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Speaker 1: Happy Wednesday. It's the jam Nation Podcast with Jonesy and

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Speaker 1: de Amanda.

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Speaker 2: Yes, like it or not, Jonesy has a big fact

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Speaker 2: on the show.

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Speaker 3: You're going to sit there and you're going to like it.

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Speaker 2: Sure, we discussed mats last night. Bryce wet the bluff.

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Speaker 3: I watched Married at First Sight, so you don't have to.

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Speaker 2: I appreciate it. Shut your pie hole. The Keid edition.

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Speaker 2: When a kids dubbed in their dad to the Prime

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Speaker 2: Minister of New Zealand.

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Speaker 3: Golf courses in the city do they pass the pub test?

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Speaker 2: Andrew Farris from an Excess joins us and a royal

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Speaker 2: update how everyone's responded to the fallout from that interview.

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Speaker 3: Sit back and enjoy the podcast. I won't know that

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Speaker 3: a miracle of recording.

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Speaker 4: We have so many requests for them to do it again,

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Speaker 4: Mistress Amanda and ms Keller.

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Speaker 5: Amanda doesn't work alone.

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Speaker 6: Friend is in a back room making the tools of

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Speaker 6: the train.

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Speaker 1: I've heard them describe him as a drunken idiot.

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Speaker 7: Jonesy, Amanda the Actress, Congratulations, murder, We're right now, Jersey

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Speaker 7: and Amanda.

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Speaker 3: You're doing a great job now the good radio.

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Speaker 8: Sorry, but of a twist set.

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Speaker 7: And Amanda's Shoot, Timy, we're on the air, Amanda, how

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Speaker 7: are you today? Oh?

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Speaker 2: You know, I'm kind of exhausted. I'm psychically exhausted. My

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Speaker 2: psyche is. I feel like I'm kang run an anvil.

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Speaker 2: All the stuff about a Christian porter and and how

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Speaker 2: young women are being treated, whether it's it's it's school

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Speaker 2: or in society or in parliament. And then yesterday with

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Speaker 2: Harry and Meghan. Just I'm no royalists, but I feel

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Speaker 2: the weight of of how unhappy the royal family are

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Speaker 2: and how the world's looking at them. Who's the racist?

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Speaker 3: I just feel the royal racist? Thank you? Who's the royal?

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Speaker 9: Just?

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Speaker 2: Everything just makes me. It makes me sad. It all

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Speaker 2: just makes me sad.

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Speaker 1: If I was a royal, I'd be putting everything on Andrew.

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Speaker 1: That was Andrew, Yeah, that was Andrew. Andrew, that was Andrew.

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Speaker 2: But then Harry or so you know, No, it was Blue,

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Speaker 2: you know, and.

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Speaker 3: Who do you think it is?

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Speaker 2: I would like to know there's no excuse for the sentence,

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Speaker 2: but I'd like to know the context. I'd like to

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Speaker 2: hear the sentence.

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Speaker 1: Yeah, because if as we discussed, we have friends, interracial friends,

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Speaker 1: He's black, she's white, and we speculated with them what

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Speaker 1: the color of their baby would be.

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Speaker 2: Well, Harry seemed to make it sound like it was

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Speaker 2: at the beginning of their relationship. So have you thought

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Speaker 2: about this. I would like to know how the context

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Speaker 2: of that, the tone, all of that.

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Speaker 10: Is.

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Speaker 2: It's not a great conversation to have with your brother

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Speaker 2: when he's dating someone of mixed race.

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Speaker 3: So you're saying Will, I did say brother, didn't I? Yeah,

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Speaker 3: I think it's Will. I think it's Will. Well, I

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Speaker 3: know Will or child.

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Speaker 2: But I know that Harry was very upset at the

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Speaker 2: beginning when Will said to me sure about this girl?

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Speaker 2: That really upset Harry. But let's face it this and

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Speaker 2: it's different for Will. He has a different role and

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Speaker 2: Kate had to be groomed to be queen, and then

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Speaker 2: he sees his brother falling in love with someone who

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Speaker 2: doesn't understand the ways of the royal family, and he

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Speaker 2: was I wonder what he was saying about that.

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Speaker 1: Yeah, it's not going away, that's for sure. He didn't

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Speaker 1: discussion around the dinner table last night. Because there's people

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Speaker 1: of a certain age my.

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Speaker 3: Wife who are just apoplectic about it. What's her spinch.

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Speaker 1: She just hates them, hates them, which which then Megan

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Speaker 1: and Harry hates them, says, how dare you turn your

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Speaker 1: back on this institution?

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Speaker 3: Suck it up.

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Speaker 1: You get thirty million pounds in the from your mother's estate.

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Speaker 3: See this is just live a quiet life. You don't

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Speaker 3: want it to live a quite.

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Speaker 2: Saying yesterday was they've got all that money. How can

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Speaker 2: you be lonely in a giant palace? You can be

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Speaker 2: very lonely and a palace. Money does not buy you

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Speaker 2: peace of mind or freedom. But you're right, they could

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Speaker 2: have chosen to live quietly. They're still feeling like they're

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Speaker 2: villified enough that they had to explain themselves.

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Speaker 1: As the Beatles said, money can't buy me love. But

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Speaker 1: then again, Sidney Laupers said, money changes everything.

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Speaker 2: So well, let's look to the ways of the top

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Speaker 2: forty to solve the world's problem in the.

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Speaker 3: World of songs.

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Speaker 2: It's an exhausting time, isn't it?

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Speaker 7: Yea?

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Speaker 3: And then we'll process this is what will do? Is

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Speaker 3: you just relax.

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Speaker 2: You'll make a cup of tea.

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Speaker 1: I was going to suggest, why don't you go and

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Speaker 1: make a cup of tea while I get calms me,

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Speaker 1: I get the show underway.

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Speaker 3: Okay, well I'll do it.

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Speaker 2: Key's question one for the Magnificent Seven.

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Speaker 3: I'll put some Genesis on for you.

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Speaker 2: Raise. Well, it's all going my way. What's the National

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Speaker 2: Instrument of Scotland?

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Speaker 1: Podcast the Magnificent Seven. Let's talk about that seven questions?

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Speaker 3: Can you go all the way and answer all seven

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Speaker 3: questions correctly?

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Speaker 1: It's pretty impressive when you do that, and quite frankly,

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Speaker 1: not many people.

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Speaker 3: Do do that. But it doesn't matter.

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Speaker 1: Do doo when you get focused, when you get to

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Speaker 1: question seven, that's where the prize has rained down upon you.

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Speaker 1: So you could be Johnny Dumbo and come in lately

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Speaker 1: like Johnny come lately.

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Speaker 3: I know there's a lot of.

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Speaker 2: Johnny's in there. We'll forget. Johnny was starting with oscar

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Speaker 2: ins and dives. Hello Oscar, Hey, guys, what's the National

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Speaker 2: Instrument of Scotland? It's International Bagpipe Day today. My son

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Speaker 2: plays the bagpipes and everyone jokes saying, oh, that must

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Speaker 2: be dreadful. I love the sound of bagpipe.

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Speaker 3: He's very good on it. He's very good.

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Speaker 2: And you know, you can play Star Wars theme, you

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Speaker 2: can do you'r the voice, you can.

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Speaker 3: Do ac D s.

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Speaker 2: It's not just old, but even the old Scottish ones

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Speaker 2: make me weep. I listened to him in the car sometimes.

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Speaker 3: Wait, you listen to your son play bagpipes?

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Speaker 2: Callam had a playlist of ones that he had that

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Speaker 2: he was learning, and I actually liked listening to them.

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Speaker 1: Yeah, what about in a big country? The bagpipes in

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Speaker 1: a big country?

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Speaker 3: The good bagpipes? Well, Oscar, you have a favorite song

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Speaker 3: with bagpipes in at Oscar?

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Speaker 11: No know where to stop.

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Speaker 1: I'm just trying to include you in this discussion. The

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Speaker 1: Farris Brothers was the original name of which Ossie.

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Speaker 3: Band, Clay Oscar Oscar.

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Speaker 1: They didn't have any bagpipes. They had a saxoophone. Lee's

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Speaker 1: in ross Hill High.

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Speaker 2: Lee Morning guys, how are ya very well? The Faris

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Speaker 2: Brothers it was the original name of which Australian band.

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Speaker 3: In excess.

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Speaker 1: Andrew Faris is Jordani's on the show today talk about

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Speaker 1: his new self titled album, Question three serious Sings Siries.

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Speaker 2: Go to sing a song?

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Speaker 12: Have a listen Eruba Jamaica. Oh, I want to take

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Speaker 12: you to Bermuda Bahama. Come on pretty Mama, Key Largo

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Speaker 12: Montego Baby, Why don't we go.

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Speaker 2: Even sirih hates this song. What's that song?

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Speaker 11: That's the Beach Boys and t.

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Speaker 2: Sing it? Sing it for us.

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Speaker 11: Months, Ego, I want to take you to Themda Jamaica,

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Speaker 11: Cam Mama.

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Speaker 2: It's not coming yourself, le oh Le, You've done all

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Speaker 2: the hard work for someone else.

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Speaker 1: Now, well there it is question number three of the

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Speaker 1: Magnificent seven series things?

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Speaker 3: Uh what is Siri singing?

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Speaker 12: Have a listen again, Ruber Jamaica. Oh, I want to

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Speaker 12: take you to get the Bahama.

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Speaker 1: And I will say, I do like your jeans. You've

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Speaker 1: been saying this all morning. I don't like EU jeans.

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Speaker 2: I know you don't because when I wear I think

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Speaker 2: they called it. They not boyfriend jeans. It's kind of

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Speaker 2: high waisted, like I think that they paper bag jeans.

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Speaker 2: You've every time I've worn anything like this, you've said

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Speaker 2: you look like an someone from prisoner.

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Speaker 3: Old school prisoner, not your school prisoner. Not sexy whitworth,

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Speaker 3: no old prisoner.

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Speaker 2: No, but you look good talk about I know that

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Speaker 2: you don't like.

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Speaker 1: If you were on prisoner and those jeans, you you

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Speaker 1: know you wouldn't be one of the big you know,

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Speaker 1: you'd be one of the sexy.

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Speaker 3: You wouldn't be top dog, you'd be one of the

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Speaker 3: sexy dogs.

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Speaker 2: Anytime you're compared to a dog, it takes it takes

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Speaker 2: the pleasure out of the compliment.

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Speaker 3: You know what, I didn't ever say anything. All I

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Speaker 3: did was when you came in, I looked you, look

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Speaker 3: at my jeans.

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Speaker 2: I said, you don't like this.

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Speaker 3: Didn't say a word, not a word.

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Speaker 2: Do you know you've gone the tuck in with your shirt?

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Speaker 3: We're under the Magnificent seven.

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Speaker 2: I've got to get down to the laundromat and get

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Speaker 2: put my head in the ironing press soon.

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Speaker 3: So you better get a move on you. We're up

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Speaker 3: to question three of the Magnificent seven.

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Speaker 2: It's going to Teddy and Woongong. Hello Teddy? Have I

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Speaker 2: listened to this? This is Siri?

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Speaker 3: What she's singing?

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Speaker 12: Uber Jamaica?

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Speaker 13: Oh?

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Speaker 12: I want to take you to Bermuda Bahama. Come on,

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Speaker 12: pretty Mama.

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Speaker 3: We get produced.

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Speaker 2: Do you know the song TEDDYV?

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Speaker 12: Why don't we go?

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Speaker 3: Do you like that song? Teddy?

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Speaker 2: Memories of a time when you were in Memories of what.

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Speaker 3: I remember? The movie Cocktails Cocktail.

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Speaker 1: Tom Cruise and Brian Brown likely pairing.

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Speaker 3: Brian Bran kills himself at the end.

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Speaker 2: I've never seen it does to watch it this weekend.

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Speaker 3: You were not going to watch that movie. Where might

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Speaker 3: you find?

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Speaker 1: A fon toelle is an a in a bush, b

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Speaker 1: on a baby's head or c on antique furniture, a fontelle.

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Speaker 10: On the top of the baby's head, the thing on.

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Speaker 3: The top of the baby's head.

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Speaker 2: Andrew Denton was born with it fused. It's a space

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Speaker 2: on the top of the head, and your press it

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Speaker 2: feels like like camember and that's.

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Speaker 3: So not supposed to press it.

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Speaker 2: No, you're not supposed to. But that's where the skull

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Speaker 2: bones haven't fused together. So but Andrew was born with

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Speaker 2: his fused, and he had the last rights administered to

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Speaker 2: him the day he was born, pretty much. And that's

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Speaker 2: why we've always made jokes about how the back of his.

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Speaker 3: Head's quite incredibly flat.

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Speaker 2: And so you can just rest him against a wall

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Speaker 2: and leave him there.

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Speaker 3: I noticed that it was always hard for him to

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Speaker 3: get a baseball cap.

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Speaker 2: Well, you know what, he wears a hat. It was

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Speaker 2: one of those triangles when you set up to play pool.

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Speaker 2: That's because his fontelle was.

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Speaker 1: Fuse and he will be out doing his little run

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Speaker 1: this morning.

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Speaker 2: Question number five, which NURL player confirm they're retiring from

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Speaker 2: the sport and returning to the boxing ring. Oh, they've

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Speaker 2: been an All Black, they've been a league player, and

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Speaker 2: now they're professional netballer.

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Speaker 3: I'm just joking about.

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Speaker 2: Sorry, michaels Hi, Michael very well. So NRL player has

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Speaker 2: also been a union player. He's now retiring from that

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Speaker 2: sport and returning to the boxing ring. Who is it?

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Speaker 11: I can't remember his name to a tank for a halftime,

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Speaker 11: but I can't remember his name right now.

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Speaker 3: Places when he saw me, Plas remember that time and

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Speaker 3: I was dressed up in the.

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Speaker 1: Rooster's mask because you'd lost a bit outfit and the

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Speaker 1: rooster's mask got it's got all these fake muscles, and

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Speaker 1: I didn't have him.

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Speaker 3: A cockhead on, not like today.

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Speaker 1: So I was standing there and this guy came out

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Speaker 1: without his shirt on, and proposedly he was exactly the

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Speaker 1: same size as me with the fake muscles on, and

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Speaker 1: he didn't have a shirt on, and you were like

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Speaker 1: we were both just agg is extraordinary.

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Speaker 2: Do you know who it is? James of Windsor who

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Speaker 2: is talking about?

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Speaker 11: I think it's funny.

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Speaker 1: It is indeed, who's the federal Health Minister of Australia.

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Speaker 2: He was admitted hospital last night with a virus. Do

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Speaker 2: you know who it is?

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Speaker 7: Oh? I actually saw a new clipping about this, but.

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Speaker 1: It's unfortunately he just got the astro zenica shot and

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Speaker 1: then he's got this virus and they're saying it's got

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Speaker 1: nothing to do with coronavirus.

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Speaker 2: I know, it's just bad timing, isn't it. His surname,

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Speaker 2: I'll give you a clue. Is something you might do

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Speaker 2: if you were trying to catch animals, or.

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Speaker 1: If you got across a river, you might get on

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Speaker 1: one of these with your car, or you might.

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Speaker 2: Be that's something that would rhyme with this. I'm saying

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Speaker 2: his surname actually is this?

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Speaker 3: Oh yeah, that's true. Yeah right, you're hopeless.

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Speaker 2: Sharon's in black slam. Hello, Sharon h very well. Do

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Speaker 2: you know what the name of their federal health minister?

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Speaker 5: I'm a great hunt.

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Speaker 2: Yes, you were thinking punto a rhyme when I've got

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Speaker 2: a word that actually describes this.

