1 00:00:00,320 --> 00:00:03,960 Speaker 1: You're listening to the Jonesy and Demanda podcast. I asked 2 00:00:04,000 --> 00:00:05,640 Speaker 1: you if you would bring in the diary that you 3 00:00:05,640 --> 00:00:08,879 Speaker 1: write when you're a teen, and I have in the 4 00:00:08,880 --> 00:00:09,639 Speaker 1: time that i've known you. 5 00:00:09,680 --> 00:00:12,840 Speaker 2: I've flicked through this diary and it really paints. 6 00:00:12,520 --> 00:00:14,760 Speaker 3: The picture of of what Brendan. 7 00:00:16,040 --> 00:00:17,040 Speaker 2: It really paints the. 8 00:00:17,000 --> 00:00:20,880 Speaker 1: Picture of a thoughtful young lady who I don't think 9 00:00:20,880 --> 00:00:22,800 Speaker 1: I've ever had such deep thoughts as I did then. 10 00:00:22,880 --> 00:00:25,360 Speaker 3: For example, I won't read this one out in full, 11 00:00:25,440 --> 00:00:28,840 Speaker 3: but on the day that I turned sixteen, I say, 12 00:00:30,800 --> 00:00:34,440 Speaker 3: wonder what my thoughts were on this day sixteen years ago, 13 00:00:34,760 --> 00:00:36,960 Speaker 3: or if I thought anything. The shame will never know 14 00:00:37,000 --> 00:00:40,400 Speaker 3: so many parts of ourselves, right, that's kind of the turgeon. Actually, 15 00:00:40,479 --> 00:00:42,040 Speaker 3: let me read you something turgent from it. 16 00:00:42,080 --> 00:00:43,320 Speaker 2: Okay, should we get some turgion. 17 00:00:43,760 --> 00:00:45,520 Speaker 3: Let's get you know I was in love with Barry Mandeleys. 18 00:00:45,600 --> 00:00:47,560 Speaker 3: I'd sit in my bedroom and just write and write 19 00:00:47,560 --> 00:00:53,720 Speaker 3: and write. Actually I might cry hearing this if I 20 00:00:53,760 --> 00:00:57,600 Speaker 3: got introgestion, Ryan and I I've written this. I've copied 21 00:00:57,600 --> 00:00:59,520 Speaker 3: this from somewhere. Obviously these aren't my words, but I 22 00:00:59,520 --> 00:01:01,800 Speaker 3: thought there was so beautiful. I've written them down and 23 00:01:01,840 --> 00:01:04,280 Speaker 3: I've drawn a picture of a young black child's face. 24 00:01:06,240 --> 00:01:07,680 Speaker 2: It's a very good drawing bible. 25 00:01:07,800 --> 00:01:11,319 Speaker 3: Well obviously I've traced it sorry to ruin the magic, 26 00:01:11,680 --> 00:01:14,840 Speaker 3: and it says underneath this boy's life will probably end 27 00:01:14,880 --> 00:01:18,520 Speaker 3: at age forty. His only hope is that responsible citizens 28 00:01:18,520 --> 00:01:22,800 Speaker 3: everywhere can help his country adopt a political ideology, a 29 00:01:22,959 --> 00:01:26,919 Speaker 3: freedom underlined, and a sound economy which will provides shoes 30 00:01:26,959 --> 00:01:29,080 Speaker 3: for his feet. I've written food for his feet and 31 00:01:29,120 --> 00:01:33,560 Speaker 3: cross that out education for his mind, food for his stomach, 32 00:01:34,200 --> 00:01:37,360 Speaker 3: medicine for his fever. And this bit's underlined. He could 33 00:01:37,360 --> 00:01:39,679 Speaker 3: grow up with high hopes for the future, or with 34 00:01:39,760 --> 00:01:42,920 Speaker 3: a rifle in his hand pointed at your son, potch. 35 00:01:43,200 --> 00:01:45,680 Speaker 3: And that's underligned with a ruler. So I took that 36 00:01:45,880 --> 00:01:48,480 Speaker 3: very seriously. So that's just a bit of background as 37 00:01:48,560 --> 00:01:51,600 Speaker 3: the kind of person I was. Here's another example of 38 00:01:51,640 --> 00:01:54,520 Speaker 3: the kind of turgid fifteen year old. This is before 39 00:01:54,560 --> 00:01:57,680 Speaker 3: my sixteenth birthday, a few days before I put my 40 00:01:57,760 --> 00:01:59,480 Speaker 3: name down today to do a door knock appeal for 41 00:01:59,560 --> 00:02:02,160 Speaker 3: project to protect our native animals. 