1
00:00:00,200 --> 00:00:04,160
Speaker 1: The Christian O'Connell Breakfast Show Podcast Melbourn's Gold one oh

2
00:00:04,280 --> 00:00:08,840
Speaker 1: four point three Live from Level two twenty one to

3
00:00:08,960 --> 00:00:10,560
Speaker 1: thirty one, Goodwood Street.

4
00:00:10,600 --> 00:00:11,039
Speaker 2: Wretchman.

5
00:00:12,000 --> 00:00:15,560
Speaker 1: This is the christ Joan Old Cordonal Breakfast Show on

6
00:00:15,760 --> 00:00:17,919
Speaker 1: Melbourn's Gold one oh four point three.

7
00:00:19,320 --> 00:00:21,880
Speaker 2: Good morning, it's forming his Bars six Thursday Morning Show

8
00:00:22,040 --> 00:00:25,760
Speaker 2: number fifty two for us, mister Christian O'Connell Breakfast Show. Hey,

9
00:00:26,040 --> 00:00:28,200
Speaker 2: Pat's gonna have my notice today you dressed like some

10
00:00:28,360 --> 00:00:31,440
Speaker 2: kind of rock staff. So, Jim Morrison, you've got leather

11
00:00:31,600 --> 00:00:33,920
Speaker 2: pants on rock on baby, Well, I do you know

12
00:00:34,000 --> 00:00:35,600
Speaker 2: what you can pull that look off? If I turned

13
00:00:35,640 --> 00:00:38,199
Speaker 2: up to work today right in a pair of leather pants, right,

14
00:00:38,680 --> 00:00:40,959
Speaker 2: it would be an issue. You will be going. You'd

15
00:00:41,000 --> 00:00:43,680
Speaker 2: be talking Mohammabaut going to say, has he just.

16
00:00:43,720 --> 00:00:44,880
Speaker 3: Got back from Mardy Ground.

17
00:00:44,920 --> 00:00:46,920
Speaker 2: Has he been out shopping for the first time in Melbourne?

18
00:00:46,960 --> 00:00:50,519
Speaker 2: So he'sike, no motorbike helmet, just got out of auber

19
00:00:50,960 --> 00:00:56,640
Speaker 2: rocking leather pants? Oh well, why can't why can't we

20
00:00:56,720 --> 00:00:59,400
Speaker 2: wear them? You could if you were a no. It

21
00:00:59,440 --> 00:01:01,360
Speaker 2: would be really odd if you came in and said,

22
00:01:01,400 --> 00:01:04,000
Speaker 2: people would talk. I don't know if it's a certain thing.

23
00:01:04,560 --> 00:01:06,440
Speaker 2: I don't know what what is because pants looks great

24
00:01:06,480 --> 00:01:08,640
Speaker 2: in them? Right? If I wore them it would be odd.

25
00:01:09,360 --> 00:01:13,000
Speaker 4: But if you said to us, this increases my ability

26
00:01:13,080 --> 00:01:15,960
Speaker 4: to broadcast radio. It gives me a confidence that I

27
00:01:16,040 --> 00:01:18,120
Speaker 4: can't get elsewhere. But what if you would understand?

28
00:01:18,360 --> 00:01:20,560
Speaker 2: Do you think Jack, it would be performance enhancing if

29
00:01:20,640 --> 00:01:22,520
Speaker 2: I was to wear leather pants, because, in my word,

30
00:01:22,560 --> 00:01:24,880
Speaker 2: if it works for me, suddenly Eddy Maguire is coming

31
00:01:24,920 --> 00:01:27,000
Speaker 2: in leather hot pants. What do you know is sometimes

32
00:01:27,080 --> 00:01:28,840
Speaker 2: a Friday thing? He does those lader hos and he

33
00:01:28,880 --> 00:01:31,520
Speaker 2: doesn't show it on a Friday. Do you think we

34
00:01:31,520 --> 00:01:34,759
Speaker 2: should try? Don't wrote me? If you were to weather

35
00:01:34,840 --> 00:01:36,720
Speaker 2: leather pants, why do you want to? Why not? Just

36
00:01:36,959 --> 00:01:38,840
Speaker 2: why not? Just be curious? I go, I go the

37
00:01:39,120 --> 00:01:40,800
Speaker 2: other way with confidence.

38
00:01:40,880 --> 00:01:44,959
Speaker 4: If I feel self something, I will hide away into

39
00:01:45,040 --> 00:01:45,399
Speaker 4: a shell.

40
00:01:46,280 --> 00:01:50,440
Speaker 2: Really because if I get a new haircut or like,

41
00:01:50,720 --> 00:01:52,600
Speaker 2: try or you can pull that jacket.

42
00:01:53,120 --> 00:01:54,640
Speaker 4: Sometimes I'm not try I can pull it off and

43
00:01:54,720 --> 00:01:56,560
Speaker 4: I'll just you'll see me hide in the shadows.

44
00:01:56,640 --> 00:01:58,960
Speaker 2: I think men men are more or less like less

45
00:01:59,000 --> 00:02:02,040
Speaker 2: light to experiment with their hair or look exactly. Women

46
00:02:02,160 --> 00:02:06,440
Speaker 2: overnight can suddenly be coming one day and you're like, okay, yeah,

47
00:02:06,520 --> 00:02:10,560
Speaker 2: totally different. Was a guy wouldn't do that's I think

48
00:02:10,639 --> 00:02:12,040
Speaker 2: we need to get leather trousers.

49
00:02:12,800 --> 00:02:13,160
Speaker 5: So do I?

50
00:02:13,280 --> 00:02:14,440
Speaker 3: I think you need hot pants?

51
00:02:14,680 --> 00:02:18,080
Speaker 2: Yeah? Not hot pants? Somebody woman no wants that. Okay,

52
00:02:18,240 --> 00:02:21,280
Speaker 2: well we're going to get other pants. We monitor this

53
00:02:21,520 --> 00:02:24,400
Speaker 2: show if it's a good show. Again, here's what we do.

54
00:02:25,040 --> 00:02:28,480
Speaker 2: We get some other trousers. One show next week, we

55
00:02:28,600 --> 00:02:30,760
Speaker 2: do them. You don't tell everyone who's listening that we're

56
00:02:30,760 --> 00:02:34,560
Speaker 2: in the other trousers. Trousers makes it sound like, imagine the.

57
00:02:37,280 --> 00:02:40,920
Speaker 6: Trousers them, So what do we call them leather pants?

58
00:02:41,280 --> 00:02:43,880
Speaker 2: Leather pants? Yeah, but we don't tell the listeners that

59
00:02:43,919 --> 00:02:45,760
Speaker 2: we're doing them in other pants. But if we suddenly

60
00:02:45,800 --> 00:02:48,280
Speaker 2: get a few more texts going today's show, then we

61
00:02:48,400 --> 00:02:50,440
Speaker 2: go back. Okay, how about this, it's the leather factor.

62
00:02:50,680 --> 00:02:51,120
Speaker 2: How about this?

63
00:02:51,440 --> 00:02:53,200
Speaker 4: We promise to do it one day next week. It's

64
00:02:53,200 --> 00:02:55,120
Speaker 4: like the tam K giveaway. You don't know what it's

65
00:02:55,120 --> 00:02:57,600
Speaker 4: going to go. Sometime between six and ten, people email

66
00:02:57,680 --> 00:03:00,440
Speaker 4: in and they say, I think Wednesday I fell was the.

67
00:03:02,120 --> 00:03:04,680
Speaker 2: Yeah, okay, right, so one show next week we're going

68
00:03:04,760 --> 00:03:06,560
Speaker 2: to be leather panted.

69
00:03:06,400 --> 00:03:09,680
Speaker 1: Up the Christian O'Connell breakfast show, Melbourne's Gold one oh

70
00:03:09,800 --> 00:03:10,880
Speaker 1: four point three to.

71
00:03:11,000 --> 00:03:14,280
Speaker 2: Check in now with Big John. There is the early

72
00:03:14,360 --> 00:03:15,839
Speaker 2: morning weather report for the show.

73
00:03:15,919 --> 00:03:19,000
Speaker 7: Good morning, Christian, Big John here with your morning weather report.

74
00:03:19,919 --> 00:03:22,079
Speaker 7: Four o'clock in the morning. Sitting out the front of

75
00:03:22,120 --> 00:03:24,560
Speaker 7: my workplace. Coffee in one hand, phone in the other.

76
00:03:26,240 --> 00:03:30,560
Speaker 2: Very cold, three point three degrees. It feels like half

77
00:03:30,639 --> 00:03:31,079
Speaker 2: a degree.

78
00:03:32,160 --> 00:03:34,080
Speaker 7: I'm actually looking for my beanie in my car at

79
00:03:34,080 --> 00:03:35,760
Speaker 7: the moment because I'm too scared to get out of

80
00:03:35,840 --> 00:03:39,360
Speaker 7: my car it is that cold. Anyway, we are chasing

81
00:03:39,440 --> 00:03:45,200
Speaker 7: a nice day, eighteen degrees. Today's weather report brought to

82
00:03:45,280 --> 00:03:49,080
Speaker 7: you by Big John. Out to you, Christian.

83
00:03:51,480 --> 00:03:54,520
Speaker 2: So now he's in the studio and you're the Roman reports,

84
00:03:54,720 --> 00:03:57,240
Speaker 2: just out and about on the streets. How he's changed

85
00:03:57,280 --> 00:03:59,440
Speaker 2: in a week? He has really really changed as well?

86
00:04:00,320 --> 00:04:02,040
Speaker 2: Or did he have a little bit of indigestion at

87
00:04:02,080 --> 00:04:04,560
Speaker 2: the end, you know, when the coffee has gone down

88
00:04:05,000 --> 00:04:05,480
Speaker 2: a little.

89
00:04:05,280 --> 00:04:07,680
Speaker 3: But he didn't sound too well you also, I mean,

90
00:04:07,920 --> 00:04:09,080
Speaker 3: I can't.

91
00:04:08,880 --> 00:04:11,280
Speaker 2: Believe today is going to get up to eighteen degrees

92
00:04:11,920 --> 00:04:16,080
Speaker 2: and it is apparently winter. Yeah, I mean, this will

93
00:04:16,120 --> 00:04:18,600
Speaker 2: be a beautiful spring day. I think eighteen degrees. It's

94
00:04:18,640 --> 00:04:21,280
Speaker 2: going to be another nice day. However, Big John had

95
00:04:21,360 --> 00:04:24,240
Speaker 2: also left two messages this morning on my on my phone.

96
00:04:24,600 --> 00:04:26,880
Speaker 2: The Big John is on what my WhatsApp group? Can

97
00:04:26,920 --> 00:04:29,600
Speaker 2: I Christian Big Johnny for you just said that.

98
00:04:29,760 --> 00:04:32,640
Speaker 7: So the Hot Chocolate song part of that say, I'm

99
00:04:32,680 --> 00:04:33,560
Speaker 7: belame Miriles.

100
00:04:33,960 --> 00:04:36,640
Speaker 8: It really sounds like I remove unbeliefs.

101
00:04:43,800 --> 00:04:45,400
Speaker 2: You'll have to play it again, and so we're listening

102
00:04:45,440 --> 00:04:52,960
Speaker 2: for I remove them, I remove umbilicals. I'll tell you

103
00:04:53,040 --> 00:04:56,360
Speaker 2: what I heard recently. And you may or may not

104
00:04:56,520 --> 00:04:59,479
Speaker 2: know that I love holding notes and this song. Yeah,

105
00:04:59,480 --> 00:05:00,960
Speaker 2: I don't know if I've mentioned on the show. I'm

106
00:05:00,960 --> 00:05:11,039
Speaker 2: a big fan of border notes. Now, doesn't it sound

107
00:05:11,160 --> 00:05:13,400
Speaker 2: like and will make more sense that saying your kiss

108
00:05:13,480 --> 00:05:16,360
Speaker 2: is on my lips? Yes, and it would make sense.

109
00:05:17,160 --> 00:05:19,160
Speaker 2: It's actually your kiss is on my list like a

110
00:05:19,240 --> 00:05:22,160
Speaker 2: shopping list. White don't make no sense, hall of oats

111
00:05:23,240 --> 00:05:24,360
Speaker 2: Your kisses on my list?

112
00:05:24,520 --> 00:05:24,719
Speaker 9: Yeah?

113
00:05:24,760 --> 00:05:26,760
Speaker 2: Like no, like a list like I've got a list

114
00:05:26,800 --> 00:05:29,280
Speaker 2: here or people I want to kiss seems creepy and

115
00:05:29,440 --> 00:05:31,840
Speaker 2: all oats to do list like things I gotta do.

116
00:05:32,040 --> 00:05:33,640
Speaker 2: I want to kiss that girl out in the office.

117
00:05:33,680 --> 00:05:33,880
Speaker 7: You know.

118
00:05:38,560 --> 00:05:41,240
Speaker 2: What kind of list is Hall or Oats keeping it's

119
00:05:41,279 --> 00:05:44,240
Speaker 2: got kiss that girl? Is that a reminder on his phone?

120
00:05:44,279 --> 00:05:46,359
Speaker 2: Look at her little thing? Why is it on a list?

121
00:05:46,880 --> 00:05:49,080
Speaker 4: He construct it in your Hall Notes podcast, still waiting

122
00:05:49,120 --> 00:05:50,960
Speaker 4: for it's heavy.

123
00:05:51,360 --> 00:05:53,360
Speaker 2: We are heavy in the planning stages at the moment,

124
00:05:53,560 --> 00:05:55,719
Speaker 2: whereas on your lips now here is lips. So I've

125
00:05:55,720 --> 00:06:03,080
Speaker 2: always heard this lips. It feels much better. He's having

126
00:06:03,080 --> 00:06:10,600
Speaker 2: a kissy kissy on Paul and or Oates's lips. You've

127
00:06:10,640 --> 00:06:12,479
Speaker 2: got what as well? You've got a classic misheard lyrics

128
00:06:12,480 --> 00:06:14,640
Speaker 2: which are apparently called Manda Greens I did not know.

129
00:06:15,080 --> 00:06:17,160
Speaker 4: So this is a lesser known song by green Day

130
00:06:17,720 --> 00:06:21,120
Speaker 4: called Castaway. I didn't know that at the time. I

131
00:06:21,360 --> 00:06:28,200
Speaker 4: thought he was singing about the Australian flightless bird, the Cassowary's.

132
00:06:26,600 --> 00:06:31,240
Speaker 2: Listen it does, so, yeah, I get that. That's bang

133
00:06:31,320 --> 00:06:31,800
Speaker 2: on the nose.

134
00:06:35,640 --> 00:06:46,080
Speaker 4: Yeahsouwery, which is it's a shame that's not cassiwary because

135
00:06:46,320 --> 00:06:48,440
Speaker 4: now the way back to zero songs about cassewerries.

136
00:06:48,480 --> 00:06:51,920
Speaker 2: Yeah, that's it's a rare species as well. So what

137
00:06:52,240 --> 00:06:54,080
Speaker 2: misheard lyrics have you got for this morning? Give us?

138
00:06:54,120 --> 00:06:57,320
Speaker 1: Called the Christian O'Connell Breakfast Show, Melbourne's Gold one oh

139
00:06:57,440 --> 00:06:58,160
Speaker 1: four point.

140
00:06:57,960 --> 00:07:01,560
Speaker 2: Three talking this sworn about misheard song lyrics parts, what's

141
00:07:01,600 --> 00:07:01,960
Speaker 2: your one?

142
00:07:02,400 --> 00:07:06,240
Speaker 3: Mine is the classic Alex the Seal and it's the

143
00:07:06,279 --> 00:07:06,920
Speaker 3: Go Go song.

144
00:07:09,800 --> 00:07:11,560
Speaker 2: Why do you say classic? Is that a well known

145
00:07:11,880 --> 00:07:12,120
Speaker 2: it is?

146
00:07:12,440 --> 00:07:12,640
Speaker 10: Yeah?

147
00:07:12,680 --> 00:07:14,480
Speaker 3: Everyone in OZ knows that it's.

148
00:07:14,560 --> 00:07:17,600
Speaker 2: Lips the Seal the what are you? What are you hearing?

149
00:07:17,680 --> 00:07:19,840
Speaker 3: Pats Alex the Seal, But it's.

150
00:07:24,200 --> 00:07:25,119
Speaker 2: Are you hearing Alex?

151
00:07:25,600 --> 00:07:26,240
Speaker 3: Are you hearing that?

152
00:07:26,360 --> 00:07:31,640
Speaker 2: No? I can hear it. Yeah, I see what you mean.

153
00:07:31,720 --> 00:07:33,520
Speaker 2: I got an Australian thing.

154
00:07:33,640 --> 00:07:34,480
Speaker 6: Is it's just.

155
00:07:34,560 --> 00:07:36,400
Speaker 11: You know, well know it's a classic eighties, isn't it?

156
00:07:36,440 --> 00:07:38,640
Speaker 11: And everyone always thought it was Alex the Seal, But

157
00:07:38,720 --> 00:07:40,680
Speaker 11: it's Lips the Sealed, gotcha.

