1 00:00:01,080 --> 00:00:05,040 Speaker 1: Powered by the radio WAB from ninety six AIRVM to 2 00:00:05,080 --> 00:00:09,840 Speaker 1: where Fever. You're listening today This is Clearzy and Lisa's podcast. 3 00:00:10,080 --> 00:00:13,080 Speaker 2: Coming up on the podcast today, Lee Tiger Harley, who 4 00:00:13,080 --> 00:00:15,120 Speaker 2: stars as Gus in Voice Swallow's Universe. 5 00:00:15,520 --> 00:00:18,640 Speaker 3: As part of the Fringe celebration, here David not Dave 6 00:00:18,760 --> 00:00:19,840 Speaker 3: Hues coming for a laugh. 7 00:00:20,040 --> 00:00:23,120 Speaker 2: We took your calls on the small thing that can 8 00:00:23,160 --> 00:00:24,799 Speaker 2: have a big bearing on your. 9 00:00:24,680 --> 00:00:26,960 Speaker 3: Well being and at least a sure report this morning 10 00:00:27,080 --> 00:00:30,720 Speaker 3: casting news about white Lettus three. We can't wait, Lisa, 11 00:00:31,000 --> 00:00:34,440 Speaker 3: I noticed this discussion has started on Reddit overnight and 12 00:00:34,600 --> 00:00:37,600 Speaker 3: it's talking about we talk about simpler times, talking about 13 00:00:37,800 --> 00:00:40,200 Speaker 3: tiny things or small things, something smaller you started doing 14 00:00:40,200 --> 00:00:41,919 Speaker 3: that makes you drastically happier. 15 00:00:42,040 --> 00:00:43,519 Speaker 4: Well, it's all about the little things, you know. 16 00:00:43,520 --> 00:00:47,120 Speaker 2: We're talking about the little things and their big effect 17 00:00:47,240 --> 00:00:51,040 Speaker 2: like fresh sheets or yeah, you know, a hot shower 18 00:00:51,240 --> 00:00:54,200 Speaker 2: or fresh blow dry at the hairdressers that always makes 19 00:00:54,240 --> 00:00:56,640 Speaker 2: you feel good. Yeah. People are talking about the little 20 00:00:56,680 --> 00:00:59,560 Speaker 2: things that they're doing that's something that they've added to 21 00:00:59,600 --> 00:01:02,440 Speaker 2: their life that makes them dress well. 22 00:01:02,520 --> 00:01:04,759 Speaker 4: Drastically. It is a bit extreme, but much happier. 23 00:01:04,800 --> 00:01:06,760 Speaker 2: I'll just to you on top of that list seems 24 00:01:06,800 --> 00:01:08,919 Speaker 2: to be going for a walk. 25 00:01:09,360 --> 00:01:14,600 Speaker 4: Oh, yes, you know, it's just just a simple. 26 00:01:14,360 --> 00:01:18,319 Speaker 2: Walk, bit of fresh air around the block. It's underrated. Absolutely, 27 00:01:18,600 --> 00:01:21,679 Speaker 2: don't have to do your f forty whatever. Well, I 28 00:01:21,680 --> 00:01:22,160 Speaker 2: mean you can. 29 00:01:22,280 --> 00:01:23,319 Speaker 3: Don't have to train it a limit. 30 00:01:23,400 --> 00:01:25,679 Speaker 4: Les A walk does wonders for the mind. 31 00:01:25,920 --> 00:01:27,119 Speaker 3: Just be careful when you're crossing the road. 32 00:01:27,240 --> 00:01:29,400 Speaker 4: It doesn't cost anything, of course, that's right. 33 00:01:29,440 --> 00:01:31,960 Speaker 3: That's a lot of these things are pretty much free 34 00:01:32,040 --> 00:01:33,680 Speaker 3: and quite simple, and that kind of thing. I did 35 00:01:33,760 --> 00:01:37,160 Speaker 3: notice and someone said they deleted Facebook, Instagram and TikTok, 36 00:01:37,160 --> 00:01:38,880 Speaker 3: but they were making the comment on Reddit, so they 37 00:01:38,880 --> 00:01:42,080 Speaker 3: were spending all of this bit in another place, which 38 00:01:42,120 --> 00:01:45,000 Speaker 3: is quite key. That's funny. The one thing I've started doing, 39 00:01:45,080 --> 00:01:47,000 Speaker 3: or one thing I've stopped doing. Sometimes it can be 40 00:01:47,000 --> 00:01:50,360 Speaker 3: something you stopped doing. Is I've stopped deliberately looking at it. 41 00:01:50,440 --> 00:01:52,440 Speaker 3: It's as close as I'll get to a news resolution. 42 00:01:52,560 --> 00:01:55,280 Speaker 3: Stop looking at comments on social media and getting caught 43 00:01:55,360 --> 00:01:58,680 Speaker 3: up in watching people the ridiculous bitch matches people get into, 44 00:01:59,200 --> 00:02:01,840 Speaker 3: people go on. But you know, discussion is good and 45 00:02:01,880 --> 00:02:03,680 Speaker 3: getting your point of view across is really great. But 46 00:02:03,720 --> 00:02:05,520 Speaker 3: if people can't even agree that's a. 47 00:02:05,400 --> 00:02:09,040 Speaker 2: Big difference between free speech and being a beep. 48 00:02:09,440 --> 00:02:12,200 Speaker 3: Yeah, sometimes it's idiot versus idiot, and you go, well, 49 00:02:12,280 --> 00:02:14,280 Speaker 3: if they can't even agree to disagree, then it's just 50 00:02:14,280 --> 00:02:16,520 Speaker 3: a waste of time and reading. It's even worse. 51 00:02:16,639 --> 00:02:19,760 Speaker 2: Notice how social media. It's just featured in about three 52 00:02:19,800 --> 00:02:22,240 Speaker 2: of the things we've mentioned small things you could do 53 00:02:22,320 --> 00:02:22,880 Speaker 2: to improve you. 54 00:02:23,480 --> 00:02:24,680 Speaker 4: I hate social media. 55 00:02:25,240 --> 00:02:27,840 Speaker 2: I think it's the worst thing to have happened to 56 00:02:27,880 --> 00:02:31,080 Speaker 2: society in a lot in recent history. 57 00:02:31,200 --> 00:02:33,080 Speaker 3: The leating people accounts are annoying. 58 00:02:32,880 --> 00:02:35,680 Speaker 2: Ragged us down to a level of classlessness like no 59 00:02:35,840 --> 00:02:36,480 Speaker 2: other time in. 60 00:02:36,520 --> 00:02:38,480 Speaker 3: History, no more place where it's more obvious. And when 61 00:02:38,480 --> 00:02:40,280 Speaker 3: you see the people bitching at each other, you go, actually, 62 00:02:40,280 --> 00:02:41,960 Speaker 3: that comment doesn't make sense. But the person who's come 63 00:02:42,000 --> 00:02:44,519 Speaker 3: back is even worse. But yeah, so I've done that. 64 00:02:45,000 --> 00:02:47,120 Speaker 4: So as a result of it, we're all miserable. 65 00:02:47,520 --> 00:02:51,760 Speaker 2: What is something small that you've started doing that has 66 00:02:52,120 --> 00:02:53,000 Speaker 2: eased you pay? 67 00:02:53,120 --> 00:02:55,200 Speaker 4: Yeah, little thing, a. 68 00:02:55,120 --> 00:02:59,080 Speaker 3: Little small face. Yeah, and not necessarily any costs at times. 69 00:02:59,800 --> 00:03:02,000 Speaker 3: Some times maybe a small cost. But I like their 70 00:03:02,440 --> 00:03:05,040 Speaker 3: with a fresh sheets with loricles and crispy crunchy sheets. 71 00:03:05,480 --> 00:03:07,640 Speaker 2: Oh no, I don't like crunchy sheet. I don't like 72 00:03:07,720 --> 00:03:09,679 Speaker 2: them in the sun until they're completely dry. 73 00:03:10,040 --> 00:03:11,840 Speaker 3: Way of saying fresh in the dryer in the. 74 00:03:11,800 --> 00:03:14,560 Speaker 2: Last five minutes, said haven't got a dryer anymore, So 75 00:03:14,880 --> 00:03:16,360 Speaker 2: I just have to bring them in for the last 76 00:03:16,360 --> 00:03:17,760 Speaker 2: five minutes and let them continue. 77 00:03:18,200 --> 00:03:19,160 Speaker 3: His nature's own dryer. 78 00:03:19,240 --> 00:03:20,840 Speaker 4: And I hate a crunchy towel. 79 00:03:21,000 --> 00:03:24,440 Speaker 3: Oh yeah, I like those absolutely. 80 00:03:24,639 --> 00:03:28,520 Speaker 4: Marie Embleton, Hello, good morning, Cree. How are you good? 81 00:03:28,760 --> 00:03:31,440 Speaker 4: What's that small thing that's had a big benefit for you? 82 00:03:32,080 --> 00:03:32,720 Speaker 5: The news. 83 00:03:33,040 --> 00:03:36,960 Speaker 6: I totally stir away from watching the news, reading the 84 00:03:36,960 --> 00:03:41,200 Speaker 6: news on stupid social media, and engaging anything to do 85 00:03:41,240 --> 00:03:42,760 Speaker 6: with the news, purely because. 86 00:03:42,480 --> 00:03:45,520 Speaker 7: Of the fact that there is just so much garbage. 87 00:03:45,080 --> 00:03:49,680 Speaker 6: Out there that is not relevant or not written contextually 88 00:03:49,720 --> 00:03:52,880 Speaker 6: in the correct way in just like it's better, I've 89 00:03:52,960 --> 00:03:53,600 Speaker 6: parked it up. 90 00:03:54,800 --> 00:03:56,320 Speaker 3: Yeah, retired from the news. 91 00:03:57,320 --> 00:03:59,000 Speaker 5: Oh yeah, very much. 92 00:03:59,040 --> 00:03:59,120 Speaker 8: So. 93 00:03:59,280 --> 00:04:02,080 Speaker 6: I mean, I think it's just sometimes very one sided 94 00:04:02,920 --> 00:04:04,200 Speaker 6: with certain things. 