1 00:00:05,960 --> 00:00:17,360 Speaker 1: This is Will and Woody. Good afternoon everyone, Happy Friday. All. 2 00:00:17,400 --> 00:00:20,440 Speaker 1: Thanks for me bank this afternoon. It's Will and Woody 3 00:00:20,640 --> 00:00:23,119 Speaker 1: getting your home for the next couple of hours. Look, 4 00:00:23,160 --> 00:00:25,720 Speaker 1: I want to start off with some housekeeping, some pretty 5 00:00:25,760 --> 00:00:30,040 Speaker 1: tragic news. Yesterday we made call number five of six 6 00:00:30,080 --> 00:00:32,560 Speaker 1: degrees of separation. Now, the way this works, she had 7 00:00:32,560 --> 00:00:35,199 Speaker 1: to give us Keanu Reeves's number for us to make 8 00:00:35,240 --> 00:00:37,840 Speaker 1: it in six phone calls and thus proved the theory, 9 00:00:38,200 --> 00:00:39,320 Speaker 1: and tragically she didn't. 10 00:00:39,760 --> 00:00:40,800 Speaker 2: Yeah, it was. 11 00:00:40,880 --> 00:00:44,560 Speaker 1: Sad, and you know you and I gathered ourselves and 12 00:00:44,600 --> 00:00:49,080 Speaker 1: then look the phone started ringing and people just started 13 00:00:49,120 --> 00:00:57,200 Speaker 1: saying boys, who cares? 14 00:00:57,320 --> 00:00:59,440 Speaker 2: So we will keep running. We are going to keep 15 00:00:59,520 --> 00:01:03,480 Speaker 2: hunting for Keanu reads. I don't care that we didn't 16 00:01:03,480 --> 00:01:05,240 Speaker 2: get him in six phone calls. If we've got to 17 00:01:05,280 --> 00:01:08,200 Speaker 2: make one hundred and seventy three phone calls, will bloody 18 00:01:08,200 --> 00:01:08,880 Speaker 2: make those fail. 19 00:01:09,000 --> 00:01:11,080 Speaker 1: That might be pushing the envelope a little bit, no, 20 00:01:11,280 --> 00:01:13,240 Speaker 1: get a bit boring, but look, we're going to keep 21 00:01:13,280 --> 00:01:18,200 Speaker 1: making it because we're close. Guys, We're so close. Yesterday Nikoline, 22 00:01:18,240 --> 00:01:21,800 Speaker 1: a Dutch woman, gave us the number four Keanu's personal 23 00:01:22,240 --> 00:01:25,319 Speaker 1: mogulebike designer. So this is a guy that works closely 24 00:01:25,360 --> 00:01:27,840 Speaker 1: with him. We're calling him after five look forward to that. 25 00:01:28,200 --> 00:01:29,800 Speaker 1: Plus we've got a secrets so that it's going to 26 00:01:29,840 --> 00:01:32,360 Speaker 1: be happening really really shortly. And would your dad's coming 27 00:01:32,360 --> 00:01:34,280 Speaker 1: in for a bit of a surprise brief Father's Day 28 00:01:34,280 --> 00:01:34,760 Speaker 1: on Sunday. 29 00:01:34,840 --> 00:01:36,720 Speaker 2: Yeah, it should be very interesting. And up next a 30 00:01:36,800 --> 00:01:40,039 Speaker 2: man has gone to prison for his wife. 31 00:01:40,319 --> 00:01:42,399 Speaker 1: We're going to be blindfolded in here in about twenty minutes. 32 00:01:42,400 --> 00:01:45,200 Speaker 1: I've got a secret celeb coming in the studio, flown 33 00:01:45,240 --> 00:01:48,720 Speaker 1: in just for the chat. Apparently woods very exciting. 34 00:01:48,840 --> 00:01:50,680 Speaker 2: Gotta be a big one. If they've flown in, you 35 00:01:50,720 --> 00:01:53,040 Speaker 2: think so well. A man has gone to prison for 36 00:01:53,120 --> 00:01:55,480 Speaker 2: his wife. Phenomenal story. I'll explain it. 37 00:01:55,880 --> 00:01:56,000 Speaker 3: So. 38 00:01:56,040 --> 00:01:59,360 Speaker 2: It's illegal to go into transit areas of airports in 39 00:01:59,440 --> 00:02:03,600 Speaker 2: Singapore if you're not flying. Okay, yeah, so I mean 40 00:02:03,640 --> 00:02:05,840 Speaker 2: that little gate area. You can't go in there if 41 00:02:05,840 --> 00:02:07,880 Speaker 2: you're not actually flying. It is literally illegal and you 42 00:02:08,000 --> 00:02:11,320 Speaker 2: face jail time. Anyway, a bloke loves his wife so 43 00:02:11,440 --> 00:02:14,440 Speaker 2: much that he goes, you know what, stuff the law. 44 00:02:15,400 --> 00:02:17,520 Speaker 2: I'm going to go into the transit area and I'm 45 00:02:17,520 --> 00:02:29,399 Speaker 2: going to say goodbye to the woman that I love. 46 00:02:26,200 --> 00:02:34,040 Speaker 4: But I want to. 47 00:02:33,440 --> 00:02:33,800 Speaker 1: Anyway. 48 00:02:33,840 --> 00:02:36,680 Speaker 2: He's now facing two years jail time and a twenty 49 00:02:36,760 --> 00:02:38,000 Speaker 2: thousand dollars fine. 50 00:02:37,880 --> 00:02:39,680 Speaker 1: Oh my god. 51 00:02:40,000 --> 00:02:41,560 Speaker 2: He probably should have said goodbye to her in the 52 00:02:41,560 --> 00:02:45,560 Speaker 2: car out the front two is jail, two years jail. Wowah, 53 00:02:45,600 --> 00:02:47,440 Speaker 2: pretty serious stuff question for you, though. 54 00:02:47,320 --> 00:02:48,600 Speaker 4: Will, Yeah, yeah, yeah yeah. 55 00:02:48,600 --> 00:02:50,200 Speaker 1: Would I go to jail for my girlfriend? 56 00:02:50,680 --> 00:02:52,680 Speaker 2: Well, that's quite specific. I was going to ask you, 57 00:02:52,720 --> 00:02:57,079 Speaker 2: what is the biggest sacrifice you have made for love? 58 00:02:57,320 --> 00:03:00,960 Speaker 2: I mean, do you get better than the Singapore dude? 59 00:03:02,480 --> 00:03:08,120 Speaker 1: That's a good question, Woods. Thanks well, I sacrificed my 60 00:03:08,120 --> 00:03:09,280 Speaker 1: living room for my girlfriend. 61 00:03:09,440 --> 00:03:10,720 Speaker 2: Oh you did. 62 00:03:11,000 --> 00:03:12,799 Speaker 1: We went couch shopping the other day. I had a black, 63 00:03:13,240 --> 00:03:18,080 Speaker 1: black leather couch for a while and we ended up 64 00:03:18,120 --> 00:03:23,519 Speaker 1: buying a pink one. Wow, and the living room's gone. Man. 65 00:03:23,560 --> 00:03:24,400 Speaker 2: How much did it cost? 66 00:03:24,480 --> 00:03:26,799 Speaker 1: Well, no know how much? 67 00:03:26,919 --> 00:03:26,959 Speaker 4: No? 68 00:03:27,200 --> 00:03:29,640 Speaker 2: No, how much did the pink couch costs? 69 00:03:29,919 --> 00:03:31,919 Speaker 1: We've got a second hand. It was fifty bucks? 70 00:03:32,160 --> 00:03:34,720 Speaker 5: No, no, no, no, I remember it was ten thousand dollars. 71 00:03:36,880 --> 00:03:39,720 Speaker 5: You paid ten thousand dollars. So you've sacrificed your bank 72 00:03:39,760 --> 00:03:44,720 Speaker 5: accounts and the aesthetic of your living room. Pretty good sacrifice, Will, 73 00:03:45,240 --> 00:03:47,560 Speaker 5: I want to ask you, guys. Now, our number is 74 00:03:47,720 --> 00:03:52,160 Speaker 5: thirteen one oh six ' five. What is the biggest 75 00:03:52,200 --> 00:03:54,560 Speaker 5: sacrifice you've made for love? 76 00:03:55,600 --> 00:03:56,640 Speaker 6: Yeah? 77 00:03:57,120 --> 00:03:58,960 Speaker 1: Reach dp, guys, reached. 78 00:03:58,960 --> 00:04:01,040 Speaker 2: I mean it's hard to beat ten thousand dollars pink 79 00:04:01,040 --> 00:04:02,800 Speaker 2: cats living room a thousand? 80 00:04:03,280 --> 00:04:05,440 Speaker 1: No, it wasn't It was a thousand. Let's go to 81 00:04:05,440 --> 00:04:08,480 Speaker 1: the cool show question. We're talking about the biggest sacrifices 82 00:04:08,480 --> 00:04:09,040 Speaker 1: you've made. 83 00:04:08,840 --> 00:04:26,640 Speaker 4: For love, but I won't toppurrently. 84 00:04:21,240 --> 00:04:24,719 Speaker 2: In the leads is your very own Will McMahon? Well, 85 00:04:24,800 --> 00:04:28,040 Speaker 2: come on, now, who's sacrificed? He's living room. He has 86 00:04:28,040 --> 00:04:28,960 Speaker 2: a pink couch in there. 87 00:04:29,200 --> 00:04:31,640 Speaker 1: Living room's gone, guys, I'll give you the house is gone. 88 00:04:31,839 --> 00:04:33,000 Speaker 2: Yeah, I think so. 89 00:04:33,120 --> 00:04:35,479 Speaker 1: I can't have any man over for beers anymore. Pink couch, 90 00:04:35,560 --> 00:04:38,560 Speaker 1: you walk straight out and I have We've got to 91 00:04:38,600 --> 00:04:38,960 Speaker 1: high leave. 92 00:04:39,000 --> 00:04:42,240 Speaker 2: That's called highly. What's the biggest sacrifice you've made for love? 93 00:04:43,320 --> 00:04:44,080 Speaker 1: Okay, I. 94 00:04:45,600 --> 00:04:49,560 Speaker 7: Missed out on doing a guest I'm finishing school. It 95 00:04:49,600 --> 00:04:52,760 Speaker 7: was always something I had on my mind with with 96 00:04:52,920 --> 00:04:54,960 Speaker 7: my boyfriend at the time and his job, like he 97 00:04:54,960 --> 00:04:56,240 Speaker 7: couldn't really leave, and I. 98 00:04:56,120 --> 00:04:58,039 Speaker 8: Guess it was too hard to sort of stay. 99 00:04:58,040 --> 00:05:03,640 Speaker 1: Goodbye, Hailey So you sacrificed the gap year holiday. 100 00:05:04,160 --> 00:05:06,560 Speaker 7: Isn't it the same as you know, living and working? 101 00:05:07,040 --> 00:05:11,120 Speaker 1: It's not, it's not. You sound regretful, Howley, I'd break 102 00:05:11,160 --> 00:05:13,320 Speaker 1: up with him. We've got Robber's called on thirty one 103 00:05:13,520 --> 00:05:15,080 Speaker 1: sixth fight. Well, seriously, do you have regretful? 104 00:05:15,120 --> 00:05:15,520 Speaker 3: She sound? 105 00:05:15,520 --> 00:05:18,159 Speaker 1: Get over it, mate, you're with him, You're with him. 106 00:05:18,240 --> 00:05:20,480 Speaker 1: It's gone. I mean we all sat here. I mean 107 00:05:20,480 --> 00:05:22,120 Speaker 1: that's I know that's the phone topic. But you know 108 00:05:22,200 --> 00:05:24,000 Speaker 1: you meant to be like, I've sacrificed it, but geez, 109 00:05:24,000 --> 00:05:26,120 Speaker 1: I'm happy. I'm with them. We've got Rob here on 110 00:05:26,240 --> 00:05:29,640 Speaker 1: thirty one o six five from how are You going good? 111 00:05:29,839 --> 00:05:31,000 Speaker 1: Want to be sacrificed for Rob? 112 00:05:31,080 --> 00:05:33,800 Speaker 6: For love, I moved to Australia from London. 113 00:05:34,560 --> 00:05:36,880 Speaker 9: In London and there you go. 114 00:05:39,360 --> 00:05:40,960 Speaker 2: I mean, it's not that bad here, though, Rob, like, 115 00:05:40,960 --> 00:05:43,960 Speaker 2: it's not. You've moved to Middle Earth. The weather's better here, 116 00:05:44,000 --> 00:05:46,000 Speaker 2: the beaches are better here. You've upgraded, Rob. 117 00:05:46,800 --> 00:05:48,760 Speaker 10: I've never been back. I've never been back. 118 00:05:49,360 --> 00:05:51,000 Speaker 1: A sacrifice sacrifice at all? 119 00:05:51,720 --> 00:05:53,599 Speaker 10: Well, it is on the northern beaches, I said. 120 00:05:53,520 --> 00:05:59,359 Speaker 2: Mate, very good. Thanks, we got Anna here and now 121 00:05:59,400 --> 00:06:01,480 Speaker 2: what's the biggest sacrifice you've made for love? 122 00:06:02,240 --> 00:06:05,039 Speaker 8: Oh guys, Like, that's pretty selfless of those two, but 123 00:06:05,120 --> 00:06:09,919 Speaker 8: mine's much better. My partner is a massive Mint life 124 00:06:09,960 --> 00:06:13,560 Speaker 8: fan and I'm Tim Tam and we decided that we 125 00:06:13,600 --> 00:06:14,800 Speaker 8: need to be good, so we're only going to hit 126 00:06:14,839 --> 00:06:16,320 Speaker 8: one biscuit packet a week. 127 00:06:16,680 --> 00:06:25,640 Speaker 11: Oh no, cave, well done, Anna, that's I mean that 128 00:06:26,320 --> 00:06:27,039 Speaker 11: that takes the cake. 129 00:06:28,080 --> 00:06:30,920 Speaker 1: Absolutely has to shocking. 