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Speaker 1: This is a podcast about failure with me.

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Speaker 2: Lola Berry, author, nutritionist, and yoga teacher, join me as

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Speaker 2: we get to know these guests and learn about how

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Speaker 2: their failures have ultimately shaped their dreams. Welcome to Fearlessly

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Speaker 2: Failing with Lola Berry. We have an awesome human being

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Speaker 2: on the podcast today. His name is Momo Rodriguez and

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Speaker 2: he is an actor, comedian, producer, comedy writer.

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Speaker 1: I actually saw him.

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Speaker 2: Do stand up in Venice in La and I told

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Speaker 2: him this. You'll hear me say this on the podcast,

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Speaker 2: but I'd not been to too much. It was my

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Speaker 2: first stand up I'd been to here in La, and

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Speaker 2: I spent a lot of them being petrified of being

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Speaker 2: kind of like picked on by a comedian.

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Speaker 1: And the moment Momo.

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Speaker 2: Got onto stage, I was like, Oh, I feel really

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Speaker 2: safe And he has this awesome ability to be both

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Speaker 2: vulnerable and is it really easy to connect with. But

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Speaker 2: then he can hold the power of being on stage

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Speaker 2: and you know we're his audience, you know, having all

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Speaker 2: lies on him, and so it was just a really

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Speaker 2: really awesome experience. I DMed him on Insta after and

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Speaker 2: I was like, yo, I love loved your set and

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Speaker 2: I'm a massive yan ZMC fan and Sons of Anarchy fan,

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Speaker 2: So anyone here that's watched Sons of Anarchy. Momo was

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Speaker 2: on The Mayan's MC show, which is on FX here

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Speaker 2: in America, and his character Steve is wonderful. I don't

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Speaker 2: want to give too much way about what happens to Steve,

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Speaker 2: although we talk about it totally.

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Speaker 1: On the pod.

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Speaker 2: We talk a lot about behind the scenes of being

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Speaker 2: on set, and I had no idea that actual guns

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Speaker 2: are used for weight, to understand the weight to them,

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Speaker 2: which was really fascinating when they swap it out for

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Speaker 2: like a rubber gun.

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Speaker 1: There were so many things.

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Speaker 2: I learned, the power of, like stand up and coming

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Speaker 2: from a place of truth and this need to keep creating.

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Speaker 2: And Momo talks about having to go all in. You'll

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Speaker 2: be so so inspired by his chat and how he

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Speaker 2: actually made it. He literally snuck onto the Warner Brothers lot,

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Speaker 2: snuck into George Lopez's like I'm guessing it's not like

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Speaker 2: his screening area, but you know how when you go

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Speaker 2: to a lot, he knew it was next door to

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Speaker 2: er and then he's snuck on the stage into the

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Speaker 2: set and stage where George Lopez was filming his show

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Speaker 2: Got Caught, got in a lot of trouble, and then

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Speaker 2: met George Lopez and he was like, Okay, you can

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Speaker 2: warm the craw up, and literally that's where it all begun.

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Speaker 2: And there is so much that we cover in this chat.

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Speaker 2: We literally go definitely talk about comedy, definitely. We talk

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Speaker 2: about drama and method acting and all these other skills,

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Speaker 2: which you know, I'm not a method actor and I

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Speaker 2: don't think Momo was when he got onto the set

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Speaker 2: of The Mayans MC as well, but he said a

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Speaker 2: lot of the other actors were, and it just sounds

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Speaker 2: so so fascinating. We also talk a lot about paranormal

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Speaker 2: things and ghost hunting, which is really excite exciting. Slash

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Speaker 2: I was like, I went to bed that night being

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Speaker 2: so scared, like Parlo Santo in my house up and

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Speaker 2: I was like, I want just good energy in here.

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Speaker 2: He was giving me the lowdown of your hear of

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Speaker 2: my house and where I live, which is actually so

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Speaker 2: exciting And now I really want to go ghost hunting

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Speaker 2: with him. So Momo, when I'm back in La, can

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Speaker 2: we please go ghost hunting together?

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Speaker 3: Right? Oh?

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Speaker 1: My friends, I have rabbit it on enough.

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Speaker 2: This human It's absolutely amazing, super honest, super vulnerable, super

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Speaker 2: just downright truthful and awesome. I hope you love this chat.

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Speaker 2: I was blown away and I hope you are too.

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Speaker 1: Bye.

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Speaker 2: All right, I am so excited to have you here today,

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Speaker 2: Momo Rodriguez.

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Speaker 1: Okay.

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Speaker 2: My first discovery of you was last two thursdays ago.

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Speaker 2: That was my first official in the.

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Speaker 3: Flesh, which was a random night.

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Speaker 1: So was that unplanned?

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Speaker 3: I was at it. I was performing at the Lave

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Speaker 3: Factory in Long Beach and then I met. I met

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Speaker 3: and say, hey, come down see my new shirt I

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Speaker 3: got going on here. I'm like, I don't have time.

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Speaker 3: I'm still gonna be on stage. Yeah, just come down,

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Speaker 3: come see a high. So I go and show up

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Speaker 3: and see your parking lot and I what am I

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Speaker 3: getting myself into here? And he's like, just go up.

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Speaker 3: I'm like, no, I'm working out some new material. He's like,

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Speaker 3: just go up. I go up, and I think I

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Speaker 3: just I don't even know what I was talking about.

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Speaker 3: I'll just chanted for like maybe like half an hour.

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Speaker 1: You were awesome.

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Speaker 2: So my experience of comedy in Australia has been we

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Speaker 2: have a one week comedy festival in Australia and the

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Speaker 2: big like huge theater events, which I know you've done

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Speaker 2: heaps before, but it's not I've never experienced like intimate

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Speaker 2: stand up and this is a testament to you. So

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Speaker 2: I went just because someone at my acting class was like, YO,

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Speaker 2: come to this night in Venice and I was like, great,

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Speaker 2: why not? And for a lot of the night I

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Speaker 2: was quite anxious, Like I was like, oh, if I

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Speaker 2: get picked on, they're going to hear my Aussie accent,

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Speaker 2: and like, I don't know what it was, but when

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Speaker 2: you got up, I felt totally safe in your presence

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Speaker 2: and I thought, what was that?

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Speaker 3: Like?

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Speaker 1: What made me? Is a viewer fee and an audience member.

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Speaker 3: I mean I could kind of tell you what I do.

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Speaker 3: My job is to be the common denominator in the room,

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Speaker 3: and that's the best way I can explain it to you.

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Speaker 3: I'm supposed to have a conversation with you and not

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Speaker 3: perform to you. Yeah, because if you are comfortable, I'm comfortable.

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Speaker 3: I'm supposed to unload on you and make you feel

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Speaker 3: you're superior to me. I'm not supposed to make I mean,

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Speaker 3: if you make fun of some of the audience, that's

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Speaker 3: just a comic that has no material.

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Speaker 1: Ooh, I love a writer.

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Speaker 3: He has to write. I mean, I got hours of

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Speaker 3: things I want to talk about and this was my therapy. Ah.

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Speaker 2: So, so my thing with you felt like a combination

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Speaker 2: of you were very comfortable being vulnerable. You were speaking

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Speaker 2: truth like it felt like it was everything you were

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Speaker 2: saying was true for you. But then there was a

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Speaker 2: sense of like power within you that you were holding

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Speaker 2: us safe, like the audience members.

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Speaker 1: That's the key, that's how foult.

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Speaker 3: You want to make them feel like this save zone.

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Speaker 3: But at the same time, if we're gonna be raw,

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Speaker 3: let me be raw and then come on and write

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Speaker 3: with me. Be row with me. I'm not gonna I'm

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Speaker 3: not gonna totally just be perverted. If we're to be perverted,

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Speaker 3: be perverted with me.

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Speaker 1: Yeah.

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Speaker 3: And I could tell by the mannerisms in the audience,

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Speaker 3: the eye contact, the laughter, if I'm going too far

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Speaker 3: and not far enough.

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Speaker 2: So I've heard you say so I have even skipped

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Speaker 2: the intro. But comedian, writer, producer, actor, Have I hit

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Speaker 2: every Have I hit everything?

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Speaker 3: That's pretty much? Yeah, that's pretty much it.

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Speaker 2: So I've heard you described stand up as a monologue

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Speaker 2: with variables.

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Speaker 1: Yeah, can you explain that a little bit.

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Speaker 3: I love I mean, I think x X is always

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Speaker 3: the audience, you know, And even though you should never

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Speaker 3: blame the audience or you know, judge yourself, he is like,

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Speaker 3: I hate when it come and goes. They weren't feeling me. No,

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Speaker 3: you just weren't funny. Yeah, you know all but my

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Speaker 3: jokes worked last week. Yeah. What the art form is

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Speaker 3: to figure out how this audience is going to adapt

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Speaker 3: to those jokes, how to make them laugh to what

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Speaker 3: you think is funny. That's the art form. I mean,

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Speaker 3: comedy is like eighty percent showmanship in twenty percent funny.

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Speaker 1: Oh I love that.

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Speaker 2: And I've heard you describe yourself because you wear so

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Speaker 2: many hats, like the writing, dramatic, acting. And I've heard

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Speaker 2: you say, well, I'm an entertainer exactly.

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Speaker 3: I'm just that's what I am. I entertain I'm not

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Speaker 3: going to see myself as a lead stand up or

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Speaker 3: I love to put on a show, and I have

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Speaker 3: no I mean, I've done some crazy stuff for the joke,

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Speaker 3: for the audience. How I mean, I don't like losing

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Speaker 3: an audience. I'll make something happen on the spot just

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Speaker 3: to kind of like you're paying to go to a show. Yeah,

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Speaker 3: you're spending your money, and then you're supposed to sit

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Speaker 3: there and watch a guy that has to have the

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Speaker 3: confidence to say I'm funnier than you, so funny that

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Speaker 3: you paid for me to make you laugh. You're paying

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Speaker 3: for my words.

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Speaker 1: Yeah.

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Speaker 3: So yeah, you just suck. When you show up. You

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Speaker 3: got to bring it. And you know a lot of

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Speaker 3: comments like no, it's about me, it's yeah, you know.

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Speaker 3: I mean, how uncentsued are we in this podcast?

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Speaker 1: Go for gold?

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Speaker 3: Okay? I told someone this other day. It's like, oh,

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Speaker 3: they weren't feeling me. Like, listen, if you're doing comedy

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Speaker 3: for yourself, go do stand up in the mirror and

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Speaker 3: jack off while you do it. Yeah that's for you. Yeah,

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Speaker 3: this is not for you. You're supposed to. I mean,

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Speaker 3: I've had people come up to me and say, you

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Speaker 3: know what I could I was in a commit suicide

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Speaker 3: at night, and your perspective changed me. I've had people

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Speaker 3: who are like about to die and say I wanted

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Speaker 3: to see you one last time. You know that for

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Speaker 3: me is like Wow, what I say tonight is somebody

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Speaker 3: maybe my last show or their last show, make it

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Speaker 3: worth that. I mean, when you put yourself out there

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Speaker 3: and people listen to you, that's a beautiful gift. I mean,

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Speaker 3: how many people. I mean one of the biggest issue

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Speaker 3: we have relationships is that, Oh, he wasn't listening to

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Speaker 3: me enough. She wasn't hearing my feelings.

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Speaker 2: We want to be listening to I think there's a

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Speaker 2: famous Oprah quote and she said, anybody, anybody that I've

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Speaker 2: ever ever ever interviewed, they just want to be heard exactly.

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Speaker 1: Oh, I love it.

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Speaker 2: There are so many questions I could ask you in

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Speaker 2: so many first routes we can go down. I heard

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Speaker 2: you talk about when you figured out that you wanted

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Speaker 2: to be in comedy. It was nineteen ninety three, their

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Speaker 2: home with your family, drive buyers.

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Speaker 1: Yeah.

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Speaker 3: The nineties in LA were like it was like a

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Speaker 3: jungle because it was during the the street gangs over

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Speaker 3: here they were all at war.

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Speaker 1: Yeah.

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Speaker 3: So a year later, after ninety three, the Mexican Mafia

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Speaker 3: came in and they united them and they give them

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Speaker 3: a thirteen, which symbolizes the thirteen members of the Mexican Mafia.

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Speaker 3: So that's why a lot of gangs here have blah

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Speaker 3: blah blah thirteen blah blah blah, thirteen, got it? You know,

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Speaker 3: so before that there was no thirteen. It was just

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Speaker 3: all out war. And you know, you were asked where

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Speaker 3: you're from. You you know, they don't. You don't give

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Speaker 3: the right color or the right you know name, then

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Speaker 3: you get shot at. It was just what they did.

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Speaker 3: I mean, I man. So that year was during the

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Speaker 3: big drive by, so they would just come and spray

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Speaker 3: people's houses with bullets. So reason just to you know, yeah,

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Speaker 3: send the message, like hey man, we lived on the

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Speaker 3: border of the two gangs, so I guess some guy

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Speaker 3: was passing by our house and they sprayed them, and

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Speaker 3: our windows were shot up, and we had a drill.

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Speaker 3: You hear gunshots, you go to the floor and you

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Speaker 3: go to the bathtub, and my dad would go to

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Speaker 3: the front door block it. My mom would be halfway

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Speaker 3: to give us messages, and I one day it was

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Speaker 3: so much gunfire that after it was all over, we

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Speaker 3: met with my parents in the kitchen and my mom's

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Speaker 3: just crying, just like lind it out. My dad's even

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Speaker 3: my dad's crying. When you see your dad cry, it's weird.

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Speaker 3: There's a guy who protects you and now he's like

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Speaker 3: fall fell apart. I didn't know what to do or say.

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Speaker 3: I saw the refrigerator was shot, so I kneeled on

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Speaker 3: the refrigera and said, no, why not, Like I try

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Speaker 3: to make a joke out of it, and my mom's

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Speaker 3: just laughing, my dad's laughing. I'm like, I just took

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Speaker 3: a negative in our house into a positive. Like there's

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Speaker 3: a glass everywhere, there's bullet, there's shelves everywhere outside, and

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Speaker 3: they're laughing. So that was mine, Like, okay, cool, I

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Speaker 3: found a way to deflect the neighborhood. And I use

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Speaker 3: that for the gangs, because I mean I was asking

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Speaker 3: when you're a certain age, they come to your house

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Speaker 3: and say, hey, this is your house. You gotta protect it.

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Speaker 3: So you have to do something for the gang if

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Speaker 3: you want your house protected. And I was like, well, okay,

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Speaker 3: I guess I gotta go to the meeting. So you

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Speaker 3: go to the meeting, we're all like thirteen fifteen, and

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Speaker 3: they cause the Peewee's. So in the Peewe's of the gang,

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Speaker 3: you have to figure out a way to make money

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Speaker 3: for the gang. And we had a week to come

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Speaker 3: up with an idea. So I went in there like

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Speaker 3: you know, driven, determined. Yeah, I had like almost like

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Speaker 3: a PowerPoint set up. I was like, I was like

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Speaker 3: I have an idea, weed and like, okay, what's your

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Speaker 3: what's your guys' ideas? And I was like I want

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Speaker 3: to go first. I'm pitching something greatest and all of

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Speaker 3: our moms know how to cook, they can bake. How

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Speaker 3: about we do a big sale? And the gangsters just

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Speaker 3: looked at me like you know what, man, just go home,

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Speaker 3: and I'm like and I was so mad because I'm like,

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Speaker 3: I'm over here doing research for you guys. I'm we're

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Speaker 3: trying to figure this shit out and you know, want

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Speaker 3: my ideas. I went home that day like mad. My

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Speaker 3: mom's like, what's wrong? Gangs don't want to be in

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Speaker 3: the gang. And they kicked me out of the gang

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Speaker 3: and she's like what, yeah, I joined the gang, Like

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Speaker 3: why can you do them? Like I'm trying to help

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Speaker 3: us out and you're mad at me, Like I'm over

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Speaker 3: we're trying to protect the house and you're mad at

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Speaker 3: me for join the gang, Like you know, you're welcome.

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Speaker 3: So the next day I go back to me like, hey,

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Speaker 3: my mom says it can be in the gang, and

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Speaker 3: they're like, you know, one more, you're good, don't worry

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Speaker 3: about it. So there, and then I'm like why why

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Speaker 3: I want to be I want to help them, like

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Speaker 3: the main dude, the main killer goes, you have other plans.

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Speaker 3: It's like, you're not You're not like these dudes. You're

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Speaker 3: not a follower. You got bigger plans.

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Speaker 1: What insight to be able to say that?

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Speaker 3: I think I was like fifteenth and thirteen, Yeah, and

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Speaker 3: I was, and I was, I was mad, and everyone

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Speaker 3: commented all the gangs wants you. I felt a soul

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Speaker 3: because that's all you know. In those days, we don't

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Speaker 3: know what We never knew what was outside of our neighborhood.

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Speaker 3: We just knew that cops hated us, that you know,

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Speaker 3: brown people getting no respect, and if you get in

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Speaker 3: the wrong neighborhood s time you get shot at. That

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Speaker 3: was what we knew. So me, since I wasn't in

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Speaker 3: the gang, my mom and dad, which barely spoke English,

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Speaker 3: put me in after school program and I started reading

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Speaker 3: Shakespeare at like fifteen, psycho, random Chicano kid, Mexican kid

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Speaker 3: reading you know, Shakespeare, memorizing the soliloquy for you know,

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Speaker 3: just for the for the buck. Of it, just to

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Speaker 3: know it. And man, that opened up so many other avenues.

