 00:20:53,000
Speaker 4: and then Thursday tomorrow is a massive day obviously coming

467
00:20:53,040 --> 00:20:55,080
Speaker 4: in climax on at eight o'clock tomorrow night with the

468
00:20:55,080 --> 00:20:58,040
Speaker 4: hockey final Australian men's hockey team number one in the world,

469
00:20:58,119 --> 00:21:00,560
Speaker 4: taken on the number two. And then you got boxing

470
00:21:00,600 --> 00:21:02,960
Speaker 4: as well, and this semi final with the Boomers as well.

471
00:21:03,000 --> 00:21:05,320
Speaker 3: And because we said the president early on, the first

472
00:21:05,560 --> 00:21:08,800
Speaker 3: gold was the four x one hundred women's and we

473
00:21:08,920 --> 00:21:12,320
Speaker 3: gave away four washing machines her person. So if it's

474
00:21:12,359 --> 00:21:14,040
Speaker 3: a team sport, we're gonna give away a level.

475
00:21:14,119 --> 00:21:16,000
Speaker 4: Well here's the thing, right, I have an email overnight

476
00:21:16,040 --> 00:21:18,840
Speaker 4: from a very excitable mega hockey fan. He said, look,

477
00:21:18,840 --> 00:21:20,400
Speaker 4: if you're sticking by the rules that you have done

478
00:21:20,440 --> 00:21:23,720
Speaker 4: so far, it's not just eleven for the on field players.

479
00:21:23,880 --> 00:21:26,560
Speaker 4: They have five subs as well who all get medals

480
00:21:26,600 --> 00:21:29,520
Speaker 4: at the end. So are we doing eleven or are

481
00:21:29,520 --> 00:21:33,520
Speaker 4: we doing should they win sixteen washing machines on Friday.

482
00:21:33,960 --> 00:21:39,160
Speaker 3: It's a call for you to make it.

483
00:21:41,440 --> 00:21:47,919
Speaker 4: Let us on today. Christian o'connells k always nice, I'm

484
00:21:47,920 --> 00:21:49,639
Speaker 4: buggy to help us out. Set up the letters on

485
00:21:49,680 --> 00:21:52,480
Speaker 4: the eighties ot A of the eighties J and K pit

486
00:21:52,600 --> 00:21:54,399
Speaker 4: flimsy on the J. So we grow bot in the K.

487
00:21:55,400 --> 00:21:58,320
Speaker 4: They won't notice. We're in the background. The letters J

488
00:21:58,560 --> 00:22:00,919
Speaker 4: and the letters K, so let o K from the

489
00:22:00,960 --> 00:22:04,439
Speaker 4: eighties nine four one four one oh four three What

490
00:22:04,520 --> 00:22:07,159
Speaker 4: are they for you? And the eighties Jackie Boy for

491
00:22:07,240 --> 00:22:10,760
Speaker 4: his homework because he's a millennial, watched a karate Kid

492
00:22:11,560 --> 00:22:13,800
Speaker 4: from the eighties and last night you can get his

493
00:22:13,840 --> 00:22:15,640
Speaker 4: review next, Patsy the letter Jane.

494
00:22:15,640 --> 00:22:18,200
Speaker 2: In the eighties for you, yes, synonymous for me were

495
00:22:18,359 --> 00:22:20,399
Speaker 2: jelly shoes, which were all the rage.

496
00:22:20,520 --> 00:22:21,920
Speaker 5: Jack Have you heard of jelly shoes?

497
00:22:21,960 --> 00:22:23,920
Speaker 3: I remember jelly sandals. Are they the same?

498
00:22:24,119 --> 00:22:24,760
Speaker 5: Very similar?

499
00:22:24,960 --> 00:22:25,240
Speaker 4: Yeah?

500
00:22:25,320 --> 00:22:29,240
Speaker 2: Yeah, and these things were the hot sort after item

501
00:22:29,320 --> 00:22:30,160
Speaker 2: that I just have huge.

502
00:22:30,240 --> 00:22:32,320
Speaker 4: Jelly shoes were huge all over the world.

503
00:22:32,520 --> 00:22:34,440
Speaker 5: Yes they were. They were a phenomenon.

504
00:22:34,600 --> 00:22:36,840
Speaker 4: Now it's more a thing. You'd see a nan at

505
00:22:36,840 --> 00:22:37,240
Speaker 4: the beach.

506
00:22:37,760 --> 00:22:40,080
Speaker 5: Well, clonks have kind of replaced them, haven't they.

507
00:22:40,200 --> 00:22:42,000
Speaker 4: Clocks looks so uncomfortable.

508
00:22:42,359 --> 00:22:46,000
Speaker 3: Well, jelly means or no, no, no.

509
00:22:46,400 --> 00:22:48,720
Speaker 4: If a croc is a rubber eye, he's going to

510
00:22:48,800 --> 00:22:50,880
Speaker 4: strange shoe where By the way, my kids have got

511
00:22:50,880 --> 00:22:52,160
Speaker 4: crocs now, apparently.

512
00:22:53,040 --> 00:22:54,639
Speaker 3: I hate that they're back in they went.

513
00:22:54,680 --> 00:22:56,520
Speaker 4: You should get so let me tell you now, I

514
00:22:56,600 --> 00:22:59,679
Speaker 4: will kill this chiktok trend overnight. I'm going to go

515
00:22:59,760 --> 00:23:02,320
Speaker 4: to in a pair of crops. You call me a

516
00:23:02,359 --> 00:23:05,080
Speaker 4: basic white dad, that's it for me. I've given up star,

517
00:23:05,240 --> 00:23:07,000
Speaker 4: I can't cross.

518
00:23:07,040 --> 00:23:09,000
Speaker 5: So what's a a clonk?

519
00:23:09,080 --> 00:23:12,440
Speaker 4: Is like a wooden punishment shoe And they casha girls,

520
00:23:12,480 --> 00:23:14,400
Speaker 4: you stuf have to wear the ancient summariz.

521
00:23:14,560 --> 00:23:17,200
Speaker 2: Yeah, they was shocking things, terrible to wear. But jelly

522
00:23:17,280 --> 00:23:19,600
Speaker 2: shoes were all the go. And I remember Mom picked

523
00:23:19,640 --> 00:23:21,280
Speaker 2: me up from school to go get a pair at

524
00:23:21,280 --> 00:23:22,600
Speaker 2: Frank's Footwear.

525
00:23:22,359 --> 00:23:23,359
Speaker 5: Now locals down.

526
00:23:23,880 --> 00:23:26,800
Speaker 4: Obviously it was just a go called Frank that Rayan Frank's.

527
00:23:26,480 --> 00:23:30,880
Speaker 2: Footwear, and I got them and I felt so special.

528
00:23:30,920 --> 00:23:33,560
Speaker 2: I wore them to casual day. I had to have

529
00:23:33,640 --> 00:23:35,600
Speaker 2: them that Friday. I didn't want to be the only

530
00:23:35,640 --> 00:23:38,640
Speaker 2: girl out that didn't wear them. And then on the Saturday,

531
00:23:38,760 --> 00:23:41,159
Speaker 2: my oldest brother was babysitting me. Mum and dad had

532
00:23:41,160 --> 00:23:43,440
Speaker 2: gone out somewhere, so him and his girlfriend at the

533
00:23:43,480 --> 00:23:46,200
Speaker 2: time took me roller skating at the skate scene.

534
00:23:46,480 --> 00:23:48,840
Speaker 5: And so when I went to, you know, you hand

535
00:23:48,880 --> 00:23:50,840
Speaker 5: your shoes in, get your skates.

536
00:23:51,200 --> 00:23:53,080
Speaker 2: But when I went back at the end of the night,

537
00:23:54,680 --> 00:23:56,480
Speaker 2: someone had flogged my jellies.

538
00:23:59,440 --> 00:24:02,919
Speaker 4: Jelly, that's an inside job. I've always worried about those people.

539
00:24:02,920 --> 00:24:05,280
Speaker 4: Seventy go bowling. What's to stop this? And we can't

540
00:24:05,320 --> 00:24:07,960
Speaker 4: find his shoes. They just like my shoes are.

541
00:24:07,880 --> 00:24:09,520
Speaker 5: The cheapest shoes you goodbye.

542
00:24:09,600 --> 00:24:10,280
Speaker 4: That is shock.

543
00:24:10,400 --> 00:24:14,280
Speaker 5: He came back with these brown school leather sandals.

544
00:24:15,119 --> 00:24:18,400
Speaker 4: Frank's Jenny shoes. And that's why you became a crimebuster

545
00:24:18,480 --> 00:24:20,600
Speaker 4: on the news. Your origin story?

546
00:24:20,840 --> 00:24:22,800
Speaker 2: Anyway, I sold for a few days, and then I

547
00:24:22,840 --> 00:24:25,840
Speaker 2: got home from school one day and on my bed

548
00:24:25,960 --> 00:24:29,680
Speaker 2: were a brand new pair of jelly shoes and Carl had,

549
00:24:29,800 --> 00:24:31,240
Speaker 2: my brother, had bought me a peer.

550
00:24:31,320 --> 00:24:32,840
Speaker 5: He felt so sorry for me.

551
00:24:33,359 --> 00:24:36,080
Speaker 4: This is what a lovely story. What a great older brother,

552
00:24:36,240 --> 00:24:36,560
Speaker 4: I know.

553
00:24:36,520 --> 00:24:37,240
Speaker 5: What a sweetheart.

554
00:24:37,480 --> 00:24:39,160
Speaker 2: And then the other thing for me in the eighties

555
00:24:39,320 --> 00:24:41,840
Speaker 2: was the journal we had to write in our journal

556
00:24:42,320 --> 00:24:44,960
Speaker 2: at school, and I actually found it.

557
00:24:45,359 --> 00:24:46,280
Speaker 5: I went down a word.

558
00:24:46,359 --> 00:24:48,679
Speaker 4: So did you keep a journal throughout your teenagers?

559
00:24:48,720 --> 00:24:51,320
Speaker 2: I did, and I kept a diary under lock and

560
00:24:51,400 --> 00:24:53,000
Speaker 2: keyp it. I want to read you. Can I read

561
00:24:53,040 --> 00:24:53,880
Speaker 2: you my journal entry?

562
00:24:54,080 --> 00:24:56,280
Speaker 4: Anyone? Let's all go grab a cup of tea, right

563
00:24:56,320 --> 00:24:58,639
Speaker 4: and come back on this up chair. Can you just

564
00:24:58,680 --> 00:25:00,720
Speaker 4: tease us what year and what day? When are we

565
00:25:00,760 --> 00:25:01,320
Speaker 4: going back to?

566
00:25:01,480 --> 00:25:04,640
Speaker 2: We're talking about May eighty seven and a fourteen year

567
00:25:04,640 --> 00:25:07,120
Speaker 2: old pats The Inspirations be on the air.

568
00:25:07,200 --> 00:25:09,679
Speaker 4: We're going time traveling. Next back to Patsy's journal.

569
00:25:10,240 --> 00:25:13,040
Speaker 7: The Christian O'Connell show podcast.

570
00:25:12,640 --> 00:25:16,280
Speaker 4: Patsy's brought her journaling. So what year we going back

571
00:25:16,320 --> 00:25:16,760
Speaker 4: to Patsy?

