1 00:00:00,320 --> 00:00:03,320 Speaker 1: You're listening to the Jonesy and Demanda podcast. 2 00:00:04,080 --> 00:00:05,520 Speaker 2: Nation, you're your throne. 3 00:00:06,040 --> 00:00:09,319 Speaker 3: Oh, yes, the feud you were talking about. 4 00:00:09,560 --> 00:00:12,319 Speaker 2: I'm so thrown. I forgot what we're talking about. I 5 00:00:12,400 --> 00:00:14,640 Speaker 2: was going to give you an out for flobbing. 6 00:00:14,800 --> 00:00:17,840 Speaker 1: I was enjoying walk the moone, okay, or I can't 7 00:00:17,840 --> 00:00:20,120 Speaker 1: believe it's not Shephard, Yes, this feud? 8 00:00:20,280 --> 00:00:23,040 Speaker 3: Okay? What have I said? Is it Asha Ginsburg? I'm sorry, 9 00:00:23,040 --> 00:00:25,480 Speaker 3: I let me explain. Stop doing the Vegan Jakes. 10 00:00:25,520 --> 00:00:27,520 Speaker 2: I haven't even said it's a radio Kyle. I haven't 11 00:00:27,520 --> 00:00:28,800 Speaker 2: even said it's a radio feud. 12 00:00:29,200 --> 00:00:30,880 Speaker 1: Kyle and I have known each other for a long time, 13 00:00:30,960 --> 00:00:32,640 Speaker 1: and I just like doing the impression. I'll stop it 14 00:00:32,840 --> 00:00:33,519 Speaker 1: ording everyone. 15 00:00:33,720 --> 00:00:35,680 Speaker 3: It's just it just works. 16 00:00:35,880 --> 00:00:37,800 Speaker 2: Kyle wouldn't have recognized that that was an impression of. 17 00:00:37,840 --> 00:00:40,800 Speaker 3: Him, Is it Hughsyhusey impersonation? Morning? 18 00:00:40,840 --> 00:00:41,160 Speaker 1: Everyone? 19 00:00:42,600 --> 00:00:44,239 Speaker 3: As those guys, because I love those guys. 20 00:00:44,280 --> 00:00:45,960 Speaker 2: I haven't even said it's a radio feud. 21 00:00:46,360 --> 00:00:47,479 Speaker 3: I was on a radio person. 22 00:00:47,960 --> 00:00:49,000 Speaker 2: It is a radio feud. 23 00:00:49,800 --> 00:00:51,400 Speaker 3: It's not Lawsy. He's gone. 24 00:00:52,960 --> 00:00:57,440 Speaker 2: He's called in from the grave. No, Hello world, this 25 00:00:57,800 --> 00:01:00,640 Speaker 2: was something that's come to life. This was played on 26 00:01:00,680 --> 00:01:02,800 Speaker 2: Triple m Brisbane Radio. 27 00:01:02,920 --> 00:01:06,360 Speaker 1: Yes, I used to work there, Yeah, very successfully, had 28 00:01:07,080 --> 00:01:09,280 Speaker 1: a good tilt Triple lem and Brisbane. 29 00:01:09,400 --> 00:01:11,560 Speaker 2: Well maybe it's the fact you're up yourself is what 30 00:01:11,560 --> 00:01:12,399 Speaker 2: the problem is. 31 00:01:12,640 --> 00:01:14,760 Speaker 3: No, you just look at the ratings. Us to do 32 00:01:14,800 --> 00:01:16,920 Speaker 3: the drive show with mister T and Loretta. 33 00:01:17,640 --> 00:01:21,200 Speaker 2: Let me explain what's happened. Yes, Marto, who's part of 34 00:01:21,240 --> 00:01:26,759 Speaker 2: the morning breakfast team there. Yeah, he knows you too well. 35 00:01:26,800 --> 00:01:30,840 Speaker 2: He doesn't particularly like you, Brendan. And he brought this 36 00:01:30,959 --> 00:01:33,000 Speaker 2: up on his show yesterday. Have a listen. 37 00:01:33,360 --> 00:01:36,320 Speaker 4: Yeah, there's a radio guy, the bait that started working 38 00:01:36,319 --> 00:01:37,319 Speaker 4: four b C Dean Miller. 39 00:01:37,360 --> 00:01:39,000 Speaker 3: I was doing aroundo on his house. That's how I 40 00:01:39,040 --> 00:01:39,760 Speaker 3: got the job here. 41 00:01:39,800 --> 00:01:43,680 Speaker 4: Okay, that was in two thousand. There's a blood came 42 00:01:43,760 --> 00:01:46,240 Speaker 4: over one day because I was You're sitting around working 43 00:01:46,240 --> 00:01:47,480 Speaker 4: on a on a house. 