1 00:00:01,080 --> 00:00:05,000 Speaker 1: Dowered Buddy Radio WAB from ninety six air m to 2 00:00:05,080 --> 00:00:06,800 Speaker 1: whereever you're listening today. 3 00:00:07,160 --> 00:00:09,879 Speaker 2: This is Clezy and Lisa's podcast. 4 00:00:10,160 --> 00:00:13,159 Speaker 3: Coming up on the podcast today, Kyle Santalans. Ahead of 5 00:00:13,160 --> 00:00:15,000 Speaker 3: the return of Australian. 6 00:00:14,400 --> 00:00:17,760 Speaker 4: Idol, Michelle Pearson talked about her show mixtape Australia and 7 00:00:18,360 --> 00:00:19,480 Speaker 4: the cassick got caught in. 8 00:00:19,400 --> 00:00:20,520 Speaker 5: The heads and we had to use the band to 9 00:00:20,520 --> 00:00:20,959 Speaker 5: get it back in. 10 00:00:21,160 --> 00:00:23,320 Speaker 4: We took your course on what was on your mixtape 11 00:00:23,360 --> 00:00:26,079 Speaker 4: and on the Shore Report Richard Marx had it well, 12 00:00:26,440 --> 00:00:28,080 Speaker 4: a little of a dummy spit on stage. 13 00:00:28,280 --> 00:00:30,120 Speaker 2: We certainly did believe. 14 00:00:29,840 --> 00:00:32,839 Speaker 3: That Australian Idol does return at seven thirty tonight on 15 00:00:33,000 --> 00:00:42,440 Speaker 3: Channel seven, and as does a judge. Kyle Sandalan's Hello. 16 00:00:40,920 --> 00:00:43,880 Speaker 6: Marsha's back. You can't keep a good Marshal down. 17 00:00:43,960 --> 00:00:46,680 Speaker 3: She's back as permanent judge alongside you and Amy Shark. 18 00:00:46,960 --> 00:00:49,120 Speaker 7: Thank god for that. We got rid of the Americans, 19 00:00:49,159 --> 00:00:53,040 Speaker 7: Thank God. Well Bugbert, you know all honestly we wanted 20 00:00:53,080 --> 00:00:56,840 Speaker 7: Marsha the first year. Yeah, but she was you know, Marsha, 21 00:00:57,680 --> 00:01:01,000 Speaker 7: you don't stick around doing what she'd us from sixteen 22 00:01:01,080 --> 00:01:04,280 Speaker 7: years old at seventy without planning in advance. Remember our 23 00:01:04,319 --> 00:01:07,240 Speaker 7: parents used to watch get Away and then book a 24 00:01:07,240 --> 00:01:11,360 Speaker 7: holiday nine years in advance. Which that's what Mars's like 25 00:01:11,400 --> 00:01:13,920 Speaker 7: with booking gigs to get to luck him in, luck 26 00:01:14,000 --> 00:01:16,479 Speaker 7: him in in advance, luck him in for as far. 27 00:01:16,640 --> 00:01:17,959 Speaker 7: And then we're at the way of the year to 28 00:01:17,959 --> 00:01:20,840 Speaker 7: get it back. And with Meghan trainor disappearing because she 29 00:01:20,880 --> 00:01:25,520 Speaker 7: went and had her second child is very cute. I thought, 30 00:01:25,840 --> 00:01:28,880 Speaker 7: I said this Channel seven execs, wouldn't it be a 31 00:01:29,000 --> 00:01:32,600 Speaker 7: unique situation for on Australian Idol there will be all 32 00:01:32,640 --> 00:01:35,360 Speaker 7: Australian judges. And then that was like it was the 33 00:01:35,360 --> 00:01:41,360 Speaker 7: first time it was ever thought of, and we got ye, yeah, yeah, 34 00:01:41,520 --> 00:01:45,280 Speaker 7: Harry was doing his tours, sold out thirty people shows. 35 00:01:45,640 --> 00:01:49,400 Speaker 7: We couldn't get Harry back on, so he's got Yeah, 36 00:01:49,480 --> 00:01:50,360 Speaker 7: so it's just the three of us. 37 00:01:50,440 --> 00:01:52,360 Speaker 3: That's mine, Jane, because I know you had such a 38 00:01:52,400 --> 00:01:53,920 Speaker 3: lovely bromance. 39 00:01:53,880 --> 00:01:56,000 Speaker 5: Sending little messages to each other after hours. 40 00:01:56,000 --> 00:01:58,440 Speaker 7: Well you know what, you know what a bit embarrassing. 41 00:01:59,000 --> 00:02:00,760 Speaker 7: I thought he didn't like for me because he's a 42 00:02:00,760 --> 00:02:04,480 Speaker 7: bit of a prickly unit and yes, yeah, and then 43 00:02:04,680 --> 00:02:06,600 Speaker 7: and then after it was all said and done and 44 00:02:06,640 --> 00:02:08,560 Speaker 7: i'd been on the rampage. He's now good? 45 00:02:08,720 --> 00:02:09,040 Speaker 5: Is this? 46 00:02:09,160 --> 00:02:09,440 Speaker 8: Is that? 47 00:02:10,000 --> 00:02:13,160 Speaker 7: Apparently I got it all wrong and he was a 48 00:02:13,200 --> 00:02:17,320 Speaker 7: fan of mine and yeah, so oh well, never mind. 49 00:02:17,320 --> 00:02:19,000 Speaker 7: We all make these mistakes, can't we? 50 00:02:20,360 --> 00:02:23,120 Speaker 2: He is, he is different? 