572
00:25:16,800 --> 00:25:19,360
Speaker 2: We're going back to eighty seven? So I was about fourteen,

573
00:25:19,560 --> 00:25:20,840
Speaker 2: just about to turn fifteen?

574
00:25:21,040 --> 00:25:21,560
Speaker 4: And what time?

575
00:25:21,600 --> 00:25:27,280
Speaker 5: With the you May May and the topic was my future.

576
00:25:27,320 --> 00:25:29,159
Speaker 5: We had to write what do you see as your

577
00:25:29,280 --> 00:25:30,840
Speaker 5: future if you got murdered?

578
00:25:30,920 --> 00:25:35,120
Speaker 4: She wrote, this feels.

579
00:25:34,920 --> 00:25:35,959
Speaker 3: Right all right?

580
00:25:36,000 --> 00:25:37,720
Speaker 2: So I wrote when I leave school, I hope to

581
00:25:37,760 --> 00:25:41,320
Speaker 2: go into radio announcing. I've been doing speech and drama

582
00:25:41,359 --> 00:25:44,600
Speaker 2: for about five or six years, dramas right, learning how

583
00:25:44,640 --> 00:25:48,439
Speaker 2: to use my voice correctly, et cetera. I have a

584
00:25:48,480 --> 00:25:50,840
Speaker 2: one hour lesson every week I did with Missus Jacobs.

585
00:25:50,880 --> 00:25:53,359
Speaker 2: She was a lovely old lady. Love it taught me

586
00:25:53,359 --> 00:25:56,520
Speaker 2: how to speak correctly and stuff for work experience. I

587
00:25:56,560 --> 00:25:58,879
Speaker 2: hope to go to fifteen, double six three and e

588
00:25:59,080 --> 00:26:01,480
Speaker 2: here in Wangaratta, which is actually where I later worked

589
00:26:01,480 --> 00:26:02,320
Speaker 2: for my first job.

590
00:26:02,840 --> 00:26:03,679
Speaker 5: I try to listen.

591
00:26:03,880 --> 00:26:05,760
Speaker 4: Isn't that amazing? This is what you wrote when you're

592
00:26:05,800 --> 00:26:09,120
Speaker 4: fourteen years of age. It's like your You're the secret.

593
00:26:09,119 --> 00:26:12,159
Speaker 4: They should have you on those adverts or manifesting with

594
00:26:12,200 --> 00:26:13,160
Speaker 4: Petrina Jones.

595
00:26:15,359 --> 00:26:18,000
Speaker 5: I tried to listen to the radio and the TV news.

596
00:26:17,760 --> 00:26:20,040
Speaker 4: Bulletins at the same time to try and.

597
00:26:20,040 --> 00:26:23,080
Speaker 2: Catch hints and just see how the announcers communicate with

598
00:26:23,119 --> 00:26:27,560
Speaker 2: the camera. Although probably by the time it's my opportunity

599
00:26:27,600 --> 00:26:30,280
Speaker 2: for a job, I may have changed my mind altogether.

600
00:26:30,840 --> 00:26:34,480
Speaker 2: Well I didn't, did I.

601
00:26:35,960 --> 00:26:39,480
Speaker 4: This is your life and missus Nanny Cooper, whoever she

602
00:26:39,600 --> 00:26:43,760
Speaker 4: was there that taught you how to speak it's right now.

603
00:26:43,960 --> 00:26:45,800
Speaker 2: But I love to write in my journal and I

604
00:26:45,840 --> 00:26:48,000
Speaker 2: had a diary. I had like two versions. I had

605
00:26:48,000 --> 00:26:49,560
Speaker 2: the diary at home that so what.

606
00:26:49,480 --> 00:26:50,959
Speaker 4: Was a diary? And went in the journal?

607
00:26:51,080 --> 00:26:54,280
Speaker 2: Oh well, the journal was more like your professional things

608
00:26:54,359 --> 00:26:56,800
Speaker 2: that people can read other people.

609
00:26:56,800 --> 00:26:59,040
Speaker 4: I don't have a professional version of myself now at

610
00:26:59,040 --> 00:26:59,600
Speaker 4: this age.

611
00:27:00,119 --> 00:27:03,520
Speaker 2: A diary that was my innermost secrets that no one

612
00:27:03,640 --> 00:27:08,480
Speaker 2: must know. So I could vent about all my teenage frustrations.

613
00:27:07,640 --> 00:27:09,399
Speaker 5: And have a go at mum and dad and have

614
00:27:09,480 --> 00:27:10,200
Speaker 5: you still got there?

615
00:27:10,440 --> 00:27:10,560
Speaker 18: No?

616
00:27:10,640 --> 00:27:16,520
Speaker 2: I haven't I enough to hear that, and the boys.

617
00:27:16,680 --> 00:27:18,240
Speaker 4: You're a bit like that still now with some of

618
00:27:18,240 --> 00:27:21,800
Speaker 4: the people that you work on. That's just like pictures

619
00:27:21,840 --> 00:27:24,440
Speaker 4: of actions full on their head and then a flattening

620
00:27:24,480 --> 00:27:25,879
Speaker 4: them inflayed alive.

621
00:27:26,640 --> 00:27:29,000
Speaker 5: But one of my brothers, once my second brother, got

622
00:27:29,119 --> 00:27:30,040
Speaker 5: hold of my diary.

623
00:27:30,320 --> 00:27:32,600
Speaker 4: I always feared about it. I never kept a diary.

624
00:27:33,040 --> 00:27:35,840
Speaker 4: It's unsafe. Everything's in there. You're vulnerable.

625
00:27:36,000 --> 00:27:37,880
Speaker 2: Yeah, And of course, so he reads it out over

626
00:27:37,920 --> 00:27:39,560
Speaker 2: the dinner table on a Sunday, doesn't he.

627
00:27:39,600 --> 00:27:42,480
Speaker 4: When We've got Hair one of those horrible sort of

628
00:27:43,000 --> 00:27:45,520
Speaker 4: eighties movie, isn't it? And he's the jock, isn't he?

629
00:27:45,520 --> 00:27:46,679
Speaker 4: You know, embracism there.

630
00:27:47,080 --> 00:27:49,440
Speaker 5: Yeah, he was a horror and so he was reading.

631
00:27:50,520 --> 00:27:51,560
Speaker 3: Mum and Dad didn't stop it.

632
00:27:51,600 --> 00:27:55,560
Speaker 2: They're all laughing along with it.

633
00:27:53,280 --> 00:27:56,480
Speaker 7: It's traumatic.

634
00:27:56,720 --> 00:27:59,240
Speaker 4: This is really true, Maatic. Now I understand why you're

635
00:27:59,359 --> 00:28:02,200
Speaker 4: like the one. Can I just say, I'm not your

636
00:28:02,200 --> 00:28:04,280
Speaker 4: older brother. I think that's what they call projection.

637
00:28:05,440 --> 00:28:07,240
Speaker 3: That's how they treat Meghan family guy.

638
00:28:07,280 --> 00:28:09,679
Speaker 5: But that's a meg anyway.

639
00:28:09,720 --> 00:28:12,800
Speaker 2: I like this guy, Josh, So then I felt years

640
00:28:12,800 --> 00:28:15,040
Speaker 2: and years honestly, right up to the time in my

641
00:28:15,080 --> 00:28:18,160
Speaker 2: early thirties, they would just call me right Josh, No,

642
00:28:18,240 --> 00:28:21,800
Speaker 2: not now, but they'd call me Josh the dishwash, and then.

643
00:28:21,720 --> 00:28:22,960
Speaker 5: All my cousins.

644
00:28:26,440 --> 00:28:26,960
Speaker 4: Into it.

645
00:28:28,359 --> 00:28:29,520
Speaker 5: Even at our.

646
00:28:29,480 --> 00:28:32,560
Speaker 2: Wedding reception when I married Chris, there was a telegram

647
00:28:32,600 --> 00:28:37,640
Speaker 2: from Josh the dishwash.

648
00:28:36,040 --> 00:28:39,560
Speaker 3: And your brother read out another page from the diary.

649
00:28:39,320 --> 00:28:49,800
Speaker 19: And then bog wash on Porky's true headed the toilet Grace, Patsy,

650
00:28:50,000 --> 00:28:52,880
Speaker 19: thank you very much for sharing your professional.

651
00:28:52,360 --> 00:28:55,080
Speaker 7: Voice, Christian Connell Show podcast.

652
00:28:55,480 --> 00:28:59,120
Speaker 4: If any of you, like Patsy, still have your old

653
00:28:59,280 --> 00:29:03,600
Speaker 4: teenage diaries or journals and you'd be out for sharing

654
00:29:03,640 --> 00:29:07,040
Speaker 4: them on the show, I genuinely loved hearing Patsy's diary.

655
00:29:07,480 --> 00:29:09,040
Speaker 4: If you have them and you'd be out for that,

656
00:29:09,120 --> 00:29:12,560
Speaker 4: please email me. Maybe we can have a diary week

657
00:29:12,560 --> 00:29:15,560
Speaker 4: on the show where a different listener each morning reads

658
00:29:15,600 --> 00:29:18,560
Speaker 4: an entry. Email me if you'd be up for sharing it.

659
00:29:18,640 --> 00:29:22,280
Speaker 4: Christian at Christian O'Connell dot com dot au. This could

660
00:29:22,320 --> 00:29:27,840
Speaker 4: be controversial, I asked Jack yesterday. Obviously very hard sometimes

661
00:29:27,840 --> 00:29:30,120
Speaker 4: sort of describing what the eighties was like to someone

662
00:29:30,120 --> 00:29:32,920
Speaker 4: who's under thirty five, It was a very strange decade

663
00:29:32,920 --> 00:29:34,720
Speaker 4: when you look back on it, but when we were

664
00:29:34,720 --> 00:29:37,320
Speaker 4: living in it and more excitingly growing up in it,

665
00:29:37,320 --> 00:29:39,000
Speaker 4: it was really exciting. It was amazing. It was a

666
00:29:39,080 --> 00:29:41,160
Speaker 4: changing world. And one of the big movies of the

667
00:29:41,200 --> 00:29:43,720
Speaker 4: eighties was The Karate Kid. And we're doing the letters

668
00:29:43,800 --> 00:29:46,520
Speaker 4: Jay and kay in our eighties out of the eighties today,

669
00:29:46,760 --> 00:29:50,280
Speaker 4: I love The Karate Kid came out in nineteen eighty four, Patsy.

670
00:29:50,320 --> 00:29:51,440
Speaker 4: Did you go and see this at all?

671
00:29:51,520 --> 00:29:51,680
Speaker 8: Yeah?

672
00:29:51,720 --> 00:29:52,920
Speaker 5: I loved it, loved it.

673
00:29:52,960 --> 00:29:55,400
Speaker 4: Did your brothers or practice the crane kick on each other?

674
00:29:55,600 --> 00:29:56,680
Speaker 5: Wax on, wax off?

675
00:29:56,880 --> 00:30:04,240
Speaker 4: Yep, all right, let's get into it. What did you

676
00:30:04,280 --> 00:30:07,320
Speaker 4: make of nineteen eighty four's The Karate Kid?

677
00:30:07,400 --> 00:30:09,680
Speaker 3: James, There's a lot to like about The Karate Kid.

678
00:30:10,240 --> 00:30:12,600
Speaker 3: There's a lot to like about The Karate Kid. Love

679
00:30:13,200 --> 00:30:16,160
Speaker 3: Larusso's relationship with Miyagi.