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Speaker 3: I start researching writers and Latino you know, playwrights, and

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Speaker 3: I started reading how much they, you know, were in

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Speaker 3: the actual industry, and how sometimes they weren't enough. I

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Speaker 3: would take the bus to Hollywood, from the Hood to

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Speaker 3: Hollywood to go to a bookstore here Samuel French, which

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Speaker 3: was where every writer or actress got monologue books and

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Speaker 3: script books, you know, it's before the internet. And I

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00:15:23,440 --> 00:15:25,200
Speaker 3: would just buy a bunch of them, trying to memorize

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Speaker 3: these monologues. And I realized none of the monologues were

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Speaker 3: for latinost it. So I would write them and sell

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00:15:32,120 --> 00:15:34,320
Speaker 3: them to the kids at school when they had to

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00:15:34,360 --> 00:15:38,800
Speaker 3: do monologue presentations. I would create these random monologues, put

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Speaker 3: a fake name on there because no student work. It was.

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Speaker 3: That's from my writing story. I started creating these new characters,

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Speaker 3: these new people. I mean, it was it was crazy.

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Speaker 3: It was not normal for Latino kid to be doing

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Speaker 3: this stuff. But I mean I wasn't a normal Latino kid.

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Speaker 3: I mean the idea, you know.

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Speaker 2: I I thank you so much for sharing all this

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Speaker 2: I said to you before we started, like Australia, like

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Speaker 2: guns don't exist in Australia.

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Speaker 1: It's illegal to have a fire.

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Speaker 2: It is, but it's such a different way to have

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Speaker 2: grown up, Like you can you can walk, like even

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00:16:14,480 --> 00:16:16,840
Speaker 2: here we're in beautiful Lost Feelers right now, and my

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Speaker 2: car battery got stolen out in the front of my house

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Speaker 2: a few nights ago, you know, like in Australia that

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Speaker 2: just you can walk home barefoot if you want, any

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00:16:24,800 --> 00:16:27,320
Speaker 2: time of the night, doesn't matter. So it's like, it's

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00:16:27,360 --> 00:16:29,280
Speaker 2: it is. And someone said to me, what's the difference.

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00:16:29,320 --> 00:16:30,680
Speaker 2: I was like, it's a culture shop. Just being in

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Speaker 2: La alone.

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Speaker 1: I mean, but sharing your childhood is thank you so

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Speaker 1: much for sharing that. I've heard you.

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Speaker 2: Describe comedy as tragedy plus time.

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Speaker 3: I think it was a few comics I learned that

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Speaker 3: from it. They always said, you know, it's it's tragedy

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00:16:47,400 --> 00:16:50,080
Speaker 3: plus time. I mean, you fall, you fall right now

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Speaker 3: on the floor and are you okay? Yeah, I'm finally

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00:16:52,840 --> 00:16:54,840
Speaker 3: screating the next day. And when you fell yesterday it

336
00:16:55,000 --> 00:16:59,960
Speaker 3: was hilarious. It's plus time. Yeah, all of comedy is tragedy.

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00:17:00,920 --> 00:17:03,400
Speaker 3: It's I think Charlie Chapman was when I said, if

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00:17:03,400 --> 00:17:06,200
Speaker 3: you put the camera in a certain position, you could

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Speaker 3: differentiate tragedies from the comedy of it.

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Speaker 2: Oh, it's true. I, like I said, I could talk

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00:17:12,680 --> 00:17:15,119
Speaker 2: to you all day long about this. I do have

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00:17:15,200 --> 00:17:18,520
Speaker 2: to ask about the moment you chose to snuck into

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Speaker 2: sneak into Warner Brothers.

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Speaker 1: So I was already like that, this is impressive by

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Speaker 1: the friend you that was.

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Speaker 3: That was just one of those nights where I mean days,

347
00:17:27,560 --> 00:17:30,240
Speaker 3: It was like I want to be George Lopez. I

348
00:17:30,280 --> 00:17:34,159
Speaker 3: want to meet the guy because the first Latino commentarily

349
00:17:34,160 --> 00:17:38,080
Speaker 3: makes spark was Paul Rodriguez back in the eighties, and

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Speaker 3: then George followed with a strong just attitude and just

351
00:17:43,040 --> 00:17:45,879
Speaker 3: I always see it like Paul Rodriguez was my Bill

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Speaker 3: Cosby and George Lopez was my Richard Pryor. Yeh. So

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Speaker 3: I was more attracted to the Richard Pryor and to George,

354
00:17:54,000 --> 00:17:57,480
Speaker 3: and George idolized Richard Pryor too, And you know I

355
00:17:57,520 --> 00:17:58,920
Speaker 3: was a fan of his TV show, like I gotta

356
00:17:58,960 --> 00:18:01,440
Speaker 3: meet this guy. And I did research for like about

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00:18:01,440 --> 00:18:04,080
Speaker 3: a few months. I was a seat filler for a

358
00:18:04,119 --> 00:18:06,560
Speaker 3: lot of studio audiences, so I knew how to get

359
00:18:06,560 --> 00:18:10,119
Speaker 3: into the studio and then one day I just stayed

360
00:18:10,119 --> 00:18:13,080
Speaker 3: in the bathroom stoff for like six hours. Yeah, waited

361
00:18:13,200 --> 00:18:16,159
Speaker 3: till like the next group came in and I was

362
00:18:16,280 --> 00:18:18,520
Speaker 3: free to run the lot. The Warner Brothers a lot,

363
00:18:19,040 --> 00:18:21,240
Speaker 3: and I remember, like, how do you get to George

364
00:18:21,240 --> 00:18:23,679
Speaker 3: Lopez's lot? And I remember that someone told me in

365
00:18:23,680 --> 00:18:25,840
Speaker 3: an interview one time that it was next to the

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00:18:26,119 --> 00:18:29,600
Speaker 3: ER set. So I'm going around looking for people in

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00:18:29,720 --> 00:18:34,160
Speaker 3: like scrubs, like, okay, that's the sound stage for Er. Yeah,

368
00:18:34,520 --> 00:18:37,600
Speaker 3: next door might be the George Lopez one. Snuck in there,

369
00:18:37,640 --> 00:18:41,720
Speaker 3: I got in troubles, got arrested. I ended up performing

370
00:18:41,800 --> 00:18:43,959
Speaker 3: for George at in front of the studio audience that

371
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Speaker 3: day day, and then we've been friends ever since. I mean,

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00:18:48,640 --> 00:18:52,040
Speaker 3: you know, I've worked on some projects with them, and

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00:18:52,080 --> 00:18:54,040
Speaker 3: I'm stillorying on products with them. I produced as a

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Speaker 3: comedy special.

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Speaker 1: On Netflix Netflix Watch Now.

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00:18:58,119 --> 00:19:02,480
Speaker 3: I mean, I that's my you know, my hero. But

377
00:19:02,720 --> 00:19:06,119
Speaker 3: now it's like it's becoming like I want to be

378
00:19:06,280 --> 00:19:07,440
Speaker 3: up there.

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00:19:08,400 --> 00:19:13,040
Speaker 2: I listened to his podcast where he interviews you. I

380
00:19:13,080 --> 00:19:15,080
Speaker 2: told you before, I'm a virgo, so I go very

381
00:19:15,440 --> 00:19:20,600
Speaker 2: very extreme on the research. But he describes you as smart, dependable,

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00:19:21,040 --> 00:19:24,280
Speaker 2: the friend that's always there and someone that will always

383
00:19:24,320 --> 00:19:25,080
Speaker 2: give you advice.

384
00:19:25,560 --> 00:19:26,480
Speaker 1: How nice is that?

385
00:19:26,840 --> 00:19:31,159
Speaker 3: You know, he is a jerk and a sweetheart. But like,

386
00:19:31,640 --> 00:19:34,159
Speaker 3: I mean, he said so many bad things about me

387
00:19:34,200 --> 00:19:39,080
Speaker 3: on that podcast too, but he is he is. It's

388
00:19:39,160 --> 00:19:42,800
Speaker 3: weird how it just it's like one of those big brothers.

389
00:19:43,320 --> 00:19:47,520
Speaker 3: Yeah that I won't get the compliments from him, I'll

390
00:19:47,520 --> 00:19:48,480
Speaker 3: get what I did wrong.

391
00:19:49,200 --> 00:19:50,200
Speaker 1: Yeah, but that's what you learned.

392
00:19:50,280 --> 00:19:53,359
Speaker 3: That's like he's I mean, this guy, I've learned so

393
00:19:53,520 --> 00:19:56,359
Speaker 3: much and he's tooking me on every tour he has.

394
00:19:56,920 --> 00:19:59,080
Speaker 3: I've been all over the country with him. And to

395
00:19:59,160 --> 00:20:03,040
Speaker 3: be on the plane with your hero on a private jet,

396
00:20:03,440 --> 00:20:06,479
Speaker 3: you know, weekly, getting these nuggets of knowledge, and then

397
00:20:06,560 --> 00:20:08,880
Speaker 3: him introducing me to all the other kings of comedy.

398
00:20:09,160 --> 00:20:12,080
Speaker 3: I was on that tour with Cedric, Entertainer, hug Leady

399
00:20:12,119 --> 00:20:15,600
Speaker 3: Griffin and George and I was on that tour. So

400
00:20:15,800 --> 00:20:19,040
Speaker 3: I'm there with them every night, hearing the stories. You

401
00:20:19,080 --> 00:20:21,680
Speaker 3: don't talk when you're in that room. You just I mean,

402
00:20:21,960 --> 00:20:25,120
Speaker 3: I mean, look at Cedric the Emmys last night. I mean,

403
00:20:25,160 --> 00:20:27,800
Speaker 3: these are guys that are now my mentors and my

404
00:20:27,880 --> 00:20:32,439
Speaker 3: uncles because of George. I love Edward James almost another

405
00:20:32,520 --> 00:20:36,040
Speaker 3: amazing actor and just legend that is also not my

406
00:20:36,080 --> 00:20:39,480
Speaker 3: mentor because of George. I mean, I'm just collecting all

407
00:20:39,520 --> 00:20:46,240
Speaker 3: these people because this guy, George Lopez has beautiful faith

408
00:20:46,280 --> 00:20:48,800
Speaker 3: in me, and I want to just continue it and

409
00:20:48,840 --> 00:20:52,200
Speaker 3: just do that to somebody else, someone I really want

410
00:20:52,280 --> 00:20:54,040
Speaker 3: to pay forward. Well.

411
00:20:54,080 --> 00:20:56,159
Speaker 2: To be honest, when I asked you to go on

412
00:20:56,240 --> 00:20:58,359
Speaker 2: this podcast, I was like, oh, well, he's not going

413
00:20:58,440 --> 00:21:00,159
Speaker 2: to know this random Aussie girl.

414
00:21:00,440 --> 00:21:02,720
Speaker 1: Be like, hey, can I be my And you were.

415
00:21:02,560 --> 00:21:05,840
Speaker 3: Like yeah, sure, I'm like an Aussie freak. You guys

416
00:21:05,880 --> 00:21:08,920
Speaker 3: don't know. That is like I've always wanted to go

417
00:21:09,840 --> 00:21:11,600
Speaker 3: and I haven't been, but I have a lot of

418
00:21:11,600 --> 00:21:15,040
Speaker 3: fans from over there that send me beautiful messages. So

419
00:21:15,080 --> 00:21:16,760
Speaker 3: when you say it, I'm like, oh fuck, I mean

420
00:21:16,760 --> 00:21:19,720
Speaker 3: that's I've been wanting to go so bad. Any promoters

421
00:21:19,760 --> 00:21:21,600
Speaker 3: out there they want to take me out there, they

422
00:21:21,680 --> 00:21:24,200
Speaker 3: want to book me, I will just go for the trip,

423
00:21:24,800 --> 00:21:25,080
Speaker 3: do it.

424
00:21:25,200 --> 00:21:27,840
Speaker 2: Just wait till our borders are open. We're completely locked

425
00:21:27,840 --> 00:21:28,560
Speaker 2: down right now.

426
00:21:28,560 --> 00:21:29,480
Speaker 1: It's crazy.

427
00:21:29,680 --> 00:21:32,320
Speaker 3: It's it's I can imagine. I'm I'm but I'm like,

428
00:21:32,320 --> 00:21:33,879
Speaker 3: like all the other comics have been out there, they

429
00:21:33,920 --> 00:21:35,480
Speaker 3: always think them but great things about it.

430
00:21:35,800 --> 00:21:37,480
Speaker 1: Yeah, because I think I was saying this before.

431
00:21:37,480 --> 00:21:42,119
Speaker 2: Assies are quite laid back and chill, and so I like,

432
00:21:42,280 --> 00:21:44,600
Speaker 2: every time I've been to comedy there hasn't been like heckling.

433
00:21:44,600 --> 00:21:47,959
Speaker 1: It's more just been like chilled back to chill. Maybe

434
00:21:48,000 --> 00:21:48,400
Speaker 1: you know you.

435
00:21:48,400 --> 00:21:51,280
Speaker 3: Might a lot of heckling here in La oh yeah,

436
00:21:51,320 --> 00:21:54,240
Speaker 3: because La is where all the comics come to be comics. Yeah,

437
00:21:54,320 --> 00:21:57,040
Speaker 3: and since I'm born and raised in La, I learned

438
00:21:57,080 --> 00:22:01,800
Speaker 3: how to be comic here random Mecca. So you learn

439
00:22:01,840 --> 00:22:05,359
Speaker 3: how to do all the shitty shows, you know, parking lots,

440
00:22:06,840 --> 00:22:09,440
Speaker 3: that's what you're sorry. But then the next day you're

441
00:22:09,440 --> 00:22:13,040
Speaker 3: doing like a two thousand seater and that's when it's easy.

442
00:22:13,680 --> 00:22:16,600
Speaker 3: But as a comic you write in the parking lots. Yeah,

443
00:22:16,720 --> 00:22:18,200
Speaker 3: that's where you get because I wasn't even talking to

444
00:22:18,280 --> 00:22:20,080
Speaker 3: my material, just talking to you guys.

445
00:22:19,880 --> 00:22:20,320
Speaker 1: Do you know?

446
00:22:20,520 --> 00:22:22,879
Speaker 2: And to come back to this feeling where you made me,

447
00:22:22,920 --> 00:22:25,719
Speaker 2: as your one of your audience members, feel really safe

448
00:22:26,359 --> 00:22:28,879
Speaker 2: every and and so many people have gone up, but

449
00:22:28,920 --> 00:22:30,119
Speaker 2: I had, like I said to you, I had this

450
00:22:30,200 --> 00:22:32,479
Speaker 2: feeling like in my mind I was like, oh, I

451
00:22:32,480 --> 00:22:36,280
Speaker 2: hope no one picks me talk to Yeah, and you

452
00:22:36,320 --> 00:22:37,560
Speaker 2: asked me something.

453
00:22:37,400 --> 00:22:41,199
Speaker 1: And I felt completely comfortable to answer. And it was

454
00:22:41,240 --> 00:22:41,760
Speaker 1: so funny.

455
00:22:41,800 --> 00:22:44,600
Speaker 2: You were asking people their favorite Disney princess.

456
00:22:44,280 --> 00:22:48,240
Speaker 3: And it was mentalism. Yeah, because I made you answer

457
00:22:48,280 --> 00:22:53,720
Speaker 3: the right way I wanted to answer. Really was your princess? Okay,

458
00:22:53,960 --> 00:22:57,520
Speaker 3: I planted that in you because Cinerea is always gonna

459
00:22:57,520 --> 00:22:59,280
Speaker 3: be the first one they're going to say. Yeah, because

460
00:22:59,280 --> 00:23:01,680
Speaker 3: when you think about the friends, you think about the castle. Yeah,

461
00:23:01,720 --> 00:23:07,520
Speaker 3: you think about Cinderella. It's always Cinderella. So that's my downbeat. Really. Yeah,

462
00:23:07,560 --> 00:23:08,959
Speaker 3: so it's a little bit of mentalism.

463
00:23:09,240 --> 00:23:10,880
Speaker 1: Oh, I love that. I had no idea.

464
00:23:11,119 --> 00:23:13,960
Speaker 3: I got played, got played with a bunch of people. Yeah,

465
00:23:14,000 --> 00:23:14,920
Speaker 3: that's how can you.

466
00:23:14,880 --> 00:23:16,600
Speaker 1: Say what you said? When I said Cinderella, I.

467
00:23:16,560 --> 00:23:18,080
Speaker 3: Said you tend to be the slave and more so

468
00:23:18,160 --> 00:23:18,840
Speaker 3: your lap.

469
00:23:19,600 --> 00:23:22,119
Speaker 2: And then someone said what did someone there was some

470
00:23:22,160 --> 00:23:23,919
Speaker 2: good ones I loved, I loved.

471
00:23:25,000 --> 00:23:26,600
Speaker 1: Did someone say Rapunzel.

472
00:23:26,760 --> 00:23:28,320
Speaker 3: Said you're dirty like hair pulled?

473
00:23:28,640 --> 00:23:30,760
Speaker 1: Yeah? What was that?

474
00:23:30,880 --> 00:23:30,920
Speaker 3: So?

475
00:23:31,040 --> 00:23:32,600
Speaker 1: Otherwise? What was snow white?

476
00:23:32,720 --> 00:23:38,920
Speaker 3: Snow white? She likes gangsters because there are names sleepy, dopey, grumpys.

477
00:23:38,960 --> 00:23:39,520
Speaker 1: So good.

478
00:23:40,359 --> 00:23:44,080
Speaker 2: I have just a couple more questions about comedy. I

479
00:23:44,119 --> 00:23:46,560
Speaker 2: heard you say on a podcast, I think that I

480
00:23:46,600 --> 00:23:50,400
Speaker 2: think you're doing gigs at the laugh Factory. But you'd

481
00:23:50,400 --> 00:23:53,879
Speaker 2: get the bus home and you got held a gump

482
00:23:54,000 --> 00:23:55,639
Speaker 2: like fourteen times.

