1 00:00:00,360 --> 00:00:01,440 Speaker 1: Clearsy and leases. 2 00:00:01,639 --> 00:00:04,800 Speaker 2: How does it make it in WAP in this son, 3 00:00:04,880 --> 00:00:05,480 Speaker 2: I'll make you a. 4 00:00:05,440 --> 00:00:09,719 Speaker 3: Start as we continue to you know, it's a case 5 00:00:09,760 --> 00:00:12,200 Speaker 3: of stick with me. I'll make you a star. Looking 6 00:00:12,200 --> 00:00:16,040 Speaker 3: at you know, the development of West Australia, Sam is 7 00:00:16,079 --> 00:00:19,119 Speaker 3: a you can forget New York, New York. It's just 8 00:00:19,320 --> 00:00:20,160 Speaker 3: York York. 9 00:00:20,920 --> 00:00:22,079 Speaker 1: It's a new hub, isn't it. 10 00:00:22,079 --> 00:00:24,680 Speaker 3: It is the new hub. And you've been at the 11 00:00:24,720 --> 00:00:27,640 Speaker 3: center of the hub of acting in WA for quite 12 00:00:27,680 --> 00:00:28,240 Speaker 3: some time. 13 00:00:28,480 --> 00:00:31,440 Speaker 1: Yeah, thirty odd years, very very odd years, actually, when 14 00:00:31,440 --> 00:00:34,440 Speaker 1: I say it out loud, Yeah, And I've done everything 15 00:00:34,520 --> 00:00:38,440 Speaker 1: from you know, from stage plays in undercover areas in 16 00:00:38,479 --> 00:00:42,720 Speaker 1: primary schools to His Majesty's theater, the Heath Ledger, film, 17 00:00:42,880 --> 00:00:46,000 Speaker 1: TV radio. I've done the full gamut, Yeah, full gamut. 18 00:00:46,040 --> 00:00:49,840 Speaker 1: Now I've actually my first ever professional gigs with Barking 19 00:00:49,880 --> 00:00:54,520 Speaker 1: Gecko Theater Company back in the early nineties and a 20 00:00:54,520 --> 00:00:57,960 Speaker 1: few months ago you've come from full circle now the 21 00:00:58,600 --> 00:00:59,640 Speaker 1: director of Barking Gecko. 22 00:01:00,080 --> 00:01:03,640 Speaker 3: So it's wonderful man, Barking Gecko has been a stayer. 23 00:01:04,080 --> 00:01:07,080 Speaker 1: Yeah. Five years, yeah, thirty five years. And as I'm 24 00:01:07,120 --> 00:01:11,039 Speaker 1: sure you guys know, we just recently announced that we 25 00:01:11,160 --> 00:01:15,959 Speaker 1: have merged with Awesome Festival. So now Barking Gecko Arts 26 00:01:16,160 --> 00:01:20,800 Speaker 1: we are presents the Awesome International Children's Festival. So we're 27 00:01:20,840 --> 00:01:24,280 Speaker 1: even bigger, even stronger. This should allow us to reach 28 00:01:24,360 --> 00:01:27,679 Speaker 1: more kids and do more shows and have more art in. 29 00:01:28,760 --> 00:01:32,040 Speaker 3: It's not an accident. Marking Gecko has survived because of 30 00:01:32,200 --> 00:01:32,920 Speaker 3: some hard. 31 00:01:32,720 --> 00:01:34,959 Speaker 1: Graft, hard work, love of talent. 32 00:01:36,680 --> 00:01:38,720 Speaker 3: What does it answer the question what does it take 33 00:01:38,760 --> 00:01:41,600 Speaker 3: to make it in this industry? 34 00:01:41,640 --> 00:01:46,000 Speaker 1: Wow? Okay, that's a great question. I think. No, I 35 00:01:46,000 --> 00:01:49,280 Speaker 1: think you've hit it on the grit and determination is 36 00:01:49,320 --> 00:01:52,240 Speaker 1: a part of it. Yeah, there are as you guys know, 37 00:01:52,360 --> 00:01:55,160 Speaker 1: there are so many facets to the industry. If we're 38 00:01:55,160 --> 00:01:57,200 Speaker 1: talking about what it takes to be to make it 39 00:01:57,240 --> 00:02:00,480 Speaker 1: as an actor, I mean, it's so if theory we 40 00:02:00,920 --> 00:02:03,760 Speaker 1: don't know. We really don't know. If anyone could say, oh, 41 00:02:03,800 --> 00:02:06,560 Speaker 