680
00:30:16,320 --> 00:30:18,560
Speaker 4: That was a mentor that was great. You know, we

681
00:30:18,600 --> 00:30:20,880
Speaker 4: got nominated for an Oscar, Pat Moriarty was he actually

682
00:30:20,960 --> 00:30:23,280
Speaker 4: played mister Miyaggi got nominated for an Oscar for that role?

683
00:30:23,400 --> 00:30:27,600
Speaker 3: Oh really? Because actually one of my points against Karate

684
00:30:27,720 --> 00:30:33,040
Speaker 3: Kid was Miyagi wasn't a great fighter, hidn't jumping the

685
00:30:33,120 --> 00:30:37,400
Speaker 3: fence to save Laruso and apparently kicking butt against all

686
00:30:37,400 --> 00:30:41,360
Speaker 3: the bad guys. He was so slow, he was such

687
00:30:41,360 --> 00:30:42,320
Speaker 3: a bad fighter.

688
00:30:43,000 --> 00:30:47,840
Speaker 4: What he was, he was effective a fight comme ended

689
00:30:47,920 --> 00:30:51,920
Speaker 4: with one telling blow. It was the worst movement from

690
00:30:51,920 --> 00:30:55,920
Speaker 4: a karateka. Okay, he's an old dude as well, he's

691
00:30:55,920 --> 00:30:56,520
Speaker 4: a janitor.

692
00:30:57,560 --> 00:30:59,280
Speaker 3: Yeah, it was so unconvincing.

693
00:30:59,760 --> 00:31:02,520
Speaker 4: Yeah, you're right, Packt. It's a Yoda character. This is mental.

694
00:31:02,760 --> 00:31:04,680
Speaker 3: But even Yoda, I guess, could use the force and

695
00:31:04,720 --> 00:31:07,920
Speaker 3: make things like because he was a little green, little fellow,

696
00:31:07,920 --> 00:31:10,760
Speaker 3: you know, he's not roundhousing people. For the most part,

697
00:31:10,840 --> 00:31:14,400
Speaker 3: I did like Miaki though, love Meagi, loved LaRusso. My

698
00:31:14,480 --> 00:31:17,960
Speaker 3: problem with the film way way, way too long. And

699
00:31:18,000 --> 00:31:20,040
Speaker 3: I find this with a lot of eighties films that

700
00:31:20,080 --> 00:31:22,000
Speaker 3: you have me go back and watch. They did not

701
00:31:22,240 --> 00:31:24,240
Speaker 3: know how to edit, and it.

702
00:31:24,360 --> 00:31:27,280
Speaker 4: Just didn't come along to the late nineties. You go

703
00:31:27,360 --> 00:31:29,080
Speaker 4: back and watch an eighties movie now and find this

704
00:31:29,120 --> 00:31:30,240
Speaker 4: a lot. When I go to my kids, it's like,

705
00:31:30,480 --> 00:31:32,120
Speaker 4: let's go back and watch it, and even I'm going

706
00:31:33,000 --> 00:31:34,720
Speaker 4: every scene goes on too long.

707
00:31:35,000 --> 00:31:38,400
Speaker 3: The first scene is four minutes, the opening titles is

708
00:31:38,400 --> 00:31:39,280
Speaker 3: four minutes of them.

709
00:31:39,320 --> 00:31:41,800
Speaker 4: How I reached you sound like you watch too much TikTok.

710
00:31:42,040 --> 00:31:44,480
Speaker 4: You can't concentrate for four minutes. If you just said

711
00:31:44,520 --> 00:31:46,600
Speaker 4: like twenty two minutes, four minutes isn't that long.

712
00:31:46,680 --> 00:31:50,360
Speaker 3: It's four minutes of them driving from New Jersey to California.

713
00:31:50,520 --> 00:31:52,960
Speaker 3: That's all shots of them along the road.

714
00:31:52,840 --> 00:31:53,760
Speaker 4: We think is happening.

715
00:31:53,920 --> 00:31:57,040
Speaker 3: Come on, So I had to fast forward already in

716
00:31:57,080 --> 00:31:57,880
Speaker 3: the first four minutes.

717
00:31:57,920 --> 00:31:59,200
Speaker 4: And you know what they should do. They should do

718
00:31:59,200 --> 00:32:02,520
Speaker 4: a millennial of eighties because there's lots of good stuff

719
00:32:02,520 --> 00:32:04,560
Speaker 4: in the good stuff, but you're right, it's padded out

720
00:32:04,560 --> 00:32:05,800
Speaker 4: with a lot of just nonsense.

721
00:32:05,840 --> 00:32:07,520
Speaker 3: Full run time. Guess the full run time?

722
00:32:07,720 --> 00:32:10,160
Speaker 4: I say probably something like one fifty.

723
00:32:10,160 --> 00:32:11,440
Speaker 3: Two hours, seven minutes.

724
00:32:12,360 --> 00:32:13,080
Speaker 5: Oh that's all right?

725
00:32:13,160 --> 00:32:15,920
Speaker 4: That No, that's tell me what agree on this? Though

726
00:32:15,960 --> 00:32:20,480
Speaker 4: you cannot. You cannot edit down the All Valley Karate Tournament. O.

727
00:32:21,120 --> 00:32:23,560
Speaker 3: My number one place to edit was the tournament.

728
00:32:23,680 --> 00:32:26,560
Speaker 4: Leave the show that new four year contract.

729
00:32:26,680 --> 00:32:30,920
Speaker 20: We know he's going to fight one of those chilling

730
00:32:30,960 --> 00:32:34,760
Speaker 20: lines in a movie. Get a body beg I agree,

731
00:32:34,840 --> 00:32:37,480
Speaker 20: great scene when we finally got there him verse Johnny

732
00:32:37,520 --> 00:32:38,560
Speaker 20: Lawrence was great.

733
00:32:38,800 --> 00:32:40,480
Speaker 3: We knew he was going to fight him.

734
00:32:40,560 --> 00:32:43,920
Speaker 4: What about this tournament. Oh my god, just hearing that

735
00:32:43,920 --> 00:32:47,320
Speaker 4: makes me I'm in the cinema going no, no, mad

736
00:32:47,400 --> 00:32:50,240
Speaker 4: sweet the lot. I had a problem with the problem

737
00:32:50,280 --> 00:32:50,560
Speaker 4: with that.

738
00:32:51,480 --> 00:32:57,400
Speaker 3: I agree with you, nonmals. The fire between LaRusso and

739
00:32:57,480 --> 00:33:00,040
Speaker 3: Lawrence is great. Why did we have to see the

740
00:32:59,840 --> 00:33:04,920
Speaker 3: whole tournament, the qualifying rounds, the semi final four play

741
00:33:05,480 --> 00:33:07,520
Speaker 3: just say, just make up a bit of dialogue that

742
00:33:07,520 --> 00:33:09,800
Speaker 3: says he got into the final. We didn't need to

743
00:33:09,800 --> 00:33:10,120
Speaker 3: see it.

744
00:33:11,000 --> 00:33:15,240
Speaker 4: Every cranking up, cranking up the tension, tension, tension. No,

745
00:33:15,360 --> 00:33:17,760
Speaker 4: he's gonna fight at Yeah, of course we know it.

746
00:33:17,840 --> 00:33:21,040
Speaker 4: But it's not just about the destination. What a journey.

747
00:33:21,240 --> 00:33:23,880
Speaker 3: It had a lot of potential. Karate kid just needed

748
00:33:23,880 --> 00:33:26,600
Speaker 3: to be a little more succinct and keep everybody in cage.

749
00:33:26,680 --> 00:33:28,680
Speaker 4: Let me ask you this. Did you like Daniel LaRussa.

750
00:33:28,680 --> 00:33:30,920
Speaker 4: I couldn't stand him. I hated him act she generally

751
00:33:30,920 --> 00:33:32,440
Speaker 4: hoped that he got beaten in the final.

752
00:33:32,720 --> 00:33:36,640
Speaker 3: I thought his jokes were blame a whiny little key.

753
00:33:36,840 --> 00:33:37,760
Speaker 3: But I liked him.

754
00:33:37,800 --> 00:33:40,600
Speaker 4: Oh no, no, no, I couldn't stand him. I wanted Lawrence.

755
00:33:40,640 --> 00:33:42,720
Speaker 4: I want him to be beaten. Mercisley at the end.

756
00:33:42,840 --> 00:33:45,120
Speaker 3: This is the last thing I realized watching Karate Kid.

757
00:33:45,560 --> 00:33:49,440
Speaker 3: I know you did Karate as a junior. I always

758
00:33:49,440 --> 00:33:52,480
Speaker 3: thought Christian like knows so much about Karate's always telling

759
00:33:52,520 --> 00:33:55,760
Speaker 3: me like, tay means hand and kara means empty, and

760
00:33:55,800 --> 00:33:58,160
Speaker 3: it's the way of the empty hand. Everything you've ever

761
00:33:58,200 --> 00:34:01,520
Speaker 3: told me about Karate is lifted direct from about the film.

762
00:34:01,560 --> 00:34:09,080
Speaker 4: It was an impression on more movie on me. I

763
00:34:09,160 --> 00:34:10,800
Speaker 4: just paid attention to the age of eleven to the

764
00:34:10,880 --> 00:34:11,640
Speaker 4: Karate Kid.

765
00:34:11,920 --> 00:34:15,560
Speaker 3: So Mark's out of ten if it had been edited

766
00:34:15,600 --> 00:34:18,560
Speaker 3: swiftly nine out of ten. But sadly it's a four out.

767
00:34:18,440 --> 00:34:21,600
Speaker 4: Of that tuno.

768
00:34:22,000 --> 00:34:24,160
Speaker 3: It was too boring. I kept getting up and doing

769
00:34:24,200 --> 00:34:26,040
Speaker 3: other things and then coming back to watch.

770
00:34:25,840 --> 00:34:27,640
Speaker 4: It, so you would have missed key scenes.

771
00:34:27,880 --> 00:34:29,440
Speaker 3: I could hear him in the background. Why I did

772
00:34:29,480 --> 00:34:31,360
Speaker 3: the dishes and that sort of thing. My phone.

773
00:34:31,360 --> 00:34:33,080
Speaker 4: Oh yeah, just Chris like Cobra.

774
00:34:32,880 --> 00:34:35,160
Speaker 5: Kai loves it got me into it.

775
00:34:35,280 --> 00:34:36,440
Speaker 4: Yeah. It's a good show, isn't it.

776
00:34:36,600 --> 00:34:39,600
Speaker 2: I love Johnny the guy that plays Joy Lawrence. Johnny

777
00:34:40,320 --> 00:34:42,800
Speaker 2: got a crush on him. He's still isn't it very attractive?

778
00:34:43,000 --> 00:34:45,479
Speaker 3: I would try I probably would try Cobra Kai because

779
00:34:45,520 --> 00:34:46,120
Speaker 3: it's recent.

780
00:34:46,200 --> 00:34:46,799
Speaker 5: You'd like it.

781
00:34:46,840 --> 00:34:50,880
Speaker 3: And they've learned how to edit and make things compelling viewing.

782
00:34:50,960 --> 00:34:53,919
Speaker 4: For AUDI, each episode is seventeen seconds long.

783
00:34:54,719 --> 00:35:00,800
Speaker 1: Christian Connell's show podcast.