95 00:04:04,200 --> 00:04:06,120 Speaker 5: I'm not going to get on a propaganda. 96 00:04:06,880 --> 00:04:09,800 Speaker 2: It is very overwhelming, isn't it. 97 00:04:09,800 --> 00:04:12,360 Speaker 6: It's just like, yeah, so I thought, you know, enough 98 00:04:12,400 --> 00:04:16,200 Speaker 6: negative news. They never seem to provide good news with 99 00:04:16,279 --> 00:04:18,479 Speaker 6: any really good comeback stories. 100 00:04:18,560 --> 00:04:21,800 Speaker 9: It seems to be very unbalanced, if that makes sense. 101 00:04:22,040 --> 00:04:27,239 Speaker 3: Yeah, more papers, that's been the old line all those years. 102 00:04:25,600 --> 00:04:28,120 Speaker 3: But sensational. 103 00:04:29,360 --> 00:04:33,000 Speaker 6: Yeah, centralizations of bad media and even you know, I 104 00:04:33,000 --> 00:04:34,600 Speaker 6: mean it gets to a point where you see. 105 00:04:34,440 --> 00:04:37,640 Speaker 9: Oh, bad news, celebrity has a ZiT on face. Yeah. 106 00:04:37,800 --> 00:04:40,920 Speaker 3: Yeah, there's more of those there. That's that's really important. 107 00:04:40,960 --> 00:04:42,919 Speaker 3: Especially Swifty. 108 00:04:43,320 --> 00:04:47,760 Speaker 2: Oh my god, oh the saturation of Taylor Swift news 109 00:04:47,760 --> 00:04:50,360 Speaker 2: of the world. And I guess it's not really her fault, 110 00:04:50,520 --> 00:04:55,120 Speaker 2: but god, thank you, Marie, thank you. 111 00:04:56,480 --> 00:04:58,839 Speaker 3: The other bloodline with news is there's so many news 112 00:04:58,839 --> 00:05:02,320 Speaker 3: stories and quiet now to fill the content spaces. You've 113 00:05:02,360 --> 00:05:04,440 Speaker 3: got a lot of news bulletins are an hour long. 114 00:05:04,560 --> 00:05:07,000 Speaker 3: So then you go, this story looks seems like a 115 00:05:07,080 --> 00:05:10,240 Speaker 3: paid sponsorship. Will absolutely. 116 00:05:10,400 --> 00:05:13,000 Speaker 4: Paul and Tapping, good morning. 117 00:05:12,720 --> 00:05:15,560 Speaker 10: Happy, you're very well mate, you too. 118 00:05:15,880 --> 00:05:16,320 Speaker 3: Where do you go? 119 00:05:17,600 --> 00:05:21,440 Speaker 10: Yeah, we've started me and my son playing our speaker 120 00:05:21,480 --> 00:05:22,719 Speaker 10: at the beach as. 121 00:05:22,600 --> 00:05:29,000 Speaker 6: Loud as the candid wound on Saturday morning. 122 00:05:29,440 --> 00:05:33,400 Speaker 10: Yeah, but it really works. It attracts clouds of herring 123 00:05:33,440 --> 00:05:35,480 Speaker 10: and schools of tailor and small moll Away. 124 00:05:35,839 --> 00:05:41,159 Speaker 3: It's like it so much Radio Burley, is it? Yeah, 125 00:05:41,880 --> 00:05:49,040 Speaker 3: good one, that's funny. Take care, rob. 126 00:05:50,440 --> 00:05:52,680 Speaker 4: What about you? What's the small thing that's made a 127 00:05:52,680 --> 00:05:53,360 Speaker 4: big difference. 128 00:05:55,000 --> 00:05:57,880 Speaker 11: Well, I used to fold paper many years ago. It 129 00:05:57,920 --> 00:06:00,000 Speaker 11: took a long break, and I've started picking it up again. 130 00:06:00,040 --> 00:06:02,560 Speaker 11: And I just made those little birds that flapped their 131 00:06:02,600 --> 00:06:06,040 Speaker 11: wings or some other models. And because it's paper doesn't 132 00:06:06,040 --> 00:06:08,919 Speaker 11: cost much, I can keep off of everything, you know, 133 00:06:09,680 --> 00:06:10,920 Speaker 11: you know, electronic, and I. 134 00:06:10,880 --> 00:06:12,839 Speaker 10: Can just sit there and if it goes wrong, I 135 00:06:12,880 --> 00:06:13,359 Speaker 10: just screwed up. 136 00:06:13,400 --> 00:06:14,040 Speaker 11: Put it in the bin. 137 00:06:14,200 --> 00:06:16,640 Speaker 3: Recycle binmi. 138 00:06:17,920 --> 00:06:21,000 Speaker 11: Yeah, not actually and not expensive. 139 00:06:21,400 --> 00:06:24,719 Speaker 2: Very relaxing, I should imagine, and good for your dex 140 00:06:24,800 --> 00:06:25,920 Speaker 2: territory and everything. 141 00:06:26,800 --> 00:06:27,160 Speaker 12: Yeah. 142 00:06:27,880 --> 00:06:29,120 Speaker 4: Nice, I like that. 143 00:06:30,000 --> 00:06:31,760 Speaker 3: Thanks, Thanks Robert, Thanks Robert. 144 00:06:32,480 --> 00:06:35,520 Speaker 4: You know this is why I'm coloring in books for adults. 145 00:06:37,480 --> 00:06:40,839 Speaker 2: Very Look, I never kept within the lines as a kid. 146 00:06:41,000 --> 00:06:45,279 Speaker 2: And also my color my you know, strokes went both ways. 147 00:06:45,400 --> 00:06:50,239 Speaker 4: Okay, I was the worst coloring in it. Terrible, right, 148 00:06:50,360 --> 00:06:51,880 Speaker 4: so I'm scarred for life. 149 00:06:52,360 --> 00:06:53,760 Speaker 3: I remember going to school a caring up with a 150 00:06:53,839 --> 00:06:55,400 Speaker 3: kick called Danny Mars, and he used to push so 151 00:06:55,520 --> 00:06:59,760 Speaker 3: hard he had to go through the paper through the favor. 152 00:07:00,040 --> 00:07:02,000 Speaker 3: I can't remember. I can't believe in that fun remember 153 00:07:02,000 --> 00:07:02,479 Speaker 3: the sn. 154 00:07:03,880 --> 00:07:09,320 Speaker 2: Susie, Hello, good morning, how are you, guys, Susie. What's 155 00:07:09,360 --> 00:07:11,720 Speaker 2: the little thing you've added to your life that's making 156 00:07:11,720 --> 00:07:13,240 Speaker 2: a big difference to your well being? 157 00:07:14,040 --> 00:07:16,680 Speaker 7: Well, just before Christmas, I came out of a nine 158 00:07:16,720 --> 00:07:21,040 Speaker 7: year relationship and the most fantastic thing is every morning 159 00:07:21,040 --> 00:07:23,120 Speaker 7: at five o'clock, I'm doing an hour's walk along the 160 00:07:23,120 --> 00:07:27,960 Speaker 7: beach and it's just beautiful, nice, and it's I've just 161 00:07:28,000 --> 00:07:29,680 Speaker 7: pulled up at work and it's beautiful. 162 00:07:30,400 --> 00:07:32,160 Speaker 3: How will you be doing that in June, Susie, Is 163 00:07:32,160 --> 00:07:36,160 Speaker 3: it just too We'll see, we'll see. 164 00:07:38,440 --> 00:07:38,680 Speaker 2: Yeah. 165 00:07:38,720 --> 00:07:40,840 Speaker 4: I love a good beach walk in the in the 166 00:07:40,880 --> 00:07:41,480 Speaker 4: middle of winter. 167 00:07:42,480 --> 00:07:43,080 Speaker 7: It's gorgeous. 168 00:07:43,160 --> 00:07:46,960 Speaker 2: Yeah, maybe not in a blazing storm. 169 00:07:47,240 --> 00:07:48,760 Speaker 4: Yeah. Nice, I like it. 170 00:07:49,760 --> 00:07:51,680 Speaker 3: Well done, lovely, Thank you. 171 00:07:51,560 --> 00:07:53,120 Speaker 7: You have a great day, guys, you too. 172 00:07:53,440 --> 00:07:56,160 Speaker 2: We are talking about the small things that you can 173 00:07:56,160 --> 00:07:59,520 Speaker 2: add to your life that have big benefits for your 174 00:07:59,520 --> 00:07:59,920 Speaker 2: well being. 175 00:08:00,080 --> 00:08:02,040 Speaker 3: Sometimes it's tiny things that give you simple pleasures. 176 00:08:02,480 --> 00:08:08,520 Speaker 2: Yes, Monica in dardena Hello, Hey, hey, going you got forest? 177 00:08:08,560 --> 00:08:08,880 Speaker 4: Monica? 178 00:08:08,920 --> 00:08:09,320 Speaker 3: When do you go? 179 00:08:09,920 --> 00:08:10,120 Speaker 5: Well? 180 00:08:10,160 --> 00:08:12,640 Speaker 9: You know, the best thing I think that I can 181 00:08:12,680 --> 00:08:16,920 Speaker 9: do every morning is have a coffee. Gather the coffee, 182 00:08:18,960 --> 00:08:25,360 Speaker 9: you know, it's a oh moment, mouthul of coffee. 183 00:08:25,480 --> 00:08:30,200 Speaker 2: It's the word Harry, but Sally moment of the morning. Yes, 184 00:08:31,440 --> 00:08:36,199 Speaker 2: what about the multiple coffee because I'm on my third already? 185 00:08:36,240 --> 00:08:38,679 Speaker 4: How many coffee? 186 00:08:39,640 --> 00:08:40,640 Speaker 10: How many coffees you have? 187 00:08:44,679 --> 00:08:44,959 Speaker 8: Harry? 