1 00:00:00,400 --> 00:00:03,800 Speaker 1: Job mission with James and Amand we were talking just 2 00:00:03,800 --> 00:00:05,880 Speaker 1: before with Claudia Carvin where she has a new show 3 00:00:05,880 --> 00:00:09,160 Speaker 1: and she's had the pleasure of reading all these incredible 4 00:00:09,200 --> 00:00:10,080 Speaker 1: Australian books. 5 00:00:10,440 --> 00:00:12,960 Speaker 2: And we were mentioning about Matt Doran who went to 6 00:00:13,119 --> 00:00:16,120 Speaker 2: got the Australian exclusive of the interview with Adele, flew 7 00:00:16,520 --> 00:00:19,360 Speaker 2: thirty hours to probably was at twenty hours ago to 8 00:00:19,480 --> 00:00:22,000 Speaker 2: La and yeah do the interview etc. And didn't quite 9 00:00:22,000 --> 00:00:23,400 Speaker 2: get around to listening to her album. 10 00:00:23,520 --> 00:00:25,279 Speaker 3: Maybe mad was busy. There's a lot to do on 11 00:00:25,320 --> 00:00:27,240 Speaker 3: a plane these days, it's not like the old days. 12 00:00:27,400 --> 00:00:29,880 Speaker 2: Well, the interview was pulled because Sony just said, well 13 00:00:29,920 --> 00:00:31,360 Speaker 2: if you can't be bothered doing the work. 14 00:00:31,760 --> 00:00:33,600 Speaker 3: A bit after the interview a Delsea, what do you 15 00:00:33,640 --> 00:00:36,320 Speaker 3: think of the record? You like it? And he said, oh, 16 00:00:36,320 --> 00:00:37,040 Speaker 3: I haven't heard it. 17 00:00:37,960 --> 00:00:40,600 Speaker 2: I listened to it driving back from the South Coast. 18 00:00:41,200 --> 00:00:45,000 Speaker 2: I listened to it in my car and it's extraordinary. Yeah, 19 00:00:45,040 --> 00:00:47,800 Speaker 2: I mean, that's the shame that he didn't listen to it, 20 00:00:47,840 --> 00:00:50,280 Speaker 2: because his interview would have been quite different. We didn't 21 00:00:50,320 --> 00:00:53,840 Speaker 2: get to see his interview, but all her emotions, the 22 00:00:53,960 --> 00:00:59,360 Speaker 2: rawness of her marriage break up, her shame her wanting 23 00:00:59,400 --> 00:01:03,000 Speaker 2: to just lie a ball on the floor, her sorrow 24 00:01:03,040 --> 00:01:06,119 Speaker 2: that her son's going through this. It's all in the songs, 25 00:01:06,160 --> 00:01:06,840 Speaker 2: just amazing. 26 00:01:06,880 --> 00:01:09,080 Speaker 3: No one she sings to a song is lovely. 27 00:01:09,240 --> 00:01:10,080 Speaker 2: Sting to her son. 28 00:01:10,240 --> 00:01:12,760 Speaker 3: Yeah, he sings to a song, sings to a son. Yeah, Well, 29 00:01:12,800 --> 00:01:14,319 Speaker 3: I mean this is that the one that Peace Morgan 30 00:01:14,360 --> 00:01:16,600 Speaker 3: gave a grief about though, Well, he was. 31 00:01:16,600 --> 00:01:19,520 Speaker 2: An ex magazine editor, a newspaper editor, and apparently she'd 32 00:01:19,520 --> 00:01:22,039 Speaker 2: suit a newspaper for taking photos of her son. And 33 00:01:22,080 --> 00:01:24,000 Speaker 2: she's saying, all, sorry for you to exploit your own 34 00:01:24,040 --> 00:01:25,399 Speaker 2: son by putting him in a song. 35 00:01:25,440 --> 00:01:26,880 Speaker 3: Well, if it's your own kid, you should be able 36 00:01:26,920 --> 00:01:27,880 Speaker 3: to exploit your own kid. 37 00:01:28,080 --> 00:01:44,319 Speaker 2: Well, he's the big ball Terra from the album. 