51 00:02:23,760 --> 00:02:26,040 Speaker 5: Why what you want to get him on the right day? 52 00:02:26,080 --> 00:02:27,160 Speaker 2: Harry, totally you do. 53 00:02:27,840 --> 00:02:30,760 Speaker 7: Look my mom My mom didn't even watch Idle last year. 54 00:02:30,800 --> 00:02:35,680 Speaker 7: She never forgot him for the Hey Saturday fiasco, I said, 55 00:02:35,760 --> 00:02:38,280 Speaker 7: I said, Mum, I said, really, he was right. We 56 00:02:38,280 --> 00:02:40,560 Speaker 7: were all a bit slow on the uptake there here 57 00:02:40,560 --> 00:02:43,440 Speaker 7: in Australia. I'm just now all the carry on. I'll 58 00:02:43,440 --> 00:02:46,000 Speaker 7: never and I said, but I'm on it. No, she 59 00:02:46,000 --> 00:02:46,560 Speaker 7: didn't watch it. 60 00:02:47,040 --> 00:02:49,240 Speaker 5: Hopefully will be on all this year. Oh good year. 61 00:02:51,040 --> 00:02:53,680 Speaker 6: Does Amy Sharkstop not have its own dressing room? 62 00:02:54,280 --> 00:02:55,240 Speaker 2: That is going on with. 63 00:02:56,720 --> 00:03:00,799 Speaker 7: A clip? How long can you off that top? Not? 64 00:03:00,919 --> 00:03:02,920 Speaker 7: But how about a bit of variety in the haircut? 65 00:03:03,919 --> 00:03:07,639 Speaker 7: But look, she's she loves it. She's she's I think 66 00:03:07,639 --> 00:03:11,200 Speaker 7: if she wore like anything else, we'd be like, it's 67 00:03:11,240 --> 00:03:13,800 Speaker 7: not Amy. She's that sort of I'll just throw my 68 00:03:13,880 --> 00:03:16,400 Speaker 7: hair up in this lacky band and that's that's. That's 69 00:03:16,440 --> 00:03:18,079 Speaker 7: as much as you get Yeah, she's. 70 00:03:17,919 --> 00:03:19,760 Speaker 4: Not missing Higgins, she's not changing it up or down. 71 00:03:19,800 --> 00:03:21,520 Speaker 4: But you'd hate to sit behind her at a gig, 72 00:03:21,520 --> 00:03:23,360 Speaker 4: wouldn't you, because you wouldn't say that the band. 73 00:03:23,480 --> 00:03:25,840 Speaker 7: There's been nothing worse. I reckon that's where she started 74 00:03:25,840 --> 00:03:28,480 Speaker 7: it from trying to be a little little smart Alley 75 00:03:28,560 --> 00:03:29,399 Speaker 7: up on the Gold Coast. 76 00:03:29,440 --> 00:03:32,080 Speaker 2: Somebody she's a tiny little thing. 77 00:03:32,160 --> 00:03:33,760 Speaker 3: I think she's just trying to make herself a bit 78 00:03:34,200 --> 00:03:36,520 Speaker 3: larger presence with this humongous head. 79 00:03:38,120 --> 00:03:40,800 Speaker 7: Like the first year. I remember my first year in Idol, 80 00:03:40,840 --> 00:03:42,680 Speaker 7: I was very nervous. I was like, what am I 81 00:03:42,760 --> 00:03:45,640 Speaker 7: doing here? You know, I don't even realize. And she 82 00:03:45,840 --> 00:03:48,040 Speaker 7: was the same. She had found it very difficult to 83 00:03:48,160 --> 00:03:52,400 Speaker 7: judge other people. And I said, look, don't treat it 84 00:03:52,440 --> 00:03:56,680 Speaker 7: as judging or giving them bad feedback. I said, if 85 00:03:56,720 --> 00:03:59,000 Speaker 7: you want to just give them positive feedback or give 86 00:03:59,040 --> 00:04:01,800 Speaker 7: them a little insight. Because she did the hard yards 87 00:04:01,800 --> 00:04:04,840 Speaker 7: in the torrago, driving around from little gig to little gig, 88 00:04:06,320 --> 00:04:08,760 Speaker 7: so and I said, look, you're in inspiration to these 89 00:04:08,800 --> 00:04:11,920 Speaker 7: younger people. They want to hear what you've got to say. 90 00:04:12,400 --> 00:04:14,560 Speaker 7: It doesn't have to necessarily be negative. Just give them 91 00:04:14,600 --> 00:04:17,239 Speaker 7: positive advice. Yeah, she's great this year, really great. 92 00:04:17,440 --> 00:04:18,360 Speaker 5: Okay, Kyle. 93 00:04:18,360 --> 00:04:20,320 Speaker 4: I'm seeing the promos, mate, and I'm seeing you tearing 94 00:04:20,400 --> 00:04:21,800 Speaker 4: up as having the little one. 95 00:04:22,520 --> 00:04:23,240 Speaker 5: Have you softened up? 96 00:04:23,240 --> 00:04:23,400 Speaker 7: Mate? 97 00:04:24,120 --> 00:04:24,320 Speaker 2: Mate? 98 00:04:24,360 --> 00:04:24,920 Speaker 5: What's going on? 99 00:04:27,520 --> 00:04:29,560 Speaker 7: You know what? I said the seven to cut that 100 00:04:29,640 --> 00:04:33,120 Speaker 7: rubbish out and many millions of dollars of marketing, and 101 00:04:33,160 --> 00:04:35,720 Speaker 7: they said, no, no, we want to show the three sixty. 102 00:04:36,000 --> 00:04:39,400 Speaker 7: And I'm crying anything that is about a child and 103 00:04:39,480 --> 00:04:42,120 Speaker 7: the love of that, and I'm a blubbering mess. Now 104 00:04:42,279 --> 00:04:45,240 Speaker 7: I've lost it. Yeah, it's all over here over. 105 00:04:45,839 --> 00:04:47,600 Speaker 2: What about the auditions? 106 00:04:48,080 --> 00:04:50,520 Speaker 3: Is there a song that you're now sick to death 107 00:04:50,560 --> 00:04:51,679 Speaker 3: of because it. 108 00:04:51,520 --> 00:04:54,760 Speaker 2: Was you know, it was used to death in the auditions? 