WEBVTT - SONIA KRUGER CHATS BIG BROTHER 2021!

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<v Speaker 1>Welcome back to TV Reload. My name's Benjamin Norris, and

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<v Speaker 1>on this podcast, I'll be going behind the scenes with

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<v Speaker 1>the biggest players in television. Kicking off today's episode, I

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<v Speaker 1>want to thank the individual publicity teams at each network

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<v Speaker 1>who have been kind enough to facilitate their talent and producers.

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<v Speaker 1>I would basically be talking to myself without you. In

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<v Speaker 1>the next few weeks, I will have co CEOs at

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<v Speaker 1>Eureka Productions, the head of Matchbox Pictures, and these are

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<v Speaker 1>really not easy people to get in front of, so

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<v Speaker 1>get pretty excited to go behind the scenes of television

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<v Speaker 1>with those guys. A little housekeeping at this point. If

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<v Speaker 1>you're enjoying the podcast, please press subscribe and leave a review.

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<v Speaker 1>It's a huge part of the way in which these

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<v Speaker 1>platforms gain more exposure, which allows us to grow a

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<v Speaker 1>little community of TV enthusiasts. iHeartRadio, iTunes and Spotify are

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<v Speaker 1>all my biggest platforms to access TV Reload, and I

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<v Speaker 1>want to thank them for their visibility because without them,

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<v Speaker 1>I would just be another podcast with no audience. This week,

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<v Speaker 1>I will be reviewing the new series of Big Brother

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<v Speaker 1>and having the one and only Sonya Krueger drop in

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<v Speaker 1>for a chat. There will be no spoilers, and really

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<v Speaker 1>this is an opportunity for you to hear why this

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<v Speaker 1>year's Big Brother is worth watching. It's a challenge based format,

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<v Speaker 1>but the producers at Endemol Shine have really listened to

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<v Speaker 1>criticism and they have cast intelligent, highly engaging, diverse and

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<v Speaker 1>accomplished housemates. This year, we will get to see more

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<v Speaker 1>of them, and I promise you that there is more

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<v Speaker 1>visibility in getting to know each contestant. And at times

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<v Speaker 1>I felt like I was watching the original and even better, yet,

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<v Speaker 1>this Big Brother feels respectful to the original brand, which

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<v Speaker 1>is brilliant because this is the twentieth anniversary of the show,

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<v Speaker 1>which debuted here in Australia in two thousand and one.

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<v Speaker 1>Now for today's guest, I have known Sonya Krueger for

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<v Speaker 1>nearly ten years and I always have people asking what

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<v Speaker 1>Kruger is really like, and the truth is she is generous,

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<v Speaker 1>wickedly funny and thoughtful, which is why her career is

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<v Speaker 1>at an all time high. Produces one to work with her,

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<v Speaker 1>audiences love her and with an authentic voice and an

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<v Speaker 1>unmatched presenting ability, she is the darling of Channel seven

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<v Speaker 1>for a reason. Hosting Holy Molly, Dancing with the Stars,

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<v Speaker 1>The Voice and Big Brother. There's no wonder that she

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<v Speaker 1>has cultivated an appeal that has kept us wanting more.

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<v Speaker 1>Big Brother twenty twenty one is upon us and is

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<v Speaker 1>launching on the twenty sixth of April at seven point

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<v Speaker 1>thirty on Channel seven. So let's get started with today's guest.

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<v Speaker 1>It's the one and only Sonya Krueger.

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<v Speaker 2>It's hard not to be passionate about it when you

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<v Speaker 2>work on it.

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<v Speaker 3>You think you know my game.

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<v Speaker 2>You know there's a lot of great television out there

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<v Speaker 2>in Australia, more than meets the eye. The universe has

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<v Speaker 2>put it back here in front of me for a reason.

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<v Speaker 4>I am Big Brother.

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<v Speaker 2>I love it. I know Gretel loves it, and Gretel

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<v Speaker 2>messages me to She's such a sweetheart and I'll.

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<v Speaker 1>See you Monday April and twenty.

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<v Speaker 2>Six There's a lot of diversity in the past, and

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<v Speaker 2>I think that is another reason that people will find

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<v Speaker 2>somebody that they can relate to.

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<v Speaker 4>How are your mate? Are you well?

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<v Speaker 2>I'm very well. Could not be better. Actually looking forward

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<v Speaker 2>to Monday night's launch. It's epic and I can't wait

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<v Speaker 2>for everybody to see it and to tell me what

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<v Speaker 2>they think.

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<v Speaker 1>You know, I feel like I'm a poker player at

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<v Speaker 1>the moment, and I know it's a good hand, and

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<v Speaker 1>I just want people to be knocked over by what

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<v Speaker 1>these producers have installed. The new housemates are strong.

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<v Speaker 2>He Brother is going to throw us here for smart.

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<v Speaker 3>All my life I've lived outside my comfort zone. Going

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<v Speaker 3>into Big Brother is exactly that and strategic.

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<v Speaker 2>I'm gonna act on and play.

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<v Speaker 3>Smart, but they are in for a bumpy ride.

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<v Speaker 4>Think you know Big Brother's game.

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<v Speaker 2>Think again.

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<v Speaker 1>One of the best things about you as a host

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<v Speaker 1>is that you bring your own Krueger personal flair. And

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<v Speaker 1>I absolutely noticed that with Dancing with the Stars All

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<v Speaker 1>Stars that you went full Krux.

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<v Speaker 2>How is that full two? You know? It's funny doing

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<v Speaker 2>Dancing with the Stars was such a great nostalgic thing

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<v Speaker 2>to do, and it maybe I've realized how off the

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<v Speaker 2>chain we were Originally. We were really allowed to kind

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<v Speaker 2>of do whatever we wanted. There was no auto que.

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<v Speaker 2>We could kind of just fill every segment with whatever

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<v Speaker 2>we felt like at the time, and that kind of

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<v Speaker 2>thing you don't get to do a lot now. So

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<v Speaker 2>it was really great to be back with Todd. For example,

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<v Speaker 2>we're such old friends and we sledge each other relentlessly,

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<v Speaker 2>but it's all in good fun. It's sport for us.

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<v Speaker 2>Before we go, I ask you, Todd, what you think

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<v Speaker 2>of my dress.

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<v Speaker 5>It's good to leave people wanting less.

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<v Speaker 2>And the fact that the viewers like it too, I

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<v Speaker 2>think they know deep down we love each other. We

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<v Speaker 2>really love each other, but our sport on air is

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<v Speaker 2>to try and get one over the other, you know.

