1 00:00:00,320 --> 00:00:04,080 Speaker 1: Jersey and Amanda jam Nation author. 2 00:00:03,880 --> 00:00:08,440 Speaker 2: Chris Hammer is Australia's leading crime fiction writer. He wrote 3 00:00:08,480 --> 00:00:11,200 Speaker 2: the Martin Scarson series of novels, best sellers all around 4 00:00:11,200 --> 00:00:13,840 Speaker 2: the world, Scrublands being the first one in twenty eighteen. 5 00:00:14,080 --> 00:00:17,400 Speaker 2: He sold over one million crime novels in just eight years. 6 00:00:17,640 --> 00:00:23,040 Speaker 2: And he's got a new one. Martin Scarsdale. Scarsdale, Scarsden 7 00:00:23,160 --> 00:00:25,520 Speaker 2: is back. The new book is a legacy and Chris 8 00:00:25,600 --> 00:00:27,040 Speaker 2: joins us now Hollo, Chris here is. 9 00:00:29,080 --> 00:00:31,240 Speaker 3: And we don't just have you on because you went 10 00:00:31,280 --> 00:00:32,920 Speaker 3: to university with Amanda. 11 00:00:33,120 --> 00:00:36,920 Speaker 1: We have you on because you're an exceptional author's mainly 12 00:00:37,120 --> 00:00:39,320 Speaker 1: just some sort of mates rates favorite. 13 00:00:39,479 --> 00:00:42,080 Speaker 2: Yeah, going back to the days of the Claric Club, Chris. 14 00:00:42,560 --> 00:00:44,320 Speaker 4: That's right, but let's not mention that. 15 00:00:44,520 --> 00:00:46,880 Speaker 1: No, I'm still men the Claric class. 16 00:00:46,880 --> 00:00:48,800 Speaker 2: You know, when I joined the Claric Club, when I 17 00:00:48,840 --> 00:00:51,120 Speaker 2: first went to UNI, I'd never drunk red wine, and 18 00:00:51,159 --> 00:00:52,519 Speaker 2: I don't even know if it was wine. It was 19 00:00:52,600 --> 00:00:55,920 Speaker 2: pure vinegar. And years later my husband said, have a 20 00:00:55,960 --> 00:00:58,200 Speaker 2: glass of red wine. I said, that's not red wine. 21 00:00:58,200 --> 00:01:01,600 Speaker 2: That tastes quite nice. To realize red wine didn't have 22 00:01:01,640 --> 00:01:03,160 Speaker 2: to be vomitable every time. 23 00:01:04,640 --> 00:01:08,039 Speaker 4: Ship. We're all scarred, but we're all scarred by that experience. 24 00:01:08,160 --> 00:01:11,880 Speaker 2: Absolutely, Chris your books that I'm reading Legacy at the moment. 25 00:01:11,920 --> 00:01:13,800 Speaker 2: I know it's out next Tuesday. I've had an advanced 26 00:01:13,800 --> 00:01:17,800 Speaker 2: copy and I'm loving it. All The landscapes are so brutal. 27 00:01:18,200 --> 00:01:23,200 Speaker 2: It's hot, it's dry, there's drought, there's awful accommodation. What 28 00:01:23,319 --> 00:01:26,480 Speaker 2: do people overseas make of this so called outback noir? 29 00:01:27,760 --> 00:01:30,080 Speaker 4: Oh, they love it. And of course I've been in 30 00:01:30,480 --> 00:01:34,080 Speaker 4: the UK quite recently doing book events over there, and 31 00:01:34,160 --> 00:01:37,000 Speaker 4: many of them have the idea that the Outback starts 32 00:01:37,040 --> 00:01:42,559 Speaker 4: about fifty kilometers west of Sydney, and this one they're going, oh, 33 00:01:42,640 --> 00:01:45,440 Speaker 4: this is really sort of you know, full on, but 34 00:01:45,520 --> 00:01:49,280 Speaker 4: it is the Outback. It sets out on the Paru River, 35 00:01:49,440 --> 00:01:52,280 Speaker 4: which is a real