109 00:04:55,040 --> 00:04:58,479 Speaker 7: Yes, yes, Amy, weinhouse song and they all come in 110 00:04:58,600 --> 00:05:00,440 Speaker 7: singing it. And I'm like, why are we we find 111 00:05:00,480 --> 00:05:02,599 Speaker 7: that she was a junkie at the end of the 112 00:05:05,839 --> 00:05:08,880 Speaker 7: you know, she was misunderstood. I'm like, well, when why 113 00:05:08,880 --> 00:05:10,919 Speaker 7: do we always pregend that we have to just go 114 00:05:11,040 --> 00:05:14,560 Speaker 7: along with all these other people's opinions on everything. I'm 115 00:05:14,680 --> 00:05:17,000 Speaker 7: me and everyone should just say what they think and 116 00:05:17,000 --> 00:05:19,479 Speaker 7: if people don't like it, then move on talk to 117 00:05:19,520 --> 00:05:20,400 Speaker 7: someone else. 118 00:05:22,320 --> 00:05:24,159 Speaker 5: Where they don't rehab or Valerie, what are they doing? 119 00:05:25,040 --> 00:05:28,640 Speaker 7: Yes, it's to make me go And I was like, yees. 120 00:05:31,920 --> 00:05:33,000 Speaker 2: Yeah, it's the one song. 121 00:05:33,040 --> 00:05:36,400 Speaker 3: I feel a little awkward hearing when you know she's saying, no, no, no. 122 00:05:37,200 --> 00:05:37,800 Speaker 5: We blame. 123 00:05:40,200 --> 00:05:41,920 Speaker 7: If only we're to have known what we know now. 124 00:05:42,080 --> 00:05:48,880 Speaker 3: Yeah, okay, On another note, what's I read there's been 125 00:05:48,960 --> 00:05:50,000 Speaker 3: some neighborhood drama. 126 00:05:50,240 --> 00:05:54,880 Speaker 7: Oh yeah, I live in Sydney, in this fancy area 127 00:05:55,520 --> 00:05:57,320 Speaker 7: and I went there and Jackie is like, that's not 128 00:05:57,400 --> 00:05:59,920 Speaker 7: for you. They're all very snooty, and I said, no, 129 00:06:00,279 --> 00:06:01,719 Speaker 7: that's right up, my alee. I want to be in 130 00:06:01,760 --> 00:06:05,080 Speaker 7: the studio. I don't want to be in Scumsville where 131 00:06:05,160 --> 00:06:08,160 Speaker 7: Jackie lives on the ocean with all the gronk, all 132 00:06:08,200 --> 00:06:11,000 Speaker 7: the gronks and the tattooed, mullet pattered types. You know 133 00:06:11,160 --> 00:06:14,800 Speaker 7: she's loving all that. Yeah, But now, for some reason, 134 00:06:15,040 --> 00:06:17,480 Speaker 7: our very quiet half aside sub of the bull close, 135 00:06:18,000 --> 00:06:20,360 Speaker 7: I've turned into what can only be described as ibs 136 00:06:20,560 --> 00:06:25,680 Speaker 7: in its peach everyone. I think everyone's folks went away 137 00:06:25,960 --> 00:06:29,159 Speaker 7: and all the kids went crazy doing three four day 138 00:06:29,320 --> 00:06:33,640 Speaker 7: continual parties three in the morning. Yeah, and I would 139 00:06:33,640 --> 00:06:35,800 Speaker 7: have been down there with the bloody rolled up notes 140 00:06:35,839 --> 00:06:39,640 Speaker 7: if i'd have known earlier. However, however, I've got a 141 00:06:39,720 --> 00:06:42,360 Speaker 7: child now, So when I heard that Dolph music at 142 00:06:42,360 --> 00:06:44,240 Speaker 7: seven point thirty, I was rovable. 143 00:06:44,400 --> 00:06:48,360 Speaker 4: Yeah it's happy, isn't it a summer year? Klose and 144 00:06:48,440 --> 00:06:51,920 Speaker 4: point piper and double pay, double pay. 145 00:06:52,440 --> 00:06:55,520 Speaker 7: Oh yes, yes, yes, very fancy, very thanks. 146 00:06:55,680 --> 00:06:57,520 Speaker 6: So you're at the other you're on the other side 147 00:06:57,560 --> 00:07:01,320 Speaker 6: of the pen. Now you're rushingly complaints. 148 00:07:02,279 --> 00:07:05,320 Speaker 7: Oh listen, I read the complaint, a big complaint. Let 149 00:07:05,320 --> 00:07:08,160 Speaker 7: it got and delivered everyone's letter. Yeah, okay, and you 150 00:07:08,279 --> 00:07:10,600 Speaker 7: just realize, oh, some people have got nothing better to 151 00:07:10,640 --> 00:07:12,760 Speaker 7: do than complaints. They wanted to do like a class 152 00:07:12,800 --> 00:07:17,240 Speaker 7: action complaint against this poor little kid. So anyway, we 153 00:07:17,360 --> 00:07:20,760 Speaker 7: sent our show down to the offender's house and yeah, 154 00:07:20,760 --> 00:07:25,200 Speaker 7: apparently his parents were overseas for three days and then 155 00:07:25,240 --> 00:07:27,320 Speaker 7: they just parted it up. But we've all but see 156 00:07:27,360 --> 00:07:29,520 Speaker 7: I did that and I ended up being homeless. 157 00:07:31,240 --> 00:07:33,320 Speaker 3: Reminiscent of that kid that got told off on the 158 00:07:33,360 --> 00:07:42,240 Speaker 3: Current Affairs part with the Cory Cory. Yeah, just come 159 00:07:42,400 --> 00:07:44,720 Speaker 3: goes around. 