WEBVTT - Could This Be The Craziest Cannibal Story Ever? 🥩

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<v Speaker 1>Flex and Frooms on Kaita Flex and Frooms Podcast Edition.

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<v Speaker 1>Today's show is going to be so delicious.

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<v Speaker 2>You sick in me, You sick in me.

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<v Speaker 3>I'm disgusted, and yet I have to sit next to

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<v Speaker 3>you daily and experience this all for myself.

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<v Speaker 1>There are themes that crop up in my life. One

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<v Speaker 1>would say that they find me. My little FBI agent

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<v Speaker 1>in my phone is making sure that at any given time,

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<v Speaker 1>if I like something, it's all I'm seeing on every

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<v Speaker 1>social media platform.

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<v Speaker 3>It's so awful when you put those little toe picks

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<v Speaker 3>up on Instagram makes me feel physically ill.

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<v Speaker 2>Does it really? Yeah? WHOA? But I think that's nice.

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<v Speaker 3>I think you're subverting the narrative that you have to

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<v Speaker 3>always be talking about proper things. Yourys have to be

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<v Speaker 3>making beautiful photos and videos.

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<v Speaker 1>Never light and shade. But today we're going to talk

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<v Speaker 1>about this movie I watched on Disney Plus. If you're

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<v Speaker 1>not in Australia, I think you watch it on Hulu,

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<v Speaker 1>but I don't know. It's called Fresh. It's a horror comic,

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<v Speaker 1>which those two things. Initially, I say, no, I want

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<v Speaker 1>horrors and I want thrillers. I don't really want to

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<v Speaker 1>watch a comedy, but together it creates this really self aware,

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<v Speaker 1>self referential movie. Freshes about this woman who signed herself

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<v Speaker 1>so dissillusioned with dating that she taps out only to

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<v Speaker 1>run into a really charming guy in the supermarket and

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<v Speaker 1>they start a love affair. She's like, this is so crazy.

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<v Speaker 1>You can meet people in real life. I am the exception.

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<v Speaker 1>I'm so lucky. She falls fast for this guy, ignoring

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<v Speaker 1>all the red flags and ends up a victim to

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<v Speaker 1>his cannibalistic ways. Rip. But that's not what this is about,

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<v Speaker 1>talking about how all this chat about red flags isn't

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<v Speaker 1>doing anything to say to us when it matters.

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<v Speaker 2>It certainly isn't.

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<v Speaker 1>Anyway, let's get into it.

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<v Speaker 4>This is flex and frooms on Kada.

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<v Speaker 1>Someone sent me a DM the other day, and I

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<v Speaker 1>always love when I check my dms and there's content

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<v Speaker 1>in there that makes me think this person really gets meat.

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<v Speaker 1>Because some people think they get me and they send

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<v Speaker 1>me Twilight memes from twenty ten, the ones that have

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<v Speaker 1>been rinsed, like we saw those on Tumbler. I've seen

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<v Speaker 1>this one. Okay, it's the thought that counts. It is

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<v Speaker 1>the thought that counts. But that's what I'm saying you

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<v Speaker 1>get these really good ones, You're like, wow, they get me. Anyway,

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<v Speaker 1>it's about this company, this startup called Bite Labs that

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<v Speaker 1>grow meat from celebrity tissue and uses that meat to

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<v Speaker 1>make artisanal salami. How does that sound to you?

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<v Speaker 2>You know what, I'd ate it.

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<v Speaker 1>This is very exciting to me. This is incredible. So

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<v Speaker 1>I feel like when I use these phrases, people like

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<v Speaker 1>I said, what do you mean you like eat the meat? Yes, babe.

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<v Speaker 1>We take a bit of tissue from the celebrities and

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<v Speaker 1>then we put them on the little peachery dish, we

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<v Speaker 1>add some things, we harvest it turn it into dry

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<v Speaker 1>age solami. It's actually incredible. The whole reason why they've

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<v Speaker 1>done this is they've said that basically seventy percent of

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<v Speaker 1>the world's farmland, almost thirty percent of the world's entire soface,

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<v Speaker 1>is used for raising animals. So meat production today is

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<v Speaker 1>unsustainable for now, but increasingly unsustainable for the future. And

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<v Speaker 1>so what they're suggesting that unless we make a radical

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<v Speaker 1>change right now, there's no drip feeding small small just

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<v Speaker 1>like closed down one farm at a time, it's not

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<v Speaker 1>going to work out that way. And also we're going

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<v Speaker 1>to displace a bunch of farmers in doing that. So

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<v Speaker 1>instead of trying to remove farms, why don't we today

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<v Speaker 1>make a change. Right, So, basically, these people have said

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<v Speaker 1>that if we if we became on board with celebrity

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<v Speaker 1>meat production, it would require less than one percent of

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<v Speaker 1>the amount of land needed to sustain traditional farming. So

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<v Speaker 1>what they want to do is first get the celebrity,

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<v Speaker 1>do the quick biopsy, make their meat go through this

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<v Speaker 1>in house curing process, and because they have that tissue,

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<v Speaker 1>they can keep making the same meat again and again

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<v Speaker 1>and again as ever renewing meat sell sample. And so

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<v Speaker 1>if you want to get involved, I was wondering how

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<v Speaker 1>we could also give them our tissue because I would

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<v Speaker 1>eat me?

