1 00:00:00,280 --> 00:00:03,360 Speaker 1: Okay, how hi, how are you tapes ready for book club? 2 00:00:03,480 --> 00:00:06,519 Speaker 2: John High. 3 00:00:08,360 --> 00:00:09,720 Speaker 1: Welcome back to book club. 4 00:00:10,039 --> 00:00:13,480 Speaker 3: Yes, we thought we talked about music today. Music plays 5 00:00:13,480 --> 00:00:15,640 Speaker 3: a big part in our lives, particularly you, Brendan. 6 00:00:15,720 --> 00:00:18,080 Speaker 2: It's been a big through line for your. 7 00:00:18,120 --> 00:00:22,599 Speaker 4: Definitely rock music, heart rock music, and you have dreadful 8 00:00:22,640 --> 00:00:23,360 Speaker 4: taste in music. 9 00:00:23,440 --> 00:00:26,680 Speaker 3: Well, let's let's see in your book fifty Shades of 10 00:00:26,720 --> 00:00:30,200 Speaker 3: fifty have you documented your early beginnings dabbling in the 11 00:00:30,200 --> 00:00:31,400 Speaker 3: world of music. 12 00:00:31,600 --> 00:00:35,800 Speaker 4: When I was a young man, I had my first 13 00:00:36,040 --> 00:00:39,760 Speaker 4: musical fan moment, and it was with John Denver. And 14 00:00:40,080 --> 00:00:43,360 Speaker 4: I remember there was High Calypso was everywhere. That song 15 00:00:43,840 --> 00:00:47,239 Speaker 4: was everywhere everywhere, and there was a poster in the 16 00:00:47,280 --> 00:00:50,839 Speaker 4: newspaper of John Denver, and I stuck it up on 17 00:00:50,920 --> 00:00:54,400 Speaker 4: my wall, and I remember looking at John Denver and 18 00:00:54,600 --> 00:00:56,560 Speaker 4: listening to High Calypso and just weeping. 19 00:00:57,360 --> 00:01:00,160 Speaker 2: What was the emotion? Let's know what, Let's drill down. 20 00:01:00,360 --> 00:01:01,400 Speaker 1: What it was? 21 00:01:01,400 --> 00:01:01,680 Speaker 2: Was it? 22 00:01:01,720 --> 00:01:04,840 Speaker 3: Was it the emotion of the song or was it 23 00:01:05,080 --> 00:01:08,080 Speaker 3: a generic kind of non sexual crush? 24 00:01:08,160 --> 00:01:09,000 Speaker 1: Yeah, I guess it was. 25 00:01:09,040 --> 00:01:12,920 Speaker 4: I would have been younger than ten, probably nine, and 26 00:01:12,959 --> 00:01:16,000 Speaker 4: but just and he did look a little bit like a. 27 00:01:15,880 --> 00:01:18,720 Speaker 3: Girl but sort of overwhelmed by the emotion of it. Yeah, 28 00:01:18,920 --> 00:01:21,600 Speaker 3: and as you say, a fan moment, a fan moment. 29 00:01:21,760 --> 00:01:24,600 Speaker 4: And then along the way you became into you got 30 00:01:24,640 --> 00:01:27,040 Speaker 4: into your parents music. My dad was into Cat Stevens 31 00:01:27,040 --> 00:01:28,520 Speaker 4: at Elton John stuff. 32 00:01:28,560 --> 00:01:29,600 Speaker 2: We still play on the radio. 33 00:01:29,720 --> 00:01:30,280 Speaker 1: Funny that. 34 00:01:30,600 --> 00:01:33,560 Speaker 4: But then I found my own musical tastes through a 35 00:01:33,680 --> 00:01:38,600 Speaker 4: kiss and then Australian rock and the rich Seam, which 36 00:01:38,680 --> 00:01:39,640 Speaker 4: was Australian rock. 37 00:01:40,160 --> 00:01:40,880 Speaker 2: Patsy Bisco. 38 00:01:41,480 --> 00:01:43,039 Speaker 1: Patsy Bisco, she used to rock. 39 00:01:43,640 --> 00:01:48,280 Speaker 4: I liked when has she Free based with? It was 40 00:01:48,320 --> 00:01:51,080 Speaker 4: Sandals and had it off with Jemima. 41 00:01:51,200 --> 00:01:52,280 Speaker 2: She wasn't on play. 42 00:01:52,000 --> 00:01:54,320 Speaker 1: School, Jemima. Patsy Bisco. 43 00:01:54,720 --> 00:01:56,360 Speaker 2: She was a made up character, wasn't she? 44 00:01:56,360 --> 00:01:57,560 Speaker 1: She Wassco was real? 45 00:01:57,720 --> 00:01:58,000 Speaker 4: Was she? 46 00:01:58,160 --> 00:02:00,200 Speaker 1: Patsy Bisco was real? Was the made up one that 47 00:02:00,320 --> 00:02:02,040 Speaker 1: was clenic that he was doing? 