1 00:00:00,560 --> 00:00:04,520 Speaker 1: Powered by the iHeartRadio app from ninety six AIRFM to 2 00:00:04,600 --> 00:00:09,119 Speaker 1: wherever you're listening today. This is Clesy and Leasa's podcast. 3 00:00:09,520 --> 00:00:11,680 Speaker 2: Coming up on the podcast which had a two prolific 4 00:00:11,760 --> 00:00:14,880 Speaker 2: American composer Bear McCreary a hit every show at the ASTA. 5 00:00:15,040 --> 00:00:18,080 Speaker 3: On July twenty eight, PRIO Docca Hayden Young talked about 6 00:00:18,079 --> 00:00:21,480 Speaker 3: that win over the Saints and the concerns about playing 7 00:00:21,480 --> 00:00:23,000 Speaker 3: at the SCG this weekend. 8 00:00:23,000 --> 00:00:25,080 Speaker 2: Hatos didn't look that worried, did he not playing? 9 00:00:25,120 --> 00:00:25,680 Speaker 4: He's not playing. 10 00:00:25,880 --> 00:00:29,200 Speaker 2: Another singer has had a mid am malfunction during a concert. 11 00:00:28,920 --> 00:00:30,960 Speaker 3: And we asked, what old tech do you still own? 12 00:00:31,000 --> 00:00:33,920 Speaker 3: Because the Walkman is having a birthday and the phones 13 00:00:34,000 --> 00:00:37,960 Speaker 3: went nuts. Would you believe it was on this day, well, yesterday, 14 00:00:38,040 --> 00:00:42,280 Speaker 3: probably the first of July in nineteen seventy nine, that 15 00:00:42,479 --> 00:00:46,160 Speaker 3: Sony introduced the Walkman, the world's. 16 00:00:45,760 --> 00:00:51,320 Speaker 4: First portable audio cassette player. It was an absolute game 17 00:00:51,520 --> 00:00:52,800 Speaker 4: change for us. 18 00:00:52,960 --> 00:00:56,800 Speaker 3: But we used to drive a lot between Perth and 19 00:00:56,840 --> 00:00:59,320 Speaker 3: Bustleton and I'd be in the backseat of the car, 20 00:00:59,680 --> 00:01:02,760 Speaker 3: having up until nineteen seventy nine been forced to listen 21 00:01:02,840 --> 00:01:06,760 Speaker 3: to Max Bygraves or the Rape Is because they controlled 22 00:01:06,760 --> 00:01:10,119 Speaker 3: the the cassette player and you know, in the front. 23 00:01:10,560 --> 00:01:13,920 Speaker 3: And then when I got my own depends. 24 00:01:13,600 --> 00:01:15,119 Speaker 4: It was as arrival all the way. 25 00:01:15,240 --> 00:01:18,280 Speaker 2: Oh really, yeah, that was cho You had the little 26 00:01:18,319 --> 00:01:20,280 Speaker 2: headphones on and all what kind of gear? 27 00:01:20,360 --> 00:01:23,040 Speaker 4: Oh my god, that was just magic. 28 00:01:23,200 --> 00:01:25,640 Speaker 2: And all of a sudden, people jogging because people were 29 00:01:25,720 --> 00:01:27,920 Speaker 2: jogged normally with the headband on and you know the 30 00:01:28,319 --> 00:01:30,880 Speaker 2: single with the piping all those funny shorts, so you did, 31 00:01:31,720 --> 00:01:34,080 Speaker 2: and people would be jogging with their own music playing 32 00:01:34,360 --> 00:01:35,000 Speaker 2: on the walkmen. 33 00:01:35,160 --> 00:01:37,280 Speaker 3: I mean, kids these days they barely know what a 34 00:01:37,280 --> 00:01:41,200 Speaker 3: cassette tape is, so I'm not too sure if they 35 00:01:41,200 --> 00:01:43,679 Speaker 3: even can quite comprehend. 36 00:01:43,240 --> 00:01:46,360 Speaker 2: Get a grasp. These things are in museums nowt That's 37 00:01:46,360 --> 00:01:47,319 Speaker 2: the weirdest thing about it. 38 00:01:47,360 --> 00:01:50,080 Speaker 3: And that was one of those things that we just 39 00:01:50,320 --> 00:01:54,240 Speaker 3: called them walk a walkman, you know that that I 40 00:01:54,240 --> 00:01:54,920 Speaker 3: can't even see. 41 00:01:54,920 --> 00:01:55,760 Speaker 4: I can't even tell you. 42 00:01:55,720 --> 00:01:57,640 Speaker 3: What they were called. Yeah, I just knew it as 43 00:01:57,640 --> 00:01:59,520 Speaker 3: a walkman, but that was the brand, that's right. 44 00:01:59,600 --> 00:02:03,720 Speaker 4: Yeah, But that's how that's how much Sony owned the markers. 45 00:02:03,720 --> 00:02:05,040 Speaker 2: That's why clean X, isn't it. 46 00:02:05,040 --> 00:02:09,079 Speaker 3: Well, no, I say a tissue exactly, Okay, a tissue 47 00:02:09,080 --> 00:02:10,799 Speaker 3: we all fall down. Look, we want to talk about 48 00:02:10,840 --> 00:02:14,440 Speaker 3: old tech and what you've got. We're looking for the 49 00:02:14,480 --> 00:02:17,400 Speaker 3: oldest tech in town. Of course, I don't have two 50 00:02:17,480 --> 00:02:18,560 Speaker 3: soup cans. 51 00:02:18,200 --> 00:02:20,639 Speaker 4: With a piece of string between, have you really? Yeah? No, 52 00:02:21,200 --> 00:02:22,800 Speaker 4: I was the old one, but we thought we were 53 00:02:22,880 --> 00:02:23,400 Speaker 4: pretty clever. 54 00:02:24,480 --> 00:02:26,359 Speaker 2: Yeah, absolutely, Well, I love to know if people go and 55 00:02:26,400 --> 00:02:30,080 Speaker 2: anyone's got an old TV A rank arena, Rank arena. 56 00:02:30,280 --> 00:02:31,880 Speaker 2: Of course that don't work anymore because of the either 57 00:02:31,880 --> 00:02:33,840 Speaker 2: way the text changed. Or you can get people who 58 00:02:33,880 --> 00:02:35,840 Speaker 2: go to those run of antique shops in Guildford, right, 59 00:02:35,960 --> 00:02:38,400 Speaker 2: and you can buy the old dial phone, right, the 60 00:02:39,160 --> 00:02:41,639 Speaker 2: rotary Dill phone, and they're either red or you don't 61 00:02:41,639 --> 00:02:44,040 Speaker 2: get any other colors. They're either red or the green, right, 62 00:02:44,440 --> 00:02:44,960 Speaker 2: And so I. 63 00:02:45,320 --> 00:02:47,959 Speaker 4: Was always cream. I was dreamed of a red one. 64 00:02:48,000 --> 00:02:49,640 Speaker 2: But in those old shops you only see the red 65 00:02:49,680 --> 00:02:51,280 Speaker 2: and the green ones. Because I'd go to those shops 66 00:02:51,280 --> 00:02:53,639 Speaker 2: and a red one. Yeah they're amazing, but I go, 67 00:02:54,000 --> 00:02:55,880 Speaker 2: you too, can pay eighty five dollars for a phone 68 00:02:55,919 --> 00:02:59,200 Speaker 2: that doesn't work, you know what I mean? 69 00:02:59,720 --> 00:03:02,079 Speaker 4: But of people want to have to sit at a 70 00:03:02,120 --> 00:03:03,000 Speaker 4: lot of people want. 71 00:03:02,800 --> 00:03:04,280 Speaker 2: Their house or their land room at least to look 72 00:03:04,320 --> 00:03:05,640 Speaker 2: like the said of mad Ben. So I get it. 73 00:03:05,680 --> 00:03:08,240 Speaker 2: I understand. We could do it up, do it up 74 00:03:08,280 --> 00:03:10,760 Speaker 2: and do it right. But yeah, I've got of course, 75 00:03:10,800 --> 00:03:12,639 Speaker 2: I've got an old walkman at home and it works 76 00:03:13,080 --> 00:03:15,240 Speaker 2: really because I'm a hoarder. You know, they don't even. 77 00:03:15,080 --> 00:03:17,959 Speaker 4: Have any cassettes anymore. I've got a couple. 78 00:03:18,280 --> 00:03:20,359 Speaker 2: I've got the Paul Kelly one that listener dropped off. 79 00:03:20,800 --> 00:03:22,160 Speaker 2: That's right, thanks mate? 80 00:03:22,280 --> 00:03:25,120 Speaker 3: Yeah, well, I mean I don't even have an early 81 00:03:25,160 --> 00:03:27,920 Speaker 3: iPod I did, Greg. 82 00:03:28,160 --> 00:03:28,960 Speaker 2: Yeah, Greg a boss? 83 00:03:29,040 --> 00:03:29,200 Speaker 4: Yeah. 84 00:03:29,280 --> 00:03:31,480 Speaker 2: Oh yeah, sorry, you put in a marketplace one hundred bucks. 