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<v Speaker 1>I spoke to Todd a few years ago and he

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<v Speaker 1>said his favorite job is working with you on Dancing

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<v Speaker 1>with the Stars. And he said that sometimes before the show,

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<v Speaker 1>you guys would work out some good jobs to do

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<v Speaker 1>for the show.

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<v Speaker 5>Often she would throw to me from the green room

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<v Speaker 5>which I couldn't see, and she'd make some kind of

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<v Speaker 5>gay joke or something which I loved.

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<v Speaker 4>She's good at a double one tendre. And you'd send

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<v Speaker 4>each other like some messages.

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<v Speaker 1>I thought of this idea, and I think this is

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<v Speaker 1>going to work, and then it would be executed. Or

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<v Speaker 1>sometimes you'd even say to him, I've written this, this

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<v Speaker 1>is a good one for you, and you'd sort of

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<v Speaker 1>tell him.

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<v Speaker 2>Because I would think about he puts hi stuff in

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<v Speaker 2>my position, I put myself in his, and I think, oh,

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<v Speaker 2>if I could be Todd, I would say this, you know,

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<v Speaker 2>and so I would have him and every now and

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<v Speaker 2>then he might use it. Same deal, vice versa. You

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<v Speaker 2>kind of have like that little mental storage bank of

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<v Speaker 2>stuff and it goes into that storage bank, and sometimes

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<v Speaker 2>they just randomly come out at the right moment.

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<v Speaker 5>When Holly Brisley do you know actress Holly Bristol is on,

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<v Speaker 5>So this is one example. So we it's on your

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<v Speaker 5>own in the makeup chair and going okay, you love

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<v Speaker 5>what you've got, and said, well, I've got this line,

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<v Speaker 5>but I don't over that we can say it. And

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<v Speaker 5>it was that dress was so short we nearly saw

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<v Speaker 5>Holly's brizzly.

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<v Speaker 4>It makes gold television. You know.

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<v Speaker 1>What was funny though, was that message I sent you

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<v Speaker 1>the other day on the opening night, and I actually

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<v Speaker 1>didn't realize that I'd recorded this sound of my partner

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<v Speaker 1>and I. As you emerged on screen, we started swearing

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<v Speaker 1>about how good you were, and we didn't realize we'd

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<v Speaker 1>sent it to you with the audio, and then we

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<v Speaker 1>had to write underneath it excuse the swearing.

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<v Speaker 3>Sonya fuck me dead.

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<v Speaker 2>Looking good, Sonny Florry for the swearing. It actually made

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<v Speaker 2>my day, It really did, because you know, it's always

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<v Speaker 2>nerve breaking when you walk out and there's a big entrance,

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<v Speaker 2>especially with you know, there's Darryl Summers and we're we're

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<v Speaker 2>doing this show that was so dear to my and

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<v Speaker 2>you just want to make sure you don't trip over

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<v Speaker 2>that everybody likes what you're wearing. So when you sent

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<v Speaker 2>me that message, it was like, made me feel good

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<v Speaker 2>about everything.

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<v Speaker 1>This season of Big Brother is actually one of the

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<v Speaker 1>best seasons of Big Brother I've ever seen. And you know,

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<v Speaker 1>I'm a diehard fan and I've seen them all and

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<v Speaker 1>I don't want to give too much away because well,

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<v Speaker 1>those people are annoying. What are we going to do

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<v Speaker 1>to get people to tune in on opening night? Because

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<v Speaker 1>I honestly think this series it's addictive and once you

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<v Speaker 1>tune in, you will never be able to turn away.

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<v Speaker 4>What are we going to do to make people watch?

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<v Speaker 2>Well, I think, you know, if people come to that

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<v Speaker 2>first episode, and I really hope they do. They certainly

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<v Speaker 2>did last series. When we launched the show, the first

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<v Speaker 2>episode really set things up so brilliantly, and there is

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<v Speaker 2>so much packed into it. You've got those arrivals to

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<v Speaker 2>have a live audience this year that we didn't have

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<v Speaker 2>last year. You have a massive twist in the first

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<v Speaker 2>episode involving two key characters, and there is so much

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<v Speaker 2>going on. It just rockets along. And there've been some

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<v Speaker 2>amazing reviews written about that first episode already, which I'm

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<v Speaker 2>so thankful for, because you know, there's a lot of

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<v Speaker 2>great television out there in Australia. I think we actually

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<v Speaker 2>make world class TV. Whenever I've been to the States,

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<v Speaker 2>I turn it on. How do they do it? They

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<v Speaker 2>would obviously do it better. It's America, right, but they

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<v Speaker 2>don't necessarily make better television than us. And I think

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<v Speaker 2>we need to understand that we actually do make really

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<v Speaker 2>incredible TV. Seine, who produced Big Brother, have done a

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<v Speaker 2>brilliant job and it's one of those shows, as you say,

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<v Speaker 2>if you start watching it, like I binged seven episodes

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<v Speaker 2>last weekend and then I had to beg please send

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<v Speaker 2>me the next seven. I was there for it, but

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<v Speaker 2>I still wanted to see them put together, put together,

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<v Speaker 2>and just to revisit the whole thing.

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<v Speaker 1>You know, if we go back to the beginning of

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<v Speaker 1>Big Brother and it is the twentieth anniversary, so twenty

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<v Speaker 1>years ago, in two thousand and one, Big Brother launched.

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<v Speaker 1>But what was your first memory or interaction with Big Brother?

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<v Speaker 4>When it launched.

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<v Speaker 2>I got a phone call from Tim Klucas, who was

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<v Speaker 2>working at Channel ten at the time and as I think,

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<v Speaker 2>the head of production there, and he asked me to

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<v Speaker 2>come an audition for this show, this new show called

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<v Speaker 2>Big Brother, and they needed somebody who could do the

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<v Speaker 2>whole live television thing. And he kept saying to me, look,

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<v Speaker 2>there are very few people in Australia that can do that.