48 00:02:02,160 --> 00:02:02,360 Speaker 4: Yeah? 49 00:02:02,400 --> 00:02:03,920 Speaker 2: He was doing a pisstake of Patsy? 50 00:02:04,040 --> 00:02:06,600 Speaker 4: Yeah yeah, yeah, yeah. 51 00:02:06,680 --> 00:02:08,880 Speaker 1: See you've you've skipped out on Patsy. 52 00:02:09,000 --> 00:02:12,480 Speaker 2: I have sorry, I'll read for my book please. 53 00:02:13,080 --> 00:02:14,160 Speaker 1: The radiators were. 54 00:02:14,000 --> 00:02:17,000 Speaker 4: Playing at Carrying Burn and a bunch of us decided 55 00:02:17,000 --> 00:02:17,840 Speaker 4: we were going to go. 56 00:02:18,360 --> 00:02:21,320 Speaker 1: Let me just preface this. I was underage. I was seventeen. 57 00:02:22,120 --> 00:02:24,919 Speaker 4: At that stage, I'd grown a lot taller and had 58 00:02:24,919 --> 00:02:27,080 Speaker 4: grown my hair long, but just at the back. 59 00:02:27,480 --> 00:02:29,280 Speaker 2: Oh no, that's called a mullet. 60 00:02:29,360 --> 00:02:31,880 Speaker 4: Well we didn't even have a name for it back then. 61 00:02:32,080 --> 00:02:34,720 Speaker 4: These days everyone knows it as the mullet. 62 00:02:34,840 --> 00:02:37,080 Speaker 2: What a phrase. I'd grown my hair long, but just 63 00:02:37,120 --> 00:02:37,840 Speaker 2: at the back. 64 00:02:38,320 --> 00:02:39,080 Speaker 1: That's what it was. 65 00:02:39,520 --> 00:02:42,440 Speaker 4: In nineteen eighty five, there was pretty much one uniform 66 00:02:42,480 --> 00:02:47,560 Speaker 4: for young men, a flannel at shirt, jeans and rollers shoes. 67 00:02:47,639 --> 00:02:48,840 Speaker 1: Do you remember rollers shoes? 68 00:02:49,440 --> 00:02:52,040 Speaker 4: There are a black suede boot with a rippled sole, 69 00:02:52,320 --> 00:02:53,880 Speaker 4: basically a black desert boot. 70 00:02:53,919 --> 00:02:54,480 Speaker 2: Desert boots. 71 00:02:54,960 --> 00:02:56,120 Speaker 1: Yeah, but we didn't wear. 72 00:02:55,919 --> 00:02:58,480 Speaker 4: Desert boots in Cronulla because that were west They were 73 00:02:58,520 --> 00:03:02,880 Speaker 4: Westy shoes because well, this was a desert boot. No, 74 00:03:02,919 --> 00:03:05,160 Speaker 4: but it was It wasn't It was a roller sorry, 75 00:03:05,240 --> 00:03:09,360 Speaker 4: sensitive back to the book, only Westies wore desert birds. 76 00:03:09,360 --> 00:03:12,680 Speaker 4: Sydney as it was back then, was divided up into north, South, 77 00:03:12,760 --> 00:03:15,320 Speaker 4: East and West, and because of the lack of infrastructure, 78 00:03:15,560 --> 00:03:17,840 Speaker 4: no one really traveled to each other's burroughs. 79 00:03:18,000 --> 00:03:21,400 Speaker 3: Can I just make an observation, every single read from 80 00:03:21,440 --> 00:03:23,400 Speaker 3: your book we've done has started. 81 00:03:23,040 --> 00:03:25,440 Speaker 2: With poof wog are now whisky? 82 00:03:25,600 --> 00:03:29,079 Speaker 1: Well this was the time, These were the times. I week. 83 00:03:29,120 --> 00:03:32,520 Speaker 1: I'm terrified. I'm not saying it was good. It wasn't good. 84 00:03:32,800 --> 00:03:38,040 Speaker 4: But that's what White Australia, Suburban Australia and Peter Garrett 85 00:03:38,040 --> 00:03:39,840 Speaker 4: sums it up with the power and the passion, the 86 00:03:39,880 --> 00:03:42,880 Speaker 4: midnight or song you know under arms and football clubs. 87 00:03:42,960 --> 00:03:46,440 Speaker 4: It was that to toxic masculinity. Do you remember that 88 00:03:46,560 --> 00:03:50,000 Speaker 4: in the eighties You couldn't still have it? Not, no, 89 00:03:50,000 --> 00:03:53,800 Speaker 4: nowhere near as bad as what it was growing up 90 00:03:54,200 --> 00:03:58,120 Speaker 4: in the especially beachside suburbs in the eighties, seventies and 91 00:03:58,160 --> 00:04:01,280 Speaker 4: eighties that you couldn't surf in a cert and playbity blues. 