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Speaker 3: Because you're wearing the prisoner jeans, you're give them a

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Speaker 3: bit of sass.

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Speaker 2: Question number seven, Magna Shubanski is going to be the

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Speaker 2: new host of which returning game show. We haven't seen

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Speaker 2: it for a few years. I'll give you a clue.

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Speaker 2: Cornelia Francis hosted it when it first aired in two

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Speaker 2: thousand and one.

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Speaker 11: I don't know.

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Speaker 2: Sorry, Sharon Kevin's in penrith, Hi Kevin, are you very well?

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Speaker 2: So they're bringing back a game show that used to

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Speaker 2: be hosted by Cornelia Francis is now going to be

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Speaker 2: hosted by Magda Zabanski. But she has to be mean

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Speaker 2: to host this show. Do you know what it is?

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Speaker 13: The link?

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Speaker 3: You are a nice link.

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Speaker 2: They were going to bring this back. How many years

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Speaker 2: ago was it? Brendan twelve years something like that, and

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Speaker 2: they asked me to audition for the role as the host.

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Speaker 2: In the end, they didn't remake it. Then they've waited

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Speaker 2: till now. But yeah, I can, I can be mean.

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Speaker 3: So that's the one audition that you've done and you

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Speaker 3: failed in.

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Speaker 2: I didn't fail. They didn't make this job well, they

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Speaker 2: didn't do the job.

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Speaker 3: Well, it was pretty good.

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Speaker 2: The job didn't happen.

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Speaker 3: But still, you.

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Speaker 1: Know, most stuff you turn his mind to on TV

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Speaker 1: works you usually get it.

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Speaker 2: Well, that one didn't happen.

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Speaker 1: You asked me, I did ask me if any TV

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Speaker 1: I've auditioned for every TV show that you see on

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Speaker 1: TV and have not got one of them.

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Speaker 2: What about embarrassing bodies?

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Speaker 3: Actually, I'm still waiting for call about that.

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Speaker 1: Congratulations you've won the jam back, Kevin. It's all coming away.

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Speaker 1: One hundred and fifty dollars to spend a hurricane Grill

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Speaker 1: restaurant in Circular Key, Darli Harber and Brighton a sense

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Speaker 1: A Family Events, Cinemas, Vmax Pass give movies this Easter

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Speaker 1: Eventcinemas dot com Dot and Jones in Nomadic Coach choose

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Speaker 1: for the color and then substate La pencil so you

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Speaker 1: can color with confidence.

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Speaker 3: keV, Thank you very much.

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Speaker 2: What, Kevin, do you think we're just wasting Kev's time

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Speaker 2: to wasting mine?

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Speaker 6: Jonesy and Amanda Gamation podcast.

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Speaker 7: Instruction it on.

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Speaker 2: I'm going to flit through the German Act, a big

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Speaker 2: book of musical facts. On this day. In nineteen seventy nine,

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Speaker 2: Gloria Gaynor started a three week run at number one

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Speaker 2: on the charts with I Will Survive. It quickly went

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Speaker 2: on to become an anthem for women. It was written

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Speaker 2: by two men, the Righteous Brothers. Really, they wrote unchained melody,

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Speaker 2: didn't they?

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Speaker 3: Yeah, Bill Medley and his mate, And was it his

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Speaker 3: real name, Bill Medley though.

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Speaker 2: I don't know.

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Speaker 3: And was the other person his brother? Yeah's brother?

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Speaker 2: So Bill and Jeffrey Medley. So if one of you

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Speaker 2: changes your name, the other one's got all great. Now

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Speaker 2: I've got to do it good. I've just got a

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Speaker 2: new check book. The song went on to win the

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Speaker 2: only Grammy Award ever for Best Disco Recording, and when

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Speaker 2: Gloria A. Gain Or recorded it, she was in a

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Speaker 2: back brace. Producers put giant foam baffles under her arms

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Speaker 2: to help reduce reverberation so his spine wouldn't be shaken.

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Speaker 3: What did she do to herself?

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Speaker 2: I have no information about that, but talk about surviving

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Speaker 2: very good.

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Speaker 3: You want to hear the big Fact?

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Speaker 2: Did I say anything?

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Speaker 3: Of course?

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Speaker 14: I always come here because they've got the biggest range

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Speaker 14: of big facts, Josy.

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Speaker 3: The big fat. It really is an incredible range of

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Speaker 3: big fact. That's myth facts. That's my big fact, John

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Speaker 3: Z John Zy thirty.

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Speaker 1: I just wish they had an app that I could

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Speaker 1: get a big fact on my phone.

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Speaker 3: Off fat people.

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Speaker 2: It's better be fresh.

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Speaker 1: The loudest sound in recorded history was the eruption of Krakatoa.

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Speaker 3: Really, it was so loud.

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Speaker 1: The sound wave traveled the world seven times and was

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Speaker 1: heard in fifty different locations around the globe. That was

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Speaker 1: the loudest sound until I Present of You with Harry

360
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Speaker 1: and Meghan.

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Speaker 3: It's a girl.

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Speaker 1: That traveled the world six times and it's still resonated.

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Speaker 2: Fat pea, and it was fresh. I appreciate it.

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Speaker 3: At sixteen to seven, all right, we're coming up next.

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Speaker 2: I didn't watch Married at First Sight, but I'm a cross.

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Speaker 3: I've got all your Married at first Sight information. Our

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Speaker 3: boy Bryce didn't he cry? He went the blood and

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Speaker 3: you know he's got the sinus. So there's a lot

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Speaker 3: of a lot of mucus. There's a lot of mucus.

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Speaker 2: Let's discuss next.

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Speaker 3: Married at First Sight? Last night I.

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Speaker 2: Saw a couple of comments on social media about.

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Speaker 3: But that's odd about that, Joe? People commenting about it

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Speaker 3: on social media?

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Speaker 2: Was it Jason who did some cooking last night?

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Speaker 13: Yes?

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00:17:22,280 --> 00:17:26,400
Speaker 2: So and Alana and Alana so he how old.

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Speaker 3: He he would have to be thirty something.

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Speaker 2: In his thirties.

380
00:17:29,480 --> 00:17:31,360
Speaker 3: No, No, Jason, Lana, it's the other one.

381
00:17:31,480 --> 00:17:32,720
Speaker 2: Yeah, it's Jason and Alana.

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00:17:33,520 --> 00:17:36,159
Speaker 3: No, no, no, no, it's not no. I come trying to.

383
00:17:36,440 --> 00:17:38,679
Speaker 3: I'm trying to. He was the one Jac and Rebecca,

384
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Speaker 3: was it? Yeah? Jac and Rebecca. How old is Jake?

385
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Speaker 3: Jake would be thirty something, So it doesn't.

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Speaker 2: Change the story that here he is attempting to cook,

387
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Speaker 2: doing are you cooking?

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00:17:52,200 --> 00:17:52,800
Speaker 9: Cooking news?

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Speaker 2: Spaghetty vi the first person I've ever called spaghetty.

390
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Speaker 14: Villinse for sorry, yeah, it's my speciality down was really

391
00:18:00,560 --> 00:18:03,000
Speaker 14: nice to come in this afternoon and like, have dinner

392
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Speaker 14: made for me?

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Speaker 3: What do you mean to make dinner?

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Speaker 2: If he made a hash of it, well, that's the thing.

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Speaker 3: Them and boiled pasta.

396
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Speaker 2: He stuffed up boiling the pasta. He said he never

397
00:18:12,240 --> 00:18:15,760
Speaker 2: cooks heat as microwaves, and a couple of women were

398
00:18:15,800 --> 00:18:21,080
Speaker 2: commenting saying, step up that it's not enough to we

399
00:18:21,160 --> 00:18:24,760
Speaker 2: humor them. Aren't you killed having the girl? How do

400
00:18:24,880 --> 00:18:27,200
Speaker 2: you get to be that age and you've never boiled

401
00:18:27,240 --> 00:18:27,960
Speaker 2: past How did.

402
00:18:27,840 --> 00:18:30,399
Speaker 1: He get to be that old boiled pasta without sticking

403
00:18:30,400 --> 00:18:31,080
Speaker 1: to the bottom of the pop.

404
00:18:31,119 --> 00:18:33,400
Speaker 3: Put some salt in there, bro or some olive oil.

405
00:18:33,720 --> 00:18:34,240
Speaker 3: It's easy.

406
00:18:34,480 --> 00:18:37,880
Speaker 2: Well, you know, but that's that typical thing of Oh,

407
00:18:37,960 --> 00:18:40,600
Speaker 2: you're making an effort to on the dish, will shine't

408
00:18:40,640 --> 00:18:41,800
Speaker 2: you amazing?

409
00:18:42,200 --> 00:18:45,960
Speaker 1: Joanne and James Joanne with them there. Joanne is not

410
00:18:46,080 --> 00:18:49,280
Speaker 1: happy with how the relationship has cooled.

411
00:18:50,080 --> 00:18:52,480
Speaker 3: It's a shame because we used to make out all

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Speaker 3: the time.

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00:18:53,320 --> 00:18:56,560
Speaker 14: So even if it was like maybe three minutes, I

414
00:18:56,560 --> 00:18:59,200
Speaker 14: think it might help progress the relationship.

415
00:18:59,320 --> 00:19:02,800
Speaker 3: Ten sikas, Okay, we used to make out all the time.

416
00:19:02,920 --> 00:19:05,840
Speaker 1: Here's a show where the relationship has the lifespan of

417
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Speaker 1: a housefly.

418
00:19:06,760 --> 00:19:07,800
Speaker 2: How long have they been married?

419
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Speaker 3: For about seven days?

420
00:19:09,040 --> 00:19:10,040
Speaker 2: And it's already cool.

421
00:19:10,200 --> 00:19:14,160
Speaker 3: You don't bring me flowers anymore. Wow. So he's gone

422
00:19:14,160 --> 00:19:14,920
Speaker 3: on James and.

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00:19:14,840 --> 00:19:19,520
Speaker 1: Said, well, okay, that's happy.

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00:19:20,040 --> 00:19:20,879
Speaker 15: Are you happy?

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00:19:21,200 --> 00:19:22,480
Speaker 3: That'll do you? And then.

426
00:19:24,000 --> 00:19:24,560
Speaker 15: What do you say?

427
00:19:24,760 --> 00:19:30,200
Speaker 3: Get some soccer on? Soccer's off? No, they're cool. Let's

428
00:19:30,200 --> 00:19:33,200
Speaker 3: talk about our boy Bryce. Now, let's talk about Bryce used.

429
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Speaker 1: To work in our studio right here. Every day we

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Speaker 1: share this space with him. And I was upset last

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Speaker 1: night because Bryce was upset.

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00:19:39,400 --> 00:19:40,200
Speaker 2: Why was he crying?

433
00:19:40,280 --> 00:19:42,400
Speaker 3: Took a lot. It took a lot. Takes a lot

434
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Speaker 3: to upset Bryce because in this small confines things can

435
00:19:47,000 --> 00:19:49,960
Speaker 3: get heated in here. He never cried, and you could

436
00:19:49,960 --> 00:19:52,480
Speaker 3: say some terrible things to the people that work for us.

437
00:19:53,200 --> 00:19:55,040
Speaker 3: I never have you say that.

438
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Speaker 2: Oh that's not fair, Megan Markle, you say that. I'm

439
00:19:59,760 --> 00:20:00,800
Speaker 2: here to defend myself.

440
00:20:00,840 --> 00:20:03,480
Speaker 3: So Bryce stormed out last night.

441
00:20:03,920 --> 00:20:07,919
Speaker 14: Bryce and I woke up like any other morning, but

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00:20:08,000 --> 00:20:09,920
Speaker 14: I knew something was up because he was very quiet

443
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Speaker 14: and I was in the bathroom getting ready and he

444
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Speaker 14: just walked out the doors and I'm going out and

445
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Speaker 14: door slammed.

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00:20:16,640 --> 00:20:19,600
Speaker 3: Why did Bryce storm out? Why I just walked out

447
00:20:20,480 --> 00:20:20,840
Speaker 3: for a walk?

448
00:20:21,359 --> 00:20:25,560
Speaker 15: Do you mind then? What I just literally I said

449
00:20:25,600 --> 00:20:27,400
Speaker 15: two before in a bathroom, oh when are you wearing today?

450
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Speaker 15: And he said wearing clothes. I'm like, okay, but I

451
00:20:30,720 --> 00:20:32,520
Speaker 15: just didn't know you're being a smart ass. And I

452
00:20:32,520 --> 00:20:34,000
Speaker 15: was like, oh, that's if you're in that mood. I'm

453
00:20:34,000 --> 00:20:34,680
Speaker 15: just gonna have for a walk.

454
00:20:35,560 --> 00:20:39,040
Speaker 3: He stormed out because she he asked her what she's

455
00:20:39,080 --> 00:20:42,679
Speaker 3: wearing today and she said clothes, and he stormed out

456
00:20:42,680 --> 00:20:45,439
Speaker 3: because he doesn't like a smart ass. Well look at

457
00:20:45,440 --> 00:20:49,920
Speaker 3: what he would have stormed out of many But isn't.

458
00:20:49,680 --> 00:20:52,200
Speaker 2: She the one that's put up with a whole personal stuff?

459
00:20:52,880 --> 00:20:58,720
Speaker 3: Yeah? First, she's not his type. Probably completist, not my type, but.

460
00:20:58,720 --> 00:21:01,119
Speaker 2: She's not ugly said those words to her.

461
00:21:01,240 --> 00:21:02,120
Speaker 3: Then a bad rise.

462
00:21:02,600 --> 00:21:04,080
Speaker 15: I didn't want to go anywhere else. I was like

463
00:21:04,280 --> 00:21:06,560
Speaker 15: quite happy sitting there. I didn't hear anything. I was

464
00:21:06,600 --> 00:21:11,199
Speaker 15: sort of just staring, snapping into those eyes and not

465
00:21:11,240 --> 00:21:12,360
Speaker 15: that bad after all.

466
00:21:18,160 --> 00:21:19,480
Speaker 3: Regardless of the color.

467
00:21:19,880 --> 00:21:20,440
Speaker 5: Wow.

468
00:21:20,800 --> 00:21:23,920
Speaker 3: So anyway, after all of that, Bryce has gone the blob?

469
00:21:32,040 --> 00:21:34,600
Speaker 3: Is he playing the piano while he goes to the blob?

470
00:21:35,160 --> 00:21:38,080
Speaker 3: And you remember Bryce, he suffers the sinus like I do.

471
00:21:38,160 --> 00:21:39,600
Speaker 2: So we've heard that sniffing noise in here.

472
00:21:43,520 --> 00:21:45,240
Speaker 3: We just have to share, super fans.

473
00:21:46,720 --> 00:21:48,040
Speaker 2: Well, thank you for that wrapper.

474
00:21:48,200 --> 00:21:49,240
Speaker 3: You go now you don't have to watch it.

475
00:21:49,280 --> 00:21:55,240
Speaker 16: Good, Good morning, Joanie.

476
00:21:54,840 --> 00:21:56,680
Speaker 6: And Amanda's ten thousand dollars.

477
00:21:57,760 --> 00:21:59,760
Speaker 1: Do you have the right answers to our wrong questions?

478
00:21:59,800 --> 00:22:03,040
Speaker 1: That DINGWSFM is our number. We have ten thousand dollars

479
00:22:03,080 --> 00:22:03,480
Speaker 1: for you.

480
00:22:03,760 --> 00:22:05,640
Speaker 2: Here's how it goes. When I ask your question number one,

481
00:22:05,680 --> 00:22:08,480
Speaker 2: say nothing. I I ask your question number two. Give

482
00:22:08,520 --> 00:22:11,200
Speaker 2: me the answer to question number one. Answer in a lag.