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<v Speaker 2>We need you to come, and we've narrowed it down

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<v Speaker 2>to a couple of people. Anyway, as the time sort

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<v Speaker 2>of got closer, he sent me screeners for it. I

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<v Speaker 2>showed it to a couple of friends and they were like, oh, yeah,

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<v Speaker 2>we don't really feel like it's you. And so I

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<v Speaker 2>didn't go to the audition and Gretel ended up being

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<v Speaker 2>the host. And I can't imagine anybody else hosting Big

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<v Speaker 2>Brother in Australia when it first started. And luckily for me,

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<v Speaker 2>Dancing with the Stars was just around the corner at seven,

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<v Speaker 2>So you know, I had this thing I didn't want

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<v Speaker 2>to leave Seven. I didn't want to do a show

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<v Speaker 2>that I didn't really know and love, and Dancing with

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<v Speaker 2>the Stars was something that was in my wheelhouse. So

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<v Speaker 2>it kind of worked out for the best because then,

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<v Speaker 2>you know, if we fast forward like ten or fifteen years,

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<v Speaker 2>it came back around. And it made me think when

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<v Speaker 2>it came back around, and at that point I had

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<v Speaker 2>to make the decision to leave seven and lead Dancing

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<v Speaker 2>with the Stars and go and do Big Brother. And

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<v Speaker 2>I thought, you know, the universe has put it back

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<v Speaker 2>here in front of me for a reason. So I

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<v Speaker 2>feel like there's some weird connection with this particular show.

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<v Speaker 2>It's weird.

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<v Speaker 4>Well, you are you are the queen.

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<v Speaker 1>You're the Queen of Big Brother now, and for so

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<v Speaker 1>many years people sort of thought of Gretel Colleen hosting

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<v Speaker 1>this show. But if you think about it now, there's

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<v Speaker 1>so many people. You know, one of the contestants going

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<v Speaker 1>in this year probably was too young to have watched

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<v Speaker 1>Gretel Colleen hosts the show. And we'd only ever know

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<v Speaker 1>you as being the Queen of Big Brother. So whilst

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<v Speaker 1>we bow down to Gretel Colleen and her amazingness, you've

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<v Speaker 1>really owned this franchise, and you can see that you're

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<v Speaker 1>passionate about it as well, which is important.

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<v Speaker 2>Yeah, I mean I love it. I know Gretel loves it,

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<v Speaker 2>and Gretel messages me too. She's such a it's hard

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<v Speaker 2>not to be passionate about it. I think when you

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<v Speaker 2>work on it, or you've been part of it, or

0:11:05.559 --> 0:11:09.040
<v Speaker 2>you're a Big Brother fan. Our fan base, it's they

0:11:09.080 --> 0:11:12.560
<v Speaker 2>are super fans, you know, they eclipse all other fans

0:11:12.679 --> 0:11:15.640
<v Speaker 2>of every other show. It's because you become so invested

0:11:15.679 --> 0:11:17.720
<v Speaker 2>with the people, you want to get to know them.

0:11:17.920 --> 0:11:21.200
<v Speaker 2>You spend every night with them pretty much. They become

0:11:21.320 --> 0:11:25.640
<v Speaker 2>your surrogate friends. And originally Big Brother was a social experiment.

0:11:25.760 --> 0:11:28.720
<v Speaker 2>It was, you know, the or Welly and kind of

0:11:29.160 --> 0:11:32.959
<v Speaker 2>idea of there's a higher power that's controlling everybody, and

0:11:33.520 --> 0:11:35.960
<v Speaker 2>we cut them off from society and they have no

0:11:36.160 --> 0:11:39.120
<v Speaker 2>interaction with anybody else. And I think it's evolved now

0:11:39.160 --> 0:11:41.840
<v Speaker 2>and it's almost like a mirror into our own lives

0:11:42.000 --> 0:11:44.040
<v Speaker 2>and we look at those people we think, would I

0:11:44.040 --> 0:11:46.560
<v Speaker 2>do that, how would I be, who would I be

0:11:46.600 --> 0:11:49.280
<v Speaker 2>making friends with? What would I do to get to

0:11:49.320 --> 0:11:53.040
<v Speaker 2>the end? Where is my own moral compass in terms

0:11:53.080 --> 0:11:59.160
<v Speaker 2>of betraying friendships or forming alliances. So there's a whole

0:11:59.200 --> 0:12:03.040
<v Speaker 2>other level of strategy with this particular version of the show.

0:12:03.320 --> 0:12:05.360
<v Speaker 2>But at the core of it, and the thing that

0:12:05.480 --> 0:12:08.440
<v Speaker 2>really works in this particular series and that sets it

0:12:08.480 --> 0:12:11.320
<v Speaker 2>the part is the heart. Everybody who's reviewed it so

0:12:11.400 --> 0:12:13.960
<v Speaker 2>far has said that it has this incredible heart and

0:12:14.080 --> 0:12:17.240
<v Speaker 2>soul going on, and that is the thing that makes

0:12:17.280 --> 0:12:20.200
<v Speaker 2>me the most proud. And I'm saying that like I

0:12:20.320 --> 0:12:23.719
<v Speaker 2>made it, I didn't make it. Amelia Executive is here

0:12:23.760 --> 0:12:26.040
<v Speaker 2>and she deserves all of the credit because she is

0:12:26.400 --> 0:12:27.600
<v Speaker 2>a boss bitch.

0:12:27.960 --> 0:12:31.480
<v Speaker 1>She's so good, but she understands the subject matter, and

0:12:31.520 --> 0:12:34.959
<v Speaker 1>I think that's what's key is. You know, the best

0:12:34.960 --> 0:12:37.480
<v Speaker 1>thing about Big Brother, and the best thing about television

0:12:37.520 --> 0:12:39.640
<v Speaker 1>is when we can see ourselves and we can relate,

0:12:39.840 --> 0:12:41.800
<v Speaker 1>when we can see ourselves in the scenario. And I

0:12:41.800 --> 0:12:44.160
<v Speaker 1>think that's the magic of Big Brother is we all

0:12:44.200 --> 0:12:47.080
<v Speaker 1>can see or we think how would we go, Or

0:12:47.120 --> 0:12:49.160
<v Speaker 1>we see people interacting on the screen and we think, oh,

0:12:49.240 --> 0:12:51.160
<v Speaker 1>go and have a beer with that person, or that

0:12:51.200 --> 0:12:54.600
<v Speaker 1>would be my mate. That ability to connect is really

0:12:54.600 --> 0:12:55.560
<v Speaker 1>the essence of Big Brother.

0:12:55.600 --> 0:12:58.800
<v Speaker 2>Don't you think the diversity in the age group is

0:12:58.880 --> 0:13:01.480
<v Speaker 2>really interesting because series of Big Brother and s j

0:13:01.880 --> 0:13:06.360
<v Speaker 2>who is sixty five and the coolest sixty five year

0:13:06.400 --> 0:13:09.000
<v Speaker 2>old woman I've ever met in my life, is like

0:13:09.320 --> 0:13:12.520
<v Speaker 2>has inspired my outfit and I know you have one

0:13:12.600 --> 0:13:16.040
<v Speaker 2>to be somewhere, but that whole kind of like nineteen

0:13:16.120 --> 0:13:18.960
<v Speaker 2>nineties Jimiroquai ybe.