784
00:35:00,000 --> 00:35:02,400
Speaker 4: I'll Seek on the show. Then I was looking at

785
00:35:02,440 --> 00:35:06,719
Speaker 4: people that owned had in their possession ships and bottles.

786
00:35:06,840 --> 00:35:08,759
Speaker 4: Turns out quite a few of you do. Just didn't

787
00:35:08,760 --> 00:35:10,520
Speaker 4: want to give one to the studio. I'd love to

788
00:35:10,520 --> 00:35:11,879
Speaker 4: have one on the studio. I think it would look,

789
00:35:11,960 --> 00:35:15,760
Speaker 4: in a word, majestic. This week we want to speak

790
00:35:15,760 --> 00:35:20,960
Speaker 4: to you. Do you own a mannequin or life size cutout?

791
00:35:21,239 --> 00:35:23,719
Speaker 4: Do you own a mannequin or a life size cutout?

792
00:35:24,040 --> 00:35:29,640
Speaker 4: Do you own something stuffed? Ardelian animal, taxidermy? You ever

793
00:35:29,680 --> 00:35:32,439
Speaker 4: seen they are freaky. They scare me. Stuffed animal.

794
00:35:32,480 --> 00:35:35,200
Speaker 3: Yeah, I wouldn't have one on my wall, on your wall,

795
00:35:38,480 --> 00:35:41,160
Speaker 3: I got like a deer's head up there or bad face.

796
00:35:42,080 --> 00:35:43,800
Speaker 4: Just so we know this, he didn't care for Critik.

797
00:35:43,960 --> 00:35:47,600
Speaker 4: He don't ever get him as a president. Stuffed to antelope.

798
00:35:47,640 --> 00:35:49,600
Speaker 4: It ain't going on the wall. That is not going

799
00:35:49,640 --> 00:35:53,160
Speaker 4: on the wall, not in ituse it's good to get

800
00:35:53,200 --> 00:35:56,360
Speaker 4: that out there. Do you own a manequin or life

801
00:35:56,400 --> 00:36:02,000
Speaker 4: size cut out? Something stuffed? And I just yeah, gone

802
00:36:02,000 --> 00:36:03,600
Speaker 4: all right, that was the other one. I go we're

803
00:36:03,600 --> 00:36:05,719
Speaker 4: going to do. Do you own a gong? I bet

804
00:36:05,760 --> 00:36:08,279
Speaker 4: you one of our listeners as a gong extra point

805
00:36:08,280 --> 00:36:09,720
Speaker 4: if we can hear the gong gong.

806
00:36:09,800 --> 00:36:15,000
Speaker 1: Oh, yes, this is the Christian O'Connell show podcast.

807
00:36:15,239 --> 00:36:17,279
Speaker 4: We have a shopping list and we're gonna speak to

808
00:36:17,320 --> 00:36:20,400
Speaker 4: you if you own any of these this week? Do

809
00:36:20,480 --> 00:36:25,200
Speaker 4: you own a manekin or a life size cutout? Do

810
00:36:25,280 --> 00:36:28,200
Speaker 4: you own something stuffed? And do you own a gong?

811
00:36:28,960 --> 00:36:31,839
Speaker 4: So far on the gong hunt, the lady at work

812
00:36:31,880 --> 00:36:35,359
Speaker 4: has got a beautiful traditional Ti gong, but it's at

813
00:36:35,360 --> 00:36:38,000
Speaker 4: home when you get back tonight, could you get it

814
00:36:38,040 --> 00:36:39,680
Speaker 4: ready for the morning and the moment you wake up

815
00:36:39,760 --> 00:36:42,000
Speaker 4: call the show. We're here from six am. Maybe they

816
00:36:42,040 --> 00:36:45,000
Speaker 4: moned a Friday wake up Melbourne. And of course your

817
00:36:45,000 --> 00:36:47,919
Speaker 4: suburb with the Ti gong being bank please are going

818
00:36:48,040 --> 00:36:50,640
Speaker 4: to start the show? Would be amazing. Actually, all right,

819
00:36:50,680 --> 00:36:53,120
Speaker 4: let's go into the lines. Matt up. First of all,

820
00:36:53,200 --> 00:36:56,160
Speaker 4: good morning, Matt, oh morning Christian? Who are you? I'm good?

821
00:36:56,239 --> 00:36:57,880
Speaker 4: So what do you own? What have you got on

822
00:36:57,880 --> 00:36:59,120
Speaker 4: the list that we're looking for this morning?

823
00:36:59,560 --> 00:37:04,480
Speaker 17: A life size cutout of Ryan Reynolds great and how

824
00:37:04,600 --> 00:37:07,920
Speaker 17: so well. Missus is a big fan of Ryan Reynolds,

825
00:37:07,920 --> 00:37:09,880
Speaker 17: so originally bought it as a joke. I heard a

826
00:37:09,960 --> 00:37:12,520
Speaker 17: sort of hide behind doors and scare out out of her.

827
00:37:14,080 --> 00:37:15,839
Speaker 17: But yeah, there we just lives in the front room

828
00:37:15,880 --> 00:37:17,680
Speaker 17: and looks out over the road.

829
00:37:18,440 --> 00:37:19,319
Speaker 4: Where'd you drive him?

830
00:37:19,320 --> 00:37:19,480
Speaker 7: By?

831
00:37:20,320 --> 00:37:24,200
Speaker 4: Live? I mean we so imagine you're driving through Lily down.

832
00:37:25,560 --> 00:37:25,799
Speaker 7: Down.

833
00:37:25,880 --> 00:37:29,120
Speaker 17: Oh yeah, we're pretty well known there.

834
00:37:29,200 --> 00:37:30,480
Speaker 6: Now after that through.

835
00:37:30,400 --> 00:37:32,120
Speaker 17: Lockdown, we put a mask on him.

836
00:37:34,680 --> 00:37:35,400
Speaker 6: When the foot on.

837
00:37:36,960 --> 00:37:38,560
Speaker 4: Finally he can pick a team as well.

838
00:37:38,640 --> 00:37:41,960
Speaker 6: Can Oh yeah, he's all dressed up ready to go.

839
00:37:42,320 --> 00:37:46,720
Speaker 4: Awesome, Matt, Thank you very much. Cool, have a good day. Cheers, Mark,

840
00:37:46,840 --> 00:37:50,840
Speaker 4: good morning. Yes, yes, what have you got? I believe

841
00:37:50,880 --> 00:37:52,880
Speaker 4: that you own something stuffed?

842
00:37:53,640 --> 00:37:56,080
Speaker 21: I've got a few stuffed animals. I've got a baby

843
00:37:56,080 --> 00:38:00,040
Speaker 21: stuff camel and a few stuff or two stuff mon.

844
00:38:00,080 --> 00:38:02,040
Speaker 18: Keys and crocodile.

845
00:38:02,480 --> 00:38:03,520
Speaker 4: How come we've got all those?

846
00:38:04,840 --> 00:38:07,719
Speaker 21: I supply train and supply animals for film and television work.

847
00:38:08,520 --> 00:38:11,320
Speaker 21: And yeah, one of the monkeys being on the logans

848
00:38:11,360 --> 00:38:12,120
Speaker 21: with Steve Irwin.

849
00:38:12,600 --> 00:38:15,640
Speaker 4: Wow, what a claim to fame. Maybe we're doing animal

850
00:38:15,960 --> 00:38:21,799
Speaker 4: special weakness. Glad to fame with Steve Irwin. That's the good.

851
00:38:21,960 --> 00:38:22,160
Speaker 8: Mark.

852
00:38:22,239 --> 00:38:24,200
Speaker 4: So what a job you train up animals to be

853
00:38:24,239 --> 00:38:25,160
Speaker 4: in movies and TV?

854
00:38:26,040 --> 00:38:26,719
Speaker 18: Yeah?

855
00:38:26,760 --> 00:38:28,640
Speaker 4: So what would be in your kind of hall of

856
00:38:28,680 --> 00:38:30,880
Speaker 4: fame where what are some of the biggest successes that we.

857
00:38:30,960 --> 00:38:35,440
Speaker 21: Might have known about, Oh, the news for the d

858
00:38:35,719 --> 00:38:39,919
Speaker 21: I've had I had a monkey on Ned Kelly. Well,

859
00:38:40,640 --> 00:38:45,400
Speaker 21: I've got cook, I've trained for the A B C.

860
00:38:45,600 --> 00:38:48,240
Speaker 21: And I'm the way down to the NOBO.

861
00:38:48,160 --> 00:38:48,799
Speaker 9: Now with a chuck.

862
00:38:49,080 --> 00:38:50,360
Speaker 4: Okay, what's the chuck staring in?

863
00:38:51,480 --> 00:38:56,200
Speaker 21: The Chuck started in a film called uh Spreadsheet.

864
00:38:56,600 --> 00:39:00,080
Speaker 4: In the spreadsheet, make a days to day for that

865
00:39:00,600 --> 00:39:07,960
Speaker 4: chicken account move to Melbourne. That is amazing. How on

866
00:39:07,960 --> 00:39:09,840
Speaker 4: earth do you get into that line of Workmark?

867
00:39:10,680 --> 00:39:18,640
Speaker 21: Other ways white animals and.

868
00:39:15,360 --> 00:39:16,719
Speaker 4: And tell me this, do you have to go to

869
00:39:16,760 --> 00:39:19,000
Speaker 4: the animal? Sometimes have to go up against other animals

870
00:39:19,040 --> 00:39:19,879
Speaker 4: like auditions.

871
00:39:20,719 --> 00:39:23,680
Speaker 21: No, you've got a quote in it.

872
00:39:23,840 --> 00:39:25,480
Speaker 8: They want to see what the animal can do.

873
00:39:25,640 --> 00:39:34,640
Speaker 4: And that's bringing me. You say, compare trombone. He doesn't

874
00:39:34,640 --> 00:39:37,080
Speaker 4: do it when I say action. And that chicken made

875
00:39:37,120 --> 00:39:40,840
Speaker 4: me have to count expressive feet for the accounting movies

876
00:39:40,880 --> 00:39:45,640
Speaker 4: for ABC. We're going to fall out, Mark. Mark, that's

877
00:39:45,680 --> 00:39:46,799
Speaker 4: a great one. Thank you very much.

878
00:39:46,840 --> 00:39:48,560
Speaker 8: She cool, no problems.

879
00:39:49,360 --> 00:39:51,480
Speaker 4: Emma, good morning, good morning.

880
00:39:51,840 --> 00:39:54,840
Speaker 13: I've got a life sized cut out of my husband

881
00:39:55,360 --> 00:39:56,600
Speaker 13: he leaves behind the BedHead.

882
00:39:57,840 --> 00:40:02,239
Speaker 4: Okay, this sounds terrible. Why have you got a life

883
00:40:02,280 --> 00:40:05,360
Speaker 4: sized cut out of your husband behind the bed for

884
00:40:05,480 --> 00:40:06,279
Speaker 4: his fortieth a.

885
00:40:06,200 --> 00:40:06,839
Speaker 12: Few years ago?

886
00:40:07,360 --> 00:40:09,799
Speaker 13: For the theme was Shane of Agency had to come

887
00:40:09,800 --> 00:40:13,479
Speaker 13: as someone or something relating to him, so his job

888
00:40:13,680 --> 00:40:17,600
Speaker 13: or some music he liked. So as decorations, I ordered

889
00:40:17,600 --> 00:40:20,359
Speaker 13: a life size cut out of him djaying from when

890
00:40:20,360 --> 00:40:22,720
Speaker 13: he used to do a bit of bedroom DJing.

