1 00:00:00,440 --> 00:00:03,560 Speaker 1: If you're anything like me, your inbox is cluttered with 2 00:00:03,680 --> 00:00:07,280 Speaker 1: E newsletters that you don't read. I sometimes feel like 3 00:00:07,320 --> 00:00:10,200 Speaker 1: I'm playing a game of whack a mole, unsubscribing to 4 00:00:10,360 --> 00:00:12,520 Speaker 1: several every day while new. 5 00:00:12,400 --> 00:00:15,960 Speaker 2: Ones sneak in. But there are a handful of E. 6 00:00:16,040 --> 00:00:19,439 Speaker 1: Newsletters that I actually look forward to reading, and one 7 00:00:19,440 --> 00:00:22,640 Speaker 1: of them is called Recommendo, which is co written by 8 00:00:22,720 --> 00:00:24,680 Speaker 1: Wired co founder Kevin Kelly. 9 00:00:25,440 --> 00:00:27,480 Speaker 2: Now, as you would expect. 10 00:00:27,000 --> 00:00:31,600 Speaker 1: From someone who founded arguably the most influential tech magazine 11 00:00:31,640 --> 00:00:35,839 Speaker 1: on the planet, Kevin epitomizes the phrase finger on the pulse. 12 00:00:36,640 --> 00:00:39,200 Speaker 1: I was lucky enough to be able to interview Kevin 13 00:00:39,440 --> 00:00:44,040 Speaker 1: last year, and he's kindly offered to come back on again. Now. 14 00:00:44,040 --> 00:00:45,720 Speaker 2: If you're interested as I. 15 00:00:45,880 --> 00:00:50,880 Speaker 1: Was, in Kevin's favorite apps, websites, E newsletters and predictions 16 00:00:50,880 --> 00:00:53,400 Speaker 1: for the next big thing, then I think you'll love 17 00:00:53,600 --> 00:00:56,400 Speaker 1: this chat. And if for anything like me, you'll probably 18 00:00:56,440 --> 00:00:59,240 Speaker 1: want to set aside some time after this interview to 19 00:00:59,400 --> 00:01:03,280 Speaker 1: explore some of the amazing things that he recommends. 20 00:01:07,600 --> 00:01:09,200 Speaker 2: My name is doctor Amantha Imber. 21 00:01:09,480 --> 00:01:12,880 Speaker 1: I'm an organizational psychologist and the founder of behavioral science 22 00:01:12,920 --> 00:01:16,640 Speaker 1: consultancy Inventium, and this is how I work, a show 23 00:01:16,760 --> 00:01:19,920 Speaker 1: about how to help you do your best work. So 24 00:01:20,000 --> 00:01:24,600 Speaker 1: my chat with Kevin starts with talking about his latest project, 25 00:01:24,680 --> 00:01:27,920 Speaker 1: Vanishing Asia. So let's head on over to Kevin to 26 00:01:28,000 --> 00:01:32,880 Speaker 1: learn about why he chose Kickstarter to fund his latest project. 27 00:01:33,120 --> 00:01:37,280 Speaker 3: I was trying to avoid self publishing this book, which 28 00:01:37,400 --> 00:01:41,479 Speaker 3: is a very very large we'll call it an art book. 29 00:01:41,680 --> 00:01:45,600 Speaker 3: There is one thousand pages, it's divided up into three volumes. 30 00:01:45,720 --> 00:01:51,080 Speaker 3: There are nine thousand photographs, and I was hoping that 31 00:01:52,120 --> 00:01:55,840 Speaker 3: a big art book publisher will take it on, and 32 00:01:55,880 --> 00:02:00,120 Speaker 3: I was unable to convince them. I got rejected, and 33 00:02:00,200 --> 00:02:07,240 Speaker 3: so I'm going Kickstarter now. Kickstarter, which is a crowdfunding platform. 34 00:02:07,600 --> 00:02:12,280 Speaker 3: Actually it's economically better, but it's a full time job, 35 00:02:12,360 --> 00:02:14,760 Speaker 3: which is why I was sort of avoiding it. So 36 00:02:15,600 --> 00:02:20,880 Speaker 3: in the end, it's a very viable method, very rewarding 37 00:02:21,080 --> 00:02:25,359 Speaker 3: because you have direct contact with your audience. But it's 38 00:02:25,360 --> 00:02:29,280 Speaker 3: a lot of work. And so far the campaign has 39 00:02:29,320 --> 00:02:30,080 Speaker 3: been going very well. 40 00:02:31,160 --> 00:02:33,840 Speaker 1: Yes, I hopped on literally about half an hour ago, 41 00:02:33,919 --> 00:02:36,200 Speaker 1: and I could see that you've got just over one 42 00:02:36,240 --> 00:02:38,079 Speaker 1: thousand backers as of today. 43 00:02:38,200 --> 00:02:39,200 Speaker 2: Congratulations. 44 00:02:39,520 --> 00:02:43,959 Speaker 3: Yes, well, I have long been preaching the virtues of 45 00:02:44,000 --> 00:02:47,120 Speaker 3: one thousand true fans. And when I first wrote the 46 00:02:47,240 --> 00:02:50,280 Speaker 3: essay in two thousand and eight or so, it was 47 00:02:50,360 --> 00:02:53,919 Speaker 3: a theory that I had, and this was before Kickstarter 48 00:02:54,000 --> 00:02:57,960 Speaker 3: even existed, and now after all these years, it's no 49 00:02:58,040 --> 00:03:00,920 Speaker 3: longer a theory. It's sort of like a reality, and 50 00:03:00,960 --> 00:03:04,120 Speaker 3: I have personal experience of it with my own thousand 51 00:03:04,160 --> 00:03:05,720 Speaker 3: true fans right now. 52 00:03:05,760 --> 00:03:08,120 Speaker 1: And for those that haven't read your essay, around one 53 00:03:08,120 --> 00:03:11,400 Speaker 1: thousand true fans, which I must say, is one of 54 00:03:11,440 --> 00:03:12,880 Speaker 1: my favorite things that you've written. 