0:13:19.120 --> 0:13:20.240
<v Speaker 4>The added ass tracksuit.

0:13:20.320 --> 0:13:22.720
<v Speaker 1>We're both we're wearing it, but for people playing at home,

0:13:22.800 --> 0:13:24.120
<v Speaker 1>we were wearing the same clothes.

0:13:25.520 --> 0:13:29.640
<v Speaker 2>Has like a green and purple version that I've never

0:13:29.679 --> 0:13:30.240
<v Speaker 2>seen before.

0:13:30.280 --> 0:13:35.320
<v Speaker 3>It's wait, I'm sixty five years old. I am an

0:13:35.320 --> 0:13:38.640
<v Speaker 3>anti jewelry dealer. All my life, I've lived outside my

0:13:38.679 --> 0:13:41.720
<v Speaker 3>comfort Sir, I am going to get emotional because people

0:13:41.760 --> 0:13:43.280
<v Speaker 3>think they can't do what they want to do.

0:13:43.440 --> 0:13:48.559
<v Speaker 2>And here we are, Hello, Sarah Jane. I have chosen you.

0:13:49.559 --> 0:13:51.800
<v Speaker 1>She's the coolest old person I've ever seen. But you

0:13:51.840 --> 0:13:54.600
<v Speaker 1>know that leads me to something, and that is Isn't

0:13:54.640 --> 0:13:57.400
<v Speaker 1>it amazing that we are here in twenty twenty one

0:13:57.800 --> 0:14:00.680
<v Speaker 1>and the diversity of this cast, like we are seeing

0:14:00.760 --> 0:14:02.760
<v Speaker 1>all ages in the Big Brother House like we've never

0:14:02.800 --> 0:14:07.360
<v Speaker 1>seen before. We're seeing so many different people being recognized

0:14:07.400 --> 0:14:12.000
<v Speaker 1>and represented, like Carlos being there is a fantastic housemate.

0:14:13.040 --> 0:14:17.920
<v Speaker 4>Hey, can you hear me some to dance with me?

0:14:19.600 --> 0:14:20.720
<v Speaker 2>I have chosen you.

0:14:22.880 --> 0:14:25.280
<v Speaker 1>I think that this is the best cast of Big

0:14:25.320 --> 0:14:26.840
<v Speaker 1>Brother we have ever seen.

0:14:27.240 --> 0:14:29.720
<v Speaker 2>Yeah, I think we've got a really good mix of people.

0:14:29.920 --> 0:14:32.680
<v Speaker 2>And I'm not involved in the past and process, but

0:14:32.760 --> 0:14:35.440
<v Speaker 2>I love the fact that we have people who are,

0:14:35.680 --> 0:14:40.120
<v Speaker 2>you know, culturally different, geographically different. We have people from

0:14:40.160 --> 0:14:44.360
<v Speaker 2>final Queensland to you know, a sheep farmers from Adelaide

0:14:44.560 --> 0:14:48.680
<v Speaker 2>in a city Melbourne, their ages are different. There's a

0:14:48.680 --> 0:14:50.880
<v Speaker 2>lot of diversity in the past in that regard and

0:14:50.920 --> 0:14:54.640
<v Speaker 2>I think that that is another reason that people will

0:14:55.280 --> 0:14:58.080
<v Speaker 2>find somebody that they can relate to in there. And

0:14:58.120 --> 0:15:02.000
<v Speaker 2>from a personality perspective, when you look at somebody like Danny,

0:15:02.000 --> 0:15:05.760
<v Speaker 2>for example, who features quite strongly in the promos, and

0:15:06.200 --> 0:15:09.800
<v Speaker 2>Danny's a real estate agent from Geelong, he is probably

0:15:09.840 --> 0:15:13.040
<v Speaker 2>one of the most polarizing people you know that you

0:15:13.080 --> 0:15:16.760
<v Speaker 2>will meet because I guess he's always doing deals. You know,

0:15:16.920 --> 0:15:20.200
<v Speaker 2>he's that's in his DNA. But and you go through

0:15:20.240 --> 0:15:22.720
<v Speaker 2>this ride Danny where you love Danny and then you

0:15:22.720 --> 0:15:25.120
<v Speaker 2>don't love Danny, and you go through this whole thing

0:15:25.120 --> 0:15:28.479
<v Speaker 2>and he makes friends with somebody who is the opposite

0:15:28.520 --> 0:15:32.600
<v Speaker 2>of him, Nick, who is a color blind house painter.

0:15:33.360 --> 0:15:37.200
<v Speaker 4>A redhead color blind painter. I'd try to stick to

0:15:37.240 --> 0:15:38.200
<v Speaker 4>my wife in that way.

0:15:38.200 --> 0:15:39.920
<v Speaker 1>I don't have to tell the client that how you're

0:15:39.960 --> 0:15:41.320
<v Speaker 1>dealing with a color blind painter.

0:15:42.200 --> 0:15:43.120
<v Speaker 2>He's good with white.

0:15:43.240 --> 0:15:46.040
<v Speaker 4>It's about it beyond the color he can paint.

0:15:46.760 --> 0:15:49.200
<v Speaker 2>Yeah, And I think even the fact that these unlikely

0:15:49.280 --> 0:15:53.400
<v Speaker 2>friendships get formed in the house, that is something that

0:15:53.640 --> 0:15:57.400
<v Speaker 2>is fun to watch Nick meet Danieline.

0:15:58.240 --> 0:15:59.840
<v Speaker 1>We are so different, but I like you.

0:16:00.120 --> 0:16:01.760
<v Speaker 3>I like you at least four What are.

0:16:01.640 --> 0:16:03.600
<v Speaker 2>Their animals and they are represent you Daniel.

0:16:03.760 --> 0:16:07.320
<v Speaker 4>That lion right there, that's a fairal cat mate.

0:16:07.800 --> 0:16:11.800
<v Speaker 2>And those two together create some television goals because they

0:16:11.840 --> 0:16:14.800
<v Speaker 2>are like they are self described. They describe themselves as

0:16:14.840 --> 0:16:18.680
<v Speaker 2>being the wet band from home alone, the bumbling books

0:16:18.880 --> 0:16:22.240
<v Speaker 2>who are spot not really you know. Like, so there

0:16:22.240 --> 0:16:25.480
<v Speaker 2>are a lot of great, great characters in this series.