891
00:40:23,239 --> 00:40:25,920
Speaker 4: Awesome, that's great, Shane of the Agents. One grind in

892
00:40:26,000 --> 00:40:26,560
Speaker 4: for a party.

893
00:40:27,239 --> 00:40:29,239
Speaker 13: It was great and there were we had. I got

894
00:40:29,280 --> 00:40:32,239
Speaker 13: masked as well, so anybody that didn't dress up had

895
00:40:32,239 --> 00:40:33,759
Speaker 13: to put on a mask of his face. So there

896
00:40:33,800 --> 00:40:37,040
Speaker 13: was like heaps of Shane dancing around the party with

897
00:40:37,480 --> 00:40:39,840
Speaker 13: his faith on. He said it was quite disturbing to

898
00:40:39,880 --> 00:40:42,760
Speaker 13: see his own faith on ladies with a nice.

899
00:40:42,640 --> 00:40:49,120
Speaker 4: Clean Australia and cleavage.

900
00:40:49,200 --> 00:40:55,800
Speaker 22: When was the last time he had to work cleavage? Oh,

901
00:40:55,880 --> 00:41:00,839
Speaker 22: the embarrassment to thismy cleavage Madam.

902
00:41:02,120 --> 00:41:04,239
Speaker 3: Then, Emma, of all the places you could put the

903
00:41:04,360 --> 00:41:06,239
Speaker 3: Shane cardboard cut out in your house? Why did you

904
00:41:06,280 --> 00:41:07,080
Speaker 3: choose behind the bear?

905
00:41:07,360 --> 00:41:07,840
Speaker 4: I didn't want to.

906
00:41:08,360 --> 00:41:11,160
Speaker 13: Well, he's not taking out or anything. It's just hidden

907
00:41:11,200 --> 00:41:14,640
Speaker 13: away there. I didn't ever, I didn't know where else

908
00:41:14,680 --> 00:41:16,040
Speaker 13: to put it.

909
00:41:17,320 --> 00:41:22,040
Speaker 4: Two of your husbands into the bedroom.

910
00:41:22,880 --> 00:41:26,319
Speaker 7: You're listening to the Christian o'cyles show podcast.

911
00:41:26,239 --> 00:41:28,759
Speaker 4: Carrying on because last week's was so weak. It's back

912
00:41:28,840 --> 00:41:33,120
Speaker 4: for more weakness. The Olympic Special. There's no business like

913
00:41:33,360 --> 00:41:34,600
Speaker 4: show business.

914
00:41:35,320 --> 00:41:38,480
Speaker 14: Jess Fox just beat my sister for a position in

915
00:41:38,520 --> 00:41:40,120
Speaker 14: the London Olympics.

916
00:41:40,160 --> 00:41:44,080
Speaker 3: My husband's mother baby sat Emma mckehn's mother.

917
00:41:44,400 --> 00:41:46,520
Speaker 9: I was rolling along the Yarrow in a skull and

918
00:41:46,560 --> 00:41:47,399
Speaker 9: I fell out of my.

919
00:41:47,400 --> 00:41:49,399
Speaker 23: Skull and a crew that had to stop and help

920
00:41:49,480 --> 00:41:50,880
Speaker 23: me with the awesome fortune.

921
00:41:50,960 --> 00:41:52,839
Speaker 4: The walkers who are competing.

922
00:41:52,560 --> 00:41:54,560
Speaker 9: The Olympics used to walk past the fruit shop where

923
00:41:54,560 --> 00:41:54,799
Speaker 9: I work.

924
00:41:54,880 --> 00:41:57,719
Speaker 4: One of them came in one day to buy Banana's

925
00:41:57,760 --> 00:42:01,839
Speaker 4: Weakest Fame. That last story was why we brought about

926
00:42:01,880 --> 00:42:07,839
Speaker 4: the Olympic Special. Emma, good morning, you're up first this morning.

927
00:42:07,920 --> 00:42:08,840
Speaker 4: Welcome to the show.

928
00:42:09,520 --> 00:42:10,600
Speaker 14: Good morning, Here are you going?

929
00:42:10,640 --> 00:42:12,600
Speaker 4: We're good? I hope you having a good week so far. Emma,

930
00:42:12,600 --> 00:42:14,840
Speaker 4: thanks for cooling the show and so the games and you.

931
00:42:14,960 --> 00:42:15,680
Speaker 4: What's your connection?

932
00:42:16,840 --> 00:42:19,480
Speaker 14: So, my mom's best friend in high school, John, his

933
00:42:19,640 --> 00:42:22,719
Speaker 14: daughter is currently playing for the Opals Beck Allen at

934
00:42:22,719 --> 00:42:23,760
Speaker 14: the Olympics at the moment.

935
00:42:24,000 --> 00:42:26,080
Speaker 4: That is exciting. They're in the court finals. So doren't

936
00:42:26,080 --> 00:42:30,200
Speaker 4: they they are? Yes, so remind us of the very

937
00:42:30,239 --> 00:42:32,760
Speaker 4: tenuous connection again between you and the Opals.

938
00:42:33,880 --> 00:42:36,760
Speaker 13: So it's my mom's best friend from high school.

939
00:42:37,080 --> 00:42:37,880
Speaker 12: It's his daughter.

940
00:42:38,680 --> 00:42:40,680
Speaker 4: Wow was that three or four?

941
00:42:40,960 --> 00:42:43,680
Speaker 3: Yeah, it's not like you would go around her house

942
00:42:43,680 --> 00:42:45,200
Speaker 3: and talk to her about the Oples.

943
00:42:45,840 --> 00:42:47,919
Speaker 12: No, we used to hang out his kids the town.

944
00:42:48,200 --> 00:42:50,680
Speaker 4: Not anymore, but odd to go in anyone's house and

945
00:42:50,760 --> 00:42:51,840
Speaker 4: just talked about the Opals.

946
00:42:52,520 --> 00:42:53,440
Speaker 3: Not if you're an opul.

947
00:42:53,760 --> 00:42:55,440
Speaker 4: Hello, I'm here to talk to you today. Is it

948
00:42:55,440 --> 00:42:58,799
Speaker 4: about Jeviy's waitness? No notice about the Opals? Actually? How

949
00:42:58,800 --> 00:43:01,560
Speaker 4: about them Opoles? I Emma, thank you very much. She

950
00:43:01,680 --> 00:43:05,640
Speaker 4: called Simone. Hello, I know Simone? What have you got them?

951
00:43:06,440 --> 00:43:11,080
Speaker 15: Okay? So my sister used to swim with the sister

952
00:43:11,640 --> 00:43:15,480
Speaker 15: of Brendan Smith, the bronze medaler in the four hundred

953
00:43:16,200 --> 00:43:16,880
Speaker 15: I am event.

954
00:43:18,680 --> 00:43:21,000
Speaker 4: Let's take some following. It gets better. Carry on.

955
00:43:21,719 --> 00:43:27,399
Speaker 15: Yes, the Olympic swim coach Wayne Laws that was her

956
00:43:27,440 --> 00:43:28,880
Speaker 15: coach as well years ago.

957
00:43:29,480 --> 00:43:30,560
Speaker 4: When did you say it gets better?

958
00:43:32,400 --> 00:43:34,680
Speaker 3: Everybody only knows one swimming coach.

959
00:43:36,120 --> 00:43:41,439
Speaker 4: The machine bottle. Thank you very much, thanks you calling.

960
00:43:41,600 --> 00:43:42,120
Speaker 4: Have a good day.

961
00:43:42,680 --> 00:43:44,000
Speaker 14: Thank you by Mark.

962
00:43:46,280 --> 00:43:54,279
Speaker 4: Hello, Hello Mark, christ Yes, yes, yes we got to Hey,

963
00:43:55,400 --> 00:43:56,000
Speaker 4: I'm good Mark.

964
00:43:57,160 --> 00:44:00,879
Speaker 8: I am my weakest client to frame is I live

965
00:44:01,840 --> 00:44:05,400
Speaker 8: five minutes away and I drive past every day for

966
00:44:05,560 --> 00:44:08,880
Speaker 8: the McKean swim center. So the parents of Emma mckehon

967
00:44:08,920 --> 00:44:12,920
Speaker 8: and David McKean, the well the golden girl at the

968
00:44:12,960 --> 00:44:16,359
Speaker 8: moment here in woman Gone in your South Wales. Yeah,

969
00:44:16,400 --> 00:44:18,160
Speaker 8: I drive past it every day.

970
00:44:19,040 --> 00:44:21,640
Speaker 3: Her parents swim school. That's why she's going so good

971
00:44:21,640 --> 00:44:22,160
Speaker 3: at swimming.

972
00:44:22,880 --> 00:44:28,359
Speaker 8: Yeah, it's McKean's swim center. It's in Unidera in one well.

973
00:44:28,880 --> 00:44:30,319
Speaker 4: I know that we've ever had a call on the

974
00:44:30,320 --> 00:44:32,719
Speaker 4: weakest claim to favor and Olympic specially not connected to

975
00:44:32,719 --> 00:44:38,160
Speaker 4: a building. This is in new high low building. This

976
00:44:38,760 --> 00:44:41,520
Speaker 4: welcome in the new era. Now for the weeks going

977
00:44:41,560 --> 00:44:44,200
Speaker 4: to name a building. I love it. Thank you very much, Mark.

978
00:44:44,760 --> 00:44:46,440
Speaker 7: The Christian O'Connell Show.

979
00:44:46,360 --> 00:44:50,440
Speaker 4: Podcast Wednesday's weakest claim to Fame it's back and it's

980
00:44:50,440 --> 00:44:55,320
Speaker 4: an Olympic special. So far a building gives master on

981
00:44:55,400 --> 00:44:57,320
Speaker 4: the way to work every day. What is your weakest

982
00:44:57,320 --> 00:45:00,160
Speaker 4: claim to fame and the Olympics? I saw someone. I

983
00:45:00,160 --> 00:45:01,600
Speaker 4: hope they're not being put through. It's just got the

984
00:45:01,600 --> 00:45:04,680
Speaker 4: same name as Jess Fox. That might be stretching it.

985
00:45:05,320 --> 00:45:06,879
Speaker 3: So we are for a week as.

986
00:45:08,840 --> 00:45:11,640
Speaker 4: That means we must put the just the same name.

987
00:45:11,680 --> 00:45:13,640
Speaker 4: Maybe tomorrow or by the end of Woman the last

988
00:45:13,680 --> 00:45:16,480
Speaker 4: year of the Golden Farm next week on Monday, show Calling.

989
00:45:16,560 --> 00:45:18,040
Speaker 4: If you've got the name, if you share a name

990
00:45:18,040 --> 00:45:20,640
Speaker 4: with an olympium? All right, No four one four one

991
00:45:20,680 --> 00:45:22,759
Speaker 4: o four three. What is your weakest cie to fame

992
00:45:22,880 --> 00:45:26,640
Speaker 4: and the Olympics? Ben? Good morning, Good morning, Ben? What

993
00:45:26,719 --> 00:45:28,759
Speaker 4: have you got for us? All right?

994
00:45:28,880 --> 00:45:35,279
Speaker 24: So my girlfriend's ex husband's girlfriend went to school with

995
00:45:35,680 --> 00:45:39,279
Speaker 24: Bridget Comps, who's married to James Tompkins.