85 00:03:32,240 --> 00:03:32,880 Speaker 2: Sorry about that. 86 00:03:33,600 --> 00:03:40,040 Speaker 3: Maybe you've got a better Max yeah, VCR yeah or 87 00:03:40,120 --> 00:03:40,680 Speaker 3: is that not? 88 00:03:40,960 --> 00:03:42,160 Speaker 4: Is that a weird but Max? 89 00:03:42,280 --> 00:03:46,280 Speaker 2: Like what was the other vhs? Yeah? Yeah, you might 90 00:03:46,320 --> 00:03:48,560 Speaker 2: have a track tape machine that you had in the 91 00:03:48,600 --> 00:03:49,440 Speaker 2: car back in the day. 92 00:03:49,600 --> 00:03:51,560 Speaker 4: Were the better Maxes? 93 00:03:51,600 --> 00:03:53,080 Speaker 3: I mean they didn't call it better for better because 94 00:03:53,080 --> 00:03:54,960 Speaker 3: we're for no reason, because weren't they better? 95 00:03:55,240 --> 00:03:57,600 Speaker 4: Don't but why did they take off? They were the better? 96 00:03:59,280 --> 00:04:02,000 Speaker 4: They were the better? Heck yeah, I really I don't 97 00:04:02,040 --> 00:04:06,360 Speaker 4: know I have anyway. Yeah, year old tech. 98 00:04:06,400 --> 00:04:08,560 Speaker 2: For a while there, people thought a M stereo radio 99 00:04:08,680 --> 00:04:10,600 Speaker 2: was going to work you know, it's something like scratching sniff, 100 00:04:10,640 --> 00:04:10,960 Speaker 2: isn't it. 101 00:04:10,960 --> 00:04:13,560 Speaker 4: It didn't really work, Carolyn and Willerton, what have you got? 102 00:04:14,200 --> 00:04:17,320 Speaker 5: My husband and I listened to you every morning on 103 00:04:17,600 --> 00:04:21,919 Speaker 5: the Stackable Techniques Direct Link high five system that I 104 00:04:22,000 --> 00:04:25,600 Speaker 5: bought in nineteen eighty four. Hello, my first proper wages. 105 00:04:26,160 --> 00:04:27,640 Speaker 2: Yeah, it works, by Caroline. 106 00:04:27,760 --> 00:04:30,159 Speaker 5: It was no wires and everything at the back, so 107 00:04:30,200 --> 00:04:32,479 Speaker 5: you can stack each unit into each other with a 108 00:04:32,480 --> 00:04:33,360 Speaker 5: little clip at the back. 109 00:04:33,400 --> 00:04:34,800 Speaker 6: Beautiful high tech for. 110 00:04:34,760 --> 00:04:37,280 Speaker 4: Its time, absolutely, yeah, of course. 111 00:04:38,360 --> 00:04:39,000 Speaker 5: Good. 112 00:04:39,240 --> 00:04:41,880 Speaker 2: Yeah, and Caroline from the pretty early days of ninety six. 113 00:04:41,880 --> 00:04:43,320 Speaker 2: IM only four years old at that stage. 114 00:04:43,360 --> 00:04:47,360 Speaker 3: It's an amazing, very good I reckon we all might 115 00:04:47,360 --> 00:04:48,839 Speaker 3: have bought a bit of kit like that with us. 116 00:04:48,880 --> 00:04:52,640 Speaker 4: Yeah, thank you, Carolyn. 117 00:04:53,279 --> 00:04:54,239 Speaker 2: Something about the old. 118 00:04:54,040 --> 00:04:56,680 Speaker 3: Tech, you know, I mean some of those fridges from 119 00:04:56,720 --> 00:04:58,640 Speaker 3: them work, but a fridge you bought last year has 120 00:04:58,680 --> 00:04:59,320 Speaker 3: already broken. 121 00:04:59,360 --> 00:04:59,960 Speaker 2: Don't make them up. 122 00:05:01,160 --> 00:05:07,159 Speaker 3: Yes, Todd in Rockingham still has a nineteen forties radio gram. 123 00:05:07,320 --> 00:05:10,000 Speaker 2: Oh nice, that works. That's pretty cool. 124 00:05:10,160 --> 00:05:15,360 Speaker 3: And Trevor has a an Achi VHS video player and 125 00:05:15,400 --> 00:05:18,039 Speaker 3: a cabinet full of Disney Classic vhs. 126 00:05:18,160 --> 00:05:19,480 Speaker 2: Really the vhs. 127 00:05:19,560 --> 00:05:21,440 Speaker 4: Yeah, let's go down the blockluster. 128 00:05:21,839 --> 00:05:25,000 Speaker 3: Vince in Stratton has an old Commodore sixty four and 129 00:05:25,080 --> 00:05:27,880 Speaker 3: an old eight millimeter projector. Both still work. I just 130 00:05:27,920 --> 00:05:29,120 Speaker 3: have to give the globe a little bit of a 131 00:05:29,120 --> 00:05:32,640 Speaker 3: wiggle sometimes, of course, and then it works. Valerie and 132 00:05:32,680 --> 00:05:34,720 Speaker 3: baladuris is I have a style of phone made sort 133 00:05:34,720 --> 00:05:35,920 Speaker 3: of famous by Rolf Harris. 134 00:05:36,000 --> 00:05:37,080 Speaker 4: Oh, I have a. 135 00:05:37,080 --> 00:05:40,440 Speaker 3: Can of British page, also sort of famous by Rolf Harris. 136 00:05:40,480 --> 00:05:44,200 Speaker 2: I'm sorry, I've got a wobble Boodle's. 137 00:05:42,800 --> 00:05:45,080 Speaker 4: God finds Justin in Banksier Grove. 138 00:05:45,200 --> 00:05:47,880 Speaker 2: Hello, Hey, Justin, Hey, don't go to where do you go? 139 00:05:48,520 --> 00:05:50,920 Speaker 7: We've got a We've got a twenty six Natara twenty 140 00:05:50,960 --> 00:05:53,800 Speaker 7: six hundred home that still works, and we occasionally pull 141 00:05:53,839 --> 00:05:55,720 Speaker 7: it out and have a game with the kids who 142 00:05:55,760 --> 00:06:01,400 Speaker 7: had eighteen nine and twenty five Justin playing Froger and Asteroids. 143 00:06:01,560 --> 00:06:01,760 Speaker 4: Yeah. 144 00:06:02,400 --> 00:06:06,560 Speaker 3: Yeah, the year I got an Atari console for Christmas 145 00:06:07,000 --> 00:06:08,920 Speaker 3: was the greatest Christmas. 146 00:06:08,600 --> 00:06:16,560 Speaker 4: Of my life. Who can remember the forget this high tech? 147 00:06:16,680 --> 00:06:18,000 Speaker 8: Was that pong? 148 00:06:18,160 --> 00:06:19,760 Speaker 7: You still have to blow with the cartridges to get 149 00:06:19,800 --> 00:06:20,080 Speaker 7: them work? 150 00:06:21,040 --> 00:06:23,559 Speaker 2: Yeah, yeah, we're all doing We're jiggling our old teams, 151 00:06:23,560 --> 00:06:23,840 Speaker 2: aren't we. 152 00:06:25,560 --> 00:06:25,800 Speaker 9: Justin? 153 00:06:26,680 --> 00:06:29,120 Speaker 2: I love it work with the cartridges or fit it 154 00:06:29,200 --> 00:06:30,080 Speaker 2: with a globe to make it work. 155 00:06:30,120 --> 00:06:33,800 Speaker 4: Still, that will work, David, what if you go? 156 00:06:33,880 --> 00:06:35,799 Speaker 10: I want to stop. I want to start by saying 157 00:06:36,040 --> 00:06:38,320 Speaker 10: I know how the old generation feels. That took it 158 00:06:38,600 --> 00:06:40,120 Speaker 10: to the museum about a year ago. 159 00:06:40,320 --> 00:06:42,479 Speaker 7: Yeah, yeah, and all my stuff. 160 00:06:44,000 --> 00:06:46,120 Speaker 2: Isn't that funny for you toys. 161 00:06:51,279 --> 00:06:51,520 Speaker 10: Kids? 162 00:06:51,560 --> 00:06:55,520 Speaker 2: That's called a reel to real tape machine. What's tape? 163 00:06:55,600 --> 00:06:58,160 Speaker 7: Dad? Records? 164 00:06:58,440 --> 00:06:58,800 Speaker 2: Tape? 165 00:06:59,680 --> 00:07:01,080 Speaker 10: Yeah, they just don't get it. 166 00:07:01,480 --> 00:07:05,600 Speaker 4: No records Now they act like they invented them. 167 00:07:05,800 --> 00:07:05,960 Speaker 1: Yeah. 168 00:07:06,040 --> 00:07:08,440 Speaker 2: But before the final praise came back, David, my kids said, 169 00:07:08,480 --> 00:07:09,320 Speaker 2: what's that a big CD? 170 00:07:09,520 --> 00:07:09,560 Speaker 9: What? 171 00:07:10,160 --> 00:07:11,120 Speaker 2: What are the big CDs? 172 00:07:11,160 --> 00:07:11,200 Speaker 11: That? 173 00:07:12,200 --> 00:07:13,080 Speaker 4: What a CD is? 174 00:07:13,280 --> 00:07:13,480 Speaker 9: Now? 175 00:07:16,720 --> 00:07:17,640 Speaker 2: You're the museum soon? 176 00:07:17,920 --> 00:07:18,120 Speaker 11: Yeah? 177 00:07:19,840 --> 00:07:22,119 Speaker 2: No, Walkman, there'd be someone in Perth with a workman 178 00:07:22,160 --> 00:07:24,080 Speaker 2: on right now. I reckon? Do you think I reckon? 