0:16:25.640 --> 0:16:28.280
<v Speaker 1>How have you gone with the format changes over the years,

0:16:28.320 --> 0:16:31.080
<v Speaker 1>Because did you watch any of the overseas version, because

0:16:31.120 --> 0:16:33.360
<v Speaker 1>like Big Brother now in Australia is quite similar to

0:16:33.400 --> 0:16:36.240
<v Speaker 1>the Canadian version which Tim Dormer, you know, winner of

0:16:36.280 --> 0:16:39.160
<v Speaker 1>Big Brother in twenty thirteen, he went and did that series,

0:16:39.560 --> 0:16:42.280
<v Speaker 1>and now we've borrowed a lot of that essence. How

0:16:42.320 --> 0:16:44.240
<v Speaker 1>have you gone with the evolution of Big Brother to

0:16:44.280 --> 0:16:44.680
<v Speaker 1>this point?

0:16:44.800 --> 0:16:47.040
<v Speaker 2>I actually love it. I don't think if there's one

0:16:47.040 --> 0:16:49.080
<v Speaker 2>thing you may not have noticed about me, Ben, I

0:16:49.080 --> 0:16:50.960
<v Speaker 2>feel like if I sit in one spot for too long,

0:16:51.000 --> 0:16:54.120
<v Speaker 2>I would get a little bit anty. And that's why

0:16:54.120 --> 0:16:56.800
<v Speaker 2>I think. You know, switching back to seven and doing

0:16:57.400 --> 0:16:59.400
<v Speaker 2>everything that I've been doing has been great fun for

0:16:59.480 --> 0:17:03.360
<v Speaker 2>me because I get to change things up. The format

0:17:03.440 --> 0:17:07.160
<v Speaker 2>changes have improved the show. The way we watched Big

0:17:07.160 --> 0:17:10.879
<v Speaker 2>Brother twenty years ago and the way we watch television now,

0:17:10.920 --> 0:17:14.320
<v Speaker 2>those two things weren't gelling. So you know, we want

0:17:14.400 --> 0:17:17.919
<v Speaker 2>something that's fast paced. We want an outcome every episode.

0:17:18.000 --> 0:17:21.359
<v Speaker 2>We want to see an eviction and something happen, and

0:17:21.400 --> 0:17:24.600
<v Speaker 2>then I hook for the next night so that we can, oh, yeah,

0:17:24.600 --> 0:17:27.080
<v Speaker 2>I'm coming back because I want to see what happens

0:17:27.320 --> 0:17:31.720
<v Speaker 2>next in that story. So I think it's evolved in

0:17:31.840 --> 0:17:36.159
<v Speaker 2>a brilliant way, and it's now perfect for audiences who

0:17:36.240 --> 0:17:40.600
<v Speaker 2>are at home watching. It's broad enough too for everyone

0:17:40.640 --> 0:17:43.080
<v Speaker 2>to watch, Like maybe we'll often watch over my shoulder

0:17:43.080 --> 0:17:45.440
<v Speaker 2>if I'm looking at episodes and my laptop shell into

0:17:45.600 --> 0:17:48.480
<v Speaker 2>like she us to see who wins the challenges, you know,

0:17:49.119 --> 0:17:52.520
<v Speaker 2>and there's nothing in there that concerned me. You know,

0:17:52.560 --> 0:17:55.760
<v Speaker 2>there's nothing in Big Brother that I think I didn't

0:17:55.760 --> 0:17:57.480
<v Speaker 2>feel if I really want to see that. You know,

0:17:58.040 --> 0:18:01.720
<v Speaker 2>there are some confrontations that confrontation doesn't necessarily have to

0:18:01.760 --> 0:18:04.600
<v Speaker 2>be a bad thing. I think people who are confrontational

0:18:05.080 --> 0:18:09.359
<v Speaker 2>are also asserting. And we send our children to school,

0:18:09.400 --> 0:18:11.879
<v Speaker 2>I mean, we try to teach them to become assertive.

0:18:12.359 --> 0:18:14.159
<v Speaker 2>And I think that's not a bad thing to be

0:18:14.240 --> 0:18:16.200
<v Speaker 2>able to be asserted, and it's not a bad thing

0:18:16.560 --> 0:18:19.840
<v Speaker 2>to be reserved and to sit back from that either.

0:18:20.240 --> 0:18:23.320
<v Speaker 2>And there are all different personality types in the house,

0:18:23.440 --> 0:18:26.560
<v Speaker 2>so I think that in real life we have to

0:18:26.840 --> 0:18:30.679
<v Speaker 2>interreact with all different personality types and we have to

0:18:30.720 --> 0:18:33.080
<v Speaker 2>be able to get along and at the end of

0:18:33.080 --> 0:18:34.840
<v Speaker 2>the day, that's what happened.

0:18:35.240 --> 0:18:37.920
<v Speaker 1>Your relationship this year with the contestants is really interesting

0:18:37.960 --> 0:18:40.239
<v Speaker 1>to watch because I think you really grill them, and

0:18:40.280 --> 0:18:43.520
<v Speaker 1>I think it's a pull through for each episode. Is

0:18:44.000 --> 0:18:47.240
<v Speaker 1>that excitement of you being able to unpack what's happened

0:18:47.600 --> 0:18:52.360
<v Speaker 1>earlier and sort of unearthed things that have gone on, Katie.

0:18:52.000 --> 0:18:56.520
<v Speaker 2>A little Birdie told me that you and Max knew

0:18:56.520 --> 0:19:01.040
<v Speaker 2>each other on the outside. Yes, we dated. Do we

0:19:01.080 --> 0:19:03.840
<v Speaker 2>potentially have like a love triangle on our hands? I

0:19:03.880 --> 0:19:04.439
<v Speaker 2>don't think so.

0:19:05.760 --> 0:19:08.600
<v Speaker 1>I can imagine that must be a very different process

0:19:08.600 --> 0:19:11.320
<v Speaker 1>and your what's your relationship like this year with the contestants.

0:19:11.680 --> 0:19:13.679
<v Speaker 2>Look, it's great in that every time I turn up

0:19:13.720 --> 0:19:15.720
<v Speaker 2>and I say hi, they're very happy to see me,

0:19:15.720 --> 0:19:17.480
<v Speaker 2>and I'm really happy to see them because we have

0:19:17.560 --> 0:19:21.280
<v Speaker 2>this kind of, you know, symbiotic relationship going on. It's like, oh,

0:19:21.400 --> 0:19:24.800
<v Speaker 2>you know, I'm their window to the outside world in

0:19:24.840 --> 0:19:27.520
<v Speaker 2>a way, although I don't tell them anything about what's

0:19:27.560 --> 0:19:31.159
<v Speaker 2>going on in the outside world. But then I've become

0:19:31.200 --> 0:19:36.120
<v Speaker 2>the prosecutor in Big Brothers' courtroom, and it's my job

0:19:36.320 --> 0:19:39.240
<v Speaker 2>to really sort of get to the truth of what's

0:19:39.280 --> 0:19:44.320
<v Speaker 2>going on without without blowing anybody's game. And that's not

0:19:44.400 --> 0:19:47.520
<v Speaker 2>always easy to do because sometimes there are issues that

0:19:47.600 --> 0:19:49.320
<v Speaker 2>arise that you need to get to the bottom of.