130 00:06:31,160 --> 00:06:33,479 Speaker 2: You can't do it like a week by week process 131 00:06:33,480 --> 00:06:34,840 Speaker 2: where you go the Timmy is one week and the 132 00:06:34,880 --> 00:06:35,840 Speaker 2: Mints last the next week. 133 00:06:36,440 --> 00:06:38,880 Speaker 8: Surely I'm too selfless? 134 00:06:39,120 --> 00:06:44,760 Speaker 1: Yeah, God, savagery of the cap. Well done. Have you 135 00:06:44,839 --> 00:06:46,960 Speaker 1: got a secret to Eleven's coming out? I mean, you 136 00:06:46,960 --> 00:06:49,600 Speaker 1: can travel across countenance woods, but you can't give up 137 00:06:49,600 --> 00:06:54,400 Speaker 1: your business friendly dreaming service. Chuby Chuby is apparently out. 138 00:06:54,640 --> 00:06:56,839 Speaker 1: Is it to be or chuby will I'm not sure, 139 00:06:57,480 --> 00:06:59,479 Speaker 1: but look a lot of people are saying that to 140 00:06:59,640 --> 00:07:02,120 Speaker 1: be no good because you know, like like it's free, 141 00:07:02,120 --> 00:07:04,159 Speaker 1: that's the big cell. But a lot of the shows aren't, 142 00:07:04,480 --> 00:07:06,920 Speaker 1: you know, bang on, Yeah, you know, they're not big 143 00:07:06,960 --> 00:07:09,360 Speaker 1: shows and that's why it's free. And I disagree. I'm 144 00:07:09,360 --> 00:07:11,440 Speaker 1: on the website right now having a quick look around. 145 00:07:11,200 --> 00:07:12,200 Speaker 2: I'll chuck us a few titles. 146 00:07:12,200 --> 00:07:15,040 Speaker 1: Well, I actually reckon that the second season of Celebrity 147 00:07:15,040 --> 00:07:17,040 Speaker 1: Big Bash was actually a really a big splash, was 148 00:07:17,080 --> 00:07:18,640 Speaker 1: actually a really good show. I mean that was a 149 00:07:18,680 --> 00:07:21,600 Speaker 1: cracker I know about you. That got me going. 150 00:07:22,800 --> 00:07:24,440 Speaker 2: I watched every episode, that's for sure. I think that 151 00:07:24,720 --> 00:07:27,160 Speaker 2: had a great job. And you know what's more entertaining 152 00:07:27,160 --> 00:07:29,440 Speaker 2: than watching someone dove of a jumping board into some water. 153 00:07:30,760 --> 00:07:34,920 Speaker 1: Hey, sixty grades of separation continues after five o'clock. We 154 00:07:35,080 --> 00:07:38,400 Speaker 1: got so close, guys, we nearly had to pull the 155 00:07:38,600 --> 00:07:41,920 Speaker 1: pin on the whole thing. Unfortunately about our fifth call, 156 00:07:42,200 --> 00:07:45,080 Speaker 1: but we've thrown out the rule book and we just think, 157 00:07:45,200 --> 00:07:46,600 Speaker 1: what the hell we're going to go to for Keanu 158 00:07:46,680 --> 00:07:48,560 Speaker 1: Reees anyway, So we're going to make another call, which 159 00:07:48,560 --> 00:07:50,600 Speaker 1: will technically be our sixth call, but it is to 160 00:07:51,480 --> 00:07:56,640 Speaker 1: Keanu Reeves's personal motorbike designer. So guys, we can smell it. 161 00:07:56,760 --> 00:07:58,840 Speaker 1: Please stay with us. It's coming up really shortly, and 162 00:07:58,840 --> 00:08:00,960 Speaker 1: I reckon we're going to get him so exciting times 163 00:08:01,000 --> 00:08:02,840 Speaker 1: here on, William, what do you plus? Secret? Celebt's gonna 164 00:08:02,840 --> 00:08:04,160 Speaker 1: come in the studio right up next. The boys are 165 00:08:04,160 --> 00:08:08,240 Speaker 1: going to get blindfolded. This person has flown in specifically 166 00:08:08,280 --> 00:08:10,400 Speaker 1: for this chat. Very excited looking forward to it. If 167 00:08:10,440 --> 00:08:12,160 Speaker 1: you just got your calves, we've got a delicious little 168 00:08:12,200 --> 00:08:14,080 Speaker 1: game for you right now. 169 00:08:14,240 --> 00:08:25,040 Speaker 12: Secret Celeb, Secret celeb woards. 170 00:08:25,080 --> 00:08:26,840 Speaker 1: Basically, the way this works is so you and I 171 00:08:26,840 --> 00:08:29,040 Speaker 1: get blindfolded, a celeb comes in here and we have 172 00:08:29,160 --> 00:08:30,880 Speaker 1: to try and guess who it is. 173 00:08:31,760 --> 00:08:34,880 Speaker 2: Basically, we get five questions, so we go back and forth. 174 00:08:35,040 --> 00:08:35,800 Speaker 2: If we don't get. 175 00:08:35,679 --> 00:08:38,800 Speaker 1: Five questions, tops, that's it. And if we don't get them, 176 00:08:38,840 --> 00:08:40,240 Speaker 1: then they're just going to walk out of here. 177 00:08:40,600 --> 00:08:42,880 Speaker 2: Yep, what Yeah, you didn't tell me that part. 178 00:08:43,000 --> 00:08:44,600 Speaker 1: No, that's the deal. If we don't get it in five, 179 00:08:44,640 --> 00:08:45,400 Speaker 1: they're gone. 180 00:08:45,280 --> 00:08:48,200 Speaker 2: Okay, fair enough, all right, bring in the celeb. 181 00:08:47,800 --> 00:08:49,000 Speaker 1: Which would be bad radio. 182 00:08:49,520 --> 00:08:49,720 Speaker 12: Yeah. 183 00:08:49,720 --> 00:08:51,520 Speaker 1: And also we you know, because we're disappointing because we 184 00:08:51,520 --> 00:08:52,319 Speaker 1: want to talk to celebrity. 185 00:08:52,400 --> 00:08:53,040 Speaker 2: Yeah, of course. 186 00:08:55,040 --> 00:08:56,840 Speaker 10: It's the very sexy goggles guys. 187 00:08:59,360 --> 00:09:01,679 Speaker 2: So the sp has good taste and we know she's 188 00:09:01,679 --> 00:09:03,280 Speaker 2: a female. Now we don't have to ask that question. 189 00:09:03,280 --> 00:09:03,920 Speaker 2: Will very good? 190 00:09:04,080 --> 00:09:06,320 Speaker 1: Well, we normally introduced that pretty quickly. All right, so 191 00:09:06,400 --> 00:09:09,520 Speaker 1: we've got five questions. We have to try and figure 192 00:09:09,520 --> 00:09:12,000 Speaker 1: out who you are let's kick it off. 193 00:09:12,360 --> 00:09:14,960 Speaker 2: Okay, what is your occupation? Secret slip? 194 00:09:15,040 --> 00:09:17,040 Speaker 1: Are you just getting straight into it? 195 00:09:17,480 --> 00:09:17,800 Speaker 10: Singer? 196 00:09:18,040 --> 00:09:24,800 Speaker 1: Singer? Yeah, okay, Ossie singer sounds like an Australian. 197 00:09:24,880 --> 00:09:29,360 Speaker 2: Oh yeah, good mama. My second question was what country you. 198 00:09:31,360 --> 00:09:36,240 Speaker 1: Don't pursue your career as a private investigator? Okay, would 199 00:09:36,280 --> 00:09:40,359 Speaker 1: we still play songs on this station of yours? 200 00:09:40,760 --> 00:09:41,240 Speaker 10: I think so? 201 00:09:41,480 --> 00:09:42,520 Speaker 1: Okay, all right. 202 00:09:42,440 --> 00:09:45,600 Speaker 2: I think so okay? Okay, singer. 203 00:09:45,679 --> 00:09:51,920 Speaker 1: So that's either like, okay, yeah. 204 00:09:50,240 --> 00:09:53,440 Speaker 2: What were you once in a band called Killing Heidi? 205 00:09:54,559 --> 00:09:55,080 Speaker 1: Al No? 206 00:09:56,320 --> 00:10:01,160 Speaker 10: Sorry, I was released around this same time. There you go, 207 00:10:01,400 --> 00:10:03,480 Speaker 10: you were around the same time. 208 00:10:03,960 --> 00:10:05,319 Speaker 2: Cookie? Thank you for the cookie. 209 00:10:06,080 --> 00:10:06,560 Speaker 13: Female. 210 00:10:07,920 --> 00:10:09,240 Speaker 1: Okay, hang on a second. 211 00:10:10,320 --> 00:10:13,160 Speaker 10: The only thing that really serious now it's freaking me out. 212 00:10:13,240 --> 00:10:15,080 Speaker 1: Well, if we don't get it, then you just walk 213 00:10:15,160 --> 00:10:18,920 Speaker 1: out of here. So here's the thing I think that 214 00:10:18,960 --> 00:10:21,120 Speaker 1: we're playing you in like our KI history catalog, like 215 00:10:21,160 --> 00:10:23,280 Speaker 1: you know, like dipping back into the naughties or something 216 00:10:23,320 --> 00:10:23,600 Speaker 1: like that. 217 00:10:23,800 --> 00:10:24,719 Speaker 10: That's sad, isn't it? 218 00:10:24,800 --> 00:10:28,080 Speaker 1: Well? But that's it, isn't it? And I've managed to 219 00:10:28,080 --> 00:10:29,720 Speaker 1: not ask a question here was and I've still got 220 00:10:29,720 --> 00:10:31,719 Speaker 1: an answer out of here. So I'm running hot. Good 221 00:10:31,760 --> 00:10:40,160 Speaker 1: format history Aussie woman. Oh you can, I guess. 222 00:10:40,000 --> 00:10:40,560 Speaker 2: Okay you go? 223 00:10:41,679 --> 00:10:42,760 Speaker 1: Are you? Nikki Webster? 224 00:10:44,360 --> 00:10:48,160 Speaker 10: No, Jez but around the same time as but there 225 00:10:48,240 --> 00:10:49,840 Speaker 10: was other records that were released. 226 00:10:50,480 --> 00:10:56,960 Speaker 1: One more questions, Jesus okay, Nick Webster? Hand I made 227 00:10:57,000 --> 00:10:59,600 Speaker 1: two secs? Is Natalie and Brulia Australian? 228 00:11:00,160 --> 00:11:00,400 Speaker 2: Yeah? 229 00:11:00,520 --> 00:11:03,800 Speaker 1: She is, but she doesn't doesn't sound like this, does she? 230 00:11:04,440 --> 00:11:09,160 Speaker 1: That's what I'm thinking. It's that area what you've got it? 231 00:11:08,040 --> 00:11:08,199 Speaker 8: Yeah? 232 00:11:09,440 --> 00:11:11,360 Speaker 2: Do you want me to go for it? Because I 233 00:11:11,480 --> 00:11:15,960 Speaker 2: really really really like this artist. I'm actually it is you. 234 00:11:16,000 --> 00:11:18,960 Speaker 2: I've done a duet with you what you probably won't remember. 235 00:11:19,280 --> 00:11:21,040 Speaker 1: Recorded or just like spontaneous? 236 00:11:21,120 --> 00:11:21,160 Speaker 3: No? 237 00:11:21,320 --> 00:11:24,920 Speaker 2: Was it a ladies lunch at a racist day? 238 00:11:24,920 --> 00:11:33,679 Speaker 1: Great? Vanessa Rossi, I remember that, man. 239 00:11:33,520 --> 00:11:35,720 Speaker 10: That was pretty scary, flashing all the way back to 240 00:11:35,800 --> 00:11:40,720 Speaker 10: Nikki web Holy hell, Yeah, I'm good. 241 00:11:40,800 --> 00:11:45,600 Speaker 1: How are you guys? Well, we've got in the studio, 242 00:11:45,600 --> 00:11:47,760 Speaker 1: which is very exciting stuff. I'm sure people want to 243 00:11:47,760 --> 00:11:50,760 Speaker 1: stick around hear more from her. Thankfully she's not going anywhere. 244 00:11:51,000 --> 00:11:51,760 Speaker 1: And yes, are you. 245 00:11:51,760 --> 00:11:52,440 Speaker 4: Happy to stick around? 