483
00:23:55,720 --> 00:23:58,560
Speaker 3: Yeah. So in five years when you when you become

484
00:23:58,560 --> 00:24:01,640
Speaker 3: a regular lack Factory, Yeah, it's a big deal. Everybody

485
00:24:01,640 --> 00:24:03,040
Speaker 3: wants on sunseme.

486
00:24:03,480 --> 00:24:03,680
Speaker 1: Yeah.

487
00:24:03,720 --> 00:24:06,800
Speaker 3: Once you become a wrider there you you you're now

488
00:24:06,840 --> 00:24:09,160
Speaker 3: a Hollywood regular. You don't want to lose that.

489
00:24:09,560 --> 00:24:10,080
Speaker 1: Yeah.

490
00:24:10,119 --> 00:24:12,480
Speaker 3: So they have a club in Long Beach too, So

491
00:24:12,480 --> 00:24:15,440
Speaker 3: sometimes I get booked on both shows, so I would

492
00:24:15,640 --> 00:24:17,439
Speaker 3: I didn't have a car, so I would take the

493
00:24:17,480 --> 00:24:21,520
Speaker 3: bus and you drive through Compton Watts in the Wood,

494
00:24:22,040 --> 00:24:24,280
Speaker 3: you know, even my hood from more Walk, which is

495
00:24:24,280 --> 00:24:27,320
Speaker 3: in the same area. Yeah, it's you know, it's a

496
00:24:27,359 --> 00:24:29,800
Speaker 3: little crazy on the bus. But in five years, I

497
00:24:29,800 --> 00:24:30,880
Speaker 3: was mugged fourteen.

498
00:24:30,600 --> 00:24:34,560
Speaker 2: Times, and I had someone say, like what we mugged

499
00:24:34,560 --> 00:24:35,679
Speaker 2: for when you were like seven.

500
00:24:35,480 --> 00:24:37,960
Speaker 3: Dollars dollars one time. I remember one time this guy

501
00:24:38,040 --> 00:24:40,920
Speaker 3: mugged me ten bucks and the next day I saw

502
00:24:41,000 --> 00:24:43,440
Speaker 3: him with his daughter. He was buying her ash. You

503
00:24:43,440 --> 00:24:45,520
Speaker 3: know when I bought that little bitch ice cream. Yeah,

504
00:24:45,840 --> 00:24:48,320
Speaker 3: I was so mad. I was like, oh wow, and

505
00:24:48,320 --> 00:24:49,560
Speaker 3: they would see you. They would be like, what do

506
00:24:49,560 --> 00:24:51,879
Speaker 3: you got for me? Man? No, And then you know

507
00:24:51,920 --> 00:24:53,840
Speaker 3: you don't want to test them. I mean, I'm sure

508
00:24:53,880 --> 00:24:56,800
Speaker 3: some of those guns were fake, you know, but when

509
00:24:56,840 --> 00:24:59,520
Speaker 3: you feel like in the back of your head for

510
00:24:59,600 --> 00:25:03,359
Speaker 3: seven like take the seven dollars man, yeah, it's like

511
00:25:03,359 --> 00:25:05,120
Speaker 3: I don't think you have bullets in it.

512
00:25:06,000 --> 00:25:08,119
Speaker 2: A friend of mine, so I was so again the

513
00:25:08,160 --> 00:25:09,960
Speaker 2: whole gun thing, because we don't have them in Australia.

514
00:25:09,960 --> 00:25:12,240
Speaker 2: A friend of mine was here similar to me, like

515
00:25:12,640 --> 00:25:16,359
Speaker 2: come over to Chase the American dream successful TV presenter

516
00:25:16,359 --> 00:25:18,280
Speaker 2: in Australia and was like, great, I want to do

517
00:25:18,359 --> 00:25:20,320
Speaker 2: it for e here, I want to do you know.

518
00:25:20,840 --> 00:25:22,840
Speaker 1: And she was walking to a meeting.

519
00:25:22,640 --> 00:25:24,840
Speaker 2: At the grove okay, right, and so she had a

520
00:25:24,880 --> 00:25:28,080
Speaker 2: laptop in one hand and she got held at gunpoint,

521
00:25:28,320 --> 00:25:30,200
Speaker 2: gun like inter abdomen in the.

522
00:25:30,119 --> 00:25:30,720
Speaker 1: Middle of the day.

523
00:25:30,880 --> 00:25:32,840
Speaker 2: Yeah, and she was like, I handed everything over, a

524
00:25:32,920 --> 00:25:36,080
Speaker 2: laptop passed. She's like, I had my passport with me everything,

525
00:25:36,240 --> 00:25:41,040
Speaker 2: And I was like, middle of the day, Yeah, that's

526
00:25:41,040 --> 00:25:41,439
Speaker 2: how it is.

527
00:25:41,480 --> 00:25:45,800
Speaker 3: But I have you know now, you know you because

528
00:25:45,840 --> 00:25:48,720
Speaker 3: you're on these shows with guns, and they grew up

529
00:25:48,720 --> 00:25:51,040
Speaker 3: in a gun area. I know, want to use a gun.

530
00:25:51,400 --> 00:25:52,439
Speaker 3: I want to take one apart.

531
00:25:52,760 --> 00:25:53,600
Speaker 1: This sounds really weird.

532
00:25:53,640 --> 00:25:55,440
Speaker 2: I want to learn that when I come back because

533
00:25:55,720 --> 00:25:57,840
Speaker 2: I've got so much fear around them because I don't

534
00:25:57,880 --> 00:25:58,600
Speaker 2: understand them.

535
00:25:58,720 --> 00:26:01,359
Speaker 3: Well me too, that was why I learned. So I

536
00:26:01,359 --> 00:26:02,560
Speaker 3: have a lot of family. I have a lot of

537
00:26:02,560 --> 00:26:04,520
Speaker 3: friends that are in law enforcement, a lot of sheriffs,

538
00:26:05,040 --> 00:26:07,639
Speaker 3: a lot of cops in the family, as well as gangsters.

539
00:26:07,640 --> 00:26:09,000
Speaker 3: So you kind of get an equal amount of But

540
00:26:09,080 --> 00:26:12,000
Speaker 3: you used you know, but you know, I don't how

541
00:26:12,040 --> 00:26:13,480
Speaker 3: to take a part of an ar I don't how

542
00:26:13,520 --> 00:26:14,400
Speaker 3: to take a part in any gun.

543
00:26:14,520 --> 00:26:15,560
Speaker 1: What's an automatic?

544
00:26:15,600 --> 00:26:17,800
Speaker 3: Automatic? The big rifle is the ones that people can build.

545
00:26:18,640 --> 00:26:19,919
Speaker 3: So I do know to take them apart. I mean,

546
00:26:19,920 --> 00:26:21,680
Speaker 3: I want to take a part. And then when I'm

547
00:26:21,720 --> 00:26:23,439
Speaker 3: on the show. When I was on the show, you

548
00:26:23,480 --> 00:26:25,640
Speaker 3: learn how to use guns too, So you learn training how.

549
00:26:25,600 --> 00:26:27,920
Speaker 1: To use gun training for this show.

550
00:26:27,960 --> 00:26:29,400
Speaker 3: They want to make sure you're doing it the right way.

551
00:26:30,040 --> 00:26:33,360
Speaker 3: So I was like a gun expert. Now I never

552
00:26:33,359 --> 00:26:35,159
Speaker 3: thought I would say this, but I'm a gun owner.

553
00:26:35,600 --> 00:26:38,840
Speaker 2: Yeah, because because it was empowering to understand, you know, because.

554
00:26:38,640 --> 00:26:40,760
Speaker 3: Now I have a different respect for the gun. Yeah,

555
00:26:41,040 --> 00:26:44,080
Speaker 3: it's not to just to like shoot people, but it's

556
00:26:44,160 --> 00:26:46,960
Speaker 3: to give, you know, a sense of security. Like, look,

557
00:26:47,000 --> 00:26:50,240
Speaker 3: I have protection and I've been in a situation. I

558
00:26:50,359 --> 00:26:52,640
Speaker 3: never want to use it. I never want to fire

559
00:26:52,640 --> 00:26:54,720
Speaker 3: it at anybody. I never want that's the goal. And

560
00:26:54,800 --> 00:26:57,280
Speaker 3: buying the gun to never fire it, yeah, you know,

561
00:26:57,320 --> 00:27:00,320
Speaker 3: and now mind yeah, and then I'm trying to get

562
00:27:00,359 --> 00:27:03,359
Speaker 3: my concealed carry where you know they they allow you

563
00:27:03,400 --> 00:27:05,439
Speaker 3: to work because that kind of threads just for being

564
00:27:05,480 --> 00:27:06,040
Speaker 3: a comedian.

565
00:27:06,640 --> 00:27:08,480
Speaker 2: Oh my goodness, I heard you say someone put a

566
00:27:08,520 --> 00:27:11,160
Speaker 2: gun on you in the middle of a show.

567
00:27:11,480 --> 00:27:16,040
Speaker 3: I mean, yeah, it's been like you've seen people do that.

568
00:27:16,080 --> 00:27:17,919
Speaker 3: And I have a few friends that are you know,

569
00:27:18,040 --> 00:27:20,320
Speaker 3: they're there, they're cops and they're with me. I have

570
00:27:20,359 --> 00:27:24,159
Speaker 3: secur get shows, but what if they're not there? You know,

571
00:27:24,800 --> 00:27:27,680
Speaker 3: And you know I'm ammian, so I'm not easy. Can

572
00:27:27,680 --> 00:27:28,280
Speaker 3: we talk.

573
00:27:28,119 --> 00:27:30,200
Speaker 1: About mine MC friends?

574
00:27:30,320 --> 00:27:33,080
Speaker 2: So, so when you went up on stage and the

575
00:27:33,440 --> 00:27:36,640
Speaker 2: MC introduced you, I was like, I was hitting my friends.

576
00:27:36,680 --> 00:27:39,280
Speaker 2: I was like, oh my god, mine, So I am.

577
00:27:39,280 --> 00:27:39,399
Speaker 1: So.

578
00:27:40,520 --> 00:27:45,080
Speaker 2: I lived for Sons of Anarchy, lived for the soundtrack

579
00:27:45,240 --> 00:27:51,320
Speaker 2: The Riding the cars like cannot fault. And so in Australia,

580
00:27:51,600 --> 00:27:54,560
Speaker 2: The Mind's MC came out on Netflix, so we got

581
00:27:54,560 --> 00:27:59,080
Speaker 2: to see it differently too. But I hadn't seen your

582
00:27:59,119 --> 00:28:02,760
Speaker 2: set because you're the most recently three, so I got

583
00:28:02,800 --> 00:28:04,560
Speaker 2: to There are so many fan videos of you, by

584
00:28:04,640 --> 00:28:07,800
Speaker 2: the way, on YouTube. I got to deep dive and

585
00:28:07,840 --> 00:28:11,720
Speaker 2: it was so much fun. First of all, you're awesome.

586
00:28:11,840 --> 00:28:18,760
Speaker 2: Congratulations on Steve your character. Spoiler alert warning for people.

587
00:28:18,600 --> 00:28:20,439
Speaker 3: Here, they're beached. We gotta talk about it.

588
00:28:20,480 --> 00:28:21,639
Speaker 1: We have to talk about it.

589
00:28:21,680 --> 00:28:25,600
Speaker 2: So my question is I heard you say so you're

590
00:28:25,800 --> 00:28:32,960
Speaker 2: obviously your background is comedy. You get this role George

591
00:28:32,960 --> 00:28:35,800
Speaker 2: Lopez buys you to to acting teacher.

592
00:28:36,200 --> 00:28:39,280
Speaker 3: Acting coaches that he has see. First I was at acting.

593
00:28:39,440 --> 00:28:42,160
Speaker 3: I was an actress student. Yeah, I stayed acting, and

594
00:28:42,200 --> 00:28:45,120
Speaker 3: then I never was on a TV show that was

595
00:28:45,160 --> 00:28:47,560
Speaker 3: a drama. I never wasn't a drama. Yeah, so I

596
00:28:47,680 --> 00:28:50,680
Speaker 3: was nervous. I'm like, these guys normal from my comedy timing,

597
00:28:50,800 --> 00:28:53,480
Speaker 3: but now got really dramatic on this.

598
00:28:53,600 --> 00:28:55,880
Speaker 1: And you've done a character sketch on my own.

599
00:28:56,400 --> 00:28:59,080
Speaker 3: Well yeah, I mean see that's funny. I got the job.

600
00:28:59,120 --> 00:29:01,680
Speaker 3: It's how I got the job. I was making fun

601
00:29:01,720 --> 00:29:05,920
Speaker 3: of mine. I did. I did a sketch where I

602
00:29:06,160 --> 00:29:09,000
Speaker 3: making fun of how unrealistic they look from the real clubs.

603
00:29:09,960 --> 00:29:11,000
Speaker 1: And it's on you.

604
00:29:12,840 --> 00:29:16,600
Speaker 3: And then it's called Batmand Audition and I think elgend

605
00:29:16,760 --> 00:29:19,880
Speaker 3: James saw it. He saw it. He saw it and

606
00:29:19,960 --> 00:29:22,680
Speaker 3: he was like, it reminded him of one of his friends. Yes,

607
00:29:23,800 --> 00:29:27,280
Speaker 3: that was his name was also Steve. So he's like,

608
00:29:27,320 --> 00:29:28,680
Speaker 3: who do we can get for this? And I think

609
00:29:28,720 --> 00:29:32,320
Speaker 3: they wanted to get somebody else. I was mentioned, you know,

610
00:29:32,440 --> 00:29:36,040
Speaker 3: they wanted a Moment Rodriguez type, but never asked MoMA

611
00:29:36,120 --> 00:29:40,360
Speaker 3: Rodrig's because they thought I was playing on a dramatic actors.

612
00:29:40,480 --> 00:29:42,720
Speaker 3: So my agent, she called my manager, said let's just

613
00:29:42,720 --> 00:29:45,480
Speaker 3: make the tape. Made the tape, and then I think

614
00:29:45,520 --> 00:29:49,040
Speaker 3: I called j D Place easy yeah, and my d.

615
00:29:49,200 --> 00:29:51,880
Speaker 3: I just sent a tape and JD is like, how

616
00:29:51,880 --> 00:29:55,320
Speaker 3: did you get this number? Like number one? I didn't

617
00:29:55,360 --> 00:29:58,160
Speaker 3: know him. I knew him. We knew each other, but

618
00:29:58,240 --> 00:30:01,320
Speaker 3: we weren't like friends, you know, we just knew of

619
00:30:01,360 --> 00:30:04,520
Speaker 3: each other. And then, uh, but I didn't know Richard

620
00:30:04,560 --> 00:30:07,440
Speaker 3: Cabra plays co col Him and I were friends and

621
00:30:07,480 --> 00:30:09,240
Speaker 3: the guy that I'm known for like twenty years is

622
00:30:09,240 --> 00:30:13,640
Speaker 3: Emila Rivera. So we're close close. So I call them

623
00:30:13,680 --> 00:30:15,320
Speaker 3: and I say, hey, man, I just audition. Look at

624
00:30:15,360 --> 00:30:17,800
Speaker 3: the table, do you think And then Richie's like, I

625
00:30:17,800 --> 00:30:20,840
Speaker 3: thought you already had the part. I'm like, no, no

626
00:30:20,840 --> 00:30:23,360
Speaker 3: one's a probably meetings like this is it should be you.

627
00:30:23,720 --> 00:30:26,640
Speaker 3: And I called j D the quarterback, mister Mian. I'm like,

628
00:30:26,680 --> 00:30:28,800
Speaker 3: what do you think, j D? He's like, listen, man,

629
00:30:29,280 --> 00:30:32,080
Speaker 3: if anyone's gonna play, it should be you. But you

630
00:30:32,160 --> 00:30:34,960
Speaker 3: know how the networks are, just give it your best

631
00:30:35,040 --> 00:30:38,240
Speaker 3: and I look forward to seeing you there. He's like,

632
00:30:38,360 --> 00:30:41,600
Speaker 3: I have any insight. Nobody give me any insight because

633
00:30:41,640 --> 00:30:44,520
Speaker 3: these guys are real good at no spoilers.

634
00:30:44,600 --> 00:30:47,360
Speaker 2: Yeah, everythinged and you would have signed.

635
00:30:48,000 --> 00:30:50,680
Speaker 3: Yeah, they were so good at keeping a secret. So

636
00:30:50,720 --> 00:30:52,800
Speaker 3: then I was like, you know what scrull doing myself?

637
00:30:52,920 --> 00:30:54,959
Speaker 3: Send the tape and I get a call back and

638
00:30:55,000 --> 00:30:57,560
Speaker 3: now I'm in a zoom meeting with you know, Elgin,

639
00:30:58,000 --> 00:31:02,400
Speaker 3: the director the network. I got the part. Elgin, you know,

640
00:31:02,640 --> 00:31:04,200
Speaker 3: gave me the part, but now you have to wait

641
00:31:04,240 --> 00:31:07,320
Speaker 3: for the network to approve you. Yeah, And that was

642
00:31:07,360 --> 00:31:10,720
Speaker 3: the longest week of my life. Once I got the

643
00:31:10,720 --> 00:31:15,160
Speaker 3: network approval. I thank the network so much forgive me

644
00:31:15,160 --> 00:31:18,240
Speaker 3: the opportunity. And man, my first day that I got on,

645
00:31:18,320 --> 00:31:20,640
Speaker 3: I call g D. I'm like a man and he's

646
00:31:20,640 --> 00:31:24,120
Speaker 3: like okay. He gives me like this hardcore pep talk.

