1 00:00:00,480 --> 00:00:04,600 Speaker 1: Jonesy and Amanda in the morning. You know, we've had 2 00:00:04,600 --> 00:00:06,600 Speaker 1: a number of doorbells over the years. We used to 3 00:00:06,680 --> 00:00:09,760 Speaker 1: have one that was a man and you cranked it 4 00:00:09,800 --> 00:00:13,840 Speaker 1: and he slammed his head against the door. So then, 5 00:00:13,920 --> 00:00:16,120 Speaker 1: of course we went on to the traditional doorbell at 6 00:00:16,120 --> 00:00:18,640 Speaker 1: some stage have the old knocker. We haven't had a 7 00:00:18,640 --> 00:00:21,720 Speaker 1: big knocker. No, no, big knocker. Wey the Adams family, 8 00:00:21,760 --> 00:00:24,880 Speaker 1: you know, one of those ones are boomk no no. 9 00:00:24,960 --> 00:00:27,360 Speaker 1: And then but then we had the normal ding dong 10 00:00:27,400 --> 00:00:31,200 Speaker 1: doorbell and it stopped working. So Harley bought another one 11 00:00:31,200 --> 00:00:33,839 Speaker 1: and put it next to it. Yes, but then you 12 00:00:33,840 --> 00:00:36,080 Speaker 1: couldn't tell we guess would arrive and didn't know which 13 00:00:36,120 --> 00:00:38,800 Speaker 1: one to use. It made no sense to me. So 14 00:00:38,920 --> 00:00:42,320 Speaker 1: Harley said, I'm going to solve all of this he 15 00:00:42,400 --> 00:00:45,960 Speaker 1: and he loves technology, as you know, so he bought 16 00:00:46,000 --> 00:00:51,280 Speaker 1: a new system that works through your phone. So someone 17 00:00:51,400 --> 00:00:54,920 Speaker 1: arrives at the door, you see on your phone that 18 00:00:54,960 --> 00:00:58,280 Speaker 1: they're there, and you can have a conversation with them. 19 00:00:58,520 --> 00:01:00,440 Speaker 1: And even if you're not home, you can say, leave 20 00:01:00,480 --> 00:01:03,240 Speaker 1: the parcel under the gate or whatever it is, and 21 00:01:03,280 --> 00:01:05,760 Speaker 1: it gives the illusion that you're home, yes, or you 22 00:01:05,800 --> 00:01:07,800 Speaker 1: could just say hey, I'm not their houses locked up, 23 00:01:07,880 --> 00:01:10,640 Speaker 1: chuck it under the gate, tell them that you can 24 00:01:10,680 --> 00:01:12,440 Speaker 1: say whatever you're like. Mightst just say, why don't you 25 00:01:12,520 --> 00:01:14,400 Speaker 1: rob me blind? Well, you can do whatever you look. 26 00:01:14,480 --> 00:01:16,119 Speaker 1: Key's in the fake rock. But you know what it's 27 00:01:16,160 --> 00:01:19,319 Speaker 1: like when you get deliveries. They you know, they have 28 00:01:19,400 --> 00:01:22,920 Speaker 1: a whisper passed your door and then go back in 29 00:01:22,920 --> 00:01:25,000 Speaker 1: the truck and it goes back to the post office exactly. 30 00:01:25,040 --> 00:01:26,679 Speaker 1: So this way he can do with all of that. 31 00:01:26,880 --> 00:01:29,520 Speaker 1: The problem was that it came up on all our phones. 32 00:01:29,840 --> 00:01:31,759 Speaker 1: And I don't want to be here. I don't want 33 00:01:31,800 --> 00:01:33,400 Speaker 1: to be I'm not saying I don't want to be here, 34 00:01:33,560 --> 00:01:35,600 Speaker 1: I don't want to be working here. When I get 35 00:01:35,600 --> 00:01:38,120 Speaker 1: an alert that someone's at the door, I might be 36 00:01:38,160 --> 00:01:40,640 Speaker 1: filming the living room. I don't need to know that woman, 37 00:01:40,800 --> 00:01:42,679 Speaker 1: I don't need to know that someone's at the door. 38 00:01:42,840 --> 00:01:45,119 Speaker 1: Kids don't need to know our kids that someone's at 39 00:01:45,120 --> 00:01:47,080 Speaker 1: the door. So the way it's worked out now he 40 00:01:47,120 --> 00:01:50,680 Speaker 1: took it off everyone's phone except his own and an iPad, 41 00:01:50,760 --> 00:01:52,880 Speaker 1: which of course has to be charged up at all 42 00:01:52,920 --> 00:01:57,400 Speaker 1: times and within hearing of everybody. So's I've been fighting 43 00:01:57,440 --> 00:01:59,680 Speaker 1: this system, I say, why don't we just get a 44 00:01:59,760 --> 00:02:04,640 Speaker 1: ding dong doorbell, And so Harley said, no, this system works. 45 00:02:05,240 --> 00:02:07,320 Speaker 1: And we know it works because we're at a wedding 46 00:02:07,360 --> 00:02:11,280 Speaker 1: on the weekend, our niece's wedding, a very intimate space, 47 00:02:11,480 --> 00:02:16,400 Speaker 1: a beautiful romantic moment during the actual vowels in this 48 00:02:16,560 --> 00:02:22,200 Speaker 1: small intimate room, the actual I take you moment. We 49 00:02:22,280 --> 00:02:33,919 Speaker 1: hear this your door and everyone flinches, and Harley of course, 50 00:02:34,000 --> 00:02:36,320 Speaker 1: goes to get his phone. I said, I'm nudging him, 51 00:02:36,360 --> 00:02:38,799 Speaker 1: don't get your phone out. Don't get you because we're 52 00:02:38,800 --> 00:02:41,760 Speaker 1: at a wedding and we've just the MC had just said, hey, 53 00:02:41,840 --> 00:02:44,120 Speaker 1: let's not have our phones out today. Let's let the 54 00:02:44,120 --> 00:02:46,440 Speaker 1: photographer take the photos. Let's just be in the moment. 55 00:02:46,919 --> 00:02:50,079 Speaker 1: And here's there's someone at the door, and Harley wanting 56 00:02:50,120 --> 00:02:52,720 Speaker 1: to have a look at who's at the door. Oh, 57 00:02:52,760 --> 00:02:55,600 Speaker 1: it was all his instincts. I said, stop it, stop it. 58 00:02:55,720 --> 00:02:56,840 Speaker 1: That's the sort of thing you want to hear at 59 00:02:56,840 --> 00:03:04,240 Speaker 1: the honeymoon. Who's at the door? Joins the and Amanda 60 00:03:04,360 --> 00:03:06,440 Speaker 1: in the morning one at one point seven, Ti