188 00:08:45,040 --> 00:08:51,199 Speaker 4: Was the barrista look after? Thank you? Good luck? 189 00:08:52,640 --> 00:08:56,559 Speaker 3: Will the coffee need trembling this morning? That's funny and 190 00:08:56,720 --> 00:09:01,000 Speaker 3: quite simple, A simple thing that can Yeah, taking calls 191 00:09:01,000 --> 00:09:04,680 Speaker 3: this morning? What do you want to do? 192 00:09:05,440 --> 00:09:05,720 Speaker 12: Third? 193 00:09:06,520 --> 00:09:07,479 Speaker 4: Tom and Ascott? 194 00:09:08,040 --> 00:09:12,040 Speaker 5: Hello, Tom Moring you guys, good good? 195 00:09:12,040 --> 00:09:13,760 Speaker 2: What's the little thing you've added to your life that's 196 00:09:13,760 --> 00:09:16,320 Speaker 2: made a big difference to overall well being? 197 00:09:16,880 --> 00:09:16,960 Speaker 12: Well? 198 00:09:17,000 --> 00:09:19,800 Speaker 5: I started making my own music because some of the 199 00:09:19,800 --> 00:09:22,440 Speaker 5: stuff you hear in the nightclubs and on radio is 200 00:09:22,600 --> 00:09:29,360 Speaker 5: worth listening to. Okay, how many remixes of actual lesson 201 00:09:29,400 --> 00:09:32,960 Speaker 5: Boom Monday have you heard over the years? Yeah? 202 00:09:34,720 --> 00:09:35,480 Speaker 4: What what is it? 203 00:09:35,679 --> 00:09:35,920 Speaker 8: Entail? 204 00:09:36,000 --> 00:09:36,920 Speaker 4: Making your own music? 205 00:09:38,200 --> 00:09:42,079 Speaker 5: Just using computer? Just using a computer and keyboards. 206 00:09:42,240 --> 00:09:44,480 Speaker 4: Yeah, amazing what you can do. 207 00:09:44,640 --> 00:09:44,840 Speaker 11: Yeah? 208 00:09:44,920 --> 00:09:46,520 Speaker 3: Is it just the repeuting for yourself? Tom? Are you're 209 00:09:46,520 --> 00:09:48,080 Speaker 3: sharing the music with others or what are you doing? 210 00:09:49,320 --> 00:09:52,920 Speaker 5: Well? It's therapeutic and I also do music online. 211 00:09:53,280 --> 00:09:55,520 Speaker 4: Is there a particular genre you like to create? 212 00:09:56,600 --> 00:09:59,520 Speaker 5: Yeah, synth wave and Soviet Wave. 213 00:10:00,120 --> 00:10:00,880 Speaker 4: Soviet Wave. 214 00:10:01,240 --> 00:10:02,480 Speaker 3: All right, yeah. 215 00:10:03,960 --> 00:10:05,720 Speaker 5: That sounds weird, but it's not bad. 216 00:10:05,760 --> 00:10:09,120 Speaker 3: Actually, Okay, sounds bit yeah, okay, sounds a bit poop. 217 00:10:09,160 --> 00:10:13,480 Speaker 2: Well, a lot of big stars have started with just 218 00:10:13,520 --> 00:10:17,080 Speaker 2: a keyboard in there, so keep going, Tom, get on your. 219 00:10:16,960 --> 00:10:19,680 Speaker 3: Tom, get it out there. That's great and then thanks 220 00:10:19,679 --> 00:10:20,120 Speaker 3: for sharing. 221 00:10:20,200 --> 00:10:20,800 Speaker 4: Thanks Tom. 222 00:10:22,200 --> 00:10:26,040 Speaker 3: Start off with a now Blue Monday, Blue Monday remixed 223 00:10:26,040 --> 00:10:28,640 Speaker 3: by the producers here at ninety six event for the 224 00:10:28,720 --> 00:10:31,760 Speaker 3: forty seventh time. Thanks for your God, yeah, I loved it. 225 00:10:32,120 --> 00:10:33,800 Speaker 3: Then there there's a few tips there for a few 226 00:10:33,800 --> 00:10:35,199 Speaker 3: people walk along the beach or whatever. 227 00:10:35,360 --> 00:10:37,720 Speaker 4: I'm going for a walk along the beach with a coffee. 228 00:10:37,480 --> 00:10:40,240 Speaker 3: Having your seventh coffee this morning. Yeah, I like the 229 00:10:40,240 --> 00:10:40,880 Speaker 3: sound of it. 230 00:10:41,080 --> 00:10:44,800 Speaker 1: More Crazy, more Lisa, More podcasts soon. 231 00:10:47,240 --> 00:10:49,760 Speaker 2: Catch Dave Hughes and the Fringe show Desperate House Guys, 232 00:10:49,800 --> 00:10:53,040 Speaker 2: which is on at the Cheeky Sparrow, the Gilford Hotel 233 00:10:53,120 --> 00:10:55,760 Speaker 2: and the Calamunda Hotel between this Friday and February nine. 234 00:10:55,760 --> 00:10:58,359 Speaker 2: Tickets are through Fringe world dot com dot a you 235 00:10:58,480 --> 00:11:01,199 Speaker 2: David Hughes, good morning. 236 00:11:01,640 --> 00:11:03,000 Speaker 8: I'm good, Thank you for having me. 237 00:11:03,280 --> 00:11:06,480 Speaker 2: We were we wanted to clarify that You're not that 238 00:11:07,120 --> 00:11:10,280 Speaker 2: Dave Hughes. The people might have at first thought when 239 00:11:10,320 --> 00:11:12,480 Speaker 2: they hear the name, but how many people have gone 240 00:11:12,480 --> 00:11:14,240 Speaker 2: to your show thinking that's what they're going to get? 241 00:11:14,400 --> 00:11:16,880 Speaker 13: Well, I don't do my own show, and I'll be 242 00:11:16,880 --> 00:11:18,880 Speaker 13: honestly that is one of the reasons I'll wait until 243 00:11:18,920 --> 00:11:21,959 Speaker 13: maybe I'm a bit bigger. But you know what, I 244 00:11:22,000 --> 00:11:24,000 Speaker 13: didn't know that you had one. That's my that's my 245 00:11:24,120 --> 00:11:26,240 Speaker 13: argument there. I didn't know there was a day use here. 246 00:11:26,280 --> 00:11:28,240 Speaker 13: If I hadn't known, i'd change my name to something else, 247 00:11:28,320 --> 00:11:29,760 Speaker 13: like Will Anderson or something. 248 00:11:30,240 --> 00:11:33,160 Speaker 3: Yeah, yeah, something yeah, something random. 249 00:11:34,280 --> 00:11:36,319 Speaker 13: Luckily though, it hasn't caused too much confusion. Yeah, I 250 00:11:36,320 --> 00:11:39,160 Speaker 13: don't think anyone's expecting to see Dave views with two 251 00:11:39,160 --> 00:11:42,760 Speaker 13: other blokes on a on a show on Perth Fringe. 252 00:11:43,280 --> 00:11:47,280 Speaker 3: Yeah the Chicken. That's a cute venue name, isn't it. 253 00:11:47,559 --> 00:11:49,080 Speaker 13: I went there the other night just to check out. 254 00:11:49,120 --> 00:11:51,240 Speaker 13: It's a really cool venue. Yeah, really cool venue. I 255 00:11:51,640 --> 00:11:55,320 Speaker 13: don't go out at all any anymore, so when I do, 256 00:11:55,400 --> 00:11:56,760 Speaker 13: it's to scout venues. 257 00:11:56,480 --> 00:11:57,559 Speaker 3: And see what they're stand at home. 258 00:11:57,600 --> 00:12:01,080 Speaker 13: Being safe, Yeah, being a dad and forty one, I 259 00:12:01,160 --> 00:12:07,440 Speaker 13: just I can't be asked to doing anything anymore. 260 00:12:05,640 --> 00:12:09,240 Speaker 2: So tell us about desperate house guys. Then you're you're 261 00:12:09,240 --> 00:12:10,840 Speaker 2: obviously speaking from experience. 262 00:12:11,240 --> 00:12:12,319 Speaker 8: Yeah, I guess so's. 263 00:12:12,640 --> 00:12:16,600 Speaker 13: There's me and two other comedians, Taibo Tumor and Tory Griffiths, 264 00:12:16,640 --> 00:12:19,400 Speaker 13: and we just decided that giving it. The nature of 265 00:12:19,440 --> 00:12:22,080 Speaker 13: our comedy and storytelling in general was kind of centered 266 00:12:22,120 --> 00:12:26,520 Speaker 13: around that world. We thought, let's let's play with that material. Yeah, yeah, 267 00:12:26,520 --> 00:12:28,640 Speaker 13: there's so much material, especially now at school holidays, and 268 00:12:28,679 --> 00:12:30,800 Speaker 13: I'm up at five o'clock every morning and a little 269 00:12:30,800 --> 00:12:32,560 Speaker 13: tap on my shoulder going, can I have my iPad? 270 00:12:33,720 --> 00:12:36,760 Speaker 4: Can I have my eyes? He used to be can 271 00:12:36,800 --> 00:12:37,760 Speaker 4: I watch early birds? 272 00:12:37,840 --> 00:12:40,880 Speaker 13: Yeah, it's right right, And now now it's can I 273 00:12:40,880 --> 00:12:42,280 Speaker 13: have every device under the sun? 274 00:12:42,440 --> 00:12:42,600 Speaker 14: Yea? 275 00:12:42,840 --> 00:12:43,600 Speaker 3: And passwords? 276 00:12:43,640 --> 00:12:44,800 Speaker 8: And yeah, well. 277 00:12:44,640 --> 00:12:47,240 Speaker 13: I like try and reduce the screen time as much 278 00:12:47,240 --> 00:12:50,840 Speaker 13: as possible, so they Yeah, I hide everything. He's literally 279 00:12:50,840 --> 00:12:52,520 Speaker 13: literally looking for it. If he knew where it was, 280 00:12:52,720 --> 00:12:55,000 Speaker 13: he probably wouldn't wake me up. But then I'd risk him, 281 00:12:55,480 --> 00:12:57,760 Speaker 13: you know, watching YouTube at like three o'clock in the morning. 