38 00:01:37,520 --> 00:01:50,400 Speaker 3: I was still a child, didn't get the chance to beautiful. 39 00:01:52,040 --> 00:01:55,960 Speaker 2: What's interesting is she has persuaded Spotify to take the 40 00:01:56,040 --> 00:02:00,680 Speaker 2: shuffle button away because she has said, when you play 41 00:02:00,720 --> 00:02:02,880 Speaker 2: the album, she said, we don't create albums with so 42 00:02:02,960 --> 00:02:05,560 Speaker 2: much care and thought into our track listing for no reason. 43 00:02:06,080 --> 00:02:08,880 Speaker 2: Our art tells a story, and our story should be 44 00:02:08,880 --> 00:02:12,040 Speaker 2: listened to as we intended. Thank you Spotify for listening. 45 00:02:12,160 --> 00:02:12,800 Speaker 3: It's true. 46 00:02:13,360 --> 00:02:15,840 Speaker 2: Well, and what Spotify has done, they said anything for you, 47 00:02:15,919 --> 00:02:18,920 Speaker 2: and they've changed the button system. You can still listen 48 00:02:18,919 --> 00:02:21,960 Speaker 2: to it on shuffle, but the default button is just play, 49 00:02:22,240 --> 00:02:25,960 Speaker 2: So if you just press play, you hear that album 50 00:02:26,280 --> 00:02:29,840 Speaker 2: in its entirety the way she is intended you to 51 00:02:29,880 --> 00:02:30,160 Speaker 2: hear it. 52 00:02:30,320 --> 00:02:33,600 Speaker 3: Remember when we were young and you'd play records, they'd 53 00:02:33,600 --> 00:02:36,000 Speaker 3: always put the filler track as the last track on 54 00:02:36,919 --> 00:02:38,880 Speaker 3: the B side, usually. 55 00:02:38,600 --> 00:02:41,080 Speaker 2: Which I always thought the filler one was the second 56 00:02:41,160 --> 00:02:41,920 Speaker 2: track on the beat. 57 00:02:42,000 --> 00:02:44,840 Speaker 3: So what they would do is they go they started 58 00:02:44,840 --> 00:02:48,639 Speaker 3: with Sometimes they put the hit as Men at Work 59 00:02:49,080 --> 00:02:52,320 Speaker 3: down Under, for example on Business as Usual, that album 60 00:02:52,760 --> 00:02:55,320 Speaker 3: from Memory, I think it was track four on the 61 00:02:55,400 --> 00:02:59,520 Speaker 3: album on the A side, and then the songs that 62 00:02:59,560 --> 00:03:01,440 Speaker 3: the other rate songs that they want to put that 63 00:03:01,480 --> 00:03:03,280 Speaker 3: you want to promote go to the top of the 64 00:03:03,760 --> 00:03:05,880 Speaker 3: album listening. But I guess I didn't think about that 65 00:03:05,919 --> 00:03:08,280 Speaker 3: anymore because you're listening to Pink Floyd the Wall. You 66 00:03:08,320 --> 00:03:10,560 Speaker 3: want to hear that, not on shuffle. You want to 67 00:03:10,600 --> 00:03:12,400 Speaker 3: hear it as it goes well. 68 00:03:12,440 --> 00:03:14,840 Speaker 2: And I guess it's the same with Kanye's stuff. You 69 00:03:14,880 --> 00:03:19,760 Speaker 2: know there's a story being told, and but having said that, 70 00:03:19,960 --> 00:03:21,960 Speaker 2: once you've heard it once, you go shuffle. 71 00:03:21,680 --> 00:03:24,000 Speaker 3: Skip skip What about when you're listening to The Little 72 00:03:24,040 --> 00:03:24,880 Speaker 3: Poopy Well. 73 00:03:26,639 --> 00:03:28,919 Speaker 2: All the songs are number two, Jonesy 74 00:03:28,919 --> 00:03:30,160 Speaker 1: And Amanda's Nation