1 00:00:01,440 --> 00:00:03,320 Speaker 1: And Amanda jam Nation. 2 00:00:03,640 --> 00:00:06,120 Speaker 2: She used to be the deputy editor of The Daily Eyes, 3 00:00:06,200 --> 00:00:09,760 Speaker 2: but now, as prophesized on this show, she is the editor. 4 00:00:10,039 --> 00:00:11,720 Speaker 3: M gillespie, Good. 5 00:00:11,640 --> 00:00:14,680 Speaker 2: Morning, Jonesy, thank you so much for advancing my career. 6 00:00:14,800 --> 00:00:18,520 Speaker 2: As you're on the powerful airwaves today, we're talking about 7 00:00:18,600 --> 00:00:21,000 Speaker 2: what I feel I was destined to talk about with 8 00:00:21,040 --> 00:00:25,680 Speaker 2: you too, the beef between Drake and Kendley Kendrick Lamar. 9 00:00:26,160 --> 00:00:29,080 Speaker 2: It's this enormous feud in the hip hop world that's 10 00:00:29,200 --> 00:00:33,800 Speaker 2: just blown up. It's gotten violent, it's gotten messy. But 11 00:00:33,880 --> 00:00:36,000 Speaker 2: let's take it back to the beginning in case you 12 00:00:36,080 --> 00:00:38,040 Speaker 2: are not familiar with the two of these guys. 13 00:00:38,600 --> 00:00:40,720 Speaker 3: Kendrick Lamar, he is a rappers. 14 00:00:40,720 --> 00:00:42,120 Speaker 4: One of the biggest in the world, isn't it. 15 00:00:42,360 --> 00:00:44,919 Speaker 2: But they both are one of the biggest in the world. Kendrick, 16 00:00:45,040 --> 00:00:47,880 Speaker 2: he's from the West coast of the US. 17 00:00:47,920 --> 00:00:48,959 Speaker 3: This is what he sounds like. 18 00:00:51,960 --> 00:00:53,440 Speaker 1: Off my stage. 19 00:00:55,160 --> 00:00:59,320 Speaker 4: Of sud We beat the right words. 20 00:00:59,360 --> 00:01:01,920 Speaker 3: Then I know what the producers asked me if I 21 00:01:02,000 --> 00:01:03,040 Speaker 3: wanted to get any grabs. 22 00:01:03,040 --> 00:01:04,920 Speaker 2: I thought, oh, I don't know if we could play 23 00:01:04,959 --> 00:01:06,759 Speaker 2: this legally on the radio at this hour. 24 00:01:07,000 --> 00:01:10,679 Speaker 3: So that's Ken, That's Kendrick and this is Drake. 25 00:01:13,920 --> 00:01:18,680 Speaker 2: He's a Canadian, he's a former child child actor on 26 00:01:18,800 --> 00:01:22,520 Speaker 2: the Grassy Junior High So they're from very different worlds. 27 00:01:22,560 --> 00:01:26,160 Speaker 2: Drake is kind of from this sort of young Hollywood 28 00:01:26,640 --> 00:01:29,520 Speaker 2: entertainment actor world, and then Kendrick is the sort of 29 00:01:29,560 --> 00:01:31,720 Speaker 2: gritty artist from the underground. 30 00:01:31,840 --> 00:01:34,399 Speaker 3: Came up, you know, in that old school kind of 31 00:01:34,440 --> 00:01:35,199 Speaker 3: wrap way. 32 00:01:35,680 --> 00:01:38,000 Speaker 2: But they are two of the biggest in the world, 33 00:01:38,000 --> 00:01:39,600 Speaker 2: if not the biggest in the world, and that's what 34 00:01:39,640 --> 00:01:41,840 Speaker 2: this beef has been all about. 35 00:01:42,240 --> 00:01:43,760 Speaker 3: They were referred to sort. 36 00:01:43,560 --> 00:01:46,280 Speaker 2: Of often as being in the Big three, the top 37 00:01:46,319 --> 00:01:49,320 Speaker 2: three in the hip hop industry. So Drake, Kendrick and 38 00:01:49,360 --> 00:01:51,960 Speaker 2: this other rapp called J Cole don't worry too much 39 00:01:51,960 --> 00:01:52,440 Speaker 2: about him. 40 00:01:52,440 --> 00:01:53,840 Speaker 3: But that's just some background for it. 41 00:01:53,960 --> 00:01:57,880 Speaker 2: Or J Cole and Drake released a song where they 42 00:01:58,080 --> 00:02:00,480 Speaker 2: spoke about being the top three and the biggest in 43 00:02:00,480 --> 00:02:01,160 Speaker 2: the world and whatever. 