647
00:31:24,960 --> 00:31:27,920
Speaker 3: Then I get a call from every single mind all

648
00:31:27,960 --> 00:31:31,360
Speaker 3: of them congratulate me, calling me a brother, like we

649
00:31:31,360 --> 00:31:34,640
Speaker 3: we were like bonded, and it's like you're really you

650
00:31:34,800 --> 00:31:37,160
Speaker 3: really are a club. Yeah. And I think it was

651
00:31:38,040 --> 00:31:41,480
Speaker 3: Frankie Loyer that plays Hank, my sponsor on Minds. He's

652
00:31:41,520 --> 00:31:43,360
Speaker 3: the one that called me and was every day calling me.

653
00:31:43,840 --> 00:31:45,960
Speaker 3: We got to hang out. He wanted to really connect me.

654
00:31:47,040 --> 00:31:48,600
Speaker 2: So I've heard you say a lot of the actors

655
00:31:48,600 --> 00:31:49,640
Speaker 2: they are method actors.

656
00:31:49,920 --> 00:31:52,720
Speaker 3: I think all of them are so or the MC

657
00:31:53,520 --> 00:31:54,360
Speaker 3: at least my.

658
00:31:54,400 --> 00:31:57,080
Speaker 2: First day, Oh my.

659
00:31:56,960 --> 00:31:59,640
Speaker 3: First day, I show up to set and I'm just

660
00:31:59,680 --> 00:32:02,440
Speaker 3: like the new guy is so nervous trying to get

661
00:32:02,480 --> 00:32:04,920
Speaker 3: my my my make sure my costume. I call it

662
00:32:04,960 --> 00:32:08,440
Speaker 3: my costume because that's how wrong I am. And then

663
00:32:08,440 --> 00:32:11,320
Speaker 3: once you put on the cut, Yeah, it's like wow,

664
00:32:11,560 --> 00:32:15,160
Speaker 3: I felt just because I'm just like a scene of

665
00:32:15,240 --> 00:32:16,800
Speaker 3: extras that day with that was the scene we were

666
00:32:16,840 --> 00:32:18,920
Speaker 3: shooting at that was on the on the bridge where

667
00:32:18,920 --> 00:32:21,080
Speaker 3: all the mind all the clubs were there. So you

668
00:32:21,160 --> 00:32:23,800
Speaker 3: saw so many mine extras and a lot of the

669
00:32:23,840 --> 00:32:25,800
Speaker 3: guys who were mine extras were like, hey, what's the

670
00:32:25,920 --> 00:32:27,600
Speaker 3: moment made it to the he made it the extra.

671
00:32:27,640 --> 00:32:30,560
Speaker 3: It's great, bro. So they're all celebrating with me, like

672
00:32:30,600 --> 00:32:33,520
Speaker 3: I'm one of the extras. And then I was like yeah,

673
00:32:33,560 --> 00:32:35,240
Speaker 3: and they would let me talk because they all had

674
00:32:35,280 --> 00:32:37,760
Speaker 3: Mayan patches. Yeah, and like, oh, you can't even make

675
00:32:37,760 --> 00:32:40,440
Speaker 3: it to my you had to be a prospect. And

676
00:32:40,480 --> 00:32:43,760
Speaker 3: then they're like, okay, momo is some I think wardrokay, momo.

677
00:32:43,800 --> 00:32:45,440
Speaker 3: We left your chain and your trader. They're like you

678
00:32:45,480 --> 00:32:48,000
Speaker 3: have a trailer. Who are you playing? And they look

679
00:32:48,000 --> 00:32:52,239
Speaker 3: at my patches, not bother You're like the prospect. I'm like,

680
00:32:52,280 --> 00:32:55,800
Speaker 3: I know, motherfuckers. I go to my trader and I'm

681
00:32:55,840 --> 00:32:58,040
Speaker 3: all excited. Come out and I go where's the rest

682
00:32:58,080 --> 00:33:00,560
Speaker 3: of the guys, where's the rest of the club, And

683
00:33:00,640 --> 00:33:02,560
Speaker 3: like the MC's waiting for you, and behind that truck

684
00:33:03,520 --> 00:33:06,840
Speaker 3: and go. It's dark. There's a fire burning.

685
00:33:06,960 --> 00:33:08,160
Speaker 1: But nothing is being filmed.

686
00:33:08,200 --> 00:33:11,040
Speaker 3: Nothing is being filmed. This is on the dark and

687
00:33:11,080 --> 00:33:13,520
Speaker 3: they're all in a circle. All their chairs are in

688
00:33:13,520 --> 00:33:16,920
Speaker 3: a circle and mine's in the middle, and I'm like

689
00:33:17,000 --> 00:33:19,240
Speaker 3: and I'm walking over there with a coffee and a donut.

690
00:33:19,800 --> 00:33:21,880
Speaker 3: It's like, you know, it's late at nights and night

691
00:33:22,000 --> 00:33:25,280
Speaker 3: shoot and I'm just cold. And I get by the

692
00:33:25,320 --> 00:33:27,360
Speaker 3: here and they're like, I sit down, and they're like,

693
00:33:28,200 --> 00:33:30,560
Speaker 3: nice to be the join us, and they're just like

694
00:33:30,840 --> 00:33:33,640
Speaker 3: in and Michael Irbie, one of the guys I love

695
00:33:33,720 --> 00:33:38,880
Speaker 3: so much, Bishop cats up and just goes crazy on me,

696
00:33:39,400 --> 00:33:42,520
Speaker 3: does this speech but doesn't acknowledge me, like this is

697
00:33:42,520 --> 00:33:44,840
Speaker 3: a season we're about to start. There's a bunch of

698
00:33:44,840 --> 00:33:48,440
Speaker 3: motherfuckers on that bridge, like he is in like this

699
00:33:48,640 --> 00:33:52,680
Speaker 3: is houly Bishop. Yeah, And then I say something. He goes, henk,

700
00:33:53,400 --> 00:33:56,520
Speaker 3: you let your fucking prospect talk. And I'm like and

701
00:33:56,560 --> 00:33:58,480
Speaker 3: I'm like, what do I do? They just each of

702
00:33:58,520 --> 00:34:01,320
Speaker 3: them went one by one on me, and I was

703
00:34:01,520 --> 00:34:03,920
Speaker 3: I'm like, okay, I'm gonna go in. I'm gonna jump in.

704
00:34:04,360 --> 00:34:07,000
Speaker 3: I jump right in. That whole day I was sitting

705
00:34:07,040 --> 00:34:09,400
Speaker 3: by their bikes. Yeah, I didn't go to lunch. I

706
00:34:09,560 --> 00:34:11,920
Speaker 3: was a prospect to each and every one of them

707
00:34:11,920 --> 00:34:15,160
Speaker 3: that night. Yeah, And it was just like it's like

708
00:34:15,719 --> 00:34:18,680
Speaker 3: it was a late shoot. I mean late I was.

709
00:34:19,120 --> 00:34:22,560
Speaker 3: It was in the following six months. It was a

710
00:34:22,560 --> 00:34:25,920
Speaker 3: beautiful bonding moment with all of them. Each of them

711
00:34:25,960 --> 00:34:29,000
Speaker 3: treated me like a brother. I mean they cried with me,

712
00:34:29,120 --> 00:34:31,840
Speaker 3: they they laugh with me, they joke with me. But

713
00:34:31,920 --> 00:34:35,120
Speaker 3: it was always this mutual respect that we had. I

714
00:34:35,160 --> 00:34:37,120
Speaker 3: think it was JD that said, this is not the

715
00:34:37,239 --> 00:34:40,720
Speaker 3: JD Parto show, this is the Mayans. You're a Mayan moment.

716
00:34:41,040 --> 00:34:44,160
Speaker 3: This is your show. So you're like you're like trying

717
00:34:44,200 --> 00:34:46,880
Speaker 3: not to cry the all the time. Thanks man, like

718
00:34:47,200 --> 00:34:48,920
Speaker 3: you just you just feel bad. And then when you

719
00:34:48,920 --> 00:34:51,520
Speaker 3: put on the cut. Yeah, and everybody in the set,

720
00:34:51,600 --> 00:34:54,200
Speaker 3: everybody in the crew knows that you're a mind I know,

721
00:34:54,280 --> 00:34:57,480
Speaker 3: the e on your mind to be walking the information

722
00:34:57,560 --> 00:35:00,640
Speaker 3: with them was just oh yeah, beautiful. I mean even

723
00:35:00,640 --> 00:35:03,000
Speaker 3: til now, like we're on that group text where we

724
00:35:03,160 --> 00:35:06,160
Speaker 3: just send random ship to each other. Oh I love it,

725
00:35:06,360 --> 00:35:08,720
Speaker 3: you know. And they go to a lot of my shows.

726
00:35:08,400 --> 00:35:11,200
Speaker 2: I saw and you've interviewed, like you guys have done

727
00:35:11,239 --> 00:35:12,680
Speaker 2: like pods and oh yeah.

728
00:35:12,520 --> 00:35:15,319
Speaker 3: Yeah they you know, Richie's always doing stupid shit, but

729
00:35:15,480 --> 00:35:18,400
Speaker 3: like he'll he'll come to my shows, Emilia will come

730
00:35:18,480 --> 00:35:21,600
Speaker 3: to my shows. Debbie Munios. Debbie is an amazing one

731
00:35:21,640 --> 00:35:24,399
Speaker 3: of the amazing writers, Britishers and minds. She's always at

732
00:35:24,400 --> 00:35:27,239
Speaker 3: my show. I mean, I can't. I mean, and you

733
00:35:27,280 --> 00:35:29,000
Speaker 3: know the one, the number one crazy one is Michael

734
00:35:29,040 --> 00:35:32,400
Speaker 3: Rbie Bishop. He lives the farthest from me and he

735
00:35:32,440 --> 00:35:34,719
Speaker 3: goes to my house all the time. Na he goes.

736
00:35:34,719 --> 00:35:37,160
Speaker 3: He's never he never misses my birthday, never misses anything

737
00:35:37,239 --> 00:35:39,560
Speaker 3: like that going on. I mean, these guys are brothers.

738
00:35:40,080 --> 00:35:44,359
Speaker 2: It's it's so interesting hearing the experience of method acting

739
00:35:44,360 --> 00:35:46,239
Speaker 2: because in Australia it's where I trained.

740
00:35:46,280 --> 00:35:48,560
Speaker 1: It's not torn. We learn a very British style.

741
00:35:48,640 --> 00:35:51,960
Speaker 2: Yea, so it's completely it's the imagine the opposite. Like you,

742
00:35:52,120 --> 00:35:57,520
Speaker 2: script analysis is really hardcore. You play a bait action,

743
00:35:57,920 --> 00:36:01,520
Speaker 2: but you know, like when you're offset, like your backers

744
00:36:01,560 --> 00:36:05,240
Speaker 2: momo oryla. Whereas I've heard a lot of Australian actors

745
00:36:05,239 --> 00:36:07,600
Speaker 2: say here, no, no no, when we're on set wearing accent,

746
00:36:07,800 --> 00:36:10,600
Speaker 2: we don't break, we don't and a lot I've heard

747
00:36:10,600 --> 00:36:12,000
Speaker 2: a lot of actors say they don't even go to

748
00:36:12,080 --> 00:36:14,280
Speaker 2: lunch sometimes if they want to stay in their trailer

749
00:36:14,640 --> 00:36:18,040
Speaker 2: in that moment of that character with certain music, and so.

750
00:36:18,040 --> 00:36:20,120
Speaker 1: I completely get it.

751
00:36:20,200 --> 00:36:23,920
Speaker 2: I have to say, like the scene where Steve dies

752
00:36:24,200 --> 00:36:25,640
Speaker 2: is so heartbreaking.

753
00:36:25,840 --> 00:36:27,080
Speaker 1: I was welling up.

754
00:36:27,320 --> 00:36:30,640
Speaker 3: I think that day was so rough because we all

755
00:36:30,719 --> 00:36:33,359
Speaker 3: knew it was coming and none of them wanted to

756
00:36:33,560 --> 00:36:34,239
Speaker 3: acknowledge it.

757
00:36:35,680 --> 00:36:36,600
Speaker 1: You knew from the beginning.

758
00:36:36,880 --> 00:36:38,600
Speaker 3: In the beginning, Yeah, so I knew I had to

759
00:36:38,760 --> 00:36:42,600
Speaker 3: really play this art the right way. I knew, I

760
00:36:42,680 --> 00:36:45,880
Speaker 3: knew where I was going. So I knew that in

761
00:36:45,920 --> 00:36:49,200
Speaker 3: my method, which was crazy because I was so much

762
00:36:49,320 --> 00:36:54,280
Speaker 3: in character that I couldn't go home and forget about Steve.

763
00:36:55,160 --> 00:36:57,560
Speaker 1: Yeah, because you while you're filming, you also lost your.

764
00:36:57,600 --> 00:37:01,880
Speaker 3: Last my mom. So he was the reason that I

765
00:37:01,880 --> 00:37:05,040
Speaker 3: didn't mourn and fall apart. Like I said, you know

766
00:37:05,080 --> 00:37:06,719
Speaker 3: what moments, take a break. I'm going to focus on

767
00:37:06,760 --> 00:37:08,480
Speaker 3: Steve the way MOB wasn't the morning anymore.

768
00:37:08,719 --> 00:37:09,239
Speaker 1: Yeah.

769
00:37:09,280 --> 00:37:13,000
Speaker 3: So when I lost Steve, that was the hardest day

770
00:37:13,040 --> 00:37:14,359
Speaker 3: for me because I had to lose Steve, the guy

771
00:37:14,360 --> 00:37:17,719
Speaker 3: who was there for me during my loss, you know,

772
00:37:17,800 --> 00:37:20,920
Speaker 3: because I didn't want to go to my family because

773
00:37:21,000 --> 00:37:22,560
Speaker 3: then I would have to go to them as momo.

774
00:37:24,440 --> 00:37:27,560
Speaker 2: It's so interesting here you sharing when you lost Steve

775
00:37:27,600 --> 00:37:29,880
Speaker 2: and at being so emotional. I really want to talk

776
00:37:29,920 --> 00:37:33,040
Speaker 2: to you about that scene. But when in Sans BANARKI

777
00:37:33,120 --> 00:37:34,400
Speaker 2: when Opie dies, I.

778
00:37:34,480 --> 00:37:38,040
Speaker 3: Was the Mexican Opie of mine. And it's not done.

779
00:37:38,080 --> 00:37:39,799
Speaker 3: The story is not done yet, by the way, I'm

780
00:37:39,800 --> 00:37:43,160
Speaker 3: pretty sure. I'm pretty sure. Look at the way I

781
00:37:43,239 --> 00:37:45,399
Speaker 3: left Easy, look at the way I left Hank, look

782
00:37:45,400 --> 00:37:47,440
Speaker 3: at the way everybody is going to be affected by

783
00:37:47,480 --> 00:37:51,560
Speaker 3: the last stuff. You know. You know, I'm sure that

784
00:37:51,600 --> 00:37:55,360
Speaker 3: it's gonna affect people because I mean, this topic suicide

785
00:37:55,520 --> 00:38:00,440
Speaker 3: is just and it's beautiful. The way these writers finally

786
00:38:00,560 --> 00:38:04,160
Speaker 3: talked about it on a TV show. One of the

787
00:38:04,160 --> 00:38:07,520
Speaker 3: things that I loved the most after I shot the

788
00:38:07,560 --> 00:38:10,000
Speaker 3: show was all the clubs that have come up to me,

789
00:38:10,840 --> 00:38:13,160
Speaker 3: all the outlaw clubs that have come up to me

790
00:38:13,680 --> 00:38:16,000
Speaker 3: and have told me how much they've been moved by

791
00:38:16,000 --> 00:38:18,560
Speaker 3: that scene because they've all lost a brother like that.

792
00:38:19,320 --> 00:38:21,520
Speaker 3: You know, is Steve coming back on the next season.

793
00:38:22,000 --> 00:38:25,720
Speaker 3: I don't know. I mean, he's dead, but I'm pretty

794
00:38:25,719 --> 00:38:28,000
Speaker 3: sure Steve will always be a mind and there will

795
00:38:28,040 --> 00:38:30,359
Speaker 3: be a little piece of Steve throughout the show.

796
00:38:30,520 --> 00:38:33,960
Speaker 2: And I think also the way Steve died, he gave

797
00:38:34,080 --> 00:38:38,360
Speaker 2: himself up for the club like that came first for Steve.

798
00:38:38,400 --> 00:38:39,319
Speaker 1: It feels like, I.

799
00:38:39,320 --> 00:38:44,960
Speaker 3: Mean personally for me his death, I Steve didn't want

800
00:38:45,160 --> 00:38:48,640
Speaker 3: I still say, I have just weird. He didn't want

801
00:38:48,640 --> 00:38:52,320
Speaker 3: to get He didn't want to become bishop, Yeah, because

802
00:38:52,520 --> 00:38:54,719
Speaker 3: he knew he was gonna fail if he was to

803
00:38:54,760 --> 00:38:58,560
Speaker 3: be bishop, you know, and he had to find a

804
00:38:58,560 --> 00:39:01,279
Speaker 3: way out. He couldn't be easy because he didn't have

805
00:39:01,320 --> 00:39:04,560
Speaker 3: easy confidence and ability to drop things. You know. He

806
00:39:04,600 --> 00:39:08,240
Speaker 3: couldn't be creeper and do whatever he can for somebody else.