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<v Speaker 2>You would?

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<v Speaker 4>Yeah?

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<v Speaker 2>Would you eat me?

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<v Speaker 1>Yeah?

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<v Speaker 2>Just a write amount of tomato sauce on it?

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<v Speaker 3>I do. I'm ready to get This is my little

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<v Speaker 3>cooking hack while we're here. You know those little frankfurts, yes,

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<v Speaker 3>red boy frankfurts, little red rockets. Chop them up, fry them,

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<v Speaker 3>and then douse him in tomato sauce.

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<v Speaker 2>Yeah that sounds good like little fingers.

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<v Speaker 1>Yeah?

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<v Speaker 2>Would I eat it?

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<v Speaker 3>I think what you say about meat production being completely

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<v Speaker 3>unsustainable my brain isn't ready for that. We are both

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<v Speaker 3>enormous McDonald's fans.

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<v Speaker 1>McDonald's even real meat. If someone swapped that out for

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<v Speaker 1>some miscellaneous we wouldn't even know. Like I've eaten Beyond

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<v Speaker 1>meat before camel meat. It's a good Kane group. Beyond

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<v Speaker 1>Meat is great, tastes just like meat, and that's coming

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<v Speaker 1>from me, a picky eater. But Beyond meat is really

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<v Speaker 1>goes just expensive. But if that's what we need to

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<v Speaker 1>do to save the planet, so we should do. I

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<v Speaker 1>think what they should start doing is, you know, instead

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<v Speaker 1>of saying like this meat was made by using James

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<v Speaker 1>Franco's meat, just say it's James Franco branded meat. Hmm, okay,

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<v Speaker 1>in the fine print, say it was made from him.

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<v Speaker 1>But just get him to endorse it. Before you know it,

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<v Speaker 1>we're saving the world?

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<v Speaker 3>Is it a real technolog Like? Have they got to go?

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<v Speaker 1>So right now, the call to action, essentially for anyone

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<v Speaker 1>who wants to get involved in saving the world is

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<v Speaker 1>go to their website buy labs dot com. Maybe I

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<v Speaker 1>don't know, And what they want you to do is

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<v Speaker 1>they've got a list of celebrities that are on their

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<v Speaker 1>hit list. Essentially, that they think have you know, the

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<v Speaker 1>greatest reach and the greatest possibility of having this become

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<v Speaker 1>a mainstream success. So they've drafted a tweet that you

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<v Speaker 1>just need to copy and paste into your Twitter, send it,

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<v Speaker 1>and hopefully it goes viral so we can save the world.

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<v Speaker 2>Well, lets us to do a taste test first.

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<v Speaker 1>Yeah, yeah, let's buy some meat.

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<v Speaker 2>Let's do that and see what's beyond me.

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<v Speaker 1>If any celebrities have offered up their meat yet, because

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<v Speaker 1>I think there's an issue with IP and ownership, Like,

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<v Speaker 1>if I'm giving you my literal body and you're now

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<v Speaker 1>profiting and making renewable and infinite amounts of meat from

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<v Speaker 1>my meat, where's the cut.

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<v Speaker 3>The way that we can get around this is get

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<v Speaker 3>the farmers to harvest their body and then we can

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<v Speaker 3>let them retire from the farms and just make money off.

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<v Speaker 1>That's quite good. Yeah, that's quite genius.

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<v Speaker 2>Actually, thank you.

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<v Speaker 1>A one was for free too.

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<v Speaker 4>You're listening to flex and frooms on Kita.

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<v Speaker 1>Listen to this. Researchers have found that loneliness is just

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<v Speaker 1>as lethal as smoking fifteen cigarettes per day. Lonely people

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<v Speaker 1>are fifty percent more likely to die prematurely than those

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<v Speaker 1>with healthy social relationships. Grim, that's very exciting.

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<v Speaker 2>What about that would be exciting?

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<v Speaker 1>Well, because if you're a smoker, it's really bad for you. No,

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<v Speaker 1>being a nighteel with no friends is worse.

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<v Speaker 3>Well, I guess it's kind of like ciggie breaks. I

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<v Speaker 3>think that's a big part of why people continue smoking,

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<v Speaker 3>is because they like the social thing of going outside

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<v Speaker 3>and having a CIGGI.

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<v Speaker 1>We need to quiz a few cigarette smokers.

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<v Speaker 2>Do you smoke cigarettes?

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<v Speaker 1>Yes?

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<v Speaker 2>How often?

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<v Speaker 1>No, you've seen this skin? Shut up? You let that

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<v Speaker 1>go for way too long. No, I don't smoke cigarettes,

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<v Speaker 1>so I think you can tell by my complexion. Also,

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<v Speaker 1>I told you don't have an addictive personality. It's not

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<v Speaker 1>my vibe. Well, you're very lucky, then pick things up,

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<v Speaker 1>let things go. It's that simple to me.

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<v Speaker 4>This is flex and frooms on Kada.

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<v Speaker 1>Last week, I wanted to tell you about this movie

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<v Speaker 1>called Fresh. I watched it recently on Disney Plus. Didn't

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<v Speaker 1>pay for that myself.

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<v Speaker 2>I was gonna say, I asked for your log into.

