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Speaker 1: I heard podcasts, hear more kids podcasts, playlists and listen

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Speaker 1: live on the Free.

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Speaker 2: I heard at the Will and Woody podcast.

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Speaker 3: With last week, I played you some audio from an

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Speaker 3: ad with Dakota Johnson advertising Calvin Kleine Underwear.

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Speaker 2: Yes, yes, and.

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Speaker 1: I handled it very professionally, and we both thought that.

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Speaker 2: As very impowering video. And the undies look great.

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Speaker 3: If you haven't seen the ad, it's yeah, it's it's

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Speaker 3: pretty hot under the collar his sheues, I just finished.

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Speaker 1: I think I like it.

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Speaker 4: I mean, I really like her.

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Speaker 1: She's so.

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Speaker 5: Mild.

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Speaker 2: We have to play the audio watching you go somewhere.

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Speaker 2: I don't. I'm right here, mate, I'm right here looking

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Speaker 2: at my mate. I'm not thinking about that at all,

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Speaker 2: not thinking about that at all. All right, having try

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Speaker 2: over the weekend, you showed me. I watched it.

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Speaker 1: I watched it one more time with my wife, with

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Speaker 1: my wife and children.

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Speaker 2: Kids waken. He's got a video. I want to keep

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Speaker 2: this above board. We're above board, we're above an ice.

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Speaker 3: Well done. Good for you anyway. She was various different

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Speaker 3: things within the ad. In the in the underwear, she's

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Speaker 3: on the pool table. They kind of do the Austin

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Speaker 3: powers thing, which is pretty funny. I think where she

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Speaker 3: turns around, she turns around out of the fridge, and

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Speaker 3: she's got some stuff covering her breasts. One of the

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Speaker 3: things that she has covering her breasts when she turns

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Speaker 3: around out of the fridge some pomegranates. Yes, and the

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Speaker 3: internet is actually, you know, whilst enjoying the ad up

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Speaker 3: in arms about how she goes about eating.

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Speaker 2: A pomegranate, just gets right in there. I love that.

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Speaker 5: Now.

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Speaker 3: The first time we spoke about this was I told you,

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Speaker 3: this is what's going on with her eating the pomegranates.

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Speaker 3: We discussed it a little bit further, and then you

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Speaker 3: made a pretty outrageous claim.

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Speaker 2: She just hose into a pomegranate, like a whole pomegranate.

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Speaker 3: Yeah, she eats some pomet like the wrong way, right,

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Speaker 3: You should scoop it out with a spoon or whatever

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Speaker 3: and then put it in a nice salad with some

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Speaker 3: TAINI maybe she does eat the pomegranate like a burger,

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Speaker 3: which if a man was eating that, it would be awful.

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Speaker 3: It would go in his beard and it would look disgusting.

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Speaker 3: She makes it look amazing. Yeah, Yeah, you think we

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Speaker 3: could eat a pomegranate sexy.

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Speaker 5: I do.

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Speaker 2: Yeah, I do well. I definitely I would eat the skin.

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Speaker 2: You know that. I eat the skin of all fruits.

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Speaker 2: I'm a skin on guy, not bananas. True now fair play,

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Speaker 2: not mangoes, no mangoes. I eat the skin, big, big

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Speaker 2: mango skin guy.

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Speaker 1: There's a small percentage people that will be poisoned by that,

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Speaker 1: So I don't follow that.

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Speaker 5: You're diverting.

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Speaker 2: You're diverting.

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Speaker 1: Give me the pomegranate. I used to have a pomegranate

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Speaker 1: tree outside my family home. Used to smash him with

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Speaker 1: cricket batter.

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Speaker 3: You don't understand. What you said was that you can

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Speaker 3: eat a pomegranate sexy. Yeah, not just eat a pomegranate.

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Speaker 2: Yeah yeah, mate, all right, get ready to get warm

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Speaker 2: in here.

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Speaker 3: Well, we're not going to do it in here. Give

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Speaker 3: me what we're gonna go to the kitchen. I think

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Speaker 3: it's going to get pretty sloppy.

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Speaker 2: Oh really, then I'm gonna smock. Well, you might take

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Speaker 2: your shirt off. I'm not taking my shirt off, no way.

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Speaker 1: Or you said you're doing sexy, ye, But sexy is

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Speaker 1: keeping your clothes on.

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Speaker 2: Leave it to the imagination a.

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Speaker 3: Little bit, will Sorry, Dakota Johnson is not breaking the

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Speaker 3: internet because she's left her clothes on and leaving it

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Speaker 3: to the imagination.

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Speaker 2: I disagree, Well you lose. You said you could do

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Speaker 2: it sexy. I can do it sexy, but stop making

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Speaker 2: me take my clothes off. Well you're not doing it sexy,

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Speaker 2: then yes I am, you're not. No, you will not.

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Speaker 3: His whole bit is that I am the judge as

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Speaker 3: to whether or not it is sexy, and right now,

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Speaker 3: if you're doing it in your clothes, it's a factor three.

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Speaker 2: Sexy doesn't doesn't get near.

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Speaker 3: It three out of what you put your jocks where

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Speaker 3: your mouth are your mouth is sorry, not literally.

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Speaker 2: You can do it if you want that. That would

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Speaker 2: be hot.

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Speaker 3: In my mouth et pomegranate. So now you've got to

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Speaker 3: do it sexy. I'll let you decide how you want

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Speaker 3: to do it. We're going to go to the director.

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Speaker 3: Sexy does is My director, sexy does actually could is

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Speaker 3: the perfect judge of whether or not it is sexy.

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Speaker 3: As the sexiest person on this team, that's fair. Sexy

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Speaker 3: DOESK can decide analyst. Don't look so shocked. We're now

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Speaker 3: a line from the kitchen yesterday. If you missed it woo.

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Speaker 3: He said that he could eat a pomegranate as sexily

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Speaker 3: as Dakota Johnson does in her new Calvin Klinad.

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Speaker 2: I stand by that comment. I stand by that I've

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Speaker 2: been inting pomegranates for years. I've perfected the way to

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Speaker 2: do it sexily great, and I'm happy to show you

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Speaker 2: how to do that right now now. I thought I

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Speaker 2: could do it with cloudes on. Can I just say,

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Speaker 2: I don't think you need to remove the cloth to

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Speaker 2: add the sex. Yeah, right, but you have.

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Speaker 1: Requested, you have sternly requested, as says our digital producer

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Speaker 1: Sexy dar but it needs to be done with no

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Speaker 1: quotes on.

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Speaker 3: Well, I think sexy Dars is obviously the sexiest person

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Speaker 3: in the team.

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Speaker 6: In the city, if not in the country, and so

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Speaker 6: he has to.

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Speaker 2: Be the guy who decides whether or not this is

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Speaker 2: sexy or not.

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Speaker 3: So he's and the case he's made the cop it's

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Speaker 3: got to be a clothes off operation. Yes, So, I mean,

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Speaker 3: if you're ready to go, people can say this Instagram

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Speaker 3: TK with them.

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Speaker 2: What if they want to check it out with themselves?

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Speaker 2: If you get any idea how you're going to go about.

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Speaker 1: It, well, so like I was going to bring a

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Speaker 1: masculine energy to the move and try and rip the

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Speaker 1: pomegrand and open.

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Speaker 2: With my bare hands. Oh nice, Yeah, I like it.

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Speaker 2: And then just tucking raffiki with the coconut and the

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Speaker 2: lion king.

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Speaker 1: Exactly exactly, and I'm happy to sin me before here.

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Speaker 2: I think you'll want to be simple in two seconds, star,

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Speaker 2: all right, we don't walk away from me. Why are

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Speaker 2: you walking away from me?

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Speaker 6: I don't need to be.

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Speaker 1: Okay, so you actually want to symb my phead.

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Speaker 2: I'm actually I'll come into the shot, coming to the

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Speaker 2: shot again for already if you get it. But here

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Speaker 2: we go. The shirt's coming off. Wow, the jock's coming on.

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Speaker 2: They need jokes, beautiful. So this is how to eat

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Speaker 2: the pomegranate sexily.

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Speaker 1: Oh yeah.

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Speaker 3: Yeah mm hmm look I am.

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Speaker 5: M yeah.

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Speaker 2: That was intense.

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Speaker 6: Yeah that was really cool. Yeah okay, oh wow wow

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Speaker 6: bit of wow. Vampire Diaries, Hello, right.

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Speaker 1: Tea?

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Speaker 2: Wow? Yeah nice man. I think you've done it. I

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Speaker 2: think you've done it.

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Speaker 5: Job.

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Speaker 3: That was.

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Speaker 2: It's one hundred percent more sexy than Jago to Johnson

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Speaker 2: began very difficult, really do the other one?

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Speaker 3: You know?

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Speaker 5: Oh zero.

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Speaker 3: Voice as well. Oh it's really moody. Oh god, not

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Speaker 3: every day you get talked to a spice girl, woulds

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Speaker 3: Melanie in the studio?

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Speaker 2: Welcome Melody.

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Speaker 3: Hey, she's got brand new music, a brand new record

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Speaker 3: called Sweat, which will be out on the first of May.