483
00:22:11,280 --> 00:22:11,840
Speaker 2: Do you get it?

484
00:22:11,880 --> 00:22:13,760
Speaker 3: You almost headjammed yourself, I almost did.

485
00:22:14,800 --> 00:22:16,000
Speaker 2: You have to get all the way through before the

486
00:22:16,000 --> 00:22:17,679
Speaker 2: buzzer goes off the minute you're wrong, you're out. You

487
00:22:17,720 --> 00:22:19,560
Speaker 2: can take the chickeney pants option. This is where you

488
00:22:19,560 --> 00:22:21,720
Speaker 2: get one hundred dollars for each correcked answer along the way,

489
00:22:21,760 --> 00:22:23,160
Speaker 2: but go all the way. You don't get the big But.

490
00:22:23,080 --> 00:22:24,400
Speaker 3: Didn't we come close yesterday?

491
00:22:24,680 --> 00:22:25,200
Speaker 10: So close?

492
00:22:25,320 --> 00:22:27,119
Speaker 3: Jan's in Penrith, Hello.

493
00:22:26,920 --> 00:22:28,440
Speaker 9: Dean, Hi, guys.

494
00:22:28,480 --> 00:22:29,200
Speaker 11: How are you this morning?

495
00:22:29,240 --> 00:22:29,440
Speaker 13: Jam?

496
00:22:30,000 --> 00:22:30,640
Speaker 3: Good? Thanks Dean?

497
00:22:30,720 --> 00:22:33,080
Speaker 2: Were you listening yesterday? Do you hear how close we came?

498
00:22:33,920 --> 00:22:36,240
Speaker 11: Oh? I was actually busy yesterday morning, so I didn't

499
00:22:36,520 --> 00:22:40,040
Speaker 11: get to see how close you came to getting the money.

500
00:22:40,240 --> 00:22:42,280
Speaker 3: Well, let's see you doing, Dean. What made you so

501
00:22:42,400 --> 00:22:44,479
Speaker 3: busy to miss out this appointment? Radio?

502
00:22:45,160 --> 00:22:45,919
Speaker 7: I was driving?

503
00:22:46,520 --> 00:22:49,280
Speaker 3: Good by you. You can still listen to the radio

504
00:22:49,320 --> 00:22:53,440
Speaker 3: and drive just saying but good that you're focused, Sean.

505
00:22:53,560 --> 00:22:55,720
Speaker 2: You don't have to explain yourself to us.

506
00:22:55,960 --> 00:22:57,440
Speaker 3: How do you not driving now? Though?

507
00:22:58,160 --> 00:22:59,040
Speaker 7: No, I'm not good.

508
00:22:59,119 --> 00:23:00,200
Speaker 2: How do you want to play today?

509
00:23:01,160 --> 00:23:03,159
Speaker 11: Take the chickeney pan top shoot pop them on.

510
00:23:04,600 --> 00:23:07,000
Speaker 3: No shame in those chickeney pants. They're very distracting that

511
00:23:07,400 --> 00:23:12,679
Speaker 3: especially if you're driving. Called the driver and also someone

512
00:23:12,680 --> 00:23:14,200
Speaker 3: on the side of the road that sees.

513
00:23:13,960 --> 00:23:19,400
Speaker 2: The driver you say, look foul. All right, now you're

514
00:23:19,440 --> 00:23:21,640
Speaker 2: playing for one hundred dollars for you to correct answer, Dean,

515
00:23:21,680 --> 00:23:22,560
Speaker 2: Are you ready to start?

516
00:23:23,160 --> 00:23:23,840
Speaker 7: I'm ready to go.

517
00:23:23,960 --> 00:23:26,320
Speaker 2: Here we go. Which cricketing legend was known as the

518
00:23:26,400 --> 00:23:29,200
Speaker 2: Dawn Anna Kendrick and Rebel Wilson's starr in which singing

519
00:23:29,240 --> 00:23:35,840
Speaker 2: film series. What does a kleptomaniac do? Compulsively?

520
00:23:39,280 --> 00:23:42,240
Speaker 11: You lost you on the second one.

521
00:23:42,119 --> 00:23:43,960
Speaker 3: And this is where we just weighed the time out.

522
00:23:44,000 --> 00:23:49,480
Speaker 2: You're standing there in the David, Dean, you've got a

523
00:23:49,560 --> 00:23:51,560
Speaker 2: hundred bucks. I could hear you concentrating so much on

524
00:23:51,600 --> 00:23:53,760
Speaker 2: that first one. The second one was Anna Kendrick and

525
00:23:53,800 --> 00:23:58,600
Speaker 2: Rebel Wilson starting pitch perfect perfect, And you know what

526
00:23:58,640 --> 00:24:01,320
Speaker 2: a kleptomaniac does? The police are listening. Be careful, Dean.

527
00:24:02,000 --> 00:24:03,160
Speaker 11: They're collecting all the time.

528
00:24:03,520 --> 00:24:04,720
Speaker 3: Well, they steal things.

529
00:24:05,160 --> 00:24:07,560
Speaker 2: That's a polite way of saying they collect things.

530
00:24:07,160 --> 00:24:07,280
Speaker 14: All.

531
00:24:07,560 --> 00:24:13,800
Speaker 1: Speaking of collect collect and speaking of that hand the

532
00:24:13,840 --> 00:24:14,320
Speaker 1: pants back.

533
00:24:14,400 --> 00:24:16,080
Speaker 3: Don't think you're getting away with those pants.

534
00:24:18,520 --> 00:24:20,399
Speaker 2: You've got a hundred bucks. And thank you for playing.

535
00:24:20,880 --> 00:24:21,560
Speaker 2: Come out next.

536
00:24:22,280 --> 00:24:23,440
Speaker 3: Thank you.

537
00:24:23,600 --> 00:24:26,199
Speaker 2: A child has told on his dad. He's ratted him

538
00:24:26,240 --> 00:24:28,680
Speaker 2: out to someone of great authority. We'll talk about it next.

539
00:24:30,320 --> 00:24:34,160
Speaker 2: So I follow Jacinda Hearne's social media account. I love her.

540
00:24:34,400 --> 00:24:37,800
Speaker 2: She's she's so good and she's charming. She does the

541
00:24:37,880 --> 00:24:39,760
Speaker 2: job well. I'm assuming I don't live in New Zealand.

542
00:24:39,800 --> 00:24:42,040
Speaker 2: I am married to a Kiwi who reads a vitality.

543
00:24:42,320 --> 00:24:43,240
Speaker 3: He really likes it.

544
00:24:43,960 --> 00:24:47,679
Speaker 2: And she shared a letter that was written to her

545
00:24:47,720 --> 00:24:50,600
Speaker 2: by a child. Look at the childish writing. It's the

546
00:24:50,720 --> 00:24:55,399
Speaker 2: kids writing. And the letter says to Cinda, my dad

547
00:24:55,480 --> 00:24:58,840
Speaker 2: is not washing his hands properly. He's not putting soap

548
00:24:58,880 --> 00:25:02,120
Speaker 2: on his hands and rubbing twenty seconds. I will work

549
00:25:02,160 --> 00:25:06,880
Speaker 2: on this with him and then with so that's where

550
00:25:06,880 --> 00:25:08,880
Speaker 2: the letter ends. I will work on this with him.

551
00:25:09,400 --> 00:25:11,439
Speaker 2: Is that the cutest thing ever? And she says, you

552
00:25:11,480 --> 00:25:13,520
Speaker 2: know what, I love the offer of support right at

553
00:25:13,520 --> 00:25:15,359
Speaker 2: the end there, and she's ended it with a smiley face.

554
00:25:15,520 --> 00:25:18,359
Speaker 2: She shared it with everyone who follows her. But I

555
00:25:18,400 --> 00:25:22,280
Speaker 2: wonder what the dad thinks. Charming initiative or you've ratted

556
00:25:22,280 --> 00:25:23,399
Speaker 2: me out to the Prime minister.

557
00:25:23,640 --> 00:25:26,520
Speaker 3: Kids are the worst for dobbing you in. I look

558
00:25:26,560 --> 00:25:27,840
Speaker 3: at your kid's jack.

559
00:25:28,320 --> 00:25:30,280
Speaker 2: Oh remember he dabbed in about your driving.

560
00:25:32,240 --> 00:25:35,639
Speaker 1: I'm driving along in the car and he's next to

561
00:25:35,680 --> 00:25:37,159
Speaker 1: me and this.

562
00:25:37,080 --> 00:25:39,240
Speaker 3: Guy, because I don't usually drive a car.

563
00:25:39,520 --> 00:25:41,720
Speaker 1: And it's so frustrating when you do drive a car

564
00:25:41,760 --> 00:25:43,119
Speaker 1: after riding a motorbike for so long.

565
00:25:43,160 --> 00:25:44,240
Speaker 3: So we're driving along.

566
00:25:44,280 --> 00:25:47,560
Speaker 1: And this guy treats me, so I give him, as

567
00:25:47,640 --> 00:25:51,680
Speaker 1: Jack said, a sustained middle finger.

568
00:25:51,640 --> 00:25:54,680
Speaker 3: The rude finger, and he said it was very sustained.

569
00:25:54,920 --> 00:25:56,680
Speaker 1: He said, that's a long time to have the rud

570
00:25:56,680 --> 00:26:00,640
Speaker 1: finger up. And he's quiet and he says, doesn't think

571
00:26:00,640 --> 00:26:03,920
Speaker 1: you're a good driver. And I said, what do you think, mate?

572
00:26:03,920 --> 00:26:05,440
Speaker 1: And he said, well, you're not ideal.

573
00:26:08,560 --> 00:26:11,440
Speaker 2: So I reckon, you'd have been a blab of mouth.

574
00:26:11,560 --> 00:26:13,919
Speaker 1: When I was a kid, my neighbor was a bit

575
00:26:13,960 --> 00:26:16,520
Speaker 1: of a local rack on to a big, big English guy,

576
00:26:16,560 --> 00:26:20,119
Speaker 1: Big Lou, and he used to sell cars, and he'd

577
00:26:20,119 --> 00:26:23,080
Speaker 1: sometimes bring cars home and sell them, you know, through

578
00:26:23,119 --> 00:26:25,399
Speaker 1: the trading post. And one day he was selling this

579
00:26:25,560 --> 00:26:27,640
Speaker 1: escort panel van. I used to love hanging around Big Lou.

580
00:26:27,680 --> 00:26:29,520
Speaker 1: He was one of them, you know, there's always a character,

581
00:26:29,600 --> 00:26:32,320
Speaker 1: the big character. There's always something coming on. Possibly because

582
00:26:32,320 --> 00:26:33,919
Speaker 1: he didn't like me hanging around, he'd always came made.

583
00:26:33,920 --> 00:26:36,200
Speaker 1: I mean, you've got somewhere else to go Anyway, he's

584
00:26:36,200 --> 00:26:38,359
Speaker 1: selling this escort panel van that he just bought for

585
00:26:38,400 --> 00:26:40,120
Speaker 1: five hundred bucks, and there's this.

586
00:26:40,119 --> 00:26:42,360
Speaker 3: Young guy looking at it. Lou always had a great backstory.

587
00:26:42,359 --> 00:26:44,800
Speaker 1: He says, yeah, well, I'm selling it because my son's

588
00:26:44,920 --> 00:26:45,760
Speaker 1: going off to the Navy.

589
00:26:45,760 --> 00:26:47,840
Speaker 3: He was going to be a courier driver. But and

590
00:26:47,880 --> 00:26:50,200
Speaker 3: I'm sitting there going, what was John and the Navy?

591
00:26:51,359 --> 00:26:53,520
Speaker 3: I didn't know he's even going to be a courier driver, Loo,

592
00:26:54,119 --> 00:26:55,159
Speaker 3: and he's gonna make fun of him.

593
00:26:55,160 --> 00:26:58,240
Speaker 1: You got somewhere to go, And anyway, i'd tell what

594
00:26:58,280 --> 00:27:00,440
Speaker 1: you're breaking my heart for a thousand dollar do I'll

595
00:27:00,440 --> 00:27:02,240
Speaker 1: be I'll be taking a hit on this. I'm going no,

596
00:27:02,359 --> 00:27:05,280
Speaker 1: But Lou, you only paid five just got rust in

597
00:27:05,320 --> 00:27:05,840
Speaker 1: the towel game.

598
00:27:06,640 --> 00:27:07,440
Speaker 3: You don't want any.

599
00:27:11,280 --> 00:27:14,680
Speaker 2: Well, look, the tribal drum is beating four. Shut your

600
00:27:14,760 --> 00:27:19,040
Speaker 2: pile the Kid edition, Yes, when is your kid ratted

601
00:27:19,040 --> 00:27:19,440
Speaker 2: you out?

602
00:27:19,800 --> 00:27:24,440
Speaker 12: Shure Vision, Jonesy and Amanda in the Morning one o

603
00:27:24,560 --> 00:27:26,720
Speaker 12: one point seven WSFM.

604
00:27:26,880 --> 00:27:29,320
Speaker 1: The child dobbed on his dad for not washing his

605
00:27:29,400 --> 00:27:32,520
Speaker 1: hands properly to the Prime Minister of New Zealand.

606
00:27:32,600 --> 00:27:35,800
Speaker 2: Yes, so the tribal drum is beating four. Shut your

607
00:27:35,880 --> 00:27:37,360
Speaker 2: pile the Kid.

608
00:27:37,280 --> 00:27:39,119
Speaker 3: Edition, Robbie is joined to sellow.

609
00:27:38,920 --> 00:27:41,600
Speaker 13: Robbie, Hey, you guys very well.

610
00:27:41,640 --> 00:27:43,240
Speaker 2: Did the kids w in what happened?

611
00:27:43,720 --> 00:27:43,880
Speaker 11: Oh?

612
00:27:43,960 --> 00:27:46,159
Speaker 13: They sure did so. I was taken along to the

613
00:27:46,160 --> 00:27:50,040
Speaker 13: football and it was under fives are free. Now I've

614
00:27:50,040 --> 00:27:50,879
Speaker 13: got twin boys.

615
00:27:51,600 --> 00:27:53,240
Speaker 11: I've walked up and they just turned five.

616
00:27:53,400 --> 00:27:55,080
Speaker 13: I walked up to the counter and I've said, I

617
00:27:55,080 --> 00:27:57,359
Speaker 13: have these two are four, just to pay for the

618
00:27:57,359 --> 00:28:00,439
Speaker 13: one ticket please, And then one of the oldest ones twins.

619
00:28:00,480 --> 00:28:03,320
Speaker 13: But then one turns and says, no, dad on five.

620
00:28:03,840 --> 00:28:05,560
Speaker 13: All of a sudden, Now I had to pay for

621
00:28:05,600 --> 00:28:06,240
Speaker 13: two kids.

622
00:28:08,600 --> 00:28:10,560
Speaker 2: But it's so important to them to be old and

623
00:28:10,600 --> 00:28:11,439
Speaker 2: they're little, isn't it.

624
00:28:11,480 --> 00:28:12,520
Speaker 3: I just don't understand it.

625
00:28:12,800 --> 00:28:14,840
Speaker 13: The whole way, the whole way to the gate, I'm

626
00:28:14,840 --> 00:28:17,440
Speaker 13: telling them, look, I know you, you just got to

627
00:28:17,480 --> 00:28:20,560
Speaker 13: be four for today.

628
00:28:21,640 --> 00:28:24,760
Speaker 3: I didn't understand the proceedings. His brother seemed to understand it.