92 00:04:01,440 --> 00:04:03,880 Speaker 4: It's exactly beauty bitty blues. I look at now where 93 00:04:03,880 --> 00:04:06,840 Speaker 4: I go surfing, and that used to be. We couldn't 94 00:04:06,840 --> 00:04:09,840 Speaker 4: even look at Crenula Point when we were kids. And 95 00:04:09,880 --> 00:04:11,560 Speaker 4: I used to surf a lot as a kid, but 96 00:04:11,600 --> 00:04:13,600 Speaker 4: we would never dream of going to Crenula Point. 97 00:04:13,680 --> 00:04:14,520 Speaker 2: It was a hierarchy. 98 00:04:14,600 --> 00:04:15,640 Speaker 1: It was such a hierarchy. 99 00:04:15,640 --> 00:04:17,720 Speaker 4: There's an aggressive old surface and they'd punched in the 100 00:04:17,760 --> 00:04:18,800 Speaker 4: head as sure as look at you. 101 00:04:19,400 --> 00:04:20,920 Speaker 2: Sorry, I disrupted you from your book. 102 00:04:21,000 --> 00:04:23,440 Speaker 4: No, no, no, But I'm just saying those were the times, 103 00:04:23,800 --> 00:04:26,680 Speaker 4: So that's what I make these referrals. I'm not hearkening 104 00:04:26,760 --> 00:04:29,600 Speaker 4: back to the good old days. These are terrible day 105 00:04:29,720 --> 00:04:33,120 Speaker 4: of course. The night at carrying bar in we stood 106 00:04:33,120 --> 00:04:35,479 Speaker 4: in the Queube, but not as a group. We spread out, 107 00:04:35,960 --> 00:04:39,960 Speaker 4: mingling in with old people in their twenties. I had 108 00:04:39,960 --> 00:04:42,000 Speaker 4: my wallet at and the part where I kept my 109 00:04:42,120 --> 00:04:43,000 Speaker 4: paper license. 110 00:04:43,720 --> 00:04:46,120 Speaker 2: What's that mean? Did you have your driver's license. 111 00:04:45,920 --> 00:04:47,799 Speaker 1: A paper license? Do you remember that? Yeah? 112 00:04:47,839 --> 00:04:49,599 Speaker 2: Well I didn't have a license in those days. 113 00:04:49,960 --> 00:04:51,839 Speaker 1: By the time you got your license, they were plastic. 114 00:04:52,600 --> 00:04:53,000 Speaker 2: True. 115 00:04:53,080 --> 00:04:55,359 Speaker 4: With the aid of an old school's typewriter, I managed 116 00:04:55,400 --> 00:04:57,960 Speaker 4: to change my birth year from sixty eight to sixty seven. 117 00:04:58,320 --> 00:05:02,440 Speaker 4: Liquory caper look just a bit of scratching about three 118 00:05:02,480 --> 00:05:05,240 Speaker 4: people in front of me. A young guy tried his luck, 119 00:05:05,279 --> 00:05:07,159 Speaker 4: and the bouncer said, yeah, who you kidding? 120 00:05:07,200 --> 00:05:07,960 Speaker 1: Mate, Off you go. 121 00:05:08,600 --> 00:05:10,839 Speaker 4: Before I could get too anxious, the bouncer waved a 122 00:05:10,839 --> 00:05:12,960 Speaker 4: whole bunch of a shrew to the cashier. And I 123 00:05:12,960 --> 00:05:15,880 Speaker 4: wouldn't get asked for my ID and ID until I 124 00:05:15,920 --> 00:05:17,440 Speaker 4: was in my late twenties. 125 00:05:17,480 --> 00:05:18,080 Speaker 1: So that was good. 126 00:05:18,240 --> 00:05:20,000 Speaker 4: We all just sort of It was like a shindless 127 00:05:20,040 --> 00:05:21,840 Speaker 4: list and you go in, you go quick, quick, quick, 128 00:05:22,520 --> 00:05:24,520 Speaker 4: with a bit of hack company. 129 00:05:24,520 --> 00:05:29,720 Speaker 3: Well no, because he saved them. 130 00:05:30,000 --> 00:05:40,480 Speaker 2: He did too, hopefully with justice, hatty and outcome. Okay, 131 00:05:42,120 --> 00:05:42,640 Speaker 2: keep going. 132 00:05:48,360 --> 00:05:51,080 Speaker 4: Once we were in, it was a mixture of beer, 133 00:05:51,240 --> 00:05:54,560 Speaker 4: sweat and smoke on the ceiling, dripping down on the ceiling. 