42 00:02:01,840 --> 00:02:04,200 Speaker 2: Not the drug dealing one. Adopted a drug dealer. 43 00:02:04,320 --> 00:02:08,080 Speaker 3: That was a mistake. Only three of us at school, Julie, 44 00:02:08,200 --> 00:02:10,840 Speaker 3: Jane and me put our names down. Isn't that terrible 45 00:02:10,919 --> 00:02:15,240 Speaker 3: exclamation point? Times three? All these beautiful animals and no 46 00:02:15,280 --> 00:02:17,760 Speaker 3: one wants to help them. They all say they care, 47 00:02:17,800 --> 00:02:20,560 Speaker 3: but they don't underline. I don't want these you with 48 00:02:20,600 --> 00:02:24,880 Speaker 3: the ruler, no, just hand done on these unique, exquisite, 49 00:02:24,960 --> 00:02:29,120 Speaker 3: poorly spelled animals to die. Question the exclamation point it 50 00:02:29,160 --> 00:02:31,880 Speaker 3: needs to come. We'll look back and say quotations. Yes, 51 00:02:32,040 --> 00:02:35,799 Speaker 3: a shame, kowhalas and numbats are extinct. Should have protected them. 52 00:02:36,560 --> 00:02:39,959 Speaker 3: End of quotes. We must do something and in capitals, now. 53 00:02:40,360 --> 00:02:43,639 Speaker 2: God, or you'll have a gun pointed at your sid. 54 00:02:45,160 --> 00:02:48,200 Speaker 3: And then anyway, apparently on the day of the door knock, 55 00:02:48,240 --> 00:02:50,520 Speaker 3: I was invited to a party, so I didn't do it. Anyway, 56 00:02:50,600 --> 00:02:53,320 Speaker 3: Let's move on, let's move on. This was one right, 57 00:02:53,440 --> 00:02:55,320 Speaker 3: This was one on the twenty third of the section. 58 00:02:56,400 --> 00:02:59,800 Speaker 1: So socialism, my Champagne socialism. 59 00:03:00,200 --> 00:03:03,880 Speaker 3: It might have been a hospital social champ socialite. So 60 00:03:04,040 --> 00:03:06,640 Speaker 3: this was two days before my birthday. Well here I 61 00:03:06,680 --> 00:03:09,480 Speaker 3: am nearly sixteen. Just think one year and I'll be seventeen. 62 00:03:09,480 --> 00:03:12,280 Speaker 3: That's when my maths was good. What a great age. 63 00:03:12,760 --> 00:03:15,240 Speaker 3: But I'll be spinning it at school. When I think 64 00:03:15,280 --> 00:03:17,600 Speaker 3: of seventeen, I conjure upt so many things in my 65 00:03:17,720 --> 00:03:25,320 Speaker 3: mind at seventeen acting Barry Madelone, jet set life seventeen Yep, yeah, 66 00:03:25,360 --> 00:03:28,640 Speaker 3: maybe Epstein Island and excitement. But it won't be like that, 67 00:03:28,760 --> 00:03:31,040 Speaker 3: not at all exclamation points. I'll be at school. What 68 00:03:31,160 --> 00:03:34,080 Speaker 3: a waste. I feel like saving seventeen up till I'm 69 00:03:34,120 --> 00:03:36,800 Speaker 3: ready to live it up. You can't waste the best 70 00:03:37,120 --> 00:03:39,680 Speaker 3: years of your life. Looks like I'm going to how 71 00:03:39,720 --> 00:03:40,440 Speaker 3: the pressing? 72 00:03:43,440 --> 00:03:47,120 Speaker 2: Wow, what a pain in the bucket. 73 00:03:48,520 --> 00:03:51,360 Speaker 3: I'd like to apologize to my parents and friends and teachers. 74 00:03:51,760 --> 00:03:53,000 Speaker 2: What did your mum and dad think? 