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Speaker 2: She could be touring in Australia. But this is I mean,

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Speaker 2: have a listen to this. This is Sweat. The banger

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Speaker 2: a title track right there, keeps fresh.

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Speaker 3: Off a scintillating DJ set puffed off in Sydney.

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Speaker 2: Mate, it's great to have you on the show. Thanks

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Speaker 2: for coming on.

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Speaker 7: Yeah, thanks for having me. It's great to be here.

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Speaker 1: Do you ever get worried Melanie about sweat on stage?

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Speaker 1: Or like just I'm just sort of using the name

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Speaker 1: of the song there. Like for me, I get worried

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Speaker 1: about sweating when I'm at the start of sweating, but

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Speaker 1: then once I'm aggressively sweating, it's totally fine. Do you

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Speaker 1: ever get worried at the start of one of your

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Speaker 1: sets when you're just starting to sweat?

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Speaker 2: Maybe well that kind of come through.

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Speaker 7: That breakthrough moments is a little uncomfortable, isn't it. It's

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Speaker 7: either it's better to be dry bone dry, or really

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Speaker 7: in it just soaked, Yeah, stopping stoppin' wet.

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Speaker 2: So how far into a set usually do we get

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Speaker 2: to sop down?

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Speaker 7: You know, it really depends. It depends on the environment.

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Speaker 7: After say, you mentioned puffeduff my bra that was a

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Speaker 7: sweaty session.

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Speaker 2: Yeah, where where does that?

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Speaker 3: Because Woods with Woods and I have discussed this before

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Speaker 3: in our podcast. But he's an upper brow, You're an

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Speaker 3: upper brow and.

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Speaker 1: Forehead goes the forehead goes early, and I'm back and

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Speaker 1: that you're an upper brow and lower back and I'm

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Speaker 1: and I'm an Im'm an upper back.

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Speaker 7: And pit pet man.

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Speaker 2: Yeah, where are you?

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Speaker 5: Where?

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Speaker 2: Where does you? Where do you present? First?

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Speaker 3: Oh?

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Speaker 7: Okay, let me let me think about this. Do I

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Speaker 7: want to? Don't to?

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Speaker 2: I can move on, don't worry now what.

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Speaker 7: To be honest with you, it takes quite a lot

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Speaker 7: to get me sweaty.

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Speaker 2: You're fi and yeah, we were just talking about how

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Speaker 2: fit you are.

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Speaker 3: And I know, I kind of because obviously iconically known

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Speaker 3: obviously as sporty spies. And I was just saying to

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Speaker 3: the guys because all the girls and the team are like,

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Speaker 3: oh my god, she's she's looking so jack, she looks

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Speaker 3: so fit, like you know, YadA YadA, YadA, And I

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Speaker 3: was like, well, I wonder if naming yourself sporty spies

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Speaker 3: was a little bit of a life sentence in some ways,

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Speaker 3: because like, you know, as soon as you're not fit,

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Speaker 3: you know you're a meme.

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Speaker 2: So is there are you worried? You ever worried about?

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Speaker 3: Well?

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Speaker 7: Do you know what? We actually didn't name ourselves. We

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Speaker 7: were given our nicknames by Top of the Pops magazine. Yeah,

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Speaker 7: oh really yeah yeah, And there has been times when

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Speaker 7: I've not felt very sporty, but in reality I am.

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Speaker 7: I can't really escape it.

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Speaker 8: You know.

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Speaker 7: I love working out. I've always been into my sports

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Speaker 7: and yeah, and of course sportswear. So it feels very

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Speaker 7: authentic and I feel very comfortable.

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Speaker 1: Literally, given the Top of the Pops named all of you,

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Speaker 1: how did mel B feel about her name?

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Speaker 2: Scary?

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Speaker 7: I've got a question for you. Have you met Melby?

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Speaker 2: About her? The other day?

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Speaker 3: Because a friend of ours did a radio show with

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Speaker 3: her when she was in Sydney and he just had

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Speaker 3: some wild stories about her.

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Speaker 7: So she is brilliant. She's the most fun and I

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Speaker 7: think all of the spice scales we really embraced our names.

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Speaker 7: You know, we loved it. It was fun and we

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Speaker 7: became caricatures of them. But we're not really too far

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Speaker 7: away from those caricatures. We're still very much the same.

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Speaker 2: So did you Sorry, sorry, just to go back to

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Speaker 2: this moment, I'm interested.

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Speaker 3: Did you is this an article that was read about

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Speaker 3: you and you're going to read afterwards like, oh, they've

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Speaker 3: labeled me this borty one, Like you didn't have any

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Speaker 3: input in that at all.

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Speaker 2: You had to read who your character would be for

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Speaker 2: the rest of your life.

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Speaker 7: There's a little bit of a backstory on it. So basically,

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Speaker 7: it was before we released anything, and we had a

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Speaker 7: lunch with the editor of the magazine and he came

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Speaker 7: up with this idea. He was like, you guys need nicknames. So,

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Speaker 7: of course, being the Spice Scales, we came up with

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Speaker 7: a load of names that were completely inappropriate. So he

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Speaker 7: went back to the as what were they? What were they?

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Speaker 7: That's really just very rude and very silly, knowing myself

250
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Speaker 7: and the girls.

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Speaker 2: In the nineties, Can you remember any of them?

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Speaker 8: No?

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Speaker 7: I can't, I can't remember. I actually didn't even remember

254
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Speaker 7: the story. It was the editor that reminded me the

255
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Speaker 7: guy called Peter Lorraine. He's a really successful music manager

256
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Speaker 7: now back in the UK, so he's he's absolutely brilliant.

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Speaker 7: He might manages jesse Ware and Appleton and Steps and

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Speaker 7: he has he's such a massive populver. But at the

259
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Speaker 7: time he was an editor and he went back to

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Speaker 7: the office and he came up with these names and

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Speaker 7: it was, you know, based on our appearance or our

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Speaker 7: personality and these different things. And it was a tiny

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Speaker 7: little throwaway thing in the magazine one week and it

264
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Speaker 7: just stuck. And then we just realized what it was.

265
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Speaker 7: Just such a brilliant marketing. It was like a gift

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Speaker 7: given to us. And yeah, and you know.

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Speaker 2: History awesome, that's so cool.

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Speaker 3: We're talking spys girls now, so we may as well

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Speaker 3: continue if you don't mind, because what do and I I.

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Speaker 2: Mean, I don't know.

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Speaker 3: Unashamedly, I suppose ashamedly can play understanding that my sister

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Speaker 3: had a spart skills Sada.

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Speaker 2: I'm pretty sure that it was my first day. Yeah,

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Speaker 2: I just ended up stealing off her in the family car.

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Speaker 3: It was it was all I know, every word of

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Speaker 3: nearly every time I'm going to say, are you guys,

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Speaker 3: I know the thirtieth anniversaries this year, will you all

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Speaker 3: be on stage together?

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Speaker 7: I would love to be able to give that exclusive,

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Speaker 7: but obviously I can't.

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Speaker 2: WHOA okay, fair enough, Sorry.

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Speaker 7: No, just to clear up that, let's not start any rumors.

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Speaker 7: We are so proud and we're always talking we'd love

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Speaker 7: to get back on stage. I mean some of us

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Speaker 7: more than others. So we're just talking about what we

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Speaker 7: want to do because obviously thirty years since the release

287
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Speaker 7: of want to be on our first album, Space, it's

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Speaker 7: a big deal and we feel like so it's so

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Speaker 7: precious our legacy that we just want to make sure

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Speaker 7: we do the right thing. So we're still kind of

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Speaker 7: deciding what that's going to be.

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Speaker 1: I heard you in a interview recently talking about the

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Speaker 1: fact that over the years, you guys have always got

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Speaker 1: each other's backs.

295
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Speaker 2: I've got some audio here. This is This is you

296
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Speaker 2: talking to Kate Lanebrook.

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Speaker 7: It was so important for us to be there for

298
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Speaker 7: each other to this day, if someone messes with one

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Speaker 7: the Space girls, you have to deal with the other four.

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Speaker 2: I just I love that. So that still goes on

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Speaker 2: to today.

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Speaker 7: Absolutely on. Yeah, I think that will it will always

303
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Speaker 7: be the case. You know what it's like, it's like family,

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Speaker 7: It's it's beyond friendship. We grew up together. We experienced

305
00:14:39,749 --> 00:14:43,069
Speaker 7: something so unique together that that those bonds they can

306
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Speaker 7: be tested, but they will never be broken.

307
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Speaker 2: That's that's so good.

308
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Speaker 1: There's been some and I'm not digging information or anything,

309
00:14:49,349 --> 00:14:52,109
Speaker 1: but there's been some headlines around Victoria and the Beckhams

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Speaker 1: at the moment which is going around, and I'm just

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Speaker 1: interested to know, like, how do you support Victoria through

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Speaker 1: that time?

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Speaker 7: Yeah, I mean as we would with each and all

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Speaker 7: of us. You know, we've all had times in our life,

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Speaker 7: you know, when it's we've had difficulties, whether it's been

316
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Speaker 7: in the public eye or not, whether it's personal, whether

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Speaker 7: it's a professional. We're just there for each other, you know.