246 00:11:52,480 --> 00:11:52,640 Speaker 2: Yeah? 247 00:11:52,640 --> 00:11:55,400 Speaker 1: Of course beautiful? All right, well, Vaness tram Rossi is 248 00:11:55,400 --> 00:11:58,559 Speaker 1: going to sticker out Vanessa and Morossi, who was our 249 00:11:58,640 --> 00:12:01,640 Speaker 1: secret salam this and she's in the studio with us 250 00:12:01,720 --> 00:12:10,960 Speaker 1: right now, so many songs, and we're finding out. The 251 00:12:11,080 --> 00:12:13,120 Speaker 1: reason that we ended up guessing when thesa is because 252 00:12:13,160 --> 00:12:16,280 Speaker 1: apparently you did a duet for this one. 253 00:12:16,320 --> 00:12:18,400 Speaker 10: I can't remember half my life, don't quiz. 254 00:12:18,200 --> 00:12:22,120 Speaker 2: Me, you don't. I mean, surely it was a great 255 00:12:22,120 --> 00:12:22,880 Speaker 2: moment between the two. 256 00:12:23,040 --> 00:12:26,320 Speaker 10: It was incredible. It was Do I remember yesterday? Probably not? 257 00:12:28,360 --> 00:12:28,440 Speaker 1: No. 258 00:12:28,600 --> 00:12:31,800 Speaker 10: You know what's crazy is that I get so many flashbacks, 259 00:12:31,840 --> 00:12:34,320 Speaker 10: like when I do gigs in certain different places. I mean, 260 00:12:34,400 --> 00:12:36,400 Speaker 10: my members of my band say we've been here like 261 00:12:36,559 --> 00:12:39,840 Speaker 10: twenty times and I can't remember until I do the performance, 262 00:12:39,840 --> 00:12:40,800 Speaker 10: and I go, oh, that's right. 263 00:12:40,880 --> 00:12:41,719 Speaker 2: It's like they do. 264 00:12:42,240 --> 00:12:46,040 Speaker 10: But yeah, the majority of my life is completely blurred 265 00:12:46,080 --> 00:12:46,920 Speaker 10: and muddled up. 266 00:12:47,080 --> 00:12:49,040 Speaker 1: They say that you remember everything, you just need the 267 00:12:49,120 --> 00:12:50,440 Speaker 1: right key to open the memory. 268 00:12:50,600 --> 00:12:54,680 Speaker 10: Probably, yeah, I'd need a lot of keys, a lot 269 00:12:54,920 --> 00:12:55,400 Speaker 10: of keys. 270 00:12:57,080 --> 00:12:59,320 Speaker 1: That's amazing. You had a moment where you're like you 271 00:12:59,360 --> 00:13:01,800 Speaker 1: didn't expect remember something at all, and then you remembered it. 272 00:13:01,960 --> 00:13:03,880 Speaker 10: Yeah, but it's like not something you want to raise 273 00:13:03,920 --> 00:13:10,199 Speaker 10: it and it's got really nothing to do with music, Okay, 274 00:13:10,280 --> 00:13:12,720 Speaker 10: so I was checking in for the airport and I 275 00:13:12,880 --> 00:13:15,760 Speaker 10: had one of these things that they called them enjoy 276 00:13:15,840 --> 00:13:18,280 Speaker 10: Gently's right, and there's like this machine. It makes a 277 00:13:18,280 --> 00:13:20,360 Speaker 10: lot of noise and rips the hair out of your legs. 278 00:13:20,920 --> 00:13:21,240 Speaker 13: Right. 279 00:13:21,320 --> 00:13:24,199 Speaker 10: So anyway, it was one. I charged it because obviously 280 00:13:24,240 --> 00:13:26,360 Speaker 10: I was going to Germany and I couldn't charge it there, 281 00:13:26,480 --> 00:13:28,400 Speaker 10: so I thought, great, I've charged it, putting my bag, 282 00:13:28,520 --> 00:13:30,160 Speaker 10: checked it in, and then I get called to the 283 00:13:30,200 --> 00:13:34,679 Speaker 10: gate because my bag is vibrating. But it becomes this 284 00:13:34,840 --> 00:13:39,040 Speaker 10: big thing when everybody starts circling around the gate. 285 00:13:40,120 --> 00:13:40,840 Speaker 1: Come to the gate. 286 00:13:40,920 --> 00:13:45,360 Speaker 10: Ah oh yeah, and so everybody's staring at me. I'm like, 287 00:13:45,440 --> 00:13:47,960 Speaker 10: oh god, right now. And I get to the gate 288 00:13:48,120 --> 00:13:50,360 Speaker 10: and then I've got all the people that are grounding 289 00:13:50,400 --> 00:13:52,280 Speaker 10: and putting the bags and there all of them are 290 00:13:52,320 --> 00:13:54,400 Speaker 10: standing there, and then all the hosts and they're all like. 291 00:13:54,679 --> 00:13:57,760 Speaker 1: Ma'am, your bag is vibrating my bag? 292 00:13:58,200 --> 00:13:59,640 Speaker 10: They go yeah, really late. 293 00:14:00,040 --> 00:14:01,839 Speaker 13: I can just imagine it because this thing, if you've 294 00:14:01,880 --> 00:14:06,240 Speaker 13: ever seen these machines, they're like raus like it's not 295 00:14:06,280 --> 00:14:10,400 Speaker 13: a friendly sounding, like something is attacking. 296 00:14:11,280 --> 00:14:13,720 Speaker 10: So my bag must have been just going off its 297 00:14:13,720 --> 00:14:16,079 Speaker 10: face for ages and by the time I got to it, 298 00:14:16,080 --> 00:14:19,240 Speaker 10: it wasn't vibrating anymore. And so they go, ma'am, it 299 00:14:19,280 --> 00:14:21,600 Speaker 10: can't be on in the flight, and I go, I 300 00:14:21,600 --> 00:14:23,600 Speaker 10: don't even know what it is, like, I have no idea. 301 00:14:23,680 --> 00:14:26,120 Speaker 10: I had to open my bag. And as I'm opening it, 302 00:14:26,240 --> 00:14:29,520 Speaker 10: like I swear, twenty people are staring at me. They're 303 00:14:29,560 --> 00:14:32,480 Speaker 10: thinking it's something else, and so they're all waiting for 304 00:14:32,560 --> 00:14:36,600 Speaker 10: the moment. Aha. The lady goes to me, do you 305 00:14:36,640 --> 00:14:37,400 Speaker 10: want privacy? 306 00:14:37,520 --> 00:14:39,120 Speaker 1: I go, I'm not hiding anything. 307 00:14:40,600 --> 00:14:45,200 Speaker 2: How with stage outfits, boots, fish net stockings and anyway. 308 00:14:45,040 --> 00:14:46,920 Speaker 10: I ended up finding it and it wouldn't turn on 309 00:14:46,960 --> 00:14:48,440 Speaker 10: because I wanted to be able to say, guys, this 310 00:14:48,560 --> 00:14:51,040 Speaker 10: is what it is. I'm sorry, but all of them 311 00:14:51,120 --> 00:15:00,200 Speaker 10: were like, oh, hell no, that dirty. They totally so 312 00:15:00,320 --> 00:15:02,280 Speaker 10: that is so funny, and it was flat, so I 313 00:15:02,280 --> 00:15:03,160 Speaker 10: couldn't even show them. 314 00:15:03,160 --> 00:15:03,960 Speaker 1: I'm like, all right. 315 00:15:04,000 --> 00:15:06,440 Speaker 10: But it was called and enjoy gently, which nothing was 316 00:15:06,520 --> 00:15:07,320 Speaker 10: gingle about it. 317 00:15:07,720 --> 00:15:09,320 Speaker 1: It's enjoyable. 318 00:15:09,800 --> 00:15:11,960 Speaker 10: It was like a tortured device in my bags. 319 00:15:12,000 --> 00:15:14,720 Speaker 1: Anyway, that is amazing. So that's a random memory just 320 00:15:15,040 --> 00:15:17,560 Speaker 1: in this story. The thing that was vibrating in her 321 00:15:17,560 --> 00:15:21,400 Speaker 1: bag called enjoy gently was a hair removing device. 322 00:15:21,520 --> 00:15:27,600 Speaker 10: Yes, everybody hair removal yes, so many of you have 323 00:15:27,640 --> 00:15:29,720 Speaker 10: no idea amazing plenty of money. 324 00:15:29,720 --> 00:15:32,360 Speaker 1: Well, I'm sure what the reason that you are in 325 00:15:32,400 --> 00:15:34,560 Speaker 1: here and people can make their own memories with you now. 326 00:15:34,840 --> 00:15:36,920 Speaker 1: Vanessa got a brand new single, Hello Me, which is 327 00:15:36,920 --> 00:15:39,640 Speaker 1: out on the sixth of September. Yeah, and you're touring, 328 00:15:39,920 --> 00:15:42,560 Speaker 1: You're gonna be you ain't doing doing it all, my friend. 329 00:15:42,800 --> 00:15:45,320 Speaker 1: You're in some killed art Memo Hall, You're in Darwin, 330 00:15:45,400 --> 00:15:49,560 Speaker 1: Loncesse and Sydney, Brisbane and then you're all throughout November 331 00:15:49,600 --> 00:15:51,360 Speaker 1: and December with one electric day. People can go and 332 00:15:51,400 --> 00:15:56,360 Speaker 1: see tickets from Ticketmaster from that one. Congratulations, I love it. 333 00:15:56,360 --> 00:15:57,880 Speaker 10: It's nice to be back on the road again. I 334 00:15:58,120 --> 00:16:01,160 Speaker 10: went for a while just making staff in studios like 335 00:16:01,200 --> 00:16:04,920 Speaker 10: a little dungeon in La Yeah, and I just didn't 336 00:16:04,960 --> 00:16:06,640 Speaker 10: really step back on a stage for a long time. 337 00:16:06,680 --> 00:16:08,520 Speaker 10: So it's been really nice to do the other side 338 00:16:08,520 --> 00:16:09,040 Speaker 10: of music. 339 00:16:09,440 --> 00:16:11,600 Speaker 1: Thank you so much for coming in. Thank you, thanks 340 00:16:11,640 --> 00:16:15,960 Speaker 1: for coming INDs. You've got something lined up, yeah. 341 00:16:15,840 --> 00:16:19,120 Speaker 2: Well I do will. So It's Father's Day this Sunday, 342 00:16:19,120 --> 00:16:23,520 Speaker 2: which is really exciting and I thought it would be 343 00:16:23,560 --> 00:16:27,400 Speaker 2: a really good idea to call my dad up next 344 00:16:28,960 --> 00:16:34,360 Speaker 2: and telling tell him something that I don't know why, 345 00:16:34,480 --> 00:16:40,920 Speaker 2: but I'm I've previously been really uncomfortable talking about. 346 00:16:39,800 --> 00:16:41,920 Speaker 1: You want to say e implicitly what that is? 347 00:16:42,520 --> 00:16:45,480 Speaker 2: Yeah, I want to tell him I love him. Okay, 348 00:16:45,640 --> 00:16:48,160 Speaker 2: And for people listening, that might sound really weird that 349 00:16:48,200 --> 00:16:52,480 Speaker 2: I feel really uncomfortable about that, but I've had like 350 00:16:52,520 --> 00:16:55,920 Speaker 2: a masculinity complex thing going on where for I just 351 00:16:55,960 --> 00:17:00,200 Speaker 2: get nervous and anxious around telling my dad that I 352 00:17:00,240 --> 00:17:03,800 Speaker 2: love him and I don't respect anyone more than him 353 00:17:03,800 --> 00:17:07,439 Speaker 2: in the world. Yeah, but I've never told him that. 354 00:17:08,080 --> 00:17:11,800 Speaker 1: So what's the best, Like, has he told you that? 355 00:17:12,640 --> 00:17:15,520 Speaker 2: Yeah, he has, he has, he has. We wouldn't say 356 00:17:15,560 --> 00:17:18,600 Speaker 2: that to each other a lot. We very rarely say 357 00:17:18,600 --> 00:17:21,240 Speaker 2: that to each other. Yeah, I know he does love me, Yeah, 358 00:17:21,240 --> 00:17:25,959 Speaker 2: because of how much he does for me, and I 359 00:17:26,000 --> 00:17:29,000 Speaker 2: do feel that. I don't feel unloved. But for whatever reason, 360 00:17:29,920 --> 00:17:31,760 Speaker 2: me and him have a very joky relationship. If you've 361 00:17:31,800 --> 00:17:34,760 Speaker 2: heard the show, I'm not often serious. 362 00:17:34,880 --> 00:17:38,120 Speaker 1: Yeah, yeah, you use humor as a as a lubricant 363 00:17:38,280 --> 00:17:39,960 Speaker 1: within the relationship. 364 00:17:39,359 --> 00:17:41,040 Speaker 2: And both of us do that. Yeah yeah, yeah, So 365 00:17:41,080 --> 00:17:42,880 Speaker 2: if ever there's a serious thing between men and dad, 366 00:17:42,920 --> 00:17:45,840 Speaker 2: we are both like machine guns with jokes. Yeah, yeah, 367 00:17:45,840 --> 00:17:46,840 Speaker 2: to get out of that situation. 