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<v Speaker 1>And I borrowed Seleiha's my best friend, because I was like,

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<v Speaker 1>I'm not paying for another subscription, So I was not again,

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<v Speaker 1>I've got Amazon Prime, Netflix. Hey you, I'm not doing it,

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<v Speaker 1>but I borrowed her looking and like a borrower can't

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<v Speaker 1>then pass on the subscription. I could never do that.

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<v Speaker 2>Yeah that's really We could probably talk about that on

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<v Speaker 2>a segment.

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<v Speaker 1>Yeah truly. But yes. I watch this movie called Fresh

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<v Speaker 1>and the only reason it had come across my radar

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<v Speaker 1>is because of this dance scene on TikTok, and everyone's like, no,

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<v Speaker 1>it has nothing to do with the movie. The movie

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<v Speaker 1>is so good, it's so deep, and I was like,

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<v Speaker 1>how deep can a horror comedy be? I digress. The

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<v Speaker 1>movie is about the protagonist, this girl called Noah, and

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<v Speaker 1>she finds herself really disillusioned with dating. She's like, I

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<v Speaker 1>like one swipe after the next, I'm not into it.

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<v Speaker 1>I'm not finding anything that's right for me. She goes

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<v Speaker 1>on these dates. She's just like, you know what, I'm

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<v Speaker 1>gonna tap out. I'm just I don't date anymore. I

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<v Speaker 1>am over and I'm off it, which is not an

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<v Speaker 1>unusual approach. Like, we know plenty of people who have

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<v Speaker 1>just decided that dating's not for them. If someone crosses

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<v Speaker 1>their path, they'll consider it, but if not, they're good

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<v Speaker 1>tell me why. In this movie, this girl goes to

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<v Speaker 1>a supermarket and she gets stopped by this guy in

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<v Speaker 1>the fruit asle who's like, hey, like, how are you going.

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<v Speaker 1>Have you tried these cotton candy grapes? They just taste

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<v Speaker 1>just like cotton candy, And she's like, ah, yeah, no,

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<v Speaker 1>like I haven't had them anyway. That sparks the conversation

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<v Speaker 1>between her and this guy. They chat for about five minutes.

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<v Speaker 1>He gives her his number, and suddenly she's just so

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<v Speaker 1>excited about the prospect of finding romance of some sort.

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<v Speaker 1>She's very common people pretend they hate dating and romance,

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<v Speaker 1>so they got no options. You get one time, you

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<v Speaker 1>get one lukewarm option, and suddenly you're all down for it. Now,

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<v Speaker 1>I'm going to pause right here to say this movie

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<v Speaker 1>has been out for almost a year, so I'm gonna

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<v Speaker 1>spoil it because if you wanted to see it, you

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<v Speaker 1>would have seen it by now. So long story short,

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<v Speaker 1>she ends up dating this guy casually. He has a

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<v Speaker 1>ton of red flags that she ignores so much show

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<v Speaker 1>that she ends up at his private estate. She gets

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<v Speaker 1>drugged by him, wakes up chained. The fl law turns

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<v Speaker 1>out her new boyfriend is accounable. Oh yah. And the

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<v Speaker 1>thing that pains me so is that every step of

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<v Speaker 1>the way, the red flags were flagging. The red flags

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<v Speaker 1>were flagging, and she ignored them because Number one, her

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<v Speaker 1>lack of success in dating had made her desperate. Yeah,

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<v Speaker 1>so desperate. She didn't even realize she was that desperate

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<v Speaker 1>because she refused to acknowledge a creepy guy because he

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<v Speaker 1>was handsome and showed her her kindness. These particular red flags,

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<v Speaker 1>I have no doubt most people would ignore if the

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<v Speaker 1>person was attractive.

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<v Speaker 2>So what are some of the red flags?

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<v Speaker 1>I was hoping you'd ask.

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<v Speaker 2>I was hoping you'd ask.

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<v Speaker 1>Honestly, when I was watching this movie, I had to

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<v Speaker 1>stop because I found myself wanting to just like yell

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<v Speaker 1>at her, like, what do you mean you're ignoring this? Yeah,

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<v Speaker 1>he's cute. He's like a moly attractive random man. But

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<v Speaker 1>he's just some guy who's the Sebastian Stan never heard

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<v Speaker 1>of him. Yeah, okay, here are some of the red flags.

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<v Speaker 1>Number One, he has no social media. Now, when someone

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<v Speaker 1>says to me they don't have social media, I feel

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<v Speaker 1>like you don't use it, you just don't have it.

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<v Speaker 1>As in, like if someone has social media and doesn't

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<v Speaker 1>use it. I think, whatever, but to not have it.

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<v Speaker 1>If I'm dating a twenty eight year old with no

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<v Speaker 1>social media, I'm like, this is sus. You're either hiding

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<v Speaker 1>your mistaken identity, you've got a partner, or you're being

0:11:34.600 --> 0:11:36.600
<v Speaker 1>a contrariyanto a fault. It's too much for me.

0:11:36.760 --> 0:11:37.000
<v Speaker 4>Yeah.