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Speaker 7: We check in with each other, make each other okay

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Speaker 7: and yeah, or was there to support for whatever any

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Speaker 7: of us need.

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Speaker 2: That's so nice.

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Speaker 3: I suppose that idea of girlpower sort of ties into this.

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Speaker 3: I heard a great story if you could, if you

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Speaker 3: could retell, it'd be great about the time when you

325
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Speaker 3: sort of planned the highest of some sort with your

326
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Speaker 3: when you first split for with your first management.

327
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Speaker 2: Would you mind recounting that.

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Speaker 7: Yeah, so we'd been working with the management that kind

329
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Speaker 7: of auditioned the band, the beginnings of us, and we'd

330
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Speaker 7: done some demos and we'd realize that, you know, they

331
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Speaker 7: just didn't understand what we were becoming as a band.

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Speaker 7: You know, we were really forming, understanding who we were,

333
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Speaker 7: but we needed to get our hands on these demo tapes.

334
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Speaker 7: It was, you know, it was way before technology is

335
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Speaker 7: was what it is today. And yeah, we went in

336
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Speaker 7: and I think we used Victoria as a decoy and

337
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Speaker 7: we stole the demo taped. It was a cassette and

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Speaker 7: it ended up either I know it was it was underwear.

339
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Speaker 7: It was either Jerry's bra or nickers. I don't know

340
00:16:16,268 --> 00:16:18,788
Speaker 7: why not that we were going to get frisked for this,

341
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Speaker 7: for this cassette. And then and she went off. I

342
00:16:22,349 --> 00:16:24,908
Speaker 7: was in Victoria's car and we planned to meet on

343
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Speaker 7: a roundabout. And that's a turn of phrase, isn't it.

344
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Speaker 7: But when we got there, Jerry was quite literal and

345
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Speaker 7: she was on the roundabout, and so I think that

346
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Speaker 7: kind of tells you what kind of a driver she was.

347
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Speaker 7: I don't know whether that's still to this day. I've

348
00:16:38,829 --> 00:16:40,469
Speaker 7: not been in the car with her for a while,

349
00:16:40,508 --> 00:16:45,709
Speaker 7: and that's a good reason. Can you imagine she was

350
00:16:45,789 --> 00:16:48,829
Speaker 7: like literally on on the roundabout. I don't know if

351
00:16:48,869 --> 00:16:50,309
Speaker 7: that was like she meant to.

352
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Speaker 2: Be on it, but that's where she was on the roundabout.

353
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Speaker 7: Or the Scooby Doo world of the Spice Girl.

354
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Speaker 2: That is awesome. I just can't imagine.

355
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Speaker 3: I mean, like, who you are now and what you

356
00:17:03,709 --> 00:17:07,309
Speaker 3: are now, this is actually interesting because you were the

357
00:17:07,388 --> 00:17:11,109
Speaker 3: biggest thing in the world at that time, just after

358
00:17:11,189 --> 00:17:12,869
Speaker 3: that time, I suppose from that story. But you know,

359
00:17:13,029 --> 00:17:16,349
Speaker 3: for us to be two guys in Australia, two men

360
00:17:17,029 --> 00:17:19,949
Speaker 3: in Australia who were you know, ten years old with

361
00:17:20,149 --> 00:17:23,309
Speaker 3: the CD like that means like you've really cut through.

362
00:17:25,509 --> 00:17:27,829
Speaker 7: Yeah, it's one of our lesson demographics, right.

363
00:17:28,989 --> 00:17:31,949
Speaker 3: That really is typifies who you were, So you're that big.

364
00:17:32,549 --> 00:17:34,509
Speaker 3: But then, I mean, I might have this completely wrong.

365
00:17:35,509 --> 00:17:38,069
Speaker 3: You and I suppose all of you appear to still

366
00:17:38,229 --> 00:17:44,189
Speaker 3: be very well put together, successful, prominent, interesting, down to

367
00:17:44,309 --> 00:17:47,148
Speaker 3: earth in a lot of ways women, Whereas I.

368
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Speaker 2: Feel like that trap of young fame is really.

369
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Speaker 3: Different for you know, I'm going to say a lot

370
00:17:54,869 --> 00:17:57,349
Speaker 3: of the people that we've spoken to in this I

371
00:17:57,429 --> 00:17:59,869
Speaker 3: mean when we spoke to Lola Young recently and she

372
00:17:59,989 --> 00:18:02,509
Speaker 3: seemed okay, and then she's collapsed on stage the following week,

373
00:18:02,549 --> 00:18:04,029
Speaker 3: and there's all sorts of stuff going on for her,

374
00:18:04,109 --> 00:18:06,349
Speaker 3: and you know, you feel for them because you're like, Wow,

375
00:18:06,349 --> 00:18:08,428
Speaker 3: you're just not ready for no one. I don't think

376
00:18:08,469 --> 00:18:10,229
Speaker 3: anyone and should be at that age that famous. But

377
00:18:10,629 --> 00:18:13,749
Speaker 3: you were and it's worked out for you. So what's

378
00:18:13,789 --> 00:18:15,909
Speaker 3: the difference And why do you think that is the case?

379
00:18:16,309 --> 00:18:19,189
Speaker 7: I think it is. It's harsh out there, you know,

380
00:18:19,469 --> 00:18:22,029
Speaker 7: and like you say, nothing can prepare for it. I

381
00:18:22,149 --> 00:18:24,749
Speaker 7: think the beauty of being in a band, or at

382
00:18:24,869 --> 00:18:27,429
Speaker 7: least the experience I have with the Spice Girls, is

383
00:18:27,509 --> 00:18:30,309
Speaker 7: we had each other. We were going through these things together,

384
00:18:30,629 --> 00:18:33,109
Speaker 7: and we kind of self policed as well.

385
00:18:33,269 --> 00:18:33,469
Speaker 8: You know.

386
00:18:33,629 --> 00:18:37,908
Speaker 7: If anybody kind of started showing signs of going off

387
00:18:37,989 --> 00:18:40,069
Speaker 7: the rails, they were pulled back into the fold. And

388
00:18:40,629 --> 00:18:42,229
Speaker 7: you know, thank goodness because at the time, I think

389
00:18:42,309 --> 00:18:45,349
Speaker 7: things have improved a little, but at the time, there

390
00:18:45,429 --> 00:18:47,669
Speaker 7: was no support in the industry for that, you know,

391
00:18:47,989 --> 00:18:51,148
Speaker 7: and nobody talked about things like mental health, which thank goodness,

392
00:18:51,189 --> 00:18:53,388
Speaker 7: we do talk about now. It was such a taboo

393
00:18:53,389 --> 00:18:57,589
Speaker 7: in the nineties. Yeah, so yeah, it really makes me sad.

394
00:18:57,829 --> 00:19:02,549
Speaker 7: I feel like almost responsible for young artists. I feel

395
00:19:02,629 --> 00:19:04,869
Speaker 7: like myself and the other Spice girls, we feel like

396
00:19:04,909 --> 00:19:08,269
Speaker 7: godmothers do like some of these young artists, and whenever

397
00:19:08,349 --> 00:19:10,709
Speaker 7: we meet them, you know, we just want to give

398
00:19:10,789 --> 00:19:13,189
Speaker 7: them support and to just let them know that we

399
00:19:13,309 --> 00:19:15,749
Speaker 7: know what it's like, because it's it's mad. All of

400
00:19:15,789 --> 00:19:18,909
Speaker 7: a sudden, you're you're in the public eye. You know,

401
00:19:18,989 --> 00:19:22,029
Speaker 7: you're being written about, you being commented on constantly, and

402
00:19:22,309 --> 00:19:25,149
Speaker 7: your schedule's wild, you're all over the world. Is exhausting,

403
00:19:25,669 --> 00:19:28,469
Speaker 7: So it's yeah, it's a lot to contend with when

404
00:19:28,509 --> 00:19:28,909
Speaker 7: you're young.

405
00:19:29,229 --> 00:19:31,629
Speaker 1: Yeah, what's your what's the number one piece of advice

406
00:19:31,669 --> 00:19:33,429
Speaker 1: that you do give to younger artists when you are

407
00:19:33,429 --> 00:19:34,909
Speaker 1: applying that god motherly role.

408
00:19:35,829 --> 00:19:39,469
Speaker 7: It's always about trusting your instinct, you know, And I

409
00:19:39,549 --> 00:19:42,469
Speaker 7: think that's just good advice for anybody, for young people,

410
00:19:42,829 --> 00:19:45,188
Speaker 7: because we know what's best for us, you know, if

411
00:19:45,229 --> 00:19:47,869
Speaker 7: you just truly listen, And when you're young, you're you're

412
00:19:47,909 --> 00:19:52,029
Speaker 7: so swayed by other people's opinions, and yeah, if something

413
00:19:52,069 --> 00:19:53,909
Speaker 7: doesn't feel good, then then it's not right.

414
00:19:54,429 --> 00:19:58,109
Speaker 3: That's great, Hey, Milanie, I want to just touch very

415
00:19:58,189 --> 00:19:59,789
Speaker 3: quickly on the fact that you're dating in Australian. I'm

416
00:19:59,789 --> 00:20:01,149
Speaker 3: not sure a lot of people would know that a

417
00:20:01,189 --> 00:20:01,909
Speaker 3: guy called Chris.