1: this is the magic thing that makes it happen, everyone 42 00:02:06,600 --> 00:02:08,120 Speaker 1: to be going great, I'll just do that. 43 00:02:08,400 --> 00:02:11,040 Speaker 3: People talk about the it factor. No one knows what 44 00:02:11,080 --> 00:02:12,560 Speaker 3: it is, but you've got it. 45 00:02:12,680 --> 00:02:16,200 Speaker 2: Yeah, not many you know that Heath Ledger magic. That's 46 00:02:16,480 --> 00:02:18,960 Speaker 2: you know, we'll just go bag and you. 47 00:02:18,919 --> 00:02:21,600 Speaker 1: Can see it sometimes with people that little twinkle in 48 00:02:21,639 --> 00:02:25,040 Speaker 1: their eye, the way they inhabit a role and just go, oh, look, 49 00:02:25,080 --> 00:02:28,160 Speaker 1: she was perfect in that. But she may have done 50 00:02:28,160 --> 00:02:31,600 Speaker 1: a really bad audition for the previous show and they went, yeah, no. 51 00:02:31,680 --> 00:02:32,000 Speaker 4: Not her. 52 00:02:33,200 --> 00:02:38,280 Speaker 1: It's very very it's really weird. And the industry, the 53 00:02:38,320 --> 00:02:40,760 Speaker 1: performing arts, is one of the few industries where they 54 00:02:40,800 --> 00:02:43,120 Speaker 1: can totally not give you the role because of how 55 00:02:43,160 --> 00:02:46,720 Speaker 1: you look. Go to another job interview, the color of 56 00:02:46,760 --> 00:02:50,040 Speaker 1: your hair doesn't matter. In fact, your gender shouldn't matter. 57 00:02:50,120 --> 00:02:52,760 Speaker 1: Your skills on the on the paper, that's what counts. 58 00:02:52,800 --> 00:02:54,640 Speaker 1: But even you go on audition for a role and 59 00:02:54,680 --> 00:02:57,839 Speaker 1: they just go, boom, she's got it, we need her 60 00:02:58,320 --> 00:03:00,280 Speaker 1: what It doesn't matter if you've got a degree or not. 61 00:03:00,280 --> 00:03:02,000 Speaker 1: It doesn't matter whether you've been to whop her or not. 62 00:03:02,160 --> 00:03:04,960 Speaker 1: It's whether or not you've got what they need just 63 00:03:05,040 --> 00:03:08,360 Speaker 1: for that particular role, the essence, and it depends on 64 00:03:08,400 --> 00:03:11,160 Speaker 1: the director. If I'm directing, I'm looking for something might 65 00:03:11,240 --> 00:03:13,560 Speaker 1: be different from when Andrew Gibbs is directing, and she's 66 00:03:13,600 --> 00:03:15,280 Speaker 1: looking for something to dot it as well, And then 67 00:03:15,320 --> 00:03:18,000 Speaker 1: every role and then what that And so there's a 68 00:03:18,000 --> 00:03:21,919 Speaker 1: big chunk of luck in there of good friend Sam Murray. 69 00:03:21,960 --> 00:03:25,240 Speaker 1: She was auditioning for a film and she just wasn't 70 00:03:25,240 --> 00:03:28,440 Speaker 1: feeling it. She was at work, she was like so 71 00:03:28,520 --> 00:03:31,440 Speaker 1: many other actors. She was making coffee and clearing dishes, 72 00:03:31,720 --> 00:03:34,440 Speaker 1: and her friend turner and said, are you supposed to 73 00:03:34,480 --> 00:03:37,160 Speaker 1: be somewhere? And she's like what, oh the audition and 74 00:03:37,400 --> 00:03:40,800 Speaker 1: had totally spaced it, so was not prepared. Didn't gust 75 00:03:40,840 --> 00:03:43,680 Speaker 1: yourself up. She basically before she even got to the audition, 76 00:03:43,800 --> 00:03:45,760 Speaker 1: She's like, I'm not getting this. There's no way I'm 77 00:03:45,800 --> 00:03:48,360 Speaker 1: getting this. I'm not prepared. I've still got you know, 78 00:03:48,760 --> 00:03:51,920 Speaker 1: mocker on my t shirt. Went in there, didn't give 79 00:03:51,960 --> 