WEBVTT - 💋 Clementine Ford On Why Being Single 😘 Is Better For You 💋

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<v Speaker 1>Flex and Frooms, Flex and Frooms.

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<v Speaker 2>This is the Flex and Frooms catch up podcast today.

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<v Speaker 1>I'm very excited to have our guest on the show.

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<v Speaker 2>As we say before every interview with a guest, we

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<v Speaker 2>don't often invite third voices onto the show, mainly because

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<v Speaker 2>we do like the sound of our own voices and

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<v Speaker 2>we're not afraid to admit it. But today, correct, we

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<v Speaker 2>have an Australian icon, a thought leader, a pioneer in

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<v Speaker 2>the field of feminist theory in this country. She's written

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<v Speaker 2>three books plus another one that we're going to be

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<v Speaker 2>talking about today.

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<v Speaker 1>They are best sellers.

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<v Speaker 2>She's a broadcaster and hosts of her own podcast, Dear Clementine.

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<v Speaker 2>We have given away who it is right now and

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<v Speaker 2>she's here today to tell us about her latest book,

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<v Speaker 2>I Don't The Case Against Marriage.

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<v Speaker 1>It is Clementine Ford.

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<v Speaker 3>Hi, Hello, Well, thank you both for having me. I

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<v Speaker 3>am massive fans of yours. I feel like you are

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<v Speaker 3>both so cool. I often have your things pop up

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<v Speaker 3>on my Instagram feed and I'm like, fuck, I wish

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<v Speaker 3>I had been like even half as cool as you both.

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<v Speaker 2>It's giving new cover letter for my resume, endorsed to

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<v Speaker 2>my Clementine I got my mittens on your new book, Clementine,

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<v Speaker 2>and I took it straight down to Melbourne where my

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<v Speaker 2>parents live, and I gave it to my mum and

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<v Speaker 2>she spent three hours next to me looking through your

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<v Speaker 2>whole Instagram. So you have a brand new fan in

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<v Speaker 2>hell Rooms, the namesake of.

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<v Speaker 1>Free kay Hi frames as mum, she will love that.

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<v Speaker 2>Look, we're going to get straight to your book. Can

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<v Speaker 2>you please give us the elevated pitch for what your

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<v Speaker 2>book is.

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<v Speaker 3>I feel like the best elevator pitch for this book

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<v Speaker 3>is the tagline on the cover, which I was so

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<v Speaker 3>proud of when I came up with it, which is

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<v Speaker 3>a news story about an old lie. And the thing

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<v Speaker 3>about marriage is that it feels to people like it's

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<v Speaker 3>this very long standing traditional thing that has gone through

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<v Speaker 3>like some changes here and there, just as history has

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<v Speaker 3>kind of evolved, but that essentially has always been this

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<v Speaker 3>institution where people find someone who they love and they

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<v Speaker 3>marry their best friend. And yes, we sort of know

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<v Speaker 3>that women in history didn't really have any options or rights,

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<v Speaker 3>but we kind of don't really know maybe exactly how

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<v Speaker 3>deep that round or what that really looked like enough

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<v Speaker 3>to the point where we are able to now in

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<v Speaker 3>twenty twenty three, gloss over the incredible depth of oppressive history,

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<v Speaker 3>specifically in regards to women where marriage is concerned, and

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<v Speaker 3>just see it as being this culmination of some kind

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<v Speaker 3>of life goal where you luckily find the person you're

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<v Speaker 3>meant to spend the rest of your life with and

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<v Speaker 3>have a great, big party together. I think what I

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<v Speaker 3>really want people to understand about that is that that's

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<v Speaker 3>not by accident. That is very much deliberate design. And

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<v Speaker 3>it's not like there's big marriage that's out there sitting

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<v Speaker 3>in a boardroom saying, well, how can we get people

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<v Speaker 3>to keep buying into marriage? Marriage, like anything in the

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<v Speaker 3>system that we live in, is a function of propping

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<v Speaker 3>up oppressive systems like capitalism, patriarchy, and white supremacy. And

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<v Speaker 3>when I say the latter part about white supremacy, obviously

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<v Speaker 3>I'm not saying it's only white people who get married

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<v Speaker 3>that there aren't cultural differences. This book is very much

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<v Speaker 3>looking at a Western cultural history of marriage. There are

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<v Speaker 3>lots of historical aspects that still continue today that appeal to,

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<v Speaker 3>in particular middle class white women's conformity to the system. Basically,

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<v Speaker 3>so you get status, you get class status, you get

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<v Speaker 3>social status, and you get economic status from marrying. What

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<v Speaker 3>do all of those things inherently in the world that

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<v Speaker 3>we live in, as we understand, what do they all

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<v Speaker 3>prop up. It's capitalism, patriarchy, and white supremacy. So if

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<v Speaker 3>you're a white middle class woman who is closer to

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<v Speaker 3>being at the top of the pile of those things

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<v Speaker 3>than the more marginalized people in the world, and you

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<v Speaker 3>are being appealed to to do the one thing that

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<v Speaker 3>kind of co signs all of that, it's a function