418
00:20:02,349 --> 00:20:04,589
Speaker 7: Yeah, that feels so weird.

419
00:20:05,389 --> 00:20:06,069
Speaker 3: Why why?

420
00:20:06,229 --> 00:20:07,109
Speaker 2: What's so readiful?

421
00:20:07,589 --> 00:20:10,069
Speaker 7: No, it's so puny just the way. Not many Australians

422
00:20:10,109 --> 00:20:10,509
Speaker 7: would know that.

423
00:20:10,669 --> 00:20:12,349
Speaker 2: No, I don't know where I didn't.

424
00:20:12,629 --> 00:20:15,029
Speaker 7: Yeah, Chris and I have been together for I think

425
00:20:15,069 --> 00:20:15,949
Speaker 7: about two and a half.

426
00:20:16,109 --> 00:20:19,549
Speaker 2: Is he looking at him? There? No, isn't he Okay?

427
00:20:19,669 --> 00:20:21,949
Speaker 2: I was going to say, oh, yeah, fair enough. So

428
00:20:22,029 --> 00:20:23,909
Speaker 2: he works an office job.

429
00:20:24,989 --> 00:20:25,949
Speaker 7: No, he's a screenwriter.

430
00:20:26,389 --> 00:20:27,669
Speaker 2: Oh cool, wow, okay.

431
00:20:28,909 --> 00:20:31,109
Speaker 3: So I was going to ask you because I mean,

432
00:20:31,149 --> 00:20:33,709
Speaker 3: I date someone from Europe as well, and I'm just like,

433
00:20:33,869 --> 00:20:37,389
Speaker 3: there's I think, just like cultural clash culture clash moments

434
00:20:37,389 --> 00:20:39,989
Speaker 3: I find really funny between us. I mean, she's Dutch,

435
00:20:40,029 --> 00:20:43,069
Speaker 3: there's oven linguistics that create them.

436
00:20:43,149 --> 00:20:46,749
Speaker 7: But the best accent though, the Dutch Dutch people speaking

437
00:20:46,869 --> 00:20:48,589
Speaker 7: English is my favorite.

438
00:20:48,549 --> 00:20:49,469
Speaker 2: Has a lot of eshes.

439
00:20:50,989 --> 00:20:53,189
Speaker 3: But I was wondering if you sort of had any

440
00:20:53,229 --> 00:20:56,189
Speaker 3: cultural clash moments or anything like you sort of Australian

441
00:20:56,749 --> 00:20:59,909
Speaker 3: that sort of shocked you since dating Chris.

442
00:20:59,869 --> 00:21:01,269
Speaker 2: That once you got together.

443
00:21:01,549 --> 00:21:06,109
Speaker 7: The thing that I find I love Australians obviously one

444
00:21:06,149 --> 00:21:09,949
Speaker 7: in particular, and I've just always found because I'm from

445
00:21:09,949 --> 00:21:11,749
Speaker 7: the North of England and I just think there are

446
00:21:11,829 --> 00:21:15,349
Speaker 7: such similarities in our humor. You know, we like to

447
00:21:15,869 --> 00:21:18,189
Speaker 7: make one of ourselves and each other. Yeah, so that

448
00:21:18,349 --> 00:21:22,149
Speaker 7: that's all good, but it's sometimes it's the things you

449
00:21:22,709 --> 00:21:26,069
Speaker 7: the names you have for things that really makes me

450
00:21:26,269 --> 00:21:29,629
Speaker 7: and my daughter chuckle. It's how literal Australians can be.

451
00:21:30,869 --> 00:21:32,589
Speaker 2: You know, well, what's what's the one that comes to

452
00:21:32,629 --> 00:21:32,989
Speaker 2: mind for you?

453
00:21:33,829 --> 00:21:36,629
Speaker 7: The one that that really made us howl was we

454
00:21:36,829 --> 00:21:39,709
Speaker 7: were we were on holiday and there was a pedlo.

455
00:21:40,029 --> 00:21:42,189
Speaker 7: You know you call them pedlos, right, don't you the

456
00:21:42,269 --> 00:21:48,029
Speaker 7: little think of your feet pedal pedlo. So it's like

457
00:21:48,109 --> 00:21:49,389
Speaker 7: one of those you know, you go on holiday and

458
00:21:49,429 --> 00:21:51,989
Speaker 7: there's like a big plastic thing in the sea and

459
00:21:52,109 --> 00:21:53,989
Speaker 7: you you pedal your feet and it makes the.

460
00:21:53,989 --> 00:22:00,749
Speaker 3: Thing I call them water bikes, does Australian That's that's

461
00:22:00,749 --> 00:22:01,829
Speaker 3: the Australian literalism.

462
00:22:02,949 --> 00:22:07,629
Speaker 7: Yeah, exactly, very literal. But these particular ones had a slide.

463
00:22:08,149 --> 00:22:10,069
Speaker 7: Oh yeah, do you know what slide is? Yeah?

464
00:22:10,069 --> 00:22:12,909
Speaker 2: I got slides. Yeah, but don't you call.

465
00:22:12,829 --> 00:22:14,269
Speaker 7: Them slip predips.

466
00:22:17,829 --> 00:22:20,109
Speaker 2: Sometimes, yeah, when they get.

467
00:22:22,229 --> 00:22:25,389
Speaker 7: Slippery dip. So that that was one particular one, but

468
00:22:25,869 --> 00:22:28,189
Speaker 7: I'll take you the other one. What do you call

469
00:22:28,509 --> 00:22:31,029
Speaker 7: We call it a remote control to turn the TV over?

470
00:22:31,229 --> 00:22:33,829
Speaker 7: What do you call it a clicker? A remote remote

471
00:22:34,709 --> 00:22:39,069
Speaker 7: change change something? Yeah, there was, there's some weird anyway,

472
00:22:39,189 --> 00:22:42,749
Speaker 7: It's always, it's always the Australians, always very literal. Dare

473
00:22:42,829 --> 00:22:43,908
Speaker 7: I say basic?

474
00:22:47,309 --> 00:22:50,109
Speaker 2: How's how does Chris go your gigs? It's a front

475
00:22:50,229 --> 00:22:51,869
Speaker 2: row getting a sweat.

476
00:22:51,589 --> 00:22:55,989
Speaker 7: On he is, Well, he's my biggest cheerleader, so yeah,

477
00:22:56,109 --> 00:22:58,109
Speaker 7: he's usually they're mapping my brow to be.

478
00:22:58,109 --> 00:23:00,509
Speaker 2: Honest, and how and how is he with your daughter?

479
00:23:00,629 --> 00:23:02,149
Speaker 2: Is it nice to sort of say that come together?

480
00:23:02,389 --> 00:23:04,908
Speaker 7: Oh yeah, they're really cute. Actually, will they gang up

481
00:23:04,949 --> 00:23:07,269
Speaker 7: on me? Which is always the best kind of dynamic,

482
00:23:08,069 --> 00:23:09,309
Speaker 7: you know for that relationship.

483
00:23:09,429 --> 00:23:11,229
Speaker 3: Yeah, because you can see like as soon as they're

484
00:23:11,269 --> 00:23:12,949
Speaker 3: having fun together, you're like, I don't care if I'm

485
00:23:12,949 --> 00:23:13,309
Speaker 3: the butt of.

486
00:23:13,309 --> 00:23:14,229
Speaker 2: The joke every time.

487
00:23:14,469 --> 00:23:16,869
Speaker 7: This is lovely. It warms my heart. Oh that's sorry,

488
00:23:17,229 --> 00:23:18,989
Speaker 7: it hurts my ego, but warms.

489
00:23:21,669 --> 00:23:22,029
Speaker 2: All right.

490
00:23:22,149 --> 00:23:24,629
Speaker 3: Well, mel, it's been so nice to talk to you.

491
00:23:24,949 --> 00:23:27,549
Speaker 3: Thank you so much for coming on will and sharing

492
00:23:27,669 --> 00:23:28,469
Speaker 3: so much as well.

493
00:23:28,589 --> 00:23:29,469
Speaker 2: You're so generous.

494
00:23:29,509 --> 00:23:31,709
Speaker 7: But we got really personal there and in depth, didn't we?

495
00:23:32,349 --> 00:23:43,189
Speaker 7: Mind you listeners. I've got music out right now.

496
00:23:43,229 --> 00:23:45,349
Speaker 2: It's pure a soft drink based on the sound of

497
00:23:45,389 --> 00:23:46,029
Speaker 2: the can opening.

498
00:23:53,629 --> 00:23:58,189
Speaker 1: Big money comes at sixteen cans in a row.

499
00:23:59,149 --> 00:23:59,549
Speaker 2: You get that.

500
00:23:59,749 --> 00:24:03,709
Speaker 1: Ten thousand dollars is yours. We've got Dannielle, who's playing first. Hello,

501
00:24:03,789 --> 00:24:07,589
Speaker 1: danniel Hello, how are you outstanding? It's a Friday. I

502
00:24:07,709 --> 00:24:09,829
Speaker 1: feel good. I feel very good, and I want to

503
00:24:09,829 --> 00:24:10,629
Speaker 1: make you feel good.