0:11:37.320 --> 0:11:40.400
<v Speaker 3>My one of my best friends doesn't didn't have social

0:11:40.440 --> 0:11:43.000
<v Speaker 3>media until about two months ago. And it's like she

0:11:43.440 --> 0:11:46.240
<v Speaker 3>is starting from scratch. She's like, I didn't know, Like

0:11:47.000 --> 0:11:48.920
<v Speaker 3>this is so much pressure, Like feels the pressure one

0:11:48.960 --> 0:11:51.400
<v Speaker 3>hundred percent more like she's jumping into cold water.

0:11:51.679 --> 0:11:56.240
<v Speaker 2>What was her reason for not having a contrarian? I'd say, yeah, at.

0:11:56.200 --> 0:11:58.560
<v Speaker 1>Least you know I mean, Lisa, you know. So the

0:11:58.600 --> 0:12:01.600
<v Speaker 1>second one, which is a huge, huge one, he refuses

0:12:01.640 --> 0:12:05.079
<v Speaker 1>to tell her anything about himself straight up. He dodges

0:12:05.200 --> 0:12:09.160
<v Speaker 1>questions about himself left and right. He deflects them back onto.

0:12:09.320 --> 0:12:12.960
<v Speaker 1>For example, she'll say do you have any siblings? He's like, oh, siblings?

0:12:13.360 --> 0:12:14.800
<v Speaker 1>Do I look like a sibling kind of person? What

0:12:14.800 --> 0:12:16.360
<v Speaker 1>about you? Do you have siblings? And then before you're

0:12:16.360 --> 0:12:18.040
<v Speaker 1>not She's talking about herself and again and again and

0:12:18.040 --> 0:12:22.160
<v Speaker 1>again and so what she registered this as was, oh

0:12:22.200 --> 0:12:24.320
<v Speaker 1>my god, he's so interested in getting to know me.

0:12:24.679 --> 0:12:29.120
<v Speaker 1>He's asking me questions. Green flag. Before she knows her

0:12:29.120 --> 0:12:31.600
<v Speaker 1>friends are like, wait, what does this guy do? Like,

0:12:31.640 --> 0:12:34.160
<v Speaker 1>even when he said his occupation he's a doctor, she

0:12:34.200 --> 0:12:37.280
<v Speaker 1>didn't ask any questions like what kind of doctor are you?

0:12:37.280 --> 0:12:41.200
<v Speaker 1>You're a pediatrician, you're a surgeon. He's an asked doctor,

0:12:41.440 --> 0:12:43.040
<v Speaker 1>you know what. He just flipped it back on her,

0:12:43.040 --> 0:12:45.400
<v Speaker 1>and she's like, oh, he's so interested in getting to

0:12:45.440 --> 0:12:47.839
<v Speaker 1>know me. That's two off the.

0:12:47.800 --> 0:12:48.880
<v Speaker 2>Bat, and they're big ones.

0:12:49.120 --> 0:12:52.320
<v Speaker 3>That's like character faults as a person, regardless of if

0:12:52.320 --> 0:12:53.080
<v Speaker 3>you're dating them or not.

0:12:54.240 --> 0:12:57.280
<v Speaker 1>The third one, when they go home together for the

0:12:57.320 --> 0:13:00.560
<v Speaker 1>first time, he is like, we're moving to fast. I

0:13:00.559 --> 0:13:02.720
<v Speaker 1>don't want to sleep if you or do anything. Within

0:13:02.880 --> 0:13:07.880
<v Speaker 1>three minutes switches up. It's like, actually, I'm keen.

0:13:08.080 --> 0:13:08.920
<v Speaker 2>He's a genius.

0:13:09.000 --> 0:13:10.920
<v Speaker 3>Will we should be taking dating tips from this man,

0:13:10.960 --> 0:13:12.480
<v Speaker 3>to be honest, because.

0:13:12.160 --> 0:13:13.560
<v Speaker 1>As soon as he got there, he was like, you

0:13:13.559 --> 0:13:15.280
<v Speaker 1>know what, We're not gonna do anything. I want to talk.

0:13:15.360 --> 0:13:18.880
<v Speaker 1>She let her guard down immediately, and then the moment

0:13:18.920 --> 0:13:22.320
<v Speaker 1>he sat next to her, she was like smoke and

0:13:22.360 --> 0:13:25.920
<v Speaker 1>he was like smoke and they're like, let's fuck, that's

0:13:25.960 --> 0:13:28.800
<v Speaker 1>three so far we haven't even gotten to the halfway point.

0:13:28.840 --> 0:13:30.319
<v Speaker 1>The big hey, he's a cannibal thing.

0:13:31.200 --> 0:13:32.760
<v Speaker 4>Four So yeah.

0:13:33.000 --> 0:13:35.520
<v Speaker 1>The fourth one is after knowing each other for like

0:13:35.600 --> 0:13:39.640
<v Speaker 1>three minutes, not knowing anything about who is his full name,

0:13:40.120 --> 0:13:42.200
<v Speaker 1>where he works, what he does for work, who his

0:13:42.360 --> 0:13:45.800
<v Speaker 1>friends are, where he lives, none of this vital information.