629
00:28:24,920 --> 00:28:27,880
Speaker 3: But you had to pay for both? Yeah, exactly right,

630
00:28:28,000 --> 00:28:28,760
Speaker 3: good Robbie.

631
00:28:28,800 --> 00:28:29,359
Speaker 2: Thanks Robbie.

632
00:28:30,320 --> 00:28:30,679
Speaker 10: Vision.

633
00:28:31,040 --> 00:28:34,760
Speaker 3: The tribal drum is beating this morning. This is all

634
00:28:34,760 --> 00:28:36,640
Speaker 3: on the back of a Kiwi kid.

635
00:28:36,720 --> 00:28:38,479
Speaker 2: Yeah, little Kid's written a note to just Sinda ad

636
00:28:38,480 --> 00:28:42,080
Speaker 2: hearne in his little handwriting. It's very cute, says just Sinda.

637
00:28:42,160 --> 00:28:44,400
Speaker 2: My dad's not washing his hands properly, he's not putting

638
00:28:44,440 --> 00:28:46,560
Speaker 2: soap on his hands and rubbing for twenty seconds. I'll

639
00:28:46,600 --> 00:28:48,480
Speaker 2: work on this with him. So cute.

640
00:28:48,880 --> 00:28:51,040
Speaker 1: It's always the worst when you're with little kids and

641
00:28:51,160 --> 00:28:53,800
Speaker 1: there's a bad smell in the air. The bad smell

642
00:28:53,880 --> 00:28:56,560
Speaker 1: mnd then come from you. But I'll always accuse.

643
00:28:56,240 --> 00:28:57,240
Speaker 3: You, Dad. Did you furt?

644
00:28:57,400 --> 00:28:57,600
Speaker 9: Oh?

645
00:28:57,640 --> 00:28:58,960
Speaker 3: I see that, so you did it?

646
00:28:59,360 --> 00:29:01,680
Speaker 2: No, No, I'm reading into this that you did it.

647
00:29:02,000 --> 00:29:05,400
Speaker 1: Sometimes it could it could happen, you know, you let

648
00:29:05,400 --> 00:29:06,920
Speaker 1: one at you think you got away with it, and

649
00:29:06,840 --> 00:29:07,960
Speaker 1: they'll say, hey, Dan.

650
00:29:07,880 --> 00:29:10,320
Speaker 2: What was You're there at the right height to capture?

651
00:29:11,080 --> 00:29:14,000
Speaker 2: So the tribal drum is beating four, show your pile

652
00:29:14,320 --> 00:29:16,480
Speaker 2: acute edition. We've got Jeff, what happened?

653
00:29:16,520 --> 00:29:16,840
Speaker 3: Jeff?

654
00:29:17,920 --> 00:29:18,120
Speaker 9: Yeah?

655
00:29:18,160 --> 00:29:21,600
Speaker 11: This was my cousin many years forty five oroid years

656
00:29:21,640 --> 00:29:24,680
Speaker 11: and there, backwards, before the computers and mobile phones and

657
00:29:24,720 --> 00:29:27,800
Speaker 11: that and anyway. They went away on a holiday and

658
00:29:28,200 --> 00:29:31,600
Speaker 11: my uncle's boss asked him, you know, I want to

659
00:29:31,680 --> 00:29:33,400
Speaker 11: be back because I've got something that you have to do,

660
00:29:33,440 --> 00:29:35,959
Speaker 11: a meeting or whatever. And he said we'll be back

661
00:29:36,000 --> 00:29:39,120
Speaker 11: at a certain time. Anyway, the family was back two

662
00:29:39,200 --> 00:29:41,440
Speaker 11: days early, but he didn't want to do this job

663
00:29:41,480 --> 00:29:44,840
Speaker 11: at work. And anyway, again it was back before, you know,

664
00:29:44,880 --> 00:29:48,480
Speaker 11: back when they used to have worked family parties. So

665
00:29:48,560 --> 00:29:50,960
Speaker 11: they're at a party a week later, and the boss

666
00:29:51,120 --> 00:29:55,120
Speaker 11: was not that nice anyway, So he's given my cousin

667
00:29:55,160 --> 00:29:58,760
Speaker 11: a bit of a red up, and you know, she

668
00:29:58,880 --> 00:30:01,680
Speaker 11: looks at him in the face and says, we came

669
00:30:01,760 --> 00:30:06,560
Speaker 11: back two days early in front of my uncle and

670
00:30:06,680 --> 00:30:10,920
Speaker 11: Arnie and sister, and they said, everyone's duel just hit

671
00:30:10,960 --> 00:30:14,320
Speaker 11: the floor. It was death silence. No one could say

672
00:30:14,320 --> 00:30:16,160
Speaker 11: a word, and the boss just looks at him and

673
00:30:16,360 --> 00:30:21,720
Speaker 11: was like and they said Monday morning he had to

674
00:30:21,960 --> 00:30:25,080
Speaker 11: face the boss because again, you know, no phone calls

675
00:30:25,120 --> 00:30:27,920
Speaker 11: over the weekend, but he was dreading for the next

676
00:30:27,920 --> 00:30:29,720
Speaker 11: two days to turn to work on Monday morning.

677
00:30:30,240 --> 00:30:33,160
Speaker 2: He didn't get sacked or anything, No, he didn't, but.

678
00:30:33,160 --> 00:30:35,040
Speaker 11: My cousin thought it was the funniest thing, and she

679
00:30:35,120 --> 00:30:37,320
Speaker 11: did it in that voice of we came back.

680
00:30:37,160 --> 00:30:41,440
Speaker 2: To days, kid, just giving you a holiday. You feel

681
00:30:42,560 --> 00:30:42,880
Speaker 2: thank you.

682
00:30:42,960 --> 00:30:43,280
Speaker 3: Chef.

683
00:30:43,480 --> 00:30:46,840
Speaker 1: Tany's with us as well. Hello Tanya, Hello, how are

684
00:30:46,840 --> 00:30:47,800
Speaker 1: you great?

685
00:30:47,880 --> 00:30:50,600
Speaker 2: Shut your pie hole, not you. What did the kid do?

686
00:30:51,880 --> 00:30:56,080
Speaker 5: Well? My eight year old son decided to talk into

687
00:30:56,160 --> 00:31:00,479
Speaker 5: Julia Gillard. Oh, yes, we were. It was just prior

688
00:31:00,520 --> 00:31:02,920
Speaker 5: to elections, and you know how they go different areas

689
00:31:02,960 --> 00:31:05,520
Speaker 5: and do their photo shoots and to make out that they're,

690
00:31:05,560 --> 00:31:07,520
Speaker 5: you know, looking after everybody in that area.

691
00:31:08,200 --> 00:31:10,800
Speaker 10: And we were at dinner one night.

692
00:31:10,760 --> 00:31:13,960
Speaker 5: And we were lining up to ease and we saw

693
00:31:14,000 --> 00:31:16,000
Speaker 5: all these cameras and we thought, all, what's that. Anyway,

694
00:31:16,080 --> 00:31:18,560
Speaker 5: then I spotted Julia Gillard and realized what it was

695
00:31:19,160 --> 00:31:21,240
Speaker 5: so out loud, I've said to my husband, if she

696
00:31:21,360 --> 00:31:23,760
Speaker 5: thinks she's pushing in front of us, I've got news

697
00:31:23,760 --> 00:31:27,520
Speaker 5: for her. So they're making their way up the line,

698
00:31:27,520 --> 00:31:30,640
Speaker 5: she's talking to people. Anyway, she gets up to up

699
00:31:30,680 --> 00:31:33,120
Speaker 5: to where we were and my son says, oh hello,

700
00:31:33,160 --> 00:31:35,440
Speaker 5: and so she stopped and says, oh hello, Hell are

701
00:31:35,480 --> 00:31:38,000
Speaker 5: you And he said good. But if you think you're

702
00:31:38,040 --> 00:31:41,040
Speaker 5: getting in front of us, my mom said, that's not happening.

703
00:31:43,560 --> 00:31:45,440
Speaker 5: And I just looked at her and she looked at me,

704
00:31:45,560 --> 00:31:47,880
Speaker 5: and the cameras are right on it, and I've gone

705
00:31:48,240 --> 00:31:49,959
Speaker 5: I've got four children and they're hungry.

706
00:31:50,760 --> 00:31:51,480
Speaker 17: Did she laugh?

707
00:31:52,320 --> 00:31:52,480
Speaker 2: Oh?

708
00:31:52,600 --> 00:31:54,960
Speaker 5: Yeah, she laughs and everyone else. It was just like

709
00:31:55,160 --> 00:31:57,840
Speaker 5: dead silent. Everyone's just waiting for the reaction.

710
00:31:58,400 --> 00:31:59,960
Speaker 3: Oh that is.

711
00:32:00,120 --> 00:32:02,240
Speaker 2: So because that's the stuff the news would love.

712
00:32:03,480 --> 00:32:04,640
Speaker 3: Oh so good.

713
00:32:05,560 --> 00:32:08,120
Speaker 2: Yeah, thank you. We're going to take more of your calls.

714
00:32:08,400 --> 00:32:10,880
Speaker 6: Jonesy and Amanda Genera podcast.

715
00:32:12,520 --> 00:32:12,840
Speaker 13: People.

716
00:32:18,960 --> 00:32:21,160
Speaker 1: So a child has dubbed her dadd in for not

717
00:32:21,320 --> 00:32:24,360
Speaker 1: washing his hands properly to the Prime Minister of New Zealand.

718
00:32:24,400 --> 00:32:26,560
Speaker 2: The letter says, just Sinda, my dad's not washing his

719
00:32:26,600 --> 00:32:28,720
Speaker 2: hands properly. He's not putting soap on his hands and

720
00:32:28,760 --> 00:32:31,280
Speaker 2: rubbing for twenty seconds. I will work on this with him.

721
00:32:32,480 --> 00:32:33,680
Speaker 2: So the tribal drum is b D.

722
00:32:33,800 --> 00:32:36,880
Speaker 3: Four Shout your pile the Kid edition.

723
00:32:37,120 --> 00:32:40,400
Speaker 2: Yeah, well, we've got Jessica with us. Jesse, what happened?

724
00:32:40,880 --> 00:32:41,520
Speaker 10: Good morning?

725
00:32:42,360 --> 00:32:44,560
Speaker 18: Kids are so wonderful.

726
00:32:44,840 --> 00:32:48,160
Speaker 8: My two and a half year old daughter was toilet painting,

727
00:32:48,360 --> 00:32:51,040
Speaker 8: so you know those panic moments when you rush her

728
00:32:51,080 --> 00:32:53,240
Speaker 8: to the public toilet and she hasn't quite worked out

729
00:32:53,240 --> 00:32:55,680
Speaker 8: the etiquette of a public toilet yet. So she's in

730
00:32:55,720 --> 00:32:58,480
Speaker 8: the cubicle and she's doing her business and then we

731
00:32:58,640 --> 00:33:03,920
Speaker 8: hear next to us are very wonderfully loud fast, and

732
00:33:03,960 --> 00:33:05,760
Speaker 8: she looked at me with that shocked horror face, and

733
00:33:05,800 --> 00:33:06,600
Speaker 8: she says really.

734
00:33:06,360 --> 00:33:08,800
Speaker 7: Loudly, Mommy, it's funny.

735
00:33:08,960 --> 00:33:11,560
Speaker 19: Just fuss and I just.

736
00:33:11,600 --> 00:33:13,720
Speaker 10: I'm like, have you finished it?

737
00:33:13,840 --> 00:33:14,560
Speaker 18: Have you finished?

738
00:33:14,880 --> 00:33:15,960
Speaker 5: No, Mummy, still.

739
00:33:15,720 --> 00:33:18,280
Speaker 18: Going like just hurry up, hurry up, hurry up.

740
00:33:18,520 --> 00:33:22,560
Speaker 8: She finally finished, but it coincided with leaving the cubicle

741
00:33:22,560 --> 00:33:25,080
Speaker 8: at the same time as the other lady. So the

742
00:33:25,160 --> 00:33:27,600
Speaker 8: other lady sort of looking with that red, horrified look

743
00:33:27,640 --> 00:33:29,040
Speaker 8: on her face, and my daughter looks up at her

744
00:33:29,040 --> 00:33:29,520
Speaker 8: and goes.

745
00:33:29,480 --> 00:33:30,760
Speaker 10: Was that USI.

746
00:33:32,560 --> 00:33:33,720
Speaker 3: The kids come back?

747
00:33:35,600 --> 00:33:37,320
Speaker 2: And what did she say? That she own up?

748
00:33:38,200 --> 00:33:42,760
Speaker 8: She just washed her hands and like would have like shrugged.

749
00:33:42,280 --> 00:33:42,840
Speaker 19: Off like her.

750
00:33:44,160 --> 00:33:45,840
Speaker 2: I went to a car and cried for an hour.

751
00:33:45,960 --> 00:33:51,360
Speaker 3: That is the worst. Was that you? You know you

752
00:33:51,400 --> 00:33:52,400
Speaker 3: can't take kids out of it.

753
00:33:52,560 --> 00:33:54,160
Speaker 2: I know, we should lock them in cages.

754
00:33:54,600 --> 00:33:56,200
Speaker 3: That's why they do that. That's why they get locked

755
00:33:56,200 --> 00:33:56,920
Speaker 3: in cages at home.

756
00:33:59,000 --> 00:34:00,800
Speaker 2: All right, we'll come out next the pub test. We're

757
00:34:00,920 --> 00:34:02,640
Speaker 2: talking about golf courses in the.

758
00:34:02,560 --> 00:34:04,720
Speaker 1: City and looking forward to catch you up with old

759
00:34:05,040 --> 00:34:07,520
Speaker 1: Andrew Faris. He will be swinging by as well. Sh

760
00:34:09,080 --> 00:34:10,759
Speaker 1: let's get on down to the Jonesy no matter of

761
00:34:10,840 --> 00:34:11,799
Speaker 1: arms for the pub test.

762
00:34:11,840 --> 00:34:13,800
Speaker 3: This Morning Sydney.

763
00:34:13,840 --> 00:34:17,200
Speaker 1: Lloyd Mayor Clover Moore has a controversial proposal to have

764
00:34:17,280 --> 00:34:18,719
Speaker 1: a popular golf course to.

765
00:34:18,680 --> 00:34:21,400
Speaker 3: Provide more parkland for inner city residents.

766
00:34:21,480 --> 00:34:24,439
Speaker 2: Yes, this is more park a golf club. She wants

767
00:34:24,480 --> 00:34:28,360
Speaker 2: to turn the eighteen holes into nine. More green space

768
00:34:28,440 --> 00:34:31,240
Speaker 2: is needed because of the impact of intensive residential developments

769
00:34:31,239 --> 00:34:34,200
Speaker 2: in redfer and Waterloo, Green Square and Zetland. It's interesting

770
00:34:35,960 --> 00:34:38,480
Speaker 2: people are saying, well, if you're going to build those

771
00:34:38,840 --> 00:34:42,840
Speaker 2: high density apartments, those high rises, then they should have

772
00:34:42,920 --> 00:34:46,319
Speaker 2: green space attached to them. You can't then take a

773
00:34:46,320 --> 00:34:49,200
Speaker 2: golf course away. The flip side of this is that

774
00:34:49,360 --> 00:34:52,960
Speaker 2: golf courses in cities take up a lot of space

775
00:34:53,040 --> 00:34:56,160
Speaker 2: for a select few. Not everyone is entitled just I

776
00:34:56,200 --> 00:34:58,880
Speaker 2: think it's different maybe at more Park, but other golf courses,

777
00:34:58,920 --> 00:35:00,520
Speaker 2: what's that one? The Royal one? Is that the one

778
00:35:00,560 --> 00:35:02,960
Speaker 2: near the airport one. I don't think you can just

779
00:35:03,000 --> 00:35:03,759
Speaker 2: turn up and have a go.