504
00:24:10,949 --> 00:24:15,189
Speaker 2: Dannielle. I hope you can all right give it about board.

505
00:24:16,109 --> 00:24:17,989
Speaker 2: Ten thousand dollars is what I'm referring to, all right,

506
00:24:18,109 --> 00:24:19,509
Speaker 2: can one, Dannielle.

507
00:24:26,149 --> 00:24:27,349
Speaker 3: Oh, b can?

508
00:24:28,869 --> 00:24:31,389
Speaker 1: Sorry, Dannielle, I have failed to make you feel good.

509
00:24:31,909 --> 00:24:34,789
Speaker 1: Still a Friday, though still a Friday. Enjoy your week

510
00:24:34,789 --> 00:24:39,109
Speaker 1: and let's move on to Doug Can I Doug Douggie

511
00:24:40,389 --> 00:24:44,429
Speaker 1: dog weekends here, let's crack some cans for you. My friend,

512
00:24:44,469 --> 00:24:54,589
Speaker 1: he's can number one. Yes, I reckon, Dougie. There was

513
00:24:54,909 --> 00:24:57,669
Speaker 1: there was a certainty to your voice which is exciting me. Doug,

514
00:24:57,829 --> 00:24:58,829
Speaker 1: do you think you're very good at this?

515
00:24:59,549 --> 00:25:00,429
Speaker 5: I'm pretty confident.

516
00:25:00,509 --> 00:25:02,549
Speaker 2: But you know, we'll see how we got calling your

517
00:25:02,629 --> 00:25:04,629
Speaker 2: self professed can whisper.

518
00:25:05,789 --> 00:25:06,509
Speaker 3: I won't go that far.

519
00:25:06,669 --> 00:25:07,948
Speaker 5: Come on, let's not go that far yet.

520
00:25:08,789 --> 00:25:10,989
Speaker 1: Is the producers told us, mate that you were calling

521
00:25:11,029 --> 00:25:12,148
Speaker 1: yourself the can whisper.

522
00:25:12,349 --> 00:25:13,029
Speaker 2: Is that true or not?

523
00:25:13,509 --> 00:25:13,709
Speaker 7: Oh?

524
00:25:13,869 --> 00:25:15,789
Speaker 5: Yeah, you know what I'm going sure if you saw

525
00:25:15,869 --> 00:25:18,469
Speaker 5: that far? Yeah, let's do it all right, Here we go.

526
00:25:18,549 --> 00:25:31,829
Speaker 2: Here's can two Juggie soft drinks, Juggy, nice Douggy. The

527
00:25:31,909 --> 00:25:34,149
Speaker 2: cans are talking to your dog, nice dog.

528
00:25:34,669 --> 00:25:39,469
Speaker 5: Holiday different on on the firing Ye on the radio.

529
00:25:39,349 --> 00:25:41,989
Speaker 3: It is douggy even for the can whisper. Let's go

530
00:25:42,069 --> 00:25:43,789
Speaker 3: to can four showing three mate.

531
00:25:44,909 --> 00:25:46,309
Speaker 4: No, well, we'll jump the four.

532
00:25:48,949 --> 00:25:55,389
Speaker 2: Can three man dog, nice dog.

533
00:25:55,469 --> 00:26:01,669
Speaker 3: Douglas Douglas, Douglas Douglas, and then calls me the Douglas.

534
00:26:01,349 --> 00:26:02,309
Speaker 2: Mor he's on fire.

535
00:26:03,149 --> 00:26:06,509
Speaker 3: When mons he got four, he's got three? Oh sorry,

536
00:26:06,589 --> 00:26:08,589
Speaker 3: this is can weep jumping in.

537
00:26:08,989 --> 00:26:10,509
Speaker 4: We're taking the four, were going to fire.

538
00:26:11,829 --> 00:26:14,909
Speaker 2: It's not that it works. Trade will Let's crack you forth.

539
00:26:14,989 --> 00:26:15,989
Speaker 2: Let's crack you forth, Doug.

540
00:26:16,189 --> 00:26:17,069
Speaker 3: Here we go can.

541
00:26:23,429 --> 00:26:28,789
Speaker 2: Be Douglas Douglas.

542
00:26:29,709 --> 00:26:32,309
Speaker 1: I'm sorry I'm calling you Douglas because it feels like

543
00:26:32,469 --> 00:26:33,989
Speaker 1: Nanny is here with Is Nan still with us?

544
00:26:34,029 --> 00:26:36,749
Speaker 4: Doug, No, Nan would slappy. NaN's not with us.

545
00:26:38,949 --> 00:26:41,749
Speaker 2: It feels like she's here. It feels like a bit

546
00:26:41,789 --> 00:26:43,188
Speaker 2: of a presence. I'm a bit of a present. I'm

547
00:26:43,189 --> 00:26:44,629
Speaker 2: feeling her presence. We've got four.

548
00:26:44,789 --> 00:26:47,589
Speaker 3: Her name Gail starts with the G in her name

549
00:26:47,669 --> 00:26:49,589
Speaker 3: in some way, in some shape or form, or a

550
00:26:49,669 --> 00:26:50,668
Speaker 3: G in there somewhere.

551
00:26:51,109 --> 00:26:53,509
Speaker 2: Oriel Oriel.

552
00:26:53,589 --> 00:26:55,349
Speaker 1: You're way off, mate, her name was Oriel. You're not

553
00:26:55,429 --> 00:26:58,509
Speaker 1: John Edwards. Don't try and do what John Edwards.

554
00:26:58,669 --> 00:27:00,389
Speaker 2: That's why. That's why John's the best. And you can't

555
00:27:00,429 --> 00:27:02,509
Speaker 2: do what. Sorry did you say from England?

556
00:27:03,229 --> 00:27:04,549
Speaker 5: And G from England?

557
00:27:04,589 --> 00:27:06,789
Speaker 2: He and G my friend. There's that G that I

558
00:27:06,909 --> 00:27:08,949
Speaker 2: was feeling there. It is it's a stretch man, it

559
00:27:09,069 --> 00:27:13,509
Speaker 2: is region not at all. Maybe we should have a crossing,

560
00:27:13,509 --> 00:27:16,109
Speaker 2: an over off between you and John Edward. I would

561
00:27:16,149 --> 00:27:18,949
Speaker 2: love to do a crossing. I would love that.

562
00:27:19,349 --> 00:27:21,469
Speaker 4: Yeah, you'd have to bring me my mom for that, mate.

563
00:27:21,629 --> 00:27:23,349
Speaker 5: I'll not get it when that. They'd be freaking me

564
00:27:23,389 --> 00:27:23,909
Speaker 5: out much.

565
00:27:23,989 --> 00:27:26,188
Speaker 2: Yeah, no, fair enough. He doesn't have to connect with you. Nan.

566
00:27:26,229 --> 00:27:28,149
Speaker 2: Don't worry, Dona. We can leave Nan there. But again.

567
00:27:28,269 --> 00:27:30,349
Speaker 1: It feels like NaN's here because you're on fire, my friend.

568
00:27:30,549 --> 00:27:31,989
Speaker 1: Let's go for cant number.

569
00:27:31,869 --> 00:27:33,949
Speaker 2: Five the year five.

570
00:27:41,349 --> 00:27:45,669
Speaker 5: Oh three, Dougie.

571
00:27:46,109 --> 00:27:48,909
Speaker 2: It was a full sugar Coca Cola, my friend. It

572
00:27:48,949 --> 00:27:49,549
Speaker 2: was a soft drink.

573
00:27:49,549 --> 00:27:53,869
Speaker 3: Well, Douglas, I love how he said full sugar.

574
00:27:54,269 --> 00:27:57,309
Speaker 1: I love that full sugar, full shug, full shock full

575
00:27:57,349 --> 00:27:58,989
Speaker 1: sure here, all right, dug It, you're ready for can

576
00:27:59,109 --> 00:27:59,589
Speaker 1: number six.

577
00:27:59,949 --> 00:28:00,349
Speaker 4: Let's do it.

578
00:28:00,869 --> 00:28:03,148
Speaker 2: It's a tie you with Joe Jonas.

579
00:28:09,549 --> 00:28:15,469
Speaker 4: Soft drink, Wow, Uggy done it again. That was either

580
00:28:15,469 --> 00:28:17,149
Speaker 4: a soft drink or a flat beer. Let's face it.

581
00:28:18,069 --> 00:28:21,189
Speaker 2: He's feeling good, Douglas. I'm feeling good for him. So

582
00:28:21,269 --> 00:28:24,629
Speaker 2: he's tied with Joe Jonas Woods number seven. Did you

583
00:28:24,749 --> 00:28:26,949
Speaker 2: can very carefully there? What do you What do you

584
00:28:26,989 --> 00:28:29,549
Speaker 2: do with yourself, doug when you're not whispering to cans.

585
00:28:30,109 --> 00:28:33,189
Speaker 4: I'm still at work now. I'm waste management facilitator is

586
00:28:33,229 --> 00:28:35,909
Speaker 4: my fancy word of saying it. I'm a garbo mate,

587
00:28:35,909 --> 00:28:36,349
Speaker 4: I'm a garbo.