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<v Speaker 3>of white supremacy to provide like a little enclave for

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<v Speaker 3>you to kind of be superior to everybody else. And

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<v Speaker 3>now I want to be really clear to your listeners,

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<v Speaker 3>particularly the married ones who maybe are white middle class women,

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<v Speaker 3>that I'm not saying you're a cross burning white supremacist

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<v Speaker 3>because went and got married. We all have to become

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<v Speaker 3>a lot better, I think at being aware that our

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<v Speaker 3>complicity and systems is very often unconscious and insidiously demanded

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<v Speaker 3>of us. Marriage is a historical premise. For many thousands

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<v Speaker 3>of years, was a system in which women had no

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<v Speaker 3>choice and no rights. We just married who we were

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<v Speaker 3>told because it wasn't about love. We can think of

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<v Speaker 3>marriage now as being about this thing where you know, again,

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<v Speaker 3>like we find our soulmate and get married and it's

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<v Speaker 3>all very romantic. But for most of human history marriage

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<v Speaker 3>was about and really marriage was just like a community

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<v Speaker 3>kind of bringing together of two groups of people. It

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<v Speaker 3>was about kinship building, it was about empire building, and

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<v Speaker 3>it was about economics and safety of the group. How

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<v Speaker 3>we still get women to buy into it now, to

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<v Speaker 3>continue to support, essentially like systems that aren't good for us,

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<v Speaker 3>is to make us believe that without it we are

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<v Speaker 3>not maybe not nothing that might be like too big

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<v Speaker 3>a step for some people, but that we were just

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<v Speaker 3>kind of It's like living our lives in muted color.

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<v Speaker 3>You know that until we find the one, we'll never

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<v Speaker 3>really know what it's like to be picked, you know,

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<v Speaker 3>to be truly happy. In the same way that women

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<v Speaker 3>are often told unless you have a baby, you'll never

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<v Speaker 3>know what it's like to feel real love. It's like

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<v Speaker 3>all of those things and all that perpetuation of women's

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<v Speaker 3>role as being just peripheral to other people's role. Like

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<v Speaker 3>we play the wives, we play the mothers. Everything that

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<v Speaker 3>is required of us is some kind of sacrifice of

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<v Speaker 3>our own adventure, our own autonomy, our own subjectivity, all

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<v Speaker 3>of that is codified by this idea that unless we

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<v Speaker 3>find the person to get married to and are able

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<v Speaker 3>to stand up in front of our friends and family

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<v Speaker 3>and say I do, that we've missed out on something integral.

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<v Speaker 3>And I'll just close that off by saying that, you know,

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<v Speaker 3>I quote Adrienne Rich in the book, who was a

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<v Speaker 3>nineteen seventies feminist, lesbian poet and liberationist, who said that

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<v Speaker 3>heterosexual romance has been presented as women's great adventure, and

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<v Speaker 3>if nothing else, I would ask your listeners to think

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<v Speaker 3>about that and how true that maybe in their own,

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<v Speaker 3>in their own experience of growing up that boys and men,

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<v Speaker 3>as I said in Fight Like a Girl, they're taught

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<v Speaker 3>to like unfurl into the world and to go out

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<v Speaker 3>and take over the world and conquer the world because

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<v Speaker 3>it's all colonial as well, and to discover things, to explore,

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<v Speaker 3>things to go to space, to like be pirates and

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<v Speaker 3>mountain climbers, et cetera, et cetera. And women are the

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<v Speaker 3>ones who are expected to be happy with standing on

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<v Speaker 3>the cliff top or in the tower or on the turret,

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<v Speaker 3>waiting to see their ship on the horizon for them

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<v Speaker 3>to come home. That's our great adventure. And I just

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<v Speaker 3>want women to have a better and bigger dream for themselves.

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<v Speaker 1>I feel I liked how you wrote.

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<v Speaker 2>I can't remember exactly how you said it, but maybe

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<v Speaker 2>it was like on the back of the book about

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<v Speaker 2>how it was kind of like a message from the

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<v Speaker 2>women that came before us and for the women after us. Oh,

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<v Speaker 2>that was really beautiful and kind of like a nice,

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<v Speaker 2>nice way to frame it. In the book, there was

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<v Speaker 2>a point where you talked about how in your twenties

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<v Speaker 2>you wanted to take the name of your ex boyfriend.

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<v Speaker 2>You then concluded, and this is a quote from the book,

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<v Speaker 2>romance propaganda can impact us all, it seems, even those

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<v Speaker 2>of us who've sworn off marriage. And I want to know,

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<v Speaker 2>in your research into romance propaganda, what did you find

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<v Speaker 2>the most bizarre.

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<v Speaker 3>Well, firstly, I'll just say how embarrassing for me is okay,

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<v Speaker 3>but I'm really glad that he told me before I

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<v Speaker 3>released the book, so it wasn't like, you know, a

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<v Speaker 3>huge humiliation. After the fact, I had genuinely blanked it

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<v Speaker 3>out of my mind. I had completely forgotten that this

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<v Speaker 3>had taken place. I mean, that's the thing is, I

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<v Speaker 3>was in my twenties. I didn't really have a particular

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<v Speaker 3>desire to get married, but I was in love and

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<v Speaker 3>we did, separately to this sort of marriage question. We

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<v Speaker 3>had a really beautiful love affair for people in their twenties.