00:03:53,920 Speaker 1: a crap, did the audition, walked out, went back to 80 00:03:53,920 --> 00:03:56,400 Speaker 1: her shift, never thought anything of it. A week later, 81 00:03:56,480 --> 00:03:58,880 Speaker 1: her agent calls and goes, so, Harve Ca, I tell 82 00:03:58,920 --> 00:04:01,640 Speaker 1: loved what you did and you're in the film. Wow, 83 00:04:02,040 --> 00:04:03,920 Speaker 1: just like what? So I just don't have to care 84 00:04:04,280 --> 00:04:06,960 Speaker 1: and assume I don't have it. And on that date, 85 00:04:07,200 --> 00:04:09,160 Speaker 1: on that particular day, it might have been the magic 86 00:04:09,200 --> 00:04:11,240 Speaker 1: to it, and that might have been where we don't 87 00:04:11,560 --> 00:04:14,880 Speaker 1: trying too hard or who knows how to impress? Who knows? 88 00:04:15,640 --> 00:04:18,320 Speaker 3: It's not for the fainthearted, is it I mean, let's 89 00:04:18,360 --> 00:04:20,520 Speaker 3: be real, you don't have a fairly thick skin, you 90 00:04:20,600 --> 00:04:21,279 Speaker 3: really do. 91 00:04:21,400 --> 00:04:24,880 Speaker 1: I mean, any performative industry where you can be judged 92 00:04:24,920 --> 00:04:28,560 Speaker 1: by the populace guaranteed thirty percent of people are going 93 00:04:28,600 --> 00:04:31,080 Speaker 1: to hate you. Of course, it doesn't matter. They're going 94 00:04:31,120 --> 00:04:33,080 Speaker 1: to and you have to go, yeah, that's fine, You're 95 00:04:33,080 --> 00:04:35,640 Speaker 1: allowed to hate me. That's okay. You do have to 96 00:04:35,640 --> 00:04:37,960 Speaker 1: have a thick skin. In with auditioning. When I was 97 00:04:38,000 --> 00:04:41,080 Speaker 1: an actor and I still am, my rule was rule 98 00:04:41,120 --> 00:04:44,280 Speaker 1: of ten. You do ten auditions and you might get 99 00:04:44,320 --> 00:04:46,520 Speaker 1: a callback on one, okay, So you have to be 100 00:04:47,200 --> 00:04:50,040 Speaker 1: to fail nine times if you're not prepared to fail, 101 00:04:50,200 --> 00:04:53,040 Speaker 1: and if you take it personally after nine times, if 102 00:04:53,120 --> 00:04:56,359 Speaker 1: personal you didn't get it, it's going to hurt. You 103 00:04:56,400 --> 00:04:59,440 Speaker 1: know you're going to feel. So if you go, no, no, 104 00:04:59,560 --> 00:05:01,440 Speaker 1: I didn't get it, one's fine. I'm close to my tent. 105 00:05:01,680 --> 00:05:02,680 Speaker 1: And then when you get one. 106 00:05:02,560 --> 00:05:05,000 Speaker 2: Gig, you've rolled up to the audition, so you've got 107 00:05:05,040 --> 00:05:09,720 Speaker 2: to see that as a successful step already absolutely top 108 00:05:09,720 --> 00:05:10,160 Speaker 2: if you get. 109 00:05:10,040 --> 00:05:12,720 Speaker 1: The wrong exactly, and I had one active friend of 110 00:05:12,720 --> 00:05:15,600 Speaker 1: mine said, oh, the work is auditioning. When you get 111 00:05:15,600 --> 00:05:17,880 Speaker 1: the role, that's what you do for love and they 112 00:05:17,880 --> 00:05:22,840 Speaker 1: pay you. But work is learning stuff for a show 113 00:05:22,839 --> 00:05:25,400 Speaker 1: that you never end up getting on and all of that. 114 00:05:25,520 --> 00:05:28,000 Speaker 1: But look in Perth we are we are doing far 115 00:05:28,080 --> 00:05:33,320 Speaker 1: more stuff here now and so we are to yeah 116 00:05:33,360 --> 00:05:35,320 Speaker 1: and awesome. He is putting on a lot of shows 117 00:05:35,360 --> 00:05:39,080 Speaker 1: and they always back w a first barking gecko. Our 118 00:05:39,120 --> 00:05:43,960 Speaker 1: new thing is West Australian first, where possible gender equality 119 00:05:44,000 --> 00:05:48,160 Speaker 1: on our shows. West Australian Artists first. And that's how 120 00:05:48,160 --> 00:05:50,240 Speaker 1: we're rolling out. And that means we will have some 121 00:05:50,279 --> 00:05:51,960 Speaker 1: people from the East, but we're going to We've got 122 00:05:52,040 --> 00:05:54,400 Speaker 1: enough talent here. We've got so much talent. 