0:19:49.720 --> 0:19:52.840
<v Speaker 2>And it's I actually really enjoy it. I have to say,

0:19:52.960 --> 0:19:55.520
<v Speaker 2>I've never been in this This type of posting is

0:19:55.600 --> 0:19:58.159
<v Speaker 2>very different from anything else that I've done, where you know,

0:19:58.160 --> 0:20:00.520
<v Speaker 2>where it's a big, shiny floor show, and you know

0:20:00.560 --> 0:20:05.199
<v Speaker 2>you're introduced with amazing people onto the floor, incredible singers, dances.

0:20:05.760 --> 0:20:09.480
<v Speaker 2>This is more about thrilling down into what's actually going

0:20:09.600 --> 0:20:15.120
<v Speaker 2>on in the house amongst certain people and their relationships

0:20:15.200 --> 0:20:19.639
<v Speaker 2>and who's kind of forming, who's forming an alliance with

0:20:19.760 --> 0:20:23.119
<v Speaker 2>herm and what the real deal is. So I enjoy it.

0:20:23.160 --> 0:20:26.000
<v Speaker 2>I really do enjoy those evictions. I think the first

0:20:26.119 --> 0:20:29.520
<v Speaker 2>series I was I sort of understood what I was doing,

0:20:29.560 --> 0:20:32.199
<v Speaker 2>but it's kind of not really. This time around, I

0:20:32.280 --> 0:20:35.760
<v Speaker 2>get it and I've enjoyed the process a whole lot more.

0:20:35.960 --> 0:20:38.639
<v Speaker 1>You can really tell that though that from and I

0:20:38.720 --> 0:20:41.800
<v Speaker 1>really want to stress this to anyone listening to this

0:20:41.920 --> 0:20:45.000
<v Speaker 1>right now, is the show is now worlds Apart from

0:20:45.119 --> 0:20:48.320
<v Speaker 1>last year, like twenty twenty to twenty twenty one, you

0:20:48.920 --> 0:20:52.320
<v Speaker 1>and the team of people at end de Molshine sort

0:20:52.320 --> 0:20:55.200
<v Speaker 1>of listen to what people were saying, and this series

0:20:55.680 --> 0:20:58.960
<v Speaker 1>that you have more chance to get to know these housemates.

0:20:59.480 --> 0:21:02.280
<v Speaker 1>It's it's more like we understand the brand and now

0:21:02.400 --> 0:21:07.080
<v Speaker 1>everyone is just full steam ahead. How emotionally connected are

0:21:07.119 --> 0:21:09.320
<v Speaker 1>you to these different contestants? Is it hard not to

0:21:09.359 --> 0:21:10.080
<v Speaker 1>form favorites?

0:21:10.440 --> 0:21:13.159
<v Speaker 2>The weird thing is at any point in time, you

0:21:13.160 --> 0:21:15.639
<v Speaker 2>know it's someone's my favorite and they're not. Then the

0:21:15.680 --> 0:21:17.840
<v Speaker 2>next day I come in and I love this person

0:21:17.840 --> 0:21:20.560
<v Speaker 2>and I don't love that person, and I'm like everybody

0:21:20.560 --> 0:21:23.679
<v Speaker 2>watching at home, I'm the same. I'm like, oh, you know,

0:21:23.840 --> 0:21:26.359
<v Speaker 2>when they first go in, you always kind of you

0:21:26.440 --> 0:21:28.560
<v Speaker 2>judge a book by its cover, and you go, I'm

0:21:28.560 --> 0:21:30.520
<v Speaker 2>going to be behind that person. I'm going to back

0:21:30.560 --> 0:21:33.439
<v Speaker 2>them in. And then as the show goes on and

0:21:33.480 --> 0:21:35.640
<v Speaker 2>you start to get to know them and the layers

0:21:35.640 --> 0:21:39.120
<v Speaker 2>of the onion get peeled away, you start to realize

0:21:39.160 --> 0:21:42.520
<v Speaker 2>that actually this person is who I didn't think I

0:21:42.560 --> 0:21:45.880
<v Speaker 2>was going to like. Now I really love that person,

0:21:46.440 --> 0:21:50.080
<v Speaker 2>and so it changes, and it's like any sort of relationship,

0:21:50.160 --> 0:21:53.520
<v Speaker 2>you know, it ebsonent flows, and your feelings towards certain

0:21:53.560 --> 0:21:59.160
<v Speaker 2>people change and develop, and sometimes they disappear. It's so weird,

0:21:59.320 --> 0:22:02.879
<v Speaker 2>it's hard to explain. You can't use the word journey

0:22:02.880 --> 0:22:06.040
<v Speaker 2>because it's my least favorite word. It's the most overused

0:22:06.080 --> 0:22:11.160
<v Speaker 2>wordy television. But you do go on a relationship experience

0:22:11.280 --> 0:22:15.200
<v Speaker 2>with these people, and that's part of a big part

0:22:15.200 --> 0:22:16.119
<v Speaker 2>of the appeal for me.

0:22:16.480 --> 0:22:18.760
<v Speaker 1>Absolutely, you know, one thing I was thinking of since

0:22:18.800 --> 0:22:22.359
<v Speaker 1>twenty twelve till now, since the moment you became a

0:22:22.400 --> 0:22:24.959
<v Speaker 1>part of this brand of Big Brother, is how would

0:22:25.359 --> 0:22:29.640
<v Speaker 1>Sonya Krueger go as a housemate in Big Brother? Because

0:22:29.640 --> 0:22:31.679
<v Speaker 1>there's a lot of blind siding and bac stabbing and

0:22:32.000 --> 0:22:34.520
<v Speaker 1>you know you've got to be like, have this strategic game.

0:22:35.200 --> 0:22:37.440
<v Speaker 1>How would you go if you found yourself in the house.