44 00:02:01,600 --> 00:02:04,880 Speaker 3: Kendrick didn't like that. He didn't like being compared to them. 45 00:02:04,960 --> 00:02:05,960 Speaker 3: He didn't like being. 46 00:02:05,760 --> 00:02:07,560 Speaker 2: Placed on the same level. He wants to be on 47 00:02:07,640 --> 00:02:09,960 Speaker 2: his own level. So he came out and was like, 48 00:02:10,000 --> 00:02:12,680 Speaker 2: there is no top three, it's just me. I am 49 00:02:12,720 --> 00:02:16,519 Speaker 2: the King, and he released a distrack that sounds like this, say. 50 00:02:16,440 --> 00:02:19,160 Speaker 1: Drake, I hear you like him young, you better. I 51 00:02:19,200 --> 00:02:22,079 Speaker 1: haven't got to sell black one, Jinny bish the top 52 00:02:22,160 --> 00:02:24,320 Speaker 1: torm in there in love. Just make sure you had 53 00:02:24,360 --> 00:02:26,560 Speaker 1: your little sister from them. Look they tell me chelms 54 00:02:26,560 --> 00:02:28,640 Speaker 1: that only want to get your hammy nowns and pardon 55 00:02:28,680 --> 00:02:30,959 Speaker 1: you have to pardon plan with his nose now and Buck, 56 00:02:31,000 --> 00:02:31,920 Speaker 1: I've got a weird case. 57 00:02:31,919 --> 00:02:33,960 Speaker 4: Why is he around? So the far love boys. 58 00:02:34,000 --> 00:02:38,079 Speaker 1: So the five Pedophiles is calling him a pedophile. 59 00:02:38,200 --> 00:02:41,680 Speaker 3: So Hendrick has gone there stopped that music. Thank you wrong, 60 00:02:41,840 --> 00:02:43,160 Speaker 3: He's called Drake a pedophile. 61 00:02:43,280 --> 00:02:45,160 Speaker 2: This has a lot to do with the fact that 62 00:02:45,280 --> 00:02:47,080 Speaker 2: Drake has been accused. 63 00:02:46,560 --> 00:02:49,360 Speaker 3: Of grooming young women and young artists before. 64 00:02:49,400 --> 00:02:52,360 Speaker 2: There was famously, a few years ago an exchange between 65 00:02:52,440 --> 00:02:54,000 Speaker 2: him and the act of Millie Bobby Brown. 66 00:02:54,120 --> 00:02:57,639 Speaker 3: She was in Stranger Things Child Star got really really. 67 00:02:57,400 --> 00:03:00,240 Speaker 2: Famous when she was like twelve years old, and she 68 00:03:00,320 --> 00:03:02,679 Speaker 2: said that Drake and her would text sometimes and he'd 69 00:03:02,680 --> 00:03:04,800 Speaker 2: give her advice about boys and dating advice. 70 00:03:05,240 --> 00:03:07,680 Speaker 3: And then a similar story came out with Billie Eilish 71 00:03:07,720 --> 00:03:10,519 Speaker 3: when she was in her early teens. So there was this. 72 00:03:10,480 --> 00:03:13,720 Speaker 2: Kind of gray area over Drake, and then that's what 73 00:03:13,840 --> 00:03:14,960 Speaker 2: Kendrick is talking about. 74 00:03:15,000 --> 00:03:17,120 Speaker 4: Now he's forgetting the gray area has gone hard. 75 00:03:17,200 --> 00:03:18,160 Speaker 3: Yeah, he's gone hard. 76 00:03:18,280 --> 00:03:22,000 Speaker 2: Drake has also gone hard and accused Kendrick of beating 77 00:03:22,080 --> 00:03:22,960 Speaker 2: up his fiance. 78 00:03:23,240 --> 00:03:24,880 Speaker 3: I think we've got a bit of Drake now too. 79 00:03:27,639 --> 00:03:30,480 Speaker 1: Fifth we play down, join in or Big three says, 80 00:03:30,480 --> 00:03:33,640 Speaker 1: I've gotcha weight down, Travis goadgam Way down, Savage goatgam 81 00:03:33,639 --> 00:03:36,120 Speaker 1: Way down like your label boy, you and a skull 82 00:03:36,280 --> 00:03:38,520 Speaker 1: right now and you got fail to add the medal? 83 00:03:38,560 --> 00:03:40,760 Speaker 1: What our right down? I'm at the stop but a 84 00:03:40,840 --> 00:03:43,840 Speaker 1: mount so you'd say, now just as stop as I 85 00:03:43,880 --> 00:03:47,720 Speaker 1: had a hat down big different. 