0:13:46.160 --> 0:13:48.760
<v Speaker 1>He's okay, we should go on a trip together. We

0:13:48.760 --> 0:13:52.080
<v Speaker 1>should go to my holiday house. And everybody knows that

0:13:52.480 --> 0:13:55.959
<v Speaker 1>the sign of progress in a new relationship is like

0:13:55.960 --> 0:13:57.800
<v Speaker 1>the going away together to her holiday and it's very

0:13:57.800 --> 0:14:01.280
<v Speaker 1>exciting family holiday house. But she's not remembering. She like

0:14:01.320 --> 0:14:04.920
<v Speaker 1>this is some strange man. And when her friends remind

0:14:04.920 --> 0:14:06.400
<v Speaker 1>her of this fact, she's like, no, you don't get it.

0:14:06.400 --> 0:14:08.200
<v Speaker 1>Like he's really nice, and like he's so charming and

0:14:08.240 --> 0:14:10.720
<v Speaker 1>he really likes me. You're like, don't rain on my parade,

0:14:10.720 --> 0:14:14.400
<v Speaker 1>don't ruin my vibe. He's a good guy. Tell me why.

0:14:14.800 --> 0:14:18.520
<v Speaker 1>As they're driving to the holiday house, so before they

0:14:18.679 --> 0:14:21.400
<v Speaker 1>leave to start their drive, she's like, where is it again,

0:14:21.760 --> 0:14:24.760
<v Speaker 1>He's like, oh, I didn't tell you. Oh it's nearby,

0:14:24.840 --> 0:14:26.480
<v Speaker 1>so and so you might not be familiar with it,

0:14:26.520 --> 0:14:29.720
<v Speaker 1>but I'll show you a well that way, okay, So

0:14:29.760 --> 0:14:32.920
<v Speaker 1>I can't know where we're going. Then, as they're getting

0:14:32.920 --> 0:14:35.920
<v Speaker 1>ready to go, he's like, oh, I checked the traffic

0:14:35.960 --> 0:14:38.280
<v Speaker 1>and it's gonna be really bad traffic. So why don't

0:14:38.320 --> 0:14:42.000
<v Speaker 1>we stop at my house on the way, stay the

0:14:42.080 --> 0:14:45.080
<v Speaker 1>night at my house, and then go to the holiday house.

0:14:45.440 --> 0:14:48.040
<v Speaker 1>At this rate, both of you just stay home go tomorrow.

0:14:48.800 --> 0:14:51.880
<v Speaker 1>So then when she's like, okay, where is it, he's like,

0:14:51.920 --> 0:14:53.960
<v Speaker 1>I'll tell you later. So you don't know where you're going.

0:14:54.120 --> 0:14:55.440
<v Speaker 1>I don't know how long it's going to take. You

0:14:55.440 --> 0:14:56.960
<v Speaker 1>can't tell your friends where you are. And at this

0:14:57.000 --> 0:14:59.600
<v Speaker 1>point you're like, but you don't get him. He's good something.

0:15:00.000 --> 0:15:01.880
<v Speaker 2>It's for a mantic you know exactly.

0:15:02.160 --> 0:15:05.040
<v Speaker 1>You know what he's taking charge. He's planning dates. You're

0:15:05.080 --> 0:15:08.800
<v Speaker 1>just jealous because your man would never Then it gets worse.

0:15:09.360 --> 0:15:11.920
<v Speaker 1>They're in the car driving to his house to go

0:15:12.000 --> 0:15:14.800
<v Speaker 1>to his holiday house. She's like, I don't have reception.

0:15:15.520 --> 0:15:17.600
<v Speaker 1>He's like, oh yeah, it's terrible up here. You know,

0:15:17.800 --> 0:15:19.800
<v Speaker 1>it'll kick you in When we'll get to my house.

0:15:20.240 --> 0:15:23.480
<v Speaker 1>She's like, how far away are we? He's like, chill, right,

0:15:23.640 --> 0:15:27.680
<v Speaker 1>just you're always stressing about details. Let your hair out, Relax,

0:15:27.800 --> 0:15:34.160
<v Speaker 1>it's all good. They get to his house, tell me why.

0:15:34.320 --> 0:15:36.360
<v Speaker 1>She's like. He's like, oh, do you want to drink?

0:15:36.800 --> 0:15:38.520
<v Speaker 1>And she's like, oh, I just really want to call

0:15:38.560 --> 0:15:41.320
<v Speaker 1>my friends. He's like, sit down and sit down, relax,

0:15:41.440 --> 0:15:46.400
<v Speaker 1>don't worry about that. She's like, Okay, send more. If

0:15:46.440 --> 0:15:49.880
<v Speaker 1>these were isolated incidents spread over the course of six months,

0:15:50.000 --> 0:15:52.880
<v Speaker 1>maybe you wouldn't notice it's been two weeks.

0:15:53.400 --> 0:15:53.600
<v Speaker 4>See.

0:15:53.640 --> 0:15:55.680
<v Speaker 3>But that's the thing I feel like, when things happen

0:15:55.760 --> 0:15:59.640
<v Speaker 3>to you in quick succession from another person a decns

0:15:59.680 --> 0:16:04.400
<v Speaker 3>at times, you used to this person taking you by surprise, right,

0:16:04.480 --> 0:16:07.000
<v Speaker 3>So then it just becomes part of their quirky personality, Like,

0:16:07.040 --> 0:16:08.840
<v Speaker 3>of course he's going to act like that.

