WEBVTT - REHOBH - RECAP - WEEK 3 - ALANA MCLEAN

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload, the podcast Last Leap overby Hey guys, welcome

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<v Speaker 1>back to TV Reload. I want to thank you for

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<v Speaker 1>clicking and downloading on today's episode with one of my besties,

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<v Speaker 1>Alana MacLean, someone who I have used as the official

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<v Speaker 1>headquarters of the Bravo Universe commentary for many years. I

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<v Speaker 1>hope you've been enjoying our episode recaps so far. We're

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<v Speaker 1>obviously just leaking our private phone conversations at this point, because,

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<v Speaker 1>let's face it, we would be debriefing real Housewives of

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<v Speaker 1>Beverly Hills even if we weren't recording it and putting

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<v Speaker 1>it on a podcast. Today, we will unpack episode three,

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<v Speaker 1>which includes our hot takes on what the girls got

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<v Speaker 1>up to this week, and including some of our golden

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<v Speaker 1>nuggets of gossip that we have found from scouring the internet.

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<v Speaker 1>We will discuss the change of pace in the episode

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<v Speaker 1>and if the producers are trying to avoid negative backlash

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<v Speaker 1>and the social media commentary. I will get Alana's perspective

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<v Speaker 1>on Kathy Hilton's hats, and we will find out how

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<v Speaker 1>much they are worth and if you should buy them yourself.

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<v Speaker 1>We will address the awkward x wive that ban Kyle

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<v Speaker 1>and duritz and ability to relinquish their roles in PK

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<v Speaker 1>and Maritzio's new Bachelor Lives. You were going to get

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<v Speaker 1>plenty of commentary on Durreit's continued beef with Kyle, what

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<v Speaker 1>we think of Teddy Mellencamp being dragged in, if Kyle

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<v Speaker 1>has her heart in this season, and what the producers

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<v Speaker 1>are foreshadowing with this whole Kyle Richard's takedown. There is

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<v Speaker 1>so much to talk about, with so many inside revelations

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<v Speaker 1>from Alana in my perspective, So sit back and relax

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<v Speaker 1>as we unpack the wonderful world of the Real Housewives

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<v Speaker 1>of Beverly Hills Season fourteen, Episode three, Hey, how are

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<v Speaker 1>you hello?

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<v Speaker 2>So good to see you or hear you or both.

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<v Speaker 1>I want to know about Christmas? So you losing your mind?

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<v Speaker 1>Slipping into the Christ's period?

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<v Speaker 2>Losing it. I've embraced my Martha Stuart era, and I've

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<v Speaker 2>decorated the new house and I've made what like I've

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<v Speaker 2>got some inspo from Instagram and they made like a

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<v Speaker 2>little kmar village. And I spent eighty dollars on a

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<v Speaker 2>light up read for the tree like I've gone besert.

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<v Speaker 2>I need help, like send help.

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<v Speaker 1>I just know you so well that you know your

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<v Speaker 1>version of Christmas is like Western Australia's version of Kathy

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<v Speaker 1>Hilton's Christmas Party.

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<v Speaker 2>It's just my biggest goal is to be like Kathy

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<v Speaker 2>Hilton in that way. It's so right.

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<v Speaker 1>How's your no, I'm like the Kim Richards Christmas.

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<v Speaker 2>Just a whole lot of empty.

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<v Speaker 1>Bottles, empty bottles everywhere.

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<v Speaker 2>Just a responsible amount of empty bottles.

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<v Speaker 1>Well, here we are episode three, which is very exciting

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<v Speaker 1>because I feel like we're moving very quickly and we're

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<v Speaker 1>getting into things, and it's being able to tell us

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<v Speaker 1>whether or not we're going to stick on one storyline

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<v Speaker 1>or whether we're going to go in other places. So

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<v Speaker 1>we'll get into that. However, last week I did ask

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<v Speaker 1>you a question that I want to revisit straight away

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<v Speaker 1>because our listeners may want to know your answer to it.

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<v Speaker 1>But do you think some of the toxic culture online

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<v Speaker 1>has subsided since Lisa Renner has left? Yeah?

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<v Speaker 2>Well, you were the one that was more on Twitter,

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<v Speaker 2>keeping abreast of it all, sort of see it on

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<v Speaker 2>Instagram or Facebook, where all those accounts that you know,

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<v Speaker 2>you sort of follow would repost things, and I guess

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<v Speaker 2>there's been a shift in that I'm not seeing as

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<v Speaker 2>much of it in terms of the heaviness. You know

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<v Speaker 2>that we are the biggest Lisa Rinna fans. We loved Renna,

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<v Speaker 2>but everyone obviously put a lot on her and really

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<v Speaker 2>came for her. But it's so interesting that you brought

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<v Speaker 2>that question up at the end of last week's episode.

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<v Speaker 2>And when I watched this week's episode, I was like,

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<v Speaker 2>hang on, this is maybe because production are giving us

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<v Speaker 2>deliberately lighter episodes. Because last night's episode with the delivery

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<v Speaker 2>of Kathy Hilton delivering these suitcases the Lorna Murray hats.

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<v Speaker 2>She's Australian. By the way, side note, I would like

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<v Speaker 2>to know how her online sales are going today, because

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<v Speaker 2>literally how the episode is about those hats.

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<v Speaker 3>I wanted to do something extra special, so I'm invading

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<v Speaker 3>the girls with invitations inside personalized suitcases, and there was

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<v Speaker 3>just nothing.

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<v Speaker 2>There was the duck Duck goose, and there was nothing

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<v Speaker 2>really happening on the trip, and there's Cathy eating a banana,

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<v Speaker 2>and I was just like, I actually paused it at

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<v Speaker 2>one point and was like, how far in are we?

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<v Speaker 2>And we were eighteen minutes and I was like, I've

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<v Speaker 2>seen nothing. So maybe that's why the toxic culture is

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<v Speaker 2>backed off online a little bit because production giving us

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<v Speaker 2>lighter episodes to sort of combat that.

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<v Speaker 1>What do you think, Well, my first question is obvious,

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<v Speaker 1>and that is the only way we know whether or

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<v Speaker 1>not those Kathy Hilton hats of selling, whether it's an

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<v Speaker 1>Australian person or anyone else, is if you've ordered one online.

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<v Speaker 2>Well, I did look at them. My friend has to do.

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<v Speaker 2>My friend actually has to They don't really suit me

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<v Speaker 2>that much with the plates. I tried hers on and

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<v Speaker 2>I was like, well, you know, I love a hat.

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<v Speaker 1>I love a hat.

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<v Speaker 2>I've got so many hats. Robbie's like, we're literally running

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<v Speaker 2>out of room for these hats. I need a hat

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<v Speaker 2>rom or something. But that particular style is probably not

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<v Speaker 2>the best look for me. But I mean I might

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<v Speaker 2>get caught up in the hype and just buy one anyway.

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<v Speaker 1>That's all I want to know. That's what people want

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<v Speaker 1>to know. They're expensive because Kathy Hilton dropping like.