44 00:01:47,520 --> 00:01:50,960 Speaker 5: Your carpenter by trade was telling stories. 45 00:01:50,640 --> 00:01:51,000 Speaker 3: All right. 46 00:01:51,280 --> 00:01:54,800 Speaker 4: So he brings home one of his radio mates, like 47 00:01:54,840 --> 00:01:57,280 Speaker 4: the guy who is Mitch back in two thousand. 48 00:01:56,880 --> 00:01:58,600 Speaker 3: And named you want to name him? Yeah, what not? 49 00:01:58,640 --> 00:02:02,320 Speaker 4: Brendan Jones. His name is he? And Amanda Amanda Keller. 50 00:02:02,360 --> 00:02:04,360 Speaker 4: I love Amanda Keller. She was really kind to me 51 00:02:04,400 --> 00:02:07,600 Speaker 4: when I started at Triple M. She was tripling Sydney. Okay, 52 00:02:08,080 --> 00:02:10,480 Speaker 4: this jonesy blake. He eventually ends. 53 00:02:10,400 --> 00:02:10,800 Speaker 3: Up with her. 54 00:02:10,960 --> 00:02:13,280 Speaker 4: They've been on radio for like fifteen years or together. 55 00:02:13,320 --> 00:02:15,320 Speaker 5: So he turns up with Dean Miller. You're working on 56 00:02:15,360 --> 00:02:15,920 Speaker 5: a job. 57 00:02:15,840 --> 00:02:16,959 Speaker 3: We finished for the day. 58 00:02:17,160 --> 00:02:19,720 Speaker 4: My dad's working for me as a carp and my mate, sure, 59 00:02:19,840 --> 00:02:21,880 Speaker 4: and I had an apprentice, keV. Okay, so there's two 60 00:02:21,919 --> 00:02:24,679 Speaker 4: Keves on side, my sign, my dad and my apprentice. 61 00:02:24,919 --> 00:02:26,160 Speaker 3: No, he was actually. 62 00:02:25,880 --> 00:02:27,800 Speaker 5: A carp Anyway, I had distract We started. 63 00:02:27,960 --> 00:02:30,200 Speaker 4: We were drinking a few beers because Dean Miller used 64 00:02:30,200 --> 00:02:32,000 Speaker 4: to come home. He'd bring a cart and every day 65 00:02:32,240 --> 00:02:34,720 Speaker 4: hoping that we'd tell stories. I didn't even know he 66 00:02:34,840 --> 00:02:36,800 Speaker 4: was telling the stories on Triple M the next morning, 67 00:02:36,840 --> 00:02:37,720 Speaker 4: like we'd tell him yard. 68 00:02:38,040 --> 00:02:39,240 Speaker 3: That's how I got onto radio. 69 00:02:39,639 --> 00:02:42,680 Speaker 4: So this Brendan Jones turns up and he started criticizing 70 00:02:42,680 --> 00:02:44,600 Speaker 4: our work, like we're doing this big renot over at 71 00:02:44,600 --> 00:02:46,480 Speaker 4: Hawthorne and. 72 00:02:46,840 --> 00:02:48,359 Speaker 5: He criticized your craftsmanship. 73 00:02:48,400 --> 00:02:49,919 Speaker 3: And you've hold on to that for twenty years. 74 00:02:50,000 --> 00:02:53,160 Speaker 4: I said, listen, mate, you can either leave by the 75 00:02:53,200 --> 00:02:55,480 Speaker 4: stairs or you'll be going your gravity to be helping 76 00:02:55,480 --> 00:02:56,639 Speaker 4: the over the edge of the balcony. 77 00:02:56,800 --> 00:02:59,239 Speaker 3: How many beers deep were you? We only had two? 78 00:02:59,680 --> 00:03:00,600 Speaker 3: Had two, but you can't. 79 00:03:01,040 --> 00:03:04,040 Speaker 4: He walked on the site on his motibike and pulled 80 00:03:04,040 --> 00:03:06,240 Speaker 4: his helmet off and walked up the stairs like a wanker, 81 00:03:06,360 --> 00:03:08,360 Speaker 4: and this would be careful about his working on radio. 82 00:03:08,440 --> 00:03:11,680 Speaker 4: Over confidence walked up and he started pointing out where 83 00:03:12,080 --> 00:03:14,480 Speaker 4: your mate, you're on radio? So we threatened and he 84 00:03:14,520 --> 00:03:16,600 Speaker 4: took off on his motorbike. And I've hated him ever since. 