158
00:07:40,720 --> 00:07:42,200
Speaker 2: You know there's a lot of these misheard lyrics now

159
00:07:42,280 --> 00:07:46,880
Speaker 2: to do with lips and lists. Scotty, good morning, Come

160
00:07:46,880 --> 00:07:47,680
Speaker 2: on it, Scott.

161
00:07:48,160 --> 00:07:52,880
Speaker 8: Yep, I have the the classic of classics. Australian Jimmy

162
00:07:52,920 --> 00:07:56,000
Speaker 8: or Jimmy Barnes always picks it up too. It's case

163
00:07:56,040 --> 00:07:59,320
Speaker 8: saying the last train out of Sydney is almost gone

164
00:07:59,640 --> 00:08:01,120
Speaker 8: all right, less supposed to be.

165
00:08:01,280 --> 00:08:14,240
Speaker 5: Playing that does sound like train, which is the what's

166
00:08:14,280 --> 00:08:19,200
Speaker 5: in the lyrics? Plane, Yeah, but this sounds more like train.

167
00:08:19,280 --> 00:08:26,120
Speaker 2: Haven't listened to this everyone, I mean, we've got a

168
00:08:26,160 --> 00:08:27,960
Speaker 2: bit of our interview with Jimmy Barnes. I wish he

169
00:08:28,080 --> 00:08:30,520
Speaker 2: was coming in this morning. I'd say, listen, get back

170
00:08:30,560 --> 00:08:33,760
Speaker 2: in the studio, my friend, enunciate, Jimmy, enunciate those.

171
00:08:34,240 --> 00:08:36,760
Speaker 3: That's a bit of a revelation for me. I actually

172
00:08:36,840 --> 00:08:37,800
Speaker 3: thought it was train.

173
00:08:38,000 --> 00:08:38,160
Speaker 12: Is it?

174
00:08:38,520 --> 00:08:39,240
Speaker 3: Are you serious?

175
00:08:39,400 --> 00:08:42,079
Speaker 8: It's it's plain you can't get the Hong Kong on

176
00:08:42,440 --> 00:08:42,800
Speaker 8: a train.

177
00:08:42,960 --> 00:08:45,640
Speaker 2: I did not know that until now, the way that

178
00:08:45,679 --> 00:08:48,040
Speaker 2: Pat's gone, Are you serious? Like we somehow got the

179
00:08:48,160 --> 00:08:54,280
Speaker 2: band together issue overnight? Frank Pats, that's for wearing leather pants.

180
00:08:54,559 --> 00:08:57,000
Speaker 2: Now we prank you? Is we right? In the half

181
00:08:57,040 --> 00:09:03,280
Speaker 2: six news? Good morning world, Hot off the press? Justin Shane,

182
00:09:03,320 --> 00:09:04,959
Speaker 2: good morning, good morning.

183
00:09:05,000 --> 00:09:05,400
Speaker 13: How are we?

184
00:09:05,520 --> 00:09:08,160
Speaker 2: Yeah, we're good, Shane. And what's your misheard lyric for us? Buddy?

185
00:09:09,240 --> 00:09:11,880
Speaker 14: So we've got an Elton John song hold Me Closer

186
00:09:12,080 --> 00:09:13,920
Speaker 14: Tony danzer Oh from.

187
00:09:13,840 --> 00:09:17,400
Speaker 2: My Tiny Dancer. I love this you reckon he's singing

188
00:09:17,400 --> 00:09:25,880
Speaker 2: about Tony dads are holding him closer? Maybe Yeah, that's

189
00:09:25,920 --> 00:09:33,319
Speaker 2: the best one so far. All right, Shane, thank you

190
00:09:33,440 --> 00:09:35,679
Speaker 2: very much for that. What misheard song lynks have you

191
00:09:35,760 --> 00:09:37,040
Speaker 2: got for us this morning? When we dig them out

192
00:09:37,040 --> 00:09:37,560
Speaker 2: and play them.

193
00:09:37,520 --> 00:09:40,839
Speaker 1: The Christian O'Connell Breakfast show Melbourne's Gold one oh four

194
00:09:40,920 --> 00:09:41,360
Speaker 1: point three.

195
00:09:41,559 --> 00:09:44,640
Speaker 2: We're asking this sworn if your misheard song lyrics? I

196
00:09:44,800 --> 00:09:46,599
Speaker 2: did not know, just found out. That's fifteen minutes, so

197
00:09:46,600 --> 00:09:48,959
Speaker 2: it's jack these aren't there's an actually official term for

198
00:09:49,000 --> 00:09:53,319
Speaker 2: these a Manda green, a mondo green, mondo green, or

199
00:09:53,360 --> 00:09:56,400
Speaker 2: is it manda green? He's actually misheard the name for

200
00:09:58,440 --> 00:10:01,120
Speaker 2: I know there's two words like mondow green. Quite a

201
00:10:01,160 --> 00:10:03,240
Speaker 2: few people are texting in about this one, saying that

202
00:10:03,280 --> 00:10:06,040
Speaker 2: you can hear cheap wine and a three legged goat.

203
00:10:06,080 --> 00:10:12,280
Speaker 2: Let's have listened to this one. Yeah, that's it now.

204
00:10:14,840 --> 00:10:17,840
Speaker 2: It sounds exactly like cheap wine and a three legged goat.

205
00:10:18,760 --> 00:10:29,400
Speaker 12: Shane, good morning, Hey, good morning?

206
00:10:29,880 --> 00:10:30,480
Speaker 15: Are we Yeah?

207
00:10:30,520 --> 00:10:32,160
Speaker 2: We're good? Shame? What's that? What's your one?

208
00:10:32,800 --> 00:10:35,320
Speaker 15: It's mid not and eye all power and the passion

209
00:10:35,800 --> 00:10:37,960
Speaker 15: where he's seeing. Is better to live on your feet

210
00:10:38,040 --> 00:10:39,320
Speaker 15: than the nibble your knees.

211
00:10:39,720 --> 00:10:41,280
Speaker 2: Oh right, okay, let's have a listen one. So it

212
00:10:41,320 --> 00:10:43,640
Speaker 2: should be the lyrics star It's better to die on

213
00:10:43,720 --> 00:10:54,320
Speaker 2: your feet than live on your knees. But you're hearing Shane.

214
00:10:54,400 --> 00:11:00,079
Speaker 2: That's great. Second time, nibble your knees, Shane, that's a

215
00:11:00,120 --> 00:11:01,040
Speaker 2: great one. Thanks for that one.

216
00:11:01,200 --> 00:11:01,400
Speaker 16: Sue.

217
00:11:02,400 --> 00:11:05,960
Speaker 2: Hello, Hello, good morning, Sue, Welcome to the show. What's

218
00:11:06,240 --> 00:11:07,280
Speaker 2: what's your mishard lyric?

219
00:11:07,880 --> 00:11:08,040
Speaker 6: Oh?

220
00:11:08,200 --> 00:11:10,600
Speaker 17: It's a John Fannham song, that Age of Reason?

221
00:11:10,920 --> 00:11:15,439
Speaker 15: And I always thought he was saying, now that I've fathered.

222
00:11:15,080 --> 00:11:17,199
Speaker 8: A dog and will be left to carry on.

223
00:11:17,480 --> 00:11:20,079
Speaker 17: And I actually had to ask someone that I didn't

224
00:11:20,120 --> 00:11:20,760
Speaker 17: make sense.

225
00:11:20,800 --> 00:11:22,000
Speaker 15: Go and tell me what he's saying.

226
00:11:23,720 --> 00:11:25,520
Speaker 2: It's the follow up two Living Years about a song

227
00:11:25,520 --> 00:11:34,040
Speaker 2: about fathering a dog. Oh, that's uncanny, that's rights amazing, Sue.

228
00:11:34,080 --> 00:11:36,360
Speaker 2: They say this again now that I fathered a dog.

229
00:11:41,360 --> 00:11:43,240
Speaker 2: That is spot on, Sue. Thanks a lot for that.

230
00:11:43,400 --> 00:11:46,760
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

231
00:11:46,800 --> 00:11:47,280
Speaker 1: point three.

232
00:11:47,559 --> 00:11:48,079
Speaker 2: Let's play this.

233
00:11:48,640 --> 00:11:51,480
Speaker 18: It's six thirty am and time to play the early

234
00:11:51,600 --> 00:11:52,240
Speaker 18: morning game.

235
00:11:52,440 --> 00:11:56,920
Speaker 2: It sounds like a song to me, Christian. Alrighty, So

236
00:11:57,280 --> 00:11:58,679
Speaker 2: you know this week I'll be trying to find a

237
00:11:58,800 --> 00:12:02,319
Speaker 2: hard clip and go within like five or six callers.

238
00:12:02,760 --> 00:12:06,280
Speaker 2: I've got it. You just between that song. You cackled

239
00:12:06,480 --> 00:12:09,959
Speaker 2: like a villain in the children's movie. Yeah, a bond villain.

240
00:12:10,000 --> 00:12:13,800
Speaker 2: I actually said the word fiendish is what I have here,

241
00:12:14,240 --> 00:12:16,640
Speaker 2: all right, So a little promise from me. I can't

242
00:12:16,640 --> 00:12:18,520
Speaker 2: and we con'tplict the future, but this isn't going to

243
00:12:18,640 --> 00:12:22,440
Speaker 2: go in the next seven days. Here's what's gonna happen. Happen.

244
00:12:22,480 --> 00:12:25,800
Speaker 2: I'm gonna have to give a clue. It's that hard

245
00:12:26,400 --> 00:12:28,319
Speaker 2: as long as when we get to the end of it.

246
00:12:28,480 --> 00:12:30,920
Speaker 2: I probably because people get angry, and I had that.

247
00:12:31,040 --> 00:12:35,040
Speaker 2: This is very, very fair. I can justify this easily. Okay,

248
00:12:35,760 --> 00:12:38,160
Speaker 2: I'm ready to hear it. It's not an obscure song.

249
00:12:39,440 --> 00:12:42,240
Speaker 2: I say no more because this is fiendish all right.

250
00:12:42,280 --> 00:12:43,640
Speaker 2: So this is how it works. I play your little

251
00:12:43,640 --> 00:12:45,160
Speaker 2: short clip has got a couple of sound effects in.

252
00:12:45,400 --> 00:12:47,760
Speaker 2: You gotta listen to the sound effects. Try and guess

253
00:12:47,800 --> 00:12:59,839
Speaker 2: the song title. Everyone ready, I am bring it. Okay,

254
00:13:00,240 --> 00:13:03,120
Speaker 2: there's a lot to digest. Yeah, he played again.

255
00:13:10,240 --> 00:13:12,079
Speaker 3: It sounds like our production meetings.

256
00:13:13,520 --> 00:13:15,520
Speaker 2: Kind a good day. Yeah. If you open the door,

257
00:13:15,600 --> 00:13:16,200
Speaker 2: that's what you'd hear.

258
00:13:16,960 --> 00:13:19,240
Speaker 4: The audio quality is very high. That actually the sound

259
00:13:19,280 --> 00:13:20,800
Speaker 4: of the plane goes from the left ear.

260
00:13:20,679 --> 00:13:23,640
Speaker 2: To the right. Yeah, nice surround sound. We've used Golby

261
00:13:23,720 --> 00:13:31,040
Speaker 2: on this one. All right, give it a go. What

262
00:13:31,240 --> 00:13:35,120
Speaker 2: is the monkey? I hear the mario? Oh you heard that?

263
00:13:35,559 --> 00:13:45,400
Speaker 2: Heard the Mario one more time. The sound effects point

264
00:13:45,440 --> 00:13:47,200
Speaker 2: to a song title. What do you think the song

265
00:13:47,320 --> 00:13:49,960
Speaker 2: title is? Give me call ninety four one four one

266
00:13:50,120 --> 00:13:51,160
Speaker 2: oh four three.

267
00:13:51,160 --> 00:13:54,520
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

268
00:13:54,559 --> 00:13:55,040
Speaker 1: point three.

269
00:13:55,320 --> 00:13:57,880
Speaker 2: Are the nine people in this radio station right now?

270
00:13:58,160 --> 00:13:58,720
Speaker 2: Only three?

271
00:13:59,120 --> 00:13:59,160
Speaker 6: No?

272
00:14:01,520 --> 00:14:04,720
Speaker 2: Yeah, I don't like this. I love it. I don't

273
00:14:04,840 --> 00:14:08,960
Speaker 2: like how you're matching around like a pock yes pea

274
00:14:09,040 --> 00:14:12,360
Speaker 2: coucking around because this one is fiendish. Okay, we're playing

275
00:14:12,360 --> 00:14:13,120
Speaker 2: this early morning game.

276
00:14:13,400 --> 00:14:16,240
Speaker 3: It's six thirty am and time to play the early

277
00:14:16,360 --> 00:14:16,960
Speaker 3: morning game.

278
00:14:17,160 --> 00:14:20,760
Speaker 2: It sounds like a song to me, Christian, so over

279
00:14:20,800 --> 00:14:22,560
Speaker 2: the last week or so doing this. This is where

280
00:14:22,560 --> 00:14:23,960
Speaker 2: I play a short clip out. It's got a couple

281
00:14:23,960 --> 00:14:25,800
Speaker 2: of sound effects in there. The sound effects give you

282
00:14:25,840 --> 00:14:28,360
Speaker 2: the clue to a song title. You've been getting it

283
00:14:28,440 --> 00:14:31,000
Speaker 2: actually the longest ever. We had a rollover to all

284
00:14:31,080 --> 00:14:35,080
Speaker 2: one show two days that's it and it went the

285
00:14:35,120 --> 00:14:36,360
Speaker 2: other day. I thought I'd come up with the clip

286
00:14:36,400 --> 00:14:37,800
Speaker 2: that wouldn't go on and put five bucks. It was

287
00:14:37,800 --> 00:14:39,320
Speaker 2: all I had on me on it. And I don't

288
00:14:39,440 --> 00:14:41,160
Speaker 2: given away to a listener because you got it within

289
00:14:41,240 --> 00:14:46,040
Speaker 2: about three goes this one, this one. I've seriously, seriously

290
00:14:46,160 --> 00:14:48,000
Speaker 2: challenged myself to come up with the one. It's a

291
00:14:48,040 --> 00:14:49,800
Speaker 2: well known song. I promise you it is a well

292
00:14:49,840 --> 00:14:51,560
Speaker 2: known song and it's not one of those that when

293
00:14:51,600 --> 00:14:53,960
Speaker 2: you find out eventually what the answer is probably next year.

294
00:14:54,000 --> 00:14:56,440
Speaker 2: To be honest, you got Oh that doesn't make any sense.

295
00:14:56,480 --> 00:15:00,360
Speaker 2: I've been very fair. However, this is fiendish. Here is

296
00:15:00,400 --> 00:15:09,840
Speaker 2: the clue. I heard something that I didn't hear first time. Yeah, yeah,

297
00:15:10,200 --> 00:15:11,800
Speaker 2: so that the team out there just walked out there

298
00:15:11,880 --> 00:15:14,680
Speaker 2: right now, they're all like googling some of those separate

299
00:15:14,720 --> 00:15:17,040
Speaker 2: clips to try and get they're trying to take it down.

300
00:15:17,080 --> 00:15:19,240
Speaker 2: The show is trying to take this down. Can I

301
00:15:19,280 --> 00:15:22,000
Speaker 2: ask you a question? Are there any red herrings in there?

302
00:15:22,600 --> 00:15:25,040
Speaker 2: Go to lines? Are there any sound effects? That don't?

303
00:15:25,800 --> 00:15:28,680
Speaker 2: They are just there to confuse It does not work

304
00:15:28,680 --> 00:15:30,800
Speaker 2: like that. Do you have a song title? No, I

305
00:15:31,080 --> 00:15:33,080
Speaker 2: can't even I can't even get close. I've just got

306
00:15:33,160 --> 00:15:35,840
Speaker 2: a list of words. Say what you're here? Say what

307
00:15:35,880 --> 00:15:38,760
Speaker 2: you here. What do you hear plaine dog bark?

308
00:15:38,800 --> 00:15:44,760
Speaker 4: I thought might be trees, so plane tree Mario Italy, Plaintree, Italy.

309
00:15:45,240 --> 00:15:46,920
Speaker 2: What does it all lead to? What's the song title?

310
00:15:47,760 --> 00:15:53,359
Speaker 2: That's my guess, Think harder, think smarter, Kyle, Good morning, Cali.

311
00:15:53,240 --> 00:15:54,720
Speaker 14: Good morning, Good morning guys.

312
00:15:54,760 --> 00:15:57,000
Speaker 2: How are you really good? And have your word as well? Mate?

313
00:15:57,040 --> 00:15:58,760
Speaker 2: And what do you think the song title is? First

314
00:15:58,800 --> 00:16:01,240
Speaker 2: of all, well done for trying to take down radio's

315
00:16:01,280 --> 00:16:02,720
Speaker 2: hardest competition in the universe.