282 00:12:57,800 --> 00:12:58,200 Speaker 8: So I can't. 283 00:12:58,440 --> 00:13:01,320 Speaker 2: But surely even a pair of with the patience of 284 00:13:01,960 --> 00:13:04,880 Speaker 2: ninety saints would give in eventually. 285 00:13:05,000 --> 00:13:06,640 Speaker 4: For the electronic device. 286 00:13:06,920 --> 00:13:07,720 Speaker 8: Yeah, I just. 287 00:13:07,600 --> 00:13:11,120 Speaker 13: Can't because I maybe I'm a bit a little bit 288 00:13:11,120 --> 00:13:12,920 Speaker 13: of a dinosaur with it. Maybe I think that's what 289 00:13:12,960 --> 00:13:15,680 Speaker 13: it is. I'm not fully willing to accept. Like I 290 00:13:15,720 --> 00:13:18,480 Speaker 13: see kids, my son's age, he's seven, he's going to 291 00:13:18,559 --> 00:13:20,240 Speaker 13: be eight soon. They have phones. 292 00:13:20,880 --> 00:13:23,040 Speaker 4: I know, I know. It makes me feel a little 293 00:13:23,080 --> 00:13:23,840 Speaker 4: sick in my stomach. 294 00:13:24,120 --> 00:13:24,760 Speaker 8: Who are you calling? 295 00:13:25,120 --> 00:13:25,280 Speaker 11: Yes? 296 00:13:26,960 --> 00:13:27,200 Speaker 3: Calling? 297 00:13:28,120 --> 00:13:29,400 Speaker 4: And who's calling you? 298 00:13:29,520 --> 00:13:32,920 Speaker 3: Yeah? Yeah, yeah, I use a soft touch dead Like 299 00:13:32,960 --> 00:13:35,120 Speaker 3: I was like, you're reducing you say, reduced screen time? 300 00:13:35,120 --> 00:13:36,600 Speaker 3: It will be twenty three hours only. 301 00:13:36,480 --> 00:13:38,840 Speaker 8: Yeah, exactly, it's exactly that. Yeah. 302 00:13:38,960 --> 00:13:40,960 Speaker 13: Yeah, I think because there's that balance, isn't it. You 303 00:13:40,960 --> 00:13:43,160 Speaker 13: want to like you want to be a good parent, 304 00:13:43,200 --> 00:13:44,800 Speaker 13: of course, and you want to give them everything and 305 00:13:44,840 --> 00:13:48,360 Speaker 13: provide and yeah, you don't want to spoil them either, 306 00:13:48,360 --> 00:13:50,440 Speaker 13: and that finding that that's been the hardest part. 307 00:13:50,480 --> 00:13:52,400 Speaker 8: I I'm being honest, that's the line. 308 00:13:52,520 --> 00:13:55,960 Speaker 13: Yeah, because you want them to have everything, you also 309 00:13:55,960 --> 00:13:57,040 Speaker 13: don't want them to have anything. 310 00:13:57,960 --> 00:13:58,960 Speaker 8: Then they become little. 311 00:13:59,320 --> 00:14:02,120 Speaker 2: Yeah, sometimes you just want him to shut up. So 312 00:14:03,240 --> 00:14:05,240 Speaker 2: I mean digital babysitters, I guess, sir. 313 00:14:05,640 --> 00:14:07,280 Speaker 8: Yeah, And it's easy done too. 314 00:14:07,480 --> 00:14:09,640 Speaker 13: Yeah, Like I'll admit, there are some days when he 315 00:14:09,679 --> 00:14:11,520 Speaker 13: comes in and I'm just like, just just take this 316 00:14:11,559 --> 00:14:13,559 Speaker 13: and leave me alone for like an hour, please. 317 00:14:13,760 --> 00:14:15,480 Speaker 3: When it's another question while you're on the toilet. 318 00:14:15,559 --> 00:14:16,319 Speaker 8: Yeah, exactly. 319 00:14:18,000 --> 00:14:20,040 Speaker 2: Good friend of ours is a good friend of yours. 320 00:14:20,120 --> 00:14:22,680 Speaker 2: John Pinder, John Pender, Yeah, thank you for joining us 321 00:14:22,720 --> 00:14:24,560 Speaker 2: on the show on Friday. 322 00:14:25,160 --> 00:14:25,440 Speaker 8: He is. 323 00:14:25,480 --> 00:14:26,960 Speaker 13: And I know that you guys don't know this, but 324 00:14:27,000 --> 00:14:30,680 Speaker 13: he actually came in last Friday because he thought he. 325 00:14:33,320 --> 00:14:34,680 Speaker 8: Messaged me. I was just talking. 326 00:14:34,920 --> 00:14:37,240 Speaker 3: I was just talking to your producer Seas and she 327 00:14:37,360 --> 00:14:37,600 Speaker 3: was like. 328 00:14:37,520 --> 00:14:39,600 Speaker 13: Oh, they don't know that, and maybe we'll keep that 329 00:14:39,640 --> 00:14:41,400 Speaker 13: and maybe I'll just let it out of the back. 330 00:14:41,480 --> 00:14:41,920 Speaker 3: Thank you. 331 00:14:41,960 --> 00:14:45,920 Speaker 13: So, yeah, five o'clock last Friday morning, he was awake 332 00:14:45,960 --> 00:14:47,400 Speaker 13: and text me and went, I'm glad I go up 333 00:14:47,400 --> 00:14:48,040 Speaker 13: at five for this. 334 00:14:48,320 --> 00:14:50,040 Speaker 8: I was really hoping that he came all the way in. 335 00:14:50,080 --> 00:14:50,960 Speaker 8: I don't think he did. 336 00:14:51,280 --> 00:14:53,960 Speaker 4: The first time John has done something like that. Doesn't 337 00:14:54,520 --> 00:14:55,400 Speaker 4: that it won't be the last. 338 00:14:55,400 --> 00:14:56,080 Speaker 3: That's very John. 339 00:14:56,280 --> 00:14:57,520 Speaker 4: That is hilarious. 340 00:14:57,880 --> 00:14:58,040 Speaker 8: Yeah. 341 00:14:58,080 --> 00:15:01,760 Speaker 13: I messaged him one, don't ever text me this early. 342 00:15:02,000 --> 00:15:05,160 Speaker 13: I don't care what's happened. And secondly, now I hope 343 00:15:05,200 --> 00:15:07,040 Speaker 13: that this Friday you sleep in. 344 00:15:08,640 --> 00:15:11,320 Speaker 3: He probably will and that's so he's now the angry 345 00:15:11,360 --> 00:15:11,840 Speaker 3: John Pinder. 346 00:15:11,920 --> 00:15:16,800 Speaker 2: He's Jesus make each other laugh as much. 347 00:15:16,600 --> 00:15:18,320 Speaker 8: As he makes me laugh all the time. 348 00:15:18,400 --> 00:15:20,359 Speaker 4: He is a funny He's. 349 00:15:20,080 --> 00:15:22,720 Speaker 8: Probably the funniest person I think I've ever met. Yeah, 350 00:15:22,760 --> 00:15:23,400 Speaker 8: he's amazing. 351 00:15:23,440 --> 00:15:25,440 Speaker 3: I have to agree with that, because he'll stand at 352 00:15:25,440 --> 00:15:27,560 Speaker 3: the window here and look out and say something about 353 00:15:27,560 --> 00:15:29,680 Speaker 3: what he observes, and we'll just be on the floor 354 00:15:29,720 --> 00:15:30,560 Speaker 3: like one of those people. 355 00:15:30,760 --> 00:15:34,440 Speaker 2: Sometimes anything said with the man Curian accent it's funny 356 00:15:34,480 --> 00:15:35,080 Speaker 2: as well. 357 00:15:35,480 --> 00:15:37,160 Speaker 4: But then when you're legit funny. 358 00:15:37,480 --> 00:15:40,840 Speaker 13: Yeah, with the accent, it's a lot. He once told 359 00:15:41,040 --> 00:15:44,240 Speaker 13: me in another comic Andrew Wolf, very very funny man. 360 00:15:44,600 --> 00:15:46,840 Speaker 13: He once told us a story about him being in 361 00:15:46,840 --> 00:15:48,400 Speaker 13: a pub early in the morning, and this was like 362 00:15:48,440 --> 00:15:52,320 Speaker 13: a really heartfelt story about seeing this old man eating 363 00:15:52,320 --> 00:15:54,400 Speaker 13: a pizza and he was I think he was trying 364 00:15:54,400 --> 00:15:57,240 Speaker 13: to make some sort of profound point, but we were 365 00:15:57,280 --> 00:16:00,560 Speaker 13: both just laughing so much at the way he tells it, 366 00:16:00,600 --> 00:16:04,239 Speaker 13: because yeah, the accent and all the little facial expressions 367 00:16:04,320 --> 00:16:05,280 Speaker 13: is like, you're adorable. 368 00:16:06,040 --> 00:16:09,600 Speaker 2: The more cher looks and see, the funnier it is, really, David. 369 00:16:09,600 --> 00:16:11,440 Speaker 3: It was a day that I might jump in went 370 00:16:11,560 --> 00:16:14,840 Speaker 3: welby and came home with a trumpet. That was the class. 371 00:16:15,480 --> 00:16:17,920 Speaker 13: I remember that. That's a clip I think on his 372 00:16:18,200 --> 00:16:19,360 Speaker 13: social media face. 373 00:16:19,960 --> 00:16:24,040 Speaker 2: Yeah, but look enough about John, about you, You've you've 374 00:16:24,080 --> 00:16:27,520 Speaker 2: scored a few TV writing jobs of later as well. Yeah, 375 00:16:28,200 --> 00:16:30,800 Speaker 2: Trailer Park Boys, Mock the Week, that's going to be. 376 00:16:31,040 --> 00:16:32,640 Speaker 13: Mock the Week was a big one for me because 377 00:16:32,680 --> 00:16:34,400 Speaker 13: I grew up. I didn't grow up watching it, but 378 00:16:34,400 --> 00:16:37,360 Speaker 13: I've watched it for a very long time. And then yeah, 379 00:16:37,400 --> 00:16:39,000 Speaker 13: I was approached by some of the comedians on the 380 00:16:39,000 --> 00:16:39,840 Speaker 13: show to write for them. 381 00:16:39,880 --> 00:16:42,800 Speaker 2: I was like, yes, please, Yeah, I would imagine you 382 00:16:42,920 --> 00:16:46,400 Speaker 2: live in a world an industry where the more fingers 383 00:16:46,400 --> 00:16:49,680 Speaker 2: in those sorts of pies, the more secure you can 384 00:16:49,680 --> 00:16:50,440 Speaker 2: probably feel. 385 00:16:50,560 --> 00:16:52,120 Speaker 8: Yeah, yeah, definitely. 