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<v Speaker 2>Yes, they're like two hundred bucks. Some of them are

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<v Speaker 2>two sixty. But then she had a black Friday saleon,

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<v Speaker 2>which is when I was looking at them and I

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<v Speaker 2>was like, oh, but I didn't quite commit. But yeah,

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<v Speaker 2>I wouldn't say they're a cheap hat.

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<v Speaker 1>Okay, well, in the landscape of hats, and this might

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<v Speaker 1>be a different podcast. Is that a cheap hat in

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<v Speaker 1>the landscape of hats? That's what I want to know

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<v Speaker 1>is is these Kathy Hilton hats expensively?

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<v Speaker 2>No? I would say that's on the opperacial line for

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<v Speaker 2>a hat.

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<v Speaker 1>Okay, all right, So do you think that we're getting

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<v Speaker 1>a B side episode to combat the blowback? That's kind

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<v Speaker 1>of what we were talking about.

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<v Speaker 2>I feel like they're putting things in there that are

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<v Speaker 2>just a bit simpler. They don't want everything to be

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<v Speaker 2>as heavy. Having said that, it felt filler to me,

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<v Speaker 2>it felt filler. I was like, what's happening? I think

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<v Speaker 2>coming off those first two episodes in particular, where it

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<v Speaker 2>was just hit the ground running from the start and

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<v Speaker 2>you were sort of instantly involved in all the storylines

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<v Speaker 2>and the kyl and jury drama and the breakups and

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<v Speaker 2>the pque and all of it, and then suddenly we're

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<v Speaker 2>just driving around for fifteen minutes watching Kathy Eta banana

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<v Speaker 2>drop off some souit pases and then we're playing ducked

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<v Speaker 2>up goose on a beach and some kind of running race.

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<v Speaker 2>It just felt I wasn't looking at that thinking, oh,

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<v Speaker 2>that's nice. I like watching the girls have fun. I

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<v Speaker 2>was thinking this is really a bit snoozefest. Did you

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<v Speaker 2>feel the same.

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<v Speaker 1>It was a little bit third water slide at the

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<v Speaker 1>water park for me being on the first water slide

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<v Speaker 1>and you're like, oh my god, this place is amazing.

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<v Speaker 1>Second water Slide's still good, and then the third water

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<v Speaker 1>slide You're like, what am I doing here? And how

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<v Speaker 1>am I going to spend the rest of my day

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<v Speaker 1>at the water poss I don't understand why anyone ever

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<v Speaker 1>tries to pad out a series. You've got to go

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<v Speaker 1>so hard with television these days, and maybe Housewives, if

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<v Speaker 1>Beverly Hills, they feel like they can do this. But

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<v Speaker 1>I think it probably leans more into what you were

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<v Speaker 1>talking about, and I think that they are trying to

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<v Speaker 1>make sure that there's a little bit more fashion and

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<v Speaker 1>fun so that we're not just getting hit over the

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<v Speaker 1>head with too much of the fighting. Because I also

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<v Speaker 1>feel like it would be very hard for Bose to

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<v Speaker 1>come into this show and fit in correctly. If she's

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<v Speaker 1>just going to come in and it's going to be

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<v Speaker 1>blow by blow by blow.

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<v Speaker 2>I no, I agree with you. I think look, I'm

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<v Speaker 2>all for having some fun girly time. I think we

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<v Speaker 2>could have seen more of the trip unless of Kathy

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<v Speaker 2>delivering all the suitcases and stuff like that. Honestly just

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<v Speaker 2>went on and on. I'm like, we're getting nothing from this.

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<v Speaker 2>So that's where I think it was just a bit

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<v Speaker 2>of a wasted opportunity.

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<v Speaker 1>It's Kathy porn is what I like to call it,

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<v Speaker 1>and I call.

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<v Speaker 2>Goodness.

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<v Speaker 1>But also Kathy is getting extra special attention this season

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<v Speaker 1>to make sure that we as an audience like her.

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<v Speaker 1>That's how I feel at this point of the show.

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<v Speaker 1>And I went back and looked after watching, after hearing

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<v Speaker 1>what you had to say about Kathy in Paris and

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<v Speaker 1>Love and then going and watching a couple of those

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<v Speaker 1>episodes from series one, she had some bad pare on

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<v Speaker 1>doing that. I don't know who signed off on Paris

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<v Speaker 1>and Love, like maybe Kathy was sitting at home was like,

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<v Speaker 1>oh well, Paris has made some home videos, send them

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<v Speaker 1>out without actually watching how bad she was. And then

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<v Speaker 1>after we saw her say what she said about the

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<v Speaker 1>DJ and Erica Jane and Lisa Rena holding her a

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<v Speaker 1>task on that one, I feel like she's like, guys,

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<v Speaker 1>Andy Cohen, I'm coming back. I'm coming back, but I

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<v Speaker 1>want some Kathy porn, which is just me with glutton

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<v Speaker 1>for good content. Feel good, Kathy.

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<v Speaker 2>Yes, it's the quirks, That's what it is. And I

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<v Speaker 2>feel like you could have one of those little quirk

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<v Speaker 2>counters in the corner and I was like, Oh, Kathy

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<v Speaker 2>eating potato with sour cream and Cavier quirky, Kathy wearing

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<v Speaker 2>her hat, quirky, Kathy eating a banana, quirky, Kathy wanting

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<v Speaker 2>to play Doc Dot Goose quirky. And it's and then

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<v Speaker 2>saying things like, oh, which elephants in the room, like

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<v Speaker 2>when they were about to start getting into you know,

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<v Speaker 2>the ins and outs of these ten between Kyle and Durid,

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<v Speaker 2>and then she sort of jumps in with her hunky

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<v Speaker 2>Dory and witch elephants in the room and oh, I

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<v Speaker 2>just feel like it is feeling very orchestrated. To use

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<v Speaker 2>your word from last week, That's exactly what it is.

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<v Speaker 1>It was so funny that she went for that joke.

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<v Speaker 1>She was like Oh, this is the opportunity to say

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<v Speaker 1>something like hunky dory again. But she didn't quite commit

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<v Speaker 1>to it, she didn't sell it, and so it just

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<v Speaker 1>landed with a massive thought, Yeah, I agree, and.

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<v Speaker 2>Everyone is like, oh, Kathy's so funny and Kathy's so quirky,

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<v Speaker 2>and I was like, no, I don't think this is

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<v Speaker 2>coming now from an organic, witty place. I just feel

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<v Speaker 2>like she's trying to cram all these things in. She

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<v Speaker 2>knows that's what the audience was initially loving her for,

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<v Speaker 2>and now we're getting we're getting smashed with it, and

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<v Speaker 2>I think it's too much and I don't think it's

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<v Speaker 2>coming across as authentic.

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<v Speaker 1>Reality TV for me has always been about being a

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<v Speaker 1>fly on the wall and getting the real content out

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<v Speaker 1>of people, like what do people really behave like at home?