780
00:35:04,840 --> 00:35:06,000
Speaker 3: You can't just show up and have it.

781
00:35:06,080 --> 00:35:08,440
Speaker 2: You have to be a member. So the big tracts

782
00:35:08,640 --> 00:35:12,479
Speaker 2: of green space are only used by a select few.

783
00:35:12,640 --> 00:35:15,480
Speaker 3: But it's extraordinary because the Royal Australian golf Course. I

784
00:35:15,520 --> 00:35:18,120
Speaker 3: was riding along Southern Cross drive there and I.

785
00:35:18,000 --> 00:35:21,439
Speaker 1: Saw Tiger Woods teeing off just as I was riding

786
00:35:21,480 --> 00:35:22,080
Speaker 1: along on my bike.

787
00:35:22,120 --> 00:35:23,360
Speaker 3: How casual is that there is?

788
00:35:24,480 --> 00:35:26,239
Speaker 2: So we should have them just so you can see that.

789
00:35:26,600 --> 00:35:28,480
Speaker 3: This is my point is whenever I go past I'm

790
00:35:28,520 --> 00:35:28,960
Speaker 3: not a golfer.

791
00:35:28,960 --> 00:35:31,960
Speaker 1: I've played golf twice in my life, and my mum

792
00:35:31,960 --> 00:35:34,960
Speaker 1: and dad massive golf fans, probably why I'm not into it.

793
00:35:35,040 --> 00:35:38,000
Speaker 1: But when I see golfers in the day it always

794
00:35:38,040 --> 00:35:39,759
Speaker 1: makes me happy. I always go, well, good on here,

795
00:35:39,800 --> 00:35:41,400
Speaker 1: you're getting out there, you're doing stuff.

796
00:35:41,440 --> 00:35:43,319
Speaker 3: But if you have to get a great pleasure from it,

797
00:35:43,480 --> 00:35:45,200
Speaker 3: well they do. That is true, and once you take

798
00:35:45,239 --> 00:35:46,359
Speaker 3: it away you can't get it back.

799
00:35:46,960 --> 00:35:49,480
Speaker 2: It's not like it's being turned into housing, though it's

800
00:35:49,520 --> 00:35:52,160
Speaker 2: been turned into green space that everyone can shoot. It's

801
00:35:52,200 --> 00:35:58,280
Speaker 2: particularly in a city. You know, what about.

802
00:35:57,600 --> 00:35:59,799
Speaker 1: Centennyearal Park just around the corner you can get a

803
00:35:59,800 --> 00:36:01,719
Speaker 1: Sadney Park has done.

804
00:36:02,000 --> 00:36:05,120
Speaker 2: I think, well, well, I'll be intreat as a non golfer.

805
00:36:05,800 --> 00:36:08,920
Speaker 3: I consider played around.

806
00:36:09,120 --> 00:36:10,400
Speaker 2: Occasionally on holidays.

807
00:36:11,080 --> 00:36:12,400
Speaker 3: But what about the golf.

808
00:36:13,400 --> 00:36:16,440
Speaker 2: You know, I set this stuff up for you. What

809
00:36:16,480 --> 00:36:19,520
Speaker 2: do you think golf courses in the city they passed

810
00:36:19,520 --> 00:36:21,560
Speaker 2: the pub Test Jonesy.

811
00:36:21,120 --> 00:36:23,200
Speaker 6: And Amandam Podcast.

812
00:36:23,400 --> 00:36:26,960
Speaker 2: Well, our next guest Australian rock legend and co founding

813
00:36:27,000 --> 00:36:29,680
Speaker 2: member of In Excess. Four decades on from the birth

814
00:36:29,719 --> 00:36:33,000
Speaker 2: of that band. This man has become the first member

815
00:36:33,040 --> 00:36:35,520
Speaker 2: to release a solo album and we're thrilled to hear

816
00:36:35,560 --> 00:36:37,280
Speaker 2: it and to have him here with It's Andrew Farris.

817
00:36:37,360 --> 00:36:39,800
Speaker 9: Hi, Hi, how are you very well?

818
00:36:39,840 --> 00:36:40,880
Speaker 3: Good to see you again.

819
00:36:41,000 --> 00:36:41,440
Speaker 9: Thank you.

820
00:36:42,000 --> 00:36:45,839
Speaker 2: So this you're the first one to release a solo album.

821
00:36:46,200 --> 00:36:49,279
Speaker 16: Yeah, I don't know how that happened. I seem to

822
00:36:49,280 --> 00:36:51,120
Speaker 16: always be first through the door do no matter what

823
00:36:51,200 --> 00:36:53,759
Speaker 16: to do in my life. This is how it rolls out.

824
00:36:54,280 --> 00:36:57,040
Speaker 2: You've already written something like two hundred songs, so you've

825
00:36:57,080 --> 00:37:01,120
Speaker 2: obviously been your back pocket. It's just full of songs.

826
00:37:01,560 --> 00:37:01,960
Speaker 9: Yeah, I know.

827
00:37:02,040 --> 00:37:03,839
Speaker 16: I was having trouble sitting down actually when I came

828
00:37:03,840 --> 00:37:06,600
Speaker 16: to the round. No, it's a nice problem to have.

829
00:37:06,920 --> 00:37:10,400
Speaker 16: I've always been a fairly prolific songwriter, and I'm writing

830
00:37:10,680 --> 00:37:13,399
Speaker 16: new songs right now, so speaking to you, even though

831
00:37:13,400 --> 00:37:15,160
Speaker 16: I should be promoting the ones I'm sitting here talking

832
00:37:15,200 --> 00:37:15,600
Speaker 16: to you about.

833
00:37:15,680 --> 00:37:18,680
Speaker 2: But as you're talking to us, scribbling song for.

834
00:37:18,680 --> 00:37:20,000
Speaker 3: Two hundred songs.

835
00:37:20,440 --> 00:37:22,120
Speaker 1: How do you know which one's good and which one

836
00:37:22,600 --> 00:37:24,360
Speaker 1: Because there'd be songs that you'd sit there and go,

837
00:37:24,800 --> 00:37:27,840
Speaker 1: this is great, and then there might be ones where

838
00:37:28,080 --> 00:37:30,719
Speaker 1: record executives or radio people say, oh no, I like

839
00:37:30,760 --> 00:37:31,480
Speaker 1: this other one.

840
00:37:31,280 --> 00:37:33,759
Speaker 3: That you did again.

841
00:37:33,840 --> 00:37:35,640
Speaker 16: It's a good problem to have. I mean, I really

842
00:37:35,640 --> 00:37:38,120
Speaker 16: don't sort of stress over that. I think the main

843
00:37:38,160 --> 00:37:40,359
Speaker 16: thing is I've sort of learned to trust myself a bit.

844
00:37:40,719 --> 00:37:42,680
Speaker 16: And also that's another reason why I like writing with

845
00:37:42,760 --> 00:37:45,759
Speaker 16: other songwriters, because other songwriters will tell you pretty quickly

846
00:37:45,840 --> 00:37:48,319
Speaker 16: if they think it's, you know, okay or not. And

847
00:37:48,360 --> 00:37:51,280
Speaker 16: then that bounce off if you like, or that feedback

848
00:37:51,520 --> 00:37:53,760
Speaker 16: instant thing when you're writing that song's really important.

849
00:37:53,920 --> 00:37:56,839
Speaker 1: I love that it makes me tear up when you

850
00:37:56,880 --> 00:37:58,960
Speaker 1: and Michael are sitting at the piano and you're playing

851
00:37:59,080 --> 00:38:01,720
Speaker 1: Never Tear Us Apart, Yeah, and just the way you're

852
00:38:02,239 --> 00:38:05,560
Speaker 1: noodling on the piano, and then it still gives me chills,

853
00:38:05,600 --> 00:38:07,880
Speaker 1: just the way he just he's doing the lyrics, hasn't

854
00:38:07,960 --> 00:38:09,319
Speaker 1: the lyrics haven't thought through?

855
00:38:09,360 --> 00:38:10,160
Speaker 3: Because he used to do.

856
00:38:10,600 --> 00:38:13,160
Speaker 1: He'd write the lyrics with you, you'd write the song,

857
00:38:13,200 --> 00:38:15,800
Speaker 1: and he'd.

858
00:38:14,880 --> 00:38:16,880
Speaker 16: Often work between Michael and I was. Actually, we were

859
00:38:16,920 --> 00:38:19,719
Speaker 16: really fortunate because we had sort of a really compatible

860
00:38:20,239 --> 00:38:23,680
Speaker 16: sense of sort of creative whatever it was that we

861
00:38:23,719 --> 00:38:27,560
Speaker 16: did together. But yeah, lyrically, Michael was brilliant. And also

862
00:38:27,640 --> 00:38:31,040
Speaker 16: he didn't actually play a musical instrument, you see, and

863
00:38:31,120 --> 00:38:35,200
Speaker 16: his instrument was his voice, whereas I was classically trained

864
00:38:35,200 --> 00:38:37,120
Speaker 16: on piano. I was a little kid, and I knew

865
00:38:37,120 --> 00:38:38,920
Speaker 16: how to play instruments. So it was a good match

866
00:38:39,280 --> 00:38:41,040
Speaker 16: the two of us. Yeah, and we sort of and

867
00:38:41,040 --> 00:38:43,400
Speaker 16: we weren't competitive, you know, you hear about other acts

868
00:38:43,440 --> 00:38:46,520
Speaker 16: or groups or whatever. And they both wrote songs together

869
00:38:46,600 --> 00:38:48,399
Speaker 16: and then they were very competitive later on.

870
00:38:48,719 --> 00:38:50,160
Speaker 9: I never thought of.

871
00:38:50,160 --> 00:38:52,840
Speaker 1: It that way with Michael, Mick and Keith of the

872
00:38:52,920 --> 00:38:55,200
Speaker 1: Rolling Stones. That's the Beatles and when they had all

873
00:38:55,239 --> 00:38:58,799
Speaker 1: that trouble. So now they've reconciled that whenever the Rolling

874
00:38:58,840 --> 00:39:02,399
Speaker 1: Stones play, Mick goes backstage and Keith does his set

875
00:39:02,440 --> 00:39:04,759
Speaker 1: in the middle of the concert, and that's when you

876
00:39:04,760 --> 00:39:06,799
Speaker 1: can go and get a beer and stuff like that, because, yeah,

877
00:39:07,160 --> 00:39:09,080
Speaker 1: me to any stuff, but you guys didn't have.

878
00:39:09,040 --> 00:39:10,400
Speaker 9: That, not exactly.

879
00:39:10,440 --> 00:39:10,520
Speaker 13: No.

880
00:39:10,760 --> 00:39:13,000
Speaker 16: I have met some of the Rolling Stones over the years,

881
00:39:13,000 --> 00:39:17,800
Speaker 16: and yeah, that was really interesting. Interesting people, funny people,

882
00:39:17,840 --> 00:39:20,719
Speaker 16: actually funny haha. Yeah, as in there it's not what

883
00:39:20,760 --> 00:39:22,120
Speaker 16: I thought they were going to. So they're a good

884
00:39:22,120 --> 00:39:25,840
Speaker 16: company and yeah, yeah exactly, they're surprisingly like as people

885
00:39:26,840 --> 00:39:31,520
Speaker 16: and entertaining, you know, like take themselves too seriously at

886
00:39:31,520 --> 00:39:32,919
Speaker 16: all his people.

887
00:39:33,040 --> 00:39:35,000
Speaker 1: Because I always see you guys when I like the

888
00:39:35,000 --> 00:39:38,320
Speaker 1: Wembley concert, when you guys are there, there's a moment

889
00:39:38,320 --> 00:39:40,759
Speaker 1: where you're all there and it's almost like, jeez, how

890
00:39:40,840 --> 00:39:44,120
Speaker 1: did we get here? There's a look of this astonishment

891
00:39:44,160 --> 00:39:44,720
Speaker 1: on your face.

892
00:39:45,040 --> 00:39:47,920
Speaker 16: Yeah, well, actually I think Bill Wyman was wandering around backstage.

893
00:39:47,920 --> 00:39:50,160
Speaker 16: In fact, there were so many people that were quite

894
00:39:50,200 --> 00:39:52,399
Speaker 16: well known, who you'd know, wandering around. I got really

895
00:39:52,400 --> 00:39:55,480
Speaker 16: nervous about that, just you know, the backstage area of

896
00:39:55,520 --> 00:39:58,239
Speaker 16: that concert. So I thought, where can I go be

897
00:39:58,320 --> 00:40:00,800
Speaker 16: by myself from that because I need to get my thoughts.

898
00:40:01,040 --> 00:40:02,560
Speaker 16: So I just sat in the toilet with a beer

899
00:40:02,600 --> 00:40:05,400
Speaker 16: and had a cigarette before I went on stage. You know,

900
00:40:05,440 --> 00:40:07,480
Speaker 16: I just because it's the only place I could think

901
00:40:07,480 --> 00:40:10,400
Speaker 16: to go where there wasn't someone in my face, you know,

902
00:40:10,960 --> 00:40:11,520
Speaker 16: that sort.

903
00:40:11,320 --> 00:40:15,160
Speaker 2: Of casual And are you finding now you're presenting your

904
00:40:15,200 --> 00:40:18,400
Speaker 2: own songs you've written on your own Yeah, you have?

905
00:40:18,440 --> 00:40:19,799
Speaker 2: You got a sense of nerves about it.

906
00:40:19,840 --> 00:40:23,480
Speaker 3: Again, they're good nerves.

907
00:40:23,600 --> 00:40:25,520
Speaker 16: Yeah, I make sure you know I'm about to go

908
00:40:25,560 --> 00:40:27,279
Speaker 16: on tour, which I'm excited about it. We could tell

909
00:40:27,320 --> 00:40:31,279
Speaker 16: everybody I'm doing a tour coming out and obviously around

910
00:40:31,320 --> 00:40:34,040
Speaker 16: austray except Tazzy because at the time we booked it,

911
00:40:34,080 --> 00:40:35,359
Speaker 16: we couldn't go down there, you know.

912
00:40:36,560 --> 00:40:38,440
Speaker 9: And two I want to get up there too.

913
00:40:38,520 --> 00:40:41,319
Speaker 16: But for the rest of Australia, including New South Wales, yep,

914
00:40:41,400 --> 00:40:43,280
Speaker 16: we head out and to it. But I get nerves.

915
00:40:43,320 --> 00:40:45,839
Speaker 16: But nerves are important. They're just part of what you do.

916
00:40:45,880 --> 00:40:46,120
Speaker 7: Really.

917
00:40:46,160 --> 00:40:47,840
Speaker 9: But yeah, I'm a bit nervous about it.

918
00:40:47,920 --> 00:40:50,080
Speaker 2: The good good phase to be and isn't it And

919
00:40:50,320 --> 00:40:53,240
Speaker 2: how do you feel then sitting down at a piano

920
00:40:53,280 --> 00:40:55,040
Speaker 2: and you now coming up with the lyric?