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<v Speaker 3>It was tumultuous, it was passionate. It was the deepest

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<v Speaker 3>love that anyone had ever felt in their entire lives,

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<v Speaker 3>you know. And we hurt each other and we got

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<v Speaker 3>back together and it was I mean, it was wonderful.

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<v Speaker 3>It was like a great movie that would star Joseph

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<v Speaker 3>Gordon Levitt and Zoey Deschanel or something like that, you know,

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<v Speaker 3>but not quite as bad as Five Hundred Days of Summer.

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<v Speaker 3>And it was meant to stay in our twenties. And

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<v Speaker 3>I'm so glad that I didn't foolishly go off and

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<v Speaker 3>marry him thinking that it would be romantic because of

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<v Speaker 3>the subjection that I, along with everyone else, has to

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<v Speaker 3>this romance propaganda by way of Disney movies like Growing

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<v Speaker 3>Up with fairy Tale Princess narratives, which in the book

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<v Speaker 3>I sort of point out. My theory is that Disney

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<v Speaker 3>released their first three Princess movies in the late thirties

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<v Speaker 3>and then the two in the fifties, and I feel

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<v Speaker 3>like they were very deliberate societal responses to women's suffrage

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<v Speaker 3>and the advancement at least for a certain class of

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<v Speaker 3>women of political freedom. And the fact of course that

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<v Speaker 3>after World War Two, a lot of returning soldiers came

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<v Speaker 3>home to find out that women were doing jobs without them,

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<v Speaker 3>like pretty well, you know, so they needed to kind

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<v Speaker 3>of convince women of a particular class again to get

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<v Speaker 3>back into the home.

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<v Speaker 1>When people kind.

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<v Speaker 3>Of glamorize the nineteen fifties as being this era in

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<v Speaker 3>which women were so much happier because they were at

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<v Speaker 3>home with the children and men went out to work,

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<v Speaker 3>and there's a very particular kind of man who I'm

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<v Speaker 3>sure your listeners has had the misfortune of speaking to

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<v Speaker 3>at the pub, who believes that deeply. It's really important

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<v Speaker 3>to know that not only was that not true for

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<v Speaker 3>the women who were in that circumstance, like, for example,

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<v Speaker 3>valium very quickly became the most prescribed drug in America

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<v Speaker 3>in the nineteen sixties, but that also older married women

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<v Speaker 3>were the fastest growing group of employed people in the

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<v Speaker 3>nineteen fifties because they were doing all of the jobs

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<v Speaker 3>that men thought were beneath them, like the sort of

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<v Speaker 3>middle class like clerical work, secretarial work, etc. But for

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<v Speaker 3>a whole swathe of women on the bottom levels of

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<v Speaker 3>society and on the margins, the ones who people didn't

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<v Speaker 3>advocate for to stay at home and be quote unquote

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<v Speaker 3>kept women. There was no such thing as the traditional

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<v Speaker 3>marriage where they stayed at home, and they propped up

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<v Speaker 3>this very conservative, again white supremacist idea of the middle

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<v Speaker 3>class white family in suburbia because they were out doing

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<v Speaker 3>all of the grunt work as they always had done.

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<v Speaker 3>Women have always worked, and marginalized women, women of color,

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<v Speaker 3>single mothers, they have always worked, and no one has

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<v Speaker 3>advocated for their freedom to stay at home and raise

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<v Speaker 3>children in economically secure environments, because without them doing all

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<v Speaker 3>of that unappreciated class based labor, how would the world

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<v Speaker 3>actually run and function. It was a conservative failed project

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<v Speaker 3>that lasted for about fifteen years because the economic reality

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<v Speaker 3>is that the system that we live in does not

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<v Speaker 3>want people not working. And the same people now who

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<v Speaker 3>are calling for us to return to that, you know,

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<v Speaker 3>like the Fox News pundits, they're the same people who

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<v Speaker 3>don't want to tax billionaires, So where's the money coming from.

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<v Speaker 3>It's actually just all an illusion to try and keep

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<v Speaker 3>women suppressed. The romantic fictions and mythologies that we're presented with.

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<v Speaker 3>I liken them to like going to the casino. You

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<v Speaker 3>know that the house always wins, right, the house is

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<v Speaker 3>designed to win, it's designed the casino to benefit and

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<v Speaker 3>profit itself. But there are just enough successful stories around

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<v Speaker 3>the place to make you think that maybe you could

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<v Speaker 3>be one of them. You saw that person putting in

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<v Speaker 3>two dollar coins into the pokey machine and whoa lo

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<v Speaker 3>and behold they got twenty thousand dollars spout right out

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<v Speaker 3>to them. So what if that were you? And so

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<v Speaker 3>you start putting it in, and you're like, I'll just

0:11:11.679 --> 0:11:14.400
<v Speaker 3>keep going on another date. I'll just keep looking. Finally

0:11:14.440 --> 0:11:17.120
<v Speaker 3>you're like fifty dollars into the pokey machine, and you're like, well,

0:11:17.160 --> 0:11:19.880
<v Speaker 3>I can't give up now, because put fifty bucks in. Like,

0:11:19.880 --> 0:11:22.800
<v Speaker 3>I've got to keep putting my money in the hopes

0:11:22.800 --> 0:11:24.560
<v Speaker 3>that somehow I am the lucky winner.