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<v Speaker 1>And that's why Beverly Hills has always been so fascinating,

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<v Speaker 1>because it is the slightest peak into how people live

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<v Speaker 1>who are extremely wealthy and living the life that people

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<v Speaker 1>like myself and I'm assuming you as well, would love

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<v Speaker 1>to lead, and so we can live through them vicariously.

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<v Speaker 1>And then when we as an audience watching these people

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<v Speaker 1>sort of watering down that experience and putting on a performance.

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<v Speaker 1>And I am kind of tilting into something here because

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<v Speaker 1>Jennifer Tilly as well did feel as though she's kind

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<v Speaker 1>of being a bit performancy as well. And then maybe

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<v Speaker 1>she's read the handle. She's like to survive the Twitter

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<v Speaker 1>clash or now it's called X, to survive the wrath

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<v Speaker 1>of what those people are going to say about you.

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<v Speaker 1>Maybe you be funny and quirky and don't give it all,

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<v Speaker 1>which is not what we're there for. It's not what's

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<v Speaker 1>written on the box.

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<v Speaker 2>I agree. I think they've brought her in to be

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<v Speaker 2>that similar personality type to Kathy and provide that comedic

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<v Speaker 2>relief that offsets some of the drama so that that

0:11:05.600 --> 0:11:10.040
<v Speaker 2>online narrative is calming down and simmering down. But I mean,

0:11:10.240 --> 0:11:13.240
<v Speaker 2>we did find out about her marriage to Sam Simon,

0:11:13.280 --> 0:11:16.160
<v Speaker 2>who was a co creator from the Simpsons. She receives

0:11:16.720 --> 0:11:19.679
<v Speaker 2>money from the Simpsons like every month. She said, oh,

0:11:19.720 --> 0:11:20.920
<v Speaker 2>thank you, Sam Simon.

0:11:21.960 --> 0:11:25.000
<v Speaker 4>My ex husband was Sam Simon who created the Simpsons.

0:11:25.679 --> 0:11:26.720
<v Speaker 1>And then when we.

0:11:26.640 --> 0:11:28.920
<v Speaker 4>Got to Forest, I got a piece of the Simpsons

0:11:29.040 --> 0:11:32.280
<v Speaker 4>in the door settlement, and nobody knew that the Simpsons

0:11:32.360 --> 0:11:34.760
<v Speaker 4>was going to go on for a trilliance of here.

0:11:35.040 --> 0:11:38.120
<v Speaker 4>So every day, honestly every day, I'm like, thank you, Sam.

0:11:38.679 --> 0:11:41.640
<v Speaker 2>So that was interesting because I was thinking I've only

0:11:41.679 --> 0:11:43.640
<v Speaker 2>seen her in a couple of things way back in

0:11:43.640 --> 0:11:47.120
<v Speaker 2>the day. She's obviously loaded, and you start going, how

0:11:47.520 --> 0:11:49.839
<v Speaker 2>But then when she said that, and then she's walking

0:11:49.840 --> 0:11:53.360
<v Speaker 2>around with her Louis Vuitton thirty three thousand dollar limited

0:11:53.520 --> 0:11:57.160
<v Speaker 2>edition boat bag, and she's friends with Sutton, who also

0:11:57.240 --> 0:12:00.800
<v Speaker 2>receives this three hundred grand monthly payment, it is making

0:12:00.840 --> 0:12:04.640
<v Speaker 2>a lot more sense where she's getting that cash. She's rich,

0:12:04.720 --> 0:12:06.040
<v Speaker 2>honey rich.

0:12:06.160 --> 0:12:08.040
<v Speaker 1>And a little bloated. I don't know what was in

0:12:08.080 --> 0:12:11.200
<v Speaker 1>that bag, but she's obviously into the snacks.

0:12:11.640 --> 0:12:15.640
<v Speaker 2>I don't know, Oh, Benjamin Norris, that's way I find

0:12:15.840 --> 0:12:19.040
<v Speaker 2>that she looks different to the others, like refreshing. That's

0:12:19.200 --> 0:12:22.640
<v Speaker 2>I quite enjoy that, But it's more the performative side

0:12:22.880 --> 0:12:25.080
<v Speaker 2>of her personality that's feeling a bit forced for me.

0:12:25.360 --> 0:12:29.120
<v Speaker 1>What do you think about the interactions between Kyle at

0:12:29.160 --> 0:12:33.160
<v Speaker 1>the moment and Maritzio, Because I thought it was really

0:12:33.240 --> 0:12:37.040
<v Speaker 1>fascinating to watch him coming into his old home, seeing

0:12:37.080 --> 0:12:39.840
<v Speaker 1>what Kyle has done. I think he was being very

0:12:39.880 --> 0:12:42.960
<v Speaker 1>well mannered and very taking it all on the chin.

0:12:43.120 --> 0:12:45.840
<v Speaker 1>Oh you've changed this, Oh that's great, this is fine.

0:12:45.920 --> 0:12:47.880
<v Speaker 1>And then when they sat down on the couch, she

0:12:48.120 --> 0:12:52.000
<v Speaker 1>became so weird. As far as I'm concerned. I was like,

0:12:52.840 --> 0:12:55.520
<v Speaker 1>when you start quizzing him on things that he's doing

0:12:55.559 --> 0:12:58.000
<v Speaker 1>at his bachelor pad, I don't really think that that's

0:12:58.040 --> 0:13:01.280
<v Speaker 1>your domain. It's not really good territory anymore.

0:13:02.320 --> 0:13:05.800
<v Speaker 5>I assumed when Merl got this place that he was

0:13:05.840 --> 0:13:08.800
<v Speaker 5>going to have it staged because it was temporary, but

0:13:09.200 --> 0:13:12.080
<v Speaker 5>he decided to buy the furniture, which of course is

0:13:12.120 --> 0:13:12.880
<v Speaker 5>more prominent.

0:13:13.400 --> 0:13:15.439
<v Speaker 1>So I thought, oh, well, this.

0:13:15.640 --> 0:13:16.880
<v Speaker 5>Does not seem very temporary.

0:13:17.840 --> 0:13:21.200
<v Speaker 2>Yes, I agree. It was so strange because it's sort

0:13:21.240 --> 0:13:23.760
<v Speaker 2>of you know, she was obviously the one that called

0:13:24.120 --> 0:13:27.160
<v Speaker 2>called it off. She said, that's it, we're having a separation.