123 00:05:54,480 --> 00:05:58,160 Speaker 3: We've got the best training school in the Southern Hemisphere. 124 00:05:58,160 --> 00:06:01,200 Speaker 3: I mean, Whopper is just I've always wanted to bring 125 00:06:01,200 --> 00:06:04,200 Speaker 3: out a bumper sticker that says, Whopper, they go in good, 126 00:06:04,400 --> 00:06:08,280 Speaker 3: they come out. The world the number of people that 127 00:06:08,360 --> 00:06:11,600 Speaker 3: go to Nier while they're you know, trying to or 128 00:06:11,640 --> 00:06:13,760 Speaker 3: any of the other ones over east while they're trying 129 00:06:13,839 --> 00:06:17,320 Speaker 3: to get to the great Whopper. But it's you know, 130 00:06:17,360 --> 00:06:20,560 Speaker 3: I mean, if you're really really keen, you probably want 131 00:06:20,560 --> 00:06:24,960 Speaker 3: to start even earlier. What local theater Local theater groups 132 00:06:24,960 --> 00:06:27,880 Speaker 3: are they a thing? That you can get involved in. 133 00:06:28,120 --> 00:06:31,080 Speaker 1: I mean, I didn't go to Whopper. I taught it. 134 00:06:34,480 --> 00:06:36,800 Speaker 1: I didn't get in, And looking back at my young self, 135 00:06:36,800 --> 00:06:39,599 Speaker 1: I wouldn't have let me in either. I didn't prepare 136 00:06:39,720 --> 00:06:42,880 Speaker 1: well enough. You know. I was long and lanky. I 137 00:06:42,880 --> 00:06:45,680 Speaker 1: didn't quite fit in the Neighbours model, which they at 138 00:06:45,680 --> 00:06:47,960 Speaker 1: the time. I believe Wopper had a very much you've 139 00:06:48,000 --> 00:06:49,440 Speaker 1: got to be this height, you've got to be blonde, 140 00:06:49,440 --> 00:06:51,880 Speaker 1: and you've got to beautiful, and they're thrown that out 141 00:06:52,320 --> 00:06:55,760 Speaker 1: the classes now Whopper, they've they've realized that diversity is 142 00:06:55,960 --> 00:06:59,120 Speaker 1: very much something we have to right and they're really 143 00:06:59,320 --> 00:07:02,719 Speaker 1: they're really great. I cannot speak highly enough of Whopper. 144 00:07:03,200 --> 00:07:05,880 Speaker 1: But I went and I trod the boards in the 145 00:07:05,920 --> 00:07:08,200 Speaker 1: local community theater to begin with, and then I did 146 00:07:08,200 --> 00:07:11,560 Speaker 1: the independent theater. I did the blue room route, and 147 00:07:11,720 --> 00:07:14,640 Speaker 1: I just worked. Yeah, I just did show after show 148 00:07:14,640 --> 00:07:16,520 Speaker 1: after show, and I was a bartender the whole time, 149 00:07:16,560 --> 00:07:20,520 Speaker 1: trying to get paid along the way. And yeah, and 150 00:07:20,600 --> 00:07:23,240 Speaker 1: I made a full time professional career for twenty five years. 