0:11:25.040 --> 0:11:25.760
<v Speaker 1>And for a lot of.

0:11:25.679 --> 0:11:29.240
<v Speaker 3>Women in particular, especially those who have to do the

0:11:29.280 --> 0:11:31.920
<v Speaker 3>majority of the world's unpaid labor, that kind of is

0:11:31.960 --> 0:11:32.960
<v Speaker 3>what marriage ends up being.

0:11:33.000 --> 0:11:33.080
<v Speaker 2>Like.

0:11:33.160 --> 0:11:35.560
<v Speaker 3>They think when they walk down the aisle on their

0:11:35.600 --> 0:11:39.240
<v Speaker 3>wedding day to marry their best friend, that they are

0:11:39.280 --> 0:11:42.520
<v Speaker 3>putting the one coin into the pokey machine that's going

0:11:42.559 --> 0:11:45.120
<v Speaker 3>to spit out a red letter day. But what they

0:11:45.200 --> 0:11:47.240
<v Speaker 3>find is that maybe for the rest of their life,

0:11:47.280 --> 0:11:50.120
<v Speaker 3>they're just still putting those coins in, and they're stuck

0:11:50.200 --> 0:11:52.760
<v Speaker 3>because they've sunk so much into it now that they

0:11:52.760 --> 0:11:54.000
<v Speaker 3>feel like there's no way out.

0:11:54.200 --> 0:11:56.680
<v Speaker 4>It's ironic. We were just talking about this concept called

0:11:56.720 --> 0:11:59.080
<v Speaker 4>the prestige trap, and this idea that there's all this

0:11:59.160 --> 0:12:02.880
<v Speaker 4>marketing and proper and pr for all of these particularly

0:12:03.200 --> 0:12:08.760
<v Speaker 4>or hypothetically or proposed prestigious roles like a wife or

0:12:08.800 --> 0:12:12.320
<v Speaker 4>a partner, or a business owner or a lawyer or whatever.

0:12:12.400 --> 0:12:13.920
<v Speaker 4>And the idea is that if it was so good,

0:12:13.960 --> 0:12:16.040
<v Speaker 4>would it need all of this pr Would it need

0:12:16.080 --> 0:12:19.400
<v Speaker 4>all this propaganda? Would it need everyone to be like

0:12:19.600 --> 0:12:22.280
<v Speaker 4>giving you all this additional messaging from every angle to

0:12:22.360 --> 0:12:24.280
<v Speaker 4>make you bypass the party of your says, Oh, I

0:12:24.280 --> 0:12:26.600
<v Speaker 4>don't know if this is quite right to do it anyway.

0:12:27.040 --> 0:12:28.920
<v Speaker 2>Now, this brings me to the spinster or the cat

0:12:29.000 --> 0:12:30.120
<v Speaker 2>lady segment.

0:12:30.160 --> 0:12:32.200
<v Speaker 1>I guess of your book, which I loved.

0:12:32.320 --> 0:12:35.200
<v Speaker 2>I want to talk about that idea when you're approaching thirty,

0:12:35.240 --> 0:12:37.720
<v Speaker 2>Like I'm I'm twenty eight, approaching thirty, and they're the

0:12:37.760 --> 0:12:38.480
<v Speaker 2>conversation with.

0:12:38.480 --> 0:12:39.360
<v Speaker 3>My friend hands.

0:12:39.720 --> 0:12:41.600
<v Speaker 1>Yeah, yeah, Oh my god, damn.

0:12:42.040 --> 0:12:44.280
<v Speaker 2>The way Saturn has returned to so heavily this year

0:12:44.360 --> 0:12:45.680
<v Speaker 2>is very exciting.

0:12:45.720 --> 0:12:46.480
<v Speaker 4>In your sertain return.

0:12:46.520 --> 0:12:50.920
<v Speaker 1>Yeah, yes, I am. Oh my god, weird.

0:12:50.800 --> 0:12:51.560
<v Speaker 3>Getting ready for it?

0:12:51.640 --> 0:12:52.600
<v Speaker 4>Yeah yeah, having up.

0:12:53.240 --> 0:12:54.199
<v Speaker 1>What's gonna happen next?