85 00:03:17,120 --> 00:03:19,519 Speaker 5: He took personal offense to his criticism of your work. 86 00:03:19,639 --> 00:03:21,160 Speaker 4: Do I have to apologize to him? 87 00:03:21,280 --> 00:03:21,480 Speaker 2: No? 88 00:03:21,800 --> 00:03:22,880 Speaker 3: Probably he probably needs to. 89 00:03:22,840 --> 00:03:24,960 Speaker 5: Come and apologize to know that you're upset with him. 90 00:03:25,000 --> 00:03:26,919 Speaker 3: He does. He has no idea that I'm upset. 91 00:03:26,919 --> 00:03:28,560 Speaker 4: We do, apart from the threat to throw him off 92 00:03:28,600 --> 00:03:30,880 Speaker 4: the balcony until now twenty. 93 00:03:30,560 --> 00:03:32,560 Speaker 2: Five years did you have any idea that you had 94 00:03:32,639 --> 00:03:34,359 Speaker 2: upset him? Do you remember it at all? 95 00:03:34,480 --> 00:03:36,720 Speaker 3: You know what hold your horses? 96 00:03:37,880 --> 00:03:39,920 Speaker 2: He's had his say, Eddie MacGuire, I want to give 97 00:03:39,920 --> 00:03:44,360 Speaker 2: you some time to think about this. You get your 98 00:03:44,440 --> 00:03:47,680 Speaker 2: chances clear, and I know you do have a very 99 00:03:47,680 --> 00:03:48,200 Speaker 2: good memory. 100 00:03:48,200 --> 00:03:49,760 Speaker 3: I have a good memory and I remember that day 101 00:03:49,880 --> 00:03:50,400 Speaker 3: very well. 102 00:03:50,520 --> 00:03:56,280 Speaker 2: Okay, well we'll do to your side of the story next, Well, 103 00:03:56,320 --> 00:03:59,240 Speaker 2: bombshell news. Brendan Jones is part of a few that 104 00:03:59,320 --> 00:04:02,320 Speaker 2: is not even away of. I just spoke earlier about 105 00:04:02,960 --> 00:04:06,000 Speaker 2: Marto Triple M Brisbane, who. 106 00:04:05,600 --> 00:04:08,760 Speaker 3: On that's my alma mater. I worked at Triple M Brisbane. 107 00:04:08,800 --> 00:04:11,240 Speaker 1: Yeah, and it was one of the happiest times of 108 00:04:11,280 --> 00:04:14,080 Speaker 1: my life working at that radio station. 109 00:04:14,160 --> 00:04:16,039 Speaker 3: We went at number one. Well we were killing it. 110 00:04:16,040 --> 00:04:17,920 Speaker 3: Then he had they're still doing it. 111 00:04:18,080 --> 00:04:20,840 Speaker 2: He has other memories of how he felt when he 112 00:04:20,880 --> 00:04:22,560 Speaker 2: met you. Here's just some of what he had to 113 00:04:22,560 --> 00:04:23,320 Speaker 2: say on his show. 114 00:04:23,680 --> 00:04:26,720 Speaker 4: So this Brendan Jones turns up and he started criticizing 115 00:04:26,720 --> 00:04:28,640 Speaker 4: our work, like we're doing this big renot over at 116 00:04:28,640 --> 00:04:29,400 Speaker 4: Hawthorne and that's it. 117 00:04:29,520 --> 00:04:31,080 Speaker 5: He criticized your craftsmanship. 118 00:04:31,200 --> 00:04:34,080 Speaker 3: He at the time wasn't in radio. He was a builder. 119 00:04:34,279 --> 00:04:37,279 Speaker 2: As he said, that's right, and these were his final words. 120 00:04:37,520 --> 00:04:40,520 Speaker 4: He walked on the site on his motibike and pulled 121 00:04:40,520 --> 00:04:42,840 Speaker 4: his helmet off and walked up the stairs like a wankert. 122 00:04:42,880 --> 00:04:44,880 Speaker 4: And this has been careful about his working on radio. 123 00:04:44,920 --> 00:04:48,160 Speaker 4: Over confidence walked up and he started pointing out where 124 00:04:48,560 --> 00:04:51,000 Speaker 4: your mate, you're on radio. So we threatened and he 125 00:04:51,040 --> 00:04:53,080 Speaker 4: took off on his motorbike and I've hated him ever since. 