996
00:45:39,800 --> 00:45:41,520
Speaker 4: I'll tell you what. The fact that you can recall

997
00:45:41,719 --> 00:45:44,080
Speaker 4: all of this so well deserves a prize. I'm going

998
00:45:44,120 --> 00:45:47,440
Speaker 4: to send you a lidler Stein for that. That is

999
00:45:47,600 --> 00:45:50,400
Speaker 4: very complicated. It was like you're almost a detective up

1000
00:45:50,400 --> 00:45:52,880
Speaker 4: in court saying the events that happened leading up to

1001
00:45:52,920 --> 00:45:54,919
Speaker 4: the tank. It's incredible. They're the reco We had there

1002
00:45:55,040 --> 00:45:56,240
Speaker 4: once more? Can you do it again?

1003
00:45:57,160 --> 00:45:57,359
Speaker 7: Ah?

1004
00:45:57,520 --> 00:46:01,440
Speaker 24: That makes it okay. So my girlfriend's ex husband's girlfriend

1005
00:46:01,800 --> 00:46:05,680
Speaker 24: went to school with Bridget Tompkins, who's married to James Tompkins.

1006
00:46:05,960 --> 00:46:08,600
Speaker 4: It's like a rhyme, isn't it well done? So well done, mate,

1007
00:46:08,640 --> 00:46:10,680
Speaker 4: that's a great one, Ben, exactly what I'm looking for.

1008
00:46:10,840 --> 00:46:13,799
Speaker 4: Thanks to calling, no worries, Thank you, Simone.

1009
00:46:14,800 --> 00:46:15,000
Speaker 5: Hi.

1010
00:46:15,880 --> 00:46:20,000
Speaker 23: I bought my garden shed on gum tree of Steve Hooker,

1011
00:46:20,040 --> 00:46:22,400
Speaker 23: the pole volting champion, for a whole eighty dollars.

1012
00:46:22,600 --> 00:46:27,239
Speaker 4: This I love. This is great. So did you recognize

1013
00:46:27,320 --> 00:46:29,520
Speaker 4: Steve straight away or when you were chat He saw

1014
00:46:29,520 --> 00:46:31,040
Speaker 4: a lot of poll votes in the Guard what are

1015
00:46:31,080 --> 00:46:31,640
Speaker 4: you doing here?

1016
00:46:32,080 --> 00:46:34,439
Speaker 23: It was even more of a less claim to fame.

1017
00:46:34,480 --> 00:46:36,120
Speaker 23: My partner had to go around there and when he

1018
00:46:36,160 --> 00:46:38,480
Speaker 23: saw him, he was like, that guy looks really familiar

1019
00:46:38,520 --> 00:46:40,280
Speaker 23: and we had to google him when he got home

1020
00:46:40,360 --> 00:46:42,719
Speaker 23: to realize it was Steve Hooker, the bolt, the pole

1021
00:46:42,800 --> 00:46:44,719
Speaker 23: vaulted Olympic champion.

1022
00:46:45,280 --> 00:46:47,560
Speaker 4: Tomorrow we should take calls. Have you ever bought anything

1023
00:46:47,640 --> 00:46:50,879
Speaker 4: of someone famous? Who was the star? And what did

1024
00:46:50,920 --> 00:46:54,520
Speaker 4: you buy? Eighty bucks? You say as well? Sending that

1025
00:46:54,560 --> 00:46:55,239
Speaker 4: old shed of his.

1026
00:46:55,800 --> 00:46:57,480
Speaker 23: Yep, the whole eighty bucks and it had a few

1027
00:46:57,520 --> 00:46:58,560
Speaker 23: dings in it, so I don't.

1028
00:46:58,360 --> 00:47:02,520
Speaker 4: Know what those big pole vaults to put a shed

1029
00:47:02,560 --> 00:47:06,239
Speaker 4: window out with those? Yeah, Simon, that's a great one.

1030
00:47:06,239 --> 00:47:09,480
Speaker 4: We'll send your price. Thanks to call him. Thank you, Lachlan.

1031
00:47:10,680 --> 00:47:14,719
Speaker 9: Hey, guys, my wakest claim to fame is probably with

1032
00:47:14,800 --> 00:47:17,440
Speaker 9: my Olympic one. I used to work in a five

1033
00:47:17,560 --> 00:47:19,440
Speaker 9: day hotel with an open kitchen, and one of my

1034
00:47:19,800 --> 00:47:22,279
Speaker 9: colleagues used to scream at celebrities and then duck down,

1035
00:47:22,920 --> 00:47:27,080
Speaker 9: and one one day I was I'll be turning around, going,

1036
00:47:27,120 --> 00:47:29,760
Speaker 9: what is what you're screaming at? One day I screamed

1037
00:47:29,800 --> 00:47:32,520
Speaker 9: at Kathie. Kathy and I turned around and Captain screaming

1038
00:47:32,560 --> 00:47:34,000
Speaker 9: and I were just sort of staring at each other.

1039
00:47:34,360 --> 00:47:42,280
Speaker 4: Howewably, what a game he would scream up famous random people.

1040
00:47:42,480 --> 00:47:45,440
Speaker 9: Sometimes I weren't celebrities for the lovel but.

1041
00:47:46,239 --> 00:47:49,600
Speaker 3: Uh, did you say this is a five star hotels?

1042
00:47:50,000 --> 00:47:50,880
Speaker 8: Yeah they were You.

1043
00:47:52,480 --> 00:47:54,760
Speaker 4: Coin to be yelled at white people randomly?

1044
00:47:55,560 --> 00:47:56,200
Speaker 9: Yes, it was.

1045
00:47:56,200 --> 00:47:56,520
Speaker 8: It was.

1046
00:47:56,640 --> 00:47:58,080
Speaker 9: It was entertaining to.

1047
00:47:58,080 --> 00:48:00,920
Speaker 4: Him, So he would do the yelling duck down, and

1048
00:48:01,080 --> 00:48:03,160
Speaker 4: some would look around. You just stood there.

1049
00:48:03,440 --> 00:48:05,400
Speaker 9: Somebody want would look around, and then I'd look around,

1050
00:48:05,400 --> 00:48:08,080
Speaker 9: going what's he yelling at? And then I'd make our

1051
00:48:08,120 --> 00:48:09,360
Speaker 9: country with somebody staring at me.

1052
00:48:10,440 --> 00:48:13,719
Speaker 4: That be that be it, And it happened to be

1053
00:48:14,920 --> 00:48:16,319
Speaker 4: one of the greatest Olympias.

1054
00:48:17,880 --> 00:48:19,280
Speaker 3: Who was some of your other targets?

1055
00:48:19,320 --> 00:48:21,800
Speaker 9: Yeah, yeah, who's in the Hall of Fame Alice Cooper

1056
00:48:21,840 --> 00:48:30,239
Speaker 9: as well Mundane and the guys are very not Chili

1057
00:48:30,280 --> 00:48:37,400
Speaker 9: Peppers Rain, but yeah, if you have the guys. Basically,

1058
00:48:37,800 --> 00:48:40,960
Speaker 9: I've had a lot of a lot of eye contacts

1059
00:48:41,040 --> 00:48:42,160
Speaker 9: sort of claimed to fans.

1060
00:48:42,520 --> 00:48:47,320
Speaker 4: Yes, amazing, amazing scenes. We have to give you a

1061
00:48:47,400 --> 00:48:50,080
Speaker 4: prize for this with any one of our highly coveted

1062
00:48:50,160 --> 00:48:53,920
Speaker 4: lidless Stein's very good and thank.

1063
00:48:53,760 --> 00:48:57,480
Speaker 7: You, Christian Connell Show podcast Rachel.

1064
00:48:57,160 --> 00:49:00,480
Speaker 4: Coomerning, Oh Christian, how are you? I'm good? Thanks for

1065
00:49:00,560 --> 00:49:04,520
Speaker 4: I's going to help you work very well. Thank you excellent.

1066
00:49:04,560 --> 00:49:06,879
Speaker 4: What's your weakest claim to fame and the Olympics?

1067
00:49:07,200 --> 00:49:11,520
Speaker 16: Okay, my weakest claim to fame is to Harry Garside,

1068
00:49:11,640 --> 00:49:14,520
Speaker 16: the boxer that won yesterday and is now in the semifinals.

1069
00:49:16,040 --> 00:49:20,879
Speaker 16: My workmate's son used to work for his dad, and

1070
00:49:21,239 --> 00:49:24,399
Speaker 16: coincidentally he also used to date my boss's daughter.

1071
00:49:25,239 --> 00:49:28,600
Speaker 4: Lot going on this. Yeah, Harry gars guarantee you getting

1072
00:49:28,600 --> 00:49:30,319
Speaker 4: medal at least a bronze tomorrow, which I think is

1073
00:49:30,320 --> 00:49:33,200
Speaker 4: the first in thirty years. Yeah, you s Melbourne lad

1074
00:49:33,200 --> 00:49:35,680
Speaker 4: as well. Great wotcha fight yesterday?

1075
00:49:36,120 --> 00:49:36,359
Speaker 8: Yeah.

1076
00:49:36,360 --> 00:49:38,160
Speaker 4: I think he used to do ballet as well, which

1077
00:49:38,200 --> 00:49:40,759
Speaker 4: is why he's got such great footwork. He's a lovely kid. Yeah,

1078
00:49:40,760 --> 00:49:42,799
Speaker 4: I got everyone should watch the fight tomorrow. I think

1079
00:49:42,840 --> 00:49:45,440
Speaker 4: it's at five o'clocks the semifinals. So he guaranteed to

1080
00:49:45,440 --> 00:49:47,000
Speaker 4: get at liasta bronze in the boxing, which is.

1081
00:49:47,040 --> 00:49:48,480
Speaker 16: Huge, which is fantastic.

1082
00:49:48,560 --> 00:49:48,719
Speaker 8: Yes.

1083
00:49:48,880 --> 00:49:51,880
Speaker 4: So the connection to the gray Harry gar Side future

1084
00:49:51,880 --> 00:49:55,040
Speaker 4: medal winner tomorrow is.

1085
00:49:54,000 --> 00:49:58,160
Speaker 16: Is my work mate son used to work for Harry's dad.

1086
00:49:58,440 --> 00:50:00,279
Speaker 4: I wonder how many people have come out the would

1087
00:50:00,280 --> 00:50:03,280
Speaker 4: work since you know these people have been winning medals

1088
00:50:03,280 --> 00:50:05,919
Speaker 4: going oh yeah, Jess Foxy, Oh no, old man never

1089
00:50:06,040 --> 00:50:08,120
Speaker 4: mentioned it in the last couple of years. You know,

1090
00:50:08,280 --> 00:50:11,040
Speaker 4: suddenly when Tiger's win a premiership and you see that

1091
00:50:11,080 --> 00:50:14,960
Speaker 4: neighbor never wear the jumper ever before suddenly proudly walking

1092
00:50:15,000 --> 00:50:17,520
Speaker 4: around with it. I bet there's a lot of people

1093
00:50:17,600 --> 00:50:19,680
Speaker 4: now who claim to have worked on sites with Harry

1094
00:50:19,680 --> 00:50:20,680
Speaker 4: Garside that's great.

1095
00:50:21,239 --> 00:50:22,040
Speaker 16: I bet they did.

1096
00:50:22,640 --> 00:50:23,759
Speaker 4: Thank you Rachel for you Cale.