55 00:03:13,120 --> 00:03:15,679 Speaker 2: Can you talk a little bit more about that concept. 56 00:03:16,520 --> 00:03:19,560 Speaker 3: It's a bit of arithmetic, really, and it says that 57 00:03:19,639 --> 00:03:26,600 Speaker 3: what the new technology brings us, and that includes things 58 00:03:26,720 --> 00:03:32,320 Speaker 3: like social media, email, YouTube, and Google search, all these things, 59 00:03:32,919 --> 00:03:36,560 Speaker 3: what they deliver to people who make things, what they 60 00:03:36,640 --> 00:03:39,560 Speaker 3: all get for the first time is a way to 61 00:03:39,640 --> 00:03:45,000 Speaker 3: have direct contact with their audience at a large scale. 62 00:03:45,920 --> 00:03:50,360 Speaker 3: Previous to that, the means of production and the means 63 00:03:50,400 --> 00:03:54,320 Speaker 3: of distribution. We're sort of bound up into large companies, 64 00:03:54,360 --> 00:03:55,920 Speaker 3: and so if you want to have a book and 65 00:03:56,120 --> 00:03:58,640 Speaker 3: reach people, you to have a publisher. If you're a 66 00:03:58,720 --> 00:04:01,800 Speaker 3: musician had to have a late ball. For you're a movie, 67 00:04:01,840 --> 00:04:05,720 Speaker 3: you had a studio, and so they did that work, 68 00:04:06,120 --> 00:04:09,400 Speaker 3: but they also acted as gatekeepers and costs. They also 69 00:04:09,440 --> 00:04:14,040 Speaker 3: took a little chunk, quite a substantial chunk of the money. Well, 70 00:04:14,200 --> 00:04:17,480 Speaker 3: if you could bypass them, if you could have direct, 71 00:04:18,279 --> 00:04:25,680 Speaker 3: constant contact with your audience, then you don't need as 72 00:04:25,720 --> 00:04:30,119 Speaker 3: many of them to make a living because you're getting 73 00:04:30,160 --> 00:04:35,000 Speaker 3: all the money directly. So the arithmetic of that is, well, 74 00:04:35,040 --> 00:04:39,039 Speaker 3: if you could get one hundred dollars a year from 75 00:04:39,080 --> 00:04:43,360 Speaker 3: your true fans, which I defined simply as those fans 76 00:04:43,400 --> 00:04:46,920 Speaker 3: that will buy anything that you produce. They'll drive two 77 00:04:46,960 --> 00:04:50,400 Speaker 3: hundred miles to see you sing. They'll get the hardcover 78 00:04:50,480 --> 00:04:52,880 Speaker 3: and the paperback and the digital and audible version whatever. 79 00:04:53,160 --> 00:04:56,760 Speaker 3: They're diehard true fans. If you could find a thousand 80 00:04:56,839 --> 00:04:59,000 Speaker 3: of them and they're paying you one hundred dollars a year, 81 00:04:59,000 --> 00:05:01,560 Speaker 3: that's one hundred thousand dollars year, which sure is a 82 00:05:01,720 --> 00:05:03,240 Speaker 3: very good living for most people. 83 00:05:03,880 --> 00:05:08,440 Speaker 1: I think it's such an inspiring concept for creators. Now, 84 00:05:08,480 --> 00:05:12,400 Speaker 1: you mentioned that running a Kickstarter campaign is like a 85 00:05:12,440 --> 00:05:16,280 Speaker 1: full time job, and for those that have never had 86 00:05:16,320 --> 00:05:19,719 Speaker 1: a Kickstarter campaign, can you explain why is. 87 00:05:19,720 --> 00:05:20,640 Speaker 2: It so much work? 88 00:05:22,440 --> 00:05:25,839 Speaker 3: So One of the misconceptions that people have about to 89 00:05:26,080 --> 00:05:29,280 Speaker 3: using a platform like Kickstarter is that they're going to 90 00:05:29,320 --> 00:05:33,680 Speaker 3: find their audience on Kickstarter, but that's not really what 91 00:05:33,720 --> 00:05:39,479 Speaker 3: it's about. You have to use Kickstarter to reach or 92 00:05:39,760 --> 00:05:44,479 Speaker 3: ignite your followers into action, but you still have the 93 00:05:44,600 --> 00:05:49,200 Speaker 3: hard work of finding all those thousand true fans. So 94 00:05:49,279 --> 00:05:51,960 Speaker 3: you don't find them on Kickstarter. You use Kickstarter to 95 00:05:52,080 --> 00:05:57,640 Speaker 3: put them into action, and that work is emailing, social media, 96 00:05:58,520 --> 00:06:01,160 Speaker 3: it's promotion, it's marketing. It's the kinds of things that 97 00:06:01,200 --> 00:06:04,560 Speaker 3: you do, but you're doing it first rather than later on. 98 00:06:04,640 --> 00:06:09,080 Speaker 3: I mean, the normal procedure for say, introducing a book 99 00:06:09,400 --> 00:06:12,359 Speaker 3: is to write the book. Then you are going to 100 00:06:12,480 --> 00:06:14,039 Speaker 3: sell the book, and then when it's printed, you're going 101 00:06:14,080 --> 00:06:17,200 Speaker 3: to do the marketing. Well, here're reversing that you're doing 102 00:06:17,240 --> 00:06:22,440 Speaker 3: the marketing first, but it's still the same kind of 103 00:06:22,560 --> 00:06:25,720 Speaker 3: work that needs to be done had you pund it 104 00:06:25,760 --> 00:06:27,760 Speaker 3: in the other traditional order and made it and then 105 00:06:27,800 --> 00:06:30,719 Speaker 3: you want to sell it. My advice to others is 106 00:06:30,760 --> 