0:13:27.800 --> 0:13:31.040
<v Speaker 2>She wasn't happy about something we never found out truly

0:13:31.080 --> 0:13:33.200
<v Speaker 2>what it was, which we spoke about last week. She's

0:13:33.280 --> 0:13:36.480
<v Speaker 2>protected him and she is continuing too, because we've never

0:13:36.520 --> 0:13:39.000
<v Speaker 2>found that out. But it's sort of at that point

0:13:39.080 --> 0:13:42.240
<v Speaker 2>she went out, We're seeing photos, we're seeing video clips

0:13:42.240 --> 0:13:44.719
<v Speaker 2>of her in Morgan Wade, We're seeing you know, all

0:13:44.800 --> 0:13:47.840
<v Speaker 2>the tabloids sort of fodder about those two and now

0:13:47.880 --> 0:13:51.040
<v Speaker 2>it's almost like he's moved on. He's fine, he's moved out,

0:13:51.280 --> 0:13:54.080
<v Speaker 2>and now she's a little bit pissed that he's not

0:13:54.440 --> 0:13:56.720
<v Speaker 2>begging to come back. He's like, I've got my condo,

0:13:57.040 --> 0:14:00.920
<v Speaker 2>I've got my p K. I'm like traveling and spraying

0:14:01.000 --> 0:14:03.280
<v Speaker 2>champagne with twenty year old girls. And she's like, can

0:14:03.280 --> 0:14:05.880
<v Speaker 2>I still buy you some sheets? Why don't you need me?

0:14:06.480 --> 0:14:07.960
<v Speaker 2>You know, I did feel for her a little bit

0:14:07.960 --> 0:14:10.080
<v Speaker 2>when she had that confessional. She's like, I'm not really

0:14:10.120 --> 0:14:11.760
<v Speaker 2>a wife now, and I'm not a mother. I don't

0:14:11.760 --> 0:14:13.640
<v Speaker 2>really know what to do with my time. So it's

0:14:13.679 --> 0:14:15.800
<v Speaker 2>not that I don't get it, but I just feel like,

0:14:15.840 --> 0:14:18.040
<v Speaker 2>if you're going to end it, you have to be

0:14:18.160 --> 0:14:20.680
<v Speaker 2>prepared to let them go. He's not going to beg

0:14:20.720 --> 0:14:22.120
<v Speaker 2>to come back. I think they're done.

0:14:22.480 --> 0:14:25.000
<v Speaker 1>And you can also tell that she doesn't even realize this,

0:14:25.120 --> 0:14:27.320
<v Speaker 1>but she's rejecting him in lots of ways. I thought

0:14:27.320 --> 0:14:30.240
<v Speaker 1>the conversation with him was she mimicked him at one point,

0:14:30.320 --> 0:14:32.480
<v Speaker 1>which made me laugh out loud, but then it made

0:14:32.560 --> 0:14:35.440
<v Speaker 1>me realize what she still thinks of him. You know,

0:14:35.560 --> 0:14:37.040
<v Speaker 1>Like there was a bit where he's got his big

0:14:37.120 --> 0:14:40.440
<v Speaker 1>choppers out, his big farlap teeth, and they're obviously, you know,

0:14:40.560 --> 0:14:42.240
<v Speaker 1>new teeth. They're not the teeth that he used to

0:14:42.280 --> 0:14:43.000
<v Speaker 1>have any kind.

0:14:42.840 --> 0:14:45.640
<v Speaker 2>Of pa both have new teeth. They're very white teeth.

0:14:46.000 --> 0:14:48.720
<v Speaker 2>There's a lot of big white teeth, and I have

0:14:48.800 --> 0:14:50.960
<v Speaker 2>big white teeth, but they do not happen in years,

0:14:51.040 --> 0:14:53.120
<v Speaker 2>and so I can say I'm looking at some big

0:14:53.120 --> 0:14:53.680
<v Speaker 2>white teeth.

0:14:54.920 --> 0:14:55.560
<v Speaker 5>So funny.

0:14:55.680 --> 0:14:59.920
<v Speaker 1>She kind of goes oh and represented her teeth out

0:15:00.200 --> 0:15:02.560
<v Speaker 1>mock him, and I was like, oh my god, this

0:15:02.640 --> 0:15:05.320
<v Speaker 1>is super duper awkward. I mean, I'm here for it

0:15:05.400 --> 0:15:08.120
<v Speaker 1>because these are these are the moments that I was

0:15:08.160 --> 0:15:11.280
<v Speaker 1>referring to earlier. These are those flying the wall things.

0:15:11.520 --> 0:15:14.680
<v Speaker 1>Kyle Richards is very good at allowing us to have

0:15:14.680 --> 0:15:17.560
<v Speaker 1>a little peek inside her life without completely giving the

0:15:17.560 --> 0:15:19.320
<v Speaker 1>whole cowway, you know what I mean.

0:15:19.720 --> 0:15:22.520
<v Speaker 2>Yes, And I think that was a perfect example of

0:15:22.560 --> 0:15:25.800
<v Speaker 2>the fact that she was getting frustrated, so she turned

0:15:25.800 --> 0:15:28.440
<v Speaker 2>to that sort of mockery because she was like, well,

0:15:28.520 --> 0:15:30.440
<v Speaker 2>do you want to take Romeo the dog to your house?

0:15:30.480 --> 0:15:32.280
<v Speaker 2>He was like no, thanks. She was like, oh, I

0:15:32.360 --> 0:15:35.200
<v Speaker 2>painted the bathroom. She was expecting him to obviously go,

0:15:35.480 --> 0:15:37.040
<v Speaker 2>I don't like it. She was like, well, I don't care.

0:15:37.080 --> 0:15:39.280
<v Speaker 2>It's my bathroom now, and he's like, looks great. And

0:15:39.320 --> 0:15:41.720
<v Speaker 2>then she's talking about the condo. He's like, I bought

0:15:41.760 --> 0:15:44.480
<v Speaker 2>my furniture. I'm having a good time. It's all good

0:15:44.480 --> 0:15:47.479
<v Speaker 2>with me. And you could tell she was getting frustrated,

0:15:47.600 --> 0:15:49.760
<v Speaker 2>but she sort of had no right to be, and

0:15:49.840 --> 0:15:52.000
<v Speaker 2>I think that's where the mockery came out. I just

0:15:52.040 --> 0:15:54.560
<v Speaker 2>feel like it's very much a case of you break

0:15:54.640 --> 0:15:57.400
<v Speaker 2>up with someone, but you sort of want them to

0:15:57.480 --> 0:15:59.120
<v Speaker 2>fight for you to get you back, and I just

0:15:59.160 --> 0:16:01.360
<v Speaker 2>don't think he's doing that. He's like, I wish you well,

0:16:01.440 --> 0:16:04.080
<v Speaker 2>in the words of Gwyneth Paltrow, love you, wish you well.

0:16:04.200 --> 0:16:06.240
<v Speaker 2>I'll be over here with some twenty year olds and

0:16:06.320 --> 0:16:08.960
<v Speaker 2>my Dancing with the Stars partner and living it up.

0:16:09.120 --> 0:16:09.800
<v Speaker 2>That's what I think.