160 00:07:45,480 --> 00:07:45,960 Speaker 2: Exactly. 161 00:07:47,360 --> 00:07:49,880 Speaker 4: Speaking of notriting car before we wrap up, your right 162 00:07:49,960 --> 00:07:51,880 Speaker 4: work made Jack Jackie, I has been in the news 163 00:07:51,880 --> 00:07:53,520 Speaker 4: more than Hugh Jackman stories lately. 164 00:07:53,640 --> 00:07:56,200 Speaker 5: What's going on there? But Jenno's just following around. 165 00:07:57,040 --> 00:07:59,000 Speaker 7: I don't know what's happened. At some stage, Jackie and 166 00:07:59,080 --> 00:08:01,720 Speaker 7: I swap lives. Remember when she was fat and she 167 00:08:01,840 --> 00:08:04,800 Speaker 7: was stuck at home with the kid, right and I 168 00:08:04,960 --> 00:08:08,600 Speaker 7: was rooting twenty year old models. Somehow she's woken up. 169 00:08:08,720 --> 00:08:11,640 Speaker 7: She's got all the young model boys and I'm stuck 170 00:08:11,640 --> 00:08:13,640 Speaker 7: at home with the wife and kids. But I am 171 00:08:13,720 --> 00:08:14,840 Speaker 7: loving it good. 172 00:08:15,000 --> 00:08:17,120 Speaker 5: I'm loving it Goodie. 173 00:08:17,280 --> 00:08:17,520 Speaker 2: Well. 174 00:08:17,520 --> 00:08:20,720 Speaker 3: Looking forward to seeing you back on screens tonight as well. 175 00:08:20,760 --> 00:08:23,320 Speaker 3: Australian Idols seven thirty on Channel seven. 176 00:08:23,800 --> 00:08:26,880 Speaker 7: Thank you Kyle, Thanks you guys, appreciate it. 177 00:08:26,960 --> 00:08:31,400 Speaker 9: Bye More Clezi More Lisa More Podcast. 178 00:08:31,600 --> 00:08:37,080 Speaker 3: Soon you can catch the Fringe Show Mixtape Australia at 179 00:08:37,120 --> 00:08:40,000 Speaker 3: the Pleasure Garden from February thirteen to seventeen, ticket so 180 00:08:40,120 --> 00:08:41,600 Speaker 3: through fringeworld dot com dot a. 181 00:08:41,720 --> 00:08:43,679 Speaker 6: You and the Lady behind it All, Michelle Pearson is 182 00:08:43,720 --> 00:08:44,280 Speaker 6: with us now. 183 00:08:44,520 --> 00:08:48,800 Speaker 3: Good morning, Michelle, Michelle, welcome, Good morning, Mixtape. Why is 184 00:08:48,800 --> 00:08:51,959 Speaker 3: it called mixtape? What's the show about? 185 00:08:52,920 --> 00:08:56,360 Speaker 8: Mixtape Australia? And I guess it's all almost a hit 186 00:08:56,960 --> 00:08:59,559 Speaker 8: that I've I guess grown up with on my mixtape, 187 00:09:00,080 --> 00:09:05,040 Speaker 8: and it's basically about you know, Australian a celebration of 188 00:09:05,080 --> 00:09:07,960 Speaker 8: Australian music and the hit makers and the songs that 189 00:09:08,080 --> 00:09:12,880 Speaker 8: created change throughout history. I think Australian songwriters and bands 190 00:09:12,920 --> 00:09:15,840 Speaker 8: they've got a really they've got such a great talent 191 00:09:15,880 --> 00:09:19,000 Speaker 8: for songwriting, but some of them have really created change 192 00:09:19,040 --> 00:09:23,439 Speaker 8: in the industry, in politics, for you know, for different 193 00:09:23,480 --> 00:09:26,560 Speaker 8: groups in our community. Yes, so it's really it's a 194 00:09:26,559 --> 00:09:30,320 Speaker 8: really nostalgic, fun, high energy piece. So I'm looking forward 195 00:09:30,360 --> 00:09:31,080 Speaker 8: to it. 196 00:09:31,080 --> 00:09:33,600 Speaker 4: It sounds exciting, Michelle, and so many memories for people 197 00:09:33,640 --> 00:09:36,199 Speaker 4: as well. I would imagine that part of the reason 198 00:09:36,200 --> 00:09:38,439 Speaker 4: why you've sort of tapped into this one. 199 00:09:39,080 --> 00:09:39,320 Speaker 7: Yeah. 200 00:09:39,360 --> 00:09:42,280 Speaker 8: Absolutely, it was very nostalgic, and lots of lots of 201 00:09:42,360 --> 00:09:45,960 Speaker 8: hits you know, from you know, the eighties, the seventies, 202 00:09:46,080 --> 00:09:49,720 Speaker 8: even a few sixties songs as well. Yes, so lots 203 00:09:49,760 --> 00:09:52,680 Speaker 8: of great kind of Aussie rock, I would say, Yeah, 204 00:09:52,880 --> 00:09:57,840 Speaker 8: so some excellent songs, easy beats, cultures, all the divinyls. 205 00:09:58,480 --> 00:10:03,760 Speaker 3: Yeah, that's they tend to be such good storytellers, these 206 00:10:03,760 --> 00:10:06,160 Speaker 3: Australian acts. And one of the ones I would have 207 00:10:06,240 --> 00:10:09,920 Speaker 3: to single out there is Midnight Oil. What do you 208 00:10:10,200 --> 00:10:13,560 Speaker 3: why do you think that they've been able to change 209 00:10:13,600 --> 00:10:16,800 Speaker 3: our political and cultural and social fabric? 210 00:10:17,559 --> 00:10:18,680 Speaker 2: What cuts through? 