179 00:07:24,120 --> 00:07:25,160 Speaker 2: There'd be someone old school? 180 00:07:25,240 --> 00:07:27,520 Speaker 3: Well, even when it started out, you know, came a 181 00:07:27,720 --> 00:07:30,480 Speaker 3: became a cassette player, I mean a CD player. 182 00:07:30,280 --> 00:07:31,480 Speaker 4: I still called it a walkman. 183 00:07:31,720 --> 00:07:31,920 Speaker 12: Yeah. 184 00:07:31,960 --> 00:07:32,600 Speaker 2: The city players. 185 00:07:33,120 --> 00:07:34,080 Speaker 4: Walkman was in my head. 186 00:07:34,120 --> 00:07:37,040 Speaker 2: City players were problematic, they weren't they because they used 187 00:07:37,040 --> 00:07:37,840 Speaker 2: to do that skipping thing. 188 00:07:38,040 --> 00:07:41,400 Speaker 4: Yeah, study at scott Let's moody. What old tech have 189 00:07:41,480 --> 00:07:41,720 Speaker 4: you got? 190 00:07:42,360 --> 00:07:44,160 Speaker 6: I still got my good Morning. I've still got my 191 00:07:44,240 --> 00:07:48,200 Speaker 6: grandfather's old seventy eight his master's voice record player wind 192 00:07:48,280 --> 00:07:51,840 Speaker 6: up with a prank handle, Yeah, and also a selection 193 00:07:51,920 --> 00:07:52,680 Speaker 6: of records with it. 194 00:07:53,920 --> 00:07:56,120 Speaker 2: Have you had to replace the stylist, Scott because they're 195 00:07:56,120 --> 00:07:56,880 Speaker 2: hard to find, aren't they? 196 00:07:57,640 --> 00:07:57,840 Speaker 12: Yeah? 197 00:07:58,000 --> 00:08:00,760 Speaker 6: Several times I've had too because once again blunt yep, 198 00:08:01,000 --> 00:08:02,280 Speaker 6: the music starts the slow. 199 00:08:02,160 --> 00:08:05,960 Speaker 2: Now yeah yeah, then you ruin your old old assitates 200 00:08:06,000 --> 00:08:06,640 Speaker 2: your old record. 201 00:08:06,520 --> 00:08:08,960 Speaker 4: But she keeps. I mean, these days, when something goes 202 00:08:09,000 --> 00:08:10,520 Speaker 4: in something, the whole thing's gone. 203 00:08:10,880 --> 00:08:11,080 Speaker 9: Yeah. 204 00:08:11,400 --> 00:08:13,520 Speaker 4: That's the difference, isn't it with old tech? 205 00:08:13,920 --> 00:08:14,320 Speaker 6: Definitely. 206 00:08:14,400 --> 00:08:16,640 Speaker 7: I've got a really good record about Don Bradman. 207 00:08:18,200 --> 00:08:25,280 Speaker 2: Yeah, the ladies love it. I've got a one of 208 00:08:25,320 --> 00:08:27,520 Speaker 2: those old baker Light radios and it only works because 209 00:08:27,520 --> 00:08:29,200 Speaker 2: there's something. There's a couple of old blokes in perfect 210 00:08:29,200 --> 00:08:31,040 Speaker 2: fixed them really, which is pretty cool. 211 00:08:31,240 --> 00:08:32,000 Speaker 4: They look so good. 212 00:08:32,120 --> 00:08:33,000 Speaker 2: Yeah, baker Light. 213 00:08:33,480 --> 00:08:35,000 Speaker 4: That's what the old phones, aren't they? 214 00:08:35,480 --> 00:08:35,640 Speaker 9: Yeah? 215 00:08:35,679 --> 00:08:36,920 Speaker 2: They made that material. Yeah? 216 00:08:37,080 --> 00:08:39,439 Speaker 4: Yeah. What about you, Andrew and Canning Val? What have 217 00:08:39,520 --> 00:08:39,760 Speaker 4: you got? 218 00:08:40,559 --> 00:08:41,600 Speaker 10: I've got good morning? 219 00:08:42,080 --> 00:08:42,600 Speaker 4: Good Morning. 220 00:08:43,600 --> 00:08:47,559 Speaker 10: I've got three antique phones to start with. Two of 221 00:08:47,600 --> 00:08:54,240 Speaker 10: them are wooden box on the wall type one dial handle, yeah, yeah. 222 00:08:54,559 --> 00:08:56,640 Speaker 10: And the third one is I think they call it 223 00:08:56,720 --> 00:09:00,520 Speaker 10: a secretaries phone. It's like the baker lights stand with 224 00:09:00,679 --> 00:09:03,440 Speaker 10: the mouthpiece on the top and you hang the earpiece 225 00:09:03,520 --> 00:09:04,160 Speaker 10: on the side of it. 226 00:09:04,880 --> 00:09:05,160 Speaker 12: Wow. 227 00:09:07,360 --> 00:09:12,880 Speaker 10: I also have a Sony Discman which I won from 228 00:09:12,960 --> 00:09:14,520 Speaker 10: ninety six FM in a competition. 229 00:09:15,000 --> 00:09:16,560 Speaker 4: That's great, that is amazing. 230 00:09:16,679 --> 00:09:22,000 Speaker 10: What it was for the worst LP on vinyl that 231 00:09:22,160 --> 00:09:22,480 Speaker 10: you had? 232 00:09:22,800 --> 00:09:22,959 Speaker 9: Right? 233 00:09:23,480 --> 00:09:23,800 Speaker 7: What was it? 234 00:09:24,400 --> 00:09:26,640 Speaker 10: And I went, I chieged the bit. I went to 235 00:09:26,720 --> 00:09:33,080 Speaker 10: the good semis and went through the file. Yeah, Liberatus, you. 236 00:09:33,160 --> 00:09:36,240 Speaker 2: Deserve the Wind's genius. 237 00:09:38,360 --> 00:09:41,439 Speaker 10: And so yeah, really memories of ninety six even. 238 00:09:42,960 --> 00:09:43,439 Speaker 7: I don't. 239 00:09:44,920 --> 00:09:46,880 Speaker 2: See those old phones Andrews got on the wall. That's 240 00:09:46,920 --> 00:09:50,360 Speaker 2: like Gray Sullivan on the Sullivans to hear the latest 241 00:09:50,400 --> 00:09:53,400 Speaker 2: war news. Where's my job grass? 242 00:09:54,559 --> 00:09:57,720 Speaker 3: Amazing Debora in Bullsbrook's another one with an atari from 243 00:09:57,840 --> 00:10:00,200 Speaker 3: nineteen eighty that still works with the first ever Star 244 00:10:00,240 --> 00:10:03,600 Speaker 3: Wars game and about twenty other games. Let's actually it's 245 00:10:03,720 --> 00:10:04,840 Speaker 3: Dean in Bullsbrook. 246 00:10:07,080 --> 00:10:08,800 Speaker 2: Did you say, have you seen had Dirty? The cassette 247 00:10:08,800 --> 00:10:11,160 Speaker 2: that Wayne sent us a wine from Midvale? They got 248 00:10:11,240 --> 00:10:14,760 Speaker 2: like that's from my old crap he's got a cassette 249 00:10:14,800 --> 00:10:18,120 Speaker 2: player and like a portable one and a very old 250 00:10:18,200 --> 00:10:19,360 Speaker 2: copy of an Angel. 251 00:10:19,559 --> 00:10:22,679 Speaker 4: How many times you reckon a pencil? Why doing it 252 00:10:22,800 --> 00:10:23,079 Speaker 4: back on? 253 00:10:23,320 --> 00:10:27,200 Speaker 2: Way too many more than white towels. I turn there. 254 00:10:27,280 --> 00:10:29,040 Speaker 2: We're celebrating the old tech today. 255 00:10:29,520 --> 00:10:31,439 Speaker 4: We are Angie and beach Bro. What do you got? 256 00:10:31,600 --> 00:10:35,640 Speaker 5: So it's called a teasmad aeesmade. 257 00:10:36,480 --> 00:10:37,319 Speaker 9: Your tead? 258 00:10:37,440 --> 00:10:38,120 Speaker 2: Yeah, so. 259 00:10:39,679 --> 00:10:42,199 Speaker 13: The slade of your bed, it's your alarm clocks, so 260 00:10:42,280 --> 00:10:43,439 Speaker 13: you set your alarm. 261 00:10:43,480 --> 00:10:44,360 Speaker 7: Get you up in the morning. 262 00:10:44,559 --> 00:10:46,880 Speaker 4: But at the same time it makes your tea amazing. 263 00:10:47,400 --> 00:10:49,319 Speaker 4: You've got a nice tea ready for you when you 264 00:10:49,400 --> 00:10:49,760 Speaker 4: wake up. 265 00:10:49,880 --> 00:10:51,959 Speaker 2: Yeah, and it still works finance. 266 00:10:52,400 --> 00:10:54,040 Speaker 9: Yeah, preparently nice. 267 00:10:54,400 --> 00:10:57,920 Speaker 4: Yeah, thanks sad, thank you. 268 00:10:58,520 --> 00:10:59,800 Speaker 2: That's a ripper going to Midland. 269 00:11:00,160 --> 00:11:03,120 Speaker 4: Hello, Dave, I've. 270 00:11:03,040 --> 00:11:07,960 Speaker 13: Got a Vietnam War era radio set, complete with ancenary equipment. 