316
00:16:05,600 --> 00:16:08,840
Speaker 17: Okay, I think I'm only going off two sounds, but

317
00:16:09,000 --> 00:16:11,840
Speaker 17: I think it might be computer.

318
00:16:11,560 --> 00:16:21,120
Speaker 2: Games my six Oh, let's listen. That's actually a very

319
00:16:21,160 --> 00:16:23,400
Speaker 2: smart guest, But Kylie, it is not the right answer.

320
00:16:23,600 --> 00:16:26,600
Speaker 2: Thank you for trying to black Kylie. Have a good day, Rees,

321
00:16:27,720 --> 00:16:30,080
Speaker 2: good morning here, you're going pretty good. Race And what

322
00:16:30,120 --> 00:16:30,880
Speaker 2: do you think the song is?

323
00:16:31,560 --> 00:16:33,840
Speaker 10: I think it's black Cat by Janet Jackson.

324
00:16:34,880 --> 00:16:39,760
Speaker 2: Black Cat? How what are you hearing in here? What

325
00:16:39,800 --> 00:16:41,440
Speaker 2: do you reckon? You can hear the.

326
00:16:41,520 --> 00:16:44,200
Speaker 9: Growl of the panther, which is at the start of

327
00:16:44,240 --> 00:16:45,280
Speaker 9: the Janet Jackson song.

328
00:16:51,240 --> 00:16:53,400
Speaker 4: I don't I hear a lot of stuff, Raith, but

329
00:16:53,520 --> 00:16:56,160
Speaker 4: I don't hear a big cat or is there is

330
00:16:56,240 --> 00:16:57,120
Speaker 4: there isn't there?

331
00:16:57,200 --> 00:17:00,520
Speaker 2: Well? Does he win? It's the right answer that race.

332
00:17:00,760 --> 00:17:07,440
Speaker 2: Let's go to uh Draco Drago has in Ivan Drago.

333
00:17:07,880 --> 00:17:11,119
Speaker 2: If you don't, what do you think the song is?

334
00:17:12,040 --> 00:17:15,440
Speaker 14: I think it might be dropped the Pilot training.

335
00:17:15,800 --> 00:17:18,240
Speaker 2: Great song, drop the pilot because I guess.

336
00:17:18,040 --> 00:17:20,359
Speaker 14: The in the beginning of playing a monkey, which she

337
00:17:20,440 --> 00:17:22,320
Speaker 14: mentioned in the song, So maybe.

338
00:17:28,040 --> 00:17:32,800
Speaker 2: I don't believe it. That's the wrong answer. Tough luck.

339
00:17:33,440 --> 00:17:37,480
Speaker 2: Let's get a Glenn, good morning. All right, Glenn, what's

340
00:17:37,480 --> 00:17:38,720
Speaker 2: your song title? What do you think it is?

341
00:17:39,400 --> 00:17:41,320
Speaker 10: Sledgehammer?

342
00:17:41,680 --> 00:17:42,040
Speaker 2: How so.

343
00:17:43,600 --> 00:17:47,560
Speaker 8: Well to every well go in our career?

344
00:17:51,880 --> 00:17:52,520
Speaker 14: Everything else?

345
00:17:52,720 --> 00:18:00,960
Speaker 2: All right? Something to listen. Then it's not the right

346
00:18:01,040 --> 00:18:07,560
Speaker 2: song title. All right, I'll take one more one, Michael, Michael, okay,

347
00:18:07,640 --> 00:18:09,240
Speaker 2: how confident are you that you've got the song?

348
00:18:10,400 --> 00:18:11,240
Speaker 10: I'm pretty confident.

349
00:18:11,359 --> 00:18:13,000
Speaker 2: Probably wrong though, all right, let's hear it. What do

350
00:18:13,080 --> 00:18:13,400
Speaker 2: you reckon?

351
00:18:14,160 --> 00:18:14,679
Speaker 14: I reckon and.

352
00:18:14,720 --> 00:18:16,920
Speaker 10: Markey Welcome to the Jungle by Guys and Roses.

353
00:18:22,040 --> 00:18:26,679
Speaker 2: White some jungle. Why would Mario be in the jungle? Indeed, Michael,

354
00:18:26,760 --> 00:18:31,919
Speaker 2: it's not the right answer. Well, where are we tell

355
00:18:31,960 --> 00:18:36,040
Speaker 2: you where we are? They'll rollover? No right answers today? Okay,

356
00:18:37,040 --> 00:18:40,720
Speaker 2: we don't play on Friday, so it's traditionally Monday morning

357
00:18:40,800 --> 00:18:43,160
Speaker 2: is when we will reopen the lines at six thirty Gordon.

358
00:18:43,200 --> 00:18:45,280
Speaker 2: Then to try and guess this. It is a really

359
00:18:45,320 --> 00:18:52,800
Speaker 2: well known song. I will make it my weekends mission

360
00:18:54,000 --> 00:18:55,879
Speaker 2: for you Monday. Okay, all right, it's seat to you.

361
00:18:55,960 --> 00:18:59,239
Speaker 1: Then the Christian O'Connell Breakfast Show Melbourne's Gold one oh

362
00:18:59,359 --> 00:19:00,520
Speaker 1: four points for all right.

363
00:19:00,600 --> 00:19:04,440
Speaker 2: This is my first big announcement, almost twelve weeks into

364
00:19:04,520 --> 00:19:06,440
Speaker 2: doing this new show on Cold one or four point three.

365
00:19:06,520 --> 00:19:08,440
Speaker 2: I'm she was excited about that. This is great news,

366
00:19:08,600 --> 00:19:12,640
Speaker 2: first time in twenty years, in two decades, the original

367
00:19:12,760 --> 00:19:16,040
Speaker 2: P Diddy is coming back to Australia, the original P

368
00:19:16,200 --> 00:19:19,959
Speaker 2: Diddy Phil Collins or is that Pea City Phil Collins?

369
00:19:20,040 --> 00:19:22,680
Speaker 2: And what a great tour title as well, Not dead

370
00:19:22,800 --> 00:19:25,560
Speaker 2: yet Live Phil Collins is coming back. He's going to

371
00:19:25,600 --> 00:19:28,040
Speaker 2: be here February the first Witch. Great News is a

372
00:19:28,080 --> 00:19:30,280
Speaker 2: Friday Night. We should all go Friday night, come and

373
00:19:30,320 --> 00:19:32,680
Speaker 2: see Phil Connin's live here in Melbourne. It's going to

374
00:19:32,720 --> 00:19:35,280
Speaker 2: meet the Amy. Tickets don't go and sell for another

375
00:19:35,359 --> 00:19:37,640
Speaker 2: two weeks. They go on sale September the fifth, which

376
00:19:37,640 --> 00:19:40,320
Speaker 2: is just doneunder two weeks away through ticker tech. You

377
00:19:40,320 --> 00:19:43,680
Speaker 2: can get them one o'clock Wednesday the September make a

378
00:19:43,760 --> 00:19:45,640
Speaker 2: date in the diary September the five. You can buy

379
00:19:45,720 --> 00:19:48,600
Speaker 2: tickets through tickeer tech. Good news, we have a pair

380
00:19:48,640 --> 00:19:51,040
Speaker 2: of tickets right now. These are the first tickets anyone

381
00:19:51,119 --> 00:19:52,720
Speaker 2: can get hold off. Don't go on sale to the

382
00:19:52,760 --> 00:19:54,400
Speaker 2: rest of the plabs that don't listen to this radio

383
00:19:54,440 --> 00:19:56,840
Speaker 2: show for another two weeks. You can win them right now.

384
00:19:56,960 --> 00:19:59,359
Speaker 2: Come and see Phil Connins live. We are all gonna

385
00:19:59,359 --> 00:20:02,280
Speaker 2: go and see PHILM. Connors live. Not dead yet alive.

386
00:20:02,560 --> 00:20:04,680
Speaker 2: You can win now coming down nine four one four

387
00:20:04,800 --> 00:20:08,440
Speaker 2: one four three calling after this while Phil Collins, I'll

388
00:20:08,480 --> 00:20:11,320
Speaker 2: give away the first paradicket. Come and see him live

389
00:20:11,440 --> 00:20:15,159
Speaker 2: February the first at the A nine one o four

390
00:20:15,280 --> 00:20:17,640
Speaker 2: three seems because it excuse to play some classic Phil

391
00:20:17,680 --> 00:20:19,960
Speaker 2: Connors now, don't lose my number, The.

392
00:20:20,040 --> 00:20:23,800
Speaker 1: Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point three.

393
00:20:24,119 --> 00:20:25,840
Speaker 2: So this announced, can you he is? Phil Collins is

394
00:20:25,920 --> 00:20:28,320
Speaker 2: coming back first time in two decades. He's a turning

395
00:20:28,359 --> 00:20:32,720
Speaker 2: to Australia in February. First on February Friday Night, Phil

396
00:20:32,800 --> 00:20:35,840
Speaker 2: Cohens live at the Amy great title of this tour

397
00:20:35,880 --> 00:20:39,280
Speaker 2: as well, not dead yet live just at a text

398
00:20:39,320 --> 00:20:40,880
Speaker 2: from a friend of mine who's listened to us back

399
00:20:40,920 --> 00:20:43,800
Speaker 2: in the UK, who saw he did five nights at

400
00:20:43,840 --> 00:20:46,720
Speaker 2: the Royal Albert Hall, amazing venue in London, very famous

401
00:20:46,800 --> 00:20:49,199
Speaker 2: music venue, the Royal label Hall. They normally have classical

402
00:20:49,280 --> 00:20:51,800
Speaker 2: music there. Phil Connors had five nights and it's sold

403
00:20:51,880 --> 00:20:55,520
Speaker 2: out within fifteen seconds and he actually ended up going

404
00:20:55,600 --> 00:20:58,800
Speaker 2: for two nights back to back. Said it's amazing. He's

405
00:20:58,800 --> 00:21:00,960
Speaker 2: still really really good life. He wanted me to pass

406
00:21:01,000 --> 00:21:03,320
Speaker 2: on to you Melbourne. So when you get tickets two

407
00:21:03,320 --> 00:21:05,440
Speaker 2: weeks time, they go on sal September the fifth, which

408
00:21:05,480 --> 00:21:08,560
Speaker 2: is Wednesday, two weeks time. Getting them through ticket you

409
00:21:08,560 --> 00:21:10,320
Speaker 2: can get tickets to come and see Phil Connor's life.

410
00:21:10,400 --> 00:21:12,440
Speaker 2: We're all going to go. You're going to come along, Pats.

411
00:21:12,880 --> 00:21:14,760
Speaker 3: I would love to have never seen him live.

412
00:21:15,040 --> 00:21:17,119
Speaker 2: I saw him ages and ages ago, and there was

413
00:21:17,160 --> 00:21:19,680
Speaker 2: sometime at the nineties and he was absolutely brilliant. I

414
00:21:19,760 --> 00:21:22,640
Speaker 2: think his son is in the band now drumming. That's

415
00:21:22,720 --> 00:21:24,119
Speaker 2: a lot of pressure to live up to if your

416
00:21:24,160 --> 00:21:26,720
Speaker 2: old man is Phil Conins Absolutely all right, So we're

417
00:21:26,720 --> 00:21:27,960
Speaker 2: going to pick one of the lines right now to

418
00:21:28,000 --> 00:21:30,080
Speaker 2: give away the very first pair of tickets to come

419
00:21:30,119 --> 00:21:32,919
Speaker 2: and see Phil Connins live in February at the Amy.

420
00:21:33,520 --> 00:21:36,760
Speaker 2: Let's go to line two hundred and eighteen million, because

421
00:21:36,840 --> 00:21:39,560
Speaker 2: that is how many records Phil Connins as soldiers. Look

422
00:21:39,600 --> 00:21:42,639
Speaker 2: at this, two hundred and eighty million records. Okay, Brian,

423
00:21:43,080 --> 00:21:45,480
Speaker 2: Line two hundred and eighteen million, Good morning Live.

424
00:21:45,560 --> 00:21:46,159
Speaker 4: Who is this?

425
00:21:46,359 --> 00:21:50,080
Speaker 2: Hello? Hello, Hello, you're live and gold one oh four

426
00:21:50,080 --> 00:21:53,240
Speaker 2: point three. Please do not swear. Who is this? This

427
00:21:53,440 --> 00:21:56,040
Speaker 2: is it? Have you big Phil Collins fan?

428
00:21:56,760 --> 00:21:59,920
Speaker 14: I am, and I'm absolutely amazed I got through.

429
00:22:00,280 --> 00:22:01,600
Speaker 17: That's been stational. O.

430
00:22:01,600 --> 00:22:03,200
Speaker 2: Well, this is great. So you've got the first pair

431
00:22:03,200 --> 00:22:05,200
Speaker 2: of tickets. They're not even on sale yet. None of

432
00:22:05,280 --> 00:22:07,439
Speaker 2: us have actually got our tickets. You've got the very

433
00:22:07,480 --> 00:22:09,160
Speaker 2: first pair of tickets in the world to see Phil

434
00:22:09,240 --> 00:22:10,720
Speaker 2: Connins live back in Australia.

435
00:22:11,359 --> 00:22:12,720
Speaker 17: Well, thank you so much.

436
00:22:12,840 --> 00:22:14,200
Speaker 8: I'm absolutely slight.

437
00:22:14,400 --> 00:22:15,160
Speaker 10: Thank you, Gait.

438
00:22:15,240 --> 00:22:16,679
Speaker 2: That's right, it's my pleasure. Who you're going to bring

439
00:22:16,720 --> 00:22:17,200
Speaker 2: with you? Mate?

440
00:22:18,080 --> 00:22:20,160
Speaker 17: Oh I suppose I've been to bring the other half.

441
00:22:20,359 --> 00:22:24,160
Speaker 2: Oh well, that's it. Make you feel good, A listen,

442
00:22:24,200 --> 00:22:25,960
Speaker 2: you have a great time. We will see you there. Okay,

443
00:22:27,480 --> 00:22:30,640
Speaker 2: oh ye have no idea what you just said. She's

444
00:22:30,640 --> 00:22:33,480
Speaker 2: over well, cheers and underwhelms ten minute while I said,

445
00:22:33,480 --> 00:22:34,840
Speaker 2: and I'm still a better reaction than we've got than

446
00:22:34,840 --> 00:22:37,680
Speaker 2: a ten came winner next week. So today we're celebrating

447
00:22:37,680 --> 00:22:39,920
Speaker 2: the great news. Abut Phil Collins coming. We have Phil

448
00:22:40,040 --> 00:22:42,840
Speaker 2: Collins Day. Also, don't forget could it be another play

449
00:22:42,880 --> 00:22:43,480
Speaker 2: of that song and.

450
00:22:43,480 --> 00:22:46,520
Speaker 1: The ten k no repeat the Christian O'Connell breakfast show

451
00:22:46,680 --> 00:22:48,680
Speaker 1: Melbourne's Gold one oh four point three?

452
00:22:48,720 --> 00:22:50,960
Speaker 2: You no, we are we making a breakfast show today,

453
00:22:51,000 --> 00:22:53,040
Speaker 2: but right now if you want to wear Jack has

454
00:22:53,080 --> 00:22:55,879
Speaker 2: been for the last twenty minutes. We're making a number

455
00:22:55,920 --> 00:22:57,680
Speaker 2: one song. You've actually been busy.

456
00:22:58,080 --> 00:23:00,760
Speaker 4: I know, I felt like a music produce. I'm having

457
00:23:00,840 --> 00:23:02,520
Speaker 4: so much fun out there, jumping in and out of

458
00:23:02,560 --> 00:23:07,360
Speaker 4: the studio, you know, directing our singers on the inflections.

459
00:23:07,520 --> 00:23:09,840
Speaker 2: And just Brad just came in. So he's never seen

460
00:23:09,880 --> 00:23:13,119
Speaker 2: you so animated, not just that. Perhaps can you see this?

461
00:23:13,480 --> 00:23:14,960
Speaker 2: I didn't know Jack smiled this time.

462
00:23:15,000 --> 00:23:16,120
Speaker 3: I know he's glowing.

463
00:23:17,160 --> 00:23:20,320
Speaker 2: He's usually crying on the songs. In fact, am I

464
00:23:20,400 --> 00:23:22,160
Speaker 2: not lying? Half an hour ago he went and laid

465
00:23:22,200 --> 00:23:25,199
Speaker 2: down on a couch and then told me after two

466
00:23:25,240 --> 00:23:27,040
Speaker 2: minutes when he got up laptops, I just had a

467
00:23:27,119 --> 00:23:28,879
Speaker 2: power lie down. I didn't know any bit of a

468
00:23:29,000 --> 00:23:30,159
Speaker 2: power lighthout.

469
00:23:31,400 --> 00:23:31,760
Speaker 3: Position.