0:12:54.640 --> 0:12:57.200
<v Speaker 2>I've been watching recently, like as part of my research

0:12:57.200 --> 0:12:59.240
<v Speaker 2>for my book, I've been going back and watching early

0:12:59.240 --> 0:13:02.680
<v Speaker 2>two thousands movie these particularly things like Bridget Jones, And

0:13:02.720 --> 0:13:04.960
<v Speaker 2>I've noticed that these very specific kind of like pop

0:13:05.040 --> 0:13:08.360
<v Speaker 2>culture references like Bridget Jones have had an effect on

0:13:08.400 --> 0:13:12.560
<v Speaker 2>me that maybe I hadn't really like fully reconciled. I guess,

0:13:12.760 --> 0:13:16.080
<v Speaker 2>as much as I intellectually know that that is like

0:13:16.200 --> 0:13:20.600
<v Speaker 2>a hyped up, unfair version of events for a woman

0:13:20.640 --> 0:13:23.319
<v Speaker 2>who's in their thirties, how do you kind of reconcile

0:13:23.400 --> 0:13:26.480
<v Speaker 2>the feeling that you're going to be forever alone?

0:13:26.880 --> 0:13:29.560
<v Speaker 3>So the first thing I'll say is that you're not

0:13:29.559 --> 0:13:31.760
<v Speaker 3>going to be alone forever. I just feel the need

0:13:31.840 --> 0:13:34.640
<v Speaker 3>to reassure you of that, and no one listening to

0:13:34.679 --> 0:13:37.720
<v Speaker 3>this is going to be alone forever because probably you've

0:13:37.720 --> 0:13:42.880
<v Speaker 3>got beautiful platonic friendships, right, You've got family members, you

0:13:42.960 --> 0:13:46.000
<v Speaker 3>have pets, you have things that you love and care

0:13:46.040 --> 0:13:50.800
<v Speaker 3>about the idea that women especially it's usually targeted at women.

0:13:51.120 --> 0:13:53.760
<v Speaker 3>Even the men are the ones who really suffer the

0:13:53.840 --> 0:13:56.520
<v Speaker 3>dread loneliness of being old and alone because they don't

0:13:56.960 --> 0:14:00.640
<v Speaker 3>have the same encouragement under patriarchal sism to go out

0:14:00.640 --> 0:14:02.520
<v Speaker 3>and develop those friendships with each other. I do think

0:14:02.559 --> 0:14:04.760
<v Speaker 3>it's changing with younger generations of men, and I think

0:14:04.760 --> 0:14:07.160
<v Speaker 3>that's really As the mother of a boy, I find

0:14:07.160 --> 0:14:09.680
<v Speaker 3>that really encouraging to see. But you know, if you

0:14:09.679 --> 0:14:12.080
<v Speaker 3>look at men of our father's generation, your father's generation,

0:14:12.160 --> 0:14:17.200
<v Speaker 3>my father's generation, women fulfill the roles of taking care

0:14:17.200 --> 0:14:21.840
<v Speaker 3>of men's emotional spectrums, and within that that can feel

0:14:21.840 --> 0:14:25.960
<v Speaker 3>incredibly lonely. It's a useful exercise, I think, to flip

0:14:27.200 --> 0:14:31.160
<v Speaker 3>not only that, the idea of having a romantic relationship,

0:14:31.200 --> 0:14:33.160
<v Speaker 3>which is not always a partnership. You know, people use

0:14:33.200 --> 0:14:36.200
<v Speaker 3>the word partners and they're describing people who treat them

0:14:36.280 --> 0:14:40.600
<v Speaker 3>like unpaid servants. You know, when people say things like, oh, oh,

0:14:40.800 --> 0:14:42.880
<v Speaker 3>I need a wife. I think I make this joke

0:14:42.920 --> 0:14:44.480
<v Speaker 3>in the book, I need a wife, that's what I need.

0:14:44.520 --> 0:14:46.360
<v Speaker 3>Even when women say this I need a wife, what

0:14:46.400 --> 0:14:50.680
<v Speaker 3>they mean is I need an unpaid servant. And that

0:14:50.880 --> 0:14:53.000
<v Speaker 3>kind of tells you everything that we need to know

0:14:53.040 --> 0:14:55.640
<v Speaker 3>about how people perceive of a wife. When they say

0:14:55.680 --> 0:14:57.240
<v Speaker 3>I need a husband, they don't mean I need someone

0:14:57.280 --> 0:14:58.880
<v Speaker 3>who's going to do all of my laundry for me.

0:14:59.440 --> 0:15:01.680
<v Speaker 3>They mean a woman to do all of that for them.

0:15:02.160 --> 0:15:05.960
<v Speaker 3>So the loneliness that women can feel within that relationship

0:15:06.200 --> 0:15:10.560
<v Speaker 3>archetype and within that structure is deeply profound, and actually

0:15:10.560 --> 0:15:12.440
<v Speaker 3>for most women as they age, I think they find

0:15:12.960 --> 0:15:16.520
<v Speaker 3>their deepest connections outside of that. So you're not going

0:15:16.600 --> 0:15:19.400
<v Speaker 3>to be alone. But it's interesting that you mentioned Bridget

0:15:19.440 --> 0:15:22.280
<v Speaker 3>Jones as well, because Bridget Jones, you may or may

0:15:22.280 --> 0:15:24.720
<v Speaker 3>not know, this is a modern day retelling of pride

0:15:24.720 --> 0:15:28.600
<v Speaker 3>and prejudice. And Pride and Prejudice was written in the

0:15:28.720 --> 0:15:36.440
<v Speaker 3>Elizabethan era Regency England, and it coincided with a period