151 00:07:23,280 --> 00:07:24,840 Speaker 2: It's amazing because I went with my son to a 152 00:07:24,920 --> 00:07:27,240 Speaker 2: Joam show on the weekend, Yeah, Jones Boy Theater, and 153 00:07:27,280 --> 00:07:29,360 Speaker 2: it was so much fun. Now these people aren't getting paid, 154 00:07:29,480 --> 00:07:33,120 Speaker 2: but they're loving their craft. And the people in the crowd, 155 00:07:33,120 --> 00:07:34,640 Speaker 2: I said, the least is only thirty odd seats in 156 00:07:34,640 --> 00:07:37,600 Speaker 2: that theater, but the people in the next two productions, 157 00:07:37,600 --> 00:07:39,600 Speaker 2: and the mates of the people on stage cheering and 158 00:07:39,680 --> 00:07:40,160 Speaker 2: joining in. 159 00:07:40,280 --> 00:07:42,240 Speaker 1: It was just a joy to be there. Yeah. And 160 00:07:42,320 --> 00:07:45,520 Speaker 1: Joam is a really good example of people doing art 161 00:07:45,840 --> 00:07:49,400 Speaker 1: for the sake of doing art and to make themselves happy. Yes, 162 00:07:49,520 --> 00:07:51,760 Speaker 1: and to be creative. And I think everybody needs a 163 00:07:51,800 --> 00:07:54,080 Speaker 1: creative outlet in some way, whether it's you know, you 164 00:07:54,160 --> 00:07:57,200 Speaker 1: glue pop sticks together and make wind shines. I think 165 00:07:57,200 --> 00:08:01,400 Speaker 1: that's legitimate mental health, having some spot of creativity, to 166 00:08:01,400 --> 00:08:02,840 Speaker 1: be able to look at a piece of art, whether 167 00:08:02,960 --> 00:08:06,040 Speaker 1: a poem or a sculpture or a piece of theater 168 00:08:06,120 --> 00:08:09,560 Speaker 1: and go my brain, my heart went into that. Yeah, 169 00:08:09,680 --> 00:08:12,520 Speaker 1: And I built that. Yeah, And I think, and I 170 00:08:12,520 --> 00:08:14,000 Speaker 1: don't know if you did the same. When you listen 171 00:08:14,040 --> 00:08:15,880 Speaker 1: back to your radio show. You can go a little 172 00:08:15,880 --> 00:08:18,080 Speaker 1: bit of pride in that. 173 00:08:18,240 --> 00:08:20,400 Speaker 3: But it's a solid I mean, it's a solid base 174 00:08:20,440 --> 00:08:22,960 Speaker 3: for anything else in life too, especially when you're considering 175 00:08:23,040 --> 00:08:25,960 Speaker 3: theater and you are very big with improv and I've 176 00:08:25,960 --> 00:08:29,240 Speaker 3: always said improv sorts separates the men from the boys, 177 00:08:29,240 --> 00:08:31,520 Speaker 3: and there's a thing to go It's one thing to 178 00:08:31,560 --> 00:08:34,800 Speaker 3: go into something with a script. It's another thing to 179 00:08:34,880 --> 00:08:37,240 Speaker 3: go in with a word or an idea or something 180 00:08:37,320 --> 00:08:39,840 Speaker 3: and then away you go, see I've done it. 181 00:08:40,360 --> 00:08:41,800 Speaker 1: Away from dying up there. 182 00:08:41,840 --> 00:08:46,800 Speaker 3: Exactly, and that's going to set you up for your job, interviews, life, 183 00:08:46,960 --> 00:08:47,880 Speaker 3: just life in general. 184 00:08:48,040 --> 00:08:51,440 Speaker 1: Yeah, yeah, absolutely. Any kind of creativity helps, i think, 185 00:08:51,480 --> 00:08:56,120 Speaker 1: expand the mind and teaches people to attack a problem 186 00:08:56,480 --> 00:08:59,640 Speaker 1: from a different point of view. And AI isn't doing that. 187 00:09:00,440 --> 00:09:03,080 Speaker 1: Humans are doing that, and human creativity is one of 188 00:09:03,080 --> 00:09:05,120 Speaker 1: those things that AI is trying to do or we're 189 00:09:05,160 --> 00:09:06,800 Speaker 1: trying to do with a I'm not quite sure where 190 00:09:06,800 --> 00:09:10,640 Speaker 1: those lines are, but it's one thing that will always 191 00:09:10,679 --> 00:09:13,880 Speaker 1: be something that humans will will be better at, in 192 00:09:13,920 --> 00:09:18,199 Speaker 1: my opinion, that creativity, that problem solving, and any kind 193 00:09:18,200 --> 00:09:22,200 Speaker 1: of art form you can do, you're going to No. 194 00:09:22,280 --> 00:09:23,640 Speaker 3: I was just going to say, the great thing about 195 00:09:23,640 --> 00:09:27,400 Speaker 3: this industry becoming such a big thing in w ways. 196 00:09:27,400 --> 00:09:29,880 Speaker 3: It's not just treading the boards or in front of 197 00:09:29,880 --> 00:09:33,640 Speaker 3: the camera either. There's so many great ways to you know, 198 00:09:34,000 --> 00:09:37,560 Speaker 3: have a career around around it. Behind the scenes. 