470
00:23:32,119 --> 00:23:35,359
Speaker 2: Your eyes are all twinkly. Even just came in and

471
00:23:35,480 --> 00:23:37,200
Speaker 2: said to me, he's you know, he's just can you

472
00:23:37,400 --> 00:23:39,280
Speaker 2: just try it this time like that? So who we

473
00:23:39,320 --> 00:23:40,920
Speaker 2: got in at the moment from the ladies and know

474
00:23:41,000 --> 00:23:43,560
Speaker 2: the men that we auditioned yesterday. Yeah, sadly we didn't

475
00:23:44,359 --> 00:23:46,280
Speaker 2: choose any of the men. I tell you why. That

476
00:23:46,359 --> 00:23:50,040
Speaker 2: is the typical tournaments. They all sucked. But we had some.

477
00:23:50,960 --> 00:23:53,639
Speaker 4: We had Jojo and Jeanie, who we've got in the

478
00:23:53,680 --> 00:23:57,040
Speaker 4: studio now singing. They were great singers yesterday in a

479
00:23:57,160 --> 00:23:59,560
Speaker 4: challenging position because we're playing the music down the phone.

480
00:23:59,720 --> 00:24:01,119
Speaker 2: They're trying to sing on the other edge. You know

481
00:24:01,160 --> 00:24:06,919
Speaker 2: what Jack say, it's actually a very challenging position. Now

482
00:24:07,040 --> 00:24:13,160
Speaker 2: just saying this, he's got dead eye. Then he just rose.

483
00:24:13,960 --> 00:24:15,760
Speaker 2: So I've got a little bit of audio here from

484
00:24:15,800 --> 00:24:17,680
Speaker 2: the last ten minutes. So we've got this kind of

485
00:24:17,800 --> 00:24:20,280
Speaker 2: you know, if you imagine like a big recording studio

486
00:24:20,960 --> 00:24:22,680
Speaker 2: where bands and artists you have to see them in

487
00:24:22,760 --> 00:24:25,960
Speaker 2: documentaries they've got beautiful polished wooden floors. Sometimes there's like

488
00:24:26,000 --> 00:24:28,439
Speaker 2: a ruggle throw on the floor. Imagine that. But then

489
00:24:28,560 --> 00:24:31,760
Speaker 2: now now throw away that bit offuent image. Imagine a

490
00:24:32,000 --> 00:24:36,080
Speaker 2: horrible small kind of lift, you know, with bare wires

491
00:24:36,359 --> 00:24:39,160
Speaker 2: and sparks. That's where we're making. These women go into

492
00:24:39,200 --> 00:24:40,040
Speaker 2: a small booth.

493
00:24:39,880 --> 00:24:42,439
Speaker 4: And all the old technology that the station doesn't use anymore,

494
00:24:42,480 --> 00:24:44,439
Speaker 4: but I guess is keeping in case they might want

495
00:24:44,480 --> 00:24:47,280
Speaker 4: to use real technology again, and then shut it into

496
00:24:47,359 --> 00:24:48,960
Speaker 4: this singing booth.

497
00:24:49,440 --> 00:24:52,080
Speaker 2: There's the world's versus IBM computer is in there. It's

498
00:24:52,119 --> 00:24:54,280
Speaker 2: just used as a dumping ground, so I know you're sure,

499
00:24:54,320 --> 00:24:56,200
Speaker 2: but it's safe to be in there anyway. Here's an outtake.

500
00:24:56,240 --> 00:24:57,080
Speaker 2: I haven't heard this yet.

501
00:24:57,359 --> 00:25:00,200
Speaker 13: The tram cars, the street.

502
00:25:01,440 --> 00:25:04,400
Speaker 2: Asrew hang on, we haven't need to heard these lyrics. Yeah,

503
00:25:04,400 --> 00:25:06,320
Speaker 2: I haven't shown you the verses yet. I've only shown

504
00:25:06,320 --> 00:25:09,320
Speaker 2: you the chorus, so this is a bit exclusive. Yeah. Wow,

505
00:25:09,640 --> 00:25:12,840
Speaker 2: tram cars what a genius. I mean, we all see them.

506
00:25:12,920 --> 00:25:14,280
Speaker 2: This guy puts it in a song.

507
00:25:14,200 --> 00:25:22,040
Speaker 13: Though, The tram cars, the streeter asru a bad Luna park.

508
00:25:24,680 --> 00:25:26,840
Speaker 2: Have we got this far without going over your lyrics?

509
00:25:26,960 --> 00:25:29,080
Speaker 2: I threw up at Lunar Park. This is meant to

510
00:25:29,119 --> 00:25:30,840
Speaker 2: be a positive almost, like if we work a something

511
00:25:30,840 --> 00:25:33,840
Speaker 2: for the Victoria Spoard throwing up at Lunar Park.

512
00:25:34,400 --> 00:25:37,560
Speaker 4: I think it's nostalgic, like, oh there's Luna Park, the

513
00:25:37,640 --> 00:25:39,119
Speaker 4: big funny face I threw up there.

514
00:25:39,160 --> 00:25:41,960
Speaker 2: But good times. Yeah, we all have those nostalgic moments

515
00:25:42,000 --> 00:25:44,280
Speaker 2: of a nausea, don't we. It's a well known thing.

516
00:25:44,680 --> 00:25:47,240
Speaker 2: Who is this that we can that's Jojo. She's actually

517
00:25:47,280 --> 00:25:50,560
Speaker 2: in the birth laying down the chorus in the pre chorus.

518
00:25:50,720 --> 00:25:52,680
Speaker 2: Now this is a pre chorus as well.

519
00:25:52,760 --> 00:25:58,920
Speaker 13: Wow, the tram cars, the streeter asru a bat.

520
00:26:01,520 --> 00:26:04,160
Speaker 2: She's doing a great job. And also it's a second

521
00:26:04,200 --> 00:26:06,080
Speaker 2: difficult position we put people in. Really in the last

522
00:26:06,119 --> 00:26:08,080
Speaker 2: twenty four hours. It's hard to sing early in the morning.

523
00:26:08,280 --> 00:26:11,159
Speaker 4: Yeah, and now Jeanie, who's the second singer about to go,

524
00:26:11,240 --> 00:26:13,399
Speaker 4: and she's from the heavy metal band I don't know

525
00:26:13,400 --> 00:26:15,080
Speaker 4: if you remember yesterday she called up and she had

526
00:26:15,080 --> 00:26:15,439
Speaker 4: a bit of a.

527
00:26:15,760 --> 00:26:18,800
Speaker 2: Angry knives or something something like that. That was it.

528
00:26:18,840 --> 00:26:20,080
Speaker 2: And there was another one who's been singing with a

529
00:26:20,080 --> 00:26:23,520
Speaker 2: band called money Shot. And this is the chorus that

530
00:26:23,640 --> 00:26:25,280
Speaker 2: we were getting people to sing yesterday. Just if you

531
00:26:25,320 --> 00:26:26,879
Speaker 2: missed it and you want to hear the This is

532
00:26:26,920 --> 00:26:30,720
Speaker 2: a really addictive chorus. There's a bit where everyone comes

533
00:26:30,760 --> 00:26:35,440
Speaker 2: in and says, sing it for Melbourne. Everybody's singing for Melbourne, Melbourne.

534
00:26:37,040 --> 00:26:38,240
Speaker 2: It's my ear one yesterday?

535
00:26:38,359 --> 00:26:39,040
Speaker 5: Is this really?

536
00:26:39,160 --> 00:26:39,360
Speaker 1: Yeah?

537
00:26:39,960 --> 00:26:48,919
Speaker 2: Every man is singing it for Melvine Melbourne. All right,

538
00:26:49,000 --> 00:26:50,320
Speaker 2: well you've got to get back in the booth. So

539
00:26:50,359 --> 00:26:53,120
Speaker 2: you got the second girl coming in, she's in now. Yeah,

540
00:26:53,280 --> 00:26:55,199
Speaker 2: all right, so you get back into your coaching rof

541
00:26:55,480 --> 00:26:57,480
Speaker 2: so you don't need me on the radio show or yeah,

542
00:26:57,840 --> 00:26:59,959
Speaker 2: well yeah, but you know I've got an outbreak here,

543
00:27:00,200 --> 00:27:02,520
Speaker 2: so you know we're running two operations at the moment.

544
00:27:02,840 --> 00:27:04,399
Speaker 2: I'll come back in No, no, no, don't ask me

545
00:27:04,480 --> 00:27:05,040
Speaker 2: to mine.

546
00:27:05,000 --> 00:27:08,080
Speaker 1: The Christian Who Connell Breakfast Show, Melbourne's Gold one oh

547
00:27:08,160 --> 00:27:08,880
Speaker 1: four point three.

548
00:27:09,200 --> 00:27:12,440
Speaker 2: I've just seen the poor Man start to dry, yelling

549
00:27:12,480 --> 00:27:14,440
Speaker 2: at listeners who've kind of given up their time to

550
00:27:14,480 --> 00:27:17,040
Speaker 2: come and add some lyrics to our Melbourne anthem. Have

551
00:27:17,119 --> 00:27:19,240
Speaker 2: you seen the poor girls just stormed out with mascara

552
00:27:19,359 --> 00:27:22,480
Speaker 2: running down her face in tears. Ugly scenes from the

553
00:27:22,480 --> 00:27:24,560
Speaker 2: poor Man start to Dry in there right now? Checkpost

554
00:27:24,880 --> 00:27:26,560
Speaker 2: coming out to the next twenty minutes on the show.

555
00:27:26,600 --> 00:27:28,240
Speaker 2: Then we're talking about the things we've been googling the

556
00:27:28,280 --> 00:27:30,920
Speaker 2: last twenty four hours. We do this full disclosure of

557
00:27:31,000 --> 00:27:34,600
Speaker 2: our internet history, my big one that I've found out

558
00:27:34,680 --> 00:27:37,359
Speaker 2: last twenty four hours. You won't believe what you can

559
00:27:37,440 --> 00:27:38,480
Speaker 2: get for a dog now.

560
00:27:38,480 --> 00:27:41,560
Speaker 1: The Christian Who Connell Breakfast Show, Melbourne's Gold one oh

561
00:27:41,640 --> 00:27:42,360
Speaker 1: four point three.

562
00:27:42,520 --> 00:27:44,600
Speaker 2: Good morning to hey, miss mcgochlin, friend of the show.

563
00:27:44,720 --> 00:27:47,840
Speaker 2: Just set me a text. Where do you say. We're

564
00:27:47,840 --> 00:27:49,959
Speaker 2: having a little bit of back and forth about Father's

565
00:27:50,000 --> 00:27:52,560
Speaker 2: Day gifts. My kids listening to us right now, that's right.

566
00:27:52,600 --> 00:27:54,640
Speaker 2: It's our first one in Australia a week Sunday. You're

567
00:27:54,640 --> 00:27:57,560
Speaker 2: probably already starting to make the old shabby homemade card

568
00:27:57,720 --> 00:28:00,879
Speaker 2: right now literally stays my hand for the rest of

569
00:28:00,920 --> 00:28:02,840
Speaker 2: the year. That kind of deal. It is Father's Day

570
00:28:02,880 --> 00:28:05,520
Speaker 2: a week Sunday. This is exciting because it means for

571
00:28:05,600 --> 00:28:09,120
Speaker 2: every single dad around this country, get ready to be underwhelmed.

572
00:28:09,440 --> 00:28:11,720
Speaker 2: Oh I don't be like that, sorry, get ready to

573
00:28:11,760 --> 00:28:12,639
Speaker 2: be overwhelmed.

574
00:28:13,280 --> 00:28:15,480
Speaker 4: My dad still tells me every year I'm thirty this year,

575
00:28:15,720 --> 00:28:18,639
Speaker 4: don't get me anything. That's how much I must have

576
00:28:18,920 --> 00:28:20,000
Speaker 4: underwhelmed him as a child.

577
00:28:20,119 --> 00:28:22,480
Speaker 2: Yeah, I keep saying to my kids, don't bother in

578
00:28:22,560 --> 00:28:26,160
Speaker 2: a passive aggressive dumble, you know, because you know it's

579
00:28:26,359 --> 00:28:30,400
Speaker 2: just it's just Father's Day doesn't quite have the same ring.

580
00:28:30,920 --> 00:28:33,159
Speaker 2: It doesn't quite it doesn't have the same thing as

581
00:28:33,240 --> 00:28:36,560
Speaker 2: Mother's Day. Mother's Day, Mother's Day. I'm taking my mom

582
00:28:36,640 --> 00:28:40,560
Speaker 2: out a bit. You will pass all the shops in

583
00:28:40,640 --> 00:28:43,560
Speaker 2: the front window, Happy Mother's Day. It's like a countdown.

584
00:28:43,560 --> 00:28:45,640
Speaker 2: There's all this stuff you can get dad. What is

585
00:28:45,680 --> 00:28:48,960
Speaker 2: there's a sail on for a drill or something, Get

586
00:28:49,000 --> 00:28:53,120
Speaker 2: your dad a swor anyway, Hamish, is this Hermi doing

587
00:28:53,160 --> 00:28:55,280
Speaker 2: the live read for the nav Man duo, And he said, actually,

588
00:28:55,320 --> 00:28:57,280
Speaker 2: I wouldn't mind that. I think he was actually trying

589
00:28:57,280 --> 00:28:58,320
Speaker 2: to tap me up to see if I could get

590
00:28:58,360 --> 00:29:01,440
Speaker 2: him one. I think he thinks that when he hears

591
00:29:01,480 --> 00:29:03,280
Speaker 2: the radio adverts on the show that we actually are

592
00:29:03,360 --> 00:29:06,360
Speaker 2: in a warehouse dispatching this stuff, you know in the

593
00:29:06,440 --> 00:29:09,000
Speaker 2: radio show it's just the front for the warehouse.

594
00:29:08,640 --> 00:29:12,080
Speaker 4: And then just places his order correctly with you yes, and.

595
00:29:12,120 --> 00:29:13,440
Speaker 2: Then you run up the back in the shelves to

596
00:29:13,520 --> 00:29:16,480
Speaker 2: go get two more man. You don't have to give

597
00:29:16,480 --> 00:29:19,240
Speaker 2: Hamish a v man, he's not your dad. He is

598
00:29:19,280 --> 00:29:21,360
Speaker 2: this kind of show that isn't he thinks away with

599
00:29:21,440 --> 00:29:24,080
Speaker 2: his surrogate children. So while I've been googled to the

600
00:29:24,160 --> 00:29:26,640
Speaker 2: last twenty four hours, I've been looking around to see

601
00:29:26,680 --> 00:29:30,200
Speaker 2: what cannels that are available in Melbourne for over Christmas.

602
00:29:30,240 --> 00:29:31,960
Speaker 2: We do not need someone to look after that, I thought,

603
00:29:32,040 --> 00:29:36,720
Speaker 2: because Nisha did that poo in your bedroom. They're away

604
00:29:37,800 --> 00:29:40,680
Speaker 2: to the big house, all right. Listen to this Captain

605
00:29:40,720 --> 00:29:42,800
Speaker 2: n Christmas.

606
00:29:44,760 --> 00:29:45,160
Speaker 3: Sorted.

607
00:29:45,960 --> 00:29:48,960
Speaker 2: It's a very big responsibility to look after somebody's dog.

608
00:29:49,200 --> 00:29:52,720
Speaker 2: And you know, well, don't take this the wrong way,

609
00:29:52,720 --> 00:29:55,520
Speaker 2: but like I said, it's a lot of responsibility. He

610
00:29:56,400 --> 00:29:59,360
Speaker 2: trust your wife, you know. I mean sometimes you get

611
00:29:59,360 --> 00:30:02,200
Speaker 2: a bit confused just talking in between the songs. Do

612
00:30:02,320 --> 00:30:07,080
Speaker 2: we talk again here? Pommy guys turn up with this

613
00:30:07,200 --> 00:30:08,640
Speaker 2: new format. You play a song, you have a little

614
00:30:08,680 --> 00:30:11,840
Speaker 2: chit chat, play another song, and it's like it most days.

615
00:30:11,880 --> 00:30:14,000
Speaker 2: He seems to want to talk after the song. I

616
00:30:14,080 --> 00:30:17,840
Speaker 2: found out about this luxury accommodation for dogs. They don't

617
00:30:17,840 --> 00:30:20,560
Speaker 2: even use the word kennels my word. Listen to this

618
00:30:21,040 --> 00:30:26,640
Speaker 2: a luxury paus penthouse retreat. No no, went to the

619
00:30:26,680 --> 00:30:30,600
Speaker 2: word kennels paus Penthouse Retreat offers the highest luxury care,

620
00:30:30,680 --> 00:30:34,160
Speaker 2: including super sized rooms. I've seen some of this right

621
00:30:34,480 --> 00:30:36,120
Speaker 2: Some of the rentals that people are listening to this

622
00:30:36,160 --> 00:30:38,920
Speaker 2: show right now aren't as big as this. Honestly, it's

623
00:30:38,960 --> 00:30:43,360
Speaker 2: bigger than my bedroom. It's ridiculous dog size luxury furnishings.