0:16:08.960 --> 0:16:12.280
<v Speaker 1>Yes, this is exactly what he would do. And so,

0:16:12.520 --> 0:16:16.200
<v Speaker 1>long story short, she gets to his actual home. He

0:16:16.240 --> 0:16:18.520
<v Speaker 1>gives her a drink. He's like, do you taste anything

0:16:18.520 --> 0:16:21.080
<v Speaker 1>different in it? And she's like, oh, apriclot. He's like

0:16:21.320 --> 0:16:24.560
<v Speaker 1>guess again. She's like pitch. She's like guess again, and

0:16:24.600 --> 0:16:25.840
<v Speaker 1>then he's like, I drugged.

0:16:25.560 --> 0:16:29.000
<v Speaker 2>You, and then she does she like pass out?

0:16:29.320 --> 0:16:31.320
<v Speaker 1>Yeah, she passes out. She wakes up chain to the

0:16:31.360 --> 0:16:33.640
<v Speaker 1>Crown turns out not only is he accountable, but what

0:16:33.680 --> 0:16:37.480
<v Speaker 1>he does is he kidnaps women, and then he, while

0:16:37.520 --> 0:16:39.800
<v Speaker 1>they're alive, he cuts and hacks off bits of their

0:16:39.800 --> 0:16:43.320
<v Speaker 1>limbs and sells them to rich men who have also

0:16:43.360 --> 0:16:48.200
<v Speaker 1>a kink and a fetish and a hunger for newbile

0:16:48.800 --> 0:16:49.840
<v Speaker 1>woman meat?

0:16:50.480 --> 0:16:52.760
<v Speaker 2>Does she end up dying? I can't tell you that.

0:16:53.000 --> 0:16:56.600
<v Speaker 1>Oh you've you're not?

0:16:59.280 --> 0:17:02.120
<v Speaker 2>No, of course, she gets out, she missed a feeling,

0:17:02.200 --> 0:17:03.000
<v Speaker 2>she missing a finger?

0:17:03.120 --> 0:17:05.360
<v Speaker 1>Yeah, yeah, guess what he cuts off first.

0:17:06.840 --> 0:17:08.520
<v Speaker 2>Third toe her bum?

0:17:09.080 --> 0:17:13.000
<v Speaker 1>What? Yeah? He gives her an anti bound She's bound

0:17:13.080 --> 0:17:13.560
<v Speaker 1>to the ground.

0:17:13.760 --> 0:17:18.400
<v Speaker 2>The point is, though, wait, like how much of the bum.

0:17:18.840 --> 0:17:24.120
<v Speaker 1>Like the meaty bits or the fatty bits? Cut right?

0:17:24.960 --> 0:17:28.480
<v Speaker 1>I say all this to say, every week we come

0:17:28.520 --> 0:17:30.720
<v Speaker 1>on here, we talk about dating, We talk about red flags.

0:17:30.720 --> 0:17:33.520
<v Speaker 1>You get on TikTok red flags, this is a nick whatever,

0:17:34.320 --> 0:17:37.479
<v Speaker 1>And when push comes to shoves, people are interested in

0:17:37.640 --> 0:17:41.320
<v Speaker 1>like the creative writing of it all to be able

0:17:41.320 --> 0:17:43.439
<v Speaker 1>to say, I know what a red flag looks like,

0:17:43.480 --> 0:17:45.440
<v Speaker 1>and I can explain it in a really beautiful way.

0:17:45.800 --> 0:17:50.320
<v Speaker 1>But in practice, this girl, who her character was not

0:17:50.440 --> 0:17:55.199
<v Speaker 1>some ditsy empty head bimbo, was sort of framed as

0:17:55.240 --> 0:18:00.040
<v Speaker 1>like this really cerebral feminist girl who had decid I

0:18:00.080 --> 0:18:02.119
<v Speaker 1>had to opt out of dating because it wasn't working

0:18:02.119 --> 0:18:04.320
<v Speaker 1>for her, and she'd seen it all before and she

0:18:04.440 --> 0:18:09.120
<v Speaker 1>knew better. Imagine her surprise and she's like, fuck, I'm

0:18:09.160 --> 0:18:12.520
<v Speaker 1>that girl, like so desperate to be seen that I'm

0:18:12.520 --> 0:18:14.800
<v Speaker 1>in this predicament where I am now chained to the

0:18:14.800 --> 0:18:18.800
<v Speaker 1>ground and I'm rich man meat. It's quite sad if

0:18:18.800 --> 0:18:21.280
<v Speaker 1>you think about it. Red flags have lost or meaning

0:18:21.280 --> 0:18:24.720
<v Speaker 1>to me, to be honest, seriously, it's too the language

0:18:24.760 --> 0:18:27.399
<v Speaker 1>is too advanced. Literally, I was going to post a

0:18:27.440 --> 0:18:31.080
<v Speaker 1>TikTok the other day saying that my red Flag four

0:18:31.119 --> 0:18:34.560
<v Speaker 1>people are seeing them with inside out umbrellas, like broken

0:18:34.640 --> 0:18:35.720
<v Speaker 1>umbrellas in.

0:18:35.680 --> 0:18:38.760
<v Speaker 2>The Sydney rain. I'm like, it's so so fucking embarrassing.

0:18:38.760 --> 0:18:44.159
<v Speaker 2>I go to you, an elitist, and I have a

0:18:44.200 --> 0:18:45.199
<v Speaker 2>doozy few flecks.