271 00:11:08,280 --> 00:11:11,000 Speaker 13: I've got no idea how I got it. Yeah, it's 272 00:11:11,320 --> 00:11:13,720 Speaker 13: it's probably still signed out in a queue record somewhere, 273 00:11:14,320 --> 00:11:18,400 Speaker 13: but yeah, just sitting there and all the antennas and 274 00:11:18,760 --> 00:11:19,800 Speaker 13: everything the stuff that. 275 00:11:19,840 --> 00:11:22,200 Speaker 2: Goes with it sounds like a visit to antiques Roadchhaw 276 00:11:22,240 --> 00:11:23,400 Speaker 2: to me to. 277 00:11:23,440 --> 00:11:25,559 Speaker 4: Get feeling and the value amazing. 278 00:11:25,679 --> 00:11:27,439 Speaker 2: It's incredible, Dave, And you have no idea where it 279 00:11:27,440 --> 00:11:28,719 Speaker 2: came from. Could have been a grad para. 280 00:11:29,760 --> 00:11:31,360 Speaker 13: I've got an idea where it came from, but I've 281 00:11:31,360 --> 00:11:32,880 Speaker 13: got no idea how I ended up with it. 282 00:11:33,120 --> 00:11:36,640 Speaker 4: Got okay, okay, good thanks Dave. 283 00:11:37,160 --> 00:11:38,880 Speaker 2: I'll be boasting about that one. It's pretty cool. 284 00:11:39,320 --> 00:11:41,280 Speaker 4: Last call Paul in Woodvale. 285 00:11:41,400 --> 00:11:41,960 Speaker 2: What have you got? 286 00:11:42,040 --> 00:11:42,480 Speaker 4: Old tech? 287 00:11:43,120 --> 00:11:46,559 Speaker 14: So I've got a good morning guy. Got a handed 288 00:11:46,720 --> 00:11:51,880 Speaker 14: down box brownie camera. Nice doesn't work, can't get the 289 00:11:51,960 --> 00:11:54,640 Speaker 14: film for it, but it would be seventy years old? 290 00:11:55,559 --> 00:11:56,400 Speaker 4: Oh wow? 291 00:11:56,720 --> 00:11:59,880 Speaker 2: Real? Is it just sort of sitting proud of placing 292 00:12:00,040 --> 00:12:01,240 Speaker 2: the land room or something. 293 00:12:01,720 --> 00:12:06,720 Speaker 10: It is an ornament, it's actually sitting in the linen cupboard. 294 00:12:08,400 --> 00:12:08,920 Speaker 9: And everything. 295 00:12:09,520 --> 00:12:11,480 Speaker 3: I bet you, even though it doesn't work, that it 296 00:12:11,520 --> 00:12:14,320 Speaker 3: would be worth something. Would depend on whether you wanted to. 297 00:12:14,360 --> 00:12:15,000 Speaker 4: Part with it. 298 00:12:15,280 --> 00:12:15,480 Speaker 11: Yeah. 299 00:12:16,240 --> 00:12:18,120 Speaker 7: Yeah, I don't even know if you can get film 300 00:12:18,200 --> 00:12:18,400 Speaker 7: for it. 301 00:12:18,640 --> 00:12:20,599 Speaker 4: No, I don't. I don't think you get filmed for it, 302 00:12:20,679 --> 00:12:22,800 Speaker 4: but there were people would love to have it. 303 00:12:22,880 --> 00:12:27,120 Speaker 3: Probably telegraph hard to call kodak is yeah, yeah, oh thanks, 304 00:12:30,880 --> 00:12:31,160 Speaker 3: a lot. 305 00:12:31,120 --> 00:12:32,920 Speaker 2: Of people things that don't work. Sitting aroun because I've 306 00:12:32,920 --> 00:12:34,840 Speaker 2: got like a renovated workers cottage or something. So they've 307 00:12:34,840 --> 00:12:36,840 Speaker 2: got bake a light radio in the office. 308 00:12:37,000 --> 00:12:37,200 Speaker 14: Yeah. 309 00:12:37,280 --> 00:12:39,800 Speaker 2: Absolutely, read Rooster for dinner. On the way home last night, 310 00:12:40,320 --> 00:12:42,839 Speaker 2: we picked up a Hawaiian pack. I did have an 311 00:12:42,840 --> 00:12:46,800 Speaker 2: a pack. It's called a trupana, a trupicana, the trumpana. 312 00:12:47,040 --> 00:12:48,439 Speaker 4: It's called a Hawaiian pack anymore. 313 00:12:48,960 --> 00:12:50,800 Speaker 2: Well, I said tropicana on the thing, and I said, 314 00:12:50,800 --> 00:12:52,280 Speaker 2: I have one of those. And you know what, I 315 00:12:52,400 --> 00:12:55,800 Speaker 2: got two two pineapple fruit. It's not not no banana. 316 00:12:56,080 --> 00:12:57,920 Speaker 4: Do they still do a banana fri it? I don't 317 00:12:57,920 --> 00:13:00,480 Speaker 4: know if they do iron pack you because I. 318 00:13:00,600 --> 00:13:02,439 Speaker 2: Think that you have to trade a limb to pay 319 00:13:02,480 --> 00:13:04,360 Speaker 2: for a banana because the price has gone up too much. 320 00:13:05,160 --> 00:13:09,760 Speaker 2: That's why you get the two, the pineapple variety and 321 00:13:10,280 --> 00:13:11,720 Speaker 2: only ate one because I don't want to too. 322 00:13:11,960 --> 00:13:15,000 Speaker 3: Maybe that's why they changed the name from Hawaiian patrick Tropicana. 323 00:13:15,120 --> 00:13:16,520 Speaker 2: But some of the names that I saw on the 324 00:13:16,679 --> 00:13:19,360 Speaker 2: board when I was ordering last night were Buffalo crunch combo, 325 00:13:19,760 --> 00:13:22,760 Speaker 2: Buffalo crunched. I don't I don't wanted Bufalo chicken when 326 00:13:22,800 --> 00:13:27,040 Speaker 2: I roost. How about the hot honey fried combo. Sounds healthy, 327 00:13:27,080 --> 00:13:27,720 Speaker 2: doesn't it hot? 328 00:13:27,920 --> 00:13:29,440 Speaker 4: Honey fried combo and. 329 00:13:29,480 --> 00:13:29,760 Speaker 1: You know what. 330 00:13:29,880 --> 00:13:33,440 Speaker 2: You can buy a one of the that sounds maybe 331 00:13:33,480 --> 00:13:35,560 Speaker 2: not this time of the morning, I was pretty hungry. 332 00:13:36,679 --> 00:13:39,720 Speaker 2: You can buy one pineapple fridder for four dollars forty five. 333 00:13:42,360 --> 00:13:47,240 Speaker 2: Foive comes to the I saw it on the media. 334 00:13:47,320 --> 00:13:49,400 Speaker 2: It comes with a little plastic bag. There's one pineapple 335 00:13:51,840 --> 00:13:56,920 Speaker 2: one slice. Oh god, I guess you're gonna pay overheads. 336 00:13:56,920 --> 00:13:57,800 Speaker 2: But that's ridiculous. 337 00:13:58,600 --> 00:14:02,839 Speaker 4: That's that shows you how long it'speed. I've been to 338 00:14:02,960 --> 00:14:03,800 Speaker 4: Red Rooster, so. 339 00:14:03,920 --> 00:14:05,800 Speaker 2: I only ate one of my two pineapple fruiters because 340 00:14:05,800 --> 00:14:07,080 Speaker 2: I was looking for the banana sell. 341 00:14:07,360 --> 00:14:09,200 Speaker 4: You should put the other one on market for ther 342 00:14:09,280 --> 00:14:09,520 Speaker 4: I did. 343 00:14:10,640 --> 00:14:13,280 Speaker 2: I bumped it up for six bugs. It feels like summer. 344 00:14:13,559 --> 00:14:19,360 Speaker 12: Oh my god, it's more crazy. Ooh, Lisa, more podcasts soon. 345 00:14:23,040 --> 00:14:24,960 Speaker 9: You un got a leath of left foot I strung 346 00:14:25,040 --> 00:14:25,440 Speaker 9: grab that. 347 00:14:25,600 --> 00:14:32,600 Speaker 1: From ninety six airms. Fremantle Doggery, First Window and Door 348 00:14:32,680 --> 00:14:34,000 Speaker 1: Replacement Company. 