1 00:00:00,160 --> 00:00:02,639 Speaker 1: Jersey and Amanda jam Nation. 2 00:00:03,080 --> 00:00:05,680 Speaker 2: Elton has been performing around the town. We went and. 3 00:00:05,840 --> 00:00:08,080 Speaker 3: Saw We've just been looking at the pictures of Molly. 4 00:00:08,080 --> 00:00:08,840 Speaker 3: That's why we giggling. 5 00:00:08,920 --> 00:00:12,680 Speaker 2: Well, remember before the pandemic, I went and saw Elton 6 00:00:12,880 --> 00:00:13,880 Speaker 2: say goodbye here. 7 00:00:14,080 --> 00:00:15,319 Speaker 3: I did too, And it was when we had the 8 00:00:15,400 --> 00:00:18,079 Speaker 3: terrible bushfires and donated a whole lot of money. And 9 00:00:18,120 --> 00:00:21,040 Speaker 3: the last scene of the whole concert, the last moment 10 00:00:21,120 --> 00:00:23,599 Speaker 3: is him pretty much in his pajamas. 11 00:00:23,040 --> 00:00:25,400 Speaker 2: Going up, going up the escalator, switching the lights on 12 00:00:25,520 --> 00:00:26,880 Speaker 2: and say see you later. 13 00:00:27,040 --> 00:00:28,000 Speaker 1: Well, I think what happened? 14 00:00:28,080 --> 00:00:30,400 Speaker 3: Was it because of COVID Then he didn't get to 15 00:00:30,400 --> 00:00:33,200 Speaker 3: do other parts of the southern hemisphere. Speaking of Molly again, 16 00:00:33,560 --> 00:00:35,880 Speaker 3: and so it came back to New Zealand and Molly 17 00:00:35,920 --> 00:00:38,319 Speaker 3: was there, has done some dates, just keeps getting better, 18 00:00:38,400 --> 00:00:40,000 Speaker 3: this conversation doing some. 19 00:00:40,000 --> 00:00:43,120 Speaker 1: Dates here too. Yeah, and I might add their date 20 00:00:43,159 --> 00:00:43,840 Speaker 1: to it was Molly. 21 00:00:43,920 --> 00:00:47,240 Speaker 2: Let's speak about that because Molly and Elton they've recently 22 00:00:47,680 --> 00:00:50,720 Speaker 2: repatched up because there was trouble. Do you remember years 23 00:00:50,720 --> 00:00:54,320 Speaker 2: ago Molly had that interview with Elton and Elton slagged 24 00:00:54,360 --> 00:00:57,120 Speaker 2: off Madonna. Remember he said that she looked like a 25 00:00:57,120 --> 00:00:59,680 Speaker 2: fairground stripper and she mimes and all that sort of stuff, 26 00:01:00,080 --> 00:01:03,000 Speaker 2: and that wasn't supposed to be in the interview. Oh 27 00:01:03,040 --> 00:01:05,920 Speaker 2: and Molly was sort of looking a little aghast. He 28 00:01:06,000 --> 00:01:08,960 Speaker 2: was even more aghast when someone Channel seven put it 29 00:01:09,000 --> 00:01:10,680 Speaker 2: into the actual interview. 30 00:01:11,080 --> 00:01:13,920 Speaker 1: And then did Elton blame Molly for that team making 31 00:01:14,000 --> 00:01:14,280 Speaker 1: him a. 32 00:01:14,280 --> 00:01:17,120 Speaker 2: Parasa my friend? And then they didn't speak for years. 33 00:01:17,520 --> 00:01:19,440 Speaker 2: So now they're back. 34 00:01:19,240 --> 00:01:21,160 Speaker 3: Well, imagine what they do when they're feuding. If this 35 00:01:21,240 --> 00:01:25,240 Speaker 3: is their friendly behavior because Elton's singing along. Actually, have 36 00:01:25,319 --> 00:01:27,440 Speaker 3: a listen and see if you can hear the moment 37 00:01:27,520 --> 00:01:32,240 Speaker 3: where where Molly gets up on stage wonderful and then 38 00:01:32,360 --> 00:01:33,160 Speaker 3: drops his decks. 39 00:01:39,760 --> 00:01:40,399 Speaker 2: There it is. 40 00:01:43,480 --> 00:01:48,400 Speaker 1: Bitch's back it for Molly, But he did have his 41 00:01:48,480 --> 00:01:49,240 Speaker 1: back to people. 42 00:01:49,440 --> 00:01:52,000 Speaker 3: Yes, but we've been looking at the photos. You don't 43 00:01:52,040 --> 00:01:54,520 Speaker 3: often see he's seventy nine. You don't often see an 44 00:01:54,520 --> 00:01:55,520 Speaker 3: old person's bottom. 45 00:01:55,600 --> 00:01:56,840 Speaker 2: Well, I thought he's wearing tights. 46 00:01:57,760 --> 00:02:00,520 Speaker 1: Wait along, old school while. 47 00:02:00,320 --> 00:02:03,120 Speaker 2: West John, you know those long John's used to wearing those. 