386 00:16:52,120 --> 00:16:55,640 Speaker 13: And then it's so like I've lived in Perth for 387 00:16:56,440 --> 00:16:59,280 Speaker 13: Australia for about ten years now. I still can't find 388 00:16:59,320 --> 00:17:05,639 Speaker 13: my way around anywhere but sprawling, I just can't get anywhere. 389 00:17:05,800 --> 00:17:08,480 Speaker 13: I can't without maps. We talk about phones, but without maps, 390 00:17:08,480 --> 00:17:08,880 Speaker 13: I'm done. 391 00:17:11,280 --> 00:17:12,800 Speaker 8: Yeah. 392 00:17:12,880 --> 00:17:15,480 Speaker 13: But yeah, I was working remotely, so I was writing 393 00:17:15,520 --> 00:17:17,879 Speaker 13: on all these TV shows in like the US and 394 00:17:17,880 --> 00:17:19,400 Speaker 13: the UK, but I was doing it remotely. And then 395 00:17:19,880 --> 00:17:23,440 Speaker 13: I started writing on the project here, yeah, about two 396 00:17:23,520 --> 00:17:25,639 Speaker 13: years ago now, and I even though that's here, I 397 00:17:25,640 --> 00:17:27,640 Speaker 13: still do that remote because they're over in Melbourne. But yeah, 398 00:17:28,000 --> 00:17:29,640 Speaker 13: as you say, like, the more you do, the more 399 00:17:29,760 --> 00:17:30,840 Speaker 13: doors that kind of open. 400 00:17:30,960 --> 00:17:33,359 Speaker 2: And it's fantastic what you can do remotely now, it 401 00:17:33,480 --> 00:17:36,240 Speaker 2: really is. Really can live in another country and produce 402 00:17:36,240 --> 00:17:37,000 Speaker 2: a TV show. 403 00:17:37,160 --> 00:17:41,080 Speaker 3: Yeahs sending each other far and yeah. 404 00:17:41,000 --> 00:17:44,040 Speaker 13: I so part of our day on the project at 405 00:17:44,119 --> 00:17:46,479 Speaker 13: nine am my time, I have to have a writers 406 00:17:46,520 --> 00:17:48,960 Speaker 13: meeting with the rest of the writers and the production 407 00:17:49,040 --> 00:17:51,560 Speaker 13: team over zoom. Only lasts like ten minutes, and I 408 00:17:51,600 --> 00:17:53,320 Speaker 13: hate it so much because that's the one time I 409 00:17:53,320 --> 00:17:55,160 Speaker 13: have to put clothes on and get out of bed. 410 00:17:55,440 --> 00:17:56,439 Speaker 8: To go and do this thing. 411 00:17:56,520 --> 00:17:59,800 Speaker 13: You're like, oh god, you have to have the camera on. Yeah, yes, exactly. 412 00:18:00,040 --> 00:18:00,720 Speaker 13: I've done it before. 413 00:18:00,760 --> 00:18:01,359 Speaker 3: I hold you up. 414 00:18:01,920 --> 00:18:03,800 Speaker 13: I've done it before where I've gone like, oh, yeah, 415 00:18:03,840 --> 00:18:04,600 Speaker 13: the camera's not work. 416 00:18:04,680 --> 00:18:06,520 Speaker 8: I just haven't mad. I'm not moving. 417 00:18:06,760 --> 00:18:08,040 Speaker 3: Yeah. 418 00:18:08,080 --> 00:18:08,359 Speaker 4: Well. 419 00:18:08,480 --> 00:18:14,000 Speaker 2: Desperate House Guys kicks off Friday tomorrow and runs until 420 00:18:14,000 --> 00:18:17,760 Speaker 2: February nine. Tickets are through fringeworld dot com dot au. David, 421 00:18:17,760 --> 00:18:18,560 Speaker 2: thanks for coming in. 422 00:18:18,600 --> 00:18:20,000 Speaker 8: Thank you so much for having me It's lovely to 423 00:18:20,000 --> 00:18:20,440 Speaker 8: talk to you guys. 424 00:18:20,480 --> 00:18:22,159 Speaker 3: Good to see you and m glad you're not angry. 425 00:18:22,400 --> 00:18:24,919 Speaker 8: No, no, I wanted to try it so bad, just 426 00:18:24,920 --> 00:18:29,040 Speaker 8: to swear there's sure. 427 00:18:29,119 --> 00:18:34,800 Speaker 2: Report on ninety six AM, The White Lotus creator Mike 428 00:18:34,880 --> 00:18:38,200 Speaker 2: White says season three is going to be longer, bigger 429 00:18:38,240 --> 00:18:40,800 Speaker 2: and crazier. We already know the next one is going 430 00:18:40,840 --> 00:18:41,720 Speaker 2: to be set in Thailand. 431 00:18:41,760 --> 00:18:41,920 Speaker 8: Now. 432 00:18:41,960 --> 00:18:46,960 Speaker 4: Some casting news is filtering through. Patrick swartzeneger son of Arnie, 433 00:18:47,200 --> 00:18:51,320 Speaker 4: has signed on alongside Michelle Monaghan and Park Oposy. I 434 00:18:51,320 --> 00:18:53,520 Speaker 4: love Pike oposing. She's going to be fabulous in The 435 00:18:53,520 --> 00:18:54,159 Speaker 4: White Lotus. 436 00:18:54,640 --> 00:18:58,480 Speaker 2: I'm disappointed that, you know, Jennifer Coolidge won't be back. 437 00:18:59,320 --> 00:19:01,159 Speaker 3: It's such a shame because it's such a great character. 438 00:19:01,320 --> 00:19:04,679 Speaker 2: I just don't that was the one thing that you know, 439 00:19:04,680 --> 00:19:06,320 Speaker 2: I mean, I know it was the big moment, and 440 00:19:07,000 --> 00:19:09,760 Speaker 2: still she was that theme. 441 00:19:09,880 --> 00:19:13,760 Speaker 3: She was about the anchor of the wonderful characters. It's 442 00:19:13,800 --> 00:19:14,280 Speaker 3: so different. 443 00:19:14,400 --> 00:19:17,360 Speaker 2: Speaking of Annie, he gotten a bit of strife at 444 00:19:17,840 --> 00:19:20,440 Speaker 2: Munich Airport in Germany yesterday. He was traveling with a 445 00:19:20,560 --> 00:19:23,720 Speaker 2: very expensive watch. He intends to waction off, but hadn't declared. 446 00:19:24,520 --> 00:19:28,320 Speaker 2: He was detained for three hours before things got sorted 447 00:19:28,400 --> 00:19:32,080 Speaker 2: and he was sent on his way. Actor Alex Winter 448 00:19:32,320 --> 00:19:34,760 Speaker 2: says a script for Bill and Ted four as in 449 00:19:34,800 --> 00:19:37,399 Speaker 2: the Well, I don't want to say works, but at 450 00:19:37,520 --> 00:19:39,240 Speaker 2: least the discussion stages. 451 00:19:39,320 --> 00:19:41,199 Speaker 14: There's a really good idea the writers came up with 452 00:19:41,280 --> 00:19:43,560 Speaker 14: for for it. That's kind of obvious. I don't want 453 00:19:43,600 --> 00:19:45,480 Speaker 14: to give it away. I can't give it away Heady 454 00:19:45,560 --> 00:19:48,000 Speaker 14: drawn a quarter, but it is a really great idea 455 00:19:48,240 --> 00:19:50,840 Speaker 14: and kind of an obvious idea. So it will get 456 00:19:50,840 --> 00:19:53,080 Speaker 14: written and then I will see when when we can 457 00:19:53,119 --> 00:19:54,159 Speaker 14: actually get it made maybe a. 458 00:19:54,160 --> 00:19:56,960 Speaker 2: Little while full disclosure. Don't hate me, but I've never 459 00:19:56,960 --> 00:20:00,200 Speaker 2: seen a Bill and Ted, not a one. I did 460 00:20:00,240 --> 00:20:01,080 Speaker 2: love Alex Winter and. 461 00:20:01,080 --> 00:20:01,880 Speaker 4: The Lost Boys though. 462 00:20:02,200 --> 00:20:02,720 Speaker 3: He was great. 463 00:20:02,840 --> 00:20:06,240 Speaker 2: Yeah, Marco, it was the first one to you go, yeah, 464 00:20:06,280 --> 00:20:08,879 Speaker 2: he was great. The twenty twenty four inductees for the 465 00:20:08,880 --> 00:20:11,880 Speaker 2: Songwriters Hall of Fame have been announced. Rim and Steely 466 00:20:11,960 --> 00:20:14,880 Speaker 2: Dan have been recognized for their work, along with Tim 467 00:20:15,040 --> 00:20:18,679 Speaker 2: Land and Dean Pitchford, who wrote songs like Footloots and 468 00:20:18,760 --> 00:20:21,359 Speaker 2: Fame and Let's Hear It for the Boy. Nominees who 469 00:20:21,400 --> 00:20:24,800 Speaker 2: did not make it this year include Tracy Chapman Boo 470 00:20:25,119 --> 00:20:26,040 Speaker 2: and Brian Adams. 