75 00:03:53,360 --> 00:03:57,839 Speaker 3: Oh? They just well. Actually, when my father SA saw 76 00:03:57,880 --> 00:03:59,600 Speaker 3: that I wasn't going to be doing the doorknock, he said, 77 00:03:59,600 --> 00:04:01,600 Speaker 3: I thought you, and I said, stnny. I thought about it. 78 00:04:02,360 --> 00:04:05,800 Speaker 3: I didn't ask to be born. So anyway we'll get 79 00:04:05,800 --> 00:04:08,040 Speaker 3: I'll read you some more about my love for Barry 80 00:04:08,640 --> 00:04:12,240 Speaker 3: and where I thought that might might go. 81 00:04:14,080 --> 00:04:15,880 Speaker 2: Right, Eh, give us some more. 82 00:04:15,920 --> 00:04:17,560 Speaker 3: Well, here's the thing. Let me just set the scene. 83 00:04:17,800 --> 00:04:20,080 Speaker 3: Madly in love with Barry, Madeline, my friend Melanie, who's 84 00:04:20,120 --> 00:04:23,960 Speaker 3: still probably my best friend. We both love Barry so 85 00:04:24,080 --> 00:04:29,159 Speaker 3: much so. This is the third of the third nineteen 86 00:04:29,279 --> 00:04:31,520 Speaker 3: seventy eight. I just turned sixteen. 87 00:04:33,320 --> 00:04:33,800 Speaker 2: Wow. 88 00:04:34,040 --> 00:04:37,760 Speaker 3: Mel has just found out that Barry's not married. Wow. 89 00:04:38,839 --> 00:04:42,120 Speaker 3: On every record, he says, thanks to Linda and Bagel. 90 00:04:43,160 --> 00:04:45,200 Speaker 3: I know that it's actually Bagel now, But when I 91 00:04:45,240 --> 00:04:47,479 Speaker 3: grew up in that era, yeah, we never heard of 92 00:04:47,480 --> 00:04:49,160 Speaker 3: a Bagel. I thought the dogs and it. Well, I'll 93 00:04:49,200 --> 00:04:52,720 Speaker 3: get to who Bagel was. I thought Bagel. I thought 94 00:04:52,760 --> 00:04:55,960 Speaker 3: that you pronounced it bagel. Thanks to Linda and Bagel, 95 00:04:56,400 --> 00:04:59,279 Speaker 3: we thought there his wife and child. But Mel read 96 00:04:59,279 --> 00:05:02,880 Speaker 3: in a magazine he's moved with Bagel his dog to 97 00:05:02,880 --> 00:05:06,320 Speaker 3: another apartment overlooking Central Part. Wow. I don't know what, 98 00:05:06,400 --> 00:05:09,080 Speaker 3: care who or what Linda is, but it sounds like 99 00:05:09,160 --> 00:05:13,239 Speaker 3: he's single. He's over there alone, and we're over here alone. 100 00:05:13,360 --> 00:05:17,000 Speaker 3: How come? So you hang on? Let me just get 101 00:05:17,200 --> 00:05:19,240 Speaker 3: before you ask the questions that I know you have. 102 00:05:19,920 --> 00:05:22,960 Speaker 3: He's obviously waiting for someone special to love, and I 103 00:05:23,000 --> 00:05:27,279 Speaker 3: stupidly feel that Melani can give it. I'm unrealistic, but 104 00:05:27,360 --> 00:05:30,440 Speaker 3: I'm totally believe I'm the person he's looking for. Dumb. Hey, 105 00:05:31,800 --> 00:05:35,320 Speaker 3: he's so beautiful and sensitive and all the things I 106 00:05:35,360 --> 00:05:39,039 Speaker 3: could go on about wanting him. His agony and I 107 00:05:39,080 --> 00:05:44,080 Speaker 3: want him so much sounds like wuthering heights. So I 108 00:05:44,120 --> 00:05:46,400 Speaker 3: wish he'd stop and freeze where he is until I 109 00:05:46,480 --> 00:05:49,400 Speaker 3: finish school and get the hell over there. It makes 110 00:05:49,400 --> 00:05:51,720 Speaker 3: me feel that university and school are a waste of time. 111 00:05:51,839 --> 00:05:54,040 Speaker 3: I just want to be near him as soon as possible. 