00:06:33,640 Speaker 3: that this is a full time job for that month 107 00:06:33,800 --> 00:06:37,120 Speaker 3: that you are running these things. And I say that 108 00:06:37,400 --> 00:06:40,960 Speaker 3: ties back to thousand true fans, because that is the 109 00:06:41,000 --> 00:06:46,200 Speaker 3: cost of that thousand true fans model. The cost is 110 00:06:46,240 --> 00:06:50,080 Speaker 3: that you have another job, and that job is tending 111 00:06:50,120 --> 00:06:56,160 Speaker 3: the fans, and I don't think everybody is suited for 112 00:06:56,279 --> 00:06:59,520 Speaker 3: that or want to do it. They're artists who say, 113 00:06:59,560 --> 00:07:01,120 Speaker 3: I don't want to deal with fans. I just want 114 00:07:01,160 --> 00:07:04,960 Speaker 3: to paint, and I'll pay for the benefits of having 115 00:07:04,960 --> 00:07:09,200 Speaker 3: a gallery and agents and other people involved and the 116 00:07:09,279 --> 00:07:13,240 Speaker 3: intermediates because I don't want to deal with that now. 117 00:07:13,320 --> 00:07:16,920 Speaker 1: One of my favorite things that you put out in 118 00:07:16,960 --> 00:07:20,800 Speaker 1: the world in terms of content is your recommendo E newsletter, 119 00:07:21,080 --> 00:07:24,960 Speaker 1: which is something that I read religiously every week, and 120 00:07:25,840 --> 00:07:28,880 Speaker 1: you also do a podcast about cool tools. You have 121 00:07:28,920 --> 00:07:31,920 Speaker 1: a website. I feel like if something is released into 122 00:07:31,960 --> 00:07:35,320 Speaker 1: the world, you probably know about it. And I'd love 123 00:07:35,400 --> 00:07:38,679 Speaker 1: to start with newsletters because I know that you don't 124 00:07:38,720 --> 00:07:39,600 Speaker 1: subscribe to. 125 00:07:39,600 --> 00:07:42,160 Speaker 2: Many, so what are the ones that you look forward 126 00:07:42,200 --> 00:07:42,600 Speaker 2: to reading. 127 00:07:43,280 --> 00:07:49,440 Speaker 3: There is Tim Ferriss's legendary five Well It Friday, which 128 00:07:49,760 --> 00:07:54,920 Speaker 3: was partly inspiration for recommendo in that he had five 129 00:07:55,400 --> 00:08:00,880 Speaker 3: things that he basically recommended every week, and I, you know, 130 00:08:00,920 --> 00:08:04,920 Speaker 3: I will always look at that. There's a guy, David Perell, 131 00:08:05,080 --> 00:08:11,200 Speaker 3: who has Monday Musings where he kind of lists things 132 00:08:11,200 --> 00:08:18,040 Speaker 3: that he enjoyed that week. Austin Kleon who does a 133 00:08:18,080 --> 00:08:25,520 Speaker 3: weekly ten Things that he enjoyed that week. He's always surprising. 134 00:08:26,560 --> 00:08:29,240 Speaker 3: I think the thing that I look for when I 135 00:08:29,320 --> 00:08:34,480 Speaker 3: was a magazine subscriber and a newsletter subscriber and a 136 00:08:34,520 --> 00:08:39,559 Speaker 3: web RSS feed reader is I like to be surprised. 137 00:08:40,600 --> 00:08:47,199 Speaker 3: There is a newsletter called The Browser that I highly recommend. 138 00:08:47,960 --> 00:08:52,480 Speaker 3: It's a paid newsletter, but the editor is somehow rather 139 00:08:52,640 --> 00:08:57,520 Speaker 3: read the entire web every day and they report on 140 00:08:58,000 --> 00:09:05,480 Speaker 3: the most reads, and it's I find it dangerous because 141 00:09:06,320 --> 00:09:09,079 Speaker 3: they find so much good stuff. Every one of them 142 00:09:09,120 --> 00:09:10,760 Speaker 3: is sister jam and you wind up pretty in it. 143 00:09:10,800 --> 00:09:13,360 Speaker 3: So actually I went for the weekly version because I 144 00:09:13,440 --> 00:09:17,480 Speaker 3: just couldn't take the daily version. It was just like 145 00:09:17,840 --> 00:09:20,160 Speaker 3: kind of the New Yorker. It was like too much 146 00:09:20,240 --> 00:09:21,959 Speaker 3: good stuff. I just can't keep up. 147 00:09:22,800 --> 00:09:25,760 Speaker 2: How about apps and software? 148 00:09:25,800 --> 00:09:29,120 Speaker 1: What are some things that you're loving at the moment, 149 00:09:29,160 --> 00:09:31,360 Speaker 1: because I remember last time you were on the show, 150 00:09:31,559 --> 00:09:36,800 Speaker 1: you mentioned an awesome app for the mobile phone, which 151 00:09:36,800 --> 00:09:39,120 Speaker 1: I think from memory was called sat where you could 152 00:09:39,120 --> 00:09:43,079 Speaker 1: scan any kind of plant and find out what its 153 00:09:43,160 --> 00:09:43,679 Speaker 1: name was. 154 00:09:44,360 --> 00:09:47,560 Speaker 3: Just to remind listeners who maybe with those who don't 155 00:09:47,600 --> 00:09:50,240 Speaker 3: know about it. It's a map for your phone and 156 00:09:50,280 --> 00:09:53,560 Speaker 3: it uses I won't say AI, but it uses machine 157 00:09:53,640 --> 00:09:58,680 Speaker 3: learning to recognize the species of plant that you pointed 158 00:09:58,720 --> 00:10:02,120 Speaker 3: out with your camera, and it's pretty good. I would 159 00:10:02,120 --> 00:10:04,959 Speaker 3: say ninety five