921
00:40:56,080 --> 00:40:58,680
Speaker 16: I'm okay with that, as we were talking about earlier

922
00:40:59,000 --> 00:41:01,239
Speaker 16: when I was working with Michael, because he didn't plan

923
00:41:01,280 --> 00:41:03,759
Speaker 16: an instrument, and I think it was important for him,

924
00:41:03,760 --> 00:41:06,120
Speaker 16: being the lead singer of an excess, that he delivered

925
00:41:06,160 --> 00:41:08,160
Speaker 16: the lyric that he wanted to sing about on stage

926
00:41:08,280 --> 00:41:10,239
Speaker 16: because it meant something to him if he wrote it,

927
00:41:10,320 --> 00:41:12,360
Speaker 16: you see, and he could deliver it with passion and

928
00:41:12,360 --> 00:41:14,720
Speaker 16: everything I want an incredible performer. He was and singer,

929
00:41:15,239 --> 00:41:17,120
Speaker 16: and I'm finding the same thing. If I write my

930
00:41:17,200 --> 00:41:18,919
Speaker 16: lyric and I'm going out there singing it, at least

931
00:41:18,920 --> 00:41:20,160
Speaker 16: I believe in what I'm singing about.

932
00:41:21,440 --> 00:41:24,759
Speaker 1: And you got this album has a real country rock,

933
00:41:25,160 --> 00:41:27,359
Speaker 1: almost Keith urbanesque vibe about it.

934
00:41:27,680 --> 00:41:28,399
Speaker 3: Yeah. I like Keith.

935
00:41:28,520 --> 00:41:30,560
Speaker 16: I meant him a couple of times a long time, long,

936
00:41:30,560 --> 00:41:34,240
Speaker 16: long time ago. Yeah, and we wrote the song together. Actually,

937
00:41:34,320 --> 00:41:36,760
Speaker 16: Keith and I are living in john in France.

938
00:41:36,840 --> 00:41:39,680
Speaker 9: Yeah, a long time ago, but very casual.

939
00:41:39,719 --> 00:41:41,080
Speaker 3: I just slipped your mind.

940
00:41:41,160 --> 00:41:42,919
Speaker 2: They just came to stay in the chalet and next

941
00:41:42,920 --> 00:41:43,959
Speaker 2: minute you're writing a song.

942
00:41:44,000 --> 00:41:46,520
Speaker 9: Actually was a castle in the Perigourg district of France.

943
00:41:46,760 --> 00:41:50,239
Speaker 1: Woweah right, So Keith and Olivia just came over to

944
00:41:50,239 --> 00:41:52,880
Speaker 1: stay and you'll write a song and this just like that.

945
00:41:53,080 --> 00:41:54,680
Speaker 3: It was actually about three came to you now.

946
00:41:54,719 --> 00:41:56,440
Speaker 16: It was about three months off from a month passed

947
00:41:56,440 --> 00:41:58,600
Speaker 16: away of cancer and I was living in England at

948
00:41:58,600 --> 00:41:58,799
Speaker 16: the time.

949
00:41:58,840 --> 00:41:59,400
Speaker 9: I live in England.

950
00:41:59,400 --> 00:42:03,120
Speaker 16: Filmy five and Miles Copelann had a castle in the

951
00:42:03,120 --> 00:42:05,239
Speaker 16: Perigourg district of France. Was I believe it or not

952
00:42:05,280 --> 00:42:08,440
Speaker 16: twelfth century castle? Next door to Richard the Lion Hearts Castle,

953
00:42:08,480 --> 00:42:11,920
Speaker 16: of course, as you do. And he was having a

954
00:42:11,920 --> 00:42:14,560
Speaker 16: songwriter's retreat there. Some people who have been there might

955
00:42:14,719 --> 00:42:17,359
Speaker 16: understand where I'm talking about what it was, but it's

956
00:42:17,360 --> 00:42:21,480
Speaker 16: basically his idea was to get groups of songwriters like

957
00:42:21,520 --> 00:42:24,239
Speaker 16: minded to write songs. And when I got there, Keith

958
00:42:24,280 --> 00:42:26,040
Speaker 16: and Olivia, it happened to be there and i'd met

959
00:42:26,480 --> 00:42:28,800
Speaker 16: Keith before, I'd never met Livia before. What a lovely lady,

960
00:42:28,880 --> 00:42:32,240
Speaker 16: beautiful Yeah, and of course Keith's nice guy.

961
00:42:32,280 --> 00:42:35,480
Speaker 2: And did you find that your sensibilities converged in a

962
00:42:36,480 --> 00:42:36,919
Speaker 2: good way?

963
00:42:37,160 --> 00:42:37,520
Speaker 3: Yeah?

964
00:42:37,680 --> 00:42:42,839
Speaker 16: No, it it was interesting too, because you know, I

965
00:42:42,880 --> 00:42:47,920
Speaker 16: think Olivia herself had been through a difficult experience, you know,

966
00:42:48,280 --> 00:42:51,919
Speaker 16: with her own health concerns, and my mother had passed away,

967
00:42:51,920 --> 00:42:54,720
Speaker 16: and so we got on quite well, talking about various things.

968
00:42:54,920 --> 00:42:55,120
Speaker 3: Yeah.

969
00:42:55,840 --> 00:42:57,840
Speaker 9: But she's a lovely lady and awesome talent.

970
00:42:58,440 --> 00:43:01,160
Speaker 2: And can I ask you twelfth century castle but modern.

971
00:43:00,840 --> 00:43:05,320
Speaker 16: Plumbing, Yeah, yeah, modern plumbing and a downside to because.

972
00:43:05,080 --> 00:43:06,680
Speaker 3: That's where they got the long drop from.

973
00:43:06,719 --> 00:43:09,719
Speaker 1: I was watching, you know, the long drop toilet as

974
00:43:09,760 --> 00:43:12,040
Speaker 1: we know in the castle. So in the old days

975
00:43:12,080 --> 00:43:15,680
Speaker 1: modern plumbing, the lord would be upstairs and there was

976
00:43:16,000 --> 00:43:18,280
Speaker 1: a shaft that ran down the side of the castle,

977
00:43:18,480 --> 00:43:19,759
Speaker 1: and then there was a guy that used to have

978
00:43:19,800 --> 00:43:23,520
Speaker 1: to shovel that out, but raiders would attack the castle

979
00:43:23,560 --> 00:43:24,560
Speaker 1: by going up.

980
00:43:25,080 --> 00:43:30,080
Speaker 9: The shaft up. Let's leave that on alone. I was

981
00:43:30,160 --> 00:43:35,840
Speaker 9: gonna say, yeah, I think that's highly likely. Yes, So that's.

982
00:43:35,719 --> 00:43:37,000
Speaker 16: The sort of thing I do, is go up a

983
00:43:37,000 --> 00:43:38,960
Speaker 16: big shaft.

984
00:43:39,080 --> 00:43:42,080
Speaker 1: You work in the music business, you know, well, well

985
00:43:42,120 --> 00:43:48,520
Speaker 1: for me with Sam up the backside, not really, I

986
00:43:48,600 --> 00:43:49,040
Speaker 1: know what you mean.

987
00:43:49,160 --> 00:43:51,120
Speaker 3: The self titled album is now. Can we hear good

988
00:43:51,160 --> 00:43:59,160
Speaker 3: Mama bad? I love good Mama Bade. It's always a

989
00:43:59,200 --> 00:44:01,839
Speaker 3: treat to see you. The self titled album is available now.

990
00:44:01,880 --> 00:44:03,320
Speaker 3: Andrew Farris, thank you.

991
00:44:03,440 --> 00:44:07,920
Speaker 9: Thanks mate. Great to see you too. Jonesy, I can

992
00:44:07,960 --> 00:44:09,680
Speaker 9: speak properly, doing very well.

993
00:44:09,800 --> 00:44:11,759
Speaker 3: Let's the songs do the talking ye.

994
00:44:16,320 --> 00:44:21,720
Speaker 7: Right now. Now go to your windows, stick your head.

995
00:44:21,600 --> 00:44:22,200
Speaker 19: On a yell.

996
00:44:26,400 --> 00:44:28,359
Speaker 1: Let's get on down to the Jonesy demand of arms

997
00:44:28,400 --> 00:44:31,560
Speaker 1: for the pub test this morning. Golf courses in the city,

998
00:44:31,719 --> 00:44:33,200
Speaker 1: do they pass the pub test well?

999
00:44:33,239 --> 00:44:36,160
Speaker 2: Sydney. Lord Mayor Clover Moore has a controversial proposal for

1000
00:44:36,320 --> 00:44:39,040
Speaker 2: More Park to have the golf course from eighteen holes

1001
00:44:39,080 --> 00:44:43,879
Speaker 2: to nine to provide parkland for any city residents those

1002
00:44:44,239 --> 00:44:46,440
Speaker 2: as we all know, that entire area is getting chocol

1003
00:44:46,480 --> 00:44:49,320
Speaker 2: block with high rises, redfer and Waterloo, green squares, zetland.

1004
00:44:49,640 --> 00:44:50,960
Speaker 2: Some people are saying, well, if you're going to put

1005
00:44:50,960 --> 00:44:53,480
Speaker 2: the high rises up, it's up to the council to

1006
00:44:53,560 --> 00:44:54,640
Speaker 2: provide green space.

1007
00:44:54,760 --> 00:44:54,960
Speaker 15: Sure.

1008
00:44:55,200 --> 00:44:58,760
Speaker 2: Others are saying, well, what about all this huge tracks

1009
00:44:58,800 --> 00:45:02,879
Speaker 2: of of public of land, big green space that only

1010
00:45:03,000 --> 00:45:05,760
Speaker 2: private members can go into in some of these golf courses.

1011
00:45:06,040 --> 00:45:07,680
Speaker 2: Is this the best use of our city space?

1012
00:45:07,760 --> 00:45:10,479
Speaker 1: Happy for other people to have enjoyment. I don't play golf,

1013
00:45:10,560 --> 00:45:13,680
Speaker 1: but if it makes people happy, then surely it can't be.

1014
00:45:13,840 --> 00:45:15,799
Speaker 1: But what do you to close off beaches you can't

1015
00:45:15,840 --> 00:45:16,000
Speaker 1: go to.

1016
00:45:16,040 --> 00:45:18,680
Speaker 2: Well, yeah, but you don't live, but anyone can go

1017
00:45:18,760 --> 00:45:20,319
Speaker 2: to a beach some of the most of these golf

1018
00:45:20,360 --> 00:45:21,799
Speaker 2: courses you can't get access to.

1019
00:45:21,840 --> 00:45:24,040
Speaker 3: Public golf coursest are around, But if.

1020
00:45:23,920 --> 00:45:27,000
Speaker 2: You only do one of those tiny apartments and as

1021
00:45:27,080 --> 00:45:29,600
Speaker 2: we as the cities are getting more and more squished,

1022
00:45:29,800 --> 00:45:31,760
Speaker 2: green parkland is at a premium.

1023
00:45:31,920 --> 00:45:32,440
Speaker 13: What do you think?

1024
00:45:32,560 --> 00:45:34,279
Speaker 2: What do you think golf courses in the city? Does

1025
00:45:34,320 --> 00:45:35,279
Speaker 2: it pass the pub test?

1026
00:45:36,160 --> 00:45:38,600
Speaker 7: The idea of taking away the golf courses and a

1027
00:45:38,600 --> 00:45:41,720
Speaker 7: half of the golf courses just to provide green space

1028
00:45:41,840 --> 00:45:44,480
Speaker 7: for the high rise buildings. They should be moving the

1029
00:45:44,560 --> 00:45:47,239
Speaker 7: high rise buildings out western to the bush. I know

1030
00:45:47,760 --> 00:45:50,440
Speaker 7: because when I was in Canadaviian Hong Kong and all

1031
00:45:50,480 --> 00:45:52,640
Speaker 7: of their partment buildings, you can require a park to

1032
00:45:52,680 --> 00:45:53,200
Speaker 7: be brought.

1033
00:45:53,120 --> 00:45:53,560
Speaker 14: Next to them.

1034
00:45:53,760 --> 00:45:57,120
Speaker 11: Tony and elite to stew it's a hangover from.

1035
00:45:57,040 --> 00:45:59,680
Speaker 7: The past, and especially in the US suburbs is it

1036
00:45:59,800 --> 00:46:02,880
Speaker 7: out eight and they take up massive tracts of land.

1037
00:46:03,080 --> 00:46:07,239
Speaker 11: We need more swimming pools like public facilities that more

1038
00:46:07,280 --> 00:46:08,040
Speaker 11: people can use.

1039
00:46:08,200 --> 00:46:10,240
Speaker 7: So my advice is get rid.

1040
00:46:10,120 --> 00:46:10,680
Speaker 14: Of some of them.

1041
00:46:10,880 --> 00:46:13,200
Speaker 5: No, I listen for once. I agree with Clover. It's

1042
00:46:13,239 --> 00:46:15,800
Speaker 5: a simple math thing half of course, and make the

1043
00:46:15,880 --> 00:46:17,200
Speaker 5: golfer swap around twice.

1044
00:46:17,560 --> 00:46:18,319
Speaker 18: Everybody wins.

1045
00:46:19,560 --> 00:46:21,279
Speaker 3: You don't keep going to the same hole all the

1046
00:46:21,360 --> 00:46:25,440
Speaker 3: time to hear well, only twice. Yeah, Tiger didn't enjoy that.

1047
00:46:28,080 --> 00:46:32,759
Speaker 2: Coming up waiting the tribal drums previously beating four Shut

1048
00:46:32,840 --> 00:46:35,440
Speaker 2: your pie Hole the Kid edition. We've got a new

1049
00:46:35,520 --> 00:46:36,400
Speaker 2: one that I think you'll like.

1050
00:46:38,120 --> 00:46:41,120
Speaker 3: So little Kid has dabbed her father in his or

1051
00:46:41,200 --> 00:46:42,640
Speaker 3: her father, and if it's a boy or a girl,

1052
00:46:42,920 --> 00:46:44,000
Speaker 3: that so show doesn't really matter.

1053
00:46:44,040 --> 00:46:46,480
Speaker 2: What a letter did you? Sinder it Earn saying my

1054
00:46:46,600 --> 00:46:49,160
Speaker 2: dad's not washing his letters, he's less washing his letters.

1055
00:46:50,040 --> 00:46:53,080
Speaker 2: My dad's not washing his hands properly, he's not putting

1056
00:46:53,120 --> 00:46:55,680
Speaker 2: soap on his hands and rubbing for twenty seconds. Yeah,

1057
00:46:55,800 --> 00:46:57,120
Speaker 2: I'll work on this with him.

1058
00:46:57,280 --> 00:47:00,800
Speaker 1: Yeah, and Justinto Dern has put that on her Instagram

1059
00:47:01,120 --> 00:47:04,359
Speaker 1: and we had the tribal drum beating for shut your.

1060
00:47:04,360 --> 00:47:06,359
Speaker 2: Pie Hole, Shut your pile Hole.

1061
00:47:06,680 --> 00:47:08,920
Speaker 3: The kid edition. We had Robbie with his twins.

1062
00:47:09,120 --> 00:47:11,239
Speaker 13: I was taken along to the football and it was

1063
00:47:11,440 --> 00:47:13,880
Speaker 13: under fives are free. Now I got twin boys and

1064
00:47:13,960 --> 00:47:15,799
Speaker 13: they just turned five, and I've said I have these

1065
00:47:15,840 --> 00:47:18,520
Speaker 13: two are four and then one turns and says, no,

1066
00:47:18,680 --> 00:47:19,399
Speaker 13: dad on five.

1067
00:47:20,560 --> 00:47:21,920
Speaker 3: So he had to pay for both of them to

1068
00:47:21,960 --> 00:47:24,440
Speaker 3: get in tenure. With Julia Gillard, it was just.

