1 00:00:01,160 --> 00:00:06,400 Speaker 1: Delving deep into the archives of Earth music history. 2 00:00:07,040 --> 00:00:09,360 Speaker 2: Crazy's Tragic Music Box. 3 00:00:09,840 --> 00:00:13,280 Speaker 1: All right, right, right, alright, ready to go back, Yes, 4 00:00:13,440 --> 00:00:16,159 Speaker 1: because it's nineteen eighty nine to day, and it was 5 00:00:16,160 --> 00:00:19,840 Speaker 1: a fabulous year because of the obvious we met. It's 6 00:00:19,840 --> 00:00:21,960 Speaker 1: the year we met, Yes, very self indulged at to 7 00:00:21,960 --> 00:00:25,079 Speaker 1: start a little old Eagle, a radio station called the 8 00:00:25,079 --> 00:00:26,160 Speaker 1: Eagle that didn't really fly. 9 00:00:26,360 --> 00:00:29,360 Speaker 2: Well, it was AM and it didn't quite the l 10 00:00:29,840 --> 00:00:33,599 Speaker 2: that was in the days where it was all a you. 11 00:00:33,560 --> 00:00:36,320 Speaker 1: Know, a bit of an auction, silent yes, silent ballet. 12 00:00:36,400 --> 00:00:39,199 Speaker 2: Right, it was yeah, and we missed out by well, 13 00:00:39,280 --> 00:00:40,479 Speaker 2: let's just say we could have passed. 14 00:00:40,280 --> 00:00:42,960 Speaker 1: The hat around it got us over the line. It 15 00:00:43,000 --> 00:00:45,680 Speaker 1: was not. It was pretty unfortunate. Things would have been 16 00:00:45,720 --> 00:00:47,440 Speaker 1: very different. It was to be called rock. Yeah, Rock 17 00:00:47,520 --> 00:00:49,479 Speaker 1: ninety three was going to be called one. That's all 18 00:00:49,479 --> 00:00:49,960 Speaker 1: in the past. 19 00:00:50,000 --> 00:00:50,200 Speaker 2: Two. 20 00:00:50,440 --> 00:00:54,320 Speaker 1: Nineteen eighty nine is the year, and Michael Keaton was Batman. 21 00:00:54,480 --> 00:00:56,720 Speaker 1: Let's be honest. He was so damn wasn't he. 22 00:00:56,680 --> 00:00:59,560 Speaker 2: My favorite Batman other than of course you know the 23 00:00:59,600 --> 00:01:00,480 Speaker 2: real Yeah. 24 00:01:00,600 --> 00:01:04,919 Speaker 1: Absolutely, Mel Gibson returned as that loose cannon cop Martin 25 00:01:05,000 --> 00:01:09,080 Speaker 1: Riggs in Leith weapon Io with that killer Hollywood Mullet 26 00:01:09,560 --> 00:01:12,040 Speaker 1: and Robin Williams served up an inspired performance in Dead 27 00:01:12,040 --> 00:01:13,880 Speaker 1: Poets Society. If you were thinking Robin was just a 28 00:01:13,920 --> 00:01:17,319 Speaker 1: comedic performer before some of those great dramatic roles, so 29 00:01:17,440 --> 00:01:35,720 Speaker 1: damn good Clarby starts make your lives extraord's me chills. 30 00:01:35,720 --> 00:01:36,560 Speaker 1: Actually it was. 31 00:01:37,080 --> 00:01:39,920 Speaker 2: It was a brilliant film and I can never watch 32 00:01:39,959 --> 00:01:40,680 Speaker 2: the end of it once. 33 00:01:41,000 --> 00:01:43,560 Speaker 1: Oh watched it just to go time. Yeah, it was 34 00:01:43,560 --> 00:01:46,560 Speaker 1: pretty good. Maybe want to stand on the desk. Tours 35 00:01:46,560 --> 00:01:49,800 Speaker 1: to Perth in nineteen eighty nine included noise works, Chris 36 00:01:49,800 --> 00:01:54,080 Speaker 1: de Burgh, Hoodoo Gurus, James Rain and Jimmy Barnes, and 37 00:01:54,120 --> 00:01:56,200 Speaker 1: thirty six years later they've all played here or all 38 00:01:56,200 --> 00:01:58,320 Speaker 1: scheduled to play gigs in Perth in twenty twenty five. 39 00:01:58,760 --> 00:02:01,560 Speaker 1: Now that's staying power. Speaking of which, the epitome of 40 00:02:01,600 --> 00:02:03,640 Speaker 1: staying power, in fact, it's in the dictionary is Ricard 41 00:02:03,640 --> 00:02:06,520 Speaker 1: and Susanna car They were into their fourth year together 42 00:02:06,560 --> 00:02:09,600 Speaker 1: reading news on seven Peres now forty and if you've 43 00:02:09,600 --> 00:02:11,720 Speaker 1: switched over on the same night to Channel nine, you 