place. It's about two hundred kilometers 36 00:01:52,360 --> 00:01:55,560 Speaker 4: west of Burke and the Parus a river that runs 37 00:01:56,040 --> 00:01:59,320 Speaker 4: from Queensland down into New South Wales, and then just 38 00:01:59,400 --> 00:02:04,000 Speaker 4: basically Peter's out. It doesn't really go anywhere because the 39 00:02:04,120 --> 00:02:07,760 Speaker 4: land is so flat, and that actually plays an important 40 00:02:07,760 --> 00:02:08,600 Speaker 4: partner story. 41 00:02:10,200 --> 00:02:12,839 Speaker 2: And so it never occurred to you to maybe make 42 00:02:13,320 --> 00:02:15,959 Speaker 2: a book and therefore a TV series around a hotel 43 00:02:16,000 --> 00:02:17,480 Speaker 2: in Hawaii or anything like that. 44 00:02:18,600 --> 00:02:23,000 Speaker 4: You know. Last night I interviewed an author, Salari Gentile. 45 00:02:23,120 --> 00:02:27,239 Speaker 4: She's done a retake on Murder on the Orient Express, 46 00:02:27,520 --> 00:02:30,600 Speaker 4: so she took the Orient Express from Paris to Venice. 47 00:02:31,160 --> 00:02:33,320 Speaker 4: And here I am staying in these sort of jog 48 00:02:33,400 --> 00:02:36,240 Speaker 4: box hotels out our back and I think made Did 49 00:02:36,280 --> 00:02:37,360 Speaker 4: I ever get that wrong? 50 00:02:37,560 --> 00:02:38,640 Speaker 1: Yeah? 51 00:02:39,240 --> 00:02:42,320 Speaker 3: Dream itself up a better place to go, because I 52 00:02:42,320 --> 00:02:44,280 Speaker 3: look at you Southwest and New South Walest is big. 53 00:02:44,480 --> 00:02:46,920 Speaker 3: But then when you go to Western Australia, and I 54 00:02:46,960 --> 00:02:49,480 Speaker 3: lived over there in Karatha, and I remember standing my 55 00:02:49,520 --> 00:02:51,920 Speaker 3: backyard at Karafa, my next doorable. We're just having a 56 00:02:51,919 --> 00:02:53,839 Speaker 3: bit of an emu bitter and a chat, and I said, 57 00:02:53,840 --> 00:02:56,560 Speaker 3: what happens if we walked out from our backyard now, 58 00:02:56,639 --> 00:02:59,440 Speaker 3: because we're in this suburban house right on. 59 00:02:59,400 --> 00:03:02,000 Speaker 5: The edge of pretty much the desert. And he said, 60 00:03:02,000 --> 00:03:05,120 Speaker 5: you could walk for six months and you wouldn't see anyone. 61 00:03:05,720 --> 00:03:08,919 Speaker 5: And the actual depth of the size of Australia said, 62 00:03:09,000 --> 00:03:11,040 Speaker 5: of course, you'd be dead in half an hour if 63 00:03:11,040 --> 00:03:12,840 Speaker 5: you walked on a hot day like today. 64 00:03:13,080 --> 00:03:15,600 Speaker 1: Wow, But it was just it's extraordinary. It's hard to 65 00:03:15,720 --> 00:03:16,680 Speaker 1: understand isn't it. 66 00:03:17,520 --> 00:03:22,040 Speaker 4: And and that the brutality of that landscape that comes 67 00:03:22,040 --> 00:03:26,040 Speaker 4: into this story and legacy because Martin finds himself. This 68 00:03:26,200 --> 00:03:28,919 Speaker 4: is the first Martin scars And book in five years, 69 00:03:29,040 --> 00:03:32,120 Speaker 4: I've come back to Martin and he finds himself in 70 00:03:32,160 --> 00:03:35,480 Speaker 4: exactly that sort of situation of being stuck out in 71 00:03:35,480 --> 00:03:38,520 Speaker 4: the middle of nowhere without a car and no water. 