percent of the time it can identify 160 00:10:05,080 --> 00:10:09,160 Speaker 3: what it is. There is amazingly some people don't know 161 00:10:09,200 --> 00:10:15,160 Speaker 3: about Google Translate, but when we resume traveling one of 162 00:10:15,200 --> 00:10:20,599 Speaker 3: these years, it has changed travel in foreign countries tremendously 163 00:10:20,640 --> 00:10:25,440 Speaker 3: because you can use it to translate kind of like 164 00:10:25,480 --> 00:10:29,480 Speaker 3: in real time with another person, back and forth and 165 00:10:29,679 --> 00:10:34,480 Speaker 3: a huge number of different language combinations. You're speaking into 166 00:10:34,520 --> 00:10:37,400 Speaker 3: the phone in one language and it repeats it in 167 00:10:37,440 --> 00:10:41,080 Speaker 3: another language in the host language, and back and forth 168 00:10:41,960 --> 00:10:45,160 Speaker 3: in a conversation, and it just really makes it travel 169 00:10:45,840 --> 00:10:50,640 Speaker 3: possible to places that you might hesitate in going. Now 170 00:10:50,720 --> 00:10:52,240 Speaker 3: you have a translator with you. 171 00:10:53,480 --> 00:10:58,120 Speaker 1: Anything else on your computer even that you're finding really useful. 172 00:10:59,040 --> 00:11:01,680 Speaker 3: There isn't a lot in terms of like an app, 173 00:11:01,720 --> 00:11:05,599 Speaker 3: but but websites there are some cool places I like 174 00:11:05,679 --> 00:11:10,400 Speaker 3: to visit. I've been become more interested in generative art. 175 00:11:10,720 --> 00:11:17,200 Speaker 3: So my my thesis is that AIS robots AIS can 176 00:11:17,280 --> 00:11:19,440 Speaker 3: be creative and will be creative, but they'll be creative 177 00:11:19,440 --> 00:11:21,360 Speaker 3: in a very they won't have a kind of a 178 00:11:21,520 --> 00:11:25,120 Speaker 3: human kind of creativity. It'll be like watching aliens work, 179 00:11:25,440 --> 00:11:28,520 Speaker 3: like you know, aliens from another planet. And so there 180 00:11:28,559 --> 00:11:32,679 Speaker 3: are some sites already that are doing like art Breeder, 181 00:11:33,080 --> 00:11:36,360 Speaker 3: where some people use them to breed characters for games, 182 00:11:36,520 --> 00:11:39,920 Speaker 3: and you can do album covers and fonts and stuff, 183 00:11:39,960 --> 00:11:42,400 Speaker 3: and you kind of have to manage this like a gardener, 184 00:11:42,440 --> 00:11:45,080 Speaker 3: where this stuff is literally breeding and you're trying to 185 00:11:45,160 --> 00:11:50,040 Speaker 3: direct it. It's a co creation. And that's again the 186 00:11:50,080 --> 00:11:51,800 Speaker 3: model that I think we're going to have in AI 187 00:11:51,880 --> 00:11:54,120 Speaker 3: for a very long time is this kind of partnership 188 00:11:54,160 --> 00:11:57,560 Speaker 3: where it's suggesting kind of like how about this, how 189 00:11:57,600 --> 00:11:59,280 Speaker 3: about this, and it's like, well that's what we've strained. 190 00:12:00,000 --> 00:12:03,160 Speaker 3: Maybe that's good, that's a good idea, let's go that way, 191 00:12:03,280 --> 00:12:05,560 Speaker 3: or that's you know, And a lot of it is 192 00:12:05,600 --> 00:12:07,800 Speaker 3: just stuff you're going to throw away and don't pay 193 00:12:07,800 --> 00:12:09,320 Speaker 3: attention to it. But every now and then there's this 194 00:12:09,360 --> 00:12:12,920 Speaker 3: thing I was like, that's interesting, that's good. And so 195 00:12:14,160 --> 00:12:18,520 Speaker 3: art Breeder is a site that you can breed art 196 00:12:18,920 --> 00:12:23,000 Speaker 3: with and there's Soda right which will breed texts for 197 00:12:23,160 --> 00:12:27,079 Speaker 3: writers as kind of as prompts, and it can write 198 00:12:27,080 --> 00:12:30,320 Speaker 3: a scene, it can't write anything. It doesn't it's attention 199 00:12:30,400 --> 00:12:33,160 Speaker 3: span is not enough to go beyond that. And I'm 200 00:12:33,160 --> 00:12:35,400 Speaker 3: sure there's one for music, but I'm not that familiar 201 00:12:35,440 --> 00:12:35,719 Speaker 3: with it. 202 00:12:36,080 --> 00:12:41,520 Speaker 1: Wow, that's an absolutely fascinating Now on the topic of computers, 203 00:12:41,720 --> 00:12:46,000 Speaker 1: I know that occasionally in Recommendo you'll talk about keyboard shortcuts, 204 00:12:46,000 --> 00:12:49,240 Speaker 1: and I must say I'm a little bit obsessed with 205 00:12:49,320 --> 00:12:52,360 Speaker 1: them at the moment. I had raccolv Laura, who's the 206 00:12:52,400 --> 00:12:54,800 Speaker 1: co founder of Superhuman, on the show a few months ago, 207 00:12:54,960 --> 00:12:59,000 Speaker 1: and one of the pieces of advice he had is 208 00:12:59,400 --> 00:13:03,280 Speaker 1: to really obsess over keyboard shortcuts so that you don't 209 00:13:03,320 --> 00:13:06,480 Speaker 1: have to use your mouse as much because mice slow 210 00:13:06,559 --> 00:13:11,280 Speaker 1: down productivity. So do you have any particular, less well 211 00:13:11,320 --> 00:13:14,400 Speaker 1: known keyboard shortcuts that you would like to share. 