624
00:30:43,440 --> 00:30:50,920
Speaker 2: Get this a thirty two inch flat screen TV. Thirty

625
00:30:51,040 --> 00:30:53,520
Speaker 2: two inches, Like the dog's going to walk in and

626
00:30:53,560 --> 00:30:56,520
Speaker 2: take sniffs, little tread it raises his nose up in

627
00:30:56,560 --> 00:30:59,480
Speaker 2: the air, twenty eight in going come on, come on

628
00:31:00,040 --> 00:31:02,200
Speaker 2: thirty two or I walk I'm doing a poo in here.

629
00:31:02,280 --> 00:31:06,920
Speaker 2: You better have Netflix then staying on that thirty two

630
00:31:06,960 --> 00:31:11,120
Speaker 2: inch flat screen TV, large private playyard, large private playard,

631
00:31:11,320 --> 00:31:13,440
Speaker 2: and lots of cuddles. There are a lot of hotels

632
00:31:13,440 --> 00:31:14,960
Speaker 2: I've stayed at the decent ones. I don't know off

633
00:31:14,960 --> 00:31:17,000
Speaker 2: friend of this. You might get the TV, but I

634
00:31:17,040 --> 00:31:19,120
Speaker 2: haven't had a loud playyard and certainly no cuddles. And

635
00:31:19,120 --> 00:31:21,920
Speaker 2: I've taken my wife as well, but.

636
00:31:22,000 --> 00:31:24,440
Speaker 3: A lot to spa treatments and everything for the dogs.

637
00:31:24,600 --> 00:31:27,200
Speaker 2: Yeah, and in the morning and then at no point

638
00:31:27,240 --> 00:31:28,800
Speaker 2: you know where this thing where they get you really excited.

639
00:31:28,960 --> 00:31:30,520
Speaker 2: Oh this could be great, and then it justesn't. There's

640
00:31:30,520 --> 00:31:32,320
Speaker 2: no mention of the price, and then you point the

641
00:31:32,400 --> 00:31:35,239
Speaker 2: dates and and then it gave me the price. I went,

642
00:31:35,360 --> 00:31:37,840
Speaker 2: no way, it's more than your holiday, No way, So actually,

643
00:31:37,920 --> 00:31:38,760
Speaker 2: can you look after her?

644
00:31:40,640 --> 00:31:44,000
Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four

645
00:31:44,040 --> 00:31:44,520
Speaker 1: point three.

646
00:31:44,920 --> 00:31:46,760
Speaker 2: My wife did ask me of the weekend. She went, look,

647
00:31:46,800 --> 00:31:48,560
Speaker 2: it's gonna be up first Father's Day and I scared

648
00:31:48,560 --> 00:31:51,080
Speaker 2: it two each time. What do you actually want? And

649
00:31:51,160 --> 00:31:53,160
Speaker 2: I told her what I actually wanted, and she said,

650
00:31:54,040 --> 00:31:57,200
Speaker 2: I'm never wearing that monkey mask all right? Talking about

651
00:31:57,200 --> 00:31:59,800
Speaker 2: the internet history now, perhaps what have you been.

652
00:31:59,720 --> 00:32:03,040
Speaker 3: Google how to remove slime from hair?

653
00:32:04,320 --> 00:32:05,120
Speaker 2: What kind of slime?

654
00:32:05,480 --> 00:32:08,000
Speaker 11: Homemade slime? So it's a big, big rage at the

655
00:32:08,040 --> 00:32:10,560
Speaker 11: moment for kids to make this slime.

656
00:32:10,800 --> 00:32:13,120
Speaker 2: Oh yeah, Lois is addicted to this stuff every evening.

657
00:32:13,200 --> 00:32:14,800
Speaker 2: She's got all the skin. Now, if you've got this,

658
00:32:14,920 --> 00:32:17,640
Speaker 2: the borax is like a medal at home. Yes, I

659
00:32:17,720 --> 00:32:20,480
Speaker 2: have to go and and take her around the chemist warehouse.

660
00:32:21,120 --> 00:32:23,200
Speaker 2: She needs dad, I need more shaving foam. I need more.

661
00:32:24,000 --> 00:32:27,760
Speaker 2: I need contact lens solution to harden up the foam. Honestly,

662
00:32:27,840 --> 00:32:31,000
Speaker 2: she's got this and then she has food dye and

663
00:32:31,080 --> 00:32:31,600
Speaker 2: it glitter.

664
00:32:32,040 --> 00:32:36,040
Speaker 3: Yeah everywhere I know, Well I cheated. We didn't sort of,

665
00:32:36,400 --> 00:32:38,280
Speaker 3: We didn't go totally homemade.

666
00:32:38,400 --> 00:32:41,480
Speaker 11: You can get these kids where you get the bottle

667
00:32:41,520 --> 00:32:44,240
Speaker 11: of glue and the bottle of is it activator or something?

668
00:32:44,320 --> 00:32:45,360
Speaker 2: Yeah, that's it activator.

669
00:32:45,480 --> 00:32:47,320
Speaker 11: So we did that at the weekend. We thought that

670
00:32:47,440 --> 00:32:51,360
Speaker 11: would be less troublesome. But anyway, Audrey's got it stuck

671
00:32:51,920 --> 00:32:56,320
Speaker 11: like on the scalp of her hair, which I don't

672
00:32:56,360 --> 00:32:58,240
Speaker 11: know how to get it out. I think I'm gonna

673
00:32:58,240 --> 00:32:59,120
Speaker 11: have to cut her hair.

674
00:33:00,120 --> 00:33:00,640
Speaker 2: Can't do that.

675
00:33:01,920 --> 00:33:05,200
Speaker 11: She she's got like an afro. I thought maybe I

676
00:33:05,240 --> 00:33:09,920
Speaker 11: could do like a combover, and you don't see.

677
00:33:09,800 --> 00:33:11,200
Speaker 2: Enough kids combovers.

678
00:33:12,120 --> 00:33:14,760
Speaker 3: But the stress is right. The major stress is the

679
00:33:14,840 --> 00:33:18,920
Speaker 3: fact that she's got her ballet recital on Saturday with

680
00:33:19,000 --> 00:33:21,720
Speaker 3: a combover. So the afro has to be straightened and

681
00:33:21,840 --> 00:33:23,400
Speaker 3: put back in a tight bun.

682
00:33:23,640 --> 00:33:26,080
Speaker 2: Or she wears a wig. I didn't think of a

683
00:33:26,160 --> 00:33:29,840
Speaker 2: wik or two pey. Just give me some options. But

684
00:33:30,120 --> 00:33:32,360
Speaker 2: so and me listening, there'd be some way of getting

685
00:33:32,400 --> 00:33:35,520
Speaker 2: this out. Producer Brian And says w D forty.

686
00:33:36,240 --> 00:33:37,720
Speaker 3: Putting that on my kid's scalp.

687
00:33:37,800 --> 00:33:39,920
Speaker 2: We's better than cutting a chunk out of her hair.

688
00:33:40,040 --> 00:33:42,080
Speaker 2: You're going to resort to desperate mezzo where there are

689
00:33:42,120 --> 00:33:44,880
Speaker 2: so many uses almost forty for w D forty.

690
00:33:45,080 --> 00:33:46,640
Speaker 3: Really yeah, are you serious?

691
00:33:47,080 --> 00:33:50,000
Speaker 2: It would act as a kind of what they call antisolventizer.

692
00:33:51,000 --> 00:33:53,240
Speaker 3: Really, child services might knock on our door if I

693
00:33:53,320 --> 00:33:53,480
Speaker 3: do that.

694
00:33:53,800 --> 00:33:55,040
Speaker 2: Do you just put a little bit and then just

695
00:33:55,080 --> 00:33:57,840
Speaker 2: rub it into the scalp. I would try that, really, Yeah,

696
00:33:57,880 --> 00:33:59,840
Speaker 2: Well it's gonna be then cutting her her hair like

697
00:34:00,000 --> 00:34:01,240
Speaker 2: I have gold Patch.

698
00:34:01,440 --> 00:34:03,560
Speaker 4: And then come back with the results at this time tomorrow,

699
00:34:03,680 --> 00:34:06,680
Speaker 4: then report in I also have a nicely lubricated scalp

700
00:34:06,680 --> 00:34:08,680
Speaker 4: as we moisturizer, you know.

701
00:34:09,200 --> 00:34:11,600
Speaker 2: So yeah, I would try I try that W forty.

702
00:34:11,719 --> 00:34:13,799
Speaker 2: Let us know how it works out. I will, all right,

703
00:34:13,920 --> 00:34:17,400
Speaker 2: I'm joining asking this. It's exactly a week ago that

704
00:34:18,280 --> 00:34:20,840
Speaker 2: Jack sheard with the show something that no one needed

705
00:34:20,920 --> 00:34:24,080
Speaker 2: to hear. Baby. In fact, I complain right now this

706
00:34:28,640 --> 00:34:34,360
Speaker 2: one and a half billion views on YouTube. Wow, And

707
00:34:34,520 --> 00:34:37,200
Speaker 2: I was I had to be honest. You were ahead

708
00:34:37,200 --> 00:34:40,120
Speaker 2: of the curve, right, because I've had emails this week

709
00:34:40,200 --> 00:34:44,759
Speaker 2: from Poland, Florida, Scotland, some one of our listeners to

710
00:34:44,800 --> 00:34:47,880
Speaker 2: listen to podcast on holiday in France walked off the

711
00:34:47,960 --> 00:34:50,320
Speaker 2: plane suddenly. You know when anyone just comes through you

712
00:34:50,680 --> 00:34:53,480
Speaker 2: and has his bike bagg his Rienclasele's go baby Shark

713
00:34:53,520 --> 00:34:54,480
Speaker 2: dood do do do do do?

714
00:34:55,040 --> 00:34:57,000
Speaker 4: I was living with baby shaf for over a week.

715
00:34:57,080 --> 00:34:58,480
Speaker 4: I finally got it out of my head.

716
00:34:58,600 --> 00:35:01,759
Speaker 2: Well done, you're a survivor and I don't want to

717
00:35:01,880 --> 00:35:05,080
Speaker 2: do what I did last week, which is bring it in.

718
00:35:05,920 --> 00:35:07,759
Speaker 2: But I've got a new ear worm. No, no, no,

719
00:35:08,320 --> 00:35:10,919
Speaker 2: I urge you right to show something you've shown little

720
00:35:10,960 --> 00:35:13,520
Speaker 2: of the last twelve weeks. Must worked together. Just have

721
00:35:13,640 --> 00:35:15,319
Speaker 2: a thought here do you really want me to play?

722
00:35:15,360 --> 00:35:19,360
Speaker 2: This isn't some new horror, is it? It's think.

723
00:35:21,400 --> 00:35:21,600
Speaker 18: Well?

724
00:35:21,960 --> 00:35:27,040
Speaker 2: They did a follow up version called baby Monkey Player. No,

725
00:35:27,719 --> 00:35:30,840
Speaker 2: I'll ask you one last time, do you don't do it?

726
00:35:36,320 --> 00:35:46,840
Speaker 6: Baby Monkey? Banan was how is this possible?

727
00:35:50,920 --> 00:35:52,239
Speaker 3: Making me Banana?

728
00:35:55,120 --> 00:35:58,480
Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four

729
00:35:58,520 --> 00:35:59,000
Speaker 1: point three.

730
00:36:00,080 --> 00:36:02,319
Speaker 2: Last week we started a new thing. We were talking

731
00:36:02,320 --> 00:36:05,880
Speaker 2: about isolated vocals, where you can disappear down a wormhole,

732
00:36:06,040 --> 00:36:09,760
Speaker 2: our rabbit hole on YouTube. Finding these things called isolated vocals.

733
00:36:09,800 --> 00:36:12,799
Speaker 2: There from when bands and artists and singers go into

734
00:36:12,840 --> 00:36:15,520
Speaker 2: studios to record songs, much like Jack is overseeing at

735
00:36:15,520 --> 00:36:17,800
Speaker 2: the moment whether our lovely listeners have been coming in

736
00:36:17,880 --> 00:36:19,880
Speaker 2: the last hour, Like Genie, do you want me to

737
00:36:19,960 --> 00:36:22,320
Speaker 2: get some of my isolated both please? I'd love to

738
00:36:22,400 --> 00:36:25,400
Speaker 2: and the isolated vocals of Baby Shark. I'd love to

739
00:36:25,480 --> 00:36:28,600
Speaker 2: hear the original studio masters and outtakes of Baby Shark.

740
00:36:28,920 --> 00:36:31,640
Speaker 2: And so because when you hear the vocal performance strip

741
00:36:31,800 --> 00:36:34,920
Speaker 2: back from all the instrument although it's bearo, it's somehow

742
00:36:35,040 --> 00:36:38,760
Speaker 2: more powerful, brighter and rawer. There's even a fragile quality

743
00:36:38,800 --> 00:36:40,520
Speaker 2: as well. So we're going to do these once a week,

744
00:36:40,920 --> 00:36:42,800
Speaker 2: an isolated vocal. We have a listen to it, and

745
00:36:42,880 --> 00:36:45,040
Speaker 2: then we play the song that that it lives in

746
00:36:45,120 --> 00:36:46,600
Speaker 2: as well. And we did it last week for the

747
00:36:46,680 --> 00:36:48,759
Speaker 2: first time, and it makes the song a song even

748
00:36:48,800 --> 00:36:51,280
Speaker 2: might even have heard quite a few times somehow, Phil,

749
00:36:51,800 --> 00:36:54,440
Speaker 2: you just hear it again differently and you appreciate the

750
00:36:54,600 --> 00:36:56,360
Speaker 2: quality of the singing and how great it is that

751
00:36:56,440 --> 00:36:58,440
Speaker 2: we have these singers in our lives. The one we've

752
00:36:58,440 --> 00:37:00,239
Speaker 2: got today is someone who's not around anymore, and he

753
00:37:00,320 --> 00:37:02,640
Speaker 2: died way too soon. It's an amazingly beautiful, talented man

754
00:37:02,719 --> 00:37:04,719
Speaker 2: called Chris Cornell, so he might have heard his work

755
00:37:04,800 --> 00:37:07,960
Speaker 2: in soundgard and an audio slave. His solo also did

756
00:37:08,040 --> 00:37:11,000
Speaker 2: a hugely underrated Bond theme tune as well. That's one

757
00:37:11,040 --> 00:37:13,200
Speaker 2: of my favorites. It's a brilliant one. And there's a

758
00:37:13,239 --> 00:37:15,319
Speaker 2: couple of albums if you like this. There are two

759
00:37:15,400 --> 00:37:18,680
Speaker 2: great live albums of his songbook and also live in

760
00:37:18,840 --> 00:37:21,759
Speaker 2: Sweden Unplugged That is amazing. But anyway, there's a really

761
00:37:21,800 --> 00:37:23,080
Speaker 2: well known song. We're going to play it in full

762
00:37:23,080 --> 00:37:25,279
Speaker 2: of the minute, black Hole Son. Have a listen to this.

763
00:37:25,440 --> 00:37:29,360
Speaker 2: This is this week's isolated vocal, the great Chris Cornell.

764
00:37:29,600 --> 00:37:37,600
Speaker 19: Black Hole Sun, won't you come? Whysh we the rain?

765
00:37:38,680 --> 00:37:45,960
Speaker 19: Black Hole Sun? Won't you come? Wong's you Come? Won't

766
00:37:46,080 --> 00:37:46,600
Speaker 19: you come?

767
00:37:50,160 --> 00:37:57,960
Speaker 20: Stood rang cold and damn steal the wrong windsire frim

768
00:37:59,160 --> 00:38:06,520
Speaker 20: downs for an honest man, sometimes for too long, for

769
00:38:06,719 --> 00:38:15,719
Speaker 20: snakes in my shoes, walking sleep in my own separat.

770
00:38:15,640 --> 00:38:25,400
Speaker 21: To keep heaven send him. No one sings like you anymore?

771
00:38:28,800 --> 00:38:32,240
Speaker 21: Black Holes Sun, won't she come?

772
00:38:34,840 --> 00:38:39,360
Speaker 2: Wash the rain? Black Holes Sun?

773
00:38:40,200 --> 00:38:49,719
Speaker 16: Won't you come? Won't you come? Black Holes Sun? Won't

774
00:38:49,840 --> 00:38:50,440
Speaker 16: you come?

775
00:38:52,960 --> 00:38:59,440
Speaker 20: Wash the Rain, Black Holes Sun, Won't you come?

776
00:39:00,560 --> 00:39:01,720
Speaker 2: Woes you could?

777
00:39:07,280 --> 00:39:08,479
Speaker 6: Woes you come?