807
00:39:08,840 --> 00:39:12,160
Speaker 3: You know. He couldn't be you know, Gilly, couldn't be Tas,

808
00:39:12,200 --> 00:39:15,440
Speaker 3: It couldn't be none of them. So what does he

809
00:39:15,520 --> 00:39:19,200
Speaker 3: have left if all he had was the club? And

810
00:39:19,600 --> 00:39:22,879
Speaker 3: that was pretty much for me, like the best way

811
00:39:22,920 --> 00:39:26,439
Speaker 3: to go out as Steve. You know, I don't think

812
00:39:26,440 --> 00:39:31,200
Speaker 3: Steve would have survived another season of Minds. He would

813
00:39:31,239 --> 00:39:34,520
Speaker 3: either got killed or he's too he doesn't. He wasn't

814
00:39:34,560 --> 00:39:35,360
Speaker 3: thinking fast.

815
00:39:35,200 --> 00:39:38,880
Speaker 2: Enough as an actor though, Like how do you prepare

816
00:39:38,960 --> 00:39:39,840
Speaker 2: for the same way.

817
00:39:39,680 --> 00:39:41,640
Speaker 1: You literally kill yourself.

818
00:39:42,360 --> 00:39:44,680
Speaker 2: And it was a very confronting to watch as well,

819
00:39:44,719 --> 00:39:48,200
Speaker 2: Like they didn't miss a bait. It is like we

820
00:39:48,239 --> 00:39:51,200
Speaker 2: say the gun go into your mouth, we say your brains.

821
00:39:51,400 --> 00:39:54,279
Speaker 3: Like that was that was? That was a camera work

822
00:39:54,360 --> 00:39:56,640
Speaker 3: that day. That was. That was like a twelve hour day.

823
00:39:57,480 --> 00:39:59,520
Speaker 3: I was crying the whole time. Those were real tears.

824
00:39:59,600 --> 00:40:00,880
Speaker 1: Yeah, yeah, yeah, you can feel that.

825
00:40:01,080 --> 00:40:03,040
Speaker 3: Those are all real tears. I was in a different

826
00:40:03,040 --> 00:40:05,439
Speaker 3: mood no when talked to me. In fact, I kind

827
00:40:05,440 --> 00:40:07,640
Speaker 3: of felt so bad with some of the extras because

828
00:40:07,640 --> 00:40:08,920
Speaker 3: they were trying to talk to me and I was

829
00:40:08,960 --> 00:40:16,040
Speaker 3: like ignoring them. I was on my zone. But so

830
00:40:16,200 --> 00:40:19,319
Speaker 3: the guy who this is based on is close to

831
00:40:19,400 --> 00:40:23,800
Speaker 3: the director. So before I shot that scene, I actually

832
00:40:23,840 --> 00:40:25,840
Speaker 3: went up to the director and I said, what do

833
00:40:25,880 --> 00:40:27,120
Speaker 3: you want to say to me that you never got

834
00:40:27,120 --> 00:40:31,719
Speaker 3: to say to me? And for me, seeing his reaction

835
00:40:31,960 --> 00:40:37,239
Speaker 3: is what gave me steve, you know, And and that's

836
00:40:37,320 --> 00:40:39,919
Speaker 3: kind of like I was about to take it away

837
00:40:39,920 --> 00:40:43,640
Speaker 3: from him, and you know that scene itself, I wanted

838
00:40:43,640 --> 00:40:46,799
Speaker 3: to really find in my eyes a way out, like

839
00:40:47,080 --> 00:40:49,719
Speaker 3: and that's what gave me the tears. My mom did

840
00:40:49,880 --> 00:40:53,520
Speaker 3: help because I visualized her just cheering me on, Like

841
00:40:53,920 --> 00:40:57,520
Speaker 3: I visualized her, show these motherfuckers who you who you from?

842
00:40:57,960 --> 00:41:00,480
Speaker 3: Show them what you are capable of doing them. That

843
00:41:00,920 --> 00:41:04,160
Speaker 3: comedy is tragedy. And when they came down to that scene,

844
00:41:04,200 --> 00:41:06,120
Speaker 3: I mean, it's not easy because it was three guns.

845
00:41:06,880 --> 00:41:09,239
Speaker 3: It was a fake gun, that's not it was a

846
00:41:09,280 --> 00:41:12,160
Speaker 3: real gun that we use. Oh my god, the weight

847
00:41:12,200 --> 00:41:13,640
Speaker 3: of it. And then when you put it in your

848
00:41:13,680 --> 00:41:16,640
Speaker 3: mouth it's a plastic you know, it's a rubber gun. Yeah,

849
00:41:16,680 --> 00:41:19,040
Speaker 3: and then when you turn it on it's a plastic

850
00:41:19,040 --> 00:41:21,799
Speaker 3: gun that has a light inside of it. And then

851
00:41:21,840 --> 00:41:23,719
Speaker 3: you have to pick their head up the reaction and

852
00:41:23,760 --> 00:41:26,400
Speaker 3: then fall down, which I bruised my ribs in the

853
00:41:26,440 --> 00:41:29,839
Speaker 3: way down after the fifth I think the fifth take of.

854
00:41:29,840 --> 00:41:34,160
Speaker 2: Doing that very confronting though to feel to be doing that.

855
00:41:34,239 --> 00:41:37,319
Speaker 2: And if you're doing like method style acting as well, yes,

856
00:41:37,800 --> 00:41:40,600
Speaker 2: they say if you're charactered. Where I trained at a

857
00:41:40,680 --> 00:41:43,520
Speaker 2: school here called the Avanta Chubbik Studio, which is not

858
00:41:43,560 --> 00:41:45,600
Speaker 2: so much method but more substitution. So the way you

859
00:41:45,640 --> 00:41:47,919
Speaker 2: were talking about your mum being there, you use people

860
00:41:47,960 --> 00:41:52,120
Speaker 2: from your real life kind of fire you up in Stoke,

861
00:41:52,200 --> 00:41:54,120
Speaker 2: whatever needs to be stoked for the scene. And I

862
00:41:54,200 --> 00:41:58,080
Speaker 2: just think, like at my school, they say, if your

863
00:41:58,160 --> 00:42:03,680
Speaker 2: character ever dies, has to die time.

864
00:42:03,520 --> 00:42:05,000
Speaker 3: And a part of you and a part of you

865
00:42:05,040 --> 00:42:06,520
Speaker 3: will stay a part of it will stay with you

866
00:42:06,600 --> 00:42:10,839
Speaker 3: always because I've done some Steve's shit lately. You know,

867
00:42:11,040 --> 00:42:14,680
Speaker 3: I've done some Steve stuff, But I also miss Steve

868
00:42:14,840 --> 00:42:17,960
Speaker 3: so much that whenever I see the rest of the guys,

869
00:42:18,080 --> 00:42:21,880
Speaker 3: I kind of become Steve. I think it was Debbie Munios,

870
00:42:22,040 --> 00:42:25,440
Speaker 3: the writer and producer, told me she did my podcast,

871
00:42:25,680 --> 00:42:27,920
Speaker 3: and she said that was the first time we already

872
00:42:28,040 --> 00:42:32,240
Speaker 3: met because the whole time she was talking to Steve,

873
00:42:32,760 --> 00:42:35,000
Speaker 3: she goes, yeah, She's like, I've never met this moment.

874
00:42:35,040 --> 00:42:38,759
Speaker 3: It's almost crazy. I've met Steve this moment. Yeah, that's

875
00:42:39,120 --> 00:42:41,799
Speaker 3: I was in my car every day. Before I got

876
00:42:41,840 --> 00:42:43,920
Speaker 3: out the car, I had this mantra, don't be funny,

877
00:42:43,960 --> 00:42:46,280
Speaker 3: don't be funny, don't be funny. Because I'm a shit talker.

878
00:42:46,880 --> 00:42:52,000
Speaker 3: I am always ready to just snipe any joke. I

879
00:42:52,040 --> 00:42:54,480
Speaker 3: can flip any little joke you can come up with.

880
00:42:54,560 --> 00:42:57,360
Speaker 3: That's my job. I write for the Kings of Comedy.

881
00:42:57,920 --> 00:43:00,560
Speaker 3: So I had to turn that off every time I

882
00:43:00,560 --> 00:43:02,920
Speaker 3: got I got into my trader, got on.

883
00:43:02,880 --> 00:43:05,760
Speaker 2: My trailer, which was hard, but you nailed at my friend,

884
00:43:06,040 --> 00:43:09,279
Speaker 2: like the second I started. The second that you said yes,

885
00:43:09,320 --> 00:43:11,400
Speaker 2: this podcast, I was like, right, I get to soak

886
00:43:11,520 --> 00:43:14,640
Speaker 2: up all this, all this right now and every scene

887
00:43:14,800 --> 00:43:19,120
Speaker 2: like you can feel you could almost feel Steve's fate.

888
00:43:19,400 --> 00:43:23,040
Speaker 3: From Yeah, I think the line that was really funny

889
00:43:23,040 --> 00:43:25,880
Speaker 3: for me was when he he kills that guy and

890
00:43:25,920 --> 00:43:29,360
Speaker 3: he goes, is he gonna be okay? That was so

891
00:43:29,520 --> 00:43:33,440
Speaker 3: sincere when I said it, because I was really like, yeah,

892
00:43:34,000 --> 00:43:36,000
Speaker 3: the way these stump mean, by the way, are amazing,

893
00:43:37,040 --> 00:43:39,200
Speaker 3: the way they were working. It's like he was really

894
00:43:39,239 --> 00:43:41,319
Speaker 3: on the floor day, Like they really beat him up,

895
00:43:42,239 --> 00:43:44,160
Speaker 3: you know. And I really when I shot him, I

896
00:43:44,160 --> 00:43:45,759
Speaker 3: saw him fought and I'm like, did I really just

897
00:43:45,800 --> 00:43:48,120
Speaker 3: shoot this guy? Because the gun in my hand is real?

898
00:43:49,000 --> 00:43:51,799
Speaker 3: You know, the weight is real, you know, and there's

899
00:43:51,800 --> 00:43:53,120
Speaker 3: a blueprint. And I don't know if you noticed, but

900
00:43:53,120 --> 00:43:55,239
Speaker 3: there's a part where my pants fall down. I I'm

901
00:43:55,280 --> 00:43:56,880
Speaker 3: on the floor, and there's another part where I get

902
00:43:56,920 --> 00:43:58,600
Speaker 3: on the motorcycle and the gun goes all the way

903
00:43:58,640 --> 00:44:04,239
Speaker 3: down my pants. Yeah, that was That was not method actor.

904
00:44:06,000 --> 00:44:09,959
Speaker 3: That was cold Steell between my butchets. Wow.

905
00:44:10,520 --> 00:44:12,840
Speaker 2: It's actually so thank you for sharing so much of

906
00:44:12,880 --> 00:44:16,200
Speaker 2: the behind the scenes too, because there are some beautiful

907
00:44:16,239 --> 00:44:18,520
Speaker 2: behind the scenes videos, especially from.

908
00:44:18,400 --> 00:44:19,560
Speaker 1: Season three as well.

909
00:44:19,840 --> 00:44:23,240
Speaker 2: Because you guys were shooting pandemic, post pandemic, pandemic.

910
00:44:23,360 --> 00:44:25,160
Speaker 3: We were. That's what made us so close because we

911
00:44:25,160 --> 00:44:27,600
Speaker 3: couldn't be around anybody else and there was no extras

912
00:44:27,640 --> 00:44:29,879
Speaker 3: like there used to be. There was no big scenes

913
00:44:29,920 --> 00:44:32,439
Speaker 3: because it was so compact. Disney did a great job

914
00:44:32,520 --> 00:44:35,520
Speaker 3: keeping us safe. They made sure we had protection at

915
00:44:35,520 --> 00:44:40,640
Speaker 3: all times, that we were checked almost every other day. Yeah,

916
00:44:40,719 --> 00:44:43,719
Speaker 3: I mean, it was so safe and if that's what

917
00:44:43,800 --> 00:44:46,600
Speaker 3: made us feel so comfortable to become these characters. We

918
00:44:46,600 --> 00:44:49,759
Speaker 3: weren't worried about other stuff. Yeah, you know that, that's

919
00:44:49,760 --> 00:44:52,440
Speaker 3: that was the hardest part. Like, Okay, you gotta blowtle

920
00:44:52,440 --> 00:44:53,600
Speaker 3: over your face and now we're going to cover it

921
00:44:53,640 --> 00:44:54,120
Speaker 3: up with a mask.

922
00:44:54,960 --> 00:44:55,960
Speaker 1: Yes, yeah, I saw.

923
00:44:56,480 --> 00:44:59,080
Speaker 2: I've watched the behind the scenes and literally it's like,

924
00:44:59,200 --> 00:45:00,719
Speaker 2: you do your scene as as soon as they called

925
00:45:00,760 --> 00:45:01,560
Speaker 2: coot masks on.

926
00:45:01,719 --> 00:45:04,040
Speaker 3: And we had the most amazing you know, first ads.

927
00:45:04,600 --> 00:45:07,520
Speaker 3: We had amazing makeup artists that were right in case

928
00:45:07,560 --> 00:45:09,880
Speaker 3: you put your mask on. The I mean, let me

929
00:45:09,960 --> 00:45:15,399
Speaker 3: tell you, Miyan's production team. Everybody in the crew is

930
00:45:15,640 --> 00:45:18,640
Speaker 3: just I got spoiled. This is my first big production

931
00:45:19,200 --> 00:45:22,640
Speaker 3: and it's going to be hard atop this team.

932
00:45:22,480 --> 00:45:25,040
Speaker 2: Like well, this is my question for you, Like, I

933
00:45:25,120 --> 00:45:27,400
Speaker 2: know there's there'd be so many things that you're working

934
00:45:27,440 --> 00:45:30,040
Speaker 2: on and in development with, but do you do you

935
00:45:30,040 --> 00:45:32,319
Speaker 2: feel more d like is do you want to do

936
00:45:32,400 --> 00:45:33,200
Speaker 2: both comedy?

937
00:45:33,280 --> 00:45:35,320
Speaker 1: And I want to be both?

938
00:45:35,800 --> 00:45:40,040
Speaker 3: You know, Robin Williams, John c Riley, Tom Hanks, That's

939
00:45:40,080 --> 00:45:40,759
Speaker 3: what I'm going for.

940
00:45:40,800 --> 00:45:43,240
Speaker 1: We have good choices then, oh yeah, amazing.

941
00:45:43,440 --> 00:45:48,040
Speaker 3: We have enough clowns, We have enough serious adress themselves too. Seriously,

942
00:45:48,080 --> 00:45:50,480
Speaker 3: I want to be an entertainer. We go back to

943
00:45:50,520 --> 00:45:52,480
Speaker 3: the same thing. I want to make sure I can

944
00:45:52,920 --> 00:45:56,520
Speaker 3: create these characters with them. I'm writing so much, I'm

945
00:45:56,600 --> 00:45:59,399
Speaker 3: developing my own shows and a bunch of other stuff

946
00:45:59,440 --> 00:46:01,319
Speaker 3: that I can't even talk about, which that's the worst

947
00:46:01,360 --> 00:46:03,759
Speaker 3: part of Hollywood. Yeah, I can't say shit. You know,

948
00:46:04,280 --> 00:46:07,600
Speaker 3: how to keep this Mian sting for like eight months

949
00:46:08,040 --> 00:46:11,960
Speaker 3: and not tell anybody? Yeah, for a Mexican person, that's hard. Yeah,

950
00:46:12,600 --> 00:46:15,319
Speaker 3: And I can tell any I mean nothing, Like some

951
00:46:15,360 --> 00:46:18,359
Speaker 3: people were talking, Batman wasn't doing shit. What's your work?

952
00:46:18,400 --> 00:46:20,680
Speaker 3: You know, it's not even doing stand up anymore. And

953
00:46:20,760 --> 00:46:22,680
Speaker 3: I'm like, I'm on a big show on a big network.

954
00:46:22,719 --> 00:46:25,960
Speaker 3: Fuck you, Like no one knows you know. So there's

955
00:46:25,960 --> 00:46:27,200
Speaker 3: a lot of things that I'm working on right now

956
00:46:27,239 --> 00:46:29,920
Speaker 3: that are gonna come out soon and talk about it.

957
00:46:29,960 --> 00:46:33,680
Speaker 2: Definitely let me know, and I'd love to You're unreal

958
00:46:34,040 --> 00:46:37,120
Speaker 2: I have to talk to you about paranormal stuff.

959
00:46:37,560 --> 00:46:39,799
Speaker 3: Yeah, So I wasn't a podcast. I was have a

960
00:46:39,840 --> 00:46:42,719
Speaker 3: podcast called Para Gordo Activity. The reason it's called para

961
00:46:42,800 --> 00:46:45,759
Speaker 3: Gordo is because two chubby guys myself and my friend

962
00:46:45,840 --> 00:46:49,680
Speaker 3: do it, and that's Spanish Gordodo is chubby, So Para

963
00:46:49,760 --> 00:46:53,160
Speaker 3: Gordo Activity. I love it. And We've been doing this

964
00:46:53,200 --> 00:46:55,640
Speaker 3: podcast for a couple of years. I've been a paranormal

965
00:46:55,640 --> 00:46:57,960
Speaker 3: investigator for about fifteen years.

966
00:46:58,160 --> 00:47:00,920
Speaker 2: So this was all new to me until I yeah, researching,

967
00:47:01,160 --> 00:47:03,160
Speaker 2: I was, and I'd seen the Linco on your Insta

968
00:47:03,480 --> 00:47:05,640
Speaker 2: and I got so obsessed.

969
00:47:05,680 --> 00:47:08,960
Speaker 1: I had no idea that you was like quite psychic as.

970
00:47:08,920 --> 00:47:11,040
Speaker 3: Well, A little bit. Sometimes I'll just some I'll get

971
00:47:11,120 --> 00:47:13,719
Speaker 3: these readings. I'll get I'm a little bit intuitive, but

972
00:47:14,400 --> 00:47:17,319
Speaker 3: I'm a clear sentence. I think that's what they call him. Yeah,

973
00:47:17,360 --> 00:47:20,560
Speaker 3: but it's this is it's really intense.