588
00:28:36,429 --> 00:28:38,109
Speaker 2: Yeah right, great waste man.

589
00:28:38,189 --> 00:28:41,989
Speaker 3: That's pretty says in the Sopranos. That's what he calls himself,

590
00:28:42,309 --> 00:28:44,309
Speaker 3: Tony Sopranos. He is in waste management.

591
00:28:45,029 --> 00:28:49,269
Speaker 2: It is true. It is true. Alrighty or here we go, Dougie,

592
00:28:49,309 --> 00:28:51,309
Speaker 2: the garbo is on can number seven.

593
00:28:51,509 --> 00:29:01,789
Speaker 5: Let's do it mate, soft drinks.

594
00:29:04,029 --> 00:29:11,309
Speaker 2: Or it could be my word, Douggy. That was not bad.

595
00:29:12,309 --> 00:29:18,589
Speaker 2: Seven unbelievable, Duggy, right, run, well done. Seven was unbelievable.

596
00:29:18,629 --> 00:29:21,869
Speaker 4: About I just want to say congratulations on the on

597
00:29:21,989 --> 00:29:25,229
Speaker 4: the young ones that you have just had with myself, mate,

598
00:29:25,349 --> 00:29:30,109
Speaker 4: So it's not crazy, yeah bro to five? Oh well

599
00:29:30,349 --> 00:29:34,109
Speaker 4: old girls three younger boys, So eighteen seventeen and then

600
00:29:34,269 --> 00:29:36,109
Speaker 4: sixteen nine and five.

601
00:29:36,789 --> 00:29:40,509
Speaker 2: Wow, well done done, doug Well and that's the play mate.

602
00:29:40,549 --> 00:29:42,669
Speaker 2: That's for entertaining us. Mate. You have two hundred bucks

603
00:29:42,669 --> 00:29:43,949
Speaker 2: to go and spend at the Hidigks Hotel.

604
00:29:44,869 --> 00:29:45,349
Speaker 5: Oh really?

605
00:29:45,549 --> 00:29:45,749
Speaker 1: Yeah?

606
00:29:45,789 --> 00:29:47,869
Speaker 5: Man? What will be stoic?

607
00:29:48,149 --> 00:29:48,349
Speaker 8: Yeah?

608
00:29:48,749 --> 00:29:51,589
Speaker 3: Go Hijiings Hotels were fun checks out and boughtom Fun

609
00:29:51,709 --> 00:29:52,949
Speaker 3: checks in and bought theom checks out.

610
00:29:53,029 --> 00:29:59,349
Speaker 2: Search Hijings Hotel. Enjoy Douggie, it's been well, Ugie's gone.

611
00:29:59,869 --> 00:30:01,789
Speaker 2: He's got to spend that money at the Hidigs Hotel.

612
00:30:02,189 --> 00:30:05,229
Speaker 2: Straight there. We love fell out of the conversation, didn't he?

613
00:30:05,309 --> 00:30:05,629
Speaker 3: We love?

614
00:30:05,709 --> 00:30:06,029
Speaker 5: Dugging?

615
00:30:06,269 --> 00:30:08,669
Speaker 2: Are we moving on a Taylor? No one more?

616
00:30:08,909 --> 00:30:09,029
Speaker 8: Here?

617
00:30:09,189 --> 00:30:11,149
Speaker 2: I think we're done, aren't we Surely we're going out

618
00:30:11,189 --> 00:30:12,189
Speaker 2: and they want to play again?

619
00:30:12,269 --> 00:30:12,469
Speaker 4: Yeah?

620
00:30:13,989 --> 00:30:17,629
Speaker 2: Absolutely, Taylor. Sorry, Taylor, I was done. You want to play?

621
00:30:17,869 --> 00:30:18,789
Speaker 5: Yeah, I'm ready to play.

622
00:30:18,869 --> 00:30:21,309
Speaker 2: Yeah, bloody o Tayler. Here we go can number one.

623
00:30:27,029 --> 00:30:27,549
Speaker 6: Street?

624
00:30:30,469 --> 00:30:34,669
Speaker 3: I have got Sorry, Taylor, Taylor, nice to meet you, though,

625
00:30:35,349 --> 00:30:37,269
Speaker 3: lovely to meet you. You always go out in the

626
00:30:38,269 --> 00:30:39,909
Speaker 3: Is there a G somewhere in your life?

627
00:30:40,029 --> 00:30:42,589
Speaker 2: Is there someone you know called G? No?

628
00:30:43,149 --> 00:30:44,709
Speaker 3: Actually not from like a.

629
00:30:46,469 --> 00:30:47,869
Speaker 2: Guatemala or anything like that.

630
00:30:48,829 --> 00:30:51,589
Speaker 5: No, I'm not no geees in this area.

631
00:30:51,709 --> 00:30:55,909
Speaker 2: Have you got a granny? I've done grannies? There they are?

632
00:30:56,029 --> 00:30:57,189
Speaker 2: That's the G? She is?

633
00:30:57,269 --> 00:30:57,309
Speaker 3: She?

634
00:30:57,709 --> 00:30:59,269
Speaker 2: Yeah, I can sense it. I can sense it.

635
00:30:59,309 --> 00:31:01,669
Speaker 1: I'm on one as one of the grandma's passed away, Yes,

636
00:31:01,829 --> 00:31:02,429
Speaker 1: one of them has.

637
00:31:02,549 --> 00:31:05,069
Speaker 2: Well, can talk to it, hang on, talk to I

638
00:31:05,109 --> 00:31:06,909
Speaker 2: can give this a go if you feel comfortable with that,

639
00:31:07,029 --> 00:31:07,669
Speaker 2: of course, Taylor.

640
00:31:08,109 --> 00:31:08,669
Speaker 6: Yeah, go ahead.

641
00:31:08,829 --> 00:31:14,109
Speaker 3: Okay, I'm sensing. What I'm getting here at the moment

642
00:31:14,869 --> 00:31:18,949
Speaker 3: is a number four. That's what I'm getting right now.

643
00:31:19,829 --> 00:31:22,949
Speaker 2: Number four. Does that pertain to do anything for you? Taylor?

644
00:31:24,709 --> 00:31:27,149
Speaker 3: No, not really for granny?

645
00:31:27,429 --> 00:31:29,749
Speaker 2: Was your grandma one of four? Are you one of four?

646
00:31:30,429 --> 00:31:31,589
Speaker 3: I'm not one of four.

647
00:31:31,709 --> 00:31:33,789
Speaker 6: I have a family of four.

648
00:31:34,349 --> 00:31:36,189
Speaker 3: There we go that and that's what it was. It's

649
00:31:36,269 --> 00:31:39,069
Speaker 3: your I think that's what she's she's saying. She wants

650
00:31:39,149 --> 00:31:41,469
Speaker 3: to speak to your family of four. This is a

651
00:31:41,549 --> 00:31:43,109
Speaker 3: message that she's got for your family.

652
00:31:45,069 --> 00:31:47,589
Speaker 2: Is there? How is there a dog that's past there

653
00:31:47,669 --> 00:31:48,709
Speaker 2: Taylor as well?

654
00:31:48,909 --> 00:31:49,069
Speaker 1: Oh?

655
00:31:49,269 --> 00:31:52,229
Speaker 3: Yes, definitely is so sure?

656
00:31:52,309 --> 00:31:52,349
Speaker 5: That?

657
00:31:52,589 --> 00:31:56,269
Speaker 2: Gh sorry, the four four legs dog, dog four legs?

658
00:31:56,389 --> 00:31:56,749
Speaker 5: That's the.

659
00:31:58,229 --> 00:32:00,509
Speaker 2: Was the g with the dog? Yeah, my dog's name

660
00:32:00,549 --> 00:32:07,629
Speaker 2: is Let's get Edwards on the show. I'm having an

661
00:32:07,749 --> 00:32:10,749
Speaker 2: Edwards off. Let's do it. You've got the game. Sorry,

662
00:32:10,789 --> 00:32:14,349
Speaker 2: you've got the game. You've got Oh my god. Our

663
00:32:14,389 --> 00:32:15,989
Speaker 2: phone lines have lit up. Everyone wants to talk to

664
00:32:16,029 --> 00:32:19,269
Speaker 2: the dead bloody hell. Sorry guys, sorry guys. I won't

665
00:32:19,309 --> 00:32:21,069
Speaker 2: turn that into a circus trick, and I won't ask

666
00:32:21,109 --> 00:32:21,469
Speaker 2: for money.

667
00:32:21,509 --> 00:32:23,949
Speaker 3: That's obviously a deeply spiritual talent and I'll only be

668
00:32:24,069 --> 00:32:27,269
Speaker 3: doing that on the Will and Woody Show exclusively.

669
00:32:27,349 --> 00:32:29,229
Speaker 1: It's really noble, yes, and you look forward to that.

670
00:32:29,389 --> 00:32:31,509
Speaker 1: Let's call that John Edward though, because we've got a

671
00:32:31,549 --> 00:32:34,229
Speaker 1: little what do we call it? A crossing over off?

672
00:32:34,269 --> 00:32:36,029
Speaker 1: A dead off dead off.