112 00:05:54,240 --> 00:05:57,800 Speaker 3: Oh boy, I love him so underlined much. 113 00:06:00,320 --> 00:06:03,680 Speaker 2: You would have been sixteen just he was thirty two. 114 00:06:03,880 --> 00:06:06,320 Speaker 3: That's the only thing that was out of kilter was 115 00:06:06,360 --> 00:06:10,840 Speaker 3: our age's brand. I'll read one more piece later on 116 00:06:10,960 --> 00:06:14,080 Speaker 3: that as to why it could never work between us 117 00:06:14,080 --> 00:06:14,960 Speaker 3: and my heart break. 118 00:06:15,040 --> 00:06:19,960 Speaker 1: That's no, it's not what you think, okay. Relating stories 119 00:06:20,000 --> 00:06:23,360 Speaker 1: from your teenage diary. These days people call it journaling. 120 00:06:23,640 --> 00:06:25,799 Speaker 1: Back in your day, it was a diary. 121 00:06:25,960 --> 00:06:29,760 Speaker 3: It was indulgent diarising. And I found the diary. I've 122 00:06:29,760 --> 00:06:32,720 Speaker 3: looked at the period where it was my sixteenth birthday. 123 00:06:32,760 --> 00:06:36,159 Speaker 3: I was turning sixteen, and I was filled with turgid 124 00:06:36,279 --> 00:06:38,960 Speaker 3: longings for Barry Manilo. And I've never been such a 125 00:06:39,000 --> 00:06:40,360 Speaker 3: deep thinker as I was then. 126 00:06:40,560 --> 00:06:42,400 Speaker 2: You wanted to be? What did you want to be? 127 00:06:42,920 --> 00:06:46,080 Speaker 3: Oh, I've got in here. That's for another time. Is 128 00:06:46,120 --> 00:06:52,480 Speaker 3: my acceptance speech for when I won acting awards. Found 129 00:06:52,600 --> 00:06:54,200 Speaker 3: I don't laugh, don't laugh. 130 00:06:55,400 --> 00:06:59,200 Speaker 2: You know you've come. Let's not go about the gold, Leggy, 131 00:06:59,240 --> 00:07:01,560 Speaker 2: because I thought you were a sert. For that, you 132 00:07:01,560 --> 00:07:02,480 Speaker 2: were a sert And. 133 00:07:02,440 --> 00:07:04,520 Speaker 3: I would have done the speech from my sixteen year 134 00:07:04,520 --> 00:07:07,800 Speaker 3: old self for that meddling if it wasn't for that meddaling, Tom. 135 00:07:08,200 --> 00:07:10,680 Speaker 3: But when I last left you with my diary and 136 00:07:10,760 --> 00:07:15,320 Speaker 3: my last installment was about how we discovered that Barry 137 00:07:15,480 --> 00:07:18,680 Speaker 3: was single. Barry Manilo was single. I was sixty. He 138 00:07:18,760 --> 00:07:20,560 Speaker 3: were thank you there, he's playing his music for me. 139 00:07:20,760 --> 00:07:24,560 Speaker 3: I was sixteen, he was thirty two. That was the 140 00:07:24,600 --> 00:07:25,640 Speaker 3: only barrier we had. 141 00:07:25,680 --> 00:07:27,600 Speaker 2: It was like a one way trip to Epstein Island, 142 00:07:27,760 --> 00:07:28,480 Speaker 2: but having. 143 00:07:28,400 --> 00:07:30,600 Speaker 3: But I knew I'd read about Melanie and I had 144 00:07:30,640 --> 00:07:33,000 Speaker 3: read about Linda and Bagel. We thought the word Bagel 145 00:07:33,120 --> 00:07:35,760 Speaker 3: was bagel. Bagel was his dog. And we said, but who, 146 00:07:35,840 --> 00:07:38,080 Speaker 3: I don't care what Linda is. He's single, and he's 147 00:07:38,120 --> 00:07:39,880 Speaker 3: over there and he's waiting, and I can't wait to 148 00:07:39,880 --> 00:07:45,480 Speaker 3: get there. Then this is the very next day. Well, 149 00:07:45,840 --> 00:07:49,320 Speaker 3: another part of my fantasy has just crumbled. Linda is 150 00:07:49,400 --> 00:07:52,080 Speaker 3: his girlfriend and has been with him. For more than 151 00:07:52,160 --> 00:07:55,040 Speaker 3: three years. You love this bit. When we saw her 152 00:07:55,080 --> 00:07:56,960 Speaker 3: at the Music Awards, we thought she was his mother. 