368 00:17:46,920 --> 00:17:49,960 Speaker 1: Yeah, So, which is great to be Which is definitely 369 00:17:50,000 --> 00:17:52,400 Speaker 1: something which is wonderful to be around in a tough situation. 370 00:17:52,640 --> 00:17:58,000 Speaker 1: But you're saying that's been an obstacle to often getting 371 00:17:58,000 --> 00:17:59,280 Speaker 1: really in touch with each other. 372 00:17:59,640 --> 00:18:03,679 Speaker 2: Yeah, And I think I'm hoping to hear that it'll 373 00:18:03,720 --> 00:18:07,000 Speaker 2: take our relationship to another level because we can express 374 00:18:07,040 --> 00:18:09,120 Speaker 2: the way we feel yeah, okay to each other. 375 00:18:09,560 --> 00:18:11,040 Speaker 1: So I reckon there are a lot of guys that 376 00:18:11,080 --> 00:18:16,200 Speaker 1: are listening out there that would would totally empathize with this. 377 00:18:16,600 --> 00:18:18,320 Speaker 1: There's lots of men that would struggle to tell their 378 00:18:18,359 --> 00:18:20,280 Speaker 1: dads that they love him. It would probably regret not 379 00:18:20,520 --> 00:18:22,640 Speaker 1: having told them as well if they're passed away. 380 00:18:22,760 --> 00:18:25,440 Speaker 2: Well yeah, Wayne Schwass, who was a former AFL footballer, 381 00:18:25,480 --> 00:18:27,679 Speaker 2: he actually I actually heard him talk about it, and 382 00:18:27,720 --> 00:18:29,359 Speaker 2: he really never used to tell his dad that he 383 00:18:29,359 --> 00:18:31,320 Speaker 2: loved him and had a really much real relationship with 384 00:18:31,359 --> 00:18:34,680 Speaker 2: his dad. Yeah, and it took him until his forties 385 00:18:34,720 --> 00:18:37,120 Speaker 2: to tell his dad. Okay, all right. 386 00:18:37,040 --> 00:18:38,520 Speaker 1: So what are we going to do? What do you 387 00:18:38,560 --> 00:18:38,800 Speaker 1: want to do? 388 00:18:38,800 --> 00:18:39,960 Speaker 2: You want to call? So I want to go to 389 00:18:40,040 --> 00:18:42,040 Speaker 2: a song. We'll call him up next. So I want 390 00:18:42,040 --> 00:18:44,320 Speaker 2: to tell him that I love him and that I 391 00:18:44,440 --> 00:18:46,080 Speaker 2: respect him more than anyone in the world. And then 392 00:18:46,320 --> 00:18:49,000 Speaker 2: Dad actually writes poems for people at the moment. It's 393 00:18:49,040 --> 00:18:51,959 Speaker 2: his thing now. He writes poems for anyone close to him, 394 00:18:51,960 --> 00:18:54,199 Speaker 2: which I really really respect. And I've actually written him 395 00:18:54,200 --> 00:18:56,040 Speaker 2: a poem that I want to read to him on 396 00:18:56,119 --> 00:18:56,520 Speaker 2: the phone. 397 00:18:56,600 --> 00:18:59,320 Speaker 1: Okay, all right, Well, look, I know you've planned to 398 00:18:59,320 --> 00:19:03,920 Speaker 1: do this on the phone, but I've got ahead of 399 00:19:03,920 --> 00:19:07,840 Speaker 1: you a little bit here because you told the producers 400 00:19:07,880 --> 00:19:11,880 Speaker 1: that you were planning on doing this. I've actually called 401 00:19:11,880 --> 00:19:17,919 Speaker 1: you Dad earlier today and I've actually brought him in, sucking. 402 00:19:19,000 --> 00:19:20,760 Speaker 1: I'm sorry this makes a bit more hectic for you, 403 00:19:20,840 --> 00:19:21,480 Speaker 1: but I. 404 00:19:21,480 --> 00:19:22,480 Speaker 2: Don't know why I'm feeling. 405 00:19:22,960 --> 00:19:24,480 Speaker 1: I thought I just thought this would be a nice 406 00:19:24,600 --> 00:19:27,359 Speaker 1: I thought, you know, if you're gonna tell him, yeah, well, yeah, 407 00:19:27,400 --> 00:19:29,440 Speaker 1: you know, I think my heart's going to burst out 408 00:19:29,440 --> 00:19:34,120 Speaker 1: of my chest. Should we bring him in? Yeah, he's outside. Yeah, 409 00:19:35,000 --> 00:19:37,000 Speaker 1: I think he thinks you're gonna come out or something. 410 00:19:37,040 --> 00:19:37,600 Speaker 1: I think it's. 411 00:19:39,200 --> 00:19:41,200 Speaker 2: You wait for the machine gun and the jokes here 412 00:19:41,240 --> 00:19:42,160 Speaker 2: as both of us trying. 413 00:19:42,720 --> 00:19:45,120 Speaker 1: All right, let's let's bring him in. Let's bring let's 414 00:19:45,119 --> 00:19:48,679 Speaker 1: bring in Steve. He's coming in from outside, I mean, Steve. 415 00:19:49,440 --> 00:19:52,800 Speaker 1: All right, I have a seat here, mate. So Steve, 416 00:19:52,640 --> 00:19:59,159 Speaker 1: you've been You've been summoned without any sort of direction or. 417 00:19:59,720 --> 00:20:02,760 Speaker 6: Haven't been given any hints at all as to what 418 00:20:02,840 --> 00:20:05,359 Speaker 6: this is all about. So I've just come in. 419 00:20:05,520 --> 00:20:07,520 Speaker 1: Okay, how are you feeling about it? 420 00:20:07,600 --> 00:20:13,720 Speaker 6: Apprehensive? Okay, I'm about to be stitched up by something. 421 00:20:14,040 --> 00:20:15,320 Speaker 6: I feel like I'm a sitting duck. 422 00:20:19,400 --> 00:20:22,160 Speaker 1: I promise on stitch up. Okay, I promise stitch up. 423 00:20:22,760 --> 00:20:24,960 Speaker 1: We're just gonna go. We're gonna go to a song, yeah, yeah, yep, 424 00:20:25,200 --> 00:20:30,960 Speaker 1: and then yeah, I think all will be revealed. All right, 425 00:20:31,040 --> 00:20:32,919 Speaker 1: stay with us. When are you getting your hope? You 426 00:20:32,960 --> 00:20:34,720 Speaker 1: guys have heard what this is all about out there? 427 00:20:35,280 --> 00:20:37,080 Speaker 1: What his dad still has no idea? Has got one 428 00:20:37,080 --> 00:20:39,920 Speaker 1: more song to sit in purgatory, Steve, And. 429 00:20:39,880 --> 00:20:43,000 Speaker 9: Then on the other side, he's drained his water a 430 00:20:43,040 --> 00:20:50,960 Speaker 9: new waters, very special guests in the studio in your dad, Steve, Thank. 431 00:20:50,800 --> 00:20:53,520 Speaker 2: You, welcome dad, Thank you Woods. 432 00:20:54,240 --> 00:20:56,720 Speaker 6: I'm very scared about what's about to happen. 433 00:20:56,760 --> 00:20:59,120 Speaker 2: But here we go. Yeah, so you've got no idea 434 00:20:59,160 --> 00:20:59,680 Speaker 2: why are you here. 435 00:20:59,720 --> 00:21:01,520 Speaker 6: I've got no idea why I'm here. 436 00:21:01,720 --> 00:21:04,119 Speaker 2: Okay, well we'll get to that in two seconds. It 437 00:21:04,200 --> 00:21:10,600 Speaker 2: is Father's Day this Sunday. So are you a farmer? 438 00:21:13,720 --> 00:21:13,760 Speaker 1: No? 439 00:21:13,880 --> 00:21:19,760 Speaker 2: No, no, no no, that's an offair conversation. So there's something 440 00:21:20,040 --> 00:21:25,960 Speaker 2: I've wanted to tell you for for a while. I 441 00:21:25,960 --> 00:21:31,919 Speaker 2: don't know why, but I've struggled to say it because 442 00:21:31,920 --> 00:21:36,840 Speaker 2: I think I have a like a masculinity sort of 443 00:21:36,840 --> 00:21:44,560 Speaker 2: complex m going on. Yeah, and I I don't know 444 00:21:44,600 --> 00:21:45,720 Speaker 2: why I find this so hard. 445 00:21:46,080 --> 00:21:47,160 Speaker 1: That's a white little figure. 446 00:21:48,800 --> 00:21:52,480 Speaker 2: I just wanted to tell you that I am the 447 00:21:52,600 --> 00:21:56,359 Speaker 2: luckiest bloke in the world to have you as a dad. 448 00:21:57,359 --> 00:22:03,480 Speaker 2: And and I really love you mate, bloody hell, I'm 449 00:22:03,480 --> 00:22:04,360 Speaker 2: glad you're in the room. 450 00:22:04,400 --> 00:22:06,879 Speaker 1: Will Well. 451 00:22:07,560 --> 00:22:11,280 Speaker 6: For you to express that means a lot. And thank 452 00:22:11,320 --> 00:22:14,879 Speaker 6: you very much. I don't know what to say. The 453 00:22:14,880 --> 00:22:16,720 Speaker 6: fact that you've had the courage to come and say 454 00:22:16,760 --> 00:22:19,760 Speaker 6: that is extraordinary and thank you very much. 455 00:22:19,600 --> 00:22:31,760 Speaker 1: And diplomatic male answer, it's extraordinary, he said what we're 456 00:22:31,760 --> 00:22:32,280 Speaker 1: talking about. 457 00:22:32,280 --> 00:22:34,240 Speaker 6: I don't feel awkward about that. I think you know 458 00:22:34,320 --> 00:22:37,760 Speaker 6: what is a very you know, a very sensitive person 459 00:22:37,960 --> 00:22:43,040 Speaker 6: and you know that I'm not surprised. Well, I shouldn't be. 460 00:22:43,080 --> 00:22:43,600 Speaker 1: It sounds like. 461 00:22:43,680 --> 00:22:45,240 Speaker 2: Arrogance what he said. 462 00:22:46,240 --> 00:22:49,520 Speaker 6: There's a lot to love. Yeah, love, so yeah, it's 463 00:22:49,600 --> 00:22:52,080 Speaker 6: very good, and thank you. If I die tomorrow then 464 00:22:52,119 --> 00:22:53,480 Speaker 6: I die happy. 465 00:22:53,960 --> 00:22:59,800 Speaker 2: Yeah no, actually no, that's totally happy. But that's good 466 00:22:59,800 --> 00:23:01,639 Speaker 2: to hear though, because honestly, it was starting to I 467 00:23:01,680 --> 00:23:04,080 Speaker 2: was starting to worry that I was never going to 468 00:23:04,080 --> 00:23:05,760 Speaker 2: be able to say this to you. 469 00:23:06,640 --> 00:23:08,360 Speaker 6: When you're just saying you didn't want to leave too late, 470 00:23:08,359 --> 00:23:10,440 Speaker 6: because I left it too late with my own dad. 471 00:23:10,560 --> 00:23:11,400 Speaker 2: You never told me that. 472 00:23:11,720 --> 00:23:15,160 Speaker 6: The only time I really kissed him or said something 473 00:23:15,200 --> 00:23:17,400 Speaker 6: to him like that was when he actually passed away 474 00:23:17,400 --> 00:23:20,280 Speaker 6: and said in the morning, Yeah, so you don't want 475 00:23:20,280 --> 00:23:22,119 Speaker 6: to leave it too late, so better to do it 476 00:23:22,880 --> 00:23:24,360 Speaker 6: now than a eulogy or. 477 00:23:24,280 --> 00:23:27,520 Speaker 2: Something like that. I mean, I was told a story 478 00:23:27,800 --> 00:23:33,399 Speaker 2: recently by my godmother Candy, which you've never told me this, 479 00:23:34,800 --> 00:23:37,600 Speaker 2: which is classic you, because you're a humble bloke and 480 00:23:37,600 --> 00:23:39,560 Speaker 2: you never like to show off with what you do 481 00:23:39,640 --> 00:23:43,640 Speaker 2: for people. But apparently you were in a pretty serious 482 00:23:43,680 --> 00:23:48,800 Speaker 2: car accident a few years ago, and she said to me, 483 00:23:49,119 --> 00:23:52,560 Speaker 2: and I never knew this, but apparently when you had 484 00:23:52,560 --> 00:23:54,560 Speaker 2: the car accident, and it was a serious car accident. 485 00:23:55,000 --> 00:23:57,920 Speaker 2: The only thing you cared about out of everything, you 486 00:23:57,960 --> 00:23:59,720 Speaker 2: didn't care about your own health. You didn't care about 487 00:23:59,720 --> 00:24:02,199 Speaker 2: your car. The only thing you cared about was that 488 00:24:02,240 --> 00:24:05,159 Speaker 2: you would get a replacement car because you knew that 489 00:24:05,200 --> 00:24:07,640 Speaker 2: I needed a car that weekend. 