778
00:39:13,719 --> 00:39:16,719
Speaker 2: Oh, I don't know about you, but I've actually got goosebumps. Yeah,

779
00:39:16,840 --> 00:39:19,440
Speaker 2: there's something inquilibly powerful about his voice for someone who

780
00:39:19,480 --> 00:39:22,920
Speaker 2: had such a hugely powerful voice. Hearing again like that,

781
00:39:22,960 --> 00:39:24,239
Speaker 2: I don't about you. Do you feel this kind There

782
00:39:24,320 --> 00:39:26,560
Speaker 2: was like a tender kind of ache in his voice,

783
00:39:26,560 --> 00:39:28,480
Speaker 2: a really really rare quality and someone had such a big,

784
00:39:28,560 --> 00:39:31,480
Speaker 2: louder palpa voice. Anyway, that was the great, late great

785
00:39:31,560 --> 00:39:34,719
Speaker 2: Chris Cornell. This week's Isotin Vocals. Let's now hear the song,

786
00:39:34,760 --> 00:39:37,120
Speaker 2: and four this is Soundgarden when Black Old Son on

787
00:39:37,239 --> 00:39:39,279
Speaker 2: Gold one oh four point three. If you ever see

788
00:39:39,320 --> 00:39:41,400
Speaker 2: any of these isolated vocals you look us to do

789
00:39:41,520 --> 00:39:43,920
Speaker 2: one Thursday morning, just after the instagrat News, let me

790
00:39:44,000 --> 00:39:46,200
Speaker 2: know Christian at Gold one at four to three dot

791
00:39:46,320 --> 00:39:47,320
Speaker 2: com dot AU.

792
00:39:47,360 --> 00:39:50,680
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

793
00:39:50,760 --> 00:39:51,440
Speaker 1: point three.

794
00:39:52,560 --> 00:39:55,080
Speaker 2: Black Old Sun Gold one oh four point three, Christian

795
00:39:55,120 --> 00:40:01,120
Speaker 2: O'Connor Breakfast Show, Soundgarden Chris Cornell. This week's feature Isolated

796
00:40:01,280 --> 00:40:03,640
Speaker 2: Vocals is coming up for eleven minutes past eight. Will

797
00:40:03,640 --> 00:40:06,080
Speaker 2: you talk about some of the great isolated vocals, got

798
00:40:06,080 --> 00:40:08,160
Speaker 2: another one to chuck in the mix. Here. This is

799
00:40:08,239 --> 00:40:11,320
Speaker 2: a young singer songwriter, isn't He started working with the

800
00:40:11,520 --> 00:40:12,560
Speaker 2: name of Jack Boast.

801
00:40:12,960 --> 00:40:24,239
Speaker 18: Everybody sing it Forlban Melbourn. Everybody sing it for Lolban Melburn.

802
00:40:25,120 --> 00:40:28,080
Speaker 2: It's as much goosebumps as some sick has just come

803
00:40:28,160 --> 00:40:29,719
Speaker 2: up in my throat? Where do you put them?

804
00:40:29,800 --> 00:40:33,279
Speaker 4: Ciber, you can't put it after critical now. It's not

805
00:40:33,440 --> 00:40:34,120
Speaker 4: in my register.

806
00:40:34,280 --> 00:40:36,560
Speaker 2: It's not in your register. No, it's not. It's not

807
00:40:36,800 --> 00:40:38,680
Speaker 2: all right. So we want to do yesterday when we

808
00:40:38,760 --> 00:40:41,000
Speaker 2: were auditioning various singers, this time on the show yesterday,

809
00:40:41,040 --> 00:40:43,600
Speaker 2: come and sing on our song for Melbourne. A lot

810
00:40:43,600 --> 00:40:45,600
Speaker 2: of you were telling us about the bands used to

811
00:40:45,640 --> 00:40:48,000
Speaker 2: being at high school. And I always love hearing about

812
00:40:48,040 --> 00:40:50,680
Speaker 2: what your band, your old school bands, your high school bands,

813
00:40:50,760 --> 00:40:54,479
Speaker 2: what they were called, even Soundgarden audio Slave. They seemed

814
00:40:54,520 --> 00:40:57,400
Speaker 2: like good rock bands. They weren't originally called Soundgarden. We

815
00:40:57,520 --> 00:40:59,760
Speaker 2: just found out they were called the Shemps. The Sheps

816
00:40:59,760 --> 00:41:02,680
Speaker 2: to me sound like a motown band, Hot new girls

817
00:41:02,719 --> 00:41:04,920
Speaker 2: in town. Everybody give it up for the Shemps. Everyone,

818
00:41:05,000 --> 00:41:07,080
Speaker 2: They will come on. Three girls in sequin dress and

819
00:41:07,080 --> 00:41:08,719
Speaker 2: start singing the shemps. It is not the sound of

820
00:41:08,760 --> 00:41:11,760
Speaker 2: a big rock band. It's sounds like a comedy ensemble

821
00:41:11,880 --> 00:41:17,520
Speaker 2: like the So you must have been in a high

822
00:41:17,560 --> 00:41:20,360
Speaker 2: school band. I'll give you the three different names that

823
00:41:20,560 --> 00:41:24,080
Speaker 2: my high school band somehow, same lineup, three different names.

824
00:41:25,200 --> 00:41:27,080
Speaker 4: We actually only had two original songs, so we had

825
00:41:27,120 --> 00:41:28,719
Speaker 4: more band names than we had songs.

826
00:41:29,400 --> 00:41:31,360
Speaker 2: Can you tell me which you think is the worst? Okay,

827
00:41:31,760 --> 00:41:35,160
Speaker 2: the one we landed on was last Chance. That's pretty good.

828
00:41:35,520 --> 00:41:37,520
Speaker 4: Yeah, we're a punk band as well. You've got to

829
00:41:37,640 --> 00:41:40,440
Speaker 4: keep in mind. Then the other ones were show Pony

830
00:41:42,520 --> 00:41:44,320
Speaker 4: and the high Rollers.

831
00:41:46,440 --> 00:41:52,040
Speaker 2: Show Pony. It's not right the high Rollers for a

832
00:41:52,640 --> 00:41:56,719
Speaker 2: punk band, but last Chance, Yes, on the money. Yeah,

833
00:41:56,760 --> 00:41:58,480
Speaker 2: that's a good one, thank you. Yeah, that's a pretty

834
00:41:58,520 --> 00:41:58,799
Speaker 2: good one.

835
00:41:58,920 --> 00:41:59,160
Speaker 5: All right.

836
00:41:59,200 --> 00:42:00,680
Speaker 2: Let's know that were you and a high school band?

837
00:42:00,840 --> 00:42:01,719
Speaker 2: What were you called?

838
00:42:01,840 --> 00:42:05,200
Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four

839
00:42:05,280 --> 00:42:05,759
Speaker 1: point three.

840
00:42:05,920 --> 00:42:07,720
Speaker 2: So I don't understand a bit more now about sometimes

841
00:42:07,800 --> 00:42:10,839
Speaker 2: we have we lose control of Pats. She just wants

842
00:42:10,880 --> 00:42:12,480
Speaker 2: she just wanted to have a little news booth into

843
00:42:12,560 --> 00:42:15,120
Speaker 2: chat to Jack and I just casually dropped this into

844
00:42:15,400 --> 00:42:19,120
Speaker 2: the conversation that when she had knits, her mum would

845
00:42:19,120 --> 00:42:21,560
Speaker 2: put kra scene on her head.

846
00:42:21,960 --> 00:42:22,800
Speaker 3: It was the seventies.

847
00:42:24,000 --> 00:42:26,840
Speaker 2: We were lucky to survive these times, and this is

848
00:42:26,840 --> 00:42:28,160
Speaker 2: the way the pats went. Got what of it? Though?

849
00:42:29,680 --> 00:42:33,800
Speaker 2: You might rock up to the garage fore court, you know,

850
00:42:33,840 --> 00:42:35,680
Speaker 2: and start using the old pump on your kids hair.

851
00:42:37,280 --> 00:42:41,000
Speaker 2: All right, says five bucks, okay, all right. So when

852
00:42:41,000 --> 00:42:42,799
Speaker 2: asked you this morning, were you in a high school band?

853
00:42:42,920 --> 00:42:45,920
Speaker 2: What was your band name? Matthew, Welcome to the show, Come.

854
00:42:45,760 --> 00:42:49,120
Speaker 14: Morning, Good morning, guys there were going, yeah.

855
00:42:49,080 --> 00:42:51,600
Speaker 2: Good and have you well Matthew, what was your band name?

856
00:42:52,680 --> 00:42:52,879
Speaker 7: Well?

857
00:42:53,600 --> 00:42:56,480
Speaker 14: The four us playing, so you call four people on instruments.

858
00:42:56,520 --> 00:42:58,680
Speaker 14: Were there the band together? Four play?

859
00:43:00,360 --> 00:43:03,240
Speaker 4: Full play and for sixteen year old boys, Hi comedy,

860
00:43:03,520 --> 00:43:06,279
Speaker 4: Hi comedy a forty five year old man right now,

861
00:43:06,320 --> 00:43:07,480
Speaker 4: a little snaker too from me.

862
00:43:07,719 --> 00:43:10,960
Speaker 2: So it's still working, Matthew. It's a very powerful, funny name,

863
00:43:11,120 --> 00:43:14,240
Speaker 2: highly effective. Four play. You can imagine the giggles amongst

864
00:43:14,239 --> 00:43:14,600
Speaker 2: the boys.

865
00:43:14,960 --> 00:43:17,480
Speaker 14: Daniel, good morning, there's the morning Christian.

866
00:43:17,520 --> 00:43:19,440
Speaker 2: How I'm good Daniel. What was the name of your

867
00:43:19,480 --> 00:43:20,200
Speaker 2: high school band?

868
00:43:20,960 --> 00:43:21,840
Speaker 14: Desperate Measures?

869
00:43:22,480 --> 00:43:23,080
Speaker 2: That's not bad.

870
00:43:23,239 --> 00:43:25,400
Speaker 4: Yeah, it's like last chance where sixteen is like this

871
00:43:25,719 --> 00:43:28,040
Speaker 4: is out where now it's Desperate Measures and say that

872
00:43:28,120 --> 00:43:29,920
Speaker 4: this band or nothing, we ain't gonna make it.

873
00:43:30,280 --> 00:43:33,440
Speaker 14: Yeah, every time, every time we practiced, it was like,

874
00:43:33,680 --> 00:43:35,919
Speaker 14: you know, we just be come together like a little

875
00:43:35,960 --> 00:43:38,080
Speaker 14: last minute, but it was sort of appropriate.

876
00:43:38,400 --> 00:43:40,000
Speaker 2: And tell me this, Daniel, did you have any of

877
00:43:40,080 --> 00:43:44,279
Speaker 2: your own songs or did you do cover versions? Do

878
00:43:44,280 --> 00:43:45,640
Speaker 2: you remember in the song titles?

879
00:43:46,600 --> 00:43:52,719
Speaker 14: There was a ballad called Joanna. There was a song

880
00:43:52,760 --> 00:43:54,920
Speaker 14: called I Don't See You Anymore, which was actually inspired

881
00:43:54,920 --> 00:43:59,040
Speaker 14: by my mother, Oh because I was doubt and about

882
00:43:59,040 --> 00:44:02,680
Speaker 14: a lot with my friends and off, and yeah, there

883
00:44:02,760 --> 00:44:04,560
Speaker 14: was a couple of others. But yeah, we we did

884
00:44:04,600 --> 00:44:06,040
Speaker 14: Guru Josh as a cover.

885
00:44:06,360 --> 00:44:09,600
Speaker 2: Oh wow, right, that's pretty good. Well what happened to

886
00:44:09,640 --> 00:44:12,840
Speaker 2: Desperate Measures? What broke the band? Oh? Just getting older,

887
00:44:14,880 --> 00:44:17,040
Speaker 2: getting married by guys?

888
00:44:17,480 --> 00:44:20,080
Speaker 14: Yeah, it's pretty mud pretty d We sort of went

889
00:44:20,120 --> 00:44:22,239
Speaker 14: out separate ways and yeah that was sort of it.

890
00:44:22,920 --> 00:44:26,480
Speaker 2: Do you have any photos or anything of your band together? Actually, yeah,

891
00:44:27,320 --> 00:44:28,920
Speaker 2: I'd love to see some of those. If you only

892
00:44:28,960 --> 00:44:30,920
Speaker 2: of you got photos of real high school bands, drop

893
00:44:31,040 --> 00:44:33,080
Speaker 2: them on off Facebook page O C one O four

894
00:44:33,160 --> 00:44:38,080
Speaker 2: three Daniel, Thanks you make nice to chat Michael. Yes, yes, morning,

895
00:44:38,800 --> 00:44:40,520
Speaker 2: we're going Michael, you're live on gold Off you go.

896
00:44:40,600 --> 00:44:41,799
Speaker 2: What was your high school band name?

897
00:44:42,400 --> 00:44:45,360
Speaker 10: Oh? We were young and silly. We were called alteration

898
00:44:45,480 --> 00:44:46,279
Speaker 10: of circumference.

899
00:44:46,640 --> 00:44:49,040
Speaker 2: Oh, this is great. It feels like a folk band.

900
00:44:50,160 --> 00:44:51,840
Speaker 10: Folk band a bit more than that.

901
00:44:52,760 --> 00:44:54,040
Speaker 8: Try want to be rock band.

902
00:44:54,120 --> 00:44:54,520
Speaker 10: That's right.

903
00:44:54,840 --> 00:44:57,319
Speaker 2: Well, and what does it mean? Alteration of the circumference

904
00:44:57,400 --> 00:44:58,520
Speaker 2: like a maths term, isn't it?

905
00:44:59,080 --> 00:44:59,279
Speaker 7: Oh?

906
00:44:59,600 --> 00:45:01,600
Speaker 10: Yes, yeah, that kind of term. And it's something that

907
00:45:01,680 --> 00:45:04,720
Speaker 10: young Michael you thinking he knows everything about life.

908
00:45:06,400 --> 00:45:09,520
Speaker 2: Nave arrogance. And again, did you have any of your

909
00:45:09,560 --> 00:45:11,279
Speaker 2: own songs? And if so, what were they called?

910
00:45:12,160 --> 00:45:14,080
Speaker 10: We never got to name a song. We had some

911
00:45:14,560 --> 00:45:17,040
Speaker 10: some instrumentals, dan, but never got some lyrics happening. But

912
00:45:17,440 --> 00:45:19,720
Speaker 10: we all grew up a bit and got onto jobs

913
00:45:19,760 --> 00:45:21,600
Speaker 10: and stuff like kids and.

914
00:45:23,560 --> 00:45:26,120
Speaker 2: The jobs. Michael say that that's it.

915
00:45:26,680 --> 00:45:28,600
Speaker 10: Look great man and Christian. Mate, you're a gun mate.

916
00:45:28,600 --> 00:45:30,480
Speaker 10: I've been listening to you ever since you come on. Mate,

917
00:45:30,480 --> 00:45:31,239
Speaker 10: you're fantastic.

918
00:45:31,360 --> 00:45:33,120
Speaker 2: Listen to it. Ah, that's really kind us out. I

919
00:45:33,200 --> 00:45:35,120
Speaker 2: really really really appreciate that's made my week. Thank you

920
00:45:35,280 --> 00:45:36,000
Speaker 2: very much. Michael.

921
00:45:36,160 --> 00:45:38,640
Speaker 10: All right, mate, Well i'll keep listening. Thanks guys, thank you.

922
00:45:38,880 --> 00:45:40,400
Speaker 2: All right, let us know what was your high school

923
00:45:40,440 --> 00:45:40,839
Speaker 2: band called?

924
00:45:40,920 --> 00:45:44,279
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

925
00:45:44,360 --> 00:45:44,839
Speaker 1: point three.

926
00:45:45,080 --> 00:45:47,000
Speaker 2: This morning we're asking you were you in a high

927
00:45:47,000 --> 00:45:48,759
Speaker 2: school band? What was the band called?

928
00:45:49,880 --> 00:45:52,680
Speaker 14: Michael Coome oning, good morning, Christian, how are you?

929
00:45:52,800 --> 00:45:55,560
Speaker 2: I'm pretty good? Tell us about your band name? Well,

930
00:45:55,640 --> 00:45:56,080
Speaker 2: we had a.

931
00:45:56,200 --> 00:45:58,920
Speaker 9: Working title which we never got to play under, was

932
00:45:58,960 --> 00:45:59,879
Speaker 9: called shy Boy.

933
00:46:01,200 --> 00:46:03,920
Speaker 2: I like I like that lot. I can imagine that

934
00:46:04,000 --> 00:46:06,600
Speaker 2: being in a kind of an E d M dance outfit.

935
00:46:06,760 --> 00:46:07,680
Speaker 2: Now shy Boy. You know.

936
00:46:08,040 --> 00:46:11,120
Speaker 9: No, we're into Motley Crue and Kiss and Van Halen,

937
00:46:11,920 --> 00:46:14,040
Speaker 9: but sort of that glam rock kind of thing.

938
00:46:14,200 --> 00:46:16,439
Speaker 2: Yeah, great music. How come you never got to play?

939
00:46:16,560 --> 00:46:20,879
Speaker 9: Michael always looking for drummers. Get one drummer, we kick

940
00:46:20,920 --> 00:46:25,360
Speaker 9: him out and get another drummer, he believes. So we

941
00:46:25,440 --> 00:46:28,680
Speaker 9: had a band without a drummer. So drummers are very

942
00:46:28,760 --> 00:46:30,880
Speaker 9: weird bunch, very weird bunch they are.

943
00:46:30,960 --> 00:46:31,200
Speaker 13: They are.