211 00:10:19,800 --> 00:10:21,719 Speaker 8: Yeah, we seek to with that on quite a bit 212 00:10:21,720 --> 00:10:25,800 Speaker 8: in the show. It's very hard not to. But they are, Yeah, 213 00:10:25,840 --> 00:10:28,520 Speaker 8: they're probably the leaders in this space. I think that 214 00:10:28,679 --> 00:10:32,080 Speaker 8: music is a really good way to communicate with people, 215 00:10:32,240 --> 00:10:36,200 Speaker 8: and so it's sometimes easier to spread a message through 216 00:10:36,280 --> 00:10:40,480 Speaker 8: songs than it is to actually tell somebody or lecture somebody. 217 00:10:40,800 --> 00:10:45,520 Speaker 8: So they've been they've been talking about their their corese 218 00:10:45,679 --> 00:10:48,200 Speaker 8: and their messages for many, many years. And you know, 219 00:10:48,280 --> 00:10:51,960 Speaker 8: there's there's so many songs where they do this, you know, 220 00:10:52,160 --> 00:10:55,440 Speaker 8: especially you know, Dead Heart, the Burning, So you know 221 00:10:55,480 --> 00:10:57,959 Speaker 8: when you're talking about you know, our Blue sky Mine, 222 00:10:58,040 --> 00:11:01,439 Speaker 8: which is about you know a sestos mine, like there's. 223 00:11:01,240 --> 00:11:03,200 Speaker 6: All the at this stay. 224 00:11:03,200 --> 00:11:06,400 Speaker 8: Yeah, yeah, yeah, in w A. Yeah. So I think 225 00:11:06,880 --> 00:11:09,679 Speaker 8: they're definitely the leaders in that and I think sometimes 226 00:11:10,800 --> 00:11:14,280 Speaker 8: can really especially in my generation, that this is the 227 00:11:14,440 --> 00:11:17,960 Speaker 8: music that my parents grew up you know with on 228 00:11:18,040 --> 00:11:25,520 Speaker 8: the radio. Yeah, no, it is, it is. I was 229 00:11:25,520 --> 00:11:28,880 Speaker 8: born in ninety eighty five. Yeah, it was very very 230 00:11:28,920 --> 00:11:30,480 Speaker 8: hot on the strategy. 231 00:11:30,720 --> 00:11:33,040 Speaker 2: It is amazing Michelle because you were never mixed taping 232 00:11:33,040 --> 00:11:36,600 Speaker 2: a CD. Yeah, I don't think. 233 00:11:38,760 --> 00:11:40,440 Speaker 5: What is this thing put in it? 234 00:11:40,520 --> 00:11:42,920 Speaker 4: You're talking about those those incredible writers in Australia. You 235 00:11:42,920 --> 00:11:45,600 Speaker 4: had Don Walker writing those songs for for chisl Amost, 236 00:11:45,640 --> 00:11:47,240 Speaker 4: the other great writers and the band of Paul Kelly 237 00:11:47,240 --> 00:11:50,160 Speaker 4: writing songs about Adelaide and Greg McCain's from Skyhawk was 238 00:11:50,160 --> 00:11:53,920 Speaker 4: writing brilliant songs about Melbourne, like calling hey tell me 239 00:11:53,960 --> 00:11:56,120 Speaker 4: with the mixtape thing, Michelle was one of the great 240 00:11:56,160 --> 00:11:57,400 Speaker 4: Do you think it was one of the great things 241 00:11:57,400 --> 00:11:59,280 Speaker 4: to It was cool to make a tape for yourself, 242 00:11:59,559 --> 00:12:01,360 Speaker 4: but if some one gave you a mixtape that was 243 00:12:01,400 --> 00:12:03,080 Speaker 4: like next level, wasn't that It was like a proposal? 244 00:12:03,200 --> 00:12:03,400 Speaker 7: Yeah? 245 00:12:03,920 --> 00:12:06,720 Speaker 2: Absolutely, it was really precious. 246 00:12:06,800 --> 00:12:09,600 Speaker 8: Yeah, my dad actually used to make little mixtapes for 247 00:12:09,640 --> 00:12:13,960 Speaker 8: me as a kid child. It was really it's a 248 00:12:14,000 --> 00:12:17,120 Speaker 8: really nice throwback to my childhood as well, you know, 249 00:12:17,280 --> 00:12:23,280 Speaker 8: just remembering you had take honestly, I honestly did, and 250 00:12:23,360 --> 00:12:27,200 Speaker 8: I yeah, and make little tapes for his favorite schoos 251 00:12:27,240 --> 00:12:29,559 Speaker 8: on them. And it's been really nice exploring. 252 00:12:29,080 --> 00:12:29,880 Speaker 7: All of that music. 253 00:12:30,720 --> 00:12:32,880 Speaker 8: But yeah, it is funny, like you know, then we 254 00:12:33,000 --> 00:12:36,680 Speaker 8: got CDs and CD singles and after that. You know, 255 00:12:36,679 --> 00:12:39,360 Speaker 8: there's nothing better than a mixtape and its very very 256 00:12:39,360 --> 00:12:41,360 Speaker 8: precious if someone would go to the effort and make 257 00:12:41,400 --> 00:12:41,760 Speaker 8: you un. 258 00:12:41,800 --> 00:12:45,040 Speaker 3: Well when you were sixteen or fifteen years old, I'm 259 00:12:45,040 --> 00:12:48,080 Speaker 3: speaking from experience here, and you made a mixtape for 260 00:12:48,400 --> 00:12:50,640 Speaker 3: like a guy that you had a crush on. It 261 00:12:50,800 --> 00:12:53,760 Speaker 3: was the way you expressed sort of the only way 262 00:12:53,800 --> 00:12:55,520 Speaker 3: you could express absolutely every. 