212 00:13:15,559 --> 00:13:20,480 Speaker 3: There is one keyboard shortcut which I wish I had 213 00:13:20,520 --> 00:13:22,840 Speaker 3: known about many many years before, because it was something 214 00:13:22,880 --> 00:13:26,360 Speaker 3: that I was always struggling with. And it is when 215 00:13:26,400 --> 00:13:34,040 Speaker 3: you're pasting text from one document, one website, one something 216 00:13:34,080 --> 00:13:38,120 Speaker 3: to another. Oftentimes you're copying the formatting, and this is 217 00:13:38,240 --> 00:13:42,720 Speaker 3: a version of paste where you are pasting it stripped 218 00:13:42,840 --> 00:13:47,000 Speaker 3: laws formatting and on the Mac it's shift option command 219 00:13:47,400 --> 00:13:50,840 Speaker 3: V of course, the command V is normal paste, but 220 00:13:50,880 --> 00:13:52,199 Speaker 3: you're adding two other. 221 00:13:52,920 --> 00:13:53,920 Speaker 2: I love that shortcut. 222 00:13:54,000 --> 00:13:56,240 Speaker 1: I remember when I first discovered it, and it is 223 00:13:56,400 --> 00:13:59,559 Speaker 1: it's life changing. Although funnily enough, in the latest version 224 00:13:59,640 --> 00:14:01,920 Speaker 1: of a note it doesn't work. 225 00:14:02,240 --> 00:14:03,880 Speaker 2: You have to go It's bizarre. 226 00:14:03,880 --> 00:14:07,160 Speaker 1: You have to go shift command Z, which does my 227 00:14:07,240 --> 00:14:11,280 Speaker 1: head in very annoying. If anyone from Evanoe is listening now, 228 00:14:11,320 --> 00:14:13,720 Speaker 1: I know that you're like the epitome of a lifelong learner. 229 00:14:13,760 --> 00:14:15,320 Speaker 1: I feel like and I remember when I had you 230 00:14:15,360 --> 00:14:18,600 Speaker 1: on last time. You talked about how YouTube is your 231 00:14:18,640 --> 00:14:21,080 Speaker 1: main search engine for when you're trying to learn something, 232 00:14:21,120 --> 00:14:23,000 Speaker 1: but I know that you also dip into quite a 233 00:14:23,040 --> 00:14:27,240 Speaker 1: few different online learning resources. What are your favorites? 234 00:14:27,480 --> 00:14:30,480 Speaker 3: Well, you know, I hate to say it, but really 235 00:14:30,600 --> 00:14:33,880 Speaker 3: it's hard to go deeper than YouTube. These days, even 236 00:14:33,960 --> 00:14:36,800 Speaker 3: in kind of the academic world, there's more and more 237 00:14:37,520 --> 00:14:43,320 Speaker 3: papers and talks that are put up, and there's something 238 00:14:43,320 --> 00:14:47,000 Speaker 3: called journal clubs that I have known about in the 239 00:14:47,080 --> 00:14:51,400 Speaker 3: scientific community. So the way journal club works in science 240 00:14:51,520 --> 00:14:54,760 Speaker 3: is that researchers in a particular area have trouble like 241 00:14:54,800 --> 00:14:56,600 Speaker 3: areas keeping up, and so what they would do is 242 00:14:56,640 --> 00:14:59,240 Speaker 3: they have like a weekly or monthly journal club meeting, 243 00:14:59,320 --> 00:15:01,360 Speaker 3: and there are a group of them, and what they 244 00:15:01,360 --> 00:15:06,120 Speaker 3: basically do is they split up the task of reading 245 00:15:06,280 --> 00:15:10,360 Speaker 3: a journal paper and then reporting it back to the 246 00:15:10,360 --> 00:15:13,360 Speaker 3: rest of the group. And so let's say in a 247 00:15:13,600 --> 00:15:16,120 Speaker 3: year they do it monthly. They have twelve papers that 248 00:15:16,160 --> 00:15:18,400 Speaker 3: they can read deeply, because one of them will read 249 00:15:18,520 --> 00:15:21,280 Speaker 3: one of the papers and really understand it and then 250 00:15:21,320 --> 00:15:24,400 Speaker 3: make a presentation to the other eleven about what it 251 00:15:24,440 --> 00:15:28,640 Speaker 3: means and more and more of those are on YouTube, 252 00:15:28,680 --> 00:15:30,960 Speaker 3: and if you can watch one of those, that's really 253 00:15:30,960 --> 00:15:34,520 Speaker 3: the best way to understand a paper, I would say. 254 00:15:34,560 --> 00:15:36,400 Speaker 3: The other place you want to look at is something 255 00:15:36,440 --> 00:15:43,320 Speaker 3: called sy hub. Si hub is a site that's sort 256 00:15:43,320 --> 00:15:47,120 Speaker 3: of a gray maybe pirate site. It's very hard to 257 00:15:47,200 --> 00:15:49,000 Speaker 3: agree on what it is, but it's a site that 258 00:15:49,040 --> 00:15:53,800 Speaker 3: basically offers you access to scientific papers in PDF form 259 00:15:54,440 --> 00:15:56,880 Speaker 3: outside of the journals. So a lot of the science 260 00:15:57,360 --> 00:16:00,640 Speaker 3: produced around the world is kept behind the very high 261 00:16:01,040 --> 00:16:03,560 Speaker 3: price journals, which even if you're willing to pay a 262 00:16:03,560 --> 00:16:06,680 Speaker 3: little bit of money for, often not even available to 263 00:16:06,760 --> 00:16:11,080 Speaker 3: the individual and so sihab has basically scarfed all this 264 00:16:11,240 --> 00:16:13,760 Speaker 3: up and offers it. It's a little hard to use 265 00:16:13,760 --> 00:16:16,440 Speaker 3: because you can't really browse or even search. You have 266 00:16:16,480 --> 00:16:19,280 Speaker 3: to give it an address and then it will bring 267 00:16:19,320 --> 00:16:21,080 Speaker 3: forth the PDF. 268 00:16:21,240 --> 00:16:23,520 Speaker 2: I got to say, I love Sihab. 