134 00:05:54,760 --> 00:05:59,920 Speaker 4: It was beers on the ceilings, the rain wrap, drops 135 00:06:00,800 --> 00:06:04,440 Speaker 4: of condensation forming. What I've done is I've made the 136 00:06:04,440 --> 00:06:06,320 Speaker 4: mistake of highlighting. Well, I'm going to read here with 137 00:06:06,360 --> 00:06:08,479 Speaker 4: blue highlighted pets. Have a look, and no I can't read. 138 00:06:08,560 --> 00:06:10,240 Speaker 2: Oh you can't read it. You've covered it all up. 139 00:06:10,480 --> 00:06:14,440 Speaker 4: The Radiators were one of his staples of Ossie pub rock, 140 00:06:15,000 --> 00:06:17,000 Speaker 4: and they held their own up against the likes of 141 00:06:17,040 --> 00:06:20,000 Speaker 4: ACDC in Excess, College She Is, at the Angels and 142 00:06:20,120 --> 00:06:23,839 Speaker 4: Midnight Oil. They were quite an extraordinary band, and they 143 00:06:24,200 --> 00:06:26,480 Speaker 4: they got lost in the miasma of those other bands. 144 00:06:26,560 --> 00:06:29,760 Speaker 4: I remember, and years later I would get to become 145 00:06:30,040 --> 00:06:32,760 Speaker 4: friends with Doc Decent from the Angels. 146 00:06:32,800 --> 00:06:33,800 Speaker 1: We became friends with Doc. 147 00:06:33,839 --> 00:06:35,040 Speaker 2: But you still go and see the reading. 148 00:06:35,120 --> 00:06:37,000 Speaker 1: The Radiators, I know them quite well. 149 00:06:37,000 --> 00:06:38,880 Speaker 4: I remember at Doc Neson's funeral I was talking to 150 00:06:38,920 --> 00:06:41,520 Speaker 4: Brian Nickel, the lead singer of the Radiators, and we're 151 00:06:41,560 --> 00:06:43,599 Speaker 4: just reminiscing about Doc and I so, what do you 152 00:06:43,640 --> 00:06:48,080 Speaker 4: remember about performing with the Angels, because they used to 153 00:06:48,080 --> 00:06:50,279 Speaker 4: always support the Angels, And he said, I just remember 154 00:06:50,360 --> 00:06:52,880 Speaker 4: thinking if we could only play half as good as 155 00:06:52,920 --> 00:06:54,360 Speaker 4: those guys, and I think it was. 156 00:06:54,440 --> 00:06:56,440 Speaker 1: I said, you beat a bit hard on them yourself, 157 00:06:56,480 --> 00:06:56,720 Speaker 1: you know. 158 00:06:57,080 --> 00:06:59,880 Speaker 4: But if you do look at film clips and the like, 159 00:07:00,240 --> 00:07:03,520 Speaker 4: or the trajectory of the Angels versus the Radiators, there 160 00:07:03,560 --> 00:07:05,320 Speaker 4: is a different trajectory there. 161 00:07:07,960 --> 00:07:09,720 Speaker 2: Did you crack on that night? What happens there? 162 00:07:09,720 --> 00:07:12,000 Speaker 4: No, no, no, no no. I just walked in there 163 00:07:12,040 --> 00:07:14,360 Speaker 4: and you didn't look at anyone. You just stood there 164 00:07:14,480 --> 00:07:15,920 Speaker 4: and let the ceiling drip on your head. 165 00:07:16,160 --> 00:07:17,880 Speaker 1: It was pretty much as wide as anything. 166 00:07:17,920 --> 00:07:21,360 Speaker 4: There wasn't any other nationality or anything in Caringbury in 167 00:07:21,720 --> 00:07:24,239 Speaker 4: that night. The first song they played was Coming Home, 168 00:07:24,480 --> 00:07:26,400 Speaker 4: and I hear that guitar riff to this day. I 169 00:07:26,400 --> 00:07:29,400 Speaker 4: have a visceral flashback to that night so many years ago. 170 00:07:29,640 --> 00:07:31,800 Speaker 4: My hoarse voice from singing at the top of my 171 00:07:31,880 --> 00:07:35,120 Speaker 4: lungs and inhaling not only my own cigarette smoke, but 172 00:07:35,240 --> 00:07:37,720 Speaker 4: everyone else is in that rim. Even though I just 173 00:07:37,760 --> 00:07:42,040 Speaker 4: turned seventeen, I sang along with seventeen again without any irony. 