0:16:09.800 --> 0:16:12.200
<v Speaker 1>That is What do you think about the dynamics of

0:16:12.240 --> 0:16:15.080
<v Speaker 1>men and women? Do you think that in that era

0:16:15.680 --> 0:16:19.160
<v Speaker 1>of their relationship, there's a lot of women throughout that

0:16:19.280 --> 0:16:22.600
<v Speaker 1>time that mothered their boyfriend, like mothered their husbands and

0:16:22.640 --> 0:16:26.200
<v Speaker 1>looked after them. And whilst they've been like you can

0:16:26.240 --> 0:16:28.000
<v Speaker 1>sit over there and all the rest of it they

0:16:28.040 --> 0:16:31.520
<v Speaker 1>still really enjoyed looking after and having some control in

0:16:31.640 --> 0:16:34.160
<v Speaker 1>that and that domain. And I think that is what

0:16:34.160 --> 0:16:36.040
<v Speaker 1>we're going to see with Deret, that is what we're

0:16:36.080 --> 0:16:39.240
<v Speaker 1>going to see with Kyle, that sort of relinquishing of

0:16:39.280 --> 0:16:42.880
<v Speaker 1>that mothering role of their husbands because they don't like

0:16:43.400 --> 0:16:46.000
<v Speaker 1>them doing things for themselves and they're not ready to

0:16:46.080 --> 0:16:46.440
<v Speaker 1>let that go.

0:16:46.920 --> 0:16:50.280
<v Speaker 2>Yeah, I mean I think more so Kyle. She's always

0:16:50.600 --> 0:16:52.560
<v Speaker 2>you know, ever since we've seen her on our screen,

0:16:52.600 --> 0:16:54.080
<v Speaker 2>so it's like, I'm a mum and a wife. I'm

0:16:54.080 --> 0:16:56.040
<v Speaker 2>a mum and a wife. She's really hung her hat

0:16:56.040 --> 0:16:58.920
<v Speaker 2>on that. She's loved being a mum to the four girls,

0:16:59.240 --> 0:17:03.880
<v Speaker 2>and whenever she's been upset, that's you know, she's like, well,

0:17:03.920 --> 0:17:06.520
<v Speaker 2>that's my biggest job in life is to be a

0:17:06.600 --> 0:17:08.760
<v Speaker 2>mom and to be a wife. So I think she's

0:17:08.800 --> 0:17:12.480
<v Speaker 2>struggling with that. I think to Eat and PK, it

0:17:12.600 --> 0:17:16.000
<v Speaker 2>is that power dynamic shift that you spoke about last week,

0:17:16.040 --> 0:17:19.880
<v Speaker 2>and we saw PK say I was the breadwinner and

0:17:19.920 --> 0:17:22.359
<v Speaker 2>we had this global jet setting lifestyle and you would

0:17:22.359 --> 0:17:24.720
<v Speaker 2>come along with me, and now you make me feel

0:17:24.800 --> 0:17:27.800
<v Speaker 2>less than But you know, I read some commentary online

0:17:27.840 --> 0:17:31.160
<v Speaker 2>and I thought that's such a good insight that basically

0:17:31.200 --> 0:17:34.199
<v Speaker 2>the takeaway from that is, well, now you prioritize our children,

0:17:34.320 --> 0:17:38.080
<v Speaker 2>you don't prioritize me, and you have your own sort

0:17:38.080 --> 0:17:41.159
<v Speaker 2>of power and fame with this show. You don't need me.

0:17:42.080 --> 0:17:43.760
<v Speaker 2>And so he's pissed about that. So I think the

0:17:43.840 --> 0:17:46.080
<v Speaker 2>Deret and PK is a bit separate than the Kyle

0:17:46.119 --> 0:17:48.800
<v Speaker 2>and Maurisio thing. I think she really loved him. He

0:17:48.880 --> 0:17:51.280
<v Speaker 2>hurt her in some way. She thought, I have to

0:17:51.320 --> 0:17:54.320
<v Speaker 2>take a stand, but I will want him to beg

0:17:54.400 --> 0:17:56.280
<v Speaker 2>to get me back. And I think she's upset that

0:17:56.400 --> 0:17:57.120
<v Speaker 2>hasn't happened.

0:17:57.440 --> 0:17:59.360
<v Speaker 1>No, I don't think he was going to beg for it.

0:17:59.440 --> 0:18:01.760
<v Speaker 1>Where there's my fire. We heard so much for so

0:18:01.840 --> 0:18:05.159
<v Speaker 1>many years, for basically the entire run of Beverly Hills

0:18:05.480 --> 0:18:08.119
<v Speaker 1>or fourteen seasons. There's been rumors that he has been

0:18:08.200 --> 0:18:11.600
<v Speaker 1>cheating on Kyle, like you know, yes, So he's always

0:18:11.640 --> 0:18:13.720
<v Speaker 1>been like, I love you, look after the house, look

0:18:13.760 --> 0:18:16.520
<v Speaker 1>after our children, but I'm also setting up this business

0:18:16.520 --> 0:18:18.879
<v Speaker 1>and this empire and maybe having a little bit of

0:18:18.880 --> 0:18:21.840
<v Speaker 1>a diddle along the way. So she got sick of Ittte.

0:18:21.880 --> 0:18:24.639
<v Speaker 1>She said stop that. And then he goes okay, and

0:18:24.680 --> 0:18:27.639
<v Speaker 1>then just adopts his new life, win his condo, and

0:18:27.680 --> 0:18:31.239
<v Speaker 1>she's like, oh fuck, I'm sorry, that's not exactly what

0:18:31.280 --> 0:18:31.800
<v Speaker 1>I wanted.

0:18:32.040 --> 0:18:34.400
<v Speaker 2>Yes, that's what I think too. I think I think

0:18:34.400 --> 0:18:37.040
<v Speaker 2>she was expecting him to say, I will change, You're

0:18:37.080 --> 0:18:39.720
<v Speaker 2>worth it, I'll quit doing all these naughty things that

0:18:39.720 --> 0:18:42.679
<v Speaker 2>I shouldn't have been doing. You're my number one, you know,

0:18:42.880 --> 0:18:45.679
<v Speaker 2>And I just I can't see it happening. Meanwhile, she

0:18:45.880 --> 0:18:48.920
<v Speaker 2>was out with Morgan Wade and everything in a hot minute,

0:18:48.960 --> 0:18:50.840
<v Speaker 2>so I don't think she can be too upset. It's

0:18:50.880 --> 0:18:53.600
<v Speaker 2>not like she was sitting there waiting around. I mean,

0:18:54.040 --> 0:18:57.000
<v Speaker 2>I'm pretty sure something happened with those two, if not

0:18:57.200 --> 0:18:59.560
<v Speaker 2>still happening. So it's all it's all very confusing.

0:18:59.720 --> 0:19:01.640
<v Speaker 1>Well, I think it's a little bit of you think

0:19:01.640 --> 0:19:03.760
<v Speaker 1>you could get away with doing that. Well, how do

0:19:03.800 --> 0:19:05.800
<v Speaker 1>you feel like I think that she went and did

0:19:05.840 --> 0:19:07.760
<v Speaker 1>this to be like, you know what, I've been sitting

0:19:07.760 --> 0:19:10.800
<v Speaker 1>here on the sideline reading about your infidelity. Now you

0:19:10.840 --> 0:19:12.960
<v Speaker 1>read about mine and see how it makes you feel,

0:19:13.119 --> 0:19:16.160
<v Speaker 1>and then maybe you'll stop it and maybe we'll get

0:19:16.160 --> 0:19:16.719
<v Speaker 1>back together.