471 00:20:26,320 --> 00:20:31,240 Speaker 3: Okay to Timboo looking for a Boo. 472 00:20:31,320 --> 00:20:36,240 Speaker 2: It's always next year. Brad Actor and comedian Paulie Shure 473 00:20:36,400 --> 00:20:38,879 Speaker 2: is going to play in a relation that spelling it. 474 00:20:39,000 --> 00:20:42,919 Speaker 2: Tarlie is going to play fitness icon Richard Simmons in 475 00:20:42,960 --> 00:20:45,160 Speaker 2: a new movie. The film has just been announced. There's 476 00:20:45,160 --> 00:20:47,520 Speaker 2: no other details at this stage. I'm not sure how 477 00:20:47,560 --> 00:20:50,560 Speaker 2: Simmons feels about this. Not great and this is not 478 00:20:50,600 --> 00:20:53,200 Speaker 2: an authorized by a pick. So he says he wants 479 00:20:53,280 --> 00:20:56,399 Speaker 2: to make it crystal clear. He's got no involvement. 480 00:20:56,720 --> 00:20:56,879 Speaker 1: You know. 481 00:20:56,920 --> 00:20:59,800 Speaker 4: I've always found it a bit weird that you can. 482 00:20:59,640 --> 00:21:02,560 Speaker 2: Write a biography or make a movie about someone without 483 00:21:02,640 --> 00:21:06,280 Speaker 2: their permission, isn't it. I mean, I love a good autobiography, 484 00:21:06,320 --> 00:21:09,960 Speaker 2: but when they say unauthorized biography, I'm not so keen. 485 00:21:10,200 --> 00:21:12,560 Speaker 3: So many times already reading it and a source close 486 00:21:12,600 --> 00:21:15,280 Speaker 3: to and you go, okay, well that's not quite the same. 487 00:21:15,400 --> 00:21:19,119 Speaker 2: Just doesn't seem right that you just make a movie 488 00:21:19,160 --> 00:21:21,920 Speaker 2: about someone who hasn't said okay. 489 00:21:22,280 --> 00:21:24,480 Speaker 3: Yeah, okay, I'm good with it. So then you're sneaking 490 00:21:24,480 --> 00:21:27,160 Speaker 3: around talk to their friends and former nanny's and all 491 00:21:27,200 --> 00:21:27,679 Speaker 3: the rest of them. 492 00:21:27,720 --> 00:21:34,200 Speaker 1: Exactly More, Clezy More, Lisa More podcasts soon. 493 00:21:36,359 --> 00:21:38,520 Speaker 2: We are thrilled to bits to have Lee Halley in 494 00:21:38,560 --> 00:21:41,720 Speaker 2: the studio with us this morning. Lee stars in Boyce 495 00:21:41,720 --> 00:21:45,560 Speaker 2: Swallow's Universe, the magnificent adaptation of Trent Dalton's book on 496 00:21:45,640 --> 00:21:48,520 Speaker 2: Netflix now and you play Gus Bell. 497 00:21:48,800 --> 00:21:51,160 Speaker 3: Hello, Lee's so much. 498 00:21:51,720 --> 00:21:55,480 Speaker 2: We're thrilled to have you because, as we said, we've 499 00:21:55,800 --> 00:21:56,760 Speaker 2: we've watched it. 500 00:21:56,880 --> 00:21:58,520 Speaker 4: And did you read the book? 501 00:21:58,520 --> 00:22:00,200 Speaker 3: Because I haven't read the book. My wife's read the 502 00:22:00,200 --> 00:22:01,639 Speaker 3: book and she said we have to watch this and 503 00:22:01,680 --> 00:22:03,040 Speaker 3: I said, yeah, absolutely. 504 00:22:02,640 --> 00:22:05,360 Speaker 2: And you know, with a great book, I always think 505 00:22:05,440 --> 00:22:07,760 Speaker 2: comes great responsibility. 506 00:22:08,520 --> 00:22:13,080 Speaker 4: The series. Does it just perfect justice? Congratulations? 507 00:22:14,160 --> 00:22:15,240 Speaker 8: You like it? Love it? 508 00:22:15,280 --> 00:22:16,280 Speaker 4: Love it? Love it? Love it? 509 00:22:16,440 --> 00:22:19,960 Speaker 2: Now, Gus, did you because I know you didn't read 510 00:22:20,000 --> 00:22:22,240 Speaker 2: the book when you first started the audition process and 511 00:22:22,280 --> 00:22:23,760 Speaker 2: you had to get your mom to fill you in 512 00:22:23,800 --> 00:22:26,040 Speaker 2: on did you have you read the book? 513 00:22:26,080 --> 00:22:29,679 Speaker 12: Since I will I will clarify I hadn't read the 514 00:22:29,680 --> 00:22:33,399 Speaker 12: book when I got the started reading it as we 515 00:22:33,440 --> 00:22:36,119 Speaker 12: went along. Yeah, got about halfway through before we had 516 00:22:36,160 --> 00:22:39,040 Speaker 12: to start reading this. Yes, and I actually tried reading 517 00:22:39,040 --> 00:22:41,240 Speaker 12: it again on our very last day and it just 518 00:22:41,320 --> 00:22:47,720 Speaker 12: kind of things the other day, maybe I should give 519 00:22:47,720 --> 00:22:50,680 Speaker 12: it another shot. Yeah, it was kind of like the 520 00:22:50,680 --> 00:22:51,160 Speaker 12: first page. 521 00:22:51,920 --> 00:22:54,200 Speaker 2: Yeah, once you've lived it, I guess it's a whole 522 00:22:54,280 --> 00:22:55,720 Speaker 2: different way of dealing with it. 523 00:22:56,080 --> 00:22:56,240 Speaker 6: Now. 524 00:22:56,880 --> 00:23:01,520 Speaker 2: Gus, the character of Gus is it doesn't speak for 525 00:23:01,760 --> 00:23:05,560 Speaker 2: a good part of the movie. You know, all explained 526 00:23:05,800 --> 00:23:08,760 Speaker 2: a series, I should say, So, what was it like 527 00:23:09,040 --> 00:23:11,000 Speaker 2: in the audition process? And so, because you know, on 528 00:23:11,040 --> 00:23:12,840 Speaker 2: the one hand, you might think, oh, I don't have 529 00:23:12,880 --> 00:23:15,080 Speaker 2: to learn great big you know, load. 530 00:23:15,440 --> 00:23:16,520 Speaker 4: Stacks of dialogue. 531 00:23:16,600 --> 00:23:21,040 Speaker 2: On the other hand, you must have to dig to 532 00:23:21,160 --> 00:23:25,480 Speaker 2: a whole different kind of level to express what your 533 00:23:25,560 --> 00:23:26,639 Speaker 2: character is all about. 534 00:23:27,119 --> 00:23:30,000 Speaker 12: Specifically in the audition process, it was very weird because 535 00:23:30,000 --> 00:23:33,760 Speaker 12: I remember when I got the request audition, I was 536 00:23:33,760 --> 00:23:36,320 Speaker 12: in Melbourne and it was just like one page. It 537 00:23:36,359 --> 00:23:38,680 Speaker 12: was like, I think there was one line on there. Yeah, 538 00:23:38,720 --> 00:23:40,359 Speaker 12: and with something like that when they say like he 539 00:23:40,359 --> 00:23:42,600 Speaker 12: doesn't talk, the only problem is you don't know what 540 00:23:42,640 --> 00:23:45,680 Speaker 12: they want. Yeah, so there's not much you can really 541 00:23:45,800 --> 00:23:48,840 Speaker 12: kind of come up with yourself. So it was very difficult. 542 00:23:48,920 --> 00:23:50,560 Speaker 12: I just thought, this is like one of those things 543 00:23:50,600 --> 00:23:53,359 Speaker 12: you either going to have another shot, you're not. It 544 00:23:53,440 --> 00:23:56,440 Speaker 12: was very weird. But when we actually got to the set, 545 00:23:56,840 --> 00:24:01,639 Speaker 12: like watching Felix too, like, al he's crying, I'm just 546 00:24:01,640 --> 00:24:04,239 Speaker 12: sitting came. Yeah, I was like it was it was 547 00:24:04,280 --> 00:24:06,679 Speaker 12: easy on the set for me. It wasn't a it 548 00:24:06,720 --> 00:24:09,000 Speaker 12: wasn't a difficult thing once I kind of found my 549 00:24:09,040 --> 00:24:09,520 Speaker 12: way through it. 550 00:24:09,600 --> 00:24:13,960 Speaker 3: Well, he's working off four or five pages, but there's 551 00:24:13,960 --> 00:24:16,560 Speaker 3: a lot of face acting for you, so don't that was. 552 00:24:16,560 --> 00:24:19,080 Speaker 12: That was kind of the thing I had to sort 553 00:24:19,080 --> 00:24:21,960 Speaker 12: of learn to react and like talking to them for 554 00:24:22,040 --> 00:24:24,000 Speaker 12: the audition process. I just realized I had to make 555 00:24:24,040 --> 00:24:27,040 Speaker 12: it natural and not kind of not show. 556 00:24:27,280 --> 00:24:31,080 Speaker 4: It's a fine line before it's an over reaction. So 557 00:24:31,119 --> 00:24:32,080 Speaker 4: you know, it's. 558 00:24:31,880 --> 00:24:33,439 Speaker 12: Sort of in the eyes and if you show it 559 00:24:33,480 --> 00:24:34,720 Speaker 12: too much, people can tell. 560 00:24:34,560 --> 00:24:37,360 Speaker 3: You, yeah, that would be seen to be trying. That's 561 00:24:37,560 --> 00:24:38,440 Speaker 3: exactly right. 562 00:24:38,520 --> 00:24:41,520 Speaker 12: Yeah, it's you're going to kind of respect the audiences 563 00:24:41,560 --> 00:24:43,120 Speaker 12: intelligence somewhere just. 564 00:24:44,800 --> 00:24:45,840 Speaker 4: In the audition process. 