974
00:47:20,840 --> 00:47:24,359
Speaker 1: But even also on the George Lopez podcast.

975
00:47:25,920 --> 00:47:31,360
Speaker 3: His house is really really his house is like poultry geist.

976
00:47:31,680 --> 00:47:34,160
Speaker 3: Like he'll he'll be upstairs and he'll be like, there's something.

977
00:47:34,200 --> 00:47:38,120
Speaker 3: You hear people walking around. We somebody went to go

978
00:47:38,160 --> 00:47:40,319
Speaker 3: shoot something there and he told me, hey, lead in

979
00:47:40,320 --> 00:47:41,880
Speaker 3: the kitchen, to keep it down, like this is not

980
00:47:41,960 --> 00:47:44,200
Speaker 3: leading in the kitchen. And the lady was like, right,

981
00:47:44,239 --> 00:47:45,960
Speaker 3: hear her in the headphones. So I'm like, well, I'm

982
00:47:46,000 --> 00:47:47,399
Speaker 3: gonna get the fuck out of here. I'll see later.

983
00:47:47,760 --> 00:47:51,120
Speaker 3: Oh yeah, no, his house is he lives a couple

984
00:47:51,160 --> 00:47:51,839
Speaker 3: of blocks from here.

985
00:47:51,719 --> 00:47:54,200
Speaker 1: By the way, Yeah, I did, says Feelers.

986
00:47:54,239 --> 00:47:57,080
Speaker 3: Yeah. Yeah, it was all here and uh his I

987
00:47:57,120 --> 00:47:59,799
Speaker 3: mean what I experienced and as a ghost hunter though,

988
00:47:59,840 --> 00:48:05,320
Speaker 3: that was I don't do it anymore. It's not scary.

989
00:48:05,360 --> 00:48:09,560
Speaker 3: It's just it's just alarming when you see things and

990
00:48:09,680 --> 00:48:14,720
Speaker 3: when you have attachments. Like one case, something was following

991
00:48:14,719 --> 00:48:16,880
Speaker 3: me for a few months. I would wake up and

992
00:48:16,920 --> 00:48:18,360
Speaker 3: there was like a dark shadow at the foot of

993
00:48:18,400 --> 00:48:22,160
Speaker 3: my bed. No, I would have sleep paralysis every night

994
00:48:25,040 --> 00:48:27,120
Speaker 3: and it was too much because I would hear voice

995
00:48:27,120 --> 00:48:31,000
Speaker 3: I'll see people with during the sleep paralysis, and I

996
00:48:31,040 --> 00:48:34,520
Speaker 3: stopped doing it. My friend AJ he's the amazing medium.

997
00:48:34,560 --> 00:48:37,720
Speaker 3: He still does it. We're getting back together for this month,

998
00:48:38,320 --> 00:48:41,200
Speaker 3: we're doing a live show in La where we do

999
00:48:41,239 --> 00:48:43,000
Speaker 3: comedy and paranormal readings.

1000
00:48:43,400 --> 00:48:45,040
Speaker 1: I wish I was still here for I would be there.

1001
00:48:45,239 --> 00:48:46,759
Speaker 3: That's going to be a crazy one because we did

1002
00:48:46,800 --> 00:48:49,720
Speaker 3: it before and it was I mean, it's gonna be crazy.

1003
00:48:49,880 --> 00:48:53,120
Speaker 3: But this month for us, for the paranormal vess is

1004
00:48:53,800 --> 00:48:57,239
Speaker 3: you know, we all start getting feelings everywhere, like you

1005
00:48:57,280 --> 00:49:00,160
Speaker 3: have anything in this house? Yeah, you do. And it's

1006
00:49:00,160 --> 00:49:02,200
Speaker 3: in the hallways. Something in the hallway.

1007
00:49:02,280 --> 00:49:06,239
Speaker 1: Yeah, oh my goodness. That's so. Someone walked past.

1008
00:49:06,280 --> 00:49:08,919
Speaker 2: I was having my little coffee here and someone walked

1009
00:49:08,920 --> 00:49:10,520
Speaker 2: past about a week here, and she's like, that house

1010
00:49:10,600 --> 00:49:14,360
Speaker 2: is haunted as she's walking past my and I was like, bitch,

1011
00:49:14,400 --> 00:49:15,960
Speaker 2: why did I just sear that someone?

1012
00:49:16,120 --> 00:49:19,680
Speaker 3: But it's in the stairs out there, out there, okay. Great.

1013
00:49:20,000 --> 00:49:22,480
Speaker 1: When I was coming up here, I was like, okay, okay,

1014
00:49:22,480 --> 00:49:23,000
Speaker 1: good tonight.

1015
00:49:23,560 --> 00:49:25,759
Speaker 3: Not in no, not in here. You have such a zen.

1016
00:49:26,239 --> 00:49:30,640
Speaker 3: Maybe that's why all this is here. Maybe Okay, something

1017
00:49:30,760 --> 00:49:33,640
Speaker 3: was something. This house was cleansed, it was functioned.

1018
00:49:34,120 --> 00:49:36,640
Speaker 1: Can you tell me what you taught me about this?

1019
00:49:36,920 --> 00:49:36,960
Speaker 3: This?

1020
00:49:37,120 --> 00:49:37,359
Speaker 1: Say?

1021
00:49:37,480 --> 00:49:40,520
Speaker 3: Now the sage whenever people do stage cleans. Here's the

1022
00:49:40,560 --> 00:49:43,000
Speaker 3: thing white Sage number one. Don't go for the rolls.

1023
00:49:43,000 --> 00:49:44,680
Speaker 3: Pells make it look pretty. But it looks pretty, it's not.

1024
00:49:45,160 --> 00:49:47,880
Speaker 3: It's something you got on Pinterest. It doesn't work. Or Spencer's.

1025
00:49:48,400 --> 00:49:52,759
Speaker 3: Everybody sage at Spencer's. Get the sage. Light it up

1026
00:49:53,280 --> 00:49:55,920
Speaker 3: clockwise around your house, open all the windows, and go

1027
00:49:56,000 --> 00:49:59,839
Speaker 3: to every single corner. Yeah, in the closets. Then after

1028
00:50:00,000 --> 00:50:03,080
Speaker 3: it's done, make sure it's on the avalanche shelf. Let

1029
00:50:03,080 --> 00:50:04,440
Speaker 3: it burn down in the middle of the house. And

1030
00:50:04,480 --> 00:50:07,920
Speaker 3: then when it's done, bury the sage. You have to

1031
00:50:07,960 --> 00:50:09,520
Speaker 3: bury the sage, give it back to the earth.

1032
00:50:10,000 --> 00:50:14,040
Speaker 2: I love that, and we talked about is my favorite.

1033
00:50:14,040 --> 00:50:14,680
Speaker 1: That's what I use.

1034
00:50:14,800 --> 00:50:17,719
Speaker 3: That's the one where you it's more for objects and

1035
00:50:17,800 --> 00:50:24,360
Speaker 3: people that just cleanses negativity. Sage is like like a

1036
00:50:24,560 --> 00:50:28,120
Speaker 3: like a clean like a cleaner. It's like bleach. If

1037
00:50:28,160 --> 00:50:31,920
Speaker 3: you have you know, dirt, everywhere you bleach the dirt,

1038
00:50:32,680 --> 00:50:36,000
Speaker 3: it's gonna make the you know, the dirt rise, but

1039
00:50:36,040 --> 00:50:38,440
Speaker 3: it's not gonna get rid of the dirt. You have

1040
00:50:38,520 --> 00:50:40,520
Speaker 3: to clean the dirt out of here. God. So when

1041
00:50:40,560 --> 00:50:43,640
Speaker 3: you burn sage, it's actually amplifies the energy you have

1042
00:50:43,719 --> 00:50:46,920
Speaker 3: in the house. So if you have a ghost or

1043
00:50:47,040 --> 00:50:50,400
Speaker 3: paranormal activity like sage up more sha will happen that

1044
00:50:50,520 --> 00:50:53,319
Speaker 3: night unless you do a full cleanse and have it

1045
00:50:53,520 --> 00:50:55,480
Speaker 3: speak to it to go towards the light, or or

1046
00:50:55,600 --> 00:50:57,560
Speaker 3: have someone professional do it and cleanse it.

1047
00:50:58,040 --> 00:50:59,640
Speaker 2: Oh my goodness, I could talk to you know, I

1048
00:50:59,640 --> 00:51:02,440
Speaker 2: could talk about this all day. I So my start

1049
00:51:02,480 --> 00:51:04,680
Speaker 2: was nutrit I'm a nutritionist, that's my training, and I

1050
00:51:04,760 --> 00:51:08,880
Speaker 2: was taking all these clients and we would in student clinics,

1051
00:51:08,920 --> 00:51:11,600
Speaker 2: so before you graduate the final year that bring hits

1052
00:51:11,600 --> 00:51:14,520
Speaker 2: people in and we went next to a mental asylum,

1053
00:51:14,600 --> 00:51:17,600
Speaker 2: so you'd often get a lot of people that would

1054
00:51:17,640 --> 00:51:19,400
Speaker 2: just come in and want to chat, chit chat. And

1055
00:51:19,440 --> 00:51:21,439
Speaker 2: I remember I'd go to sleep and get this full

1056
00:51:21,480 --> 00:51:24,239
Speaker 2: blown sleep paralysis, feel like there was weight on my chest.

1057
00:51:24,400 --> 00:51:26,879
Speaker 1: And my teacher said to me, she was like, you're

1058
00:51:26,880 --> 00:51:28,400
Speaker 1: getting energetically.

1059
00:51:27,960 --> 00:51:28,840
Speaker 3: Hold You're an impact.

1060
00:51:29,360 --> 00:51:32,960
Speaker 1: Yeah, and she made I had to burn franknsense.

1061
00:51:33,160 --> 00:51:37,120
Speaker 3: Yeah, the original original gift of the waves men to Jesus.

1062
00:51:37,200 --> 00:51:37,600
Speaker 1: Yeah.

1063
00:51:37,960 --> 00:51:39,680
Speaker 2: Yeah, that's what I had to do, and a lot

1064
00:51:39,719 --> 00:51:42,200
Speaker 2: of like giving back to and when I'd wake up

1065
00:51:42,239 --> 00:51:44,359
Speaker 2: with nightmares, I'd have to sit and feeling way down.

1066
00:51:44,400 --> 00:51:46,440
Speaker 2: I have to be like I love you sending love

1067
00:51:46,680 --> 00:51:48,239
Speaker 2: like yeah, but it fully was.

1068
00:51:48,280 --> 00:51:50,400
Speaker 1: I found it too much. I was really scared.

1069
00:51:50,520 --> 00:51:52,399
Speaker 3: One thing you can do with though, was put water

1070
00:51:52,480 --> 00:51:54,560
Speaker 3: under your bed, like a glass of water, because that

1071
00:51:54,760 --> 00:51:57,800
Speaker 3: kind of like changes your oil because water is a conductor.

1072
00:51:58,360 --> 00:52:00,399
Speaker 3: So if you have c prowses, put water in your bed,

1073
00:52:00,400 --> 00:52:04,160
Speaker 3: it kind of cleanses you, like filters you out. You're

1074
00:52:04,239 --> 00:52:07,640
Speaker 3: also the random things. A gangster from La I'm not

1075
00:52:07,640 --> 00:52:10,600
Speaker 3: a gangster, he but I grew up in that with

1076
00:52:10,640 --> 00:52:12,719
Speaker 3: a lot of the you know, the witches in the neighborhood. Yes,

1077
00:52:12,960 --> 00:52:16,600
Speaker 3: Santa people. I mean, that's all. It's part of the culture.

1078
00:52:17,120 --> 00:52:20,000
Speaker 3: My mom says she never was. That's happily, but there's

1079
00:52:20,040 --> 00:52:21,720
Speaker 3: things in the house like wait a minute, she does.

1080
00:52:21,680 --> 00:52:26,799
Speaker 2: Do things because he In Australia, we don't have it.

1081
00:52:26,840 --> 00:52:28,840
Speaker 2: Because I think the Mexican culture is it.

1082
00:52:28,920 --> 00:52:31,120
Speaker 1: Dave of the Dead, Yeah, David Dead.

1083
00:52:31,680 --> 00:52:34,560
Speaker 3: Beautiful skulls, the skulls and the reason we do this

1084
00:52:34,680 --> 00:52:36,640
Speaker 3: because we want to scare the dead back to their graves,

1085
00:52:36,680 --> 00:52:39,480
Speaker 3: because we feel that day the veil between our world

1086
00:52:39,520 --> 00:52:41,919
Speaker 3: and their world is so thin they can come back.

1087
00:52:41,960 --> 00:52:44,319
Speaker 3: So we dress as schools to scare them back into

1088
00:52:44,360 --> 00:52:44,840
Speaker 3: their graves.

1089
00:52:45,360 --> 00:52:48,919
Speaker 1: Oh my goodness. So okay, final final, Oh my gosh.

1090
00:52:48,920 --> 00:52:49,799
Speaker 1: There are so many things.

1091
00:52:50,440 --> 00:52:54,319
Speaker 2: One thing that I have loved most about researching you

1092
00:52:54,719 --> 00:52:57,200
Speaker 2: is I feel like you're just like you know what,

1093
00:52:57,280 --> 00:52:58,760
Speaker 2: I'm going to go after this stream.

1094
00:52:59,040 --> 00:53:00,719
Speaker 1: It's a hard dream, you know what I mean?

1095
00:53:00,760 --> 00:53:02,719
Speaker 2: Like your so many people would look up to you

1096
00:53:02,760 --> 00:53:05,160
Speaker 2: and be like momos made it.

1097
00:53:05,440 --> 00:53:07,319
Speaker 1: Yeah, And I just love so.

1098
00:53:07,400 --> 00:53:09,160
Speaker 2: I made some notes. I felt like I was in

1099
00:53:09,160 --> 00:53:12,080
Speaker 2: a motivational speech. It was so good, no, no, so good.

1100
00:53:13,480 --> 00:53:15,960
Speaker 2: So with comedy, you said your story is going to

1101
00:53:16,040 --> 00:53:18,600
Speaker 2: come from truth, and I think I went to another

1102
00:53:18,640 --> 00:53:20,279
Speaker 2: comedy show on the weekend, and I think you can

1103
00:53:20,280 --> 00:53:21,400
Speaker 2: feel when it's not true.

1104
00:53:21,640 --> 00:53:21,839
Speaker 3: Yeah.

1105
00:53:22,040 --> 00:53:28,640
Speaker 2: As an audience, yeah.

1106
00:53:26,360 --> 00:53:28,960
Speaker 1: I love the way that you say you have to go.

1107
00:53:29,080 --> 00:53:32,040
Speaker 2: All in and then you have to do what scares

1108
00:53:32,080 --> 00:53:33,000
Speaker 2: the fuck out of you.

1109
00:53:33,000 --> 00:53:37,680
Speaker 3: You do you do? I mean ghosts on in You're right,

1110
00:53:37,800 --> 00:53:44,000
Speaker 3: I mean acting portraying something you're not, being the laugh,

1111
00:53:44,400 --> 00:53:49,319
Speaker 3: Being the light in people's darkness has been the goal

1112
00:53:49,400 --> 00:53:51,799
Speaker 3: that my mom put in me. So for me to

1113
00:53:51,840 --> 00:53:55,760
Speaker 3: continue that, it's hard because there's so much darkness, darkness

1114
00:53:55,760 --> 00:53:59,799
Speaker 3: over power's life sometimes, you know, But I mean going

1115
00:53:59,840 --> 00:54:02,480
Speaker 3: to a dark room. The littlest light can give you

1116
00:54:02,520 --> 00:54:05,440
Speaker 3: some kind of a direction. And I think that's what

1117
00:54:05,560 --> 00:54:07,000
Speaker 3: we need to be, when you be a little light

1118
00:54:07,080 --> 00:54:10,160
Speaker 3: for people, even if you live in darkness. Because I mean,

1119
00:54:10,719 --> 00:54:13,320
Speaker 3: my life's not that great. I'm still a struggling actor,

1120
00:54:13,480 --> 00:54:16,600
Speaker 3: stroudling comedian. You know, I've had a taste of it,

1121
00:54:16,640 --> 00:54:18,360
Speaker 3: but doesn't mean I'm all in because we all know

1122
00:54:18,440 --> 00:54:21,120
Speaker 3: how this is not. You don't get rich from this.

1123
00:54:21,640 --> 00:54:23,720
Speaker 3: You know, you get rich later on when it becomes

1124
00:54:23,800 --> 00:54:28,880
Speaker 3: your project. You know, it's just a NonStop struggle to

1125
00:54:29,719 --> 00:54:31,880
Speaker 3: fight dark. I know it sounds very Star Wars like,

1126
00:54:32,600 --> 00:54:34,359
Speaker 3: but it's true. I mean, at the end of the day,

1127
00:54:35,280 --> 00:54:39,920
Speaker 3: it's all just energy. And if we, you know, find

1128
00:54:39,920 --> 00:54:42,520
Speaker 3: a way to you know, we we create this fusion

1129
00:54:42,560 --> 00:54:47,279
Speaker 3: in us that can create this ongoing energy. We won't

1130
00:54:47,280 --> 00:54:49,759
Speaker 3: need other people to fight to give us, you know,

1131
00:54:49,840 --> 00:54:52,560
Speaker 3: the coal in a way or or or or you know,

1132
00:54:52,600 --> 00:54:55,320
Speaker 3: the wood to keep us burning. We are a self

1133
00:54:55,360 --> 00:55:01,759
Speaker 3: sustaining fire. Truths right now, now, I love it.

1134
00:55:02,480 --> 00:55:03,760
Speaker 1: Honestly, this is unreal.