199 00:09:39,000 --> 00:09:42,800 Speaker 1: Everybody on stage, you see there's three or four people backstage. 200 00:09:42,920 --> 00:09:45,360 Speaker 1: When you go into film and TV, you multiply that 201 00:09:45,400 --> 00:09:48,520 Speaker 1: by ten. Yes. Yeah, So that actor, you know, she's 202 00:09:48,600 --> 00:09:50,800 Speaker 1: up there doing a fantastic job. But first she was 203 00:09:50,840 --> 00:09:53,400 Speaker 1: in the in the hair and makeup trailer. Before that 204 00:09:53,520 --> 00:09:55,440 Speaker 1: she was in costuming, and before that she was with 205 00:09:55,480 --> 00:09:58,160 Speaker 1: a third ad, and before that she was with craft services. 206 00:09:58,320 --> 00:10:01,199 Speaker 1: And so just there's this multitude of people who are 207 00:10:01,200 --> 00:10:05,960 Speaker 1: all creating something beautiful, something worthwhile watching. In most cases 208 00:10:07,200 --> 00:10:11,559 Speaker 1: that enhances the whole of our community, our cultural conversation, 209 00:10:11,720 --> 00:10:15,520 Speaker 1: our society, and is making w a bigger and stronger 210 00:10:15,559 --> 00:10:18,119 Speaker 1: I think for culturally and artistically. 211 00:10:18,200 --> 00:10:21,400 Speaker 2: You mentioned catering because that's where I'd be. 212 00:10:21,080 --> 00:10:29,120 Speaker 3: It's hard to get you. Yeah, I deserve Look. 213 00:10:29,160 --> 00:10:31,880 Speaker 1: If you don't get catering right on a film shoot, 214 00:10:32,240 --> 00:10:35,000 Speaker 1: the whole thing can fall apart. I want that because 215 00:10:35,120 --> 00:10:38,920 Speaker 1: for the next two hours post lunch, all the crews 216 00:10:39,080 --> 00:10:42,360 Speaker 1: and the cast are talking about. When the cameras aren't rolling, 217 00:10:42,440 --> 00:10:46,400 Speaker 1: is how good lunch was. They're about it. And if 218 00:10:46,440 --> 00:10:48,400 Speaker 1: they're not, if they're doing ten hour days and they 219 00:10:48,400 --> 00:10:51,440 Speaker 1: haven't been fed, oh they are angry and they're not 220 00:10:51,480 --> 00:10:53,559 Speaker 1: looking forward to the next one. And if somebody, God 221 00:10:53,600 --> 00:10:56,400 Speaker 1: forbid doesn't like it and has to leave the set 222 00:10:56,520 --> 00:10:59,360 Speaker 1: to go and get lunch, yes, then all kinds of 223 00:10:59,360 --> 00:11:03,760 Speaker 1: problems can have happened. And where is it? Yeahway is it? Subway? 224 00:11:04,000 --> 00:11:06,360 Speaker 2: You can't correct me if I'm wrong. I'm pretty sure 225 00:11:06,360 --> 00:11:08,200 Speaker 2: I sat at Kings Park and watched you in a 226 00:11:08,320 --> 00:11:10,520 Speaker 2: Shakespeare in the Park one night. Does that sound right? 