944
00:46:31,320 --> 00:46:33,399
Speaker 2: And you know what, that's another great name. If there's

945
00:46:33,400 --> 00:46:35,359
Speaker 2: some kids listening to right now struggle for a band name,

946
00:46:35,600 --> 00:46:38,000
Speaker 2: band without a drummer. Great name for a band. But

947
00:46:38,160 --> 00:46:42,480
Speaker 2: it's actually just five drummers. That's the orient of it. Michael.

948
00:46:42,520 --> 00:46:45,720
Speaker 2: That's a great girl. Thank you very much, Thank you, Brad,

949
00:46:46,640 --> 00:46:49,719
Speaker 2: morning going, And uh, what's the What was the name

950
00:46:49,760 --> 00:46:54,120
Speaker 2: of your band at school? We were called Subliminal Subliminal. Yeah,

951
00:46:54,360 --> 00:46:56,960
Speaker 2: that's nice and pretentious, isn't it. It is very death

952
00:46:57,000 --> 00:46:59,480
Speaker 2: mental metal talk. Is that the kind of music you did?

953
00:46:59,560 --> 00:47:03,520
Speaker 2: You were into? We were, yeah, and any original songs.

954
00:47:04,200 --> 00:47:07,080
Speaker 14: We dealt with a few different rifts and so forth,

955
00:47:07,120 --> 00:47:09,560
Speaker 14: but nothing was actually a full song. Many did a

956
00:47:09,560 --> 00:47:10,440
Speaker 14: lot of covers and stuff.

957
00:47:10,480 --> 00:47:12,640
Speaker 2: So cool, all right, Brad Dan, she called us seat

958
00:47:12,719 --> 00:47:15,880
Speaker 2: one last one. Lynn, Yes, Hi, I love it with

959
00:47:16,000 --> 00:47:18,360
Speaker 2: the caller. Sometimes every third caller today is just falling

960
00:47:18,400 --> 00:47:21,680
Speaker 2: on again. Yes, Lynn, welcome to the show. Hope you

961
00:47:21,800 --> 00:47:23,279
Speaker 2: well this morning. What was your band name?

962
00:47:24,200 --> 00:47:26,640
Speaker 17: Well, it was actually my husband's band name when he

963
00:47:26,719 --> 00:47:29,239
Speaker 17: was in high school, and they were called Dick and

964
00:47:29,320 --> 00:47:31,000
Speaker 17: his Two Swingers.

965
00:47:33,000 --> 00:47:37,520
Speaker 2: Of two Swingers, Yeah.

966
00:47:37,760 --> 00:47:41,960
Speaker 17: And they made it to the local paper and the

967
00:47:42,280 --> 00:47:45,720
Speaker 17: principal thought it was inappropriate, so he made them change

968
00:47:45,800 --> 00:47:48,440
Speaker 17: the name to Richard and his Swinging Set.

969
00:47:50,440 --> 00:47:51,240
Speaker 2: Auto correct.

970
00:47:53,560 --> 00:47:53,719
Speaker 1: Lynn.

971
00:47:53,920 --> 00:47:57,759
Speaker 2: That's incredible. And when you met him, was he in

972
00:47:57,880 --> 00:47:59,840
Speaker 2: the man yes, I know he was.

973
00:48:00,200 --> 00:48:03,040
Speaker 17: No, that was that was a long time ago when

974
00:48:03,080 --> 00:48:03,920
Speaker 17: he was young and.

975
00:48:04,640 --> 00:48:06,480
Speaker 2: Was your husband one of the swingers?

976
00:48:09,600 --> 00:48:11,280
Speaker 17: No, she was one of the swingers.

977
00:48:11,400 --> 00:48:13,680
Speaker 2: Okay, we just want a bit of clarification. That was

978
00:48:13,760 --> 00:48:15,520
Speaker 2: all yeah, that's all right, you know.

979
00:48:15,800 --> 00:48:18,840
Speaker 17: And they had one song and it was You're a

980
00:48:18,920 --> 00:48:19,840
Speaker 17: light glow baby.

981
00:48:19,920 --> 00:48:20,920
Speaker 15: You really turned me on.

982
00:48:22,520 --> 00:48:23,600
Speaker 2: A spinal tap.

983
00:48:25,440 --> 00:48:29,600
Speaker 10: I know you loved that movie too, Lena.

984
00:48:29,600 --> 00:48:31,200
Speaker 2: It's been a joy chating you this morning. Thank you

985
00:48:31,320 --> 00:48:32,640
Speaker 2: very much for giving us a call.

986
00:48:33,239 --> 00:48:35,160
Speaker 17: No problem, Christian cheers.

987
00:48:35,760 --> 00:48:37,200
Speaker 2: Do you know what be great? Just hear and all

988
00:48:37,239 --> 00:48:39,120
Speaker 2: these people talking about the high school bands are in

989
00:48:39,360 --> 00:48:41,320
Speaker 2: it'd be great. Well if people were up for this,

990
00:48:41,760 --> 00:48:43,320
Speaker 2: and with Facebook, I think it's a bit easy to

991
00:48:43,360 --> 00:48:45,600
Speaker 2: do some of this. If we got people to reunite

992
00:48:45,680 --> 00:48:48,080
Speaker 2: their old high school bands, try and track down numbers.

993
00:48:48,120 --> 00:48:49,799
Speaker 2: We could even get big out to try and find

994
00:48:49,800 --> 00:48:51,879
Speaker 2: people who've just lost touch with you you can't find

995
00:48:51,880 --> 00:48:53,640
Speaker 2: on Facebook because you know you've got like all these

996
00:48:53,680 --> 00:48:56,160
Speaker 2: big summer festivals you have here Red Hot Summer with

997
00:48:56,239 --> 00:48:58,359
Speaker 2: Barnzy and Joan Jet. It'd be great if we could

998
00:48:58,400 --> 00:49:01,040
Speaker 2: do a Battle the Bands competition. But the bands were

999
00:49:01,239 --> 00:49:04,680
Speaker 2: your old high school bands reunited like Dick and the Swingers.

1000
00:49:05,000 --> 00:49:07,680
Speaker 2: All right, reunite them now because you know what they do,

1001
00:49:07,920 --> 00:49:09,839
Speaker 2: like now, reunite them now. And then we have about

1002
00:49:09,880 --> 00:49:11,880
Speaker 2: the bands competition, and the winning one would open up

1003
00:49:11,880 --> 00:49:13,840
Speaker 2: one of these big summer festivals like Red Hot Summer.

1004
00:49:14,440 --> 00:49:17,160
Speaker 4: Most of these bands didn't even play a show. We

1005
00:49:17,520 --> 00:49:20,400
Speaker 4: heard bands who didn't have any of their own original songs,

1006
00:49:20,440 --> 00:49:22,120
Speaker 4: So I think it's asking a lot for them to

1007
00:49:22,239 --> 00:49:23,000
Speaker 4: play at a show.

1008
00:49:23,239 --> 00:49:24,919
Speaker 2: Well, you never know. Some of them are actually would

1009
00:49:24,920 --> 00:49:26,319
Speaker 2: have been pretty good. Some of the high school bands

1010
00:49:26,320 --> 00:49:27,880
Speaker 2: actually might be pretty good. But I'm just putting out

1011
00:49:27,880 --> 00:49:29,080
Speaker 2: there for people who are interested. Let me know.

1012
00:49:29,239 --> 00:49:32,600
Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four

1013
00:49:32,640 --> 00:49:33,120
Speaker 1: point three.

1014
00:49:33,360 --> 00:49:36,200
Speaker 2: So this morning show we started talking about misheard lyrics.

1015
00:49:36,480 --> 00:49:39,120
Speaker 2: We had some amazing ones. Check these out, chase them.

1016
00:49:39,520 --> 00:49:42,520
Speaker 8: The last train out of Sydney is almost gone. All right,

1017
00:49:42,880 --> 00:49:50,640
Speaker 8: let's supposed to be playing John Farnham's song that Age

1018
00:49:50,680 --> 00:49:54,319
Speaker 8: of Reason, and I always thought he was saying, now

1019
00:49:54,400 --> 00:49:55,279
Speaker 8: that I've fathered a.

1020
00:49:55,360 --> 00:50:00,919
Speaker 12: Dog, that's great.

1021
00:50:01,239 --> 00:50:03,920
Speaker 14: So we've got an Elton John song, Hold Me Closer,

1022
00:50:04,120 --> 00:50:04,920
Speaker 14: Tony Danzer.

1023
00:50:09,440 --> 00:50:12,560
Speaker 15: Yeah, it's mid no, and I all powering the passion

1024
00:50:13,040 --> 00:50:15,400
Speaker 15: where he sings better to live on your feet than

1025
00:50:15,480 --> 00:50:16,560
Speaker 15: to nibble your knees.

1026
00:50:23,680 --> 00:50:26,239
Speaker 2: Sorry, if you've changed the way you enjoyed those songs

1027
00:50:26,280 --> 00:50:28,200
Speaker 2: forever now with those Michael's and and I ain't got

1028
00:50:28,200 --> 00:50:28,799
Speaker 2: another one for us?

1029
00:50:28,880 --> 00:50:30,799
Speaker 12: Michael, Hi, how are you guys?

1030
00:50:30,960 --> 00:50:33,080
Speaker 2: Yeah, we're going. What's the miss said lyric.

1031
00:50:33,760 --> 00:50:34,759
Speaker 14: Billy Ocean song?

1032
00:50:35,000 --> 00:50:38,960
Speaker 22: Go and get stuffed, get stuffed.

1033
00:50:40,640 --> 00:50:40,920
Speaker 1: Going?

1034
00:50:44,600 --> 00:50:46,120
Speaker 2: It does sound like he's telling us to go and

1035
00:50:46,120 --> 00:50:54,200
Speaker 2: get stuffed, and that's a little bit rude. Miss the Ocean. Yeah, nice,

1036
00:50:54,200 --> 00:50:55,279
Speaker 2: so Michael, thanks are calling it.

1037
00:50:55,400 --> 00:50:58,719
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1038
00:50:58,760 --> 00:50:59,440
Speaker 1: point three.

1039
00:50:59,400 --> 00:51:01,160
Speaker 2: We got Brandy, we're time waste. Theyre coming up just

1040
00:51:01,360 --> 00:51:03,520
Speaker 2: after nine on the show. Right now, we're talking about

1041
00:51:03,560 --> 00:51:08,200
Speaker 2: misheard song lyrics. Good morning, Liamne, good money? Okay, Lee?

1042
00:51:08,239 --> 00:51:09,799
Speaker 2: And what's your misheard song lyric for us?

1043
00:51:11,480 --> 00:51:11,760
Speaker 5: Okay?

1044
00:51:13,360 --> 00:51:16,440
Speaker 8: You from the bridge can't take anymore telephone?

1045
00:51:16,440 --> 00:51:18,440
Speaker 10: And I used to think of wo bear from the

1046
00:51:18,480 --> 00:51:19,840
Speaker 10: fridge can't drink anymore?

1047
00:51:20,360 --> 00:51:29,480
Speaker 2: All right, being from the fridge can't drink anymore. That's

1048
00:51:30,280 --> 00:51:38,040
Speaker 2: let me hear it again. Yep, Yeah, we got that one.

1049
00:51:38,080 --> 00:51:39,480
Speaker 2: Thank you very much for showing that one with us.

1050
00:51:39,520 --> 00:51:43,200
Speaker 2: Let's go to Karen. Good morning, Karen, Hi, Hi Christian,

1051
00:51:43,239 --> 00:51:45,359
Speaker 2: how are you? Yeah, I'm good, Thanks Karen. And what's

1052
00:51:45,440 --> 00:51:46,279
Speaker 2: your what's your? Miss?

1053
00:51:47,040 --> 00:51:50,720
Speaker 10: What I used to seeing the Eric Cuptains song knocking

1054
00:51:50,760 --> 00:51:54,080
Speaker 10: on Kevin's Knocking on Heaven's door. She's seeing knocking on

1055
00:51:54,400 --> 00:51:55,080
Speaker 10: Kevin's door.

1056
00:51:55,320 --> 00:51:57,279
Speaker 2: Oh no, you're going to ruin this forever for me now.

1057
00:52:03,320 --> 00:52:05,560
Speaker 2: I thought it wouldn't. That's amazing. I didn't want it

1058
00:52:05,640 --> 00:52:08,720
Speaker 2: to because such a it's a classic song, Kevin Store

1059
00:52:09,120 --> 00:52:18,800
Speaker 2: like Kevin the Teenager. You can't hear it. Do what

1060
00:52:18,920 --> 00:52:20,800
Speaker 2: you're doing in there? Why is this door lock? Kevin?

1061
00:52:24,640 --> 00:52:27,240
Speaker 2: Oh that's that's that's my favorite one in the morning.

1062
00:52:27,320 --> 00:52:30,120
Speaker 2: Thank you very much for showing that one. Karen and

1063
00:52:30,400 --> 00:52:32,399
Speaker 2: someone say, yeah, just cut them off. Then Brian sad.

1064
00:52:32,440 --> 00:52:34,480
Speaker 2: He's like a pusher over there today, isn't he chopping

1065
00:52:34,520 --> 00:52:39,320
Speaker 2: them off like that? Christian my son always gets the

1066
00:52:39,440 --> 00:52:42,520
Speaker 2: lyrics or rot the caspar wrong. I thought it was

1067
00:52:42,640 --> 00:52:45,759
Speaker 2: dropped the gas bot. Let's I've listened to this from

1068
00:52:46,040 --> 00:52:58,000
Speaker 2: the clash. Yeah, I don't think anyone's going to be

1069
00:53:00,080 --> 00:53:04,120
Speaker 2: Kevin scorn I carn't underhear it. It's worse than baby Shark.

1070
00:53:04,400 --> 00:53:07,759
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1071
00:53:07,840 --> 00:53:08,520
Speaker 1: point three.

1072
00:53:11,920 --> 00:53:15,040
Speaker 2: Halready time for this morning's at work time waster by

1073
00:53:15,080 --> 00:53:17,359
Speaker 2: the way, someone says, sent us a text and all

1074
00:53:17,440 --> 00:53:19,839
Speaker 2: it says on it into the studio on the show

1075
00:53:19,880 --> 00:53:22,760
Speaker 2: this morning. Couldn't get through on the phone full stop?

1076
00:53:23,080 --> 00:53:26,279
Speaker 2: My wife? Did I have a question marker on the end?

1077
00:53:26,640 --> 00:53:28,160
Speaker 2: That's it? I mean, I don't know, That's all he

1078
00:53:28,280 --> 00:53:32,120
Speaker 2: wanted to say, Just that, like my wife, that's it.

1079
00:53:32,200 --> 00:53:34,719
Speaker 2: That's all we know from you, sir, and double O

1080
00:53:35,080 --> 00:53:37,439
Speaker 2: double seven. Couldn't get through on the phone full stop?

1081
00:53:38,400 --> 00:53:39,360
Speaker 2: Is it a miss her lyric?

1082
00:53:39,600 --> 00:53:39,719
Speaker 7: Oh?

1083
00:53:39,920 --> 00:53:43,440
Speaker 3: Is Chris ringing again? Where's my trousers?

1084
00:53:43,680 --> 00:53:46,960
Speaker 2: Trying to get hold of old kerosene head? All right? Then,

1085
00:53:47,040 --> 00:53:48,520
Speaker 2: So earlier on this morning, I was sure we were

1086
00:53:48,560 --> 00:53:51,879
Speaker 2: talking about our internet history and say I was looking

1087
00:53:51,960 --> 00:53:56,080
Speaker 2: for a nice kennel for my dog and I found this, Well,

1088
00:53:56,320 --> 00:53:59,040
Speaker 2: it's like a country club for dogs. And it was saying,

1089
00:53:59,080 --> 00:54:01,960
Speaker 2: how are they also getting their private quarters and their

1090
00:54:02,000 --> 00:54:06,480
Speaker 2: poor penthouse a thirty two inch flat screen TV? What's

1091
00:54:06,520 --> 00:54:07,239
Speaker 2: the dog gonna watch?

1092
00:54:07,280 --> 00:54:07,320
Speaker 18: On?

1093
00:54:07,400 --> 00:54:10,040
Speaker 2: It so that is today's at work time wasistaff there

1094
00:54:10,120 --> 00:54:12,400
Speaker 2: was a dog TV channel? What would the entertainment be

1095
00:54:12,960 --> 00:54:14,640
Speaker 2: if there was a movie? I reckon it could be

1096
00:54:14,719 --> 00:54:19,920
Speaker 2: The Fast and the Furious? Oh god, the bone Booth

1097
00:54:20,600 --> 00:54:23,480
Speaker 2: that's better? And TV shows orange just a new black

1098
00:54:23,560 --> 00:54:27,440
Speaker 2: lab good getting better? Doctor Who's a good boy? There?