565 00:24:45,880 --> 00:24:48,000 Speaker 2: I believe that because it is quite a process, you know, 566 00:24:48,160 --> 00:24:49,760 Speaker 2: just you know, go get a phone call and they 567 00:24:49,760 --> 00:24:50,360 Speaker 2: want to be in it. 568 00:24:51,080 --> 00:24:51,560 Speaker 4: Felix. 569 00:24:51,680 --> 00:24:54,080 Speaker 2: You were teamed up with Felix to see what your 570 00:24:54,440 --> 00:24:57,240 Speaker 2: rapport would be like this is Felix. Cameron plays the 571 00:24:57,280 --> 00:25:01,520 Speaker 2: young Eli one of the most amazing performances I've seen 572 00:25:01,760 --> 00:25:04,960 Speaker 2: from any person of any age and ever incredible. 573 00:25:05,280 --> 00:25:06,959 Speaker 3: Yeah, and Lucky Bright you got paired up. 574 00:25:08,000 --> 00:25:12,080 Speaker 12: What a gem because I remember thinking because the first 575 00:25:12,280 --> 00:25:14,960 Speaker 12: like we did like three self tapes or something before 576 00:25:14,960 --> 00:25:17,400 Speaker 12: we got taken out to Sydney, there was like five 577 00:25:17,520 --> 00:25:20,320 Speaker 12: kids for Gas and five kids for Eli. Yeah, and 578 00:25:20,520 --> 00:25:22,760 Speaker 12: it's kind of straight away you could tell Felix had 579 00:25:22,800 --> 00:25:25,159 Speaker 12: that that energy about him because he's such like her. 580 00:25:25,280 --> 00:25:27,399 Speaker 12: And it was great when I finally met Trent saying 581 00:25:27,720 --> 00:25:31,080 Speaker 12: the similarities, like it's just so open and energetic, and 582 00:25:31,080 --> 00:25:33,040 Speaker 12: we got paired up straight away and we just instantly 583 00:25:33,040 --> 00:25:35,760 Speaker 12: clicked because he doesn't have a bad bone in his body. 584 00:25:36,600 --> 00:25:39,760 Speaker 12: And then we did that audition and got called back 585 00:25:40,400 --> 00:25:42,560 Speaker 12: so Brisbane like a week later for the Way Over 586 00:25:42,600 --> 00:25:44,360 Speaker 12: and it was one other person for Gas and one 587 00:25:44,359 --> 00:25:48,560 Speaker 12: other person for Eli, and he was there and yeah, yeah, 588 00:25:48,640 --> 00:25:52,560 Speaker 12: got paied up with him again. I was like, bang, yeah, yeah, 589 00:25:52,600 --> 00:25:53,320 Speaker 12: it's just a letter. 590 00:25:53,480 --> 00:25:53,879 Speaker 8: I remember. 591 00:25:54,320 --> 00:25:56,800 Speaker 12: Also, I remember the first candidation shooting, like if they 592 00:25:56,840 --> 00:26:00,359 Speaker 12: stuffed up Eli, the show would have been you know, done, 593 00:26:00,400 --> 00:26:03,879 Speaker 12: really but incredible. 594 00:26:04,000 --> 00:26:06,159 Speaker 3: Yeah, it was amazing. And then just to think that 595 00:26:06,160 --> 00:26:08,040 Speaker 3: you've got competition and that kind of stuff. But I 596 00:26:08,080 --> 00:26:10,879 Speaker 3: can't see this of not being the YouTube, weren't maybe 597 00:26:11,280 --> 00:26:12,480 Speaker 3: preferred or favorites or. 598 00:26:12,480 --> 00:26:14,960 Speaker 2: Something, because I think, yeah, that's why they wanted to 599 00:26:15,000 --> 00:26:15,920 Speaker 2: see how you two went. 600 00:26:16,119 --> 00:26:17,439 Speaker 3: Yeah, just to city in chemistry. 601 00:26:17,720 --> 00:26:20,480 Speaker 12: We did find out they kind of had an eye 602 00:26:20,520 --> 00:26:22,919 Speaker 12: for it, and yeah, yeah. 603 00:26:22,640 --> 00:26:25,159 Speaker 2: We always loved to know where you were when you 604 00:26:25,240 --> 00:26:29,080 Speaker 2: got that call, yeah, to to say you got it, 605 00:26:29,080 --> 00:26:31,000 Speaker 2: because you might be somewhere where you can't, you know, 606 00:26:31,520 --> 00:26:32,639 Speaker 2: lose your mind. 607 00:26:32,920 --> 00:26:33,480 Speaker 8: Where were you? 608 00:26:33,960 --> 00:26:36,520 Speaker 12: I was at my house, yeah, front room. I think 609 00:26:36,520 --> 00:26:38,880 Speaker 12: it was my dad's work office or something. I think 610 00:26:38,920 --> 00:26:40,840 Speaker 12: my agent text me saying, oh, can we call you. 611 00:26:41,200 --> 00:26:42,480 Speaker 12: I was like, all right, I'm either going to be 612 00:26:42,480 --> 00:26:45,320 Speaker 12: happy I'm going to cry. Yeah, it's one of the 613 00:26:45,440 --> 00:26:47,760 Speaker 12: two because kind of everyone know that I for my 614 00:26:47,800 --> 00:26:49,840 Speaker 12: school is my friends who because I went to Sydney 615 00:26:49,840 --> 00:26:54,280 Speaker 12: and I went to Brisbane. I was like, okay, we 616 00:26:54,320 --> 00:26:56,640 Speaker 12: went in and they called and they were like my agents. 617 00:26:57,000 --> 00:26:58,840 Speaker 8: They were like, are you available. 618 00:26:59,160 --> 00:27:03,240 Speaker 12: I'm mistaken. I was like yeah, and then I'm like 619 00:27:03,600 --> 00:27:07,399 Speaker 12: they would like to yes, Yes, I was in my 620 00:27:07,720 --> 00:27:10,879 Speaker 12: in my house lately, not in some random That is a. 621 00:27:10,640 --> 00:27:13,800 Speaker 3: Great story, correct me if I'm wrong with any of these. 622 00:27:13,840 --> 00:27:16,199 Speaker 3: So John Curtin, right, So I'm thinking about the famous 623 00:27:16,200 --> 00:27:19,640 Speaker 3: alumni camp Temperley from Wisky Boy Joe. I'm pretty sure 624 00:27:19,680 --> 00:27:22,080 Speaker 3: he went there from White Lotus, Murray Bartlet and we 625 00:27:22,200 --> 00:27:24,760 Speaker 3: know what's happened with his acting career, Sam Sam Worthington, 626 00:27:25,880 --> 00:27:28,320 Speaker 3: Bond Scott from a CDC and Lee Tiger Helling mate 627 00:27:29,520 --> 00:27:32,440 Speaker 3: as you've got another mate from John Kurtin who's making Yeah. 628 00:27:32,520 --> 00:27:35,080 Speaker 12: Yeah, it was a funny story. We were like, I 629 00:27:35,119 --> 00:27:36,680 Speaker 12: think he was the first person I met on the 630 00:27:36,760 --> 00:27:39,120 Speaker 12: first day. Oh really yeah, because you got you get 631 00:27:39,200 --> 00:27:41,560 Speaker 12: called out and you get to go to your class. 632 00:27:42,080 --> 00:27:44,119 Speaker 12: We had a drama class together and we just were 633 00:27:44,160 --> 00:27:46,440 Speaker 12: walking along with men and this other kid and it's 634 00:27:46,520 --> 00:27:51,080 Speaker 12: funny seeing what was that like eight years later that yeah, 635 00:27:51,119 --> 00:27:53,119 Speaker 12: because yeah he's on all of the rings, which is 636 00:27:53,240 --> 00:27:58,760 Speaker 12: just crazy tyro tyro. Yeah, he's another wonderful actor my 637 00:27:58,920 --> 00:27:59,960 Speaker 12: age they're proud of. 638 00:28:01,520 --> 00:28:04,359 Speaker 2: Who's been going strong for such a long time now 639 00:28:04,480 --> 00:28:06,960 Speaker 2: as the premiere sort of drama school too. 640 00:28:07,280 --> 00:28:09,480 Speaker 4: Yes, I know some kids who went when I was 641 00:28:09,560 --> 00:28:11,520 Speaker 4: at school. We won't talk about how long ago that was, 642 00:28:11,600 --> 00:28:12,520 Speaker 4: but it wasn't recently. 643 00:28:12,600 --> 00:28:13,320 Speaker 3: It was just a little bit. 644 00:28:15,040 --> 00:28:19,480 Speaker 2: Now, the discerning book reader is going to be watching 645 00:28:20,720 --> 00:28:24,280 Speaker 2: boys Swallow's universe and thinking, where do I know this 646 00:28:24,520 --> 00:28:33,320 Speaker 2: kid from? And because another great writer, fellow Freeo boy 647 00:28:33,520 --> 00:28:34,480 Speaker 2: is Craig Sylvie. 648 00:28:35,119 --> 00:28:37,919 Speaker 4: And you're on the front cover. I didn't realize all 649 00:28:37,960 --> 00:28:38,360 Speaker 4: the way through. 650 00:28:38,360 --> 00:28:41,480 Speaker 2: I'm thinking, chilli and make a good Honeybee. Well, of course, 651 00:28:41,560 --> 00:28:44,200 Speaker 2: because you are Honeybee. You're on the front cover of 652 00:28:44,440 --> 00:28:47,920 Speaker 2: Craig's book, Honeybee, Craig Sylvie. Of course, I wrote Jasper 653 00:28:48,040 --> 00:28:51,840 Speaker 2: Jones And how does that come about that you end 654 00:28:51,920 --> 00:28:52,720 Speaker 2: up on a book cover? 655 00:28:53,360 --> 00:28:56,600 Speaker 12: Yeah, that was a weird one. I think what happened. 