0:19:17.000 --> 0:19:19.000
<v Speaker 2>What was the line from Lisa Rina when it was

0:19:19.000 --> 0:19:22.560
<v Speaker 2>a tag going Hi, I'm Carama, and yes I am

0:19:22.600 --> 0:19:27.399
<v Speaker 2>a bitch. My god, it was so that so applies

0:19:27.440 --> 0:19:31.879
<v Speaker 2>to this. Oh speaking of old housewives. Where it also

0:19:31.960 --> 0:19:36.199
<v Speaker 2>got confusing was Kyle now bringing up Teddy Mellencamp in

0:19:36.240 --> 0:19:39.320
<v Speaker 2>regards to another reason why she's pissed off at Deret.

0:19:40.040 --> 0:19:42.639
<v Speaker 2>And you're Teddy's friend, you've always been friends. You wouldn't

0:19:42.640 --> 0:19:44.439
<v Speaker 2>say anything because it's not the popular thing.

0:19:44.280 --> 0:19:46.280
<v Speaker 5>To say, and you're too worried about what people are

0:19:46.320 --> 0:19:46.880
<v Speaker 5>going to think.

0:19:46.960 --> 0:19:50.959
<v Speaker 2>Kyle, is that not you? We didn't hear about this

0:19:51.000 --> 0:19:54.920
<v Speaker 2>one last week. We heard about Bravocon showing the text message.

0:19:54.920 --> 0:19:58.320
<v Speaker 2>We didn't hear about this Teddy Mellencamp thing and those

0:19:58.359 --> 0:20:01.200
<v Speaker 2>comments being said at Bravo. Connan upset her now because

0:20:01.240 --> 0:20:04.640
<v Speaker 2>Derete hasn't come into fend for Teddy, And now that's

0:20:04.680 --> 0:20:08.280
<v Speaker 2>another reason why she's apparently upset. I just think last

0:20:08.280 --> 0:20:11.160
<v Speaker 2>week you said she was reaching. This week is literally

0:20:11.200 --> 0:20:12.200
<v Speaker 2>grasping a straws.

0:20:12.320 --> 0:20:14.600
<v Speaker 1>I absolutely don't agree with you on this at all.

0:20:14.800 --> 0:20:17.560
<v Speaker 1>I actually think that it is so fair. Teddy Mellencamp

0:20:17.600 --> 0:20:21.320
<v Speaker 1>has literally faced a landslide of hatred for no real reason.

0:20:21.560 --> 0:20:25.040
<v Speaker 1>I felt she brought some amazing content to this series.

0:20:25.240 --> 0:20:28.600
<v Speaker 1>I think she was very real, and Teddy Mellencamp is

0:20:28.680 --> 0:20:32.560
<v Speaker 1>an unexplainable magic eye puzzle. You know those magic eye

0:20:32.600 --> 0:20:34.960
<v Speaker 1>puzzles that some people can look at and some people can't.

0:20:35.160 --> 0:20:37.920
<v Speaker 2>Then yes, but it's not that I don't I don't

0:20:38.040 --> 0:20:41.720
<v Speaker 2>not like Teddy, but I don't think in the context

0:20:41.720 --> 0:20:44.719
<v Speaker 2>of this that that is why Kyle is pissed at

0:20:44.720 --> 0:20:47.400
<v Speaker 2>diret I don't think. I don't think it is because,

0:20:47.720 --> 0:20:50.760
<v Speaker 2>for example, Erica is also friends with Teddy. Erica was

0:20:50.800 --> 0:20:53.439
<v Speaker 2>sitting on the couch when those comments got said, and

0:20:53.520 --> 0:20:56.439
<v Speaker 2>dare I say Erica is probably closer to Teddy because

0:20:56.440 --> 0:20:59.479
<v Speaker 2>she occasionally fills in on the podcast with her, and

0:20:59.560 --> 0:21:02.280
<v Speaker 2>she didn't say anything either. But Kyle is not mad

0:21:02.320 --> 0:21:04.720
<v Speaker 2>at both of them for not sticking up for Teddy.

0:21:04.760 --> 0:21:07.000
<v Speaker 2>She's only saying she's annoyed at to read. And so

0:21:07.080 --> 0:21:10.640
<v Speaker 2>it's not that I don't think that Teddy deserved defending.

0:21:10.760 --> 0:21:12.960
<v Speaker 2>I think she was a great addition to the show.

0:21:13.440 --> 0:21:16.440
<v Speaker 2>I never really understood the backlash either, so I get

0:21:16.480 --> 0:21:20.399
<v Speaker 2>your points there, but I don't understand why it's coming

0:21:20.440 --> 0:21:24.200
<v Speaker 2>into this list of reasons why Kyle is pissed at Duret.

0:21:24.359 --> 0:21:26.600
<v Speaker 2>I think that is where she's just trying to find

0:21:26.680 --> 0:21:29.879
<v Speaker 2>something else. She's throwing shit at a wall. She's hoping

0:21:29.920 --> 0:21:33.199
<v Speaker 2>that something else sticks. But none of these reasons really

0:21:33.480 --> 0:21:36.320
<v Speaker 2>the full reason. There's something else she's not saying.

0:21:36.520 --> 0:21:38.600
<v Speaker 1>Would it be fair to say that what you're assuming

0:21:38.680 --> 0:21:41.200
<v Speaker 1>is going to happen for season fourteen is that we're

0:21:41.240 --> 0:21:43.960
<v Speaker 1>going to get a lot of really watered down excuses

0:21:44.000 --> 0:21:46.399
<v Speaker 1>that are going to lead us to something substantial. Are

0:21:46.440 --> 0:21:48.720
<v Speaker 1>we going to get to a substantial spot with Kyle

0:21:49.200 --> 0:21:53.720
<v Speaker 1>with her feelings towards Daria. I don't know, because the

0:21:53.800 --> 0:21:56.480
<v Speaker 1>one thing I will say is that I think that

0:21:56.640 --> 0:21:59.720
<v Speaker 1>Kyle's behavior on this show, because she has been there

0:21:59.720 --> 0:22:03.600
<v Speaker 1>for solong, has had people reacting to her with no

0:22:04.080 --> 0:22:07.400
<v Speaker 1>relation to how she's actually behaving. It's in their minds

0:22:07.520 --> 0:22:10.080
<v Speaker 1>the Kyle behaves this way. And I think Kyle's just

0:22:10.080 --> 0:22:12.280
<v Speaker 1>been being herself and thinking this is how you do

0:22:12.400 --> 0:22:14.960
<v Speaker 1>real housewives, you know, throw a few jibs here and

0:22:15.040 --> 0:22:17.440
<v Speaker 1>throw a few jibs back, and then they made something

0:22:17.440 --> 0:22:19.800
<v Speaker 1>and then there's a fight and that's how this game plays.