1135
00:55:04,040 --> 00:55:07,239
Speaker 2: So for anybody that's listening that is like, Okay, I

1136
00:55:07,239 --> 00:55:09,040
Speaker 2: want to give this a crack. I want to try

1137
00:55:09,520 --> 00:55:12,480
Speaker 2: might be stand up, might be acting school.

1138
00:55:12,560 --> 00:55:15,160
Speaker 3: You're going to follow your face and if you don't

1139
00:55:15,160 --> 00:55:17,640
Speaker 3: fall on your face and you're doing it wrong, you

1140
00:55:17,880 --> 00:55:21,800
Speaker 3: have to bomb before you kill. It's just the rule.

1141
00:55:22,640 --> 00:55:25,680
Speaker 3: You have to suck, you know, you have to feel

1142
00:55:25,680 --> 00:55:30,000
Speaker 3: what it's like to to. You have to burn, to

1143
00:55:30,080 --> 00:55:31,879
Speaker 3: feel that the fire is gonna be bad for you.

1144
00:55:32,400 --> 00:55:36,160
Speaker 3: Like anything, you know, you have to prepare it for everything.

1145
00:55:36,200 --> 00:55:39,359
Speaker 3: And you know, if it scares you, do it. If

1146
00:55:39,440 --> 00:55:41,680
Speaker 3: you follow your face and get back up and do

1147
00:55:41,719 --> 00:55:44,600
Speaker 3: it again, we all have the key to success. We

1148
00:55:44,719 --> 00:55:47,080
Speaker 3: just don't like to you know, we go the key

1149
00:55:47,120 --> 00:55:50,120
Speaker 3: to open the lock. That was a good one right

1150
00:55:50,160 --> 00:55:52,799
Speaker 3: now and down now, that was good.

1151
00:55:52,880 --> 00:55:54,400
Speaker 1: It's my audiogram and what.

1152
00:55:56,120 --> 00:55:56,440
Speaker 3: Moment.

1153
00:55:56,560 --> 00:55:59,160
Speaker 1: You are such a legend. Thank you so much. It's

1154
00:55:59,200 --> 00:56:01,080
Speaker 1: a total honored you on this podcast.

1155
00:56:01,520 --> 00:56:05,239
Speaker 3: It's it's been. It's been such a good time for

1156
00:56:05,480 --> 00:56:09,160
Speaker 3: all the ass. He's out there, Please like, find the promoter,

1157
00:56:09,239 --> 00:56:11,239
Speaker 3: get me out there when when things are better. I

1158
00:56:11,239 --> 00:56:13,839
Speaker 3: would love to go out there. We'll do a show

1159
00:56:13,880 --> 00:56:16,840
Speaker 3: together out there, you know, M see it for me.

1160
00:56:17,680 --> 00:56:19,719
Speaker 3: We'll go crazy out there. We'll do some got something

1161
00:56:19,880 --> 00:56:22,319
Speaker 3: there out there, because I do here. There's a lot

1162
00:56:22,360 --> 00:56:23,799
Speaker 3: of places to go. Go something up there?

1163
00:56:23,880 --> 00:56:27,200
Speaker 1: Really? Oh my goodness, signing the.

1164
00:56:27,239 --> 00:56:30,400
Speaker 3: History over there, everything, I mean it goes.

1165
00:56:30,960 --> 00:56:34,560
Speaker 2: I think you're ghost like the paranormal comedy show would

1166
00:56:34,560 --> 00:56:35,400
Speaker 2: fly in Australia.

1167
00:56:35,680 --> 00:56:37,280
Speaker 1: I mean come out with aj.

1168
00:56:37,400 --> 00:56:40,640
Speaker 3: Because oh yeah, I mean love to go anywhere. Look,

1169
00:56:40,719 --> 00:56:44,719
Speaker 3: this is real. Yeah, and if you don't think it's real,

1170
00:56:44,840 --> 00:56:48,799
Speaker 3: then you know, I don't know's it's hard to tell

1171
00:56:48,840 --> 00:56:51,239
Speaker 3: someone you know, our ghost our ghost reel? Do you

1172
00:56:51,320 --> 00:56:52,240
Speaker 3: believe in? Go one hundred?

1173
00:56:52,600 --> 00:56:54,839
Speaker 2: As soon as you said the whole way thing out

1174
00:56:54,880 --> 00:56:56,400
Speaker 2: in there, I was like, I know that.

1175
00:56:56,480 --> 00:56:57,280
Speaker 1: I don't like going.

1176
00:56:57,400 --> 00:57:00,000
Speaker 2: I only go down there to let people in. I

1177
00:57:00,160 --> 00:57:02,680
Speaker 2: go at the entrance that takes me out the back

1178
00:57:03,080 --> 00:57:06,000
Speaker 2: where it's outside in nature and son, yeah I don't.

1179
00:57:05,880 --> 00:57:09,600
Speaker 3: Like yeah no, I can totally feel it, but I'm

1180
00:57:09,640 --> 00:57:11,400
Speaker 3: just believe you.

1181
00:57:11,480 --> 00:57:14,319
Speaker 2: My NaN's my nan is a terrot card reader and

1182
00:57:14,360 --> 00:57:16,720
Speaker 2: taught me when I was like twelve to read terrot cards.

1183
00:57:16,720 --> 00:57:19,040
Speaker 1: So I am like, so you get it.

1184
00:57:19,200 --> 00:57:22,040
Speaker 2: I'm drinking the kool aid, my friend, I'm signed up.

1185
00:57:22,160 --> 00:57:25,800
Speaker 3: I just avoid for all the amateurs out there, just

1186
00:57:26,080 --> 00:57:29,880
Speaker 3: don't you know research before you went to it, yeah,

1187
00:57:29,960 --> 00:57:33,320
Speaker 3: because then you start making mistakes. Yeah, you know, I'm

1188
00:57:33,360 --> 00:57:35,840
Speaker 3: not saying you're gonna get possessed or there's gonna be

1189
00:57:35,960 --> 00:57:38,960
Speaker 3: like a bunch of ghosts and murders. No, I mean,

1190
00:57:39,240 --> 00:57:41,840
Speaker 3: if you do it wrong, you're gonna start being depressed.

1191
00:57:41,920 --> 00:57:47,520
Speaker 3: That's also a possession depression, you know, being possessed low energy,

1192
00:57:47,800 --> 00:57:52,040
Speaker 3: being lethargic around your house. That's possession, and it can

1193
00:57:52,080 --> 00:57:55,880
Speaker 3: be from negative energy. Try this at home. Go buy

1194
00:57:56,000 --> 00:58:00,240
Speaker 3: some rice. Yeah, you know, cook some rice. Put it

1195
00:58:00,240 --> 00:58:03,080
Speaker 3: in one container and label it negative. Put a different container,

1196
00:58:03,160 --> 00:58:05,880
Speaker 3: name of it positive. All your negativity that you have

1197
00:58:05,960 --> 00:58:08,920
Speaker 3: through the date, Hold that rice where it's his negative,

1198
00:58:09,160 --> 00:58:12,280
Speaker 3: and just feed it the negativity. Then hold the positive

1199
00:58:12,280 --> 00:58:14,200
Speaker 3: one and give it the positive. Within two weeks, the

1200
00:58:14,240 --> 00:58:16,840
Speaker 3: negative race will rot and the positive will not rot.

1201
00:58:17,040 --> 00:58:18,160
Speaker 1: Oh, I love it.

1202
00:58:18,240 --> 00:58:20,640
Speaker 3: That's try it. Google it ever really does happened?

1203
00:58:20,680 --> 00:58:21,080
Speaker 1: I love it.

1204
00:58:21,120 --> 00:58:23,240
Speaker 2: One last thing about lost feelers. There's a there's a

1205
00:58:23,240 --> 00:58:24,680
Speaker 2: really famous murder house here.

1206
00:58:24,800 --> 00:58:25,760
Speaker 1: Yeah, did you know that.

1207
00:58:25,880 --> 00:58:29,000
Speaker 3: I didn't know about that house. It's actually for sale. Yes,

1208
00:58:29,160 --> 00:58:31,320
Speaker 3: it was. It was by a doctor, right, yeah.

1209
00:58:31,080 --> 00:58:34,160
Speaker 2: And Tommas family, and I think the daughter might have

1210
00:58:34,240 --> 00:58:35,160
Speaker 2: got away or something.

1211
00:58:35,400 --> 00:58:37,760
Speaker 3: It's right next to George house actually.

1212
00:58:37,480 --> 00:58:41,000
Speaker 2: Because I I'm too scared. I fly to Australia on Friday,

1213
00:58:41,120 --> 00:58:42,720
Speaker 2: and the day before I leave, I'm going to go

1214
00:58:43,400 --> 00:58:44,640
Speaker 2: a walk past that house.

1215
00:58:44,760 --> 00:58:45,720
Speaker 1: I just got to do it.

1216
00:58:45,800 --> 00:58:48,560
Speaker 3: Oh I can get a sin No. Yeah, because they're

1217
00:58:48,600 --> 00:58:50,920
Speaker 3: doing what they're doing, what do you call it open houses?

1218
00:58:51,320 --> 00:58:53,320
Speaker 1: Have you been interfel have not yet?

1219
00:58:53,480 --> 00:58:56,280
Speaker 3: George wants to go you have to do let's call

1220
00:58:56,320 --> 00:58:59,000
Speaker 3: it pretending to buy you probably you the pretending to

1221
00:58:59,000 --> 00:59:01,440
Speaker 3: buy it, but not me. He's like, but let's go on.

1222
00:59:01,760 --> 00:59:03,840
Speaker 3: I'll research it and find out. Because there is two.

1223
00:59:03,720 --> 00:59:05,600
Speaker 1: Houses around here that are haunted, that.

1224
00:59:05,640 --> 00:59:08,600
Speaker 3: Are really haunted, and there's one down the street from

1225
00:59:08,600 --> 00:59:11,800
Speaker 3: here too that's really really bad, really, and then there's

1226
00:59:11,800 --> 00:59:14,920
Speaker 3: always I mean, there's a Roosevelt Hotel, of course, there's

1227
00:59:15,000 --> 00:59:18,720
Speaker 3: the Chateau, there's a comedy store, the Live Factory.

1228
00:59:18,920 --> 00:59:20,000
Speaker 1: These are all haunted. Prices.

1229
00:59:20,840 --> 00:59:25,240
Speaker 3: Live Factory was was what's the guy's name, the March Brothers,

1230
00:59:25,560 --> 00:59:26,880
Speaker 3: it was it was their office.

1231
00:59:27,800 --> 00:59:31,600
Speaker 2: Oh wow, because I've heard George Lopez say when I'll

1232
00:59:31,640 --> 00:59:34,480
Speaker 2: listen to your podcast with him, it was like most

1233
00:59:34,520 --> 00:59:35,320
Speaker 2: of it is are haunted.

1234
00:59:35,640 --> 00:59:38,080
Speaker 3: We've had some moments when we're on tour together that

1235
00:59:38,720 --> 00:59:40,520
Speaker 3: we're in the green room one time and we're just

1236
00:59:40,600 --> 00:59:43,920
Speaker 3: hanging out and the speaker flew across the room and

1237
00:59:43,960 --> 00:59:46,760
Speaker 3: we're like, Okay, we're just gonna pretend that it happened

1238
00:59:46,760 --> 00:59:49,720
Speaker 3: because we got jokes to write, and we just forget

1239
00:59:49,760 --> 00:59:51,160
Speaker 3: about it and we go on to it. Because if

1240
00:59:51,280 --> 00:59:54,040
Speaker 3: if you focus on it, you're gonna make it worse. Yeah,

1241
00:59:54,160 --> 00:59:58,000
Speaker 3: don't record your your house, don't do EVPs, electric voice phenomenon,

1242
00:59:58,040 --> 01:00:01,480
Speaker 3: don't record your voice, don't set up cameras at nighttime

1243
01:00:01,520 --> 01:00:04,160
Speaker 3: you're just calling it. Imagine you're in the dark for

1244
01:00:04,320 --> 01:00:07,000
Speaker 3: years and someone finally talks to you. You're gonna want

1245
01:00:07,000 --> 01:00:08,840
Speaker 3: to throw attention now, Oh.

1246
01:00:08,680 --> 01:00:10,080
Speaker 1: My goodness, one hundred percent.

1247
01:00:10,240 --> 01:00:12,120
Speaker 2: So what should someone do if they are like as

1248
01:00:12,160 --> 01:00:14,920
Speaker 2: I heard that the beginning of George Lopez was like

1249
01:00:15,000 --> 01:00:17,160
Speaker 2: I could hear someone yelling MA or something.

1250
01:00:17,680 --> 01:00:19,360
Speaker 3: Yeah, I've heard it too of this house.

1251
01:00:19,960 --> 01:00:21,920
Speaker 2: What what should someone do if they're like, Okay, I

1252
01:00:21,920 --> 01:00:24,400
Speaker 2: think something's a bit funky, like when I go to

1253
01:00:24,440 --> 01:00:28,160
Speaker 2: my hallway or whatever. What should people do if they

1254
01:00:28,160 --> 01:00:29,520
Speaker 2: want to protect themselves in there?

1255
01:00:29,880 --> 01:00:32,240
Speaker 3: I think you would, you would, anybody would do? Is

1256
01:00:32,280 --> 01:00:35,520
Speaker 3: Number one, get some Palo Santo and sage. Yeah, mostly

1257
01:00:35,560 --> 01:00:37,600
Speaker 3: Palo Santo. Go r every corner of the room to

1258
01:00:37,720 --> 01:00:39,640
Speaker 3: the little ritual, or you open up the windows and

1259
01:00:40,640 --> 01:00:43,360
Speaker 3: as you're walking you make your own little prayer up.

1260
01:00:43,840 --> 01:00:46,760
Speaker 3: Say it to the air. Hey, this is my house, please,

1261
01:00:47,680 --> 01:00:50,160
Speaker 3: this is where I want to live. This is my space.

1262
01:00:50,240 --> 01:00:53,320
Speaker 3: You can go towards the light. You know. I live here. Now.

1263
01:00:53,720 --> 01:00:56,320
Speaker 3: If you want to stay here and just ignore me,

1264
01:00:56,520 --> 01:00:59,600
Speaker 3: I'll ignore you and we can live good together. And

1265
01:00:59,640 --> 01:01:00,080
Speaker 3: that's it.

1266
01:01:00,440 --> 01:01:01,360
Speaker 1: Yeah that now.

1267
01:01:02,520 --> 01:01:06,120
Speaker 3: If it doesn't work, then you get the fuck out

1268
01:01:06,120 --> 01:01:09,280
Speaker 3: of there, or or cause somebody who is you know,

1269
01:01:09,360 --> 01:01:13,680
Speaker 3: your spiritual advisor, have them do it with you. I mean,

1270
01:01:14,120 --> 01:01:17,280
Speaker 3: you know, don't move. But then again, don't set up

1271
01:01:17,360 --> 01:01:20,920
Speaker 3: cameras and try to catch this guy because they'll love it. Yeah,

1272
01:01:21,080 --> 01:01:23,880
Speaker 3: just ignore it. Just that. You know, George's house has

1273
01:01:23,920 --> 01:01:26,040
Speaker 3: stopped doing it, and you know we stop panting. I

1274
01:01:26,040 --> 01:01:28,280
Speaker 3: told him not doing anything. Man, don't don't fuck with it.

1275
01:01:28,880 --> 01:01:31,160
Speaker 3: It's a fucking ghost. You need to scare when you

1276
01:01:31,200 --> 01:01:34,480
Speaker 3: call lawyer ors something. It's not gonna leave. It's like

1277
01:01:34,680 --> 01:01:37,800
Speaker 3: you can't, you have no power of it. It's a ghost. Yeah, Like,

1278
01:01:37,840 --> 01:01:39,160
Speaker 3: what are you gonna do are you gonna call? No

1279
01:01:39,280 --> 01:01:41,440
Speaker 3: money can cure it or take it away. It's like

1280
01:01:41,480 --> 01:01:44,120
Speaker 3: it's attached to your house. Oh wow, And if you

1281
01:01:44,200 --> 01:01:46,040
Speaker 3: go to someone's house and try to fuck with it,

1282
01:01:46,200 --> 01:01:47,160
Speaker 3: don't follow into your house.

1283
01:01:47,200 --> 01:01:50,480
Speaker 2: Not your problem, because i'd heard you'd researched all the

1284
01:01:50,480 --> 01:01:52,720
Speaker 2: previous owners of the house and you'd figure it out,

1285
01:01:52,800 --> 01:01:53,640
Speaker 2: like you've done.

1286
01:01:53,480 --> 01:01:56,600
Speaker 3: Some some research. But I think, and this is just

1287
01:01:56,720 --> 01:01:59,200
Speaker 3: my thing. I think it's attached to him.

1288
01:02:00,080 --> 01:02:01,680
Speaker 1: Yeah you said that, and he said no.

1289
01:02:01,480 --> 01:02:03,360
Speaker 3: No, I'm like, okay, fuck you. Then I'm telling you

1290
01:02:03,400 --> 01:02:05,440
Speaker 3: the truth. I'm want to try and help you out.

1291
01:02:05,840 --> 01:02:07,800
Speaker 2: I love that you're, like I said, I could talk

1292
01:02:07,800 --> 01:02:09,160
Speaker 2: to you about this all day. But I love that

1293
01:02:09,240 --> 01:02:11,800
Speaker 2: you're owning this part of yourself as well, because I

1294
01:02:11,800 --> 01:02:15,120
Speaker 2: think you said initially, didn't you think at the very beginning, like.

1295
01:02:15,160 --> 01:02:16,880
Speaker 1: Yea though it was bullshit, right, I did?