263 00:12:55,320 --> 00:12:56,679 Speaker 2: Element of your personality. 264 00:12:56,920 --> 00:13:00,360 Speaker 3: The thought process that went into which songs to choose, 265 00:13:00,600 --> 00:13:04,120 Speaker 3: which songs not to choose, it could make or break 266 00:13:04,200 --> 00:13:08,160 Speaker 3: absolutely everything. That's how it felt. Anyway, that is how 267 00:13:08,160 --> 00:13:12,040 Speaker 3: it felt. So yeah, you want it to be cool 268 00:13:12,640 --> 00:13:18,559 Speaker 3: communicating well. Mixtape Australia is at the Pleasure Garden feby 269 00:13:18,640 --> 00:13:20,839 Speaker 3: thirteen to seventeen. Tickets are through Fringe world dot com 270 00:13:20,880 --> 00:13:23,640 Speaker 3: dot are. You will look forward to seeing what's on yours. 271 00:13:23,320 --> 00:13:25,640 Speaker 2: Michelle, you know, Michelle, thanks so much. 272 00:13:25,840 --> 00:13:28,800 Speaker 5: Bye, very good mixtape. 273 00:13:29,280 --> 00:13:31,040 Speaker 2: Oh look, it was a. 274 00:13:30,960 --> 00:13:32,000 Speaker 5: Big deal, wasn't it. 275 00:13:32,000 --> 00:13:33,560 Speaker 2: It was a huge deal. 276 00:13:33,600 --> 00:13:36,240 Speaker 3: If you got one thing wrong, yeah, that you just 277 00:13:36,400 --> 00:13:38,920 Speaker 3: you've blown your chances. But if you could add something 278 00:13:38,960 --> 00:13:42,480 Speaker 3: that was you know, just the right mix of cool, 279 00:13:42,840 --> 00:13:45,199 Speaker 3: maybe a bit unknown, you know, or. 280 00:13:45,200 --> 00:13:47,839 Speaker 4: Just yeah, you know, you didn't want an uncool one. 281 00:13:47,880 --> 00:13:50,720 Speaker 4: It was also everything you didn't want to send mixed 282 00:13:50,720 --> 00:13:51,720 Speaker 4: messages on a mixtape. 283 00:13:51,880 --> 00:13:53,680 Speaker 3: You didn't want to mix up. You blow it mixed 284 00:13:53,679 --> 00:13:57,319 Speaker 3: and mitosis is not be good. What was on your mixtape? 285 00:13:57,440 --> 00:13:59,320 Speaker 4: Remember how hard it was when you're doing the mixtape 286 00:13:59,360 --> 00:14:01,240 Speaker 4: with the cassette and try not to get the DJ 287 00:14:01,400 --> 00:14:03,760 Speaker 4: talking right. So all of my mixtapes had a little 288 00:14:03,800 --> 00:14:05,520 Speaker 4: bit because before I listened to ninety six when I 289 00:14:05,520 --> 00:14:09,480 Speaker 4: was a kid, when I would listen to six PM, right, 290 00:14:09,640 --> 00:14:11,520 Speaker 4: So all of my mixtapes had a bit of Gary Shannon, 291 00:14:11,600 --> 00:14:13,400 Speaker 4: bit of Ron Beatson, and a bit of a Kennedy 292 00:14:13,400 --> 00:14:13,680 Speaker 4: on there. 293 00:14:13,720 --> 00:14:15,120 Speaker 2: And your video a few words from. 294 00:14:15,000 --> 00:14:19,120 Speaker 3: The video Collections had a bit of Gavin Wood right talking, 295 00:14:19,360 --> 00:14:21,120 Speaker 3: you know, in the lead up to a number one. 296 00:14:23,080 --> 00:14:26,720 Speaker 2: Step down, shut up, trying to get the beginning of 297 00:14:26,760 --> 00:14:27,320 Speaker 2: tainted love. 298 00:14:27,360 --> 00:14:29,400 Speaker 4: He literally, I've heard some of my mixtapes in recent 299 00:14:29,520 --> 00:14:31,280 Speaker 4: I still got cassettes, of course I have, and I 300 00:14:31,320 --> 00:14:32,680 Speaker 4: hear those those boys voices. 301 00:14:32,720 --> 00:14:35,800 Speaker 5: I go, oh, that's quite cool actually, but all cut 302 00:14:35,800 --> 00:14:36,960 Speaker 5: off halfway through this sentence. 303 00:14:36,960 --> 00:14:38,720 Speaker 6: What does your fravments say a letter to you at 304 00:14:38,720 --> 00:14:39,320 Speaker 6: a cassette? 305 00:14:39,600 --> 00:14:42,760 Speaker 2: Oh, here you go? There you go. Michael and Morley. 306 00:14:42,840 --> 00:14:44,640 Speaker 5: Hello, Michael, I had. 307 00:14:45,000 --> 00:14:47,400 Speaker 9: A glam rock mixtape with all the big. 308 00:14:47,200 --> 00:14:51,120 Speaker 5: Hair band Big Hair It was on there. Read them. 309 00:14:51,720 --> 00:14:54,560 Speaker 5: You'd have to have some Motley Crew and RAJ and 310 00:14:54,600 --> 00:14:55,160 Speaker 5: some Warren. 311 00:14:55,400 --> 00:14:59,560 Speaker 3: Yeah, all the classic Yeah, absolutely, all of us responsible 312 00:14:59,560 --> 00:14:59,960 Speaker 3: for the o's. 313 00:15:00,560 --> 00:15:04,840 Speaker 2: Yeah, at that time they used so much include myself 314 00:15:04,840 --> 00:15:05,000 Speaker 2: in that. 315 00:15:05,160 --> 00:15:05,400 Speaker 7: Yeah. 316 00:15:05,520 --> 00:15:08,080 Speaker 4: Yeah. Did Winger make it on there, Michael or a 317 00:15:08,080 --> 00:15:10,120 Speaker 4: few of them. They're coming out of LA and across 318 00:15:10,160 --> 00:15:10,760 Speaker 4: the state. 