490 00:24:10,800 --> 00:24:11,160 Speaker 1: That car. 491 00:24:12,040 --> 00:24:13,320 Speaker 2: And that's all you care about. 492 00:24:17,920 --> 00:24:18,159 Speaker 7: You are. 493 00:24:18,560 --> 00:24:20,760 Speaker 2: And then and then the other thing, Dad, that you've 494 00:24:20,840 --> 00:24:23,280 Speaker 2: you've started doing. You've done it for me, you've done 495 00:24:23,280 --> 00:24:25,960 Speaker 2: it for all the siblings, is you've written poems. You 496 00:24:26,080 --> 00:24:29,600 Speaker 2: started writing poems for people. Yes, I don't believe anyone's 497 00:24:29,600 --> 00:24:30,480 Speaker 2: written a poem for. 498 00:24:30,480 --> 00:24:33,879 Speaker 6: You though, No, no they haven't. 499 00:24:34,160 --> 00:24:36,719 Speaker 2: Well that's about to change, because I have put together 500 00:24:37,480 --> 00:24:42,920 Speaker 2: a poem for you. The poem is called. 501 00:24:42,760 --> 00:24:48,840 Speaker 1: Dad, Good great title. So far. 502 00:24:50,920 --> 00:24:54,480 Speaker 2: Here we go. Always the funniest person in the room. 503 00:24:54,760 --> 00:24:58,280 Speaker 2: A joke from you will remove dum and gloom. You 504 00:24:58,359 --> 00:25:00,840 Speaker 2: never hesitate to give people your time, and when the 505 00:25:00,880 --> 00:25:05,240 Speaker 2: work is done, you never ask for a dime. Intimidatingly big, 506 00:25:05,359 --> 00:25:08,840 Speaker 2: but with a sensitive streak, showing your emotions you don't 507 00:25:08,840 --> 00:25:13,080 Speaker 2: believe makes you weak. Your famous risotto is a culinary delight. 508 00:25:14,000 --> 00:25:18,040 Speaker 2: The race for seconds is always a fight, Every moment 509 00:25:18,080 --> 00:25:21,359 Speaker 2: with you is endlessly fun. I'm eternally grateful to be 510 00:25:21,440 --> 00:25:21,880 Speaker 2: your son. 511 00:25:22,840 --> 00:25:23,159 Speaker 1: Wow. 512 00:25:23,480 --> 00:25:32,840 Speaker 2: If I could ever become music, if I could ever 513 00:25:32,880 --> 00:25:35,399 Speaker 2: become half the man you are, it would be my 514 00:25:35,440 --> 00:25:39,880 Speaker 2: greatest achievement in life by far. Wow. That is amazing. 515 00:25:40,400 --> 00:25:42,840 Speaker 2: Thank you, well done, and thank you. That's for you. 516 00:25:44,240 --> 00:25:49,000 Speaker 2: Overwhelmed real happy Father's Day and I love you mate, 517 00:25:49,680 --> 00:25:51,080 Speaker 2: Thank you very much, Thank you. 518 00:25:52,960 --> 00:25:53,400 Speaker 1: Amazing. 519 00:25:53,760 --> 00:26:02,280 Speaker 2: You could have kiss me or something I'll give you. 520 00:26:02,280 --> 00:26:05,280 Speaker 1: You've jumped onto our show at a time when there's 521 00:26:05,320 --> 00:26:09,120 Speaker 1: a journey which has just been amazing to be part 522 00:26:09,160 --> 00:26:10,719 Speaker 1: of over the last week or so, woulds and if 523 00:26:10,720 --> 00:26:12,479 Speaker 1: you've missed any of it, have a listen to it. 524 00:26:13,760 --> 00:26:16,399 Speaker 3: The call started with Jay Nephew, of the head of 525 00:26:16,440 --> 00:26:21,000 Speaker 3: makeup effects for the Matrix series. 526 00:26:22,080 --> 00:26:24,080 Speaker 2: You didn't get his mobile number when you didn't have. 527 00:26:26,680 --> 00:26:30,480 Speaker 8: I did get a guy named Locky Lucky. 528 00:26:29,960 --> 00:26:33,600 Speaker 1: They so we dialed the number for Lucky. The number 529 00:26:33,640 --> 00:26:37,040 Speaker 1: you have called is not connected. Please check the number 530 00:26:37,040 --> 00:26:38,040 Speaker 1: before calling again. 531 00:26:38,359 --> 00:26:39,200 Speaker 2: That's what happens now. 532 00:26:39,640 --> 00:26:42,440 Speaker 3: We cooked just as we hit a snag and unlikely 533 00:26:42,520 --> 00:26:45,040 Speaker 3: hero emerged, so we made our second call. 534 00:26:46,520 --> 00:26:49,399 Speaker 2: Mum just texted me and told me you've got Locky 535 00:26:49,440 --> 00:26:50,000 Speaker 2: Hume's number. 536 00:26:50,040 --> 00:26:52,320 Speaker 1: Is that right? 537 00:26:53,280 --> 00:26:59,160 Speaker 2: We can go to a song or you you've got it. 538 00:27:00,000 --> 00:27:04,040 Speaker 2: I've got it, Dad, You've done it again. 539 00:27:04,119 --> 00:27:06,320 Speaker 3: We reached Lucky, who laid down the challenge. 540 00:27:06,440 --> 00:27:10,120 Speaker 7: I'm way a series of clues and possible traps. 541 00:27:10,960 --> 00:27:14,520 Speaker 1: We could involve some dangerous and deadly themes on your behalf. 542 00:27:15,040 --> 00:27:17,719 Speaker 6: Then and only then at the end of the rainbow 543 00:27:17,800 --> 00:27:18,800 Speaker 6: will be the pot of gold. 544 00:27:18,800 --> 00:27:21,800 Speaker 12: That is God. 545 00:27:22,400 --> 00:27:24,679 Speaker 3: Turns out Luckie was just messing with the boys and 546 00:27:24,760 --> 00:27:27,439 Speaker 3: was only willing to give up the number of Tim Robards, 547 00:27:27,520 --> 00:27:29,760 Speaker 3: who had a surprising link to Keanu Reads. 548 00:27:29,920 --> 00:27:32,399 Speaker 1: I was actually counta Reads stand in and double for 549 00:27:32,480 --> 00:27:35,800 Speaker 1: the matrix. No, well, look, Tim, give that you work 550 00:27:35,920 --> 00:27:38,720 Speaker 1: like closely with him. You think there's someone's number that 551 00:27:39,000 --> 00:27:40,280 Speaker 1: you could maybe give to us? 552 00:27:41,359 --> 00:27:41,920 Speaker 4: Yeah, I guess. 553 00:27:41,960 --> 00:27:44,400 Speaker 3: So we thought we had a winner until Will throw 554 00:27:44,400 --> 00:27:45,520 Speaker 3: a spanner in the works. 555 00:27:45,600 --> 00:27:50,600 Speaker 1: I've got a solution. My girlfriend's dad's partner is Keanu 556 00:27:50,680 --> 00:27:56,200 Speaker 1: Reeve's personal mechanics Nikoline. Hello. Yes, Pierre Reeves. 557 00:27:55,880 --> 00:28:00,400 Speaker 8: Came to Leiden just for designing the bike. Had him 558 00:28:00,400 --> 00:28:01,400 Speaker 8: all for myself. 559 00:28:03,359 --> 00:28:04,920 Speaker 1: You're not in touch with him anymore? 560 00:28:05,119 --> 00:28:05,399 Speaker 8: No? 561 00:28:05,400 --> 00:28:08,840 Speaker 1: No, okay, Okay. Is it possible though, that we could 562 00:28:08,920 --> 00:28:13,080 Speaker 1: have Mark's number the motor bike designer? Is that possible, Yes, 563 00:28:13,160 --> 00:28:14,000 Speaker 1: it's possible. 564 00:28:14,200 --> 00:28:16,800 Speaker 2: That's the fifth school. Cole six had to be. 565 00:28:18,400 --> 00:28:18,879 Speaker 1: Come on. 566 00:28:19,160 --> 00:28:20,880 Speaker 3: It was a big leave of faith and we needed 567 00:28:20,920 --> 00:28:22,280 Speaker 3: Australia's help to decide. 568 00:28:22,359 --> 00:28:24,639 Speaker 1: Do we throw in the town out? Is that you 569 00:28:24,760 --> 00:28:25,560 Speaker 1: need to keep going? 570 00:28:25,640 --> 00:28:31,040 Speaker 5: You're so quiet, keep going? 571 00:28:31,440 --> 00:28:31,880 Speaker 1: Give up. 572 00:28:33,400 --> 00:28:34,720 Speaker 10: With some boys in the matrix. 573 00:28:34,800 --> 00:28:37,920 Speaker 11: When the oracle polleded me that he was not the one? 574 00:28:37,960 --> 00:28:39,440 Speaker 10: Did he give up or did he keeping? 575 00:28:44,400 --> 00:28:47,080 Speaker 1: Guys, I've breached out all this abot. We genuinely knely 576 00:28:47,200 --> 00:28:50,160 Speaker 1: threw in the towel there because is a bit of 577 00:28:50,160 --> 00:28:51,160 Speaker 1: a stickler for the rules. 578 00:28:51,200 --> 00:28:53,360 Speaker 2: But you know, I am will shoot me. No shoot 579 00:28:53,400 --> 00:28:55,080 Speaker 2: me legally? Is there a license for that gun? 580 00:28:57,080 --> 00:28:57,400 Speaker 6: Okay? 581 00:28:57,960 --> 00:29:02,400 Speaker 1: So what we're going to do. What we're going to 582 00:29:02,480 --> 00:29:04,320 Speaker 1: do up next, guys, We're going to continue. It is 583 00:29:04,360 --> 00:29:07,240 Speaker 1: our sixth phone call. Look, six degrees separation. It's got 584 00:29:07,320 --> 00:29:09,880 Speaker 1: us this far. We're so close though, we can't give 585 00:29:09,960 --> 00:29:12,680 Speaker 1: up the number we've got that Nicoline gave us. The 586 00:29:12,760 --> 00:29:18,880 Speaker 1: last call that we made is to Keanu's personal motorbike designer. 587 00:29:19,000 --> 00:29:20,360 Speaker 1: Now that might not mean a lot to you. But 588 00:29:20,440 --> 00:29:23,880 Speaker 1: he owns a motorbike company. He is passionate about motorbikes. 589 00:29:23,920 --> 00:29:25,480 Speaker 1: If you've seen him on the internet, he talks about 590 00:29:25,520 --> 00:29:27,680 Speaker 1: them a lot. He shows people around his showroom. So 591 00:29:27,840 --> 00:29:30,640 Speaker 1: we reckon this guy has worked really close with him recently, 592 00:29:30,760 --> 00:29:32,800 Speaker 1: and one hundred percent is going to be in touch 593 00:29:32,840 --> 00:29:36,640 Speaker 1: with him. Yep, it's probably going to be our last 594 00:29:36,680 --> 00:29:37,400 Speaker 1: crack at it, though. 595 00:29:37,560 --> 00:29:40,840 Speaker 2: No, it's throwing the rule book out. The rule book's gone. 596 00:29:40,920 --> 00:29:43,080 Speaker 2: We will continue to hunt for Keanu Reeve. 597 00:29:43,160 --> 00:29:45,720 Speaker 1: But I mean, like, like this guy might get us 598 00:29:45,720 --> 00:29:48,560 Speaker 1: a little bit closer, but this is about as close 599 00:29:48,560 --> 00:29:49,719 Speaker 1: as I reckon we're ever going to get. 600 00:29:50,280 --> 00:29:52,080 Speaker 2: Yeah, well a little bit of optim. 601 00:29:51,960 --> 00:29:53,600 Speaker 1: No, but I mean like it's a good thing. It's 602 00:29:53,600 --> 00:29:55,320 Speaker 1: a good thing. But there's a lot of there's a 603 00:29:55,320 --> 00:29:58,240 Speaker 1: lot riding on this call. That's all I'm saying. Yeah, 604 00:29:58,320 --> 00:30:01,000 Speaker 1: And we're calling internationally and again. So look I've sent 605 00:30:01,120 --> 00:30:05,320 Speaker 1: him a message so hopefully he's on board. But stick around, guys. 606 00:30:05,360 --> 00:30:07,720 Speaker 1: This is this is a live phone call Keanu Reeves. 