656 00:28:56,640 --> 00:28:59,440 Speaker 12: So that was about probably three years ago maybe, Yeah. 657 00:29:00,120 --> 00:29:02,280 Speaker 12: I think it was either my agent or my mom 658 00:29:02,480 --> 00:29:05,720 Speaker 12: got an email just from like whoever his sort of 659 00:29:05,840 --> 00:29:09,200 Speaker 12: agency is that does organizes that stuff for him. Yeah, 660 00:29:09,320 --> 00:29:11,040 Speaker 12: and they just sent this big, long email. There was 661 00:29:11,080 --> 00:29:13,480 Speaker 12: like this photo that they wanted to use from like 662 00:29:14,040 --> 00:29:17,200 Speaker 12: maybe thirty years ago they couldn't use for copyright isshes. 663 00:29:18,040 --> 00:29:20,160 Speaker 12: I had a similar sort of vibe. It was kind 664 00:29:20,200 --> 00:29:23,960 Speaker 12: of like a rough cut, haircut, sort of skinny face 665 00:29:24,040 --> 00:29:26,440 Speaker 12: type thing. Yeah, and they just said that I looked 666 00:29:26,520 --> 00:29:28,600 Speaker 12: really similar, and they'd like to have a chat and 667 00:29:28,640 --> 00:29:30,760 Speaker 12: see if I wanted to do the thing and I didn't. 668 00:29:30,840 --> 00:29:32,240 Speaker 12: I mean even if I didn't want to do it, 669 00:29:32,360 --> 00:29:34,040 Speaker 12: which I did want to do it. Yeah, my mom 670 00:29:34,200 --> 00:29:38,320 Speaker 12: was like, oh, you're doing it. Yeah, your mom has books. 671 00:29:40,080 --> 00:29:41,040 Speaker 3: Readers, she does. 672 00:29:41,160 --> 00:29:42,200 Speaker 8: Yeah, I read a watch. 673 00:29:42,640 --> 00:29:43,520 Speaker 12: Yeah, that's right into it. 674 00:29:43,680 --> 00:29:46,080 Speaker 2: Yeah, well, Honeybee's another beautiful book. You probably haven't read. 675 00:29:46,360 --> 00:29:51,320 Speaker 12: I actually I actually read a little bit less than half. Yeah, 676 00:29:52,120 --> 00:29:54,000 Speaker 12: I should probab. I would think I was about fifteen. 677 00:29:54,320 --> 00:29:56,840 Speaker 3: Yeah, yeah, yeah, yeah, Well you talk about tread Dalton 678 00:29:57,000 --> 00:30:01,080 Speaker 3: not a lovely man, crazy sweet. Yeah. My wife's a 679 00:30:01,160 --> 00:30:03,720 Speaker 3: huge fan and send him emails. He replies to emails fans. 680 00:30:03,800 --> 00:30:05,840 Speaker 12: Yeah, he's the best. Yeah. I got to spend like 681 00:30:05,880 --> 00:30:07,280 Speaker 12: a couple of hours with him when we're doing the 682 00:30:07,320 --> 00:30:08,560 Speaker 12: photo shoot because he was in Perth. 683 00:30:08,640 --> 00:30:09,920 Speaker 3: That's why it worked out so well. 684 00:30:10,120 --> 00:30:10,320 Speaker 13: Yeah. 685 00:30:10,440 --> 00:30:12,320 Speaker 12: And yeah, just the most kindest man. 686 00:30:12,600 --> 00:30:15,360 Speaker 3: Yeah, so warm, very good. 687 00:30:16,360 --> 00:30:23,400 Speaker 2: Now we're talking about Felix before plays Young Eli, and 688 00:30:23,520 --> 00:30:26,560 Speaker 2: we always hear stories about people pinching something from the set, 689 00:30:27,040 --> 00:30:32,200 Speaker 2: taking a bit of a momentum. Now I don't want 690 00:30:32,280 --> 00:30:34,920 Speaker 2: to say what it was that Felix took because not 691 00:30:35,120 --> 00:30:36,760 Speaker 2: everyone has already watched. 692 00:30:36,520 --> 00:30:39,600 Speaker 4: All of Boy Swallows Universe and please bringing it on 693 00:30:39,680 --> 00:30:40,680 Speaker 4: the weekend like I did. 694 00:30:41,080 --> 00:30:46,720 Speaker 2: But Felix kept something very central to the whole story. 695 00:30:47,280 --> 00:30:51,320 Speaker 2: Have you kept anything from anything you've worked on the things? 696 00:30:51,360 --> 00:30:54,000 Speaker 12: I always try to keep the on set robes. 697 00:30:55,680 --> 00:30:56,400 Speaker 3: So comforting. 698 00:30:57,000 --> 00:30:59,440 Speaker 12: I actually loved the robes so much and kept stealing 699 00:30:59,520 --> 00:31:04,400 Speaker 12: them that the director Barrett brought me custom made. 700 00:31:04,480 --> 00:31:05,640 Speaker 8: Really blue robe. 701 00:31:05,880 --> 00:31:09,560 Speaker 12: Yeah, and Gus and so I've been walking around with 702 00:31:09,680 --> 00:31:12,120 Speaker 12: that in the house for the last six months and 703 00:31:12,240 --> 00:31:13,000 Speaker 12: it's not coming. 704 00:31:12,880 --> 00:31:15,640 Speaker 4: Off years years years down the track. 705 00:31:15,720 --> 00:31:17,800 Speaker 2: That's going to make such a great collection of you know, 706 00:31:18,160 --> 00:31:19,880 Speaker 2: seeing all the things that you were in so. 707 00:31:20,160 --> 00:31:23,160 Speaker 4: Good thinking to start to start keeping the road. 708 00:31:23,360 --> 00:31:24,920 Speaker 12: I got the rope, I got a couple of shirts, 709 00:31:26,440 --> 00:31:28,960 Speaker 12: but yeah, the robe is always the keeper for me. 710 00:31:29,080 --> 00:31:33,280 Speaker 3: It's going to put another wing on the mansion that 711 00:31:33,440 --> 00:31:35,520 Speaker 3: I've got to ask you, and one I'm not spoiling 712 00:31:35,840 --> 00:31:37,720 Speaker 3: spoiler alert In this there is a spot where you 713 00:31:37,960 --> 00:31:40,280 Speaker 3: two are climbing through a tunnel of sorts. Give any more? 714 00:31:40,720 --> 00:31:43,600 Speaker 3: Do you get claustrophobic? Was it not events that looked 715 00:31:43,640 --> 00:31:44,000 Speaker 3: on camera? 716 00:31:44,160 --> 00:31:47,280 Speaker 12: There was probably the worst day because I'm very claustrophobia. 717 00:31:48,680 --> 00:31:54,840 Speaker 12: It's very weird, very uncomfortable. I mean it was it 718 00:31:54,920 --> 00:31:59,480 Speaker 12: looked so fun on camera, like it looked great, but 719 00:31:59,560 --> 00:32:03,680 Speaker 12: it was funny crawling through and being a sticky have 720 00:32:03,760 --> 00:32:04,480 Speaker 12: showers and stuff. 721 00:32:04,640 --> 00:32:08,640 Speaker 2: Yeah, but it's a while suffer for the art, longer 722 00:32:08,640 --> 00:32:10,000 Speaker 2: than the amount you see on screen. 723 00:32:10,880 --> 00:32:11,360 Speaker 12: Exactly. 724 00:32:11,600 --> 00:32:15,560 Speaker 4: What's what's next for you, Lee in the very immediate future? 725 00:32:15,800 --> 00:32:16,040 Speaker 2: Yeah? 726 00:32:16,320 --> 00:32:19,720 Speaker 12: Right, So I do have a project I cannot disclose 727 00:32:20,600 --> 00:32:25,080 Speaker 12: in November. We're looking at November. It's sort of pre production. 728 00:32:25,360 --> 00:32:27,680 Speaker 12: But since this show has come out and been having 729 00:32:27,760 --> 00:32:29,200 Speaker 12: quite a few meetings, I was. 730 00:32:29,160 --> 00:32:33,080 Speaker 4: Going to say it's the ringing off the Yeah, well, agents. 731 00:32:32,720 --> 00:32:34,920 Speaker 12: Are actually in America at the moment. We haven't been 732 00:32:35,000 --> 00:32:38,680 Speaker 12: having a massive come but we'll probably call tomorrow or 733 00:32:38,760 --> 00:32:42,240 Speaker 12: something sometime soon. But I think it'll be okay. 734 00:32:42,520 --> 00:32:44,720 Speaker 2: I think this is a very very good time for you, 735 00:32:45,320 --> 00:32:47,640 Speaker 2: and I hope that you enjoy every minute of it 736 00:32:49,040 --> 00:32:52,080 Speaker 2: because it's really, it really is a wonderful, wonderful show. 737 00:32:52,200 --> 00:32:55,880 Speaker 2: Boyce Swallow's Universe. It's on Netflix now. Watch the show 738 00:32:56,080 --> 00:33:00,640 Speaker 2: and read the book. And it's been really lovely to 739 00:33:00,680 --> 00:33:02,840 Speaker 2: have you come in and we're thrilled to bits for 740 00:33:02,920 --> 00:33:04,880 Speaker 2: you doing and I can't wait to see what you 741 00:33:04,960 --> 00:33:05,280 Speaker 2: do next. 742 00:33:05,720 --> 00:33:08,200 Speaker 4: You underscore projects. 743 00:33:07,800 --> 00:33:09,760 Speaker 3: Your first radio interview ever, I think it is. We've 744 00:33:09,800 --> 00:33:11,680 Speaker 3: done nine million between us and we're excited about So 745 00:33:11,920 --> 00:33:12,280 Speaker 3: there you go. 746 00:33:13,320 --> 00:33:14,000 Speaker 8: This is the start. 747 00:33:14,520 --> 00:33:17,560 Speaker 3: Thanks Clezie and Lisa,