269 00:16:23,600 --> 00:16:26,320 Speaker 1: I became quite obsessed with that site when I found 270 00:16:26,360 --> 00:16:29,800 Speaker 1: out about it. And it's sometimes down, like sometimes it 271 00:16:29,840 --> 00:16:33,480 Speaker 1: doesn't work or you get error messages, and that is 272 00:16:33,640 --> 00:16:36,920 Speaker 1: enough to ruin my morning when sihab it's not working. 273 00:16:37,280 --> 00:16:40,080 Speaker 1: I'm intrigued by these journal clubs. I haven't come across 274 00:16:40,120 --> 00:16:43,280 Speaker 1: that concept. Are there any go to or favorite people 275 00:16:43,320 --> 00:16:45,360 Speaker 1: that you follow for that concept? 276 00:16:45,400 --> 00:16:48,480 Speaker 3: Well, well, there is one professor that he's not quite 277 00:16:48,520 --> 00:16:51,280 Speaker 3: a journal club, but he calls it two Minute Papers, 278 00:16:52,040 --> 00:16:55,360 Speaker 3: and he has a little YouTube channel called two Minute Papers, 279 00:16:55,400 --> 00:16:58,840 Speaker 3: and he takes scientific papers and does a two minute 280 00:16:58,920 --> 00:17:00,520 Speaker 3: and it's often more than two in it, but it's 281 00:17:00,520 --> 00:17:04,359 Speaker 3: a short explanation of the papers. Most of the papers 282 00:17:04,400 --> 00:17:11,040 Speaker 3: are kind of in the AI CG computer graphics arena, 283 00:17:11,280 --> 00:17:15,320 Speaker 3: so it's very kind of exciting, cutting edge material. But 284 00:17:15,840 --> 00:17:20,960 Speaker 3: he does this job of kind of deconstructing the paper 285 00:17:21,040 --> 00:17:22,800 Speaker 3: and what's really cool about it. And most of the 286 00:17:22,800 --> 00:17:25,400 Speaker 3: time you can find these by just adding the word 287 00:17:25,520 --> 00:17:29,960 Speaker 3: journal club in your search. That will often resurrect them. 288 00:17:30,440 --> 00:17:33,760 Speaker 1: Who are some of your other favorite people to follow 289 00:17:34,040 --> 00:17:36,640 Speaker 1: on various social media channels. 290 00:17:36,640 --> 00:17:41,359 Speaker 3: A newsletter and a Twitter feed that I've recommended recently 291 00:17:41,440 --> 00:17:45,520 Speaker 3: is an economist named Noah Smith. I follow him because 292 00:17:45,760 --> 00:17:49,080 Speaker 3: he is very wide ranging, and he'll talk about the 293 00:17:49,080 --> 00:17:55,840 Speaker 3: economics of cities, to immigration to the restaurants of Japan. 294 00:17:56,000 --> 00:17:59,320 Speaker 3: It's a very wide interest and I would say his 295 00:18:00,080 --> 00:18:04,240 Speaker 3: in some ways of parallel person is Taylor Cohen, who 296 00:18:04,320 --> 00:18:08,439 Speaker 3: has a blog and he's also an economist with a 297 00:18:08,600 --> 00:18:12,040 Speaker 3: very very wide ranging interest in his He does it 298 00:18:12,080 --> 00:18:14,920 Speaker 3: every day, has readings he's read. He reads like a 299 00:18:14,960 --> 00:18:18,800 Speaker 3: book a day, and I'm not joking, and so he 300 00:18:19,119 --> 00:18:25,440 Speaker 3: just uncovers all kinds of very unusual, odd but interesting 301 00:18:25,680 --> 00:18:29,239 Speaker 3: stuff from all over the web. And that's the kind 302 00:18:29,280 --> 00:18:31,000 Speaker 3: of people I like to follow. 303 00:18:31,560 --> 00:18:35,439 Speaker 1: Right, it is just about time for a short little 304 00:18:35,480 --> 00:18:36,120 Speaker 1: ad break. 305 00:18:36,320 --> 00:18:38,320 Speaker 2: If you are enjoying how I work. 306 00:18:38,280 --> 00:18:42,040 Speaker 1: You maybe maybe maybe want to hit pause and leave 307 00:18:42,080 --> 00:18:42,760 Speaker 1: a review. 308 00:18:43,119 --> 00:18:46,719 Speaker 2: Reviews awesome. I love reading them. 309 00:18:46,760 --> 00:18:49,080 Speaker 1: They just bring a huge smile to my face and 310 00:18:49,240 --> 00:18:52,680 Speaker 1: make my job even more rewarding. And they also help 311 00:18:52,800 --> 00:18:56,000 Speaker 1: other people find out about the show. So after this 312 00:18:56,119 --> 00:19:00,080 Speaker 1: ad break, we will learn about Kevin's predictions for the 313 00:19:00,119 --> 00:19:04,159 Speaker 1: next big thing. Now, I know that you're someone that 314 00:19:04,240 --> 00:19:07,000 Speaker 1: is always on the lookout for the next new thing. 315 00:19:07,480 --> 00:19:09,840 Speaker 1: What are some of the things that are catching your 316 00:19:09,960 --> 00:19:11,000 Speaker 1: attention at the moment. 