319 00:15:11,320 --> 00:15:13,600 Speaker 5: Some of them they never got played on alreadio, So 320 00:15:13,680 --> 00:15:17,400 Speaker 5: you'd have to be patient and wait, but no, yeah. 321 00:15:17,160 --> 00:15:20,960 Speaker 3: Yeah, and you know, fingers on the plane record and yeah, 322 00:15:21,320 --> 00:15:23,640 Speaker 3: just never came exactly. 323 00:15:24,360 --> 00:15:27,360 Speaker 2: And getting everyone to be quiet when the song comes on. Yeah, 324 00:15:27,440 --> 00:15:28,200 Speaker 2: it's not easy. 325 00:15:28,280 --> 00:15:28,960 Speaker 5: It wasn't easy. 326 00:15:29,080 --> 00:15:32,400 Speaker 4: Yeah, it was tragic when the tape got called a 327 00:15:32,400 --> 00:15:33,359 Speaker 4: Motley mixtape. 328 00:15:33,400 --> 00:15:34,280 Speaker 2: Thank you Michael and. 329 00:15:34,400 --> 00:15:37,920 Speaker 4: Michael one Michael from Morley with a glam rock going 330 00:15:37,920 --> 00:15:41,920 Speaker 4: on his mixtape, Natalie and Ellenbrook Helo, Hi might had. 331 00:15:41,800 --> 00:15:44,920 Speaker 8: Been away Magna in except anyone from the eighties. 332 00:15:45,080 --> 00:15:47,600 Speaker 4: Yes, that is an eighties mixtape make it on there 333 00:15:47,640 --> 00:15:51,760 Speaker 4: as well. Along with Madonna. Cindy was big for what absolutely, Yeah, 334 00:15:52,080 --> 00:15:53,840 Speaker 4: it was just want to have fun. The question is 335 00:15:53,880 --> 00:15:56,800 Speaker 4: that do you have any tapes still? Any mixtapes survived 336 00:15:56,840 --> 00:15:57,480 Speaker 4: all those years. 337 00:15:58,160 --> 00:16:03,400 Speaker 7: I wish I did. When you're talking about the penny whining. 338 00:16:04,000 --> 00:16:11,000 Speaker 2: Yes, while you're driving caught in the heads of the cassel, 339 00:16:12,280 --> 00:16:12,680 Speaker 2: I've got. 340 00:16:12,600 --> 00:16:14,480 Speaker 6: A couple of tapes laying around, but I have nothing 341 00:16:14,480 --> 00:16:16,560 Speaker 6: to play the problem. 342 00:16:17,000 --> 00:16:20,680 Speaker 2: Nothings with Natalie. 343 00:16:21,040 --> 00:16:21,920 Speaker 5: Natalie have a great week. 344 00:16:22,560 --> 00:16:24,840 Speaker 3: Mine would have been made mostly, you know, primarily in 345 00:16:24,880 --> 00:16:26,800 Speaker 3: the eighties, so a lot of eighties stuff and I 346 00:16:26,800 --> 00:16:29,160 Speaker 3: went through a big gun spend all my pocket money 347 00:16:29,480 --> 00:16:33,880 Speaker 3: on ordering twelve inch remixes from the from the UK 348 00:16:34,320 --> 00:16:39,160 Speaker 3: down at Dada Records Records, wait two months for it 349 00:16:39,200 --> 00:16:43,240 Speaker 3: to arrive. So my mixtapes would have been full of 350 00:16:43,360 --> 00:16:45,920 Speaker 3: a lot of new order a lot of that sort 351 00:16:45,920 --> 00:16:47,280 Speaker 3: of thing on the old mixtape. 352 00:16:47,840 --> 00:16:49,640 Speaker 2: Y can we what was on your mix tape? 353 00:16:50,760 --> 00:16:51,000 Speaker 10: Look? 354 00:16:51,080 --> 00:16:56,040 Speaker 2: My mix tape was recorded from Countdown on the TV. Yeah, 355 00:16:56,040 --> 00:16:59,160 Speaker 2: oh yes, yeah yeah. So you're like, shut up, Gavin Wood, 356 00:16:59,200 --> 00:17:00,600 Speaker 2: I'm trying to get here. 357 00:17:01,480 --> 00:17:03,760 Speaker 5: Well, it's like I had to jump all Young and 358 00:17:03,880 --> 00:17:06,960 Speaker 5: Hush and Sherburn and all those bands. 359 00:17:07,200 --> 00:17:07,520 Speaker 8: I was. 360 00:17:07,720 --> 00:17:10,160 Speaker 7: It was like keeping the family quite You're right, because 361 00:17:10,160 --> 00:17:12,120 Speaker 7: I was playing Bonnie maroony back. 362 00:17:12,400 --> 00:17:13,160 Speaker 2: Yeah, and it goes. 363 00:17:13,200 --> 00:17:21,879 Speaker 8: I got a girl called Bonnie Maroney ready. Oh, I 364 00:17:21,920 --> 00:17:22,720 Speaker 8: was devastated. 365 00:17:22,840 --> 00:17:26,159 Speaker 2: I think I went to I had to wait another 366 00:17:26,160 --> 00:17:28,640 Speaker 2: couple of weeks to record it again. Yeah. 367 00:17:28,760 --> 00:17:30,240 Speaker 5: I just like the fact she said, you said the 368 00:17:30,280 --> 00:17:32,960 Speaker 5: name of the band Hush. That's awesome. Got a girl 369 00:17:33,040 --> 00:17:33,920 Speaker 5: named Bonnie Maroni. 370 00:17:35,240 --> 00:17:40,040 Speaker 2: Yes, up the seventies. It does in any image, yep, 371 00:17:40,080 --> 00:17:42,920 Speaker 2: that you've given me, Karen, I don't know what does. 372 00:17:43,880 --> 00:17:45,840 Speaker 2: Thank you. And it was a black and white. 