1097
00:50:24,080 --> 00:50:24,960
Speaker 16: No where it's Christian.

1098
00:50:25,120 --> 00:50:29,440
Speaker 4: Hie Vanessa, Christian, how are you good? Vanessa? What's your

1099
00:50:29,640 --> 00:50:30,640
Speaker 4: weakest claim to fame?

1100
00:50:31,080 --> 00:50:33,840
Speaker 14: My weakest claim to fame is seeing Ian Thorp and

1101
00:50:33,880 --> 00:50:36,839
Speaker 14: a hairdresses in Sydney after busting up my face by

1102
00:50:36,880 --> 00:50:37,960
Speaker 14: running into a glass wall.

1103
00:50:39,320 --> 00:50:41,160
Speaker 4: So thort piece in the hairdressers.

1104
00:50:41,680 --> 00:50:46,440
Speaker 22: Yes, good in that beard trimmed quite possibly big old beard.

1105
00:50:46,480 --> 00:50:47,440
Speaker 4: That isn't it impressive?

1106
00:50:47,480 --> 00:50:51,799
Speaker 3: Bed dark beard, beard, very dark beard.

1107
00:50:52,040 --> 00:50:54,759
Speaker 4: It looks like he's in disguise. Is he hiding from

1108
00:50:54,760 --> 00:50:57,680
Speaker 4: the taxman? We know it's you under there, Ian, Come

1109
00:50:57,719 --> 00:51:02,280
Speaker 4: on out. I think during the commentary last week, Bazil

1110
00:51:02,480 --> 00:51:04,520
Speaker 4: sits in the bench and they worked together like that.

1111
00:51:05,120 --> 00:51:08,880
Speaker 4: Are you in there at Basil? So anyway in thoughts

1112
00:51:08,880 --> 00:51:12,919
Speaker 4: getting his hair cut and you smashed through the window. Look.

1113
00:51:13,000 --> 00:51:15,600
Speaker 14: I was in Sydney for the first time, and I

1114
00:51:15,680 --> 00:51:17,759
Speaker 14: was racing to meet a friend who was in a

1115
00:51:18,160 --> 00:51:20,960
Speaker 14: like a nose standing zone, and like, I was encountered

1116
00:51:20,960 --> 00:51:22,520
Speaker 14: a whole bunch of people that were getting off a

1117
00:51:22,560 --> 00:51:25,040
Speaker 14: bus and I thought I'd just run around those people

1118
00:51:25,080 --> 00:51:29,040
Speaker 14: because they're in my way. So I ran around them,

1119
00:51:29,080 --> 00:51:32,040
Speaker 14: not thinking that they were walking through a wall through

1120
00:51:32,040 --> 00:51:35,879
Speaker 14: a door story and it was glass, and I thought, yeah,

1121
00:51:35,960 --> 00:51:39,080
Speaker 14: I'll just move around them, running full palt into the

1122
00:51:39,160 --> 00:51:40,920
Speaker 14: glass wall attached.

1123
00:51:40,560 --> 00:51:41,000
Speaker 3: To the door.

1124
00:51:41,440 --> 00:51:43,840
Speaker 4: Oh what happened? Did it? Chatau? Or you bounce off it?

1125
00:51:45,040 --> 00:51:48,160
Speaker 14: Thankfully? I bounced off it. My face didn't get away

1126
00:51:48,200 --> 00:51:52,000
Speaker 14: so kindly, but yes, my friend picked me up. We

1127
00:51:52,360 --> 00:51:56,400
Speaker 14: continued touristy things by going to a resort.

1128
00:51:57,080 --> 00:51:58,880
Speaker 4: He sits there every day and waiting for people to

1129
00:51:58,880 --> 00:51:59,279
Speaker 4: see him.

1130
00:52:00,320 --> 00:52:00,800
Speaker 21: The whole.

1131
00:52:02,320 --> 00:52:04,759
Speaker 4: Employ him. It's like an artist in residence. You just

1132
00:52:04,800 --> 00:52:06,960
Speaker 4: sit in the chairman with Jimmy Beard DVID free for

1133
00:52:07,040 --> 00:52:07,560
Speaker 4: ten bucks.

1134
00:52:07,560 --> 00:52:10,240
Speaker 3: You can pick up the scissors and have a trimmer yourself.

1135
00:52:11,960 --> 00:52:15,200
Speaker 4: All right, Vanessa, thank you very much. Have good day.

1136
00:52:15,440 --> 00:52:19,399
Speaker 4: Last one this morning before Patsy's handlines. Brody, hey man,

1137
00:52:19,400 --> 00:52:21,839
Speaker 4: how's it going? I'm good, Brody. So weakest claim to fame

1138
00:52:21,920 --> 00:52:23,000
Speaker 4: and the games? What is it?

1139
00:52:23,760 --> 00:52:27,760
Speaker 6: My weakest claim to fame is probably not as funny,

1140
00:52:27,840 --> 00:52:33,480
Speaker 6: but probably the weakest. I'm matched with Brooks Stratton's younger sister,

1141
00:52:33,640 --> 00:52:35,840
Speaker 6: Brooks Stratton a long jumper on tim dat.

1142
00:52:39,480 --> 00:52:42,680
Speaker 4: Now, how did he know the connection to brook Straton's

1143
00:52:42,800 --> 00:52:43,760
Speaker 4: in a dating profile.

1144
00:52:44,440 --> 00:52:49,839
Speaker 6: Well, my another connection is my brother actually knows their

1145
00:52:49,880 --> 00:52:54,920
Speaker 6: younger brother. So they boy was my brother found out

1146
00:52:54,920 --> 00:52:57,560
Speaker 6: that I'd match with her and Matt and then he

1147
00:52:57,640 --> 00:53:00,759
Speaker 6: said he went on to talk better sister and that

1148
00:53:00,840 --> 00:53:03,959
Speaker 6: then she actually it was roughly in twenty sixteen, I think,

1149
00:53:04,080 --> 00:53:07,879
Speaker 6: and she was going to watch the Olympics to watch

1150
00:53:07,880 --> 00:53:10,120
Speaker 6: her sister. Such a last Olympics.

1151
00:53:10,160 --> 00:53:14,799
Speaker 4: So yeah, uh now tell me this, So did you

1152
00:53:14,960 --> 00:53:16,320
Speaker 4: date Brooks sister?

1153
00:53:17,160 --> 00:53:23,399
Speaker 6: No, she gave me nothing donuts.

1154
00:53:24,600 --> 00:53:27,000
Speaker 3: Right, this is a connection.

1155
00:53:27,239 --> 00:53:29,680
Speaker 4: This is really very weak. He owned it, he did.

1156
00:53:29,840 --> 00:53:32,920
Speaker 4: He began with this, so he's he's actually fulfilled as

1157
00:53:32,920 --> 00:53:38,200
Speaker 4: promise to us. So yeah, there's no connection. You want

1158
00:53:38,200 --> 00:53:41,480
Speaker 4: to go back now? This only go back. Oh buddy Brodie, thanks.

1159
00:53:41,239 --> 00:53:43,560
Speaker 6: You cool, thank you, excuse bye bye.

1160
00:53:44,440 --> 00:53:46,359
Speaker 4: He sounded like it was disguising his voice in there,

1161
00:53:46,400 --> 00:53:48,960
Speaker 4: like one of those witnesses that were in the dark.

1162
00:53:49,000 --> 00:53:51,880
Speaker 7: Christian know Connell's show podcast.

1163
00:53:51,640 --> 00:53:56,440
Speaker 4: All right, Today's at work time waster. As you know

1164
00:53:56,480 --> 00:53:59,279
Speaker 4: on the show, Jack and I very big fan. So

1165
00:53:59,400 --> 00:54:03,000
Speaker 4: the Backstery very excited about them coming to Australia next

1166
00:54:03,080 --> 00:54:06,640
Speaker 4: year and our Backstreet Boys boys night out to go along.

1167
00:54:06,640 --> 00:54:08,279
Speaker 3: It's the only thing in the calendar for next year.

1168
00:54:08,320 --> 00:54:09,000
Speaker 3: What's the date.

1169
00:54:08,880 --> 00:54:13,879
Speaker 4: Again, March seventh, that's Tuesday night, March seven and eight.

1170
00:54:14,440 --> 00:54:19,360
Speaker 4: I haven't even got my children's birthdays in next year yet. However,

1171
00:54:19,400 --> 00:54:21,360
Speaker 4: I've read a very mean article that a couple of

1172
00:54:21,400 --> 00:54:24,000
Speaker 4: you sent to me saying that the Backstreet Boys someone's

1173
00:54:24,000 --> 00:54:26,080
Speaker 4: got one of these horrible online polls and they should

1174
00:54:26,160 --> 00:54:29,160
Speaker 4: change their name to be like, they're not boys anymore.

1175
00:54:29,160 --> 00:54:31,640
Speaker 4: They're heading towards fifty. That's shaming, that's cruel.

1176
00:54:31,680 --> 00:54:33,600
Speaker 3: You don't touch the Backstreet Boys name, No.

1177
00:54:33,600 --> 00:54:37,120
Speaker 4: You don't. All right, So older boy bands, older boy

1178
00:54:37,200 --> 00:54:41,000
Speaker 4: bands is today's time waster. Now when we say boy bands,

1179
00:54:41,320 --> 00:54:44,080
Speaker 4: this has been really stretched. If dudes are in the band,

1180
00:54:44,440 --> 00:54:48,920
Speaker 4: it's a boy band that applies to legs after owning stones.

1181
00:54:49,440 --> 00:54:51,480
Speaker 4: If there's men in the band, it's a boy band.

1182
00:54:51,480 --> 00:54:56,719
Speaker 4: This morning, all right, older boy bands. Boys to Men

1183
00:54:56,880 --> 00:54:59,120
Speaker 4: one of the most successful boy bands. As they get

1184
00:54:59,120 --> 00:55:07,880
Speaker 4: a bit older, of course, boys to menopause. Gold take that.

1185
00:55:07,880 --> 00:55:09,600
Speaker 4: We're a big band. But as they get older, you

1186
00:55:09,719 --> 00:55:13,840
Speaker 4: gotta have that afternoon Nana nap, that's right, take naps, Gold,

1187
00:55:15,960 --> 00:55:20,799
Speaker 4: New Kids on my Lawn, Silver plus but for the

1188
00:55:20,800 --> 00:55:29,000
Speaker 4: performance Haney cut the slip DISCRMA back too much performance.

1189
00:55:32,360 --> 00:55:34,719
Speaker 4: Old people. They kick those old indicators on, don't they.

1190
00:55:36,080 --> 00:55:39,880
Speaker 4: That's right? Harry stars his old bands together. Wrong direction,

1191
00:55:41,520 --> 00:55:46,919
Speaker 4: bronze damn wonder able way to leave. I went down

1192
00:55:47,000 --> 00:55:51,480
Speaker 4: through the medals there all right, jackie boy, what have

1193
00:55:51,520 --> 00:55:53,080
Speaker 4: you got older boy bands?

1194
00:55:53,120 --> 00:55:53,920
Speaker 3: Old bands?

1195
00:55:54,000 --> 00:55:54,200
Speaker 7: Yeah?

1196
00:55:54,440 --> 00:55:55,480
Speaker 3: Full of notes.