174 00:07:42,200 --> 00:07:43,640 Speaker 1: Whatsop, what would the irony have been? 175 00:07:43,680 --> 00:07:44,160 Speaker 2: What's the song? 176 00:07:44,200 --> 00:07:45,920 Speaker 4: I was seventeen and the song is I wish that 177 00:07:45,960 --> 00:07:48,720 Speaker 4: I was seventeen again. Here am I underage in a 178 00:07:48,720 --> 00:07:51,200 Speaker 4: pub singing a song about being seventeen. 179 00:07:50,840 --> 00:07:52,000 Speaker 2: Living the time of your life? 180 00:07:52,120 --> 00:07:52,640 Speaker 1: And that was that. 181 00:07:53,760 --> 00:07:56,960 Speaker 3: Well, as you can imagine, My musical beginnings were far 182 00:07:57,080 --> 00:07:57,840 Speaker 3: daggier than that. 183 00:07:58,240 --> 00:08:00,680 Speaker 2: No, I'll read from a bit of my book. 184 00:08:00,320 --> 00:08:03,640 Speaker 3: Where I was talking all the girls at school love basis. 185 00:08:04,880 --> 00:08:06,800 Speaker 2: No thank you. You can sniff that on your own. 186 00:08:07,360 --> 00:08:09,920 Speaker 3: All the girls at school love basity rollers. I was 187 00:08:09,960 --> 00:08:12,880 Speaker 3: more cynical. I wasn't into the rollers. But I do 188 00:08:13,480 --> 00:08:16,600 Speaker 3: still have a copy of sixteen Magazine, so I relied 189 00:08:16,640 --> 00:08:18,720 Speaker 3: on a bit of that when I found that to 190 00:08:18,760 --> 00:08:21,960 Speaker 3: write this part in my book. I still have a 191 00:08:21,960 --> 00:08:24,760 Speaker 3: copy of sixteen Magazine I bought predictably enough, when I 192 00:08:24,800 --> 00:08:27,480 Speaker 3: was sixteen. We'd be living in Beecroft for six years, 193 00:08:27,480 --> 00:08:29,600 Speaker 3: and I spent many hours perusing the magazines at the 194 00:08:29,600 --> 00:08:31,600 Speaker 3: news agent up the road from my school, calming for 195 00:08:31,760 --> 00:08:32,320 Speaker 3: high It's. 196 00:08:32,200 --> 00:08:32,880 Speaker 4: Not a library. 197 00:08:32,920 --> 00:08:36,520 Speaker 3: Miss was the thing he hated us, say a news 198 00:08:36,520 --> 00:08:39,680 Speaker 3: agency owner hated us browsing through the mags. So the 199 00:08:39,720 --> 00:08:41,560 Speaker 3: trick was to make it look like you were constantly 200 00:08:41,559 --> 00:08:43,760 Speaker 3: on the verge of heading to the counter with your purchase. 201 00:08:44,360 --> 00:08:46,880 Speaker 3: But I was obviously shamed into actually buying this one. 202 00:08:47,240 --> 00:08:50,560 Speaker 3: This edition of sixteen magazine makes for fascinating reading. The 203 00:08:50,640 --> 00:08:53,280 Speaker 3: cover is dominated by a photo of Les from Basity 204 00:08:53,360 --> 00:08:57,000 Speaker 3: Rollers under the banner Rollers Dream Girl, Are you the one? 205 00:08:57,920 --> 00:09:00,320 Speaker 3: There's also a much smaller picture of Sean Cash with 206 00:09:00,360 --> 00:09:03,560 Speaker 3: the line what his best friends won't tell him? I 207 00:09:03,600 --> 00:09:06,880 Speaker 3: know you're dying to find out. Believe me, it's invaluable advice. 208 00:09:07,200 --> 00:09:10,360 Speaker 3: Quote trust your instincts, put a jacket on when it's 209 00:09:10,400 --> 00:09:13,680 Speaker 3: cold outside, and the intriguing you should have the seams 210 00:09:13,679 --> 00:09:15,080 Speaker 3: in your pants strengthened. 211 00:09:16,000 --> 00:09:16,439 Speaker 1: Was this the. 212 00:09:16,400 --> 00:09:21,240 Speaker 4: Advice that was the advice but that his friends decided 213 00:09:21,280 --> 00:09:22,080 Speaker 4: to give to him? 214 00:09:22,360 --> 00:09:24,079 Speaker 2: Yeah, that's obviously. 215 00:09:24,120 --> 00:09:27,120 Speaker 3: I realize now all this is made up, But I've 216 00:09:27,160 --> 00:09:31,520 Speaker 3: read every word and loved it. Another tantalizing cover line 217 00:09:31,600 --> 00:09:34,200 Speaker 3: is Lafe, there's room for you in his life. 218 00:09:34,840 --> 00:09:36,120 Speaker 2: I remember loving this story. 