317 00:19:12,920 --> 00:19:18,640 Speaker 3: Well, I think everybody in the world will have a 318 00:19:18,680 --> 00:19:23,600 Speaker 3: migration from gasoline petrol fueled cars to electric cars will 319 00:19:23,640 --> 00:19:27,600 Speaker 3: happen very fast because the electric cars are just superior 320 00:19:28,000 --> 00:19:31,200 Speaker 3: in almost every dimension. We have an electric car that's 321 00:19:31,200 --> 00:19:34,600 Speaker 3: not a Tesla, it's a Chevy. It's a first American 322 00:19:34,680 --> 00:19:37,119 Speaker 3: owned car that we've ever owned. We've been in Japanese 323 00:19:37,160 --> 00:19:42,719 Speaker 3: Toyota all along, including the hybrid, but this car is 324 00:19:42,760 --> 00:19:47,200 Speaker 3: just the best performance car that we've ever had, and 325 00:19:48,000 --> 00:19:51,760 Speaker 3: there's nothing inside. It's just a big battery. We haven't 326 00:19:51,800 --> 00:19:55,960 Speaker 3: been to the gas station forever. We just plug in 327 00:19:56,000 --> 00:20:02,800 Speaker 3: at home. Gets pretty good range to forty miles. And 328 00:20:02,920 --> 00:20:06,520 Speaker 3: I think electric cars are poised to become the next 329 00:20:06,600 --> 00:20:11,840 Speaker 3: big thing that everybody realizes and wants. And we're going 330 00:20:11,920 --> 00:20:14,000 Speaker 3: to start making pickup trucks where they are right now, 331 00:20:14,080 --> 00:20:16,840 Speaker 3: Rivian and others, and they're going to become just kind 332 00:20:16,880 --> 00:20:22,520 Speaker 3: of like people will realize that they're just superior in 333 00:20:22,560 --> 00:20:27,600 Speaker 3: every way except this range issue, which will be slowly 334 00:20:27,640 --> 00:20:32,760 Speaker 3: resolved in charging stations, etc. I think that's the next 335 00:20:32,800 --> 00:20:35,760 Speaker 3: new thing. And I'm not talking about autonomous driving right now. 336 00:20:35,800 --> 00:20:38,280 Speaker 3: I'm talking about just the electric car. I think the 337 00:20:38,320 --> 00:20:43,320 Speaker 3: autonomous is going to be ten years fifteen years away. 338 00:20:44,400 --> 00:20:47,680 Speaker 3: There'll be little parts of it driving, maybe on parts 339 00:20:47,680 --> 00:20:51,280 Speaker 3: of the highway or self parking, but I'm mostly just 340 00:20:51,320 --> 00:20:55,879 Speaker 3: talking about the movement to fully electric vehicles. 341 00:20:55,880 --> 00:20:59,560 Speaker 1: Something you write about and recommendo recently in relation to 342 00:20:59,720 --> 00:21:01,919 Speaker 1: being one of the next new things that you're saying 343 00:21:01,960 --> 00:21:04,680 Speaker 1: of thetuber is can you talk about what that is? 344 00:21:05,200 --> 00:21:09,199 Speaker 3: In the world of YouTube entertainment, people who are amusing 345 00:21:09,680 --> 00:21:15,960 Speaker 3: and interacting, et cetera, which is a part of what 346 00:21:16,040 --> 00:21:19,479 Speaker 3: people get. So there's instructions and then there's kind of 347 00:21:21,840 --> 00:21:27,200 Speaker 3: playing playfulness, people watching games, watching other people play games, 348 00:21:27,240 --> 00:21:29,560 Speaker 3: play games, and then watch other people play and et cetera. 349 00:21:29,920 --> 00:21:33,240 Speaker 3: In that kind of arena, there were virtual characters, people 350 00:21:33,240 --> 00:21:36,440 Speaker 3: who were not just making a persona but they actually 351 00:21:37,320 --> 00:21:45,399 Speaker 3: had a virtual character that they the human owner, was 352 00:21:46,000 --> 00:21:50,320 Speaker 3: manipulating with motion capture technology, the kinds of things they 353 00:21:50,320 --> 00:21:53,600 Speaker 3: would use to make a movie. So they would put 354 00:21:53,600 --> 00:21:57,480 Speaker 3: the apparatus on in their bedroom, say, and they would 355 00:21:57,520 --> 00:22:02,760 Speaker 3: project into a virtual student udio a version of them 356 00:22:02,840 --> 00:22:04,879 Speaker 3: that did not not look like them, maybe have a 357 00:22:04,920 --> 00:22:08,080 Speaker 3: different voice, and they would sometimes adopt a different personality. 358 00:22:08,640 --> 00:22:12,560 Speaker 3: And they yet they could live stream and interact with 359 00:22:12,920 --> 00:22:16,200 Speaker 3: fans like many of the people on Twitch do. So 360 00:22:16,280 --> 00:22:20,160 Speaker 3: these were called YouTubers, like virtual YouTubers, and they had 361 00:22:20,359 --> 00:22:25,320 Speaker 3: started to get followings because they were characters and that 362 00:22:25,440 --> 00:22:27,520 Speaker 3: the interaction or of the you know, right now, there's 363 00:22:27,560 --> 00:22:29,720 Speaker 3: a little bit at the uncanny valley where you can 364 00:22:29,800 --> 00:22:34,400 Speaker 3: definitely tell that these are not real people. But we're 365 00:22:34,440 --> 00:22:38,240 Speaker 3: going very quickly to the through the uncanny canny valley 366 00:22:38,280 --> 00:22:42,320 Speaker 3: where it will become more and more difficult to perceive 367 00:22:42,640 --> 00:22:48,640 Speaker 3: of these characters as not a real person. And the 368 00:22:48,720 --> 00:22:51,960 Speaker 3: major advantages it's like a mask for people. They can 369 00:22:52,160 --> 00:22:55,840 Speaker 3: play a character or more than one character and do 370 00:22:56,000 --> 00:22:58,880 Speaker 3: things or be in sets that it would be impossible. 