0:15:36.480 --> 0:15:38.200
<v Speaker 3>of time which I write about in the book, where

0:15:38.760 --> 0:15:41.680
<v Speaker 3>the term spinster began to be used as a pejorative

0:15:41.760 --> 0:15:44.200
<v Speaker 3>term for the first time in the history of Spencer's

0:15:44.200 --> 0:15:47.320
<v Speaker 3>like Spinster's as a job had existed for three or

0:15:47.640 --> 0:15:50.240
<v Speaker 3>four hundred years, you know, the culture that they lived

0:15:50.240 --> 0:15:52.640
<v Speaker 3>and decided that spinster was an insult. And the reason

0:15:52.640 --> 0:15:57.280
<v Speaker 3>that Spinster became an insult was the exact same backlash

0:15:57.320 --> 0:16:02.320
<v Speaker 3>that women today experience when men and the dominant structures

0:16:02.360 --> 0:16:05.160
<v Speaker 3>that they live in decide that women are not doing

0:16:05.240 --> 0:16:08.360
<v Speaker 3>their duty, decide that women are not performing their role

0:16:08.400 --> 0:16:10.800
<v Speaker 3>as we are supposed to, which was that at this

0:16:10.880 --> 0:16:13.360
<v Speaker 3>point of time and history in the UK, in particular,

0:16:14.440 --> 0:16:18.360
<v Speaker 3>the Industrial Revolution established a middle class, an economic middle

0:16:18.360 --> 0:16:20.520
<v Speaker 3>class of people, and what that meant was that some

0:16:20.560 --> 0:16:23.280
<v Speaker 3>women had money, and they had they didn't have a

0:16:23.320 --> 0:16:26.680
<v Speaker 3>lot of money necessarily, but if they inherited money from there,

0:16:27.240 --> 0:16:30.280
<v Speaker 3>say they had intergeneral, intergenerational wealth, and they inherited it.

0:16:30.720 --> 0:16:32.800
<v Speaker 3>The law of curviture, which was the legal doctrine at

0:16:32.800 --> 0:16:34.560
<v Speaker 3>the time, that said that they were under the banner

0:16:34.600 --> 0:16:37.120
<v Speaker 3>of authority of their father until they got married, in

0:16:37.120 --> 0:16:39.280
<v Speaker 3>which point they became under the banner of authority of

0:16:39.320 --> 0:16:41.440
<v Speaker 3>their husband and he would get access to everything that

0:16:41.480 --> 0:16:44.880
<v Speaker 3>she had. So if you were a wealthy woman in

0:16:45.480 --> 0:16:49.680
<v Speaker 3>seventeen fifty and you inherited, you know, the equivalent of

0:16:49.760 --> 0:16:53.000
<v Speaker 3>like a fifty thousand dollars a year kind of stipend,

0:16:53.520 --> 0:16:58.760
<v Speaker 3>and you married John, who you thought was cute or whatever.

0:16:59.040 --> 0:17:01.840
<v Speaker 3>John suddenly owned or fifty thousand dollars, You don't own

0:17:01.840 --> 0:17:03.760
<v Speaker 3>it and he can do anything he likes with it

0:17:04.040 --> 0:17:07.760
<v Speaker 3>because everything you have belongs to him. So naturally, being

0:17:07.840 --> 0:17:09.840
<v Speaker 3>like women of the world, we can understand that there

0:17:09.840 --> 0:17:11.840
<v Speaker 3>are a lot of women in that time period who

0:17:11.880 --> 0:17:14.520
<v Speaker 3>were like that noise. I'm not doing that. I'm not

0:17:14.560 --> 0:17:16.280
<v Speaker 3>going to give up my identity and I'm not going

0:17:16.320 --> 0:17:18.000
<v Speaker 3>to give up my money, and I'm not going to

0:17:18.040 --> 0:17:19.359
<v Speaker 3>do it so that I also have to give up

0:17:19.359 --> 0:17:22.679
<v Speaker 3>my bodily rights, because conjugal rights as well dictated that

0:17:22.760 --> 0:17:26.000
<v Speaker 3>husbands had access to their wives bodies, and that that's

0:17:26.000 --> 0:17:28.560
<v Speaker 3>the law that didn't. The last place in Australia that

0:17:28.640 --> 0:17:32.880
<v Speaker 3>overturned conjugal rights, which meant that you couldn't prosecute your

0:17:32.960 --> 0:17:36.399
<v Speaker 3>husband for raping you in marriage was the Northern Territory

0:17:36.400 --> 0:17:39.520
<v Speaker 3>in nineteen ninety one, which is as old as ed Cheran.