153 00:07:57,920 --> 00:08:00,320 Speaker 3: She looks much older than him. She's not beautiful or anything, 154 00:08:00,360 --> 00:08:03,800 Speaker 3: which proves how deep and loving he really is. Linda 155 00:08:03,880 --> 00:08:07,320 Speaker 3: must be the luckiest woman alive. She was untouched. I'll 156 00:08:07,320 --> 00:08:10,320 Speaker 3: tell you that I can't help imagining them together. I 157 00:08:10,320 --> 00:08:12,520 Speaker 3: don't trust myself to listen to his records. I'll probably 158 00:08:12,520 --> 00:08:14,920 Speaker 3: break down a ball to think that while he was 159 00:08:14,920 --> 00:08:18,240 Speaker 3: singing those beautiful songs, he was thinking of her. I 160 00:08:18,280 --> 00:08:21,920 Speaker 3: hope she realizes how bloody, underlined lucky she is. 161 00:08:21,960 --> 00:08:23,880 Speaker 2: Did you use the rule for the underlying. 162 00:08:23,640 --> 00:08:26,840 Speaker 3: No, it was just handwritten. That's how impassionate, unfettered. I 163 00:08:26,880 --> 00:08:28,880 Speaker 3: felt as though my inside I feel as though my 164 00:08:28,920 --> 00:08:32,080 Speaker 3: insides are wasting away one minute and the next time. Okay, 165 00:08:33,000 --> 00:08:35,680 Speaker 3: I'm so stupid to think I had a chance, But 166 00:08:35,800 --> 00:08:38,880 Speaker 3: knowing he's so involved with her seems to make me 167 00:08:38,960 --> 00:08:42,520 Speaker 3: feel a little more useless and insignificant and deprived. I 168 00:08:42,559 --> 00:08:46,040 Speaker 3: want him so much, I feel I know him so well. 169 00:08:46,760 --> 00:08:51,520 Speaker 1: Did you had you just, for example, say he suddenly 170 00:08:51,640 --> 00:08:54,640 Speaker 1: jetted over here and saw you, and putting aside the 171 00:08:54,640 --> 00:08:55,520 Speaker 1: age differenciple. 172 00:08:55,520 --> 00:08:57,319 Speaker 2: What what would have you done? 173 00:08:57,400 --> 00:08:59,880 Speaker 3: I thought, I imagine that if we met him, because 174 00:08:59,880 --> 00:09:02,960 Speaker 3: he sings about being the odd ball out, being the 175 00:09:03,040 --> 00:09:07,120 Speaker 3: vulnerable person in the background, that sensitivity just suited. 176 00:09:06,720 --> 00:09:07,400 Speaker 2: Me to it. 177 00:09:07,679 --> 00:09:10,480 Speaker 3: Tea, I thought we were just absolutely turnal. 178 00:09:10,520 --> 00:09:13,680 Speaker 1: Next sweaters, sitting on lounges drinking cocoa. 179 00:09:13,840 --> 00:09:16,240 Speaker 3: I've written that, and here about a winter, you know, 180 00:09:16,320 --> 00:09:20,319 Speaker 3: sitting on his drinking hot chocolate on his sofa. Don't 181 00:09:20,360 --> 00:09:21,320 Speaker 3: spill it. 182 00:09:21,600 --> 00:09:24,360 Speaker 2: He upset that you mentioned another band of the time. 183 00:09:24,800 --> 00:09:27,840 Speaker 3: But the incredible, delicious irony of all of this is 184 00:09:27,840 --> 00:09:30,440 Speaker 3: that this is nineteen seventy eight. Yep, he did find 185 00:09:30,480 --> 00:09:33,400 Speaker 3: love that year, not with Linda, with his manager Gary, 186 00:09:33,520 --> 00:09:36,960 Speaker 3: who he's been with ever since. Seriously, that was the 187 00:09:37,040 --> 00:09:38,959 Speaker 3: year he and his partner got together. 188 00:09:40,360 --> 00:09:46,120 Speaker 2: Oh Gary, you came and you go. You know they 189 00:09:46,120 --> 00:09:47,160 Speaker 2: are in matching robes 190 00:09:48,040 --> 00:09:49,560 Speaker 3: All right, Stop rubbing it in