0:18:45.320 --> 0:18:46.120
<v Speaker 1>Let me hear it.

0:18:46.320 --> 0:18:49.640
<v Speaker 3>This was sent in by one of our man listeners. Oh,

0:18:49.960 --> 0:18:53.920
<v Speaker 3>I know you're thinking OMN on the airwaves, so sure is.

0:18:54.200 --> 0:18:56.840
<v Speaker 3>And he wants to know if his girlfriend went too

0:18:56.880 --> 0:18:59.560
<v Speaker 3>far at a bachelorette party. I don't believe she did

0:19:01.119 --> 0:19:04.520
<v Speaker 3>listen to this Hey, I'm looking for some perspective. I

0:19:04.600 --> 0:19:07.840
<v Speaker 3>understand and appreciate the view. Every relationship is different and

0:19:07.920 --> 0:19:12.399
<v Speaker 3>has different boundaries. I like him, but the purpose of

0:19:12.440 --> 0:19:15.199
<v Speaker 3>this post is to ask you for your opinion on

0:19:15.240 --> 0:19:19.000
<v Speaker 3>the situation. My girlfriend of three point five years went

0:19:19.080 --> 0:19:22.040
<v Speaker 3>on a bachelorette party and to her own admission, it

0:19:22.119 --> 0:19:24.960
<v Speaker 3>was a wild weekend. They got a striper one of

0:19:25.000 --> 0:19:26.880
<v Speaker 3>the nights, and she sent me a video the next

0:19:26.920 --> 0:19:29.520
<v Speaker 3>morning that a friend of hers took of her lying

0:19:29.560 --> 0:19:31.359
<v Speaker 3>on a couch with all the girls in the room

0:19:31.680 --> 0:19:34.120
<v Speaker 3>and the stripper on top of her, touching and moving

0:19:34.200 --> 0:19:36.919
<v Speaker 3>her legs, smacking the side of her leg ass and

0:19:37.000 --> 0:19:39.639
<v Speaker 3>kissing her on the neck and air humping in multiple

0:19:39.720 --> 0:19:42.919
<v Speaker 3>sex positions, all while her skirt rode up and you

0:19:42.960 --> 0:19:46.359
<v Speaker 3>can fully see her underwear about six inches from his

0:19:47.000 --> 0:19:50.159
<v Speaker 3>You know what? WHOA All the girls are screaming, laughing

0:19:50.320 --> 0:19:53.200
<v Speaker 3>and watching, and she's laughing in the video. When I

0:19:53.200 --> 0:19:57.399
<v Speaker 3>immediately responded wtf about the video, she acted surprised and

0:19:57.440 --> 0:19:59.720
<v Speaker 3>she thought she She said she shared it because she

0:19:59.680 --> 0:20:03.840
<v Speaker 3>heard was funny. I think this is borderline cheating, and

0:20:03.880 --> 0:20:06.560
<v Speaker 3>even if it's not cheating, it makes me very uncomfortable.

0:20:06.600 --> 0:20:07.600
<v Speaker 2>And enraged to.

0:20:07.640 --> 0:20:10.399
<v Speaker 3>See do you think this is cheating? What would you

0:20:10.440 --> 0:20:13.240
<v Speaker 3>do if this was your significant other? I'm just looking

0:20:13.320 --> 0:20:15.840
<v Speaker 3>for your opinions. Thank you so much.

0:20:16.280 --> 0:20:18.840
<v Speaker 1>I love the way that was phrased because we can

0:20:18.880 --> 0:20:21.000
<v Speaker 1>easily be like, you know what it's is it cheating

0:20:21.040 --> 0:20:23.800
<v Speaker 1>to you? We can flip it back, but we won't.

0:20:24.480 --> 0:20:25.920
<v Speaker 1>What do you reckon off the dome?

0:20:26.480 --> 0:20:30.080
<v Speaker 2>Yes, he's allowed to feel sad, but is it cheating?

0:20:30.880 --> 0:20:31.080
<v Speaker 4>No?

0:20:31.720 --> 0:20:35.240
<v Speaker 3>To me, cheating is when things are done in secret.

0:20:36.119 --> 0:20:41.200
<v Speaker 3>What Yeah, to me, any kind of chet cheating is

0:20:41.240 --> 0:20:43.679
<v Speaker 3>when you're doing things that you don't want me to

0:20:43.720 --> 0:20:46.000
<v Speaker 3>know that you're doing. So that could be like emotional cheating.

0:20:46.040 --> 0:20:49.000
<v Speaker 3>You're like messaging a chick from work, sending your memes

0:20:49.040 --> 0:20:52.359
<v Speaker 3>all day and like I don't know, doing other dodgy stuff,

0:20:53.400 --> 0:20:56.679
<v Speaker 3>or it could be you know, sexual stuff. But to me,

0:20:56.840 --> 0:21:00.000
<v Speaker 3>if you're having a little bit of a sexual bachelorette

0:21:00.119 --> 0:21:02.600
<v Speaker 3>style experience in front of all of your friends and

0:21:02.640 --> 0:21:05.520
<v Speaker 3>you're sending me the video, then it's not cheating. But

0:21:05.800 --> 0:21:09.200
<v Speaker 3>he's still entitled to feel a bit upset. But also, yeah,

0:21:10.000 --> 0:21:10.560
<v Speaker 3>see that.