349 00:14:33,920 --> 00:14:36,360 Speaker 9: Give your home and you LEAs online with Perth Window 350 00:14:36,400 --> 00:14:38,960 Speaker 9: and Door Replacement Company, the number one name in the 351 00:14:39,040 --> 00:14:42,480 Speaker 9: game to book your free quote. Searche Perth Window and Door. 352 00:14:43,040 --> 00:14:44,840 Speaker 2: Thanks to a five goal to too last quarter, the 353 00:14:44,880 --> 00:14:47,360 Speaker 2: doctor has beat some kilderr by twelve points at Office 354 00:14:47,360 --> 00:14:50,400 Speaker 2: Stadium on Sunday afternoon, eighty one to sixty nine. Here 355 00:14:50,400 --> 00:14:52,440 Speaker 2: he is number twenty six and young. How are you mate? 356 00:14:52,680 --> 00:14:53,680 Speaker 11: Very good, very good? 357 00:14:54,000 --> 00:14:55,000 Speaker 8: Go well, how are you guys? 358 00:14:55,200 --> 00:14:56,240 Speaker 4: Good good? 359 00:14:56,440 --> 00:14:58,880 Speaker 2: Yeah, it was quite a tense battle all day, wasn't it. 360 00:14:58,920 --> 00:15:00,720 Speaker 2: That last quarter things opened it was. 361 00:15:00,920 --> 00:15:04,120 Speaker 8: Yeah, it was a pretty frustrating game for our players, 362 00:15:04,440 --> 00:15:07,160 Speaker 8: for our supporters and particularly the coaches in the coach's 363 00:15:07,200 --> 00:15:10,840 Speaker 8: box who were quite stressed because, yeah, Saint Kilda play 364 00:15:11,200 --> 00:15:12,960 Speaker 8: quite a defensive brand of footy that can sort of 365 00:15:12,960 --> 00:15:16,520 Speaker 8: suffocate the contest and make it pretty hard. And yeah, 366 00:15:16,560 --> 00:15:18,560 Speaker 8: they play a good brand of footy last time, you know, 367 00:15:18,760 --> 00:15:20,200 Speaker 8: got the job on us, and I think we showed 368 00:15:20,200 --> 00:15:22,040 Speaker 8: a lot of growth this time just to keep fighting, 369 00:15:22,160 --> 00:15:25,400 Speaker 8: keep scrapping, and eventually we broke open and found a 370 00:15:25,400 --> 00:15:27,560 Speaker 8: way to win the game, which is yeah, it's really 371 00:15:27,600 --> 00:15:29,360 Speaker 8: good for our group because you know, last time we 372 00:15:29,400 --> 00:15:32,200 Speaker 8: played Saint Kilda, we weren't able to do that. We 373 00:15:32,320 --> 00:15:34,480 Speaker 8: sort of you know, went into our shell a little 374 00:15:34,480 --> 00:15:36,800 Speaker 8: bit and couldn't find a way. So it's good growth 375 00:15:36,880 --> 00:15:38,880 Speaker 8: from our group and pretty happy they were able to 376 00:15:39,200 --> 00:15:40,720 Speaker 8: have a big last quarter and get the win. 377 00:15:41,000 --> 00:15:44,000 Speaker 4: Always nice to beat rustling. Yeah it is, you're any human. 378 00:15:44,600 --> 00:15:48,240 Speaker 3: Jordan Clark is in all Australian form thirty one disposals 379 00:15:48,240 --> 00:15:49,080 Speaker 3: ten marks in a goal. 380 00:15:49,920 --> 00:15:51,000 Speaker 8: He was outstanding, wasn't he. 381 00:15:51,200 --> 00:15:51,280 Speaker 12: Ye? 382 00:15:51,680 --> 00:15:53,960 Speaker 8: Yeah, I thought he was just super tough as well 383 00:15:54,040 --> 00:15:56,120 Speaker 8: all day like who obviously got a lot of the ball, 384 00:15:56,240 --> 00:15:59,600 Speaker 8: but he was someone who really lifted the standard in 385 00:15:59,600 --> 00:16:01,760 Speaker 8: the content for us. He was really strong over the ball. 386 00:16:01,840 --> 00:16:04,000 Speaker 8: He took him into set marks which was really important. 387 00:16:04,040 --> 00:16:06,960 Speaker 8: And yeah, he was also super damaging. They were bringing 388 00:16:07,000 --> 00:16:09,440 Speaker 8: some numbers up to the stoppages and he was able 389 00:16:09,480 --> 00:16:11,160 Speaker 8: to sort of provide a layer for us and we 390 00:16:11,240 --> 00:16:14,440 Speaker 8: can use him and he's a pretty damaging player. So no, 391 00:16:14,560 --> 00:16:15,360 Speaker 8: he was outstanding. 392 00:16:15,560 --> 00:16:17,360 Speaker 2: Josh Tracy is his own man, but he's starting to 393 00:16:17,440 --> 00:16:20,360 Speaker 2: head to that pavlicheria where he's starting to have such 394 00:16:20,360 --> 00:16:22,480 Speaker 2: an impact all around the ground. But that Josh Tracy 395 00:16:22,600 --> 00:16:25,280 Speaker 2: run chasing down the you know, probably killed his best 396 00:16:25,280 --> 00:16:28,040 Speaker 2: player and getting that take a left the running one 397 00:16:28,080 --> 00:16:30,400 Speaker 2: hundred meters was it was pretty phenomenal. Let he let 398 00:16:30,440 --> 00:16:30,920 Speaker 2: him know about it. 399 00:16:31,160 --> 00:16:33,200 Speaker 8: Yeah, no, it was great. It was a real camlifter, 400 00:16:33,840 --> 00:16:35,480 Speaker 8: And yeah, he is a leader. In our forward line 401 00:16:35,520 --> 00:16:37,240 Speaker 8: and within our group, and he's such a young player, 402 00:16:37,280 --> 00:16:39,200 Speaker 8: but it's so good to say that someone you know 403 00:16:39,480 --> 00:16:41,800 Speaker 8: at his age can be such a great leader already. 404 00:16:41,880 --> 00:16:45,320 Speaker 8: And he's doing great things, but that's some That action 405 00:16:45,480 --> 00:16:48,320 Speaker 8: of him chasing is something that we quite often recognized 406 00:16:48,360 --> 00:16:51,120 Speaker 8: within the four walls of our footall club every week. 407 00:16:51,160 --> 00:16:52,760 Speaker 8: And there's been a few weeks where we've sort of 408 00:16:52,840 --> 00:16:55,760 Speaker 8: noticed him chasing where he hasn't actually laid the tackle, 409 00:16:55,840 --> 00:16:58,120 Speaker 8: but he doesn't give up on the chase on the effect, 410 00:16:58,160 --> 00:17:00,840 Speaker 8: and we sort of say, keep making these, it'll calm, 411 00:17:00,920 --> 00:17:03,600 Speaker 8: it'll calm, and like you're putting pressure on the opposition 412 00:17:03,760 --> 00:17:06,560 Speaker 8: and perceive pressure starting to build, and you know this 413 00:17:06,680 --> 00:17:08,560 Speaker 8: week you didn't give up on the chase and you 414 00:17:08,640 --> 00:17:11,200 Speaker 8: know you get to side step and he's able to 415 00:17:11,240 --> 00:17:13,600 Speaker 8: mow him down. So it was great to say, and 416 00:17:13,880 --> 00:17:14,800 Speaker 8: it was a good team lifter. 417 00:17:15,359 --> 00:17:17,879 Speaker 3: Well done to everyone associated with the doc becas it 418 00:17:17,960 --> 00:17:20,640 Speaker 3: was a starlight, purple haze game and you raised over 419 00:17:20,720 --> 00:17:22,040 Speaker 3: two hundred thousand dollars. 420 00:17:22,119 --> 00:17:23,280 Speaker 4: That's a huge effort. 421 00:17:23,440 --> 00:17:26,239 Speaker 3: Now you're off to Sydney to play the Swans. At 422 00:17:26,440 --> 00:17:30,080 Speaker 3: this stage it is going to be at the SCG. 423 00:17:30,840 --> 00:17:33,600 Speaker 4: But the s CG. We've been hearing all about the 424 00:17:33,640 --> 00:17:34,359 Speaker 4: ground being. 425 00:17:36,160 --> 00:17:37,080 Speaker 8: Very topical, isn't it? 426 00:17:37,320 --> 00:17:41,000 Speaker 3: This week below par shall we say, how do you? 427 00:17:41,160 --> 00:17:44,200 Speaker 4: How concerned are you? I mean, I don't want to 428 00:17:44,200 --> 00:17:44,720 Speaker 4: do ankles. 429 00:17:45,640 --> 00:17:46,399 Speaker 8: I'm not that concerned. 430 00:17:46,400 --> 00:17:49,280 Speaker 2: I won't be playing, but no, you're okay. 431 00:17:50,080 --> 00:17:50,280 Speaker 9: Else. 432 00:17:50,520 --> 00:17:51,800 Speaker 2: Yeah, we sort of. 433 00:17:51,760 --> 00:17:54,720 Speaker 8: Spoke about it yesterday at our meeting that the AFL 434 00:17:54,800 --> 00:17:56,639 Speaker 8: has a decision and if they choose for us to 435 00:17:56,680 --> 00:17:58,879 Speaker 8: play there, we'll go and play there. And that's the 436 00:17:58,960 --> 00:18:01,439 Speaker 8: reality of it. The boys might bring an extra pair 437 00:18:01,520 --> 00:18:04,320 Speaker 8: of boots just to make sure, but yeah, the reality 438 00:18:04,440 --> 00:18:06,520 Speaker 8: is will any time, anywhere, we'll have to get the 439 00:18:06,600 --> 00:18:07,000 Speaker 8: job done. 440 00:18:07,560 --> 00:18:09,560 Speaker 2: I don't want to bring up an observation from the weekend. 