126 00:04:53,800 --> 00:04:56,800 Speaker 2: Well that's harsh. So from his let's establish what he 127 00:04:56,839 --> 00:05:00,040 Speaker 2: has said. He's working on a building site. He he 128 00:05:00,160 --> 00:05:02,520 Speaker 2: was a radio guy who was Jean Miller who would 129 00:05:02,520 --> 00:05:05,520 Speaker 2: come over, okay, who'd come over and you'd come over 130 00:05:05,600 --> 00:05:09,320 Speaker 2: with him and you criticized the building work he has done. 131 00:05:09,360 --> 00:05:11,960 Speaker 2: That's what he's rendering of events. Is I remember the 132 00:05:12,040 --> 00:05:13,320 Speaker 2: day very so you remember this. 133 00:05:13,440 --> 00:05:14,839 Speaker 3: I remember the day very very well. 134 00:05:15,279 --> 00:05:17,279 Speaker 1: Dean Miller was a good made of mine and he 135 00:05:17,400 --> 00:05:20,200 Speaker 1: was doing renovations on his house in Hawthorne, this big 136 00:05:20,240 --> 00:05:25,480 Speaker 1: old Queenslander, beautiful thing. And I was also doing renovations 137 00:05:25,480 --> 00:05:29,200 Speaker 1: in my house in Blimba, a neighboring suburb, and I 138 00:05:29,240 --> 00:05:31,680 Speaker 1: too needed some weather boards. So Dean and I were 139 00:05:31,680 --> 00:05:33,040 Speaker 1: talking at work and he said, man, I've got to 140 00:05:33,040 --> 00:05:34,520 Speaker 1: take one of these weather boards. 141 00:05:34,839 --> 00:05:36,679 Speaker 3: Come around and have a look. And I said, well, I'm. 142 00:05:36,480 --> 00:05:39,440 Speaker 1: Not a builder, so I got my builder, Ian to 143 00:05:39,520 --> 00:05:42,640 Speaker 1: come around with me. What Marto, I think he's confused 144 00:05:42,640 --> 00:05:45,360 Speaker 1: me with An because we both went together, I said 145 00:05:45,400 --> 00:05:48,039 Speaker 1: to Ian, and Ian was a classic Queensland buildery. 146 00:05:48,120 --> 00:05:52,400 Speaker 3: Caused a spade a spade so he came round with me. 147 00:05:52,760 --> 00:05:54,839 Speaker 3: We met at the site. 148 00:05:55,120 --> 00:05:58,080 Speaker 1: But I remember on that day that Ian was started, 149 00:05:58,400 --> 00:06:02,240 Speaker 1: you know, ragging on Marto and for his work, and 150 00:06:02,279 --> 00:06:03,920 Speaker 1: I said, oh, that's a bit rich. But I don't 151 00:06:03,960 --> 00:06:06,160 Speaker 1: know if Marto was in that circle. But I actually 152 00:06:06,200 --> 00:06:09,320 Speaker 1: heard Marto say, mate, you're gonna either go off the balcony, 153 00:06:09,320 --> 00:06:12,359 Speaker 1: but I didn't. I didn't know if I don't know 154 00:06:12,360 --> 00:06:15,960 Speaker 1: if he thought that I said that, or if indeed 155 00:06:16,279 --> 00:06:16,960 Speaker 1: Ian said. 156 00:06:17,040 --> 00:06:19,760 Speaker 2: So, what you think has happened is that Ian has 157 00:06:19,800 --> 00:06:20,599 Speaker 2: been critical of. 158 00:06:20,720 --> 00:06:23,960 Speaker 3: Now I was there when you witness. 159 00:06:23,600 --> 00:06:25,800 Speaker 2: You think though that Marto thought it was you? 160 00:06:26,000 --> 00:06:26,400 Speaker 5: Yeah? 161 00:06:26,839 --> 00:06:29,440 Speaker 2: Yeah, Are you surprised to hear that this feud has 162 00:06:29,480 --> 00:06:31,640 Speaker 2: gone on for like twenty six years and you didn't 163 00:06:31,640 --> 00:06:32,680 Speaker 2: even know about it? 164 00:06:32,760 --> 00:06:32,920 Speaker 4: Well? 165 00:06:33,040 --> 00:06:35,480 Speaker 1: Yeah, because I don't think i've seen Have we seen 166 00:06:35,520 --> 00:06:39,080 Speaker 1: Marto since you know radio functions? 167 00:06:39,520 --> 00:06:40,360 Speaker 2: Yeah, I don't remember. 168 00:06:40,720 --> 00:06:42,000 Speaker 3: Well, you've met a lot of people. 169 00:06:43,680 --> 00:06:47,560 Speaker 2: Well, I do know this about you, Brendan. You have 170 00:06:47,640 --> 00:06:49,120 Speaker 2: an extremely good memory. 