0:22:19.880 --> 0:22:23.159
<v Speaker 1>Where Deret's like, no, that's not how it plays. And

0:22:23.200 --> 0:22:25.639
<v Speaker 1>now I'm going to bring you now. I'm going to

0:22:25.720 --> 0:22:28.080
<v Speaker 1>make you accountable for your bad behavior, and I'm going

0:22:28.160 --> 0:22:30.239
<v Speaker 1>to go back six years and I'm going to get

0:22:30.240 --> 0:22:33.520
<v Speaker 1>out my dorser of reasons as to why you have

0:22:33.640 --> 0:22:35.920
<v Speaker 1>upset me. The audience are going to love it because

0:22:35.920 --> 0:22:38.720
<v Speaker 1>we're going to get to watch blow by blows replays

0:22:38.760 --> 0:22:41.800
<v Speaker 1>if everything that's happened bitpet a blow blow, whatever the frickin'

0:22:41.800 --> 0:22:45.280
<v Speaker 1>hell it's called that you know has been savaged and

0:22:45.320 --> 0:22:48.600
<v Speaker 1>you're like, oh, actually yeah. And this kind of makes

0:22:48.600 --> 0:22:51.000
<v Speaker 1>me want to ask you this last question, which is

0:22:51.000 --> 0:22:54.639
<v Speaker 1>is Kyle checking out? Because I think she's a little complacent.

0:22:54.880 --> 0:22:57.320
<v Speaker 1>I think that she has spoken with the producers and

0:22:57.359 --> 0:22:59.880
<v Speaker 1>she has said, guys, I'm pretty sure this is my last.

0:23:00.800 --> 0:23:03.600
<v Speaker 1>Do what you will with how you want to play

0:23:03.640 --> 0:23:05.760
<v Speaker 1>it because I'm tired.

0:23:06.240 --> 0:23:08.960
<v Speaker 2>Yeah, I reckon you could be onto something. I mean,

0:23:09.240 --> 0:23:12.240
<v Speaker 2>she does say she teases us every year. She's like,

0:23:12.280 --> 0:23:13.720
<v Speaker 2>I don't know if I can come back. This was

0:23:13.760 --> 0:23:16.400
<v Speaker 2>a really hard one for me. I feel like they

0:23:16.480 --> 0:23:18.280
<v Speaker 2>would have said it is crucial for you to come

0:23:18.280 --> 0:23:21.040
<v Speaker 2>back for this one because we needed some kind of

0:23:21.520 --> 0:23:24.399
<v Speaker 2>closure to this Kyle and Mauricio thing. We needed to

0:23:24.480 --> 0:23:26.720
<v Speaker 2>see where it was going to land. And obviously, then

0:23:26.800 --> 0:23:29.879
<v Speaker 2>at the reunion when Dreach showed this text message, and

0:23:29.920 --> 0:23:33.200
<v Speaker 2>we knew there was this underlying tension that was going

0:23:33.200 --> 0:23:35.360
<v Speaker 2>to build. But at the time of filming that reunion,

0:23:35.440 --> 0:23:38.560
<v Speaker 2>obviously Kyle wasn't aware of the fact that she'd showed

0:23:38.560 --> 0:23:40.760
<v Speaker 2>that text message, so they knew they were going to

0:23:40.760 --> 0:23:43.800
<v Speaker 2>come into this season with something already there a massive

0:23:43.880 --> 0:23:47.520
<v Speaker 2>tension point. But if she is with Morgan, and Morgan

0:23:47.680 --> 0:23:50.080
<v Speaker 2>now is saying I don't want my name mentioned, I

0:23:50.119 --> 0:23:52.840
<v Speaker 2>don't want to be part of this show. You know,

0:23:52.960 --> 0:23:55.440
<v Speaker 2>we've seen Kyle say I just want to live in Aspen.

0:23:55.920 --> 0:24:00.520
<v Speaker 2>Maybe this is the slow exit to moving on to

0:24:00.600 --> 0:24:04.120
<v Speaker 2>a simpler life. It very well could be. I think

0:24:04.160 --> 0:24:05.600
<v Speaker 2>you could be onto the money.

0:24:05.760 --> 0:24:08.080
<v Speaker 1>I would be sad to see her go. I really would.

0:24:08.400 --> 0:24:11.240
<v Speaker 2>Oh I would too. I tend to agree with you.

0:24:11.320 --> 0:24:13.760
<v Speaker 2>It's a tough one. I know. Erica Jane said, every

0:24:13.800 --> 0:24:17.320
<v Speaker 2>franchise will just continue on. I mean, we've seen that happen,

0:24:17.480 --> 0:24:20.920
<v Speaker 2>but not to the same level of success. And sometimes

0:24:20.960 --> 0:24:23.439
<v Speaker 2>that's when the whole series ends up going on pause.

0:24:23.760 --> 0:24:26.240
<v Speaker 2>Then they have to try and do a reboot. And

0:24:26.359 --> 0:24:29.320
<v Speaker 2>we've seen that with RONI and it is not going well.

0:24:29.720 --> 0:24:32.600
<v Speaker 2>That show is hanging on by you know, a string.

0:24:33.040 --> 0:24:36.280
<v Speaker 2>So we've seen OC come back, that's been the opposite.

0:24:36.320 --> 0:24:37.240
<v Speaker 2>That's been quite good.

0:24:37.320 --> 0:24:41.159
<v Speaker 1>But if common that really took some time. You know,

0:24:41.200 --> 0:24:43.840
<v Speaker 1>there was a good five years for OC where they

0:24:43.840 --> 0:24:46.880
<v Speaker 1>were like really reaching. It really could have been canceled.

0:24:46.880 --> 0:24:47.800
<v Speaker 1>It was that fucking shit.

0:24:48.000 --> 0:24:50.080
<v Speaker 2>And so I don't even want to think about Beverly

0:24:50.160 --> 0:24:52.440
<v Speaker 2>Hills finishing, Like, I just don't want to think about it.

0:24:52.480 --> 0:24:54.760
<v Speaker 2>I'd be very out invested.

0:24:54.840 --> 0:24:57.000
<v Speaker 1>We've been there for fourteen years. It's a long time

0:24:57.040 --> 0:24:59.320
<v Speaker 1>to watch a television show and to invest in what

0:24:59.520 --> 0:25:02.800
<v Speaker 1>I think real people. So I still even Erica Jane,

0:25:02.800 --> 0:25:05.399
<v Speaker 1>doesn't matter who comes on this show, all still seem

0:25:05.600 --> 0:25:09.160
<v Speaker 1>like b side characters to an a personality, which is Kyle.

0:25:09.480 --> 0:25:11.679
<v Speaker 1>I mean, even if they bought vander Pump back, with

0:25:11.800 --> 0:25:14.280
<v Speaker 1>Kyle's exit, I don't even think vander Pump would be

0:25:14.320 --> 0:25:15.920
<v Speaker 1>able to carry this show by herself.