1069
00:47:24,600 --> 00:47:27,600
Speaker 5: Prior to elections. Were at dinner one night and we

1070
00:47:27,680 --> 00:47:29,880
Speaker 5: saw all these cameras and we thought, well, what's that. Anyway,

1071
00:47:29,960 --> 00:47:32,360
Speaker 5: then I spotted Julia Gillard and realized what it was

1072
00:47:33,040 --> 00:47:35,080
Speaker 5: so out loud. I've said to my husband, if she

1073
00:47:35,239 --> 00:47:37,600
Speaker 5: thinks she's pushing in front of us. I've got news

1074
00:47:37,640 --> 00:47:40,680
Speaker 5: for her. Anyway, she gets up to after where we were,

1075
00:47:40,800 --> 00:47:43,320
Speaker 5: and my son says, oh, hello, and so she stopped

1076
00:47:43,480 --> 00:47:45,600
Speaker 5: and says, oh hello, hell are you And he said good.

1077
00:47:46,040 --> 00:47:48,279
Speaker 5: But if you think you're getting in front of us,

1078
00:47:48,440 --> 00:47:50,240
Speaker 5: my mom said, that's not happening.

1079
00:47:52,200 --> 00:47:53,880
Speaker 3: Where Jessica are in the public toilet.

1080
00:47:54,280 --> 00:47:57,480
Speaker 8: My two and a half year old daughter was toilet painting,

1081
00:47:57,640 --> 00:48:00,120
Speaker 8: so she's in the qubicle and then we hear a

1082
00:48:00,239 --> 00:48:02,560
Speaker 8: very wonderfully loud part and she looked at me with

1083
00:48:02,640 --> 00:48:05,240
Speaker 8: that shocked horror face, and she says, really loudly, money,

1084
00:48:05,560 --> 00:48:10,160
Speaker 8: it's really just fuss, she finally finished. But it coincided

1085
00:48:10,440 --> 00:48:12,680
Speaker 8: with leaving the cubicle at the same time as the

1086
00:48:12,800 --> 00:48:14,320
Speaker 8: other lady, and my daughter.

1087
00:48:14,200 --> 00:48:15,839
Speaker 18: Looks up at her and goes, was that you are.

1088
00:48:17,280 --> 00:48:17,840
Speaker 3: Dreadful?

1089
00:48:18,000 --> 00:48:19,759
Speaker 2: Well, we just got an email through. This is actually

1090
00:48:19,800 --> 00:48:23,359
Speaker 2: from Jin Dole and our news guy. He said, when

1091
00:48:23,400 --> 00:48:25,400
Speaker 2: people used to queue in banks, I was in a

1092
00:48:25,440 --> 00:48:27,080
Speaker 2: long line with a lot of people. The little girl

1093
00:48:27,120 --> 00:48:29,160
Speaker 2: playing in front of me. Her mum told her to

1094
00:48:29,239 --> 00:48:33,319
Speaker 2: stand still and stop being naughty. She responded loud enough

1095
00:48:33,360 --> 00:48:36,279
Speaker 2: for everyone to hear, you're naughty too. I saw you

1096
00:48:36,400 --> 00:48:40,120
Speaker 2: kissing daddy's peepee last night. She left the band quickly

1097
00:48:40,320 --> 00:48:48,479
Speaker 2: as about thirty people tried to hold in giggles. Let's

1098
00:48:48,640 --> 00:48:51,400
Speaker 2: unclench and then clench again because we're going to discuss

1099
00:48:51,719 --> 00:48:53,520
Speaker 2: the fallout from that royal interview.

1100
00:48:53,920 --> 00:48:56,320
Speaker 6: Jonesy and Amanda podcast.

1101
00:48:57,440 --> 00:48:59,719
Speaker 2: I just feel sad, sad, sad, sad, sad about this

1102
00:48:59,760 --> 00:49:02,600
Speaker 2: whole scenario. I feel sad for Meghan Markle. I feel

1103
00:49:03,200 --> 00:49:06,680
Speaker 2: how terrible that the royal family in recent years has

1104
00:49:06,760 --> 00:49:11,000
Speaker 2: made huge inroads to discuss mental health, and here she

1105
00:49:11,200 --> 00:49:15,040
Speaker 2: is saying, I was suicidal, asked for help and got none.

1106
00:49:15,560 --> 00:49:17,839
Speaker 1: People of a certain age after they've had a few

1107
00:49:17,880 --> 00:49:21,240
Speaker 1: wine are about me. No, just people of a certain

1108
00:49:21,280 --> 00:49:23,480
Speaker 1: age after they've had a few wines are really fired

1109
00:49:23,600 --> 00:49:26,520
Speaker 1: up about the Meghan and Harry thing. And we were

1110
00:49:26,560 --> 00:49:29,479
Speaker 1: talking about this last night and a rational debate around

1111
00:49:29,520 --> 00:49:31,919
Speaker 1: the kitchen table, and my wife said, you know, you're

1112
00:49:31,960 --> 00:49:36,040
Speaker 1: some big woke lefty supporting Meghan and Harry, and I said, look,

1113
00:49:36,719 --> 00:49:39,400
Speaker 1: I the Royals to me are very much a side

1114
00:49:39,440 --> 00:49:42,319
Speaker 1: show in my life. I've got many other important things

1115
00:49:42,400 --> 00:49:44,960
Speaker 1: to deal with. They seem like nice kids.

1116
00:49:45,440 --> 00:49:47,160
Speaker 2: What's the big Helen's point.

1117
00:49:47,360 --> 00:49:50,280
Speaker 1: I just said, you know, she's got thirty million dollars

1118
00:49:50,360 --> 00:49:54,240
Speaker 1: in the from his mother when she died, thirty million pounds.

1119
00:49:54,239 --> 00:49:55,000
Speaker 3: There's a lot of money.

1120
00:49:55,760 --> 00:49:57,640
Speaker 2: So when they say we're just living on this stipend

1121
00:49:57,719 --> 00:49:59,040
Speaker 2: from mum, yeah a lot.

1122
00:49:59,239 --> 00:50:02,600
Speaker 3: It's a bit rich. You know, there's bigger problems in life.

1123
00:50:02,760 --> 00:50:06,319
Speaker 2: True, But a lot of people yesterday I heard discussions about, yeah,

1124
00:50:06,320 --> 00:50:07,640
Speaker 2: look look at all the money they've got. How can

1125
00:50:07,719 --> 00:50:10,760
Speaker 2: you be lonely in a massive, eighteen thousand room castle.

1126
00:50:10,960 --> 00:50:11,600
Speaker 3: But you can be.

1127
00:50:12,160 --> 00:50:15,719
Speaker 2: You can be lonely. Money does not buy you comfort, security,

1128
00:50:16,200 --> 00:50:19,600
Speaker 2: mental health, calmness. That's money doesn't buy you any of

1129
00:50:19,680 --> 00:50:25,000
Speaker 2: that stuff. And I just feel I can see exactly

1130
00:50:25,120 --> 00:50:28,680
Speaker 2: why their lives became untenable. But I'm so sad that

1131
00:50:28,760 --> 00:50:31,400
Speaker 2: they've also thrown the royal family under the bus in

1132
00:50:31,520 --> 00:50:34,319
Speaker 2: that now with the also racist accusations, saying I can't

1133
00:50:34,360 --> 00:50:36,000
Speaker 2: tell you who it is, it's not the Queen or

1134
00:50:36,040 --> 00:50:37,960
Speaker 2: Prince Philip, I can't tell you who it is. It's

1135
00:50:38,000 --> 00:50:38,920
Speaker 2: pretty much his father.

1136
00:50:38,800 --> 00:50:41,040
Speaker 3: Or his brother exactly. Just blame it on Andrew.

1137
00:50:41,200 --> 00:50:43,719
Speaker 1: I was anxious last night because Karl Stepanovic was on

1138
00:50:43,760 --> 00:50:45,279
Speaker 1: the TV as I was going to bed, and I thought,

1139
00:50:45,280 --> 00:50:47,279
Speaker 1: hang on, Karl's going to be on the TV this morning.

1140
00:50:47,320 --> 00:50:51,839
Speaker 1: We're bookending Carl, We're stretching Carl, and then the promos.

1141
00:50:52,239 --> 00:50:54,280
Speaker 9: Who is the royal racist?

1142
00:50:54,440 --> 00:50:56,759
Speaker 3: Who is the royal racist? How good is that?

1143
00:50:57,000 --> 00:50:59,600
Speaker 2: But also it brings all the people out of the woodwork,

1144
00:50:59,680 --> 00:51:02,360
Speaker 2: like her dad. That doesn't do anyone any favors.

1145
00:51:02,480 --> 00:51:03,200
Speaker 3: Did you see him?

1146
00:51:04,080 --> 00:51:07,000
Speaker 20: Well, I'm very disappointed about it. I don't think that.

1147
00:51:08,320 --> 00:51:13,920
Speaker 20: I mean, I've apologized about this thing. What happened at

1148
00:51:14,560 --> 00:51:18,040
Speaker 20: least one hundred times or so. Bottom line is I've

1149
00:51:18,120 --> 00:51:20,719
Speaker 20: never heard back from Megan or Harry in any way,

1150
00:51:20,880 --> 00:51:24,360
Speaker 20: shape or form. When they say that I'm marrying and

1151
00:51:24,480 --> 00:51:28,360
Speaker 20: taking advantage of the press, well, basically what I do

1152
00:51:28,800 --> 00:51:32,200
Speaker 20: because I haven't heard from them is I'll do a

1153
00:51:32,320 --> 00:51:34,359
Speaker 20: story for the press. If I don't hear from them

1154
00:51:34,440 --> 00:51:38,240
Speaker 20: in thirty days, then I'll do another story for the press.

1155
00:51:38,800 --> 00:51:40,759
Speaker 3: Why do you to the press.

1156
00:51:40,640 --> 00:51:43,480
Speaker 20: Because they're not talking to me. When they decided to

1157
00:51:43,520 --> 00:51:45,640
Speaker 20: talk to me, I'll stop talking to the press.

1158
00:51:45,840 --> 00:51:46,280
Speaker 2: I stopped.

1159
00:51:46,680 --> 00:51:50,279
Speaker 1: So her family's christy as well nuts And then Harry

1160
00:51:50,280 --> 00:51:52,080
Speaker 1: should say to Megan, just look, talk to your dad.

1161
00:51:52,120 --> 00:51:53,520
Speaker 3: And then get the press off it. I she'll say,

1162
00:51:53,520 --> 00:51:55,759
Speaker 3: we'll talk to your dad a chat.

1163
00:51:56,120 --> 00:51:58,920
Speaker 2: They don't talk to their dads. What's been very interesting

1164
00:51:58,960 --> 00:52:02,040
Speaker 2: in this is Good Morning, which is co hosted by

1165
00:52:02,160 --> 00:52:06,000
Speaker 2: Piers Morgan, who has made no secret of his disdain

1166
00:52:06,120 --> 00:52:08,000
Speaker 2: for Meghan market Well, he doesn't like Vitriolo.

1167
00:52:08,080 --> 00:52:10,399
Speaker 1: He doesn't like Meghan because they were friends and then

1168
00:52:10,560 --> 00:52:15,239
Speaker 1: he Megan cut him off when she got married to Harry.

1169
00:52:15,080 --> 00:52:17,080
Speaker 2: Even before when she started going out with them, and

1170
00:52:17,200 --> 00:52:21,279
Speaker 2: so Piers Morgan has always said, she suddenly I was

1171
00:52:21,360 --> 00:52:23,879
Speaker 2: of no use to her. But we now know. I mean,

1172
00:52:24,080 --> 00:52:26,840
Speaker 2: her diary is controlled by the palace. She had to

1173
00:52:26,840 --> 00:52:28,920
Speaker 2: hand over a passport, a key. She doesn't control her

1174
00:52:28,920 --> 00:52:32,000
Speaker 2: own diary. Piers Morgan was the editor of the newspaper

1175
00:52:32,040 --> 00:52:34,759
Speaker 2: that put listening devices in people's phones. Can see why

1176
00:52:34,800 --> 00:52:36,320
Speaker 2: the royal family would say, how about you don't have

1177
00:52:36,320 --> 00:52:39,680
Speaker 2: a friendship with him? But yesterday or the day this

1178
00:52:39,840 --> 00:52:44,040
Speaker 2: is what he he said these words after her after

1179
00:52:44,120 --> 00:52:46,759
Speaker 2: the interview, he said, I don't believe a word she said.

1180
00:52:46,800 --> 00:52:48,160
Speaker 2: This is when she said she was going to take

1181
00:52:48,160 --> 00:52:50,239
Speaker 2: her own life. I don't believe a word she said.

1182
00:52:50,520 --> 00:52:52,640
Speaker 2: I wouldn't believe her if she read me a weather.

1183
00:52:52,520 --> 00:52:54,000
Speaker 3: Report, he really went to town on her.

1184
00:52:54,360 --> 00:52:56,640
Speaker 2: One of his co stars on the program is a

1185
00:52:56,719 --> 00:53:00,319
Speaker 2: man of mixed race called Alex Beresford, and he talk

1186
00:53:00,840 --> 00:53:01,880
Speaker 2: peers on yesterday.

1187
00:53:02,280 --> 00:53:04,800
Speaker 21: She's entitled to cut you off if she wants to.

1188
00:53:05,280 --> 00:53:07,719
Speaker 21: Has she said anything about you since she cut you off?

1189
00:53:07,840 --> 00:53:10,200
Speaker 3: I don't think she has. But yet you continue to

1190
00:53:10,440 --> 00:53:12,920
Speaker 3: trash her. Okay, I'm done with this. No, no, no, sorry.

1191
00:53:14,040 --> 00:53:16,960
Speaker 3: Do you know what that's pretty No? No, no, I'm

1192
00:53:17,000 --> 00:53:18,160
Speaker 3: being sorry.

1193
00:53:18,760 --> 00:53:24,480
Speaker 21: Is absolutely diabolical behavior. I'm sorry, but Pierce spouts off

1194
00:53:24,560 --> 00:53:26,759
Speaker 21: on a regular basis and we all have to sit

1195
00:53:26,920 --> 00:53:27,840
Speaker 21: there and listen.

1196
00:53:28,600 --> 00:53:29,239
Speaker 3: Pierce is off.

1197
00:53:29,560 --> 00:53:34,319
Speaker 2: So Piers stormed off, came back, said I've calmed down,

1198
00:53:34,400 --> 00:53:40,279
Speaker 2: only came back. But the network received forty one thousand complaints.

1199
00:53:40,880 --> 00:53:44,200
Speaker 2: An ITV who run the show that he's on Good

1200
00:53:44,200 --> 00:53:47,399
Speaker 2: Morning Britain are launching an investigation into his comments under

1201
00:53:47,480 --> 00:53:51,600
Speaker 2: harm and offense rules. And he's been well, he says

1202
00:53:51,680 --> 00:53:54,919
Speaker 2: here he has quit the show. But I'm imagining, well,

1203
00:53:54,960 --> 00:53:57,520
Speaker 2: imagine in that meeting where they say, well, let's say

1204
00:53:57,560 --> 00:53:59,640
Speaker 2: you quit. But if you don't say you quit at you.

1205
00:53:59,680 --> 00:54:00,440
Speaker 3: Go there you go.

1206
00:54:00,719 --> 00:54:03,040
Speaker 2: So there are repercussions for this stuff. I mean, you know,

1207
00:54:03,560 --> 00:54:06,120
Speaker 2: it seems that it's not that the English people also

1208
00:54:06,200 --> 00:54:09,440
Speaker 2: have sympathy for Megan. They love their royal family. It's

1209
00:54:09,480 --> 00:54:12,000
Speaker 2: so sad it's come to this, But you can't talk

1210
00:54:12,000 --> 00:54:14,120
Speaker 2: about someone's mental health in such a cavalier way.

1211
00:54:19,719 --> 00:54:21,080
Speaker 3: It's time for scenes, Steelers.