1197
00:55:58,920 --> 00:56:03,960
Speaker 4: Hole gold nine million notes is one of your best

1198
00:56:04,000 --> 00:56:04,600
Speaker 4: ones of the year.

1199
00:56:06,960 --> 00:56:10,040
Speaker 3: We love the Irish band. I believe boy band West Live.

1200
00:56:10,200 --> 00:56:12,960
Speaker 4: No, we don't. Oh for this? Oh yeah, yeah, I

1201
00:56:12,960 --> 00:56:16,080
Speaker 4: love Sorry yeah, oh no, you have it not the

1202
00:56:16,160 --> 00:56:23,239
Speaker 4: best national thing. Hockey comes in with.

1203
00:56:25,160 --> 00:56:26,520
Speaker 3: Who's the most famous member of?

1204
00:56:26,840 --> 00:56:27,200
Speaker 4: End Sync?

1205
00:56:28,080 --> 00:56:28,239
Speaker 8: Oh?

1206
00:56:28,320 --> 00:56:29,160
Speaker 4: Probably don'ts fast?

1207
00:56:29,239 --> 00:56:30,799
Speaker 3: No, no, come on, do the best.

1208
00:56:31,920 --> 00:56:34,560
Speaker 4: He asked me to do this earlier. Sorry take two,

1209
00:56:34,640 --> 00:56:36,399
Speaker 4: I remember. Now ask me a game.

1210
00:56:36,520 --> 00:56:38,280
Speaker 3: Who's the most famous member of Justin.

1211
00:56:38,200 --> 00:56:41,920
Speaker 4: Joey, Justin Timberlake?

1212
00:56:42,160 --> 00:56:44,000
Speaker 3: No, Justin Linz could break.

1213
00:56:47,280 --> 00:56:48,080
Speaker 4: You can have a goal?

1214
00:56:48,480 --> 00:56:52,399
Speaker 3: Thank you. And finally, it is sad when an old

1215
00:56:52,440 --> 00:56:55,680
Speaker 3: person passes on and to go into the darkness? Are

1216
00:56:55,719 --> 00:56:58,520
Speaker 3: we yes? And at the funeral we have to give eulogies.

1217
00:56:59,000 --> 00:57:01,560
Speaker 3: What would make that more? If the boy band could

1218
00:57:01,560 --> 00:57:07,360
Speaker 3: do them. It's the uler begs. I see you straining

1219
00:57:07,400 --> 00:57:10,640
Speaker 3: to hold back the laughter. I'm lying to save radio.

1220
00:57:11,040 --> 00:57:12,279
Speaker 4: I'm trying to hold the shop.

1221
00:57:12,360 --> 00:57:13,560
Speaker 3: He's got tears in your eye.

1222
00:57:14,120 --> 00:57:17,320
Speaker 4: I'm stuck in the laughter. Silver Plus.

1223
00:57:18,160 --> 00:57:21,640
Speaker 1: This is the Christian O'Connell show podcast.

1224
00:57:22,080 --> 00:57:25,880
Speaker 4: Older boy Bands. You're ready to mark?

1225
00:57:25,960 --> 00:57:26,920
Speaker 3: Jack ready to go?

1226
00:57:27,320 --> 00:57:28,760
Speaker 4: Sorry?

1227
00:57:29,360 --> 00:57:31,760
Speaker 3: What does ready to go?

1228
00:57:33,840 --> 00:57:37,080
Speaker 4: Chars? Because they're older. There's plaining of carrots, there's plaining charrocs. Everyone.

1229
00:57:37,720 --> 00:57:38,400
Speaker 4: You sure you're right?

1230
00:57:38,440 --> 00:57:38,880
Speaker 3: Older man?

1231
00:57:39,200 --> 00:57:44,480
Speaker 4: Yeah, that's it, flu Fighters, Silver and Over the hill

1232
00:57:44,520 --> 00:57:51,120
Speaker 4: Top Hoods Gold. That's very good libby Paul mccarmeny, gold.

1233
00:57:53,240 --> 00:57:53,520
Speaker 6: Fiel.

1234
00:57:53,760 --> 00:57:57,640
Speaker 4: Very funny. Old men on the patio? Is that really

1235
00:57:57,640 --> 00:58:01,400
Speaker 4: where old people go? Hang around a patio? O Bronze,

1236
00:58:02,520 --> 00:58:08,480
Speaker 4: how compound? I think that is really funny. Hey you

1237
00:58:08,560 --> 00:58:12,640
Speaker 4: know that old Chalcum don't they? Red Hot? Chili Brunes,

1238
00:58:13,760 --> 00:58:21,320
Speaker 4: Civil Plus Culture, Country Club goldr David Almost Dead Zeppelin.

1239
00:58:21,480 --> 00:58:23,760
Speaker 4: That's disrespectful to Jimmy Page.

1240
00:58:23,760 --> 00:58:25,560
Speaker 3: And Robert Plants Civil Pluss, but.

1241
00:58:25,520 --> 00:58:30,400
Speaker 4: Funny Jackie Nickel, Backache Bronze, Get those new kids off

1242
00:58:30,400 --> 00:58:30,880
Speaker 4: my block?

1243
00:58:31,760 --> 00:58:34,000
Speaker 3: Too similar of your to yours? Bronze.

1244
00:58:34,080 --> 00:58:37,280
Speaker 4: Sorry, Pete, I drank it down there, buddy, retirement village

1245
00:58:37,280 --> 00:58:41,880
Speaker 4: people in the village people, I hope they are in

1246
00:58:41,920 --> 00:58:48,360
Speaker 4: a place called the retirement. Had the traffic of Indian

1247
00:58:50,360 --> 00:58:51,760
Speaker 4: new kids on the chopping.

1248
00:58:51,480 --> 00:58:56,280
Speaker 3: Block, not really an old person Bronze.

1249
00:58:56,280 --> 00:58:57,800
Speaker 4: Bob Marley and the Wines instead of.

1250
00:58:57,760 --> 00:59:00,080
Speaker 3: The Whalers, Civil plus.

1251
00:59:02,200 --> 00:59:08,760
Speaker 4: Gums n' roses, Silver, Black Eyed Mash Peace silver instead

1252
00:59:08,760 --> 00:59:15,080
Speaker 4: of earth wind and Fire, Earthy Windy Silver only Zz

1253
00:59:15,240 --> 00:59:21,640
Speaker 4: Grand Pop Bronze, the Backstreet Boomers Silver, Gunford and Sons.

1254
00:59:23,320 --> 00:59:23,680
Speaker 3: Gold.

1255
00:59:24,160 --> 00:59:30,280
Speaker 4: Gavin, well done, my Back's weak boys Bronze. Yeah, all right,

1256
00:59:30,360 --> 00:59:35,320
Speaker 4: let's look ahead too. The Goldathon two days, no gold

1257
00:59:35,320 --> 00:59:38,560
Speaker 4: of Thons, no golden washing machines to be given away

1258
00:59:38,600 --> 00:59:43,520
Speaker 4: to you guys, because no gold's won in Tokyo Goldons

1259
00:59:43,560 --> 00:59:46,440
Speaker 4: second week so far, Jack, how many golden washing machines?

1260
00:59:46,680 --> 00:59:47,560
Speaker 4: How have we given away?

1261
00:59:47,680 --> 00:59:50,000
Speaker 3: Well, seeing as we're doing it per person now, so

1262
00:59:50,120 --> 00:59:52,960
Speaker 3: four people in the women's real a means four golden

1263
00:59:53,000 --> 00:59:55,400
Speaker 3: washing machines, four people in a rowing boat, four washing machines.

1264
00:59:55,440 --> 00:59:59,200
Speaker 3: So total of twenty six golden washing machines are being

1265
00:59:59,240 --> 01:00:02,240
Speaker 3: prepared and going out two homes as we speak.

1266
01:00:02,440 --> 01:00:04,520
Speaker 4: And what happens today then in Tokyo. What should we

1267
01:00:04,560 --> 01:00:05,160
Speaker 4: be looking out for?

1268
01:00:05,240 --> 01:00:08,680
Speaker 3: We have a guaranteed gold, two golds, two guys in

1269
01:00:08,680 --> 01:00:12,120
Speaker 3: the boat, two guys in the men's four seventy sailing.

1270
01:00:12,280 --> 01:00:14,400
Speaker 3: I don't agree with how they run the sailing. They

1271
01:00:14,400 --> 01:00:15,840
Speaker 3: could make it way more exciting if.

1272
01:00:15,720 --> 01:00:18,400
Speaker 4: It was just what I mean sailing. We understand. What's

1273
01:00:18,400 --> 01:00:22,440
Speaker 4: the four seventy? Is it the size of the boat? Yes,

1274
01:00:22,840 --> 01:00:25,560
Speaker 4: that makes sense. Thank you for answering the questions.

1275
01:00:25,600 --> 01:00:26,040
Speaker 3: I don't know.

1276
01:00:26,160 --> 01:00:28,280
Speaker 4: Sometimes I could think about my questions before I go

1277
01:00:28,320 --> 01:00:31,160
Speaker 4: on hour with Well, house wouldn't be called four seventy?

1278
01:00:31,160 --> 01:00:33,280
Speaker 4: What do you think about it? They just love that number.

1279
01:00:33,400 --> 01:00:36,200
Speaker 3: So those guys just have to, honestly, just have to

1280
01:00:36,240 --> 01:00:36,760
Speaker 3: not get to.

1281
01:00:36,680 --> 01:00:38,120
Speaker 4: Turn up in the old boat and shoes and that

1282
01:00:38,200 --> 01:00:39,800
Speaker 4: rugby sh their shoulder.

1283
01:00:39,440 --> 01:00:41,280
Speaker 3: And they get a gold. So we've got two washing machines.

1284
01:00:41,280 --> 01:00:43,640
Speaker 3: At least tomorrow we've got a chance in the open

1285
01:00:43,720 --> 01:00:46,480
Speaker 3: water swimming at seven thirty am. Oh that's already.

1286
01:00:46,840 --> 01:00:47,360
Speaker 8: How's it going?

1287
01:00:49,520 --> 01:00:52,720
Speaker 4: God? There slow? They want to win Attia.

1288
01:00:52,920 --> 01:00:54,680
Speaker 3: It is a long swim. I think it's ten k's

1289
01:00:54,680 --> 01:00:56,360
Speaker 3: the open water, so they probably so we're.

1290
01:00:56,200 --> 01:00:57,640
Speaker 4: Not going to knock that often an hour and a

1291
01:00:57,680 --> 01:00:58,480
Speaker 4: half are they?

1292
01:00:59,040 --> 01:01:01,919
Speaker 3: The women's steeple chase at nine pm tonight and Peter

1293
01:01:01,960 --> 01:01:04,720
Speaker 3: Bowl going for gold in then eight hundred meters final

1294
01:01:04,800 --> 01:01:07,640
Speaker 3: at ten to oh five pm. Also something to keep

1295
01:01:07,640 --> 01:01:10,000
Speaker 3: a lookout for that Opals will take on Team USA

1296
01:01:10,080 --> 01:01:12,320
Speaker 3: in the quarterfinals of the basketball.

1297
01:01:11,880 --> 01:01:13,960
Speaker 4: All right, good luck Team Australia. We're back tomorrow morning.

1298
01:01:14,040 --> 01:01:15,600
Speaker 4: Thanks for listening a brighter No

1299
01:01:15,760 --> 01:01:18,600
Speaker 7: You're listening to The questian O Kyle Show podcast