171 00:06:49,279 --> 00:06:49,960 Speaker 3: I remember that. 172 00:06:50,000 --> 00:06:52,240 Speaker 1: Well, I'll say this, it wasn't two thousand and one, 173 00:06:52,240 --> 00:06:53,840 Speaker 1: because I was in Sydney in two thousand and one 174 00:06:53,880 --> 00:06:57,640 Speaker 1: a triple m in Sydney. It was nineteen ninety seven, 175 00:06:57,960 --> 00:06:59,880 Speaker 1: because I remember that that was the year my daughter 176 00:07:00,080 --> 00:07:02,560 Speaker 1: was born and we got the renovations, were doing the 177 00:07:02,560 --> 00:07:04,880 Speaker 1: renovations from the front of the house in Wilder Street 178 00:07:04,920 --> 00:07:05,599 Speaker 1: in Bolimba there. 179 00:07:05,640 --> 00:07:07,440 Speaker 2: So either way, it wasn't you, it was what we 180 00:07:07,720 --> 00:07:11,440 Speaker 2: building and Dean Ian Ian. Maybe Ian should have got 181 00:07:11,440 --> 00:07:16,120 Speaker 2: a radio gig cranky. 182 00:07:14,920 --> 00:07:17,880 Speaker 1: Wasn't craiky what Ian would do? And I remember this 183 00:07:17,960 --> 00:07:21,320 Speaker 1: is what gave me the flashback. I remember being embarrassed 184 00:07:21,440 --> 00:07:25,280 Speaker 1: because he was really going to town on Mardo's work, 185 00:07:25,320 --> 00:07:28,520 Speaker 1: and to me it looked fine, this big Queenslander. It 186 00:07:28,560 --> 00:07:32,400 Speaker 1: was dubbed Winfield Palace because it was Winfield blue in color, and. 187 00:07:32,320 --> 00:07:34,960 Speaker 3: That was the cigarettes that Dean was smoking at the time. 188 00:07:35,080 --> 00:07:37,960 Speaker 2: Well, who would have thought that, all these years later 189 00:07:38,800 --> 00:07:41,040 Speaker 2: this would have erupted on Brisbane radio. Who would have 190 00:07:41,080 --> 00:07:44,160 Speaker 2: thought he'd get a job on radio? Accuse you of 191 00:07:44,240 --> 00:07:47,600 Speaker 2: being a nearsayer about his work, and he has as 192 00:07:47,640 --> 00:07:48,880 Speaker 2: he says, Hey, did you ever say? 193 00:07:49,120 --> 00:07:50,960 Speaker 1: Well, I only criticize what I know, and I know 194 00:07:51,120 --> 00:07:53,880 Speaker 1: Radio possibly should have got to the point a bit 195 00:07:53,960 --> 00:07:54,960 Speaker 1: quick at their mutto. 196 00:07:57,080 --> 00:07:57,320 Speaker 2: Now. 197 00:07:58,960 --> 00:08:02,160 Speaker 3: But other than wow, putting up two by fours and 198 00:08:02,200 --> 00:08:04,360 Speaker 3: all that, I don't. I don't know thing about building? 199 00:08:04,440 --> 00:08:07,120 Speaker 2: Okay, okay, and what about the wink of it? That's 200 00:08:07,200 --> 00:08:11,160 Speaker 2: fair enough, that's fair enough, walk like a cat. Oh yes, 201 00:08:11,240 --> 00:08:13,200 Speaker 2: you can't. All right, well, we might put this to 202 00:08:13,240 --> 00:08:15,640 Speaker 2: the tribal dramas we get on. We're getting more, but 203 00:08:15,680 --> 00:08:17,560 Speaker 2: let's try and get him more. I think we need 204 00:08:17,600 --> 00:08:18,960 Speaker 2: to have this feud. 205 00:08:19,040 --> 00:08:20,400 Speaker 3: Now, what's sort of a feud? 206 00:08:20,560 --> 00:08:24,280 Speaker 2: Well, in his eyes, it's a massive feud in your eyes, no, 207 00:08:24,440 --> 00:08:26,040 Speaker 2: but in his massive. 208 00:08:25,760 --> 00:08:29,240 Speaker 3: Take a number, we'll get to that. Well. 209 00:08:29,240 --> 00:08:32,120 Speaker 1: I have no real filling towards him. Okay, Well, if 210 00:08:32,160 --> 00:08:33,760 Speaker 1: you're going to sort that out, I'll 211 00:08:33,800 --> 00:08:35,560 Speaker 2: Sort it out, Brandon, don't you worry