227 00:11:10,559 --> 00:11:12,679 Speaker 2: Would you have done that in your career? I did 228 00:11:12,720 --> 00:11:17,160 Speaker 2: about ten seasons. Yeah, so surprised you didn't do only one. 229 00:11:17,240 --> 00:11:25,000 Speaker 2: The reason so that night you're talking about getting the role, 230 00:11:25,200 --> 00:11:27,560 Speaker 2: but it was it was like the It was like 231 00:11:27,600 --> 00:11:30,800 Speaker 2: a standing ovation on the lawn. You know. People appreciated 232 00:11:30,840 --> 00:11:33,720 Speaker 2: the humor and the production so much, so you must 233 00:11:33,760 --> 00:11:34,360 Speaker 2: have loved doing that. 234 00:11:34,520 --> 00:11:36,600 Speaker 1: I absolutely loved doing that, and that was one of 235 00:11:36,600 --> 00:11:38,600 Speaker 1: those training grounds that we've lost it a little bit 236 00:11:38,640 --> 00:11:41,720 Speaker 1: for the Shakespeare in the Park because what WA has 237 00:11:41,840 --> 00:11:47,000 Speaker 1: realized is that that Kings Park is such a beautiful place, 238 00:11:47,440 --> 00:11:50,360 Speaker 1: and we were an outdoor people, so we want to 239 00:11:50,400 --> 00:11:52,640 Speaker 1: go and see stuff outdoors. So you know, you know, 240 00:11:52,720 --> 00:11:54,800 Speaker 1: if Jack Johnson's coming to play, he's going to play 241 00:11:54,800 --> 00:11:58,240 Speaker 1: in the park of course, because why not. This is magnificent. Yeah, 242 00:11:58,280 --> 00:12:00,640 Speaker 1: and he can play two nights and the King's Park 243 00:12:00,720 --> 00:12:03,640 Speaker 1: will make more money than they will than three months 244 00:12:03,679 --> 00:12:06,080 Speaker 1: of Shakespeare in the Park. But that's okay, We'll find 245 00:12:06,120 --> 00:12:08,920 Speaker 1: other ways. We've got lots of beautiful theaters. It was 246 00:12:09,000 --> 00:12:12,000 Speaker 1: great doing Shakespeare in the Park when you're projecting at 247 00:12:12,000 --> 00:12:13,600 Speaker 1: the bottom of a hill up to the top of 248 00:12:13,600 --> 00:12:16,160 Speaker 1: a hill of five six hundred people with the wind 249 00:12:16,200 --> 00:12:21,000 Speaker 1: blowing directly across you, so your voice. Yeah, Well, the 250 00:12:21,080 --> 00:12:25,160 Speaker 1: party boat goes by, and the kooka barrough just stole 251 00:12:25,200 --> 00:12:28,160 Speaker 1: someone's piece of chicken. Like to hold an audience with 252 00:12:28,240 --> 00:12:32,000 Speaker 1: all of that going on, I've said as it was 253 00:12:32,240 --> 00:12:33,400 Speaker 1: very very regular. 254 00:12:34,120 --> 00:12:38,160 Speaker 3: Well for anyone, doesn't matter how old they are, thinking, 255 00:12:38,400 --> 00:12:41,040 Speaker 3: I would like to take advantage of what's happening in 256 00:12:41,080 --> 00:12:44,160 Speaker 3: this this industry and get involved. What would you suggest 257 00:12:44,440 --> 00:12:46,680 Speaker 3: is the one place they start? I mean, you know, 258 00:12:46,720 --> 00:12:49,720 Speaker 3: we talk about getting involved with community theater groups, but 259 00:12:49,720 --> 00:12:52,600 Speaker 3: where do they start? What do they google? What are 260 00:12:52,600 --> 00:12:53,320 Speaker 3: they looking up to? 261 00:12:53,400 --> 00:12:57,840 Speaker 1: It's a really lucky rate question. Do you look? 262 00:12:58,400 --> 00:12:59,920 Speaker 3: Do you just google local theater? 263 00:13:00,920 --> 00:13:04,679 Speaker 1: Yeah? I mean there are a few out there and 264 00:13:05,240 --> 00:13:08,160 Speaker 1: they need people, they want people. They are building a 265 00:13:08,200 --> 00:13:11,720 Speaker 1: community like joam Is. They have their group of people 266 00:13:12,000 --> 00:13:14,640 Speaker 1: and they are always welcoming and it's about putting it on. 267 00:13:14,840 --> 00:13:16,680 Speaker 1: And you might go, I just want to be involved, 268 00:13:17,440 --> 00:13:19,439 Speaker 1: but I don't like being on stage, and most people 