0:22:37.680 --> 0:22:40.159
<v Speaker 2>I don't know. I think that i'd have to partner

0:22:40.320 --> 0:22:44.080
<v Speaker 2>up with someone who had the smarts. I think, you know,

0:22:44.320 --> 0:22:46.840
<v Speaker 2>like I could carry out I'm a good soldier. I'm

0:22:46.880 --> 0:22:49.119
<v Speaker 2>a good foot soldier. I could carry out a plan.

0:22:49.600 --> 0:22:52.760
<v Speaker 2>But I think I would need somebody, you know, like Amreily.

0:22:53.160 --> 0:22:55.360
<v Speaker 2>He's the executive producer of the show. I would need

0:22:55.400 --> 0:22:57.880
<v Speaker 2>her to kind of like direct the plan and then

0:22:57.920 --> 0:23:01.960
<v Speaker 2>I would be the foot soldier carrying it. And you

0:23:02.000 --> 0:23:05.000
<v Speaker 2>can see that in certain dynamics in the house too,

0:23:05.119 --> 0:23:09.720
<v Speaker 2>with friendships that go on. Also, I'd possibly be the

0:23:09.760 --> 0:23:12.920
<v Speaker 2>persons bitching about nobody cleaning up because I'm a little

0:23:12.920 --> 0:23:16.440
<v Speaker 2>bit like and i'd be They're going, then let's just

0:23:16.800 --> 0:23:18.280
<v Speaker 2>dishes in the sink again?

0:23:18.640 --> 0:23:21.720
<v Speaker 4>Are you going to pick that up? Yeah? Those dishes?

0:23:21.920 --> 0:23:25.520
<v Speaker 2>That is not big television that is boring, so I

0:23:25.560 --> 0:23:28.480
<v Speaker 2>suspect I could be voted out in the landslide.

0:23:28.600 --> 0:23:30.840
<v Speaker 4>Are you competitive? Like how competitive are you as a

0:23:30.880 --> 0:23:32.000
<v Speaker 4>person I used to be.

0:23:32.160 --> 0:23:35.719
<v Speaker 2>I used to be when I'm as competitive dancer, I

0:23:35.760 --> 0:23:41.160
<v Speaker 2>was trained to try to read. Now I know I don't.

0:23:41.560 --> 0:23:45.080
<v Speaker 2>I feel like I'm less inclined to want to compete.

0:23:45.320 --> 0:23:47.280
<v Speaker 2>I'm happy. I'm really happy with what I get to do,

0:23:47.359 --> 0:23:49.840
<v Speaker 2>which some people have said he like, like, you're you're

0:23:50.040 --> 0:23:52.439
<v Speaker 2>You're doing so much and and I'm like, yeah, but

0:23:52.520 --> 0:23:54.920
<v Speaker 2>I'm really just the bus driver, you know, Like I'm

0:23:55.000 --> 0:23:57.400
<v Speaker 2>driving the bus. People get on and get to the end,

0:23:57.440 --> 0:24:00.680
<v Speaker 2>and that they provide the entertainment on the way and

0:24:01.200 --> 0:24:04.320
<v Speaker 2>then they hop off the bus. So my role is

0:24:04.560 --> 0:24:08.359
<v Speaker 2>fairly minus in the grand scheme of things. It's not

0:24:08.440 --> 0:24:10.560
<v Speaker 2>a big role, and I like it like that, you know,

0:24:10.600 --> 0:24:13.800
<v Speaker 2>I'm like less is more so I kind of like

0:24:13.840 --> 0:24:16.200
<v Speaker 2>the fact that I don't have to compete. I can

0:24:16.320 --> 0:24:20.040
<v Speaker 2>watch them trying their hearts out, particularly in those challenges.

0:24:20.080 --> 0:24:24.320
<v Speaker 2>They wow, they're nail biteam So I'm on the edge

0:24:24.320 --> 0:24:27.000
<v Speaker 2>of my team. I'm yelling at the TV. But what

0:24:27.200 --> 0:24:29.240
<v Speaker 2>I want to be one of those people right now?

0:24:29.320 --> 0:24:30.800
<v Speaker 2>I'd rather just drive the bus.

0:24:30.880 --> 0:24:32.760
<v Speaker 1>You'd rather drive the bus. Yeah, And I love how

0:24:32.840 --> 0:24:35.240
<v Speaker 1>humble you are. You're always so humble. You're like, I'm

0:24:35.280 --> 0:24:37.320
<v Speaker 1>just here to drive the bus. I mean, looking like

0:24:37.359 --> 0:24:40.119
<v Speaker 1>el McPherson hosting a show presenting better than pretty much

0:24:40.119 --> 0:24:43.280
<v Speaker 1>anywhere in the world. Mate, you are more than driving

0:24:43.320 --> 0:24:44.800
<v Speaker 1>the bus like you.

0:24:45.040 --> 0:24:48.439
<v Speaker 2>Are Channel seven Big Brother VIP.

0:24:50.600 --> 0:24:51.160
<v Speaker 4>Not at all.

0:24:51.200 --> 0:24:54.720
<v Speaker 1>But that brings me to something quite interesting, and that

0:24:54.880 --> 0:24:58.960
<v Speaker 1>is I think you need to ring your mate Todd

0:24:59.040 --> 0:25:01.359
<v Speaker 1>mckennie and ask him to do a Big Brother VIP

0:25:01.640 --> 0:25:04.239
<v Speaker 1>because how do you think he would go in the

0:25:04.280 --> 0:25:05.160
<v Speaker 1>format of Big Brother.

0:25:06.119 --> 0:25:09.480
<v Speaker 2>Well, one of the magazines reported that he was actually

0:25:09.560 --> 0:25:11.280
<v Speaker 2>doing it, so I sent it to him and he

0:25:11.359 --> 0:25:13.639
<v Speaker 2>was like, oh, I look forward to being asked to

0:25:13.680 --> 0:25:16.320
<v Speaker 2>be on that show. So it was supposed that he'd

0:25:16.359 --> 0:25:19.439
<v Speaker 2>heard about it. I actually think he'd bred him. I

0:25:19.480 --> 0:25:22.399
<v Speaker 2>think he would. I think he would almost be a

0:25:22.520 --> 0:25:25.760
<v Speaker 2>little bit like Nick and Danny from this series in

0:25:25.800 --> 0:25:29.960
<v Speaker 2>that he would be incredibly clever, but probably just a

0:25:30.040 --> 0:25:30.919
<v Speaker 2>really dumb things.

0:25:31.560 --> 0:25:35.080
<v Speaker 4>Time amazing, that's good television.

0:25:34.800 --> 0:25:38.480
<v Speaker 2>Super entertaining. Yes, exactly exactly, and I would just love

0:25:38.520 --> 0:25:42.040
<v Speaker 2>to be able to grill Todd in the eviction ceremony.