441 00:18:09,640 --> 00:18:11,560 Speaker 2: I was standing at the footage just outside the Black 442 00:18:11,600 --> 00:18:13,480 Speaker 2: Swan room and I turned around at one stage during 443 00:18:13,480 --> 00:18:16,600 Speaker 2: a very tense second quarter to see one Hayden Youngster 444 00:18:16,840 --> 00:18:18,560 Speaker 2: is sitting in the corner of the coach's box not 445 00:18:18,760 --> 00:18:21,920 Speaker 2: making a sound. I could tell you you had game 446 00:18:21,960 --> 00:18:24,920 Speaker 2: face on. Man, it was tense. Yeah, you just can't 447 00:18:25,280 --> 00:18:27,840 Speaker 2: do you not say anything in there now? Like very 448 00:18:27,840 --> 00:18:28,879 Speaker 2: pass picked my moments. 449 00:18:28,920 --> 00:18:31,560 Speaker 8: I've obviously learned a lot early on, I was got 450 00:18:31,640 --> 00:18:33,520 Speaker 8: caught up in the game and now I've learned to 451 00:18:33,840 --> 00:18:37,400 Speaker 8: control my emotions, which is good. But yeah, we weren't 452 00:18:37,440 --> 00:18:39,359 Speaker 8: doing too well in the midfield in terms of our 453 00:18:39,359 --> 00:18:41,800 Speaker 8: stoppage work, so me and Joel Corry were sort of 454 00:18:41,840 --> 00:18:44,960 Speaker 8: looking at each other and feeling the pressure. But yeah, 455 00:18:45,440 --> 00:18:47,080 Speaker 8: yeah we were able to sort of problem solve and 456 00:18:47,440 --> 00:18:50,240 Speaker 8: figure it out towards the end of the game. But yeah, 457 00:18:50,280 --> 00:18:52,960 Speaker 8: it does get tense in there, like even when even 458 00:18:53,000 --> 00:18:55,040 Speaker 8: when we are winning in games, is sort of there's 459 00:18:55,040 --> 00:18:56,879 Speaker 8: always something that we're not quite doing right, and it 460 00:18:56,920 --> 00:18:59,000 Speaker 8: it's the job of the coaches to problem solve and 461 00:18:59,520 --> 00:19:02,359 Speaker 8: and give our players enough information to you know, go 462 00:19:02,600 --> 00:19:03,520 Speaker 8: and do the job better. 463 00:19:03,720 --> 00:19:05,439 Speaker 4: So yeah, no, it was good. 464 00:19:05,480 --> 00:19:07,480 Speaker 2: Though you were literally three meters from me on like 465 00:19:07,520 --> 00:19:09,280 Speaker 2: a big child. I was trying to get your attention 466 00:19:09,359 --> 00:19:10,800 Speaker 2: to give you a wink or something. He was dead, 467 00:19:11,359 --> 00:19:13,200 Speaker 2: was focused on the job. That was good. 468 00:19:13,640 --> 00:19:15,880 Speaker 3: Were you aware that you get mistaken for Harley Reed? 469 00:19:16,280 --> 00:19:20,399 Speaker 3: I don't see do not see it, not one little bit. 470 00:19:20,400 --> 00:19:23,359 Speaker 3: But there's a video on social media where AFL It's 471 00:19:23,480 --> 00:19:25,120 Speaker 3: just the hair, Yeah, where AFL. 472 00:19:24,840 --> 00:19:28,680 Speaker 4: Players were asked who they've been mistaken for and yeah. 473 00:19:28,640 --> 00:19:31,000 Speaker 8: No, it was just like when he got drafted, all 474 00:19:31,040 --> 00:19:33,000 Speaker 8: the hype, and I suppose there is always hype around. 475 00:19:34,000 --> 00:19:35,880 Speaker 4: Yeah, you both got hair that parts in the middle 476 00:19:35,880 --> 00:19:36,040 Speaker 4: of it. 477 00:19:36,480 --> 00:19:39,320 Speaker 8: It's pretty funny, and we're both footballers, so yeah, I 478 00:19:39,359 --> 00:19:41,320 Speaker 8: think it was mistaken a few times, but yeah, I 479 00:19:41,440 --> 00:19:42,800 Speaker 8: just laughed it off. It's pretty funny. 480 00:19:43,400 --> 00:19:45,600 Speaker 2: How are you traveling, mate? You said last week year it. 481 00:19:45,640 --> 00:19:48,000 Speaker 8: Saw yeah, yeah, no, really good. This way, he spent 482 00:19:48,040 --> 00:19:49,879 Speaker 8: a little bit of a d load or a taper. 483 00:19:49,920 --> 00:19:51,639 Speaker 8: I suppose, just to try to freshen me up. So 484 00:19:51,800 --> 00:19:54,679 Speaker 8: I had a really solid week last week, and then 485 00:19:54,760 --> 00:19:56,840 Speaker 8: this week I'll sort of still hit some good intensity, 486 00:19:56,920 --> 00:19:58,760 Speaker 8: but just back off the workload a little bit just 487 00:19:58,800 --> 00:20:00,960 Speaker 8: to freshen me up and then hopefully get into some 488 00:20:01,119 --> 00:20:03,480 Speaker 8: training next week with the group. So Nada should set 489 00:20:03,560 --> 00:20:04,760 Speaker 8: me up to return pretty soon. 490 00:20:05,160 --> 00:20:06,399 Speaker 2: Very good. We just got to keep on. 491 00:20:06,920 --> 00:20:14,440 Speaker 4: I'm doing so up Wednesday tape up because of the 492 00:20:14,520 --> 00:20:15,280 Speaker 4: weather and everything. 493 00:20:15,720 --> 00:20:19,760 Speaker 3: Well, listen, I I g WS has kindly offered their 494 00:20:19,800 --> 00:20:22,800 Speaker 3: stadium for the game of the I think it would. 495 00:20:22,560 --> 00:20:27,080 Speaker 4: Be a good idea, very kind of, very kind. 496 00:20:27,240 --> 00:20:31,080 Speaker 3: I don't want to see anyone unnecessarily hurt anything on 497 00:20:31,119 --> 00:20:34,320 Speaker 3: the SCG it would be so unnecessary. 498 00:20:34,520 --> 00:20:35,639 Speaker 4: Yeah, hopefully not. 499 00:20:35,760 --> 00:20:37,639 Speaker 2: It's a ground with some some roots from that to 500 00:20:37,640 --> 00:20:39,240 Speaker 2: if not, just the carpet on top. 501 00:20:39,280 --> 00:20:44,160 Speaker 3: But anyway, Bounce Down is eleven ten our time on Sunday. 502 00:20:44,240 --> 00:20:52,400 Speaker 12: Good Luck, Thank You, More Crazy More podcast soon Sure 503 00:20:52,520 --> 00:20:54,560 Speaker 12: Report on ninety six Air FM. 504 00:20:56,880 --> 00:21:01,879 Speaker 3: Remember Jimmy Swaggott tele evangelists, Well, he stared he was 505 00:21:02,200 --> 00:21:04,480 Speaker 3: ninety years old, he'd been ill for some time. 506 00:21:04,960 --> 00:21:06,800 Speaker 4: Swag It leaves a mixed legacy. 507 00:21:06,960 --> 00:21:09,720 Speaker 3: He was a very successful television minister in the nineteen eighties, 508 00:21:10,040 --> 00:21:12,639 Speaker 3: but he well and truly tarnished that reputation when he 509 00:21:12,720 --> 00:21:15,480 Speaker 3: was caught on camera with a prostitute in nineteen eighty eight. 510 00:21:15,880 --> 00:21:21,200 Speaker 3: Therein followed a very teary, famously televised apology sermon. 511 00:21:21,680 --> 00:21:26,000 Speaker 11: Said, cans chew my look, and I would ask that 512 00:21:26,240 --> 00:21:33,520 Speaker 11: you're precious plot would wash and clean every stain until 513 00:21:34,359 --> 00:21:37,640 Speaker 11: it is in the seas of Gods forgetfulness. 514 00:21:38,600 --> 00:21:42,119 Speaker 4: And then he propably did it again second coming. 515 00:21:43,680 --> 00:21:43,960 Speaker 2: Sorry. 516 00:21:44,359 --> 00:21:47,240 Speaker 4: In nineteen ninety one, swager was fosted for the prostitgute 517 00:21:47,240 --> 00:21:50,720 Speaker 4: in California. Do you think God missed that one, didn't 518 00:21:50,720 --> 00:21:51,080 Speaker 4: you Jimmy. 