673
00:32:36,109 --> 00:32:51,629
Speaker 3: Wood's got a brand new tat, third tat that's been

674
00:32:51,669 --> 00:32:55,429
Speaker 3: scratched out and read written. Yes, and you've got into

675
00:32:55,509 --> 00:33:01,469
Speaker 3: foreign language yes, which you know, well, it's for me

676
00:33:01,589 --> 00:33:03,949
Speaker 3: fraught with danger unless you and you didn't even check it.

677
00:33:04,029 --> 00:33:06,509
Speaker 2: You found out that the person was Brillionhire Foods. So yeah,

678
00:33:07,989 --> 00:33:10,869
Speaker 2: that's it. I tried right right here. I've written still here.

679
00:33:11,069 --> 00:33:12,909
Speaker 2: It's not that bad. For a while there, I thought

680
00:33:12,909 --> 00:33:13,829
Speaker 2: it meant rubbish bin.

681
00:33:14,069 --> 00:33:16,069
Speaker 3: Anyway, she found out that it could have some cultural

682
00:33:16,109 --> 00:33:17,709
Speaker 3: significance though, so you might have crossed.

683
00:33:17,429 --> 00:33:18,869
Speaker 2: A couple of lines there. We'll check up on that

684
00:33:19,629 --> 00:33:21,669
Speaker 2: in the meantime, though, I do.

685
00:33:22,029 --> 00:33:24,309
Speaker 3: I was actually away over the weekend as well, and

686
00:33:24,949 --> 00:33:27,229
Speaker 3: you getting a tattoo in a different language has reminded

687
00:33:27,309 --> 00:33:29,749
Speaker 3: me of something that happened over the weekend. So I

688
00:33:29,949 --> 00:33:34,629
Speaker 3: saw this woman walking around down at the beach and

689
00:33:34,869 --> 00:33:37,229
Speaker 3: she had she was wearing a T shirt and she

690
00:33:37,349 --> 00:33:44,989
Speaker 3: had written in French limit which means without limits. And

691
00:33:45,109 --> 00:33:48,349
Speaker 3: she's got that, She's got that written like right over her.

692
00:33:50,029 --> 00:33:50,509
Speaker 2: Her chest.

693
00:33:50,909 --> 00:33:51,229
Speaker 5: Uh huh.

694
00:33:52,309 --> 00:33:55,789
Speaker 2: And I was thinking to myself, that's kind of funny. Definitely,

695
00:33:55,789 --> 00:33:58,269
Speaker 2: that's where you got she's making the joke too, Okay,

696
00:33:58,669 --> 00:34:00,749
Speaker 2: no limits here, so this is the question.

697
00:34:02,869 --> 00:34:03,669
Speaker 1: So this is the question.

698
00:34:03,789 --> 00:34:05,389
Speaker 3: I as funny as I asked saying this soon we

699
00:34:05,469 --> 00:34:07,589
Speaker 3: got in the car, was like, you surely, surely she

700
00:34:07,709 --> 00:34:10,389
Speaker 3: knows she's got without limits written across her chest. And

701
00:34:11,109 --> 00:34:13,509
Speaker 3: Sam said the same thing as Joe, because I was

702
00:34:13,549 --> 00:34:16,189
Speaker 3: asking Joy to producer about this, and Joe said, if

703
00:34:16,229 --> 00:34:17,828
Speaker 3: it's in a foreign language, you don't even look at

704
00:34:17,868 --> 00:34:19,229
Speaker 3: what it says, you just kind of get it.

705
00:34:19,388 --> 00:34:21,989
Speaker 1: Maybe when she bought it, she didn't know, but someone

706
00:34:22,029 --> 00:34:24,868
Speaker 1: would have had to have told her right that her

707
00:34:25,069 --> 00:34:27,229
Speaker 1: that her chest now says without limits.

708
00:34:27,629 --> 00:34:30,029
Speaker 8: I think it's also depends what kind of person slash

709
00:34:30,229 --> 00:34:32,629
Speaker 8: fashion you're going for. But like, I'm not much of

710
00:34:32,669 --> 00:34:35,028
Speaker 8: a graphic tea gown myself, but if something had something

711
00:34:35,029 --> 00:34:36,669
Speaker 8: in a different language, I probably wouldn't question.

712
00:34:36,709 --> 00:34:37,149
Speaker 3: I just put it on.

713
00:34:37,388 --> 00:34:39,308
Speaker 1: Okay, you put it on, but let's just live live

714
00:34:39,348 --> 00:34:41,068
Speaker 1: in a world where you had that T shirt though,

715
00:34:41,748 --> 00:34:44,869
Speaker 1: and then someone informs you that it means without limits.

716
00:34:45,069 --> 00:34:48,388
Speaker 2: I think if you wear it again, you're embracing the fact.

717
00:34:48,948 --> 00:34:50,988
Speaker 8: But I think it's also like I probably wouldn't think

718
00:34:51,069 --> 00:34:53,988
Speaker 8: without limits like means much to me as a woman.

719
00:34:55,069 --> 00:34:56,748
Speaker 2: They might to just be a guy thing.

720
00:34:57,388 --> 00:35:02,028
Speaker 1: Oh you so she so you think she is going

721
00:35:02,109 --> 00:35:04,548
Speaker 1: she's just living her life without limits. Yes, and it's

722
00:35:04,589 --> 00:35:07,828
Speaker 1: only a male game and men are walking around referring to.

723
00:35:07,868 --> 00:35:12,509
Speaker 8: Your chest, right, but also what what like sorry, but

724
00:35:12,709 --> 00:35:14,709
Speaker 8: not many Australian men are going to look at a

725
00:35:14,748 --> 00:35:16,788
Speaker 8: shirt in French and be like, oh in French that.

726
00:35:16,828 --> 00:35:19,549
Speaker 3: Means this, like it's only French men who are the

727
00:35:19,589 --> 00:35:23,028
Speaker 3: pigs and or men like Australian men who speak French

728
00:35:23,189 --> 00:35:25,629
Speaker 3: cultural men like you. Yeah, yeah, well maybe she was

729
00:35:25,669 --> 00:35:28,308
Speaker 3: just trying to hit on the cultured guys, you know, maybe, yeah,

730
00:35:28,348 --> 00:35:28,629
Speaker 3: there's a.

731
00:35:28,629 --> 00:35:30,908
Speaker 2: Little not to the cultured guys. You'll get a last

732
00:35:30,948 --> 00:35:31,469
Speaker 2: in the culture.

733
00:35:31,469 --> 00:35:33,508
Speaker 3: It was high brow. Is a high brow pickup, that's

734
00:35:33,509 --> 00:35:36,549
Speaker 3: what she was going for. She and I kind of

735
00:35:36,549 --> 00:35:37,589
Speaker 3: feel it flattered down.

736
00:35:37,589 --> 00:35:39,629
Speaker 1: Very different to the shorts. For you to say, juicy

737
00:35:39,709 --> 00:35:43,149
Speaker 1: on the bum, I remember those shots. MIM's mum used

738
00:35:43,149 --> 00:35:47,308
Speaker 1: to wear them at school pickups. Juicy couture should wear

739
00:35:47,348 --> 00:35:48,469
Speaker 1: a matching the lure.

740
00:35:49,748 --> 00:35:50,629
Speaker 2: Are those shorties.

741
00:35:50,788 --> 00:35:53,189
Speaker 3: Because it's the overall question that I would like to

742
00:35:53,229 --> 00:35:54,828
Speaker 3: throw out to some of the women in the team

743
00:35:54,908 --> 00:35:59,788
Speaker 3: is do you choose to have like you do choose specifically,

744
00:35:59,908 --> 00:36:03,189
Speaker 3: if you've got something written across your chest or your bum, right, yeah,

745
00:36:03,308 --> 00:36:06,149
Speaker 3: you think you're not just going to go I'm going

746
00:36:06,229 --> 00:36:09,069
Speaker 3: to get juicy written across my ass without thinking yourself.

747
00:36:09,428 --> 00:36:11,229
Speaker 2: That's on my bum and people are going to look

748
00:36:11,229 --> 00:36:14,509
Speaker 2: at that juicy slabs like yeah for sure, but you

749
00:36:14,549 --> 00:36:17,709
Speaker 2: would not like you of course, pure hands. Whoever did

750
00:36:17,748 --> 00:36:21,028
Speaker 2: anyone wear the juicy juicy shorts time?

751
00:36:21,669 --> 00:36:22,028
Speaker 7: Our time?

752
00:36:22,109 --> 00:36:27,348
Speaker 2: And used to wear the juicy I love it. You

753
00:36:27,469 --> 00:36:29,868
Speaker 2: had a bit of juicy shords? What would the other short?

754
00:36:29,948 --> 00:36:32,548
Speaker 2: And I shouldn't have had them. I was like, eight, oh, whoa,

755
00:36:32,948 --> 00:36:35,709
Speaker 2: that's wow. That's a whole new ball game. We're gonna

756
00:36:35,788 --> 00:36:40,069
Speaker 2: leave that. We're going to leave leave that well outside

757
00:36:40,109 --> 00:36:42,229
Speaker 2: of don't need to touch it.

758
00:36:45,069 --> 00:36:45,868
Speaker 3: We're going back.