219 00:09:36,760 --> 00:09:41,560 Speaker 4: Yeah, No, I went to school with there might be 220 00:09:41,640 --> 00:09:43,120 Speaker 4: someone there's not for me with. 221 00:09:43,720 --> 00:09:45,760 Speaker 3: They all went by just on their first names in 222 00:09:45,800 --> 00:09:49,520 Speaker 3: those days. Lafe Inside, a short story tells the tale 223 00:09:49,559 --> 00:09:51,920 Speaker 3: of you meeting Leif Garrett and going for a walk 224 00:09:51,920 --> 00:09:54,920 Speaker 3: along the beach with him. Sadly, when other girls keep 225 00:09:54,960 --> 00:09:57,440 Speaker 3: coming up and arrastling for autographs, you realize he can 226 00:09:57,480 --> 00:09:58,480 Speaker 3: never be yours alone. 227 00:09:58,800 --> 00:09:59,640 Speaker 2: You have to share him. 228 00:10:00,520 --> 00:10:04,200 Speaker 3: Bumma well with no sense of precience. Andy Gibbs quoted 229 00:10:04,240 --> 00:10:06,040 Speaker 3: saying he loves quote being healthy. 230 00:10:06,080 --> 00:10:07,439 Speaker 2: There's no feeling like it. 231 00:10:07,960 --> 00:10:10,160 Speaker 3: That's why I don't drink or smoke, and don't start 232 00:10:10,200 --> 00:10:12,720 Speaker 3: parting too much is the quote. Clearly this was written 233 00:10:12,720 --> 00:10:14,480 Speaker 3: by his publicist, since Andy died at the age of 234 00:10:14,520 --> 00:10:16,600 Speaker 3: thirty from part problems put on by years of drug 235 00:10:16,640 --> 00:10:21,080 Speaker 3: and alcohol abuse. That's right, we learn that New York 236 00:10:21,120 --> 00:10:24,320 Speaker 3: declared ninth of May nineteen seventy nine to be Scott 237 00:10:24,440 --> 00:10:27,640 Speaker 3: Bayo Day, like the death of Princess Diana. 238 00:10:27,720 --> 00:10:30,080 Speaker 2: I'm sure we all remember where we were on Scott 239 00:10:30,120 --> 00:10:30,800 Speaker 2: Bayo Day. 240 00:10:31,320 --> 00:10:33,280 Speaker 3: But getting back to the rollers, I can see I 241 00:10:33,320 --> 00:10:35,520 Speaker 3: did a quiz to discover which band member I was 242 00:10:35,559 --> 00:10:36,280 Speaker 3: most suited to. 243 00:10:36,840 --> 00:10:38,000 Speaker 2: The questions are very odd. 244 00:10:38,640 --> 00:10:42,320 Speaker 3: Your worst fear is a that You'll expose yourself and 245 00:10:42,360 --> 00:10:47,120 Speaker 3: everyone will dislike you. B that you'll die suddenly, s 246 00:10:47,480 --> 00:10:49,400 Speaker 3: that your allergies will get the best of you and 247 00:10:49,480 --> 00:10:52,600 Speaker 3: ruin your life. D you'll be stabbed by someone in 248 00:10:52,640 --> 00:10:56,920 Speaker 3: the crowd, or D or E shiny beetles and war. 249 00:10:58,200 --> 00:11:01,400 Speaker 3: The page is a scrambled mess of circles and scratches. 250 00:11:01,440 --> 00:11:03,599 Speaker 3: But in the process, similar to scraping back layers of 251 00:11:03,640 --> 00:11:06,600 Speaker 3: a century's old masterpiece, I can make out that my 252 00:11:06,640 --> 00:11:09,160 Speaker 3: original tally paired me up with Alan, the ugly one. 253 00:11:09,840 --> 00:11:12,440 Speaker 3: So I've rubbed out those answers and rejigged it. So 254 00:11:12,600 --> 00:11:14,480 Speaker 3: Lairs is my true soul mate. 255 00:11:14,720 --> 00:11:16,880 Speaker 1: Wasn't a fugly convention? 256 00:11:17,080 --> 00:11:18,880 Speaker 2: Oh one had a head like a watermelon. 257 00:11:19,320 --> 00:11:21,880 Speaker 3: But listen, I keep I'll keep reading because this is 258 00:11:21,880 --> 00:11:22,480 Speaker 3: what happened. 259 00:11:22,520 --> 00:11:23,079 Speaker 2: Years later. 