0:25:16.240 --> 0:25:21.920
<v Speaker 2>No, I think vander Pump was. She's just not relatable

0:25:22.080 --> 0:25:24.560
<v Speaker 2>enough to be able to play it in that space

0:25:24.600 --> 0:25:26.920
<v Speaker 2>where she can have all those friendships with all those

0:25:26.960 --> 0:25:30.720
<v Speaker 2>different people, which Kyle authentically has and that is where

0:25:30.720 --> 0:25:34.160
<v Speaker 2>she has always sat in that pocket so perfectly, because

0:25:34.280 --> 0:25:37.600
<v Speaker 2>she really has had a lot of strong relationships along

0:25:37.600 --> 0:25:40.200
<v Speaker 2>the way, and the ones that we've seen, you know,

0:25:40.280 --> 0:25:42.760
<v Speaker 2>go through the ebbs and flows, and I mean Erica,

0:25:42.880 --> 0:25:44.840
<v Speaker 2>Jane Drete, I mean, they've all been there a long

0:25:44.880 --> 0:25:46.879
<v Speaker 2>time now, and I feel like we've seen a lot

0:25:46.920 --> 0:25:49.960
<v Speaker 2>of rotation through these new housewives the last few years.

0:25:50.160 --> 0:25:53.160
<v Speaker 2>They're lucky that Garcel and Sutton, I guess the fans

0:25:53.359 --> 0:25:56.400
<v Speaker 2>like them straight away, but we saw Crystal three years

0:25:56.520 --> 0:26:00.399
<v Speaker 2>no traction, Anna Marie out after a season, and Diana

0:26:00.480 --> 0:26:03.480
<v Speaker 2>Jenkins out after a season. They're really trying to find

0:26:03.640 --> 0:26:06.399
<v Speaker 2>people that will stick that they can continue to build

0:26:06.400 --> 0:26:09.320
<v Speaker 2>this cast with. I don't think Jennifer Tilly's going to

0:26:09.359 --> 0:26:11.800
<v Speaker 2>be it. Kathy's never going to sign on full time,

0:26:12.119 --> 0:26:13.959
<v Speaker 2>so I think they'll be in a real pickle if

0:26:14.920 --> 0:26:15.880
<v Speaker 2>Kyle leaves.

0:26:15.800 --> 0:26:18.080
<v Speaker 1>Out of five? Will we be allowed to ask you

0:26:18.119 --> 0:26:21.320
<v Speaker 1>for your Alana macleans? How many Alana macleans are you

0:26:21.359 --> 0:26:25.639
<v Speaker 1>giving this episode? Considering we did still get the start

0:26:25.640 --> 0:26:29.240
<v Speaker 1>of part one of that fight between Kyle and de Reed,

0:26:29.359 --> 0:26:32.359
<v Speaker 1>which was looking like it was going to get pretty juicy. Well,

0:26:32.520 --> 0:26:33.400
<v Speaker 1>that part.

0:26:33.200 --> 0:26:35.720
<v Speaker 2>Of that foint was what clawed this episode back for me.

0:26:36.000 --> 0:26:40.440
<v Speaker 2>I think, coming off two really strong episodes, particularly last week.

0:26:40.600 --> 0:26:43.000
<v Speaker 2>I rated last week of four and a half this one.

0:26:43.000 --> 0:26:44.720
<v Speaker 2>I would have given it a two and a half.

0:26:44.760 --> 0:26:46.959
<v Speaker 2>I feel like that was only a fifty percent, but

0:26:47.240 --> 0:26:49.400
<v Speaker 2>the fight at the end got it two or three.

0:26:49.520 --> 0:26:52.280
<v Speaker 2>So just over the line for me, what about you.

0:26:52.320 --> 0:26:54.880
<v Speaker 1>I'm going to go with two Benjamin Norris's I feel

0:26:54.880 --> 0:26:56.560
<v Speaker 1>bad when I say my own name because I hate

0:26:56.600 --> 0:26:59.360
<v Speaker 1>people love it themselves in third person, I would say

0:26:59.359 --> 0:27:02.080
<v Speaker 1>I'm going to stay with two because I'm going to

0:27:02.160 --> 0:27:05.120
<v Speaker 1>keep the two points on the Derete and Kyle interaction

0:27:05.160 --> 0:27:07.960
<v Speaker 1>at the end, which is really where I was engaged.

0:27:08.119 --> 0:27:10.040
<v Speaker 1>The rest of the episode to me was a little

0:27:10.040 --> 0:27:13.360
<v Speaker 1>bit too B side tape and you know what I mean,

0:27:13.600 --> 0:27:16.480
<v Speaker 1>Like back in one of this is before your Era,

0:27:16.680 --> 0:27:20.879
<v Speaker 1>But the Bodyguard soundtrack five songs on the cassette were

0:27:21.280 --> 0:27:23.960
<v Speaker 1>all Whitney Houston, and then the next five songs that

0:27:23.960 --> 0:27:26.200
<v Speaker 1>were on the other side of the cassette were all

0:27:26.240 --> 0:27:29.040
<v Speaker 1>like Michelle Visage's Lovely Day and you Will Love I

0:27:29.080 --> 0:27:30.159
<v Speaker 1>Do Love that the way.

0:27:30.119 --> 0:27:34.439
<v Speaker 2>A good with us so good? I get what you

0:27:34.520 --> 0:27:38.840
<v Speaker 2>mean and you sometimes get a little sneaky pee of

0:27:39.240 --> 0:27:42.080
<v Speaker 2>the next week's episode. So, without giving too much away,

0:27:42.600 --> 0:27:44.520
<v Speaker 2>are we in for a bit more of a ride

0:27:44.760 --> 0:27:45.280
<v Speaker 2>next week?

0:27:45.400 --> 0:27:48.080
<v Speaker 1>Obsessed? Oh my god, we're in for a huge ride.

0:27:48.119 --> 0:27:50.520
<v Speaker 1>Put a stack hat on, put your knee pads on,

0:27:50.840 --> 0:27:53.720
<v Speaker 1>and I tell you what. It is so good. It

0:27:53.800 --> 0:27:56.199
<v Speaker 1>is so joozy. Probably one of the best scenes that

0:27:56.240 --> 0:27:57.640
<v Speaker 1>we've seen this season so far.

0:27:58.000 --> 0:28:00.639
<v Speaker 2>Well, I love that. What a no to end on.

0:28:00.920 --> 0:28:03.560
<v Speaker 2>I'm pumped for next week, but I loved breaking down

0:28:03.600 --> 0:28:07.640
<v Speaker 2>this week with you and love chatting to as always amazing.

0:28:07.840 --> 0:28:09.760
<v Speaker 1>Go and buy that hat. I just want to see

0:28:09.840 --> 0:28:10.440
<v Speaker 1>you in the hat.

0:28:10.800 --> 0:28:14.320
<v Speaker 2>Okay, next week's episode, lorna Murray hat, come at me,

0:28:14.400 --> 0:28:14.679
<v Speaker 2>add to.

0:28:14.760 --> 0:28:15.919
<v Speaker 1>Cart I'll talk to you soon.

0:28:16.080 --> 0:28:17.800
<v Speaker 2>Bye by bye bye bye bye