0:17:40.280 --> 0:17:43.359
<v Speaker 3>That's crazy to think about that, you know, and to

0:17:43.440 --> 0:17:47.520
<v Speaker 3>use another Hollywood person as an example. Women in this

0:17:47.640 --> 0:17:50.000
<v Speaker 3>country weren't able to get a bank account by themselves

0:17:50.040 --> 0:17:52.720
<v Speaker 3>without a male signatory until nineteen seventy five, which is

0:17:52.840 --> 0:17:57.639
<v Speaker 3>twice that's two of Leonardo DiCaprio's girlfriends, you know, that

0:17:57.800 --> 0:18:00.359
<v Speaker 3>is he was born in nineteen seventy four, Like that

0:18:00.480 --> 0:18:04.280
<v Speaker 3>is still it's not that old. So all of these

0:18:04.320 --> 0:18:07.439
<v Speaker 3>women who were you know back in the seventeen hundreds

0:18:07.440 --> 0:18:09.720
<v Speaker 3>who were like, I'm not doing this. I'm going to

0:18:09.760 --> 0:18:12.920
<v Speaker 3>stay single and I'm going to manage my own money. Basically,

0:18:13.480 --> 0:18:15.720
<v Speaker 3>there were two risks to that, and the first was

0:18:15.800 --> 0:18:21.160
<v Speaker 3>that they you know, women weren't counted on the civilister registers,

0:18:21.200 --> 0:18:24.040
<v Speaker 3>but if they were taxpayers, they could be counted on

0:18:24.080 --> 0:18:26.439
<v Speaker 3>the civil registers. So the people who kind of controlled

0:18:26.480 --> 0:18:28.600
<v Speaker 3>society were like, well, we don't want that to happen

0:18:28.640 --> 0:18:30.480
<v Speaker 3>because that will pave the way for women to get

0:18:30.480 --> 0:18:32.320
<v Speaker 3>more rights and that is not in our best interest.

0:18:32.880 --> 0:18:35.960
<v Speaker 3>The other thing was that Britain was expanding its colonialist

0:18:37.240 --> 0:18:40.399
<v Speaker 3>like imperialist campaigns across the globe. You know, it was

0:18:40.440 --> 0:18:45.600
<v Speaker 3>sending armies out to oppress and dominate, you know, the

0:18:45.640 --> 0:18:48.760
<v Speaker 3>global South. And what they needed for that was women

0:18:48.840 --> 0:18:52.000
<v Speaker 3>to have babies. For Britain to be able to expand

0:18:52.040 --> 0:18:54.960
<v Speaker 3>its colonialist empire. They needed bodies. They needed bodies to

0:18:54.960 --> 0:18:56.800
<v Speaker 3>be working in the factories, and they needed bodies to

0:18:56.800 --> 0:19:00.680
<v Speaker 3>be manning the military. And women who were abstaining marriage

0:19:00.880 --> 0:19:03.880
<v Speaker 3>weren't doing their duty to king and country. And so

0:19:03.920 --> 0:19:06.000
<v Speaker 3>how do you make women who have their own money,

0:19:06.359 --> 0:19:10.480
<v Speaker 3>who don't rely on men for financial support, how do

0:19:10.560 --> 0:19:13.720
<v Speaker 3>you make them feel bad about their choices? How do

0:19:13.760 --> 0:19:18.080
<v Speaker 3>you compel them to sign up to this institution that

0:19:18.160 --> 0:19:21.320
<v Speaker 3>is against their best interests in exactly the same way

0:19:21.359 --> 0:19:23.560
<v Speaker 3>that the descendants of those men are doing it now

0:19:23.800 --> 0:19:26.240
<v Speaker 3>through memes. I mean they were cartoon memes. They weren't

0:19:26.280 --> 0:19:31.040
<v Speaker 3>shed on the Internet, but they were ridiculing, mocking, disrespectful,

0:19:31.200 --> 0:19:36.119
<v Speaker 3>you know, really like disparaging representations of women that signified

0:19:36.160 --> 0:19:40.720
<v Speaker 3>some kind of moral depravity and also esthetic depravity and

0:19:41.520 --> 0:19:45.400
<v Speaker 3>valuelessness in the women who abstained from marriage. It wasn't

0:19:45.440 --> 0:19:48.359
<v Speaker 3>that they were independent women taking care of themselves. It

0:19:48.560 --> 0:19:52.080
<v Speaker 3>was that they were ugly. It was that they were depraved.

0:19:52.200 --> 0:19:55.399
<v Speaker 3>It was that they, you know, they had too many cats,

0:19:55.480 --> 0:19:59.800
<v Speaker 3>like the cat lady trope is pretty old. So to

0:20:00.000 --> 0:20:01.560
<v Speaker 3>look at all of that history and to say to

0:20:01.640 --> 0:20:03.600
<v Speaker 3>women now when you sit there and you say I'm

0:20:03.640 --> 0:20:06.879
<v Speaker 3>worried about being alone forever. Again, you're not going to

0:20:06.920 --> 0:20:10.360
<v Speaker 3>be alone forever, but also understand that you have been

0:20:11.800 --> 0:20:16.520
<v Speaker 3>made to fear being alone forever by a system that

0:20:16.640 --> 0:20:19.160
<v Speaker 3>wants you to not see the value in your own

0:20:19.160 --> 0:20:21.720
<v Speaker 3>independence and in your own agency and autonomy, and that

0:20:21.880 --> 0:20:24.240
<v Speaker 3>doesn't want you to have your own money, doesn't want

0:20:24.280 --> 0:20:27.440
<v Speaker 3>you to look after yourself. If women are all out there,