260 00:11:23,679 --> 00:11:26,400 Speaker 3: Years later, she wrote, when I was working as a 261 00:11:26,400 --> 00:11:29,040 Speaker 3: segment producer on the midday show, the Basity Rollers briefly 262 00:11:29,080 --> 00:11:31,920 Speaker 3: reunited and appeared as guests on the show. They talked 263 00:11:31,920 --> 00:11:35,600 Speaker 3: about how their manager, Tam Peyton, had exploited them emotionally 264 00:11:35,720 --> 00:11:39,760 Speaker 3: and financially through those years they'd been terrified young men. 265 00:11:40,200 --> 00:11:43,840 Speaker 3: There was even some inference of sexual exploitation. We used 266 00:11:43,840 --> 00:11:48,240 Speaker 3: to make jokes that's why their pants were so high, 267 00:11:48,320 --> 00:11:51,040 Speaker 3: so there was no access. No as if they'd been 268 00:11:52,040 --> 00:11:56,400 Speaker 3: they'd been forced up. Though Peyton was cleared of the 269 00:11:56,440 --> 00:11:59,960 Speaker 3: accusation that he'd raped the rollers guitarists, he went on 270 00:12:00,120 --> 00:12:02,679 Speaker 3: to serve three years in prison for unrelated sex crimes 271 00:12:02,720 --> 00:12:06,840 Speaker 3: against several young boys, appalling stuff. After meeting the Rollers 272 00:12:06,880 --> 00:12:08,640 Speaker 3: on the television that day, I dragged out my old 273 00:12:08,679 --> 00:12:10,680 Speaker 3: sixteen magazine when I got home and thought about the 274 00:12:10,679 --> 00:12:14,520 Speaker 3: fleeting and deceptive, deceptive nature of fame. As well as 275 00:12:14,520 --> 00:12:17,400 Speaker 3: the Rollers, the magazine is full of people like Christy McNichol. 276 00:12:17,800 --> 00:12:22,000 Speaker 3: Remember her? Do you remember the name Christy McNichols. She 277 00:12:22,280 --> 00:12:25,440 Speaker 3: was massively famous. She was in a show called Family 278 00:12:25,880 --> 00:12:30,040 Speaker 3: and then the Pirate movie. Yes, Yes, Yes, Starsky and 279 00:12:30,160 --> 00:12:32,920 Speaker 3: hutch Yep, Parker, Stevenson, Parkstin. 280 00:12:33,040 --> 00:12:35,320 Speaker 2: His eyes were always very close together, I think very close. 281 00:12:35,600 --> 00:12:38,760 Speaker 3: Back in seventy eight, you couldn't have imagined that there 282 00:12:38,760 --> 00:12:41,520 Speaker 3: would ever be a time and these people wouldn't be famous. 283 00:12:41,960 --> 00:12:44,680 Speaker 3: And alongside these faces were people who we know now 284 00:12:44,760 --> 00:12:45,880 Speaker 3: are great survivors. 285 00:12:46,120 --> 00:12:47,719 Speaker 2: Kiss John Travolter. 286 00:12:47,440 --> 00:12:50,320 Speaker 3: Billy Joel and my old flame Barry Manilow, But reading 287 00:12:50,320 --> 00:12:52,679 Speaker 3: the mag in seventy eight, how could anyone have predicted 288 00:12:52,720 --> 00:12:54,920 Speaker 3: which side of the fence these stars would end up on, 289 00:12:55,280 --> 00:12:57,600 Speaker 3: which ones would ride the fame wave or flame out? 290 00:12:57,640 --> 00:13:01,400 Speaker 3: Seconds later? Will one direction become the role stones watch 291 00:13:01,440 --> 00:13:04,040 Speaker 3: this space. Actually, by the time this finds its way 292 00:13:04,080 --> 00:13:06,480 Speaker 3: into your hands, it'll be over for them. It takes 293 00:13:06,480 --> 00:13:08,520 Speaker 3: a brave person to say that. Not many people survive 294 00:13:08,559 --> 00:13:10,000 Speaker 3: an attack by the one d Army. 295 00:13:10,720 --> 00:13:13,000 Speaker 1: Well, your book is a few years are old. But 296 00:13:13,040 --> 00:13:13,520 Speaker 1: you are right. 297 00:13:13,520 --> 00:13:17,640 Speaker 4: You're like Nostrodamis, but the bedless nostrodarmis because what happened 298 00:13:17,640 --> 00:13:20,400 Speaker 4: to jury is out, what happened in one direction? They're gone, 299 00:13:20,480 --> 00:13:22,160 Speaker 4: but the individuals are still facing. 