371 00:22:59,200 --> 00:23:02,480 Speaker 3: So it's a fiction world. And I think this will 372 00:23:02,520 --> 00:23:08,240 Speaker 3: be a whole new genre of entertainment that's not a movie, 373 00:23:08,440 --> 00:23:11,480 Speaker 3: and it's not like Twitch we're just watching someone play 374 00:23:11,520 --> 00:23:15,280 Speaker 3: a game. It's something else. And I think there'll be 375 00:23:15,280 --> 00:23:18,320 Speaker 3: many versions of this, and we'll have other names synthetic 376 00:23:18,400 --> 00:23:22,680 Speaker 3: characters or whatever. But it's definitely something that's begun right now. 377 00:23:23,200 --> 00:23:24,600 Speaker 2: It's fascinating. 378 00:23:25,000 --> 00:23:28,400 Speaker 1: Now, Kevin, my final question for you is, people who 379 00:23:28,480 --> 00:23:32,359 Speaker 1: want to connect with you and your Vanishing Asia project, 380 00:23:32,440 --> 00:23:33,679 Speaker 1: what is the best way to do that. 381 00:23:34,480 --> 00:23:37,399 Speaker 3: I can be found at a website that's based on 382 00:23:37,400 --> 00:23:42,960 Speaker 3: my initials, kk dot org kk dot org, where my 383 00:23:43,040 --> 00:23:46,880 Speaker 3: books and articles and everything else is at least centralized 384 00:23:47,680 --> 00:23:52,120 Speaker 3: in the social media world. I'm Kevin two Kelly, Kevin 385 00:23:52,200 --> 00:23:56,920 Speaker 3: number two Kelly on Twitter, Instagram, all that kind of 386 00:23:56,920 --> 00:24:03,440 Speaker 3: stuff at Kevin two Kelly and this project right now, 387 00:24:03,520 --> 00:24:07,439 Speaker 3: Vanishing Asia is a Kickstarter probably search for Vanishing Asia, 388 00:24:08,440 --> 00:24:11,840 Speaker 3: you'll see it. The book itself is based on still images. 389 00:24:12,760 --> 00:24:17,840 Speaker 3: It's an exuberant celebration of the disappearing traditions of Asia 390 00:24:18,000 --> 00:24:20,639 Speaker 3: and the ways in which they did things differently, so 391 00:24:20,680 --> 00:24:26,479 Speaker 3: it kind of celebrates difference and otherness. It's a thousand pages, 392 00:24:26,880 --> 00:24:31,359 Speaker 3: weighs twenty seven pounds. It's way too big, but it 393 00:24:31,440 --> 00:24:34,600 Speaker 3: represents this vast continent and the stuff that's in it. 394 00:24:34,760 --> 00:24:40,159 Speaker 3: There's discounts available, but they're going very fast. And I 395 00:24:40,200 --> 00:24:43,080 Speaker 3: will say categorically that there is simply no other book 396 00:24:43,080 --> 00:24:45,960 Speaker 3: in the world like it, and I have all the 397 00:24:45,960 --> 00:24:48,280 Speaker 3: photo books and especially all the photo books of Asia 398 00:24:48,400 --> 00:24:50,320 Speaker 3: they have ever been printed, and there's nothing like it, 399 00:24:50,760 --> 00:24:54,879 Speaker 3: so I can guarantee you that that's it. Vanishing Asia, 400 00:24:54,880 --> 00:24:56,600 Speaker 3: I Kickstarter amazing. 401 00:24:56,680 --> 00:24:59,560 Speaker 1: I will link to all that in the show notes. Kevin, 402 00:25:00,040 --> 00:25:02,399 Speaker 1: it has been absolutely fascinating. 403 00:25:02,920 --> 00:25:04,680 Speaker 2: Thank you so much for your time. 404 00:25:05,520 --> 00:25:08,639 Speaker 3: It's been a delight. I really really treasure the opportunity 405 00:25:08,680 --> 00:25:11,720 Speaker 3: to chat with you again, and I appreciate your interest 406 00:25:11,760 --> 00:25:12,639 Speaker 3: in my work. Thank you. 407 00:25:13,320 --> 00:25:17,359 Speaker 1: That is it for today's show. If you are not 408 00:25:17,440 --> 00:25:19,359 Speaker 1: a subscriber to How I Work, you might want to 409 00:25:19,400 --> 00:25:22,920 Speaker 1: hit subscribe because next week I have got co founder 410 00:25:22,960 --> 00:25:26,960 Speaker 1: and CEO of book Topia, Tony Nash on the show, 411 00:25:27,040 --> 00:25:29,040 Speaker 1: and we will be talking about all sorts of things, 412 00:25:29,080 --> 00:25:34,800 Speaker 1: including his diagnosis that he recently received for adult ADHD 413 00:25:35,080 --> 00:25:38,520 Speaker 1: and how that has changed the way he approaches his work. 414 00:25:39,240 --> 00:25:42,000 Speaker 1: How I Work is produced by Inventing Him with production 415 00:25:42,119 --> 00:25:42,760 Speaker 1: support from. 416 00:25:42,720 --> 00:25:43,840 Speaker 2: Dead Set Studios. 417 00:25:44,119 --> 00:25:47,360 Speaker 1: The producer for this episode was Jenna Coda, and thank 418 00:25:47,400 --> 00:25:49,840 Speaker 1: you to Matt Nimber, who does the audio mix for 419 00:25:49,920 --> 00:25:53,560 Speaker 1: every episode and makes everything sound awesome. 420 00:25:54,200 --> 00:25:55,040 Speaker 2: See you next time.