44 00:02:11,800 --> 00:02:14,440 Speaker 1: got Peter Wally Walthman and Conti at the news desk. YEP, 45 00:02:14,639 --> 00:02:17,720 Speaker 1: funny how times change. Some useless stats from eighty nine. 46 00:02:18,160 --> 00:02:20,399 Speaker 1: This is true. Meg Ryan tried on six hundred pairs 47 00:02:20,440 --> 00:02:23,240 Speaker 1: of sunglasses before choosing the pair she wore in the 48 00:02:23,240 --> 00:02:27,600 Speaker 1: movie when Harry met Sally. How bizarre. No one not 49 00:02:27,639 --> 00:02:27,960 Speaker 1: to me. 50 00:02:30,560 --> 00:02:33,000 Speaker 2: That many pairs of sunglasses when I was, you know, 51 00:02:33,120 --> 00:02:33,880 Speaker 2: buying a pair. 52 00:02:33,760 --> 00:02:35,240 Speaker 1: At that stage, No one and the crew said I'll 53 00:02:35,240 --> 00:02:37,200 Speaker 1: have what she's having because it takes too long. At 54 00:02:37,240 --> 00:02:40,120 Speaker 1: New York's Whitney Museum of American Art, they displayed Yoko 55 00:02:40,160 --> 00:02:44,079 Speaker 1: Ono's film Bottom Features. Of course they did. It was 56 00:02:44,120 --> 00:02:46,320 Speaker 1: a bit of a plan of music. It featured eighty 57 00:02:46,360 --> 00:02:50,400 Speaker 1: minutes of footage of people's naked backsides. And it's on YouTube, 58 00:02:50,919 --> 00:02:52,800 Speaker 1: but be worn. There are lots of hairy bums and 59 00:02:52,800 --> 00:02:56,880 Speaker 1: people walking away from the from the camera. That's art, 60 00:02:57,600 --> 00:03:02,640 Speaker 1: that's us, that's usty. They could have played the soundtrack 61 00:03:02,680 --> 00:03:07,080 Speaker 1: of some of her best hits nineteen eighty it is, 62 00:03:07,120 --> 00:03:09,000 Speaker 1: it's on YouTube, but don't maybe don't google it on 63 00:03:09,040 --> 00:03:12,040 Speaker 1: the work computer. Nineteen eighty nine was the year we 64 00:03:12,120 --> 00:03:15,480 Speaker 1: lost American actor Jim Backus. Now, of course he was 65 00:03:16,080 --> 00:03:18,839 Speaker 1: he ever said lovey, how he was the selfish millionaire first, 66 00:03:18,880 --> 00:03:21,080 Speaker 1: and how the third on Gilligan's Island, but also the 67 00:03:21,120 --> 00:03:33,400 Speaker 1: Star and Voice have missed him ago borrowed up. Oh 68 00:03:33,440 --> 00:03:37,320 Speaker 1: my good if you got it again, the memory too 69 00:03:37,320 --> 00:03:38,040 Speaker 1: of your childhood. 70 00:03:38,440 --> 00:03:39,080 Speaker 2: Absolutely. 71 00:03:39,400 --> 00:03:41,560 Speaker 1: A copy of The West Australian in nineteen eighty nine 72 00:03:41,800 --> 00:03:44,960 Speaker 1: was fifty cents petrol and Perth was about sixty cents 73 00:03:45,000 --> 00:03:46,400 Speaker 1: a leader. A lot of things you do for under 74 00:03:46,400 --> 00:03:49,880 Speaker 1: a buck one hundred dollars in nineteen eighty nine had 75 00:03:49,920 --> 00:03:52,280 Speaker 1: the same buying power of about two hundred and sixty 76 00:03:52,320 --> 00:03:57,080 Speaker 1: dollars today, right. I thought we'd wrap it today at 77 00:03:57,120 --> 00:03:59,120 Speaker 1: least with someone who you and I know very well, 78 00:03:59,240 --> 00:04:01,440 Speaker 1: and a song that the meteoric rise of a young 79 00:04:01,480 --> 00:04:04,640 Speaker 1: guitarist and singer songwriter from Scarborough Senior High School, Markazott 80 00:04:05,200 --> 00:04:07,880 Speaker 1: as Johnny Diesel and the Ejectors. That first album went 81 00:04:07,920 --> 00:04:10,320 Speaker 1: to number two on the Aussie Album Chart and gave 82 00:04:10,400 --> 00:04:13,160 Speaker 1: us three two Yeah I know, gave us three top 83 00:04:13,240 --> 00:04:15,960 Speaker 1: ten singles Don't Need Love, Cry and Shame at the 84 00:04:16,040 --> 00:04:19,560 Speaker 1: Old Soul Revival from the Tragic Music Box from nineteen 85 00:04:19,600 --> 00:04:21,920 Speaker 1: eighty nine on ninety six AFM