519 00:21:51,480 --> 00:21:53,960 Speaker 3: At that point he disappeared from public eye and his 520 00:21:54,119 --> 00:21:58,159 Speaker 3: son took over the televangelist Kaper think he missed that? 521 00:21:58,280 --> 00:22:02,320 Speaker 2: One can't's forgets it like Divine brann intervention. What's going on? 522 00:22:03,240 --> 00:22:06,359 Speaker 3: Oh Dear Abbas video for Dancing Query was joined the 523 00:22:06,400 --> 00:22:09,840 Speaker 3: billion Club, the one billion Views on YouTube club. The 524 00:22:09,960 --> 00:22:12,840 Speaker 3: video for the nineteen seventy six mega hit was directed 525 00:22:12,880 --> 00:22:15,720 Speaker 3: by Swedish filmmaker Lussi Holstrom. Now, in later years he 526 00:22:15,840 --> 00:22:19,960 Speaker 3: made films like Chocklut, The Cider House Rules and one 527 00:22:20,000 --> 00:22:23,040 Speaker 3: of my favorites, What's It in Gilbert Grape. It was 528 00:22:23,119 --> 00:22:24,879 Speaker 3: John Farnum's birthday yesterday, wasn't it? 529 00:22:25,480 --> 00:22:26,720 Speaker 4: Seventy six v six? 530 00:22:27,040 --> 00:22:30,040 Speaker 3: Well, his son James and his partner Tessa chose that 531 00:22:30,160 --> 00:22:33,639 Speaker 3: day to announce they've made John first time granddad. Baby 532 00:22:33,840 --> 00:22:38,160 Speaker 3: Jet John Farnham Jet John Jet John was born two 533 00:22:38,280 --> 00:22:42,679 Speaker 3: weeks ago in Melbourne. And did you see Beyonce's close 534 00:22:42,800 --> 00:22:45,760 Speaker 3: call with a stage malfunction on her Cowboy Carter tour 535 00:22:45,880 --> 00:22:49,760 Speaker 3: in Houston? The other night her floating car started listing 536 00:22:50,640 --> 00:22:54,080 Speaker 3: above the audience, Nellie tipping her out. Well, Now, Katie 537 00:22:54,119 --> 00:22:56,480 Speaker 3: Perry has had a malfunction of her own on stage 538 00:22:56,520 --> 00:22:59,600 Speaker 3: in Adelaide. She got trapped inside a steel ball floating 539 00:22:59,640 --> 00:23:02,680 Speaker 3: above the stage. It started tilting and she was hanging 540 00:23:02,760 --> 00:23:06,119 Speaker 3: on for Dear Live. Before this stage crew stepped in 541 00:23:06,240 --> 00:23:06,960 Speaker 3: to get her out. 542 00:23:07,080 --> 00:23:09,840 Speaker 4: She'd have been fine. She's practically an astronaut. 543 00:23:09,920 --> 00:23:14,280 Speaker 3: Remember, we have the chance to see an amazing show 544 00:23:14,560 --> 00:23:16,840 Speaker 3: this month, July twenty eight. It's a Monday at the 545 00:23:16,840 --> 00:23:20,200 Speaker 3: Asta Theater. You can see Bear McCreary on his Themes 546 00:23:20,280 --> 00:23:23,639 Speaker 3: and Variations. Tour tickets are available through ticketek. Bear is 547 00:23:23,760 --> 00:23:28,480 Speaker 3: the composer behind scores for shows like Battlestar Galactica, Outlander, 548 00:23:28,600 --> 00:23:30,480 Speaker 3: The Walking Dead, Lord of the Rings, and he's with us. 549 00:23:30,560 --> 00:23:32,160 Speaker 2: Hello, Hedo Bear, thanks for time. 550 00:23:32,200 --> 00:23:34,200 Speaker 9: How are you hello? How's it going good? 551 00:23:34,400 --> 00:23:36,720 Speaker 3: So the show on July twenty eight is I believe 552 00:23:36,760 --> 00:23:38,480 Speaker 3: it's going to be a mix of some of those 553 00:23:38,520 --> 00:23:42,960 Speaker 3: amazing scores and music from your rock concept album which 554 00:23:43,040 --> 00:23:44,520 Speaker 3: is called The Singularity. 555 00:23:45,000 --> 00:23:47,480 Speaker 9: Yes, it's going to be quite an eclectic evening. 556 00:23:48,000 --> 00:23:51,879 Speaker 3: Yes, absolutely well, it's quite an eclectic lineup on that album, 557 00:23:52,000 --> 00:23:55,600 Speaker 3: from Rufus Wainwright to Joe Satriani and Slash. 558 00:23:56,440 --> 00:23:58,080 Speaker 4: Bet you didn't have to ask him twice. 559 00:24:00,000 --> 00:24:03,840 Speaker 9: That was a pretty surreal experience, especially because one of 560 00:24:03,920 --> 00:24:07,600 Speaker 9: those songs called Escape from the Machines I wrote when 561 00:24:07,600 --> 00:24:11,200 Speaker 9: I was sixteen years old, and I was imagining I 562 00:24:11,320 --> 00:24:15,800 Speaker 9: was imagining Slash lay It. I grew up listening to Slash. 563 00:24:15,920 --> 00:24:18,280 Speaker 9: I was listening to November Rain, and I thought, oh, 564 00:24:18,320 --> 00:24:23,440 Speaker 9: I want to capture some of that epic orchestral rock majesty. 565 00:24:23,680 --> 00:24:27,720 Speaker 9: And yet thirty years later I asked Slash to play 566 00:24:27,840 --> 00:24:30,800 Speaker 9: that exact same part on that exact same song, and 567 00:24:31,240 --> 00:24:33,760 Speaker 9: he did it. So it really was sort of like 568 00:24:34,720 --> 00:24:37,920 Speaker 9: my whole career coming full circle on that record. 569 00:24:38,000 --> 00:24:40,119 Speaker 4: There's not not pinching yourself in the world for that 570 00:24:40,880 --> 00:24:41,879 Speaker 4: Welcome to the Jungle. 571 00:24:44,680 --> 00:24:47,040 Speaker 9: Exactly. It was a it was a dream, you know. 572 00:24:47,119 --> 00:24:48,639 Speaker 9: And then to be able to take songs like that 573 00:24:48,960 --> 00:24:52,399 Speaker 9: yeah from my rock record and combine them with music 574 00:24:52,480 --> 00:24:55,680 Speaker 9: that I've done over the last two decades scoring film, 575 00:24:55,760 --> 00:24:58,240 Speaker 9: television and video games. Yeah, it's been. It's been a 576 00:24:58,400 --> 00:25:01,200 Speaker 9: blast taking all this stuff to audiences around the world. 577 00:25:01,280 --> 00:25:03,040 Speaker 2: Hi Bear, has this stopped by? How do you stop 578 00:25:03,080 --> 00:25:04,639 Speaker 2: while getting your foot in the door in Hollywood as 579 00:25:04,640 --> 00:25:05,160 Speaker 2: a composer? 580 00:25:05,359 --> 00:25:05,480 Speaker 11: Is it? 581 00:25:05,880 --> 00:25:08,200 Speaker 2: Is it just like baby steps? To start with, you know, 582 00:25:08,320 --> 00:25:09,160 Speaker 2: how do you start? 583 00:25:09,240 --> 00:25:12,040 Speaker 9: I think the best advice I can give to anybody 584 00:25:12,119 --> 00:25:15,760 Speaker 9: getting started is just love what you do so much 585 00:25:16,359 --> 00:25:21,000 Speaker 9: that people love doing it with you. I really don't 586 00:25:21,080 --> 00:25:23,760 Speaker 9: have any tangible advice other than that, because I think 587 00:25:23,760 --> 00:25:27,040 Speaker 9: if you're the kind of person that people like being around, 588 00:25:27,359 --> 00:25:31,239 Speaker 9: like making art with, you're probably gonna make it if 589 00:25:31,280 --> 00:25:33,920 Speaker 9: you just hang in there long enough and stay positive 590 00:25:33,960 --> 00:25:34,960 Speaker 9: and stay creative. 591 00:25:35,440 --> 00:25:38,440 Speaker 4: Yeah. Bet, How does it work in terms of scoring 592 00:25:38,680 --> 00:25:39,440 Speaker 4: music for a show? 593 00:25:39,520 --> 00:25:42,520 Speaker 3: Do you get a completed episode or do you get 594 00:25:42,520 --> 00:25:45,040 Speaker 3: a script or how does it work? 595 00:25:46,200 --> 00:25:46,320 Speaker 8: Well? 596 00:25:46,400 --> 00:25:48,639 Speaker 9: I always like to say that I'll take whatever you 597 00:25:48,800 --> 00:25:53,640 Speaker 9: got right. Sometimes, if I'm hired early enough, I'll read 598 00:25:53,800 --> 00:25:56,639 Speaker 9: scripts far in advance. I think I was brought on 599 00:25:56,800 --> 00:25:59,879 Speaker 9: board a show like Outlander, I think a year ear. 600 00:26:01,400 --> 00:26:03,040 Speaker 9: But other times, like when I did Lord of the 601 00:26:03,119 --> 00:26:05,800 Speaker 9: Rings The Rings of Power, I started right away. There 602 00:26:05,840 --> 00:26:08,840 Speaker 9: were episodes to look at right when I got started. 