607 00:30:07,760 --> 00:30:10,160 Speaker 1: This could be this could be the call that gets 608 00:30:10,240 --> 00:30:11,600 Speaker 1: us right in touch. But it's going to be happening 609 00:30:11,720 --> 00:30:16,080 Speaker 1: right up next here. We go sixth call right now, 610 00:30:16,200 --> 00:30:21,640 Speaker 1: we have the number of the personal motorbike designer for 611 00:30:21,800 --> 00:30:25,240 Speaker 1: Keanu Reeves on our quest to prove six degrees of separation. Woods, 612 00:30:25,640 --> 00:30:28,080 Speaker 1: this is it, I reckon. This guy's worked closely with him. 613 00:30:28,120 --> 00:30:31,920 Speaker 1: We know as close as five years ago Keanu flew 614 00:30:32,120 --> 00:30:34,080 Speaker 1: over to the Netherlands to work with him one on 615 00:30:34,240 --> 00:30:37,000 Speaker 1: one and design motorbikes, hang out with him his wife. 616 00:30:37,240 --> 00:30:39,320 Speaker 1: We've heard the backstory from the last call that we 617 00:30:39,440 --> 00:30:40,480 Speaker 1: made to Nicoline. 618 00:30:40,680 --> 00:30:40,840 Speaker 3: Yep. 619 00:30:41,360 --> 00:30:44,160 Speaker 1: So I've sent this guy a message. Hopefully we can 620 00:30:44,280 --> 00:30:47,239 Speaker 1: charm him and hopefully he hands over a number. Here. 621 00:30:47,520 --> 00:30:48,520 Speaker 2: It feels good. We're ready to go. 622 00:30:48,920 --> 00:30:51,960 Speaker 1: Right, we'recalling Netherlands again plus three to one whatever else? 623 00:30:52,600 --> 00:30:54,280 Speaker 3: Beautiful, good luck? 624 00:30:58,400 --> 00:31:03,040 Speaker 1: Hey Mark, Yeah, now, Mark, I'm here with my good 625 00:31:03,120 --> 00:31:07,920 Speaker 1: friend and my co host, Woody. Hi, Mark, and we 626 00:31:08,160 --> 00:31:11,640 Speaker 1: are talking in very very bizarre circumstances. 627 00:31:12,120 --> 00:31:12,840 Speaker 3: I guess we are. 628 00:31:14,880 --> 00:31:17,560 Speaker 1: Look, but we heard yesterday from Nicolaine, who's a friend 629 00:31:17,560 --> 00:31:20,200 Speaker 1: of yours, about how Keanu Reeves stayed with you for 630 00:31:20,320 --> 00:31:22,400 Speaker 1: a week, like a few years ago and he was 631 00:31:22,480 --> 00:31:26,080 Speaker 1: designing bikes. You guys went swimming together. Did did he 632 00:31:26,120 --> 00:31:28,480 Speaker 1: ever take you out on the last night he sent 633 00:31:28,560 --> 00:31:30,240 Speaker 1: over a libo to pick us up or. 634 00:31:32,240 --> 00:31:37,040 Speaker 7: Yeah, we went to a restaurants in Amsterdam and everybody 635 00:31:37,120 --> 00:31:39,800 Speaker 7: did recognize him because I guess they expected. 636 00:31:39,760 --> 00:31:41,280 Speaker 1: Guys like that Yeah to be there. 637 00:31:41,440 --> 00:31:42,320 Speaker 2: That was kind of funny. 638 00:31:42,360 --> 00:31:44,520 Speaker 7: But they actually had to close the restaurant in front 639 00:31:44,520 --> 00:31:46,600 Speaker 7: of Morrow so that we could eat in Peach because 640 00:31:47,280 --> 00:31:48,880 Speaker 7: people came bothering us. Wow. 641 00:31:49,000 --> 00:31:51,520 Speaker 2: So it was in a very unique experience. 642 00:31:51,600 --> 00:31:51,840 Speaker 1: Wow. 643 00:31:52,760 --> 00:31:55,920 Speaker 2: So after this incredible week you spent with Keanu Reeves, 644 00:31:56,440 --> 00:31:58,760 Speaker 2: has there been any contact since then? 645 00:31:59,120 --> 00:31:59,280 Speaker 8: Yeah? 646 00:31:59,600 --> 00:32:00,800 Speaker 7: I don't have his phone number. 647 00:32:03,040 --> 00:32:06,400 Speaker 2: Has there been any contact at all through any other medium? 648 00:32:06,720 --> 00:32:08,600 Speaker 8: No, only a few emails back and forth. 649 00:32:09,880 --> 00:32:11,600 Speaker 1: So Mark, I don't want to keep you for too 650 00:32:11,680 --> 00:32:14,400 Speaker 1: much longer. We look of all the people who've spoken 651 00:32:14,480 --> 00:32:18,080 Speaker 1: to about Keanu Reeves, it's pretty much everyone said that 652 00:32:18,120 --> 00:32:21,520 Speaker 1: said the same thing. Wonderful guy obviously really enjoys his 653 00:32:22,320 --> 00:32:25,080 Speaker 1: solitude and the time by himself, and you know that's 654 00:32:25,080 --> 00:32:26,920 Speaker 1: the kind of guy he is, and we don't want 655 00:32:26,920 --> 00:32:30,160 Speaker 1: to invade on that. So I think that our best 656 00:32:30,240 --> 00:32:34,160 Speaker 1: way forward would be to take a video of ourselves 657 00:32:34,520 --> 00:32:37,320 Speaker 1: sort of saying Hi, Keanu, we're trying to get onto you. 658 00:32:37,400 --> 00:32:41,479 Speaker 1: Through six degrees of separation. Basically, can you just let 659 00:32:41,600 --> 00:32:42,560 Speaker 1: us know if you get this. 660 00:32:43,000 --> 00:32:44,200 Speaker 8: You're going to send him an email? 661 00:32:45,080 --> 00:32:48,360 Speaker 1: High if you could potentially just forward that on and 662 00:32:48,840 --> 00:32:50,000 Speaker 1: just sort of see what happens. 663 00:32:50,600 --> 00:32:51,360 Speaker 7: Oh, I can do that. 664 00:32:51,520 --> 00:32:55,200 Speaker 1: Oh, thank you so much, Thanks Mark, Thanks Mark, Mark, 665 00:32:55,320 --> 00:32:57,640 Speaker 1: It's been a pleasure, mate, And like, honestly, thank you 666 00:32:57,760 --> 00:33:01,080 Speaker 1: so much for sharing. And Budge, you're welcome. We'll send 667 00:33:01,160 --> 00:33:04,160 Speaker 1: you an email and we'll see what We'll just see 668 00:33:04,160 --> 00:33:06,280 Speaker 1: what happens, all right, Thanks Barke. 669 00:33:06,480 --> 00:33:11,280 Speaker 7: You not bad? 670 00:33:12,440 --> 00:33:13,160 Speaker 1: It's not bad? 671 00:33:13,320 --> 00:33:13,440 Speaker 12: Is it? 672 00:33:14,000 --> 00:33:14,200 Speaker 1: Yeah? 673 00:33:14,400 --> 00:33:16,120 Speaker 2: No number kills me? 674 00:33:16,920 --> 00:33:19,040 Speaker 1: And you know what, I reckon he had it. I 675 00:33:19,120 --> 00:33:19,720 Speaker 1: regony ad it. 676 00:33:20,480 --> 00:33:22,520 Speaker 2: I figure he must have had it if they worked 677 00:33:22,560 --> 00:33:24,280 Speaker 2: closely together. But again, we didn't want to push it 678 00:33:24,280 --> 00:33:24,560 Speaker 2: of him. 679 00:33:24,560 --> 00:33:25,600 Speaker 1: I didn't want to push it with him, and I 680 00:33:25,760 --> 00:33:28,080 Speaker 1: know he still works with him. And look who I'm 681 00:33:28,120 --> 00:33:30,040 Speaker 1: finding more and more with this Kano stuff, is that 682 00:33:30,160 --> 00:33:33,400 Speaker 1: everybody that comes into contact with this guy, we heard it. 683 00:33:33,680 --> 00:33:36,360 Speaker 1: Look I'll share a secret with with you guys. We'll 684 00:33:36,400 --> 00:33:37,760 Speaker 1: put it on the fourth wall a little bit here. 685 00:33:37,800 --> 00:33:41,320 Speaker 1: But like we got in touch with Hugo Weaving, we 686 00:33:41,440 --> 00:33:42,840 Speaker 1: got in touch with with people that have been in 687 00:33:42,840 --> 00:33:44,479 Speaker 1: touch with him, and Hugo Wen worked one on one 688 00:33:44,480 --> 00:33:45,560 Speaker 1: with him on the Matrix as well. 689 00:33:45,640 --> 00:33:48,520 Speaker 2: So one of Hugo Weavings Brother's students contacted us. We 690 00:33:48,600 --> 00:33:50,960 Speaker 2: got onto Hugo Weavings Brother. Then I was called Hugo 691 00:33:51,000 --> 00:33:52,840 Speaker 2: and Hugo was just like, guys, there's no way. 692 00:33:53,520 --> 00:33:55,320 Speaker 1: Yeah. And that wasn't because he didn't want to get 693 00:33:55,320 --> 00:33:55,800 Speaker 1: around us. 694 00:33:55,960 --> 00:33:57,760 Speaker 2: I mean, like we've he's a huge fan of the show. 695 00:33:58,080 --> 00:33:59,880 Speaker 1: We've spoken to Hugh even before. He's a lovely guy. 696 00:34:00,400 --> 00:34:03,120 Speaker 1: He just said, I have so much respect for that 697 00:34:03,240 --> 00:34:07,000 Speaker 1: man's privacy and that man's solitude, and he's such a 698 00:34:07,160 --> 00:34:09,840 Speaker 1: genuine dude that you're pretty much not gonna find anyone 699 00:34:09,960 --> 00:34:14,239 Speaker 1: that will hand over his digits because they've got too 700 00:34:14,320 --> 00:34:16,279 Speaker 1: much respect for him, which I think you and I 701 00:34:17,360 --> 00:34:19,719 Speaker 1: you know, all along this thing of like starting to 702 00:34:19,800 --> 00:34:22,760 Speaker 1: really come to terms with that. He's just an epic 703 00:34:22,920 --> 00:34:26,320 Speaker 1: dude who apparently if you get to be in his presence, amazing. 704 00:34:26,520 --> 00:34:28,800 Speaker 1: But he's a hard guy to poach. 705 00:34:28,920 --> 00:34:31,759 Speaker 2: And having said that, will having said all of that, 706 00:34:31,920 --> 00:34:33,840 Speaker 2: and we do respect the man and all of that, 707 00:34:35,040 --> 00:34:37,800 Speaker 2: we're gonna send him the best goddamn video that he 708 00:34:37,880 --> 00:34:41,080 Speaker 2: has ever received because we've got an email connection. 709 00:34:40,880 --> 00:34:43,239 Speaker 1: Now to k Yeah. Yeah, Mark, we just heard on 710 00:34:43,280 --> 00:34:46,759 Speaker 1: the phone then said he'll ford to Keanu whatever we 711 00:34:47,360 --> 00:34:47,759 Speaker 1: come up with. 712 00:34:47,880 --> 00:34:50,000 Speaker 2: And I think that gets us through the pack, because 713 00:34:50,040 --> 00:34:51,680 Speaker 2: this is going to be an email from someone he knows. 714 00:34:52,200 --> 00:34:54,000 Speaker 2: We just need to put our heads together. I reckon. 715 00:34:54,040 --> 00:34:57,880 Speaker 2: We dress up as Matrix characters. You can be Trinity, 716 00:34:58,040 --> 00:35:01,239 Speaker 2: I can be Now we'll figure that out later. Does 717 00:35:01,320 --> 00:35:04,000 Speaker 2: it going Okay? We do a great video, we send 718 00:35:04,040 --> 00:35:05,839 Speaker 2: it to him, We tell him what we've been doing 719 00:35:06,320 --> 00:35:09,200 Speaker 2: fingers crossed. Yeah, no Monday. You can tune in from 720 00:35:09,239 --> 00:35:12,719 Speaker 2: Monday and then it's Keanu or bust. Will you respond? Wow? 721 00:35:13,280 --> 00:35:13,480 Speaker 8: Yeah? 722 00:35:13,560 --> 00:35:14,400 Speaker 1: I like it woulds. 723 00:35:14,960 --> 00:35:17,359 Speaker 2: I think it's worth having a crack for. Yeah, let's 724 00:35:17,400 --> 00:35:18,200 Speaker 2: make a great video. 725 00:35:18,480 --> 00:35:22,359 Speaker 1: Really low chance of success, high chance of embarrassment. 726 00:35:22,920 --> 00:35:24,319 Speaker 2: Oh, you will post the video as well? 727 00:35:24,360 --> 00:35:26,480 Speaker 1: Well, we'll post it on you a video on our site. 728 00:35:26,640 --> 00:35:28,360 Speaker 1: We'll show you, guys what the video. This is what 729 00:35:28,440 --> 00:35:30,319 Speaker 1: we've done to try and lure him. Yeah, and then 730 00:35:30,360 --> 00:35:33,280 Speaker 1: we fang off the email this afternoon or over the weekend. 731 00:35:33,520 --> 00:35:36,560 Speaker 1: Yeah yeah, and then if Keanu gets it, hopefully he 732 00:35:36,680 --> 00:35:37,600 Speaker 1: sends a video back. 733 00:35:37,719 --> 00:35:39,520 Speaker 2: Actually as well, we'll post it on the weekend and 734 00:35:39,600 --> 00:35:42,200 Speaker 2: if you guys can repost it as well, so on 735 00:35:42,280 --> 00:35:46,000 Speaker 2: your Twitter, on your Instagram, post it on Facebook and 736 00:35:46,120 --> 00:35:47,960 Speaker 2: just be like tag Keanu Reeves and just be like 737 00:35:48,200 --> 00:35:50,399 Speaker 2: right back to these guys or do a video back 738 00:35:50,400 --> 00:35:50,840 Speaker 2: to these. 