0:20:27.440 --> 0:20:29.880
<v Speaker 3>if more and more women start looking after themselves, who's

0:20:29.920 --> 0:20:31.879
<v Speaker 3>going to look after the men? And that's not just

0:20:31.960 --> 0:20:34.840
<v Speaker 3>kind of like a critique of men's inability to care

0:20:34.880 --> 0:20:37.800
<v Speaker 3>for themselves or like a laziness, although that is true,

0:20:38.200 --> 0:20:41.840
<v Speaker 3>but to kind of again look at systems. How does

0:20:41.920 --> 0:20:46.680
<v Speaker 3>capitalism support itself without the labor of the working class,

0:20:46.960 --> 0:20:51.000
<v Speaker 3>And how are men oppressed within that system because they've

0:20:51.000 --> 0:20:53.480
<v Speaker 3>also been conditioned and brought into this lie that's somehow

0:20:53.560 --> 0:20:56.600
<v Speaker 3>like there's a nobility in being what they like to

0:20:56.600 --> 0:20:58.119
<v Speaker 3>think of as as the builders of the world. We

0:20:58.200 --> 0:21:00.760
<v Speaker 3>built the world, so you have to do everything. Even

0:21:00.800 --> 0:21:03.359
<v Speaker 3>if we assume that you're correct and you did build

0:21:03.440 --> 0:21:06.400
<v Speaker 3>the world literally with your own bare hands, you didn't

0:21:06.400 --> 0:21:08.840
<v Speaker 3>build it for me. You didn't build it. They didn't

0:21:08.840 --> 0:21:11.119
<v Speaker 3>build it for you, They didn't build it for anyone

0:21:11.200 --> 0:21:13.240
<v Speaker 3>listening to this. They built it for men who were

0:21:13.480 --> 0:21:15.840
<v Speaker 3>more powerful than them, and you had more money than them,

0:21:15.840 --> 0:21:19.440
<v Speaker 3>and they built it for aristocracies and kings and states.

0:21:20.000 --> 0:21:21.720
<v Speaker 3>So how do you make them keep signing up to

0:21:21.760 --> 0:21:24.239
<v Speaker 3>them up to it? You tell them that you are

0:21:24.240 --> 0:21:26.280
<v Speaker 3>the masters of the universe, and you have all of

0:21:26.320 --> 0:21:29.360
<v Speaker 3>these women and children to own for your own pleasure.

0:21:30.000 --> 0:21:32.119
<v Speaker 3>And that's what proves it, because if you weren't the

0:21:32.119 --> 0:21:34.240
<v Speaker 3>masters of the universe, then you wouldn't have them. And

0:21:34.240 --> 0:21:36.639
<v Speaker 3>so when women withdraw themselves from that system and say no,

0:21:36.760 --> 0:21:39.440
<v Speaker 3>I'm not going to be a part of that, they're like, well,

0:21:39.480 --> 0:21:41.800
<v Speaker 3>I was promised that, and if you won't do it,

0:21:41.840 --> 0:21:44.840
<v Speaker 3>then I have to confront some really uncomfortable truths about

0:21:44.840 --> 0:21:46.360
<v Speaker 3>the system that I live in. And that's too hard

0:21:46.400 --> 0:21:48.840
<v Speaker 3>for me because the thing I'm maybe afraid of most

0:21:48.960 --> 0:21:51.560
<v Speaker 3>is a man is making other men mad at me.

0:21:51.840 --> 0:21:54.440
<v Speaker 2>Listen, Clementon, it's been so amazing to speak to you.

0:21:54.600 --> 0:21:57.200
<v Speaker 2>I feel like everybody needs to go and read your book.

0:21:57.240 --> 0:22:00.800
<v Speaker 2>It's called I Don't the case, not just a case,

0:22:00.880 --> 0:22:01.920
<v Speaker 2>the definitive case.

0:22:01.760 --> 0:22:02.280
<v Speaker 3>Is that case.

0:22:03.560 --> 0:22:05.840
<v Speaker 2>It's been such a pleasure to hut to you today.

0:22:05.920 --> 0:22:06.640
<v Speaker 2>Thank you so much.

0:22:06.760 --> 0:22:08.800
<v Speaker 3>Oh, it's just been great to talk to you both.

0:22:09.040 --> 0:22:11.320
<v Speaker 3>You know, as I said, I'm huge fans and I

0:22:11.359 --> 0:22:13.040
<v Speaker 3>have met Flex before and I can't wait to see

0:22:13.040 --> 0:22:14.880
<v Speaker 3>you again. Flex, and I'm looking forward to the day

0:22:14.880 --> 0:22:17.399
<v Speaker 3>that I meet you Firms and yeah, and let me

0:22:17.440 --> 0:22:20.040
<v Speaker 3>take you both out to dinner sometime and like mother you, I.

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<v Speaker 1>Would love that.

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<v Speaker 3>With love, give me that you've been listening to the

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<v Speaker 3>Flex and Firms Daily podcast. For more, tune Indicator on

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<v Speaker 3>DAB or stream it on iHeartRadio.