1099
00:54:31,160 --> 00:54:34,840
Speaker 2: Game of Bones and zombie won the walking Dog? That

1100
00:54:34,960 --> 00:54:38,200
Speaker 2: a zombie dog going crazy? I should have ended with

1101
00:54:38,600 --> 00:54:41,080
Speaker 2: doctor Who's a good boy? Then? Yeah, and don't start

1102
00:54:41,120 --> 00:54:43,200
Speaker 2: with Fast and furious? That was I'm sorry, but that

1103
00:54:43,400 --> 00:54:45,600
Speaker 2: is that. That's a gold standard. The Fast and the

1104
00:54:45,719 --> 00:54:50,640
Speaker 2: Furious Poor in order? Oh very good? A detective show

1105
00:54:50,719 --> 00:54:53,839
Speaker 2: for dogs by a detective dog. If only I would

1106
00:54:53,920 --> 00:54:55,920
Speaker 2: watch that? Have you ever seen you wouldn't seen them?

1107
00:54:55,960 --> 00:54:58,760
Speaker 2: Got kids as all? You ever seen this amazing American

1108
00:54:58,840 --> 00:55:01,600
Speaker 2: TV show called Dog with the blog? But a talking

1109
00:55:01,680 --> 00:55:02,799
Speaker 2: dog's got a blog? Right?

1110
00:55:03,040 --> 00:55:03,200
Speaker 18: We have?

1111
00:55:03,360 --> 00:55:06,000
Speaker 2: Please closed as a kid? Such a good show a

1112
00:55:06,120 --> 00:55:09,240
Speaker 2: talking dog? What TV show is it made better by talking?

1113
00:55:11,280 --> 00:55:14,000
Speaker 2: Went there somewhere? All right? Jack? What you got Papa

1114
00:55:14,080 --> 00:55:16,919
Speaker 2: middle Bergain? Oh very good.

1115
00:55:17,200 --> 00:55:20,400
Speaker 4: One of my all time favorite, if not my favorite

1116
00:55:20,480 --> 00:55:23,800
Speaker 4: Australian sitcom ever, The Adventures of Lena and Woofley.

1117
00:55:25,040 --> 00:55:27,680
Speaker 2: And rot Wheel of Fortune. All right, then send us

1118
00:55:27,760 --> 00:55:30,840
Speaker 2: your very nice gold go you want, send us your

1119
00:55:30,880 --> 00:55:34,680
Speaker 2: dog TV shows on to Texas four seven five three,

1120
00:55:34,840 --> 00:55:35,920
Speaker 2: one oh four three, The.

1121
00:55:35,960 --> 00:55:39,719
Speaker 1: Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point three.

1122
00:55:40,040 --> 00:55:43,680
Speaker 2: Time now for Jack to mark your at work time

1123
00:55:43,760 --> 00:55:48,280
Speaker 2: wasters with me finding this overpriced kennels here in Melbourne

1124
00:55:48,880 --> 00:55:51,919
Speaker 2: that offer a private quarters for your pooch. So what's

1125
00:55:51,920 --> 00:55:53,520
Speaker 2: the latest on that? It will niche? You be going

1126
00:55:53,560 --> 00:55:58,000
Speaker 2: to the first hotel, thirty two inch TV? What's she

1127
00:55:58,080 --> 00:55:59,759
Speaker 2: going to watch on a thirty two inch TV? That's

1128
00:55:59,800 --> 00:56:02,359
Speaker 2: all ask your day for the work time waster. Let's

1129
00:56:02,400 --> 00:56:06,000
Speaker 2: get straight into these. Paul Shank Redemption, great civil plus,

1130
00:56:07,320 --> 00:56:10,399
Speaker 2: Shane Sterry, well done, full name now The dog Father,

1131
00:56:11,719 --> 00:56:17,560
Speaker 2: Silver and Luke and Nooser, Big Bone theory, brilliant. That's

1132
00:56:17,600 --> 00:56:19,280
Speaker 2: a gold. Come on, it just took me a second

1133
00:56:19,320 --> 00:56:23,879
Speaker 2: to get it. Speed it up. Silver for slowness. Ten

1134
00:56:23,960 --> 00:56:28,560
Speaker 2: things I hate about cats. That's a celestied that's different. Yeah,

1135
00:56:29,280 --> 00:56:35,440
Speaker 2: gold deep keeping up with the cardashian Z keep the

1136
00:56:37,920 --> 00:56:42,480
Speaker 2: silver labored. Ah, that's good, Sorry, David, I liked it.

1137
00:56:43,120 --> 00:56:49,839
Speaker 2: Barking bad good civil Pluska Brooklyn Canine. That's good. That's

1138
00:56:49,920 --> 00:56:55,239
Speaker 2: just Macca and Richmond. Well done. The butt Chiller, the

1139
00:56:55,360 --> 00:56:58,919
Speaker 2: butt chiller, the Bachelor, the butt. But what's the butt

1140
00:57:00,040 --> 00:57:07,960
Speaker 2: from yesterday? We didn't even think about that thought, Yeah,

1141
00:57:08,000 --> 00:57:09,080
Speaker 2: dogs have got great buttes.

1142
00:57:09,440 --> 00:57:15,280
Speaker 4: Yeah, I'll give it a late gold yesterday related.

1143
00:57:16,280 --> 00:57:19,280
Speaker 2: Uh what we got here? Porson's Creek. That's great. That's

1144
00:57:19,280 --> 00:57:23,560
Speaker 2: a golden retriever. Oh, very good. He's finally staggered on one.

1145
00:57:23,600 --> 00:57:28,160
Speaker 2: I love it. Border Collie patrol Man. That is very good.

1146
00:57:28,200 --> 00:57:31,440
Speaker 2: I don't get that. I was I was looking for Collie. Sorry,

1147
00:57:31,680 --> 00:57:34,520
Speaker 2: that was my mistake. That's a gold well done, very

1148
00:57:34,560 --> 00:57:44,240
Speaker 2: big of you. How I Met your mother? Box Shane again,

1149
00:57:44,480 --> 00:57:53,160
Speaker 2: Fox Tails, Sports Channel spot terrible, terrible. I don't want

1150
00:57:53,200 --> 00:57:57,520
Speaker 2: to mark that, all right, Desperate House Wolves, that's the

1151
00:57:57,640 --> 00:58:02,880
Speaker 2: kind of stuff I like. Yeah, I've gone bad. Julian Ravin,

1152
00:58:02,920 --> 00:58:07,080
Speaker 2: well done. Wolf of Wall Street, No, no good silver

1153
00:58:07,360 --> 00:58:10,320
Speaker 2: the good wolf instead of a good wife. That's better,

1154
00:58:10,560 --> 00:58:16,320
Speaker 2: silver class. Ferris Beagle's day off in gold and I reckon.

1155
00:58:16,400 --> 00:58:18,440
Speaker 2: We're ending on a gold here. But you're the judge here.

1156
00:58:18,480 --> 00:58:21,880
Speaker 2: The good, the bad, and the pugly that's good Wolf Wolf.

1157
00:58:22,040 --> 00:58:24,080
Speaker 2: I think I'm a trader well down everyone.

1158
00:58:24,000 --> 00:58:27,360
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1159
00:58:27,440 --> 00:58:27,880
Speaker 1: point three.

1160
00:58:28,240 --> 00:58:31,480
Speaker 2: So last week Jack and I were lucky enough to

1161
00:58:31,600 --> 00:58:34,480
Speaker 2: spend some time chatting to Jimmy Barnes and we were

1162
00:58:34,560 --> 00:58:37,520
Speaker 2: so inspired and moved by what he was saying about

1163
00:58:37,520 --> 00:58:41,000
Speaker 2: his life and this big documentary, Working Class Boy, that

1164
00:58:41,480 --> 00:58:44,360
Speaker 2: opens everywhere today across Australia that we actually went to

1165
00:58:44,400 --> 00:58:46,720
Speaker 2: the preview last night, and to get Jack out on

1166
00:58:46,760 --> 00:58:49,400
Speaker 2: a school night is a really really big deal and

1167
00:58:49,880 --> 00:58:52,560
Speaker 2: we were honestly, it will blow you away. I was

1168
00:58:52,720 --> 00:58:55,800
Speaker 2: raving about it last week and I can't recommend this enough.

1169
00:58:56,200 --> 00:58:58,520
Speaker 2: It isn't your normal kind of rock and roll documentary.

1170
00:58:58,800 --> 00:59:02,080
Speaker 2: And there are some documentary he's about an area like Senna,

1171
00:59:02,320 --> 00:59:04,479
Speaker 2: Well they actually are bigger than what they're talking about.

1172
00:59:04,520 --> 00:59:06,640
Speaker 2: It connects you to something that's all in all of

1173
00:59:06,760 --> 00:59:10,800
Speaker 2: us and it's an amazing documentary. We were in tears

1174
00:59:10,880 --> 00:59:12,400
Speaker 2: throughout it. Now. I know if that might sound like

1175
00:59:12,400 --> 00:59:14,680
Speaker 2: a bit of a miserable date night, it isn't. It's

1176
00:59:14,760 --> 00:59:16,760
Speaker 2: not just a story about his hard life, and it's

1177
00:59:16,800 --> 00:59:19,080
Speaker 2: a really really hard life and I've read it in

1178
00:59:19,120 --> 00:59:20,360
Speaker 2: the book. You might have read it in his book

1179
00:59:20,360 --> 00:59:22,280
Speaker 2: as well. But when you see on screen and you

1180
00:59:22,320 --> 00:59:24,680
Speaker 2: can see the pain, the trauma when he goes to

1181
00:59:24,800 --> 00:59:29,320
Speaker 2: revisit some of his old childhood haunts back in Scotland

1182
00:59:29,480 --> 00:59:32,360
Speaker 2: and then here in Australia as well, it's actually heartbreaking

1183
00:59:32,400 --> 00:59:35,640
Speaker 2: at times. There's a reunion. It's also a story about

1184
00:59:35,720 --> 00:59:38,160
Speaker 2: healing as well for Jimmy and his family. There's a

1185
00:59:38,240 --> 00:59:41,480
Speaker 2: reunion you see on screen with him and his son David,

1186
00:59:41,720 --> 00:59:44,200
Speaker 2: which is incredible. It will melt your heart and then

1187
00:59:44,440 --> 00:59:46,440
Speaker 2: it's worth going to see it just for the brilliant music.

1188
00:59:46,800 --> 00:59:49,080
Speaker 2: It isn't Jimmy doing what he normally does. He shows

1189
00:59:49,120 --> 00:59:51,720
Speaker 2: you a different side and you appreciate what a brilliant,

1190
00:59:51,760 --> 00:59:53,680
Speaker 2: brilliant singer he is as well. The music throughout it

1191
00:59:53,800 --> 00:59:56,320
Speaker 2: is fantastic. And then you meet his family who I've

1192
00:59:56,360 --> 00:59:58,800
Speaker 2: never seen before. All of them is his beautiful wife,

1193
00:59:58,880 --> 01:00:01,640
Speaker 2: his daughter singing as well well, Maria who's great as well.

1194
01:00:02,000 --> 01:00:03,760
Speaker 2: It is it's the best thing I've seen this year.

1195
01:00:03,880 --> 01:00:06,760
Speaker 2: I forget about its being a documentary. It is a cinema.

1196
01:00:06,840 --> 01:00:09,960
Speaker 2: It's about life, it's about us. It's incredible So we

1197
01:00:10,040 --> 01:00:11,720
Speaker 2: caught up with Jimmy last week. Here's a bit of

1198
01:00:11,800 --> 01:00:13,680
Speaker 2: our chat, and he was talking about his life and

1199
01:00:13,760 --> 01:00:16,640
Speaker 2: I asked him, what, what would you recommend to men

1200
01:00:16,800 --> 01:00:18,800
Speaker 2: now who might be going through some of the stuff

1201
01:00:18,840 --> 01:00:20,520
Speaker 2: that he went through when he was younger.

1202
01:00:20,920 --> 01:00:23,200
Speaker 22: The best thing you can ever do is look for help.

1203
01:00:23,440 --> 01:00:25,760
Speaker 22: You know, I grew up in you know, my father's

1204
01:00:25,800 --> 01:00:27,960
Speaker 22: a boxer. I grew up really surrounded by hard men,

1205
01:00:28,000 --> 01:00:29,640
Speaker 22: and I was in gangs and I fought, and I

1206
01:00:29,760 --> 01:00:31,560
Speaker 22: was a martial artist, black belt and all that sort

1207
01:00:31,560 --> 01:00:33,400
Speaker 22: of stuff, and you know, and I thought, you know,

1208
01:00:33,640 --> 01:00:35,560
Speaker 22: I could beat my chest and be brave and all

1209
01:00:35,600 --> 01:00:38,800
Speaker 22: that stuff. Bravery is one thing. Courage is another thing.

1210
01:00:39,160 --> 01:00:39,760
Speaker 2: I thought.

1211
01:00:39,840 --> 01:00:43,720
Speaker 22: I became courageous and I felt courageous in myself the

1212
01:00:43,880 --> 01:00:47,040
Speaker 22: day I first asked for help. And that's what men

1213
01:00:47,160 --> 01:00:47,440
Speaker 22: need to do.

1214
01:00:47,560 --> 01:00:49,040
Speaker 2: That's what if you want to be a real man,

1215
01:00:49,160 --> 01:00:52,040
Speaker 2: show courage. What a great message from someone like Jimmy Barnes.

1216
01:00:52,080 --> 01:00:53,560
Speaker 2: I just want men all over the world need to

1217
01:00:53,680 --> 01:00:56,160
Speaker 2: hear right now. So we did a big interview. It's

1218
01:00:56,160 --> 01:00:57,960
Speaker 2: about thirty minutes, so if you want to hear the

1219
01:00:58,000 --> 01:01:00,120
Speaker 2: full interview with Jimmy Barnes who put it out a

1220
01:01:00,200 --> 01:01:03,480
Speaker 2: standalone podcast. The movie is out today. If you're going

1221
01:01:03,560 --> 01:01:05,000
Speaker 2: to go and sit today for the next couple of days,

1222
01:01:05,000 --> 01:01:06,720
Speaker 2: please let me know what you think about it. Christian

1223
01:01:06,720 --> 01:01:09,320
Speaker 2: at Gold one four three dot com dot AU. It's

1224
01:01:09,360 --> 01:01:11,400
Speaker 2: a mussy from us so I can't recommend it enough.

1225
01:01:11,720 --> 01:01:15,000
Speaker 2: Jimmy Barrs new documentary out today, Working Class Boy.

1226
01:01:14,960 --> 01:01:18,280
Speaker 1: The Christian O'Connell Breakfast Show, Melbourn's Gold one oh four

1227
01:01:18,320 --> 01:01:18,800
Speaker 1: point three.

1228
01:01:19,160 --> 01:01:21,760
Speaker 2: That's the end of the show for us. Title of

1229
01:01:21,800 --> 01:01:25,480
Speaker 2: today's show is is it? I don't want to say it?

1230
01:01:26,000 --> 01:01:28,080
Speaker 2: What did you want to say it? It's rude. Well

1231
01:01:28,120 --> 01:01:30,040
Speaker 2: we had it on air and no one went hey,

1232
01:01:30,120 --> 01:01:31,760
Speaker 2: that was a bit rude. And you said that make

1233
01:01:31,800 --> 01:01:34,080
Speaker 2: a great title for the show, I ask you. And

1234
01:01:34,280 --> 01:01:36,800
Speaker 2: now you're still kind of blushing eye and say it.

1235
01:01:37,200 --> 01:01:39,960
Speaker 2: Then why can't you say why you're happy for me

1236
01:01:40,040 --> 01:01:42,720
Speaker 2: to get in trouble. You're a sneaky one Dutton. I

1237
01:01:42,840 --> 01:01:46,920
Speaker 2: told you you are. That's a Dutton move. Hashtag Dutton moves.

1238
01:01:47,280 --> 01:01:49,919
Speaker 2: I'm not in the political sphirit. Yeah, but you're playing

1239
01:01:49,920 --> 01:01:52,240
Speaker 2: political games. See you're happy for the pomy to say it.

1240
01:01:52,320 --> 01:01:55,920
Speaker 2: Throwm under the bus, Dick and his two swingers. Why

1241
01:01:55,920 --> 01:01:58,640
Speaker 2: would you say that's so rude. It's the name of

1242
01:01:58,760 --> 01:02:02,520
Speaker 2: today's show and we're back tomorrow morning, Friday or requests.

1243
01:02:02,520 --> 01:02:03,760
Speaker 2: If you want to leave us a song, head over

1244
01:02:03,800 --> 01:02:06,400
Speaker 2: to Facebook OC one O four three and we're looking

1245
01:02:06,440 --> 01:02:09,680
Speaker 2: for your cases to try in our court tomorrow, Christian's Court.

1246
01:02:10,160 --> 01:02:12,680
Speaker 2: Email me Christian at godwei four three dot com dot au.

1247
01:02:12,800 --> 01:02:14,400
Speaker 2: Thanks for listening. I'm me to keep listening. Give me

1248
01:02:14,440 --> 01:02:14,960
Speaker 2: winning ten k

1249
01:02:15,240 --> 01:02:18,600
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1250
01:02:18,640 --> 01:02:19,120
Speaker 1: point three