269 00:13:19,440 --> 00:13:21,480 Speaker 1: don't like being on stage. So what I want to 270 00:13:21,480 --> 00:13:26,160 Speaker 1: do is sell tickets. Great in front of house, get 271 00:13:26,160 --> 00:13:29,320 Speaker 1: somebody smiles and takes your ticket and is part of 272 00:13:29,320 --> 00:13:31,760 Speaker 1: that way. Or maybe you do want to be on stage. Great, 273 00:13:31,840 --> 00:13:33,439 Speaker 1: you get up there, you audition, You start with a 274 00:13:33,480 --> 00:13:36,040 Speaker 1: small part, they go, oh, yeah, he's not bad. The 275 00:13:36,080 --> 00:13:37,800 Speaker 1: next part you get a little bit bigger, and before 276 00:13:37,840 --> 00:13:40,520 Speaker 1: you know it, it goes on and on and on. Yes, 277 00:13:40,559 --> 00:13:44,320 Speaker 1: start there. Classes I think are really good thing for 278 00:13:44,400 --> 00:13:47,120 Speaker 1: people to do because you can try something out. If 279 00:13:47,160 --> 00:13:49,040 Speaker 1: you ever want to do stand up comedy, try stand 280 00:13:49,080 --> 00:13:52,320 Speaker 1: up comedy class. You may hate it, but you tried it, 281 00:13:52,400 --> 00:13:55,400 Speaker 1: you were brave enough. That's great. You know, if you 282 00:13:55,400 --> 00:13:58,640 Speaker 1: want to go painting, try watercolors for a little while. 283 00:13:58,720 --> 00:14:01,000 Speaker 1: You need a bit of creativity. Keeps the heart and 284 00:14:01,040 --> 00:14:04,600 Speaker 1: the soul and the mind active in a very different way. Yeah. 285 00:14:04,760 --> 00:14:08,440 Speaker 1: I don't know who you're, where you are and where 286 00:14:08,520 --> 00:14:10,800 Speaker 1: your community is, but just have a look for their 287 00:14:10,840 --> 00:14:12,280 Speaker 1: theater and go along to your show. 288 00:14:12,480 --> 00:14:17,240 Speaker 4: Yes, you along to your show because start networking. Yeah, 289 00:14:17,720 --> 00:14:23,200 Speaker 4: if you love acting class with any murder monks. She 290 00:14:23,240 --> 00:14:26,320 Speaker 4: told me you'd be good for sci fi, Dean fi 291 00:14:26,520 --> 00:14:28,440 Speaker 4: sci fi. With your height and your voice, you'd be 292 00:14:28,480 --> 00:14:30,040 Speaker 4: good for sci fi. I mean, I'm not going to 293 00:14:30,040 --> 00:14:33,360 Speaker 4: disagree with any murder monks. She knows starting to make 294 00:14:33,400 --> 00:14:34,280 Speaker 4: a sci fi movie. 295 00:14:34,400 --> 00:14:36,760 Speaker 1: You're in it. Absolutely. The gig is the freak. 296 00:14:38,720 --> 00:14:41,680 Speaker 3: All right, Well, this is all good information and what's 297 00:14:41,680 --> 00:14:44,600 Speaker 3: coming up at the Barking Gecko Theater. But we can look. 298 00:14:44,440 --> 00:14:47,400 Speaker 1: Forward to Gecko Theater. We've got House, which is a 299 00:14:47,440 --> 00:14:50,080 Speaker 1: remount you may have seen House before. It's an incredibly 300 00:14:50,160 --> 00:14:53,040 Speaker 1: beautiful show where ringing out at the Octagon Theater at 301 00:14:53,120 --> 00:14:56,000 Speaker 1: u w A that starts November sometimes checking I. 302 00:14:55,960 --> 00:15:00,920 Speaker 3: Love anything talking about outdoor stuff. That of all stuff. 303 00:15:01,040 --> 00:15:04,080 Speaker 1: And the Octagon too. Yeah, it's beautiful. And then we've 304 00:15:04,120 --> 00:15:06,280 Speaker 1: got shows on next year which I'll let you know 305 00:15:06,360 --> 00:15:10,160 Speaker 1: next year. Keep in touch to long. 306 00:15:10,400 --> 00:15:13,680 Speaker 3: Yes, that's fantastic, Thanks for coming in, No worry