739 00:35:51,080 --> 00:35:53,520 Speaker 1: Hashtag or something like, you know, Keanu find Will and 740 00:35:53,560 --> 00:35:54,520 Speaker 1: Woody or something like that. 741 00:35:54,680 --> 00:35:55,760 Speaker 2: Yeah, we'll work on the hashtag. 742 00:35:55,880 --> 00:35:57,400 Speaker 1: You don't like that one, No, I think. 743 00:35:57,239 --> 00:35:57,839 Speaker 2: It's a good start. 744 00:35:58,080 --> 00:36:00,600 Speaker 1: It's a really good, bad idea and brains exactly right. 745 00:36:00,960 --> 00:36:03,439 Speaker 2: Cool, all right, we'll work on the hash but it'd 746 00:36:03,480 --> 00:36:04,960 Speaker 2: be really great if you guys can help us out 747 00:36:04,960 --> 00:36:06,839 Speaker 2: and everyone can try and send this video to him 748 00:36:06,840 --> 00:36:08,680 Speaker 2: and then hopefully we get a video back from Keanu. 749 00:36:08,760 --> 00:36:10,600 Speaker 1: All right, keep an eye on our social media. I'm 750 00:36:10,600 --> 00:36:12,560 Speaker 1: sure you'll see all the instructions on Will and Woody 751 00:36:12,560 --> 00:36:14,680 Speaker 1: on Instagram and Facebook, so you can hopefully share it 752 00:36:14,760 --> 00:36:17,920 Speaker 1: and maybe possibly get in touch with him. Otherwise, we're 753 00:36:17,960 --> 00:36:20,319 Speaker 1: gonna send it to his personal motorbike designer and he's 754 00:36:20,320 --> 00:36:23,040 Speaker 1: going to afford the email on as well, and then 755 00:36:23,080 --> 00:36:26,040 Speaker 1: it's in his hands. Come on, it's kind of exciting 756 00:36:26,080 --> 00:36:27,359 Speaker 1: as well, isn't it. Well. 757 00:36:27,440 --> 00:36:32,359 Speaker 2: An American Bachelor star has complained about needing to beg 758 00:36:32,560 --> 00:36:36,520 Speaker 2: his wife for sex since they welcomed their second child. 759 00:36:41,560 --> 00:36:45,280 Speaker 2: This is four weeks four weeks after his beautiful wife 760 00:36:45,400 --> 00:36:48,480 Speaker 2: has given birth to their second child. Poor Tanner over 761 00:36:48,560 --> 00:36:51,320 Speaker 2: here is complaining that, oh, I've got a beg for 762 00:36:51,440 --> 00:36:54,960 Speaker 2: intimate times now because since the birth of the second child. 763 00:36:55,600 --> 00:36:58,720 Speaker 1: Give her a break. Yeah, yeah, get out of her, girl. 764 00:36:58,640 --> 00:37:00,520 Speaker 2: Mate, do you reckon? It's a breakup all offense. 765 00:37:00,560 --> 00:37:06,759 Speaker 1: Well, you just had a baby with him, so you know, insurance, 766 00:37:06,880 --> 00:37:09,880 Speaker 1: you know, security, that sort of stuff, probably keep him around. 767 00:37:10,160 --> 00:37:12,520 Speaker 2: No, surely you're talking it just had a time with him. 768 00:37:12,560 --> 00:37:14,440 Speaker 2: You had a job with the guy he's complaining. 769 00:37:15,760 --> 00:37:17,640 Speaker 1: I think I think, you know, take the baby away, 770 00:37:17,920 --> 00:37:21,000 Speaker 1: begging for that sort of gear. Definitely a break up 771 00:37:21,000 --> 00:37:21,880 Speaker 1: of all offense, and. 772 00:37:21,840 --> 00:37:24,439 Speaker 2: I wouldn't mind playing in this area. Actually, of break 773 00:37:24,560 --> 00:37:28,200 Speaker 2: upable offenses, thirteen one oh six five is our number. 774 00:37:29,000 --> 00:37:32,719 Speaker 2: What should be a breakupable offense? And I'm not looking 775 00:37:32,760 --> 00:37:35,520 Speaker 2: for the really obvious ones like are they cheated. 776 00:37:36,040 --> 00:37:41,120 Speaker 1: Or they left their beard and they're stubbleing the sink. 777 00:37:41,239 --> 00:37:44,880 Speaker 2: Oh that's a good one, I can stumble in the someone. 778 00:37:44,719 --> 00:37:45,520 Speaker 1: Break up with me over there? 779 00:37:45,760 --> 00:37:46,880 Speaker 2: Who broke up with you because of that? 780 00:37:47,719 --> 00:37:49,320 Speaker 3: Was it? The what was it? 781 00:37:49,400 --> 00:37:49,520 Speaker 1: The what? 782 00:37:49,920 --> 00:37:52,240 Speaker 2: Just stop, I'm not going to take stop talking, stop talking, okay, 783 00:37:52,920 --> 00:37:53,560 Speaker 2: haven't talked? 784 00:37:53,800 --> 00:37:54,080 Speaker 1: Okay. 785 00:37:54,560 --> 00:37:57,279 Speaker 2: An example, you know, when you're getting ready with your 786 00:37:57,360 --> 00:37:59,040 Speaker 2: partner and you're going to like some dinner and you 787 00:37:59,080 --> 00:38:00,480 Speaker 2: get to the front door and they look at you 788 00:38:00,480 --> 00:38:02,759 Speaker 2: and they go, are you wearing that? 789 00:38:03,760 --> 00:38:04,880 Speaker 1: Oh that's a breakup. 790 00:38:05,120 --> 00:38:08,800 Speaker 2: Break of course, I'm wearing that. 791 00:38:09,239 --> 00:38:11,480 Speaker 1: I'm currently wearing it. I'm not planning on going to 792 00:38:11,560 --> 00:38:13,799 Speaker 1: the bedroom within the last meter of the door. 793 00:38:13,840 --> 00:38:15,359 Speaker 2: I don't have a tux siedo in the car. 794 00:38:15,480 --> 00:38:17,000 Speaker 1: Yeah, no, I'm just going to Actually, there is zip 795 00:38:17,040 --> 00:38:18,399 Speaker 1: at the back here, and I zip it off before 796 00:38:18,400 --> 00:38:19,120 Speaker 1: I ended the party. 797 00:38:19,520 --> 00:38:22,320 Speaker 2: Also, it kills me in the pub with your partner 798 00:38:22,480 --> 00:38:24,680 Speaker 2: and they look at you and they go, yeah, I 799 00:38:24,719 --> 00:38:25,480 Speaker 2: think you've had enough. 800 00:38:27,160 --> 00:38:34,920 Speaker 1: I mean, god, damn those responsible, four sighted, clever women 801 00:38:35,040 --> 00:38:37,000 Speaker 1: who tell you that you've probably been drinking too much 802 00:38:37,000 --> 00:38:40,040 Speaker 1: and it's ruining your life. I mean, damn them ruining everyone, 803 00:38:40,719 --> 00:38:41,920 Speaker 1: just destroying it for everyone. 804 00:38:42,880 --> 00:38:45,399 Speaker 2: Six five. I want to hear more of these obscure ones. 805 00:38:45,440 --> 00:38:46,960 Speaker 2: I've got one should be a break up. 806 00:38:47,000 --> 00:38:50,359 Speaker 1: A ball of fence will weekend, went to go get 807 00:38:50,400 --> 00:38:52,160 Speaker 1: a pizza from the pizza shop, and my girlfriend, you've 808 00:38:52,280 --> 00:38:54,560 Speaker 1: got a chucky begin from the pizza shop as well. 809 00:38:55,800 --> 00:38:58,840 Speaker 1: As we were driving out of the pizza shop, she 810 00:38:59,040 --> 00:39:02,080 Speaker 1: put the cold old big m on top of the 811 00:39:02,239 --> 00:39:08,040 Speaker 1: hot pizza boxes. I mean she got kicked out of 812 00:39:08,080 --> 00:39:10,000 Speaker 1: the car, or she should have. She had to walk 813 00:39:10,080 --> 00:39:12,359 Speaker 1: back home, but I should have left her wards. 814 00:39:13,239 --> 00:39:16,120 Speaker 2: Absolutely, No, I don't support that. Actually, I'm already in 815 00:39:16,120 --> 00:39:20,040 Speaker 2: trouble with your girlfriend for other reasons. More of these 816 00:39:20,080 --> 00:39:22,800 Speaker 2: calls up next. We're asking now what should be a 817 00:39:23,000 --> 00:39:25,799 Speaker 2: break capable offense, So I'm not asking for the really 818 00:39:25,840 --> 00:39:28,000 Speaker 2: obvious ones, the more obscure ones, like when you're out 819 00:39:28,000 --> 00:39:30,279 Speaker 2: at dinner with your partner and they go, oh, no, 820 00:39:30,360 --> 00:39:32,520 Speaker 2: I don't want any dessert. No, I'm too forward, so 821 00:39:32,920 --> 00:39:35,480 Speaker 2: don't get any dessert. So you order yourself a cheesecake, 822 00:39:35,520 --> 00:39:37,640 Speaker 2: and then she goes, oh, can I have something your cheesecake? 823 00:39:40,239 --> 00:39:42,880 Speaker 1: Get your own chase cake? Wow. I mean, you know, 824 00:39:42,960 --> 00:39:44,840 Speaker 1: the more and more we do this topic, there's a 825 00:39:44,920 --> 00:39:48,160 Speaker 1: lot of underlying resentment coming out of you here. 826 00:39:48,120 --> 00:39:50,359 Speaker 2: Big fella. I'm just angry because I'm single. I F'm 827 00:39:50,360 --> 00:39:54,640 Speaker 2: been honest. We got Stacey here, Stacey, what should be 828 00:39:54,680 --> 00:39:56,200 Speaker 2: a break capable offense? 829 00:39:57,440 --> 00:40:01,359 Speaker 7: My partner, he makes me late for everything. I will 830 00:40:01,360 --> 00:40:04,280 Speaker 7: be at sometimes two hours later, and I feel. 831 00:40:04,120 --> 00:40:05,760 Speaker 2: Like that is a break appable offense. 832 00:40:07,440 --> 00:40:08,319 Speaker 12: Two hours. 833 00:40:11,480 --> 00:40:11,759 Speaker 2: Thank you. 834 00:40:12,760 --> 00:40:14,759 Speaker 1: One time I made forty five minutes late for something. 835 00:40:15,800 --> 00:40:18,560 Speaker 1: Don't bring it up was our first ever radio interview. 836 00:40:19,200 --> 00:40:22,400 Speaker 2: Yeah, I just don't. Okay, got Andy, it's a breakup. 837 00:40:22,800 --> 00:40:27,720 Speaker 2: I mean I'm glad, I say, looking for a co host. Everyone, 838 00:40:29,920 --> 00:40:33,839 Speaker 2: I've got Andy here? Andy? Ah, boys, and you were 839 00:40:33,920 --> 00:40:34,560 Speaker 2: broken up. 840 00:40:34,840 --> 00:40:36,360 Speaker 8: For I was broken up with. 841 00:40:36,719 --> 00:40:39,000 Speaker 7: So I was the break up a ball of a fencer. 842 00:40:39,200 --> 00:40:39,800 Speaker 2: Yeah, what'd you do? 843 00:40:40,640 --> 00:40:44,400 Speaker 1: I didn't put my clothing in color coordinated order in 844 00:40:44,480 --> 00:40:47,440 Speaker 1: the wardrobe. Oh wow, God, he's got to go. 845 00:40:48,280 --> 00:40:52,080 Speaker 2: We'll go one step further, boy, and we'll go one 846 00:40:52,120 --> 00:40:52,600 Speaker 2: step further. 847 00:40:52,760 --> 00:40:53,040 Speaker 3: I was. 848 00:40:54,160 --> 00:40:55,960 Speaker 7: Her words to me were, I didn't put up with 849 00:40:56,440 --> 00:40:59,400 Speaker 7: it from let's say, Billy, Why should I put up 850 00:40:59,400 --> 00:41:01,160 Speaker 7: with it from you? So I was the second that 851 00:41:01,280 --> 00:41:01,640 Speaker 7: copped it. 852 00:41:02,040 --> 00:41:05,960 Speaker 1: Oh wow, second one. 853 00:41:06,040 --> 00:41:09,040 Speaker 2: And he jen Wis dodged a board. 854 00:41:09,400 --> 00:41:11,640 Speaker 1: Thanks, and that's the girl mate. Wow, there's there's a 855 00:41:11,640 --> 00:41:14,240 Speaker 1: woman out there dumping people for not putting your clothes 856 00:41:14,280 --> 00:41:17,680 Speaker 1: in order. Watch out, guys, could she could be yours? 