603 00:26:08,880 --> 00:26:10,960 Speaker 9: But either way it really doesn't matter, right, because what 604 00:26:11,240 --> 00:26:14,199 Speaker 9: matters to me is what is the story? Who are 605 00:26:14,280 --> 00:26:17,879 Speaker 9: the characters. My mentor Elmer Bernstein, who was one of 606 00:26:17,920 --> 00:26:20,640 Speaker 9: the greatest film composers of the twentieth century. He taught 607 00:26:20,720 --> 00:26:24,600 Speaker 9: me to ask one question, you guys, one question, what 608 00:26:24,760 --> 00:26:27,560 Speaker 9: do you want the audience to feel? If you can 609 00:26:27,600 --> 00:26:30,160 Speaker 9: answer that question, you can do the job. 610 00:26:30,480 --> 00:26:30,680 Speaker 7: Yeah. 611 00:26:30,960 --> 00:26:32,959 Speaker 2: Yeah, you want them to get passionate, you want him 612 00:26:32,960 --> 00:26:35,160 Speaker 2: to start crying, whatever it might be. In some way, 613 00:26:35,160 --> 00:26:35,719 Speaker 2: I'm moving them. 614 00:26:35,880 --> 00:26:39,520 Speaker 3: Yeah, it's impossible to imagine all movies without the music. 615 00:26:40,400 --> 00:26:42,560 Speaker 3: I mean, if you watch something without the music, it 616 00:26:42,560 --> 00:26:45,960 Speaker 3: would lose the effect of So imagine watching Jaws. 617 00:26:45,920 --> 00:26:49,280 Speaker 4: Without it would just be ridiculous. 618 00:26:50,640 --> 00:26:53,760 Speaker 3: Music has the scoring of you know, things has become 619 00:26:53,960 --> 00:26:58,840 Speaker 3: just as big in video games as in TV and movies. 620 00:26:58,920 --> 00:27:02,840 Speaker 4: I believe you top song on Apple is in fact 621 00:27:03,560 --> 00:27:04,880 Speaker 4: from a video game. 622 00:27:05,320 --> 00:27:09,240 Speaker 9: We Yeah, I did a track with with Hosier. Yes, 623 00:27:09,280 --> 00:27:12,760 Speaker 9: I did a track with Hosier for God of War Ragnarok. 624 00:27:12,880 --> 00:27:16,720 Speaker 9: The God of War games I've done God of War 625 00:27:16,760 --> 00:27:20,040 Speaker 9: and God of War Ragnarok are are are pretty big. 626 00:27:20,119 --> 00:27:23,680 Speaker 9: They have a pretty big audience. And I was just 627 00:27:23,760 --> 00:27:25,800 Speaker 9: so incredibly fortunate to get to write a song with 628 00:27:25,880 --> 00:27:28,720 Speaker 9: one of my favorite artists. Yeah, I mean, Hosier is 629 00:27:28,800 --> 00:27:32,280 Speaker 9: such an amazing lyricist and singer, and he had this 630 00:27:32,560 --> 00:27:36,680 Speaker 9: beautiful perspective on this very emotional story. So that was 631 00:27:36,760 --> 00:27:40,320 Speaker 9: really exciting, and you know, I got to play it 632 00:27:40,440 --> 00:27:43,399 Speaker 9: live with him once and it was incredible at the 633 00:27:43,480 --> 00:27:46,680 Speaker 9: Game Awards. And we're replicating that experience to a degree. 634 00:27:46,760 --> 00:27:49,840 Speaker 9: We're performing Blood upon the Snow in my set and 635 00:27:50,119 --> 00:27:52,520 Speaker 9: I got to say, like being able to play I 636 00:27:52,640 --> 00:27:55,880 Speaker 9: play the hurdy gurdy, this really weird instrument on that song, 637 00:27:56,000 --> 00:27:58,320 Speaker 9: to being able to play the hurdy gurdy doing God 638 00:27:58,359 --> 00:27:59,240 Speaker 9: of War music. 639 00:27:59,480 --> 00:27:59,919 Speaker 2: Don't have a man. 640 00:28:00,240 --> 00:28:02,400 Speaker 4: He's very donevant exactly. 641 00:28:02,880 --> 00:28:04,320 Speaker 9: It's like a dream come through you guys. 642 00:28:04,440 --> 00:28:07,160 Speaker 2: Yeah, so fun, it's good man. Actually, you mentioned Hosey. 643 00:28:07,200 --> 00:28:09,359 Speaker 2: I mean hose there's a soft spot for that man 644 00:28:09,600 --> 00:28:11,440 Speaker 2: here at our city of Perth in Western Australia. You 645 00:28:11,640 --> 00:28:13,119 Speaker 2: put a Hosey a gig on and he sells two 646 00:28:13,200 --> 00:28:15,080 Speaker 2: or three gigs. He's quite a tellent. 647 00:28:15,160 --> 00:28:15,520 Speaker 9: Amazing. 648 00:28:15,680 --> 00:28:15,880 Speaker 7: Yeah. 649 00:28:16,040 --> 00:28:18,520 Speaker 9: Yeah, and he's just the sweetest guy. 650 00:28:18,680 --> 00:28:22,040 Speaker 2: Yeah apparently. Yeah. You mentioned Elma Bernstein has been an 651 00:28:22,080 --> 00:28:25,120 Speaker 2: inspiration and a friend other composers around or is Elma 652 00:28:25,160 --> 00:28:27,680 Speaker 2: the one that's you know, been something you really looked 653 00:28:27,760 --> 00:28:29,200 Speaker 2: up to and got great advice from. 654 00:28:30,200 --> 00:28:33,399 Speaker 9: I mean, Elmer was one of my heroes growing up, 655 00:28:33,920 --> 00:28:36,200 Speaker 9: and he took me under his wing. I worked with 656 00:28:36,320 --> 00:28:38,080 Speaker 9: him for nearly a decade. I met him when I 657 00:28:38,200 --> 00:28:40,240 Speaker 9: was in high school, when I was sixteen years old, 658 00:28:41,280 --> 00:28:43,959 Speaker 9: and he was my first job in the business. 659 00:28:44,040 --> 00:28:44,200 Speaker 11: You know. 660 00:28:44,320 --> 00:28:48,200 Speaker 9: He let me orchestrate a film, although really he needed 661 00:28:48,280 --> 00:28:50,840 Speaker 9: someone to house sit his dogs when he was gone 662 00:28:50,880 --> 00:28:53,440 Speaker 9: all summer, and he was like, look, if you give 663 00:28:53,520 --> 00:28:57,360 Speaker 9: the dogs their medicine, you can orchestrate this film, right. 664 00:28:57,880 --> 00:29:00,480 Speaker 9: And the funny thing is I was, I think I 665 00:29:00,560 --> 00:29:03,480 Speaker 9: was nineteen at the time. I had a deathly phobia 666 00:29:03,800 --> 00:29:07,200 Speaker 9: of dogs from when I was a kid. And I go, sure, 667 00:29:07,240 --> 00:29:09,280 Speaker 9: and it'll be fine, it'll be fine. What kind of 668 00:29:09,320 --> 00:29:10,760 Speaker 9: dogs do you have? And he goes, I have two 669 00:29:10,840 --> 00:29:13,040 Speaker 9: German Shepherds and I'm like, oh god, those are like 670 00:29:13,160 --> 00:29:15,719 Speaker 9: sixty pounds. And then he goes and I have an 671 00:29:15,880 --> 00:29:21,040 Speaker 9: Irish wolfhound. Ohay pound dog, And he said, look, it's 672 00:29:21,080 --> 00:29:23,800 Speaker 9: really easy. You just open up its mouth and damn 673 00:29:23,880 --> 00:29:26,040 Speaker 9: the medicine in there. And he goes, if you come 674 00:29:26,120 --> 00:29:28,160 Speaker 9: house sit my dogs, I'll let you orchestrate a movie. 675 00:29:28,200 --> 00:29:29,720 Speaker 9: And I've I'm and I and he said, you know, 676 00:29:29,840 --> 00:29:32,640 Speaker 9: can you do it? And I thought, sure, no problem. 677 00:29:33,160 --> 00:29:35,400 Speaker 9: And of course the dogs are the sweetest animals. Ever, 678 00:29:35,440 --> 00:29:37,240 Speaker 9: and I got over my phobia pretty fast. 679 00:29:37,400 --> 00:29:40,640 Speaker 4: Well, music sues. The Savage based is nice. You should 680 00:29:40,720 --> 00:29:44,520 Speaker 4: have played them some. That's something that you'd written wait minute. 681 00:29:44,880 --> 00:29:47,280 Speaker 3: Indeed, we look forward to having you in town July 682 00:29:47,480 --> 00:29:48,640 Speaker 3: twenty eighth at the ASTA. 683 00:29:48,760 --> 00:29:51,960 Speaker 4: Tickets are available through TEK. Thanks for joining us this morning, 684 00:29:52,040 --> 00:29:52,560 Speaker 4: Ben great to. 685 00:29:52,880 --> 00:29:56,240 Speaker 9: Man, Thanks so much. Cheers you guys, Doe Crazy and 686 00:29:56,480 --> 00:29:56,840 Speaker 9: Lisa 687 00:30:00,160 --> 00:30:00,200 Speaker 7: M