300 00:13:22,240 --> 00:13:24,480 Speaker 1: Yeah, you know they'll be they'll be gone. 301 00:13:24,880 --> 00:13:29,480 Speaker 3: But who who who's famous now will still be around? Like? 302 00:13:29,520 --> 00:13:30,040 Speaker 2: How many is? 303 00:13:30,120 --> 00:13:32,680 Speaker 3: How many years ago was this? But in nineteen seventy eight? 304 00:13:32,840 --> 00:13:34,439 Speaker 3: Why I am asking you you can't do the mass 305 00:13:34,920 --> 00:13:35,960 Speaker 3: one hundred and fifty eight years. 306 00:13:36,040 --> 00:13:36,920 Speaker 1: It's a long time ago. 307 00:13:36,960 --> 00:13:39,680 Speaker 2: Who do you think now will still be doing it? Then? 308 00:13:40,800 --> 00:13:42,120 Speaker 2: Don't say Lionel Richie. 309 00:13:42,240 --> 00:13:45,040 Speaker 4: I think I think Bruno Mars. Yeah, do you say 310 00:13:45,120 --> 00:13:48,120 Speaker 4: Bruno Mars? Will be around for a long time. Mmm, 311 00:13:49,640 --> 00:13:50,199 Speaker 4: it will be. 312 00:13:50,160 --> 00:13:51,000 Speaker 1: Around for a long time. 313 00:13:51,080 --> 00:13:54,000 Speaker 4: Oh hell, we've already been around from do you think 314 00:13:54,200 --> 00:13:56,040 Speaker 4: we'll like you know, we're like in HG. 315 00:13:56,200 --> 00:13:58,000 Speaker 1: Wells's time machine, you know who. 316 00:13:58,040 --> 00:14:00,920 Speaker 4: We just sit in the room and everything just passes by, 317 00:14:01,160 --> 00:14:02,960 Speaker 4: and we just stay in the one space. 318 00:14:02,720 --> 00:14:03,280 Speaker 2: You know, the thing. 319 00:14:03,440 --> 00:14:05,520 Speaker 3: You're saying this out loud, and one day people will 320 00:14:05,520 --> 00:14:08,520 Speaker 3: find this podcast in a time capsule yep, and say 321 00:14:08,800 --> 00:14:09,680 Speaker 3: what happened to them? 322 00:14:10,280 --> 00:14:13,319 Speaker 2: That's right? She went on to be in one direction. 323 00:14:15,280 --> 00:14:18,320 Speaker 1: And he's back at carrying bar in growing a mullet. 324 00:14:18,480 --> 00:14:21,320 Speaker 2: Yeah, long at the back well you carry are in. 325 00:14:21,360 --> 00:14:23,840 Speaker 4: Now you go up there and it's a place now 326 00:14:23,880 --> 00:14:25,680 Speaker 4: where parents bring their families. 327 00:14:25,240 --> 00:14:25,760 Speaker 1: For a meal. 328 00:14:26,840 --> 00:14:28,040 Speaker 2: It's changed, hasn't it is? 329 00:14:28,760 --> 00:14:30,360 Speaker 4: Back then you never saw a kid in a pub. 330 00:14:30,520 --> 00:14:32,120 Speaker 4: If you're a kid and you went to the pub, 331 00:14:32,160 --> 00:14:34,240 Speaker 4: who were sat in the car outside, Dadd'd get you 332 00:14:34,280 --> 00:14:37,760 Speaker 4: a pack of soldvide your chips and a pub squash 333 00:14:37,880 --> 00:14:40,360 Speaker 4: and he'd go back inside and have about five cans. Yeah. 334 00:14:40,600 --> 00:14:44,760 Speaker 3: Yeah, now parents, you know, we've all become the culture 335 00:14:44,800 --> 00:14:48,200 Speaker 3: of happy forget, happy wife, happy life, happy kids, happy life. Yeah, 336 00:14:48,560 --> 00:14:51,200 Speaker 3: chicken nuggets anyone pirate had anybody? 337 00:14:51,360 --> 00:14:52,080 Speaker 2: What's going on? 338 00:14:52,160 --> 00:14:54,800 Speaker 4: The bloody kids winning another war? Send them to the front? 339 00:14:54,800 --> 00:14:56,560 Speaker 4: Tag on the Turk little bastards. 340 00:14:57,200 --> 00:14:59,080 Speaker 2: Well should we wrap up on that beautiful note? 341 00:14:59,160 --> 00:15:00,680 Speaker 1: What will we talk next time? 342 00:15:00,800 --> 00:15:02,840 Speaker 3: You'll have to wait for the next episode of Jones 343 00:15:02,920 --> 00:15:04,680 Speaker 3: and Amanda's Holiday book Club. 344 00:15:04,600 --> 00:15:12,280 Speaker 4: Jonesy and amandas Hi Bookcast. For more Jonesy and demanded podcasts, 345 00:15:12,360 --> 00:15:16,000 Speaker 4: download the free iHeartRadio app Pardon