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Speaker 1: Jersey and Amanda Jamny.

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Speaker 2: It was nice to go and see the new Bob

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Speaker 2: Dylan movie yesterday.

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Speaker 1: Let me just give a background to your history with

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Speaker 1: Bob Dylan, because you've you've actually not liked him. You

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Speaker 1: didn't like his music, you thought the music was boring,

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Speaker 1: didn't like him, and yet you've been raving about it.

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Speaker 2: Yeah, Bob Dylan only and I our relationship is through

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Speaker 2: Wow it it's through commercial radio because we had to

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Speaker 2: play him when I was younger. I just liked this

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Speaker 2: guy's dreadful. You can't sing sounds dreadful, These songs go nowhere.

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Speaker 2: That's what I thought as a kid.

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Speaker 1: Keep it up.

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Speaker 2: But watching this movie, and I would recommend this movie

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Speaker 2: to anyone that wants to get an appreciation of Bob Dylan,

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Speaker 2: and I certainly do. The man is a genius, like

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Speaker 2: He's written so many songs, most songs from the world,

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Speaker 2: like he most prolific songwriter in the world, the only

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Speaker 2: songwriter to get the Nobel Peace Prize. He got the

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Speaker 2: award and then didn't go along for the night, which

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Speaker 2: is so Bob.

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Speaker 1: People have often said he's a great songwriter, but a

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Speaker 1: lot of people don't like it. Singing yeah, but as

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Speaker 1: soon as he's Charlamaego as he very good.

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Speaker 2: He plays Bob and he's very very good in it,

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Speaker 2: very very good in it. And it's got some it's

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Speaker 2: got Edward Norton in it. And he plays Pete Seeger,

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Speaker 2: who is the guy that kind of discovered.

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Speaker 1: And Peter Paul and Mary.

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Speaker 2: No no wrong, Peter, and the movie documents the time

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Speaker 2: from nineteen sixty one to nineteen sixty five. A young

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Speaker 2: Bobby Dylan nee Zimmerman comes to New York City and

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Speaker 2: he wants to meet his hero, Woody Guthrie, who was

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Speaker 2: a big folk music singer. Woody Guthrie is dying in hospital,

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Speaker 2: and Bob comes in and plays a song that he

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Speaker 2: wrote for Woody Guthrie, and Guthrie is overwhelmed by this

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Speaker 2: and Pete Segar who's in the room as well. So

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Speaker 2: Pete Seger puts him up in his house and puts

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Speaker 2: him on the folk music scene where he runs into

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Speaker 2: Joan Baez for many years, but a very fraught relationship.

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Speaker 2: Then it documents from that time to the British invasion

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Speaker 2: to the Beatles, and so he was folk music and

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Speaker 2: the big thing about the Beatles was his British invasion

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Speaker 2: and English, the English sand and also the electric sound.

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Speaker 2: And I remember hearing as a kid, Oh that's that's

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Speaker 2: as bad as when Bob Dylan went electric. And you

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Speaker 2: look at someone playing electric guitar and it's no big deal.

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Speaker 1: But back then, because it's like people saying, Taylor Swift

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Speaker 1: went from country to pop, you're not allowed to cross

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Speaker 1: the stream.

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Speaker 2: And Beyonce as well, so and and the folk music

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Speaker 2: scene was so and he played the Newport Folk Music

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Speaker 2: Festival and he started bringing out all this electric stuff

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Speaker 2: and people were booing him and throwing cans and all

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Speaker 2: that sort of stuff. So he'd gone from folks the

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Speaker 2: wind to electric.

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Speaker 1: Eventually, though it's usually successful coast electric.

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Speaker 2: Yes, And he still had the mouth, still the Norman gunstuff.

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Speaker 3: You know, if he edit added any more instruments, if

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Speaker 3: he put cymbals between his legs and a big bass

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Speaker 3: drum on his back, I think he still could have

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Speaker 3: pulled it off.

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Speaker 2: But it's worth going to see and check it out.

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Speaker 2: I think a complete unknown