86 00:03:47,920 --> 00:03:50,440 Speaker 3: So that gives you a bit of a sense of it. 87 00:03:50,480 --> 00:03:53,480 Speaker 2: But there are ten distracts that have been released in 88 00:03:53,560 --> 00:03:57,560 Speaker 2: the last sort of pneumatology seven in seven days, So 89 00:03:57,720 --> 00:04:00,680 Speaker 2: I think it's very a familiar, are. 90 00:04:00,640 --> 00:04:02,760 Speaker 3: These guys the Beatles seven and seven? 91 00:04:02,920 --> 00:04:03,320 Speaker 4: Amazing? 92 00:04:03,360 --> 00:04:03,640 Speaker 3: Isn't that? 93 00:04:03,680 --> 00:04:06,200 Speaker 2: But it really speaks to the kind of modern day 94 00:04:06,240 --> 00:04:08,720 Speaker 2: that we're in music. We've had lots of famous beefs 95 00:04:08,720 --> 00:04:10,839 Speaker 2: in hip hop, you know Tupac and Big Years, jay 96 00:04:10,920 --> 00:04:14,120 Speaker 2: Z and Nas. This is unlike any of them because 97 00:04:14,160 --> 00:04:15,920 Speaker 2: of the kind of digital age that we're in that 98 00:04:16,279 --> 00:04:18,839 Speaker 2: you can have someone say something bad about you, run 99 00:04:18,839 --> 00:04:22,440 Speaker 2: into the studio, get a beat, record something, release it, 100 00:04:22,560 --> 00:04:24,200 Speaker 2: and then bang bang bang bang bang back and. 101 00:04:24,200 --> 00:04:26,960 Speaker 4: It's instead of texting each other, they put it out 102 00:04:27,000 --> 00:04:28,160 Speaker 4: as songs out there. 103 00:04:28,279 --> 00:04:31,440 Speaker 2: Yeah, but there are some quite vicious allegations that have 104 00:04:31,520 --> 00:04:32,080 Speaker 2: been leveled. 105 00:04:32,240 --> 00:04:34,520 Speaker 3: It is worth saying none of that's been proven. There's 106 00:04:34,560 --> 00:04:36,120 Speaker 3: no actual evidence, and. 107 00:04:36,279 --> 00:04:38,440 Speaker 2: A lot of people sort of in hip hop industry 108 00:04:38,520 --> 00:04:41,120 Speaker 2: or commentators and experts are saying, like, you know, don't 109 00:04:41,200 --> 00:04:43,600 Speaker 2: pay too much heed to what's said in the lyrics 110 00:04:43,600 --> 00:04:46,839 Speaker 2: of these songs. Rap battles are much more about the 111 00:04:46,920 --> 00:04:49,920 Speaker 2: ego and the peacocking and kind of destroying the other 112 00:04:50,000 --> 00:04:54,040 Speaker 2: person lyrically. 113 00:04:52,200 --> 00:04:54,360 Speaker 4: True, just call someone a pedophile in a song. 114 00:04:54,920 --> 00:04:57,480 Speaker 3: I think that if someone were to look into. 115 00:04:58,960 --> 00:05:02,240 Speaker 2: You could definitely much defamation proceedings, I think, but that 116 00:05:02,320 --> 00:05:06,159 Speaker 2: would be very uncool and unsportsmanly in the kind of 117 00:05:06,200 --> 00:05:09,920 Speaker 2: bigger picture of what they're purposing about. So, I think 118 00:05:09,960 --> 00:05:11,760 Speaker 2: the fact that this is all about ego and being 119 00:05:11,839 --> 00:05:14,280 Speaker 2: number one, if one of them were to kind of 120 00:05:14,440 --> 00:05:16,839 Speaker 2: launch legal action, which you know, they could. 121 00:05:17,160 --> 00:05:19,360 Speaker 4: Make them seem unusually old fashioned. 122 00:05:19,520 --> 00:05:21,960 Speaker 2: Yes, I think that they would get torn apart and 123 00:05:22,320 --> 00:05:24,200 Speaker 2: people would would not be very impressed. 124 00:05:24,640 --> 00:05:30,080 Speaker 4: Come a long way a story, nose. Who're saying that 125 00:05:30,440 --> 00:05:34,000 Speaker 4: I'm suing, I'm pursuing you like to rub it in 126 00:05:34,040 --> 00:05:36,960 Speaker 4: the dirt and have it for Deserve what the people 127 00:05:36,960 --> 00:05:43,160 Speaker 4: are saying, thank you,