0:25:42.960 --> 0:25:44.240
<v Speaker 4>That would be the best television.

0:25:44.240 --> 0:25:45.920
<v Speaker 1>I mean, some of the best television for twenty twenty

0:25:45.960 --> 0:25:48.399
<v Speaker 1>one so far is the zingers between the two of

0:25:48.440 --> 0:25:51.360
<v Speaker 1>you on Dancing with the Stars, Like it's palatable, it's

0:25:51.400 --> 0:25:54.680
<v Speaker 1>so funny and so fantastic and good to see people

0:25:54.720 --> 0:25:57.919
<v Speaker 1>being authentic and having real relationships on telling because I

0:25:57.960 --> 0:25:59.640
<v Speaker 1>think that makes us relate better.

0:26:00.160 --> 0:26:02.199
<v Speaker 2>Oh yeah, one undred percent. That's why I could. I

0:26:02.240 --> 0:26:05.160
<v Speaker 2>was a terrible actor. I can't ask for the hope.

0:26:05.200 --> 0:26:09.040
<v Speaker 2>It's the same. It's sort of like, you know, if

0:26:09.119 --> 0:26:11.879
<v Speaker 2>something's working for us, you'll know we're having a good time.

0:26:12.359 --> 0:26:15.159
<v Speaker 2>And my philosophy has always been if I'm having a

0:26:15.160 --> 0:26:17.359
<v Speaker 2>good time and the people around me are having a

0:26:17.359 --> 0:26:19.600
<v Speaker 2>good time, and hopefully the audience will be too.

0:26:19.760 --> 0:26:23.120
<v Speaker 1>So again, being so humble, Big Brother is a show

0:26:23.160 --> 0:26:25.240
<v Speaker 1>that we can all relate to, I mean, being locked

0:26:25.240 --> 0:26:27.480
<v Speaker 1>in a house. In the last year, we all saw

0:26:27.520 --> 0:26:31.840
<v Speaker 1>ourselves around Australia in similar situations, being lockdown with you know, COVID,

0:26:32.040 --> 0:26:34.199
<v Speaker 1>What did you manage to do? What does Sonya Krueger

0:26:34.240 --> 0:26:36.520
<v Speaker 1>do during lockdown? What do you do to stay sane?

0:26:36.800 --> 0:26:39.840
<v Speaker 2>A lot of cupcakes with my little girl mate are

0:26:40.480 --> 0:26:44.160
<v Speaker 2>behind me now desperate to catch up. She's finished score.

0:26:44.680 --> 0:26:47.480
<v Speaker 2>And so what you'll see in this series of Big

0:26:47.480 --> 0:26:51.760
<v Speaker 2>Brother is covid sonya. It's that a lot of cupcakes.

0:26:51.840 --> 0:26:52.680
<v Speaker 4>You would never tell.

0:26:52.880 --> 0:26:54.160
<v Speaker 1>I have a question for you, which is the last

0:26:54.240 --> 0:26:58.400
<v Speaker 1>question I ask everybody, and that is what's a funny story?

0:26:58.800 --> 0:27:00.679
<v Speaker 1>That is kind of the take home from working on

0:27:00.720 --> 0:27:02.840
<v Speaker 1>Big Brother after all of these years, like, what's something

0:27:02.840 --> 0:27:05.639
<v Speaker 1>that's funny that happened behind the scenes that is a

0:27:05.640 --> 0:27:07.400
<v Speaker 1>good story to get out over dinner conversation.

0:27:07.760 --> 0:27:12.199
<v Speaker 2>It was on the very first night of working on

0:27:12.280 --> 0:27:16.440
<v Speaker 2>the show with Alex Mavadaik's back in twenty twelve, and

0:27:17.119 --> 0:27:19.119
<v Speaker 2>I had to once all the housemates had gone into

0:27:19.160 --> 0:27:22.000
<v Speaker 2>the house, I had to provide this live commentary over

0:27:22.560 --> 0:27:24.639
<v Speaker 2>the top of what they were doing. And he is

0:27:24.760 --> 0:27:27.879
<v Speaker 2>Ben and he's checking out, he's talking to you know,

0:27:27.960 --> 0:27:30.960
<v Speaker 2>his friend over here, and I think Alex got in

0:27:31.000 --> 0:27:33.760
<v Speaker 2>my ear and said, Michael's in the kitchen making peace.

0:27:33.840 --> 0:27:37.320
<v Speaker 2>And I went, Michael's making peace because there's obviously been

0:27:37.359 --> 0:27:42.560
<v Speaker 2>a massive calling out and playing the role a peacemaker.

0:27:42.920 --> 0:27:47.800
<v Speaker 2>And Alex was like, pizza, he's making up, not peace.

0:27:47.960 --> 0:27:51.760
<v Speaker 2>Pizza and I was like okay, and I think I

0:27:51.800 --> 0:27:54.760
<v Speaker 2>said it out loud live on air. So and there

0:27:54.800 --> 0:27:58.000
<v Speaker 2>were more. Just go to YouTube you'll see all the

0:27:58.040 --> 0:28:01.560
<v Speaker 2>moments where I spoke loud about what was happening in

0:28:01.560 --> 0:28:03.680
<v Speaker 2>my ear or on the UNO at the time.

0:28:03.840 --> 0:28:07.119
<v Speaker 1>Well, congratulations on this new series. I cannot thank you

0:28:07.200 --> 0:28:08.800
<v Speaker 1>enough for taking the time to have this chat with me.

0:28:08.960 --> 0:28:11.720
<v Speaker 1>I'm such a big brother fan. But beyond that, this

0:28:11.960 --> 0:28:15.080
<v Speaker 1>is legitimately the best season I have seen. Let me

0:28:15.080 --> 0:28:18.560
<v Speaker 1>tell you, it's freakin' amazing and you are in your element.

0:28:18.720 --> 0:28:23.640
<v Speaker 2>UNTI episode eleven, it all happens. Thank you so much, Ben,

0:28:24.600 --> 0:28:26.159
<v Speaker 2>enjoy it and let me know. Let me know on

0:28:26.200 --> 0:28:26.760
<v Speaker 2>social media.

0:28:27.280 --> 0:28:28.040
<v Speaker 4>I'll be tagging you.

0:28:28.119 --> 0:28:30.439
<v Speaker 1>I'll be hashtagging as I have done for the last

0:28:30.520 --> 0:28:31.119
<v Speaker 1>many years.

0:28:32.280 --> 0:28:32.920
<v Speaker 4>Thanks so much.