72 00:03:40,360 --> 00:03:42,760 Speaker 2: There it is where it is, don't you glad to 73 00:03:42,760 --> 00:03:44,240 Speaker 2: tell us what happens. I know I'm going to blow 74 00:03:44,280 --> 00:03:49,560 Speaker 2: the beginning out. The beginning from the beginning starts with 75 00:03:49,640 --> 00:03:54,560 Speaker 2: a huge explosion. It starts very dramatically. Where do you 76 00:03:54,600 --> 00:03:55,360 Speaker 2: dream this stuff up? 77 00:03:55,440 --> 00:03:55,760 Speaker 4: Chris? 78 00:03:55,840 --> 00:03:57,200 Speaker 2: Not from Clark Club, obviously. 79 00:03:58,720 --> 00:04:01,000 Speaker 4: Look, I don't know. I don't know. I think the 80 00:04:01,080 --> 00:04:06,279 Speaker 4: reason after I've done four other books with the police characters, 81 00:04:06,760 --> 00:04:09,600 Speaker 4: I'm in Luka to New Big Cannon. I wasn't sure 82 00:04:09,680 --> 00:04:12,600 Speaker 4: if I'd ever go back to Martin and Mandy. And 83 00:04:12,680 --> 00:04:14,880 Speaker 4: you know what, I think. I saw the TV series 84 00:04:15,120 --> 00:04:18,200 Speaker 4: and I thought, oh that boat. Yeah, he's interesting and 85 00:04:18,400 --> 00:04:21,159 Speaker 4: so and so I'm sure where it came from. This idea. 86 00:04:21,680 --> 00:04:24,640 Speaker 4: This is different though. Instead in the other books with Martin, 87 00:04:24,880 --> 00:04:29,320 Speaker 4: he kind of has more agency he's investigating murders this time, 88 00:04:29,400 --> 00:04:32,839 Speaker 4: as you say, he's launching a book. There's this big 89 00:04:33,400 --> 00:04:36,159 Speaker 4: bomb goes off. People are trying to kill him, so 90 00:04:36,320 --> 00:04:40,320 Speaker 4: he goes on the run. But he knows someone's trying 91 00:04:40,320 --> 00:04:42,200 Speaker 4: to kill him, but he doesn't know who, and he 92 00:04:42,279 --> 00:04:47,440 Speaker 4: doesn't know why. So he's really he's really struggling, if 93 00:04:47,440 --> 00:04:49,880 Speaker 4: you like one to survive, but to the work out 94 00:04:49,920 --> 00:04:50,560 Speaker 4: what's going on. 95 00:04:51,080 --> 00:04:52,800 Speaker 1: Intriguing. I'm looking forward to reading it. 96 00:04:53,000 --> 00:04:58,120 Speaker 3: Have you ever drawn any inspiration from Amanda obviously, Chris, Oh. 97 00:04:58,040 --> 00:05:02,080 Speaker 4: Yeah, yes, yeah, I mean Amanda has always been inspirational. 98 00:05:02,360 --> 00:05:04,080 Speaker 4: You know that is true. 99 00:05:04,440 --> 00:05:07,440 Speaker 1: That's true, that's it. Yeah, sure, thank you to pin 100 00:05:07,560 --> 00:05:08,880 Speaker 1: up all of the thinking man. 101 00:05:09,000 --> 00:05:11,360 Speaker 2: Oh please, absolutely, Chris. 102 00:05:11,360 --> 00:05:12,440 Speaker 1: It's always great to talk to you. 103 00:05:12,520 --> 00:05:15,120 Speaker 3: The new book, Legacy is out next Tuesday, the thirtieth 104 00:05:15,120 --> 00:05:15,839 Speaker 3: of September. 105 00:05:16,040 --> 00:05:18,120 Speaker 1: Don't talk to Amanda because she'll spoil it and ruin it. 106 00:05:18,200 --> 00:05:20,240 Speaker 2: Oh blab it. But Chris, so lovely to talk to you, 107 00:05:21,320 --> 00:05:22,479 Speaker 2: and you think so much. 108 00:05:22,640 --> 00:05:23,920 Speaker 1: Carry on, Chris Hammery