759
00:36:46,069 --> 00:36:48,189
Speaker 2: Let's go back in time, going back in time?

760
00:36:51,109 --> 00:36:54,429
Speaker 4: Are you telling me that machine try the new Bistro

761
00:36:54,549 --> 00:36:56,948
Speaker 4: Burnet's anchor stranger at McDonald's available for.

762
00:36:57,069 --> 00:37:01,468
Speaker 3: Them in time only, that's right, choosing one of our

763
00:37:01,549 --> 00:37:03,348
Speaker 3: favorite bits from the week.

764
00:37:05,868 --> 00:37:08,988
Speaker 2: Right now, what's all thanks to the band and new

765
00:37:09,109 --> 00:37:11,509
Speaker 2: a Bistro Burne. Now, mate, what have you? It's a

766
00:37:11,589 --> 00:37:14,068
Speaker 2: controversial call. I mean's truth. We were asking for your

767
00:37:14,149 --> 00:37:17,709
Speaker 2: hot takes on things, so just various. I loved this topic.

768
00:37:18,029 --> 00:37:22,548
Speaker 2: I loved it. It was great. It's a shame. Yeah, well,

769
00:37:22,549 --> 00:37:24,268
Speaker 2: I think it's got a bit of segment potential to

770
00:37:24,348 --> 00:37:25,029
Speaker 2: be honest.

771
00:37:25,149 --> 00:37:27,069
Speaker 1: A fair chat. I reckon off fair chat. Whether we

772
00:37:27,109 --> 00:37:32,229
Speaker 1: make this a segment based on accountable I don't like it.

773
00:37:32,469 --> 00:37:35,388
Speaker 1: You get scared in those situations. Just feel uncomfortable. And

774
00:37:35,509 --> 00:37:38,388
Speaker 1: I'll tell you what made me very uncomfortable. And his opinion,

775
00:37:38,828 --> 00:37:41,388
Speaker 1: I'm queen Bee, is.

776
00:37:41,428 --> 00:37:45,068
Speaker 5: That Beyonce is not all that good. Whoa, I think

777
00:37:45,388 --> 00:37:46,229
Speaker 5: songs are average?

778
00:37:47,029 --> 00:37:50,308
Speaker 1: I love it is the definition of my take is

779
00:37:50,348 --> 00:37:52,388
Speaker 1: what I'm after. At what point for you, Anna, were

780
00:37:52,428 --> 00:37:53,748
Speaker 1: you just like I just don't get it.

781
00:37:54,748 --> 00:37:56,748
Speaker 7: I think when she released Crazy in Love.

782
00:37:57,348 --> 00:37:57,908
Speaker 2: Don't get it.

783
00:37:58,828 --> 00:37:59,589
Speaker 6: I don't get it.

784
00:38:00,308 --> 00:38:02,149
Speaker 7: What don't you get about it? At us?

785
00:38:02,828 --> 00:38:07,909
Speaker 4: It's just boring, no substance, it's.

786
00:38:07,868 --> 00:38:08,629
Speaker 2: Very very fun.

787
00:38:08,948 --> 00:38:11,109
Speaker 1: Well, we actually put a video of that on our socials,

788
00:38:11,149 --> 00:38:12,589
Speaker 1: on that TikTok and Instagram.

789
00:38:12,629 --> 00:38:15,229
Speaker 2: Will and Woody absolutely exploded.

790
00:38:15,268 --> 00:38:17,189
Speaker 1: And I mean Anna joins us on the phone right now,

791
00:38:17,268 --> 00:38:21,629
Speaker 1: welcome back, Anna, Hello, your opinion stands on Beyonce?

792
00:38:22,748 --> 00:38:22,868
Speaker 5: Oh?

793
00:38:22,989 --> 00:38:24,788
Speaker 6: Yes, I thought about it for a bit longer, and

794
00:38:25,509 --> 00:38:27,508
Speaker 6: when she released the country stuff that got worse.

795
00:38:29,189 --> 00:38:29,428
Speaker 5: Wow.

796
00:38:29,549 --> 00:38:32,709
Speaker 3: Anna, I'm actually like, I'm so impressed that you've doubled

797
00:38:32,709 --> 00:38:36,308
Speaker 3: down here, because for me, she kind of typifies culture.

798
00:38:36,908 --> 00:38:41,308
Speaker 3: Like you've got a black woman deliberately doing country songs

799
00:38:41,388 --> 00:38:45,428
Speaker 3: to prove that it's she can because she's so diverse

800
00:38:45,748 --> 00:38:49,908
Speaker 3: and so incredible, and you're just you're just dismissing it.

801
00:38:50,029 --> 00:38:50,908
Speaker 2: It's extraordinary.

802
00:38:51,149 --> 00:38:53,589
Speaker 8: Oh no, I agree with all that, but are not

803
00:38:53,709 --> 00:38:54,068
Speaker 8: that good?

804
00:38:54,589 --> 00:38:54,788
Speaker 1: Yeah?

805
00:38:55,189 --> 00:38:56,028
Speaker 2: Yeah, it's just.

806
00:38:57,748 --> 00:39:00,308
Speaker 3: But she's like a bona fide triple threat Anna, Like

807
00:39:00,589 --> 00:39:04,068
Speaker 3: she dances, she sings, like the vocal range on her,

808
00:39:04,189 --> 00:39:08,589
Speaker 3: the shear's stage presence on her, that the catalog of

809
00:39:08,868 --> 00:39:12,468
Speaker 3: genres shot traversus. She does jazz, she does hip hop,

810
00:39:12,629 --> 00:39:16,229
Speaker 3: she does aram like she she is substance. But you

811
00:39:16,428 --> 00:39:18,309
Speaker 3: still think she's got nothing.

812
00:39:19,348 --> 00:39:21,149
Speaker 5: Oh no, I think she's got a little bit, but

813
00:39:21,388 --> 00:39:23,028
Speaker 5: you know, not not not that great.

814
00:39:25,229 --> 00:39:26,629
Speaker 2: And who has got it?

815
00:39:26,788 --> 00:39:27,069
Speaker 5: Give it?

816
00:39:27,589 --> 00:39:29,268
Speaker 2: I've got to know the other end of the spectrum

817
00:39:29,268 --> 00:39:29,988
Speaker 2: for you. Who's got it?

818
00:39:31,509 --> 00:39:34,308
Speaker 5: I think Sissar and Rihanna, Sissa.

819
00:39:34,229 --> 00:39:38,868
Speaker 2: Sissar, no idea. We do love to siss and you

820
00:39:38,989 --> 00:39:42,788
Speaker 2: like you like bad girl, Yeah, Rihanna's good. Yeah, she's good.

821
00:39:42,868 --> 00:39:46,589
Speaker 2: It was pretty good. So you've got good taste, Ninda

822
00:39:46,589 --> 00:39:47,509
Speaker 2: say that and amazing.

823
00:39:47,629 --> 00:39:50,789
Speaker 1: We got six hundred and thirty comments on social media

824
00:39:50,908 --> 00:39:54,308
Speaker 1: about your about your Beyonce hot take.

825
00:39:54,868 --> 00:39:56,268
Speaker 2: Most people agree with you.

826
00:39:57,109 --> 00:39:58,589
Speaker 5: Oh, I'm glad to hear that.

827
00:39:58,828 --> 00:40:01,709
Speaker 3: I had no idea, pill did not write Beyonce, and

828
00:40:01,868 --> 00:40:05,949
Speaker 3: you've got yourself one thousand dollars all thanks to McDonald's enjoy.

829
00:40:06,109 --> 00:40:09,229
Speaker 2: That is from us. Thank you, No, though, mate, that's

830
00:40:09,229 --> 00:40:10,428
Speaker 2: all yours. You really made me laugh.

831
00:40:10,629 --> 00:40:14,029
Speaker 3: Hey, Anna, before I'll let you go because I just

832
00:40:14,109 --> 00:40:15,349
Speaker 3: think your hot takes are awesome.

833
00:40:15,709 --> 00:40:18,468
Speaker 2: You're gonna have the hot take for me another one?

834
00:40:18,629 --> 00:40:18,828
Speaker 8: Yeah?

835
00:40:20,788 --> 00:40:22,588
Speaker 6: Oh, the next one is really bad.

836
00:40:22,948 --> 00:40:23,189
Speaker 4: Go on.

837
00:40:24,348 --> 00:40:26,308
Speaker 5: I don't think Michael Jackson's all that great either.

838
00:40:27,748 --> 00:40:30,869
Speaker 2: I agree with you. Well yeah, okay, I mean that's.

839
00:40:30,709 --> 00:40:33,148
Speaker 3: A spicy mid ball, so I'm not going to touch

840
00:40:33,189 --> 00:40:33,709
Speaker 3: it on it, but.

841
00:40:34,509 --> 00:40:36,828
Speaker 2: I went back for more. Well that was good. That's good.

842
00:40:37,469 --> 00:40:41,709
Speaker 1: I always asked the unprompted follow up. That always works, alright, Bye,

843
00:40:42,348 --> 00:40:43,069
Speaker 1: see you on Monday.

844
00:40:43,149 --> 00:40:43,509
Speaker 6: Everyone,