0:21:10.560 --> 0:21:15.399
<v Speaker 1>Just sounds like I just feel like saying that secrecy

0:21:16.040 --> 0:21:19.000
<v Speaker 1>is more is worse than if something was public, means

0:21:19.000 --> 0:21:21.920
<v Speaker 1>that you leave yourself susceptible to not using your own

0:21:22.080 --> 0:21:23.720
<v Speaker 1>nuance to figure out if things are bad or not,

0:21:24.280 --> 0:21:26.080
<v Speaker 1>like your idea of like, if it's in private, it

0:21:26.160 --> 0:21:28.200
<v Speaker 1>must be bad. If it's in public, it must be okay.

0:21:28.720 --> 0:21:30.640
<v Speaker 1>We do cook stuff in public all the time. It's

0:21:30.640 --> 0:21:34.160
<v Speaker 1>not okay, like what Well. For example, let's say I'm

0:21:34.160 --> 0:21:37.720
<v Speaker 1>your boyfriend, right, We're at a party, please bright tell

0:21:37.960 --> 0:21:41.720
<v Speaker 1>We're at a party and you see me surrounded by people.

0:21:41.720 --> 0:21:43.560
<v Speaker 1>Everyone's like, do a dare, do a dare? Give her

0:21:43.600 --> 0:21:46.600
<v Speaker 1>a kiss? He's like, ah, to a dare? Maxon with

0:21:46.680 --> 0:21:49.600
<v Speaker 1>this girl. And there's like a crowd of one hundred people.

0:21:50.080 --> 0:21:51.920
<v Speaker 1>Is it not cheating because there was an audience.

0:21:53.640 --> 0:21:55.280
<v Speaker 2>Very valid point to the point of.

0:21:55.240 --> 0:21:58.720
<v Speaker 1>This person, though, I think that, yeah, if you think

0:21:58.760 --> 0:22:00.199
<v Speaker 1>she took it too far, she took it too far.

0:22:00.800 --> 0:22:03.880
<v Speaker 1>I think that if I were seeing a video of

0:22:04.600 --> 0:22:11.080
<v Speaker 1>my person stimulating simulating sex acts for the stranger, yeah,

0:22:11.080 --> 0:22:13.320
<v Speaker 1>it'd be funny about it, but I guess the context

0:22:13.320 --> 0:22:16.920
<v Speaker 1>of a bachelorette party makes it kind of okay. Wouldn't

0:22:16.920 --> 0:22:19.280
<v Speaker 1>be comfortable with it. And as always, if you have

0:22:19.359 --> 0:22:22.120
<v Speaker 1>to message flex and rooms to ask it's probably wrong,

0:22:22.760 --> 0:22:25.920
<v Speaker 1>exmin it right, something's not correct. I really feel for

0:22:25.960 --> 0:22:29.200
<v Speaker 1>you because it's very easy to feel deranged when you're

0:22:29.240 --> 0:22:32.080
<v Speaker 1>letting someone know that their actions are made you feel uncomfortable,

0:22:32.520 --> 0:22:34.439
<v Speaker 1>especially if they're doing a freeman being like it was

0:22:34.480 --> 0:22:37.239
<v Speaker 1>in public. How could it be wrong if I had

0:22:37.240 --> 0:22:40.640
<v Speaker 1>an audience and the audience liked it also well.

0:22:40.680 --> 0:22:43.520
<v Speaker 3>On the contrary, maybe she was sending the video because

0:22:43.520 --> 0:22:44.400
<v Speaker 3>she felt bad.

0:22:44.480 --> 0:22:47.479
<v Speaker 1>Oh, you're getting ahead of it. You're getting a control,

0:22:47.600 --> 0:22:52.239
<v Speaker 1>control the narrative. That's also it too. And by I mean,

0:22:52.240 --> 0:22:53.639
<v Speaker 1>I don't want to say you are ghastly, because that's

0:22:53.640 --> 0:22:56.359
<v Speaker 1>not the phrase I'm looking for. But when somebody's sending

0:22:56.400 --> 0:22:58.879
<v Speaker 1>you something and then pretending not to see that, it

0:22:58.880 --> 0:23:02.040
<v Speaker 1>could offend you. So you either way, you look deranged

0:23:02.080 --> 0:23:05.160
<v Speaker 1>when you're like, I don't like this. By the time

0:23:05.320 --> 0:23:09.040
<v Speaker 1>this reaches you, fine caller, it's going to be too late.

0:23:09.080 --> 0:23:11.320
<v Speaker 1>I'm sure you've done whatever you needed to do to

0:23:11.320 --> 0:23:14.320
<v Speaker 1>make yourself feel batter about the situation, So I hope

0:23:14.359 --> 0:23:14.920
<v Speaker 1>it worked out.

0:23:16.280 --> 0:23:19.040
<v Speaker 4>You've been listening to the Flex and Frooms catch Up podcast.

0:23:19.320 --> 0:23:22.320
<v Speaker 4>For more, tune Inticata on dab or check it out

0:23:22.400 --> 0:23:23.840
<v Speaker 4>right here on iHeartRadio,