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Speaker 1: This is jem nation with I was watching the news

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Speaker 1: last night and I saw a story. There was a

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Speaker 1: terrible inevitability to it. Let's just put it that way.

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Speaker 1: A woman took her daughter into work with her. And

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Speaker 1: you think that's nice, don't you? But something went terribly wrong.

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Speaker 2: I saw this a seven year old girl I sent

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Speaker 2: hearts racing on Argentinian TV, going full throttle on a scooter,

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Speaker 2: straight towards the audience, the present her running after her,

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Speaker 2: calling out grab her. Someone did, and thankfully no one

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Speaker 2: was hurt. She'd been there with her mother, an actress,

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Speaker 2: as part of an ad for motorbikes.

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Speaker 1: Her mother a shark, Kids and motorcycle. But the mom

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Speaker 1: would have said that morning, look I've got to go in.

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Speaker 1: I'm doing this thing about it bikes. Do you want

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Speaker 1: to come in with me. I'll be cute. We'll put

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Speaker 1: you on the bike. This would be great, Akhy and

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Speaker 1: Argentinian talks like that. I don't know.

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Speaker 3: She's had a bit more like Dora, wouldn't you.

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Speaker 1: That's right back? And then next minute heading towards an

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Speaker 1: audience on a bike taking kids to take your kids

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Speaker 1: to work? Remember that time you did? And it nearly

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Speaker 1: ended in disaster. Which time you took one of your

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Speaker 1: children to work in Brisbane and you nearly series of

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Speaker 1: fireworks out of action.

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Speaker 3: We radio station I was working out at the time

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Speaker 3: was presenting presenting.

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Speaker 1: River fire fig How you had to say it.

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Speaker 3: Yeah, had to make the Brisbane River look look appealing

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Speaker 3: unless brown less brown. They had this big outside broadcast

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Speaker 3: and we were the presenting station. There was going to

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Speaker 3: be a music soundtrack that would sync up with the fireworks,

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Speaker 3: and then an Fa eighteen would fly over the river

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Speaker 3: doing a thing called a after burn where it drops

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Speaker 3: about eight million liters of jet fuel into the Brisbane River.

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Speaker 1: How beautiful?

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Speaker 3: A little bit better?

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Speaker 1: Were they playing nickelback?

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Speaker 3: There was nickelback, you bet there was Phil Collins in

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Speaker 3: the air tonight. It was really cool. It was like

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Speaker 3: a anyway, I have one of those overly officious fireworks guys.

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Speaker 3: You know those fireworks guys people.

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Speaker 1: Who try to stop people being killed, aren't they irritated?

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Speaker 3: So we're having this meeting something about safety and beforehand

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Speaker 3: in the and we all had our little designated areas

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Speaker 3: like I'd be over at Kangaroo Point. I'm at Kangaroo Point, Jones,

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Speaker 3: You're reporting from Kangaroo Point where we loving this and

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Speaker 3: building up the hype. Anyway, the guy's sitting there and

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Speaker 3: there's a clock, this giant clock, and he says, this

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Speaker 3: is the mother clock. No one tample with this clock.

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Speaker 3: Everyone set your watches to this clock. And we're all

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Speaker 3: standing yeah, mate, no worries. And as he's banging on

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Speaker 3: about the clock, my son, who was four at.

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Speaker 1: The time, are you taken with you?

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Speaker 3: What am I gonna do with him? I just can't

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Speaker 3: leave him on the side of the river. And my wife,

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Speaker 3: you know, she was out doing something so she's having

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Speaker 3: a baby, that's right, was out and she was pregnant

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Speaker 3: with our daughter, so she had a good excuse not

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Speaker 3: to be Anyway, he goes the mother clock and as

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Speaker 3: he's the guy's got his back turned. I just look

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Speaker 3: at Morgan and his little little finger goes towards the clock.

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Speaker 3: The clock didn't have a glass face on it. It

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Speaker 3: just had big hand, little hand.

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Speaker 1: So it's a real clock, pretend ceremonial.

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Speaker 3: This is our mother clock. And he puts his fingers

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Speaker 3: to touch the glass because the guy said nobody touched that,

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Speaker 3: and his finger goes because there's no glass stops the

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Speaker 3: second hand and I reckon it was probably about five seconds,

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Speaker 3: and I'm the only one that's noticed this, and I've

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Speaker 3: grabbed his hand, got yoink.

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Speaker 1: And there's a guy in F eighteen waiting for his

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Speaker 1: trigger to go.

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Speaker 3: Saying, now, I'm thinking it's five seconds out. It's got

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Speaker 3: to be five seconds out. So I said, anyway, I'll

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Speaker 3: go to my my broadcast area. And then after the

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Speaker 3: whole thing was all said and done, the guy comes

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Speaker 3: up and goes, do you think there was a lag? No?

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Speaker 3: That was beautiful. That was to the end. It all

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Speaker 3: worked out, you know, But I was a bit It

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Speaker 3: was finked tight. You could set your clock.

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Speaker 1: Were there any hands in that? Did you put his

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Speaker 1: finger in? Okay, that's enough