48 00:02:03,360 --> 00:02:05,160 Speaker 1: Goosey around the bottom. That's his skin. 49 00:02:06,080 --> 00:02:08,800 Speaker 3: And we shouldn't feel bad discussing it like this because 50 00:02:08,800 --> 00:02:10,120 Speaker 3: it's not like we've peered through. 51 00:02:09,919 --> 00:02:13,760 Speaker 1: His window into his own home. He did this on stage. 52 00:02:15,080 --> 00:02:17,440 Speaker 2: I think Molly knew that. People surely he would have 53 00:02:17,480 --> 00:02:20,120 Speaker 2: known that. People might, you know, clock this, they might 54 00:02:20,160 --> 00:02:20,680 Speaker 2: take pictures. 55 00:02:20,760 --> 00:02:22,520 Speaker 1: Well, of course he's up on stage and it goes 56 00:02:22,600 --> 00:02:23,520 Speaker 1: up on the big screen. 57 00:02:23,600 --> 00:02:26,640 Speaker 2: But then he's got those loose pants that old guys, 58 00:02:26,960 --> 00:02:32,240 Speaker 2: they seem loose. Look see the outer part. But look 59 00:02:32,240 --> 00:02:33,040 Speaker 2: at Elton there. 60 00:02:33,240 --> 00:02:35,960 Speaker 1: Elton looks very post faced. The pants have come down, 61 00:02:36,160 --> 00:02:37,400 Speaker 1: and he's just keep singing. 62 00:02:37,400 --> 00:02:39,639 Speaker 3: He's not looking at him. He's going, good on your Molly, 63 00:02:40,080 --> 00:02:42,359 Speaker 3: How good is this? Let's have another thing. 64 00:02:42,240 --> 00:02:48,200 Speaker 2: To yourself a favor Molly. Molly's now apologized. 65 00:02:48,240 --> 00:02:54,560 Speaker 1: See what did he say? Sorry? Good Elton? 66 00:02:54,639 --> 00:02:54,919 Speaker 3: Sorry? 67 00:02:54,960 --> 00:02:56,840 Speaker 1: Seems to be the hardest world is sing that. 68 00:02:57,120 --> 00:02:59,040 Speaker 2: I believe he's performing, So no doubt you're going to 69 00:02:59,080 --> 00:03:00,320 Speaker 2: get up there on stage. 70 00:03:01,160 --> 00:03:06,280 Speaker 3: Showing my long John's that I said earlier this morning, 71 00:03:06,320 --> 00:03:07,920 Speaker 3: I was looking forward to coming back to work, to 72 00:03:08,040 --> 00:03:10,679 Speaker 3: using my brain. All we've done for the last five 73 00:03:10,680 --> 00:03:12,320 Speaker 3: minutes is look at pictures of Molly Milton. 74 00:03:12,440 --> 00:03:13,360 Speaker 2: Now from a different angle. 75 00:03:13,400 --> 00:03:16,040 Speaker 1: But the worst what's. 76 00:03:15,880 --> 00:03:19,440 Speaker 3: That tattoo of And the tattoo is right in line 77 00:03:19,440 --> 00:03:22,400 Speaker 3: with his bum crack like parallel to it. 78 00:03:22,440 --> 00:03:23,280 Speaker 1: Is that a mermaid? 79 00:03:23,560 --> 00:03:25,120 Speaker 2: For c? I don't know. 80 00:03:25,400 --> 00:03:26,520 Speaker 1: I know it's a cowboy? 81 00:03:26,680 --> 00:03:27,360 Speaker 3: Is it? 82 00:03:28,440 --> 00:03:32,840 Speaker 1: But the pants are it's actually sorry, it's not pants, 83 00:03:32,840 --> 00:03:37,520 Speaker 1: it's skin. He's got the loes look like old long John's, 84 00:03:37,560 --> 00:03:38,320 Speaker 1: but it's his skin. 85 00:03:38,680 --> 00:03:41,680 Speaker 3: But he's pulled his pants down almost to his knees, 86 00:03:42,000 --> 00:03:44,000 Speaker 3: which means and the audience is seeing the bum. 87 00:03:44,360 --> 00:03:46,440 Speaker 1: But that means Elton's just coppying the front of it 88 00:03:46,560 --> 00:03:47,200 Speaker 1: like Yelton. 89 00:03:48,760 --> 00:03:52,480 Speaker 2: There's some benefits right there. Forget the backstage right Ah, 90 00:03:52,720 --> 00:03:54,800 Speaker 2: this looks like a shutory. 91 00:03:56,160 --> 00:03:57,840 Speaker 3: While he's wearing this hat on the wrong part of 92 00:03:57,840 --> 00:04:00,000 Speaker 3: his body. 93 00:04:00,200 --> 00:04:01,280 Speaker 2: Ride there is a weird look. 94 00:04:02,480 --> 00:04:04,360 Speaker 1: Okay, okay, let's move it all along. 95 00:04:05,120 --> 00:04:06,200 Speaker 2: That's just too much. 96 00:04:06,240 --> 00:04:07,000 Speaker 1: It's too much.