1212
00:54:21,120 --> 00:54:22,680
Speaker 1: This is where we act out a scene from a

1213
00:54:22,719 --> 00:54:25,520
Speaker 1: movie or TV show and all you do is guess

1214
00:54:25,760 --> 00:54:26,399
Speaker 1: what it's from.

1215
00:54:26,560 --> 00:54:28,239
Speaker 2: If you can do that, you get one hundred dollars

1216
00:54:28,280 --> 00:54:29,720
Speaker 2: Hoyt Cinema voucher.

1217
00:54:29,880 --> 00:54:31,160
Speaker 3: You've selected today's movie.

1218
00:54:31,160 --> 00:54:33,680
Speaker 1: And I dare say that if you're not under the

1219
00:54:33,760 --> 00:54:35,719
Speaker 1: age of eight thousand years of age, you're not going

1220
00:54:35,800 --> 00:54:36,480
Speaker 1: to know this movie.

1221
00:54:36,560 --> 00:54:38,160
Speaker 2: I think this is an iconic scene.

1222
00:54:38,560 --> 00:54:40,520
Speaker 3: Yep. I've never seen this movie. I've never seen it.

1223
00:54:40,560 --> 00:54:42,080
Speaker 3: I've only seen it from Mad magazine.

1224
00:54:42,920 --> 00:54:45,840
Speaker 2: I haven't seen the movies that you suggest. But this

1225
00:54:46,000 --> 00:54:49,560
Speaker 2: is an iconic line from an iconic film. And let's

1226
00:54:49,600 --> 00:54:53,040
Speaker 2: see how we go. Okay, it had an iconic soundtrack

1227
00:54:53,080 --> 00:54:54,719
Speaker 2: as well as an iconic song in it, but we'll

1228
00:54:54,800 --> 00:54:56,440
Speaker 2: use that as a clue later if we have trouble.

1229
00:54:56,480 --> 00:55:00,600
Speaker 3: Okay, we're both wearing wigs today. Isn't it the week?

1230
00:55:00,719 --> 00:55:03,320
Speaker 2: Do you look like you catch on fire in a second?

1231
00:55:03,400 --> 00:55:06,279
Speaker 2: You look like a cranking lesbian tour was America and

1232
00:55:06,360 --> 00:55:09,880
Speaker 2: your runners and your big jeans will snap.

1233
00:55:11,360 --> 00:55:16,520
Speaker 4: Okay, today's scene Stiller, let's you're ready to act, get

1234
00:55:16,600 --> 00:55:27,120
Speaker 4: your acting face on, Jenny, I'm sorry.

1235
00:55:28,960 --> 00:55:34,040
Speaker 17: Don't love means never having to say you're sorry.

1236
00:55:36,160 --> 00:55:37,280
Speaker 3: Laney is in Blaxcellent.

1237
00:55:37,760 --> 00:55:42,240
Speaker 17: Hi, Laney, I have absolutely no idea.

1238
00:55:42,320 --> 00:55:45,480
Speaker 2: I didn't know whether you're laughing right, no crime, we

1239
00:55:45,600 --> 00:55:49,319
Speaker 2: were even with emotion. Characters in this film have had

1240
00:55:49,360 --> 00:55:52,239
Speaker 2: a fight. He's returned to say I'm sorry, and she

1241
00:55:52,560 --> 00:55:54,680
Speaker 2: says the let's do it again, Let's do it Sorry, Lane.

1242
00:55:54,719 --> 00:55:59,160
Speaker 3: If you don't know, Jenny, I'm sorry.

1243
00:56:00,040 --> 00:56:04,960
Speaker 17: Old love means never having to say you're sorry.

1244
00:56:05,520 --> 00:56:08,680
Speaker 3: I'm great in this You're terrible. Leslie is in Glee. Hello,

1245
00:56:08,760 --> 00:56:11,720
Speaker 3: Leslie Great?

1246
00:56:11,880 --> 00:56:12,960
Speaker 2: What's the movie? Leslie?

1247
00:56:14,960 --> 00:56:15,520
Speaker 5: Love Story?

1248
00:56:15,640 --> 00:56:15,799
Speaker 3: Yes?

1249
00:56:16,600 --> 00:56:17,360
Speaker 2: Someone knows it.

1250
00:56:18,160 --> 00:56:20,800
Speaker 3: Wow, Leslie, you were eight thousand years of age.

1251
00:56:23,200 --> 00:56:26,880
Speaker 2: It's a classic line. And in the storyline it's Ali McGraw,

1252
00:56:26,960 --> 00:56:31,200
Speaker 2: it's Ryan O'Neill. She dies from cancer. The cancer she

1253
00:56:31,320 --> 00:56:34,000
Speaker 2: does and remember can we play just some of the songs?

1254
00:56:34,120 --> 00:56:43,200
Speaker 3: The song Handy Williams. No doubt we'll hear this on

1255
00:56:43,320 --> 00:56:44,760
Speaker 3: Fight for Your Flacebug on Friday.

1256
00:56:44,880 --> 00:56:59,200
Speaker 2: Let's let the soldiers begin. It was a very sad

1257
00:57:00,719 --> 00:57:02,480
Speaker 2: It was a giant tear cherker.

1258
00:57:03,360 --> 00:57:04,160
Speaker 3: Okay, that's enough.

1259
00:57:04,560 --> 00:57:09,760
Speaker 2: Leslie congratulates the original scene. Oh yes, Jenny, I'm sorry,

1260
00:57:11,680 --> 00:57:14,400
Speaker 2: Do love me.

1261
00:57:14,440 --> 00:57:15,880
Speaker 6: It's never having to say you're sorry?

1262
00:57:16,800 --> 00:57:17,360
Speaker 15: Is that true?

1263
00:57:17,720 --> 00:57:20,040
Speaker 2: It's the dumbest line of all time when you when

1264
00:57:20,040 --> 00:57:22,480
Speaker 2: you're in a relationship, you're constantly saying you're sorry.

1265
00:57:22,320 --> 00:57:24,080
Speaker 1: Or else you're on Matt, I'm always in the dog ass.

1266
00:57:24,120 --> 00:57:25,840
Speaker 1: I mustn't be in love, Leslie. Do you ever say

1267
00:57:25,840 --> 00:57:26,320
Speaker 1: you're sorry?

1268
00:57:28,880 --> 00:57:29,640
Speaker 5: I try not to.

1269
00:57:32,520 --> 00:57:34,440
Speaker 2: Well, you've got one hundred dollars hot cinema about you,

1270
00:57:34,520 --> 00:57:36,800
Speaker 2: and thank you for proving Brendan wrong.

1271
00:57:37,320 --> 00:57:40,760
Speaker 1: People do know that movie, Leslie is actually highlander. It's

1272
00:57:40,800 --> 00:57:42,480
Speaker 1: been alive for eight years.

1273
00:57:42,640 --> 00:57:44,480
Speaker 2: What are you saying about me? I saw that as

1274
00:57:44,480 --> 00:57:45,200
Speaker 2: a teenager.

1275
00:57:45,680 --> 00:57:49,040
Speaker 3: Are you islander as well? I'll keep away from broadswords.

1276
00:57:49,320 --> 00:57:50,280
Speaker 3: I don't know what you're talking about.

1277
00:57:51,080 --> 00:58:02,440
Speaker 2: I haven't seen that films. You have a really hot

1278
00:58:02,480 --> 00:58:05,160
Speaker 2: line number which is nine oh six one seven four.

1279
00:58:05,600 --> 00:58:06,200
Speaker 3: What have we got?

1280
00:58:06,960 --> 00:58:10,640
Speaker 10: What gets my girlie Jones and Amanda is the fact

1281
00:58:10,680 --> 00:58:12,480
Speaker 10: that the line's are marked on the side of the

1282
00:58:12,560 --> 00:58:14,720
Speaker 10: road out the front of the shop fee to park

1283
00:58:14,800 --> 00:58:17,920
Speaker 10: your car, and you get this little tiny car.

1284
00:58:18,400 --> 00:58:20,760
Speaker 19: That parks in it can't even get into the middle

1285
00:58:20,760 --> 00:58:23,120
Speaker 19: of it parts right back on the white line, and

1286
00:58:23,240 --> 00:58:25,919
Speaker 19: the car behind you is right on the front line,

1287
00:58:26,320 --> 00:58:28,280
Speaker 19: and you have so much trouble trying to get out

1288
00:58:28,880 --> 00:58:31,280
Speaker 19: or sometimes even trying to get into the parties.

1289
00:58:31,320 --> 00:58:34,880
Speaker 10: But because they just don't know where the middle is

1290
00:58:35,080 --> 00:58:36,240
Speaker 10: the park the car.

1291
00:58:37,680 --> 00:58:40,160
Speaker 3: HI old problem absolutely what else?

1292
00:58:41,080 --> 00:58:43,560
Speaker 18: Hi, James and Amanda, I have got a dulies and

1293
00:58:43,640 --> 00:58:46,840
Speaker 18: it's in regards to the Meagan then Harry interview last night.

1294
00:58:47,600 --> 00:58:50,000
Speaker 18: I think if you're going to have the interview, then

1295
00:58:50,200 --> 00:58:53,360
Speaker 18: shooting a whole bard and you should name the people

1296
00:58:53,480 --> 00:58:56,760
Speaker 18: that are actually saying things about your baby or having

1297
00:58:56,840 --> 00:58:59,680
Speaker 18: the conversation and letting everything out. If it's an honest

1298
00:58:59,720 --> 00:59:02,240
Speaker 18: and of an interview, then everything should be out there

1299
00:59:02,280 --> 00:59:02,840
Speaker 18: on the table.

1300
00:59:04,000 --> 00:59:06,000
Speaker 2: I mean, it wasn't in the court of law. But

1301
00:59:06,960 --> 00:59:10,320
Speaker 2: what happens therefore is that everyone now thinks, well, who

1302
00:59:10,400 --> 00:59:12,520
Speaker 2: has said those things? That's thrown everyone under the bus.

1303
00:59:12,680 --> 00:59:14,120
Speaker 1: It is true, I guess it is like a court

1304
00:59:14,120 --> 00:59:15,360
Speaker 1: of law. But then again, you know, you look at

1305
00:59:15,440 --> 00:59:17,120
Speaker 1: Channel nine the promo last night.

1306
00:59:17,240 --> 00:59:19,280
Speaker 9: Who is the Royal racist?

1307
00:59:19,560 --> 00:59:21,880
Speaker 3: Yeah, that could be a TV.

1308
00:59:21,800 --> 00:59:23,800
Speaker 2: Shut made them all look like that, And the fact

1309
00:59:23,880 --> 00:59:25,640
Speaker 2: is apparently it's not Prince Philip.

1310
00:59:25,680 --> 00:59:27,960
Speaker 3: It's not Prince Philip. I'd be blaming everything on Andrew.

1311
00:59:28,000 --> 00:59:30,400
Speaker 3: You know what that was Andrew Andrew? Yeah, thinking that.

1312
00:59:32,080 --> 00:59:35,040
Speaker 1: Thirties Andrew all about Andrew out with a bad him

1313
00:59:35,040 --> 00:59:36,080
Speaker 1: with the good If you do Dad does, man, you

1314
00:59:36,120 --> 00:59:37,960
Speaker 1: can always call us nine oh six one seven, nine

1315
00:59:38,040 --> 00:59:38,520
Speaker 1: eighty four.

1316
00:59:39,080 --> 00:59:40,000
Speaker 3: It's can.

1317
00:59:41,600 --> 00:59:44,840
Speaker 2: Well our favorite caller email or Facebook friend wins five

1318
00:59:44,920 --> 00:59:48,320
Speaker 2: hundred dollars TVSN voucher Love Shopping LOVETVSN dot com dot

1319
00:59:48,360 --> 00:59:48,480
Speaker 2: are you.

1320
00:59:48,600 --> 00:59:51,360
Speaker 3: You also get the Jones in Manta ttail and branded bobblehead.

1321
00:59:51,840 --> 00:59:54,400
Speaker 2: A little kid has dubbed in their dad to New

1322
00:59:54,480 --> 00:59:57,200
Speaker 2: Zealand Prime Minister Jacinda at Hearne, writing to Cindra a

1323
00:59:57,320 --> 01:00:00,160
Speaker 2: letter that said Dad isn't washing his hands properly, He's

1324
01:00:00,160 --> 01:00:02,480
Speaker 2: not putting soap on his hands and rubbing for twenty seconds.

1325
01:00:02,560 --> 01:00:03,840
Speaker 3: I'll work on this with him.

1326
01:00:04,440 --> 01:00:07,800
Speaker 2: So the tribal drum was beating four shut your Pile

1327
01:00:08,280 --> 01:00:10,680
Speaker 2: the Kid edition. He's Tanya from Penrith.

1328
01:00:10,920 --> 01:00:13,439
Speaker 5: It was just prior to elections. We were at dinner

1329
01:00:13,480 --> 01:00:15,960
Speaker 5: one night and we saw all these cameras and we thought, all,

1330
01:00:16,000 --> 01:00:18,840
Speaker 5: what's that. Anyway, then I spotted Julia Gillard and realized

1331
01:00:18,880 --> 01:00:21,640
Speaker 5: what it was. So out loud, I've said to my husband,

1332
01:00:21,800 --> 01:00:24,120
Speaker 5: if she thinks she's pushing in front of us, I've

1333
01:00:24,160 --> 01:00:26,919
Speaker 5: got news for her. Anyway, she gets up to after

1334
01:00:27,000 --> 01:00:29,400
Speaker 5: where we were and my son says, oh, hello, and

1335
01:00:29,520 --> 01:00:31,720
Speaker 5: so she stopped. He says, oh hello, hell are you

1336
01:00:31,840 --> 01:00:34,520
Speaker 5: and he said good. But if you think you're getting

1337
01:00:34,600 --> 01:00:37,200
Speaker 5: in front of us, my mom said, that's not happening.

1338
01:00:37,400 --> 01:00:40,600
Speaker 3: Oh, that's just cool.

1339
01:00:40,640 --> 01:00:42,680
Speaker 2: We're all news cameras and everything looking on.

1340
01:00:42,960 --> 01:00:45,120
Speaker 3: Writ aet that's enough.

1341
01:00:45,680 --> 01:00:48,880
Speaker 2: Wssm's workplace. Five hundred Countdown is back. You voted for

1342
01:00:48,920 --> 01:00:51,200
Speaker 2: your favorite songs to listen to. An Ugly Feeler's counting

1343
01:00:51,240 --> 01:00:52,400
Speaker 2: them down with you from nine o'clock.

1344
01:00:52,440 --> 01:00:55,320
Speaker 3: We'll see you tonight from jam Nation from six see then, good.

1345
01:00:55,240 --> 01:00:55,560
Speaker 11: Day to you.

1346
01:00:55,840 --> 01:00:57,800
Speaker 3: Well, thank God, that's over.

1347
01:00:57,720 --> 01:00:59,840
Speaker 9: Good fight, good bye.

1348
01:01:00,760 --> 01:01:03,000
Speaker 7: Wipe the two Baby from your own.

1349
01:01:03,160 --> 01:01:06,440
Speaker 6: A podcast of today's show is available to download from

1350
01:01:06,480 --> 01:01:07,880
Speaker 6: the iHeartRadio app.

1351
01:01:07,960 --> 01:01:09,360
Speaker 9: All the cool kids are doing It.

1352
01:01:17,320 --> 01:01:21,120
Speaker 6: Jonesy and Amanda podcast catch up on what you've missed

1353
01:01:21,160 --> 01:01:22,959
Speaker 6: on the free iHeartRadio app.