1296
01:02:17,280 --> 01:02:21,960
Speaker 3: You know? Sometimes I still do, and that helps because

1297
01:02:22,000 --> 01:02:26,560
Speaker 3: you want you know, I've always been a skeptic on everything. Yeah,

1298
01:02:26,680 --> 01:02:31,360
Speaker 3: but skepticism is the key to knowledge, you know. The

1299
01:02:31,480 --> 01:02:33,640
Speaker 3: more like that's not possible, let me find out why

1300
01:02:33,640 --> 01:02:36,160
Speaker 3: it's possible. When agent and I do an investigation. The

1301
01:02:36,160 --> 01:02:38,560
Speaker 3: first thing we do is try to debunk it. That's

1302
01:02:38,600 --> 01:02:41,160
Speaker 3: our goal. That's our first goal, Like we got to

1303
01:02:41,160 --> 01:02:43,360
Speaker 3: figure this out, this check out. I mean, I know

1304
01:02:43,400 --> 01:02:46,640
Speaker 3: about electrical wiring now and house. I know about plumbing

1305
01:02:46,680 --> 01:02:49,680
Speaker 3: issues because I want to learn. I know about you know,

1306
01:02:50,160 --> 01:02:53,240
Speaker 3: foundations or what kind of house is the architecture, because

1307
01:02:53,240 --> 01:02:55,479
Speaker 3: I want to know if it's the house or there's

1308
01:02:55,480 --> 01:02:58,160
Speaker 3: someone in the house. One lady thought she was possessed.

1309
01:02:58,160 --> 01:03:00,880
Speaker 3: It was a raccoon in front of the whole time,

1310
01:03:01,400 --> 01:03:03,880
Speaker 3: Like ladies, no, there's no ghost here, or you get

1311
01:03:03,920 --> 01:03:06,880
Speaker 3: those crazy people that call you, yeah, what's wrong. Well,

1312
01:03:07,320 --> 01:03:10,920
Speaker 3: I think I'm possessed by nineteen demons. And I'm like, bro,

1313
01:03:11,080 --> 01:03:14,440
Speaker 3: listen to me. You're not that great of a guy,

1314
01:03:15,360 --> 01:03:18,240
Speaker 3: So why would a why wouldn't nineteen demons take over

1315
01:03:18,320 --> 01:03:21,800
Speaker 3: your body? I mean if you were like a politician

1316
01:03:21,920 --> 01:03:26,000
Speaker 3: or amount of power, a celebrity, maybe, but you're just

1317
01:03:26,040 --> 01:03:30,000
Speaker 3: a dude that works at fucking Target and you know

1318
01:03:30,240 --> 01:03:34,040
Speaker 3: you're not even a cashier. Yeah you know. And then

1319
01:03:34,080 --> 01:03:37,080
Speaker 3: you said nineteen demons, Well I thought it was I

1320
01:03:37,080 --> 01:03:38,720
Speaker 3: thought it was pretty you know, like you know, it

1321
01:03:38,880 --> 01:03:43,600
Speaker 3: spoke to me. I'm like, I'm like, sometimes we are

1322
01:03:43,840 --> 01:03:48,080
Speaker 3: our own demons, and we we create these things because

1323
01:03:48,080 --> 01:03:51,120
Speaker 3: we want to face reality. Oh I'm so depressed lately.

1324
01:03:51,160 --> 01:03:53,440
Speaker 3: I think this is my house is haunted. Really, maybe

1325
01:03:53,480 --> 01:03:55,160
Speaker 3: it's the fact that you haven't committed to a job

1326
01:03:55,160 --> 01:03:57,320
Speaker 3: in the past ten years, or or you haven't even

1327
01:03:57,600 --> 01:04:00,400
Speaker 3: thought of a lifestyle change, or are you not you're

1328
01:04:00,400 --> 01:04:02,280
Speaker 3: in a toxic relationship, but you want to blame on

1329
01:04:02,280 --> 01:04:05,120
Speaker 3: a ghost you know, or maybe you know, or maybe

1330
01:04:05,160 --> 01:04:06,640
Speaker 3: it's the guy you're with or the girl you're with,

1331
01:04:06,760 --> 01:04:08,600
Speaker 3: they're the ones that are you're demon.

1332
01:04:09,040 --> 01:04:10,960
Speaker 1: I love that you're calling that out as well.

1333
01:04:10,800 --> 01:04:10,920
Speaker 3: Well.

1334
01:04:10,960 --> 01:04:11,920
Speaker 1: I mean it's so important.

1335
01:04:11,960 --> 01:04:16,439
Speaker 3: People put so many excuses nowadays from paranormal like, yeah,

1336
01:04:16,560 --> 01:04:19,720
Speaker 3: that felt I felt something's weird. I'm like, what's your problem?

1337
01:04:19,880 --> 01:04:20,960
Speaker 3: Maybe you're the problem.

1338
01:04:21,240 --> 01:04:23,840
Speaker 2: I think there's something about like you feel it in yet,

1339
01:04:23,920 --> 01:04:26,520
Speaker 2: like I call it like gut intuition, and you can

1340
01:04:26,600 --> 01:04:28,240
Speaker 2: you kind of get that feeling and you're like okay

1341
01:04:29,120 --> 01:04:29,760
Speaker 2: with everything.

1342
01:04:29,880 --> 01:04:32,640
Speaker 3: No, And then people love to they love to say

1343
01:04:32,640 --> 01:04:33,560
Speaker 3: they have a haunted hout.

1344
01:04:33,960 --> 01:04:35,160
Speaker 1: Yeah, of course, Oh.

1345
01:04:35,080 --> 01:04:37,520
Speaker 3: No, my house is haunted, Like really, what's hunted about?

1346
01:04:38,000 --> 01:04:40,560
Speaker 3: One time I heard like, like somebody.

1347
01:04:40,240 --> 01:04:42,480
Speaker 2: Call my name, do you know what else I think

1348
01:04:42,520 --> 01:04:44,440
Speaker 2: about this place now that I'm like thinking about it,

1349
01:04:44,440 --> 01:04:46,320
Speaker 2: there's always a coyote in my front garden.

1350
01:04:46,920 --> 01:04:50,160
Speaker 1: He just chills here. That's crazy, that's crazy, right.

1351
01:04:50,280 --> 01:04:53,160
Speaker 3: That mean two things. It might mean that you have

1352
01:04:54,440 --> 01:04:57,720
Speaker 3: a pasted problem. Yeah, and that is why you hear

1353
01:04:57,840 --> 01:04:58,840
Speaker 3: maybe people hear things.

1354
01:04:59,440 --> 01:05:02,080
Speaker 1: Yeah, because there's as because there's.

1355
01:05:01,880 --> 01:05:04,120
Speaker 3: A bunch of animals or rats or something around here,

1356
01:05:04,160 --> 01:05:06,520
Speaker 3: and the coyote knows it and it's food, and they're like,

1357
01:05:06,560 --> 01:05:09,200
Speaker 3: they think it's fucking goes. He's like my snack walking

1358
01:05:09,240 --> 01:05:09,960
Speaker 3: around your house.

1359
01:05:10,280 --> 01:05:11,520
Speaker 1: What's the second thing it could be.

1360
01:05:11,720 --> 01:05:16,479
Speaker 3: The second thing that it could be is energy point.

1361
01:05:16,560 --> 01:05:17,960
Speaker 3: You're in a you're you're kind of like in a

1362
01:05:18,040 --> 01:05:18,880
Speaker 3: fork in the road here.

1363
01:05:19,000 --> 01:05:19,600
Speaker 1: Yeah.

1364
01:05:19,680 --> 01:05:24,120
Speaker 3: And you know, even when you're fishing, these are the

1365
01:05:24,200 --> 01:05:30,640
Speaker 3: doorst portals, you know, when when things, you know, connect closets.

1366
01:05:30,880 --> 01:05:32,880
Speaker 3: I mean, these are this is a this is a portal.

1367
01:05:33,120 --> 01:05:33,520
Speaker 1: Yeah.

1368
01:05:33,680 --> 01:05:35,960
Speaker 3: So even fish tend to always go on the edge

1369
01:05:35,960 --> 01:05:39,840
Speaker 3: of these things, you know. So it's the animals are

1370
01:05:39,840 --> 01:05:42,400
Speaker 3: tied to it. If this was a stream, the animal

1371
01:05:42,440 --> 01:05:46,040
Speaker 3: would be in the middle. So interesting, two ways of going,

1372
01:05:46,080 --> 01:05:50,000
Speaker 3: two paths. I mean, it's just a little son ad

1373
01:05:51,320 --> 01:05:56,120
Speaker 3: the lot of lies. By the way, somebody uh murmur is.

1374
01:05:56,400 --> 01:06:00,640
Speaker 2: I cannot thank you enough. You are absolutely unreal and

1375
01:06:01,080 --> 01:06:03,880
Speaker 2: you have inspired me to just chase my dreams in

1376
01:06:03,920 --> 01:06:06,560
Speaker 2: a matter and do the work, and do it.

1377
01:06:06,720 --> 01:06:08,840
Speaker 3: And if people tell you something and say fuck you,

1378
01:06:08,920 --> 01:06:10,919
Speaker 3: like straight, look them in the eye, say fuck you.

1379
01:06:10,920 --> 01:06:12,640
Speaker 3: You don't know who I am. You don't know what

1380
01:06:12,680 --> 01:06:15,840
Speaker 3: I've been through. You don't know what my sweat tastes like.

1381
01:06:16,080 --> 01:06:18,640
Speaker 1: Didn't someone tell you you can?

1382
01:06:17,240 --> 01:06:21,840
Speaker 3: Only? I think it was. Her name is fern Owenstein,

1383
01:06:23,000 --> 01:06:27,680
Speaker 3: CBS casting director told me that I don't have what

1384
01:06:27,720 --> 01:06:29,200
Speaker 3: it takes to be an actor. I don't have the

1385
01:06:29,280 --> 01:06:31,760
Speaker 3: looks to be on TV to writing.

1386
01:06:32,080 --> 01:06:33,680
Speaker 1: That's crazy, But you know.

1387
01:06:33,680 --> 01:06:35,120
Speaker 3: What, it was the best thing she would have told me,

1388
01:06:35,160 --> 01:06:36,160
Speaker 3: because I wouldn't have tried it.

1389
01:06:36,720 --> 01:06:38,320
Speaker 1: Fired you fired me up.

1390
01:06:38,400 --> 01:06:41,120
Speaker 3: I wanted to prove it wrong. Took me fifteen years

1391
01:06:41,160 --> 01:06:44,160
Speaker 3: from wrong, but I did. And now I'm at a

1392
01:06:44,200 --> 01:06:48,880
Speaker 3: place where I want to just create, give back and

1393
01:06:49,200 --> 01:06:53,280
Speaker 3: tell people what my culture is about. We're not all gangsters,

1394
01:06:53,320 --> 01:06:56,960
Speaker 3: we're not all criminals, We're not all you know, the

1395
01:06:57,440 --> 01:07:00,920
Speaker 3: threat that's killing America. According to some people, we are

1396
01:07:01,120 --> 01:07:04,880
Speaker 3: just beautiful people that were here first they kick this

1397
01:07:04,960 --> 01:07:06,960
Speaker 3: sut and we're back and we're going back and forth,

1398
01:07:07,600 --> 01:07:10,560
Speaker 3: and we're here to stay because half of this country

1399
01:07:10,600 --> 01:07:13,240
Speaker 3: is named in Spanish.

1400
01:07:12,920 --> 01:07:15,880
Speaker 1: So well, isn't los veelers.

1401
01:07:15,560 --> 01:07:17,520
Speaker 3: Which means the happiest Yeah?

1402
01:07:17,640 --> 01:07:18,200
Speaker 1: I love that.

1403
01:07:18,400 --> 01:07:21,960
Speaker 2: Yeah, my friend, I cannot wait to watch your career

1404
01:07:22,040 --> 01:07:23,520
Speaker 2: continue to flourish.

1405
01:07:23,760 --> 01:07:24,439
Speaker 1: You're on right.

1406
01:07:24,320 --> 01:07:27,080
Speaker 3: Likewise, by the way, well, anybody who were in a

1407
01:07:27,160 --> 01:07:30,040
Speaker 3: raider jersey right in front of me is a badass.

1408
01:07:30,120 --> 01:07:34,360
Speaker 3: By the way, you're wearing the gangster colors. That's like really,

1409
01:07:34,480 --> 01:07:35,320
Speaker 3: So do you know.

1410
01:07:35,480 --> 01:07:36,240
Speaker 1: What you just told me?

1411
01:07:36,280 --> 01:07:36,400
Speaker 3: Then?

1412
01:07:36,400 --> 01:07:37,720
Speaker 1: About that CBS person?

1413
01:07:37,880 --> 01:07:39,760
Speaker 2: Right before I came here, I met with a publicist

1414
01:07:39,840 --> 01:07:42,240
Speaker 2: and she goes, what's your dream? And I was like, ah,

1415
01:07:42,520 --> 01:07:45,160
Speaker 2: like Steve Colbert or Jimmy Like I want to host

1416
01:07:45,200 --> 01:07:47,640
Speaker 2: a TV show And she spat her venol out and

1417
01:07:47,680 --> 01:07:51,040
Speaker 2: started laughing at me. But how cool for me to

1418
01:07:51,120 --> 01:07:53,680
Speaker 2: have that drive because someone didn't believe in me.

1419
01:07:54,000 --> 01:07:59,080
Speaker 3: Look, anybody, anybody can do anything. Yeah, but people with

1420
01:07:59,600 --> 01:08:04,480
Speaker 3: the like attempt it, yeah, are the ones that are

1421
01:08:04,560 --> 01:08:05,280
Speaker 3: meant to do it.

1422
01:08:05,960 --> 01:08:06,480
Speaker 1: Definitely.

1423
01:08:06,520 --> 01:08:08,440
Speaker 3: There was a few companies that sucked the night I

1424
01:08:08,560 --> 01:08:10,720
Speaker 3: was there, I got there a little late and I

1425
01:08:10,760 --> 01:08:12,960
Speaker 3: saw a comedian up there and he was he or

1426
01:08:12,960 --> 01:08:16,479
Speaker 3: she they were doing horrible on stage. Yeah, yeah, then

1427
01:08:16,479 --> 01:08:18,360
Speaker 3: that was it. And my friend was like, oh man,

1428
01:08:19,320 --> 01:08:21,880
Speaker 3: I don't think they're they're horrible. I'm like, yeah, they

1429
01:08:21,960 --> 01:08:24,840
Speaker 3: might be, but they used to have the balls to

1430
01:08:24,920 --> 01:08:27,200
Speaker 3: go up there and attempt to be that horrible in

1431
01:08:27,200 --> 01:08:27,800
Speaker 3: front of people.

1432
01:08:28,200 --> 01:08:28,800
Speaker 1: Yeah.

1433
01:08:28,840 --> 01:08:30,800
Speaker 3: You know, they might not be good right now, but

1434
01:08:30,840 --> 01:08:33,160
Speaker 3: I give you a year or two, they're gonna get

1435
01:08:33,200 --> 01:08:36,559
Speaker 3: their style. You know. Right now they're listening to the silence,

1436
01:08:37,320 --> 01:08:40,479
Speaker 3: and that silence haunts you when you get off stage.

1437
01:08:40,520 --> 01:08:43,920
Speaker 3: So they did great. Maybe not funny, but they did

1438
01:08:43,960 --> 01:08:46,800
Speaker 3: great because they had the balls to attempt something that

1439
01:08:47,080 --> 01:08:50,400
Speaker 3: us live were saying they shouldn't be up there. They're

1440
01:08:50,479 --> 01:08:53,320
Speaker 3: not funny. So we do the same thing to people.

1441
01:08:53,840 --> 01:08:56,599
Speaker 2: No, but the experience that I had was the second

1442
01:08:56,640 --> 01:09:00,120
Speaker 2: that you got up I felt safe. Thank you and

1443
01:09:00,640 --> 01:09:02,800
Speaker 2: I really mean that, so thank you.

1444
01:09:03,000 --> 01:09:07,360
Speaker 3: Thank you for letting me feel that. And sounds weird,

1445
01:09:07,720 --> 01:09:11,559
Speaker 3: you know, to hear that, especially for a guy, you know,

1446
01:09:12,360 --> 01:09:16,000
Speaker 3: to make you know, females nowadays feel safe in comedy

1447
01:09:16,080 --> 01:09:18,800
Speaker 3: since we're like the biggest jerks there here.

1448
01:09:18,880 --> 01:09:23,280
Speaker 2: No, thank you, and can't wait. You've got a massive

1449
01:09:23,400 --> 01:09:26,080
Speaker 2: Aussie fan here. Thank you so much, you're a legend.

1450
01:09:26,240 --> 01:09:28,040
Speaker 3: Thank you so much, and we'll read a party. Let's

1451
01:09:28,080 --> 01:09:28,320
Speaker 3: do this.

1452
01:09:30,720 --> 01:09:36,400
Speaker 2: That's a wrap on another episode of Fearlessly Failing. As always,

1453
01:09:36,520 --> 01:09:39,920
Speaker 2: thank you to our guests and let's continue the conversation

1454
01:09:40,080 --> 01:09:40,920
Speaker 2: on Instagram.

1455
01:09:41,479 --> 01:09:43,600
Speaker 1: I'm at Yamo Lolaberry.

1456
01:09:44,280 --> 01:09:48,439
Speaker 2: This potty my word for podcast is available on all

1457
01:09:48,520 --> 01:09:52,400
Speaker 2: streaming platforms. I'd love it if you could subscribe, rate

1458
01:09:52,600 --> 01:09:55,320
Speaker 2: and comment and of course spread the love.

1459
01:10:00,720 --> 01:10:01,640
Speaker 3: Two