857 00:41:18,280 --> 00:41:22,360 Speaker 1: You got Gabby here on Gab? 858 00:41:23,880 --> 00:41:24,080 Speaker 10: Yeah? 859 00:41:24,120 --> 00:41:27,200 Speaker 1: What should be a breakup of fence? We're enjoying ourselves, gap, 860 00:41:27,239 --> 00:41:30,520 Speaker 1: fire away two pace? 861 00:41:30,920 --> 00:41:34,360 Speaker 13: What psychopath squeezes toothpaste from the middle? 862 00:41:35,320 --> 00:41:40,680 Speaker 2: Oh, you know, I'd break up with someone if they 863 00:41:40,760 --> 00:41:42,360 Speaker 2: also brush their teeth in the shower. 864 00:41:42,600 --> 00:41:46,200 Speaker 1: That is, look like both the producers. 865 00:41:46,760 --> 00:41:48,480 Speaker 2: That's sorry, I think I'm the weird one there. 866 00:41:48,920 --> 00:41:50,600 Speaker 1: Yeah, what's wrong with that? I mean even Gabby's like, 867 00:41:50,640 --> 00:41:51,360 Speaker 1: what the hell's wrong with you? 868 00:41:53,520 --> 00:41:53,800 Speaker 3: Gone? 869 00:41:53,880 --> 00:41:58,120 Speaker 1: Mate, you're gone? Break up with him? I'd break up 870 00:41:58,120 --> 00:41:58,719 Speaker 1: with you for that word. 871 00:41:59,200 --> 00:41:59,759 Speaker 2: That's back on me. 872 00:42:00,040 --> 00:42:03,279 Speaker 1: Let's go to Jacob here, Jacob remarkable? The wheel turns here, 873 00:42:03,320 --> 00:42:05,759 Speaker 1: isn't it? Jesus, the Quick and the Dead? 874 00:42:06,160 --> 00:42:08,280 Speaker 2: Jacob wat should be a break up of all offense? 875 00:42:08,360 --> 00:42:10,800 Speaker 1: Mate? Mate, Look, I love a choky. 876 00:42:11,200 --> 00:42:15,400 Speaker 8: I allow myself one shocky each way and I've bought it. 877 00:42:15,480 --> 00:42:18,160 Speaker 8: I left it in the fridge. Get home, girlfriend's eatn't it? 878 00:42:18,640 --> 00:42:18,839 Speaker 12: Oh? 879 00:42:19,760 --> 00:42:23,680 Speaker 1: No, he's gotta go, Jake, And I'm being honest, Jake, 880 00:42:23,800 --> 00:42:26,560 Speaker 1: I can you as well? Mate? Which idiot puts chocolate 881 00:42:26,600 --> 00:42:27,040 Speaker 1: in the fridge? 882 00:42:28,000 --> 00:42:30,720 Speaker 8: Wye crunchy you know I agree with Jacob. 883 00:42:30,800 --> 00:42:32,800 Speaker 1: No, hang on a second, do you put your chocolate've 884 00:42:32,800 --> 00:42:35,840 Speaker 1: already damp chair? Where do you put your stop communicating 885 00:42:35,840 --> 00:42:37,840 Speaker 1: with you. I've cut you off all social media. You 886 00:42:37,880 --> 00:42:39,840 Speaker 1: don't know my number anymore. I blocked your words. I 887 00:42:39,920 --> 00:42:42,239 Speaker 1: can't hear it. Go on out of my life. 888 00:42:42,280 --> 00:42:45,080 Speaker 2: As we're going to travel, I've moved overseas. But before 889 00:42:45,080 --> 00:42:47,279 Speaker 2: we go on, I need to address something with you. 890 00:42:47,719 --> 00:42:49,879 Speaker 2: I just need to remind you that there are two 891 00:42:49,960 --> 00:42:52,240 Speaker 2: of us in this show. I agree, it's Will and Woody. 892 00:42:52,280 --> 00:42:53,319 Speaker 2: It's not just the wheel show. 893 00:42:53,480 --> 00:42:54,720 Speaker 1: I totally agree. 894 00:42:54,960 --> 00:42:57,680 Speaker 2: I'm hearing you. Yeah, but I'm going to throw to 895 00:42:57,760 --> 00:43:00,560 Speaker 2: some audio here. I just feel like you think the 896 00:43:00,600 --> 00:43:01,719 Speaker 2: show is all about Wow. 897 00:43:01,800 --> 00:43:02,560 Speaker 1: That's not that's not. 898 00:43:03,040 --> 00:43:04,480 Speaker 2: We'll wait to hear the audio, right. 899 00:43:04,880 --> 00:43:09,240 Speaker 1: Good afternoon everyone, Weller Mordy, getting your home on kiss 900 00:43:09,280 --> 00:43:12,160 Speaker 1: all thanks to me. Kis welling, whatdy? Getting you home? 901 00:43:12,200 --> 00:43:14,239 Speaker 1: All thanks to me. Getting you guys home on a 902 00:43:14,280 --> 00:43:16,640 Speaker 1: Thursday all thanks to me. Hey, it's kissing well and 903 00:43:16,719 --> 00:43:20,319 Speaker 1: money on your Thursday afternoon all thanks to me. All 904 00:43:20,640 --> 00:43:24,680 Speaker 1: thanks to me. Oh, thanks to me. Hey, it's casing well. 905 00:43:24,800 --> 00:43:25,680 Speaker 1: What you getting eye well? 906 00:43:25,719 --> 00:43:26,239 Speaker 2: Thanks to me. 907 00:43:26,800 --> 00:43:30,160 Speaker 1: Maybe me. Maybe you shall never find another like. 908 00:43:33,560 --> 00:43:33,680 Speaker 8: Now. 909 00:43:33,760 --> 00:43:37,759 Speaker 2: That is a stitch up, very good. No, it's our 910 00:43:37,800 --> 00:43:41,040 Speaker 2: amazing sponsor. This week has been me banking outstanding bank 911 00:43:41,120 --> 00:43:43,840 Speaker 2: on an amazing variable homeline at the moment. But it 912 00:43:43,920 --> 00:43:46,680 Speaker 2: has sounded really funny all week because you've been going, 913 00:43:47,200 --> 00:43:48,320 Speaker 2: yeah here thanks. 914 00:43:48,160 --> 00:43:50,200 Speaker 1: To me, yeah will, You'll be nowhere without me Woods, 915 00:43:50,600 --> 00:43:55,359 Speaker 1: let's get into a tune guys before we get out 916 00:43:55,400 --> 00:43:58,160 Speaker 1: of here, A quick reminder to all of you that 917 00:43:58,200 --> 00:44:01,880 Speaker 1: it is Father's Day this Sun Day and woulds. Earlier 918 00:44:01,920 --> 00:44:04,880 Speaker 1: in the show, we had a very special guest. We 919 00:44:05,040 --> 00:44:07,200 Speaker 1: surprised you. You thought you were just going to be 920 00:44:07,320 --> 00:44:10,920 Speaker 1: calling him to tell him this, but we surprised you 921 00:44:11,000 --> 00:44:14,640 Speaker 1: and we brought your dad into the studio so that 922 00:44:15,000 --> 00:44:19,279 Speaker 1: you could get something off your chests with him. Have 923 00:44:19,360 --> 00:44:19,680 Speaker 1: a listen. 924 00:44:20,120 --> 00:44:25,120 Speaker 2: I think I have a like a masculinity sort of 925 00:44:25,160 --> 00:44:27,320 Speaker 2: complex going on. 926 00:44:28,080 --> 00:44:30,360 Speaker 8: Yeah, and I. 927 00:44:32,520 --> 00:44:34,040 Speaker 2: I don't know why I find this so hard. 928 00:44:34,440 --> 00:44:35,480 Speaker 1: That's a white little figure. 929 00:44:37,160 --> 00:44:40,800 Speaker 2: I just wanted to tell you that I am the 930 00:44:40,920 --> 00:44:44,600 Speaker 2: luckiest bloke in the world to have you as a dad, 931 00:44:45,680 --> 00:44:52,040 Speaker 2: and and I really love you mate, bloody hell, I'm played. 932 00:44:52,080 --> 00:44:55,800 Speaker 2: You're in the room. Will actually hard to listen to it. 933 00:44:55,920 --> 00:44:57,440 Speaker 1: Yeah, well it was really great stuff, mate. It was 934 00:44:57,480 --> 00:44:59,520 Speaker 1: super emotional and I think for a lot of people 935 00:44:59,560 --> 00:45:01,879 Speaker 1: out there, like as we said, I'm sure most guys 936 00:45:01,960 --> 00:45:03,800 Speaker 1: that are driving their cars listening to that would probably 937 00:45:03,800 --> 00:45:05,400 Speaker 1: know that they haven't told their dad that they love them, 938 00:45:05,520 --> 00:45:07,800 Speaker 1: or would regret that they didn't as well. So I 939 00:45:07,840 --> 00:45:10,600 Speaker 1: think it's a wonderful message guys all across Australia, in 940 00:45:10,680 --> 00:45:13,120 Speaker 1: particular in Australia as well. Weirdly, I don't know why, 941 00:45:13,320 --> 00:45:16,160 Speaker 1: but we have huge barriers up between men. 942 00:45:16,239 --> 00:45:18,040 Speaker 2: And can I just say from the experience that I've 943 00:45:18,120 --> 00:45:21,200 Speaker 2: had today, I didn't want to do it, and then 944 00:45:21,239 --> 00:45:23,320 Speaker 2: I was even thinking about saying to you guys that no, no, no, 945 00:45:23,440 --> 00:45:25,480 Speaker 2: let's not do it, Let's not do it because that anxiety, 946 00:45:25,560 --> 00:45:28,279 Speaker 2: the emotion overwhelms you. Yeah. Straight after I did it, 947 00:45:28,360 --> 00:45:30,920 Speaker 2: the feeling of relief I had was phenomenal. 948 00:45:31,080 --> 00:45:31,279 Speaker 10: Yeah. 949 00:45:31,520 --> 00:45:34,560 Speaker 2: So I couldn't recommend high that if you haven't told 950 00:45:34,640 --> 00:45:36,400 Speaker 2: your dad how much you love them, go and do it. 951 00:45:36,960 --> 00:45:38,600 Speaker 1: Yeah, No, I couldn't recommend that. 952 00:45:38,719 --> 00:45:38,879 Speaker 7: More. 953 00:45:38,920 --> 00:45:40,840 Speaker 1: It was really really beautiful stuff. I'm sure to be 954 00:45:40,880 --> 00:45:43,640 Speaker 1: able to see it online Instagram, Facebook, Will and Woody 955 00:45:43,719 --> 00:45:46,200 Speaker 1: if you are interested, maybe don't do it before a 956 00:45:46,320 --> 00:45:48,960 Speaker 1: radio show, because you know, Woods was absolutely buzzing afterwards, 957 00:45:49,000 --> 00:45:50,760 Speaker 1: and you know, we had an absolute stinker of a show. 958 00:45:50,640 --> 00:45:52,279 Speaker 2: Was all thought. I was flying. 959 00:45:54,040 --> 00:45:57,239 Speaker 1: Hey next time for joining us, guys. Absolute pleasure to 960 00:45:57,280 --> 00:45:59,160 Speaker 1: be on your radios as always, tell you dad you 961 00:45:59,239 --> 00:46:02,520 Speaker 1: love them on Sunday. Make sure you get around them 962 00:46:02,520 --> 00:46:05,080 Speaker 1: because I'm sure they're pivotal figures in your life. Plus 963 00:46:05,160 --> 00:46:08,120 Speaker 1: one more thing, sorry, before we do go our final 964 00:46:08,200 --> 00:46:10,279 Speaker 1: throw at the stumps, We've made a video to send 965 00:46:10,320 --> 00:46:13,040 Speaker 1: to Keanu Reeves, which will be forwarded to his email address. 966 00:46:13,120 --> 00:46:15,800 Speaker 1: Whether he sees it or not, we don't know. We 967 00:46:15,880 --> 00:46:19,839 Speaker 1: will also post the same video Instagram and Facebook, Will 968 00:46:19,880 --> 00:46:23,360 Speaker 1: and Woody if you can share it, tag it, spread it, 969 00:46:24,000 --> 00:46:26,399 Speaker 1: send it wherever the hell you need to to try 970 00:46:26,480 --> 00:46:29,320 Speaker 1: and get his attention with it. We would appreciate that 971 00:46:29,840 --> 00:46:32,000 Speaker 1: so much. So yeah, look, we've got a film at first, 972 00:46:32,040 --> 00:46:34,319 Speaker 1: but it'll happen over the weekend. I'm thinking Sunday or something. 973 00:46:34,360 --> 00:46:37,399 Speaker 1: You'll see it online. Just get around it, and yeah, 974 00:46:37,400 --> 00:46:38,840 Speaker 1: hopefully we can get him on the show on Monday. 975 00:46:38,880 --> 00:46:41,520 Speaker 1: I mean, who knows, who knows? Stranger things have happened. 976 00:46:41,560 --> 00:46:43,440 Speaker 1: Thanks so much for joining us. Guys there Monday from 977 00:46:43,520 --> 00:46:45,280 Speaker 1: four goodbye, see what You're hearing. 978 00:46:45,520 --> 00:46:48,720 Speaker 10: Find us on Instagram and Facebook search Will and Woody