373 00:17:45,600 --> 00:17:50,040 Speaker 4: Teav well I think, yeah, we went to I think 374 00:17:50,080 --> 00:17:52,280 Speaker 4: John Farnham hosted the first Countdown in color, which was 375 00:17:52,320 --> 00:17:53,520 Speaker 4: seventy five of their bats. 376 00:17:53,560 --> 00:17:55,760 Speaker 5: But yeah, yeah, black and white. 377 00:17:56,080 --> 00:17:58,200 Speaker 2: We didn't graduate the color till the eighties. 378 00:17:58,400 --> 00:18:02,800 Speaker 4: Yeah, and no remote control, that's for sure. 379 00:18:01,560 --> 00:18:03,040 Speaker 8: Definitely, Karen, that's how you. 380 00:18:03,320 --> 00:18:04,000 Speaker 9: Thanks guys. 381 00:18:04,160 --> 00:18:07,280 Speaker 5: Thanks. She mentioned Hush. That's funny. 382 00:18:07,760 --> 00:18:10,000 Speaker 2: This well on your mixtape. 383 00:18:10,680 --> 00:18:15,080 Speaker 7: J J Tayle cocaine right, okay, yeah, yeah, Basy you'll 384 00:18:15,119 --> 00:18:17,000 Speaker 7: know it was never a release of a single, so 385 00:18:17,040 --> 00:18:18,520 Speaker 7: I had the bot the whole album to get the 386 00:18:18,560 --> 00:18:19,000 Speaker 7: one song. 387 00:18:19,080 --> 00:18:20,360 Speaker 5: Yeah true yeah. 388 00:18:20,600 --> 00:18:25,200 Speaker 7: Yeah and Fleetwood Max Boomers and then I think it 389 00:18:25,240 --> 00:18:30,160 Speaker 7: was sweet make yet uh and then Pink Floyd and. 390 00:18:30,240 --> 00:18:31,920 Speaker 5: Doctor Hook, Doctor Hook. 391 00:18:32,320 --> 00:18:36,520 Speaker 4: It's a little one left field one of these yes, 392 00:18:37,000 --> 00:18:38,440 Speaker 4: like yeah, yeah. 393 00:18:39,040 --> 00:18:41,480 Speaker 5: What did you like, Like I didn't sit right down 394 00:18:41,560 --> 00:18:42,760 Speaker 5: or cover the rolling stone? 395 00:18:42,840 --> 00:18:45,760 Speaker 11: Yeah exactly. Yeah, living next door. 396 00:18:45,640 --> 00:18:49,080 Speaker 4: To hours, Yeah smoky, Yeah, you had a big down 397 00:18:49,119 --> 00:18:49,800 Speaker 4: on then. 398 00:18:51,000 --> 00:18:52,879 Speaker 7: Yeah, busy, busy busy. 399 00:18:52,960 --> 00:18:56,360 Speaker 3: Yeah good, it's a good tape, like thanks Dennis Christine 400 00:18:56,720 --> 00:18:57,800 Speaker 3: in Lynn Woods. 401 00:18:57,880 --> 00:18:59,000 Speaker 2: What was on your mixtape? 402 00:19:00,119 --> 00:19:01,280 Speaker 7: Make lots of mixtapes. 403 00:19:01,359 --> 00:19:03,080 Speaker 11: So used to drive for a human to first to 404 00:19:03,160 --> 00:19:04,160 Speaker 11: go and see my girlfriend. 405 00:19:04,240 --> 00:19:07,920 Speaker 5: Yea very smart for survival, basically stripped down. 406 00:19:08,480 --> 00:19:11,600 Speaker 11: But the one mixtape I can remember was after we 407 00:19:11,680 --> 00:19:14,240 Speaker 11: got married and then split up and then got divorced, 408 00:19:15,280 --> 00:19:17,879 Speaker 11: she sent me a mixtape on the one side remember 409 00:19:17,920 --> 00:19:19,640 Speaker 11: on there was I Will Always Love You. 410 00:19:20,040 --> 00:19:22,480 Speaker 5: Oh oh the breakup tape was. 411 00:19:23,240 --> 00:19:25,240 Speaker 11: Yeah, it was, but it was a little bit confusing. 412 00:19:25,480 --> 00:19:28,439 Speaker 5: Mixed mixed messages, absolutely. 413 00:19:28,040 --> 00:19:32,320 Speaker 11: Yeah, the mixed mixed messages tape. I sure remember when 414 00:19:32,359 --> 00:19:36,560 Speaker 11: the when the radio announcers used to actually tell you 415 00:19:36,600 --> 00:19:38,320 Speaker 11: the name of the song they're going to play before 416 00:19:38,320 --> 00:19:42,080 Speaker 11: they used to sit there and go, oh, yeah, you 417 00:19:42,160 --> 00:19:43,399 Speaker 11: did the player record. 418 00:19:43,560 --> 00:19:45,560 Speaker 5: Yeah, I didn't talk over the song. But now you 419 00:19:45,560 --> 00:19:46,639 Speaker 5: didn't want to talking over to you. 420 00:19:47,119 --> 00:19:49,880 Speaker 11: Now now the radio told you and you can't. 421 00:19:50,359 --> 00:19:50,920 Speaker 2: Yes, isn't it. 422 00:19:51,680 --> 00:19:52,919 Speaker 5: Yeah, that's funny. 423 00:19:52,920 --> 00:19:54,639 Speaker 4: You made the mixtape for the driver and now we 424 00:19:54,680 --> 00:19:57,359 Speaker 4: put our favorite shows on a device to for flights. 425 00:19:58,480 --> 00:19:59,280 Speaker 7: That's it works. 426 00:19:59,480 --> 00:20:01,639 Speaker 5: Yeah, James, kids. 427 00:20:01,359 --> 00:20:04,280 Speaker 3: Today will never they will never know the joy of 428 00:20:04,359 --> 00:20:07,600 Speaker 3: putting their cassette player up close to countdown on the team. 429 00:20:07,680 --> 00:20:09,520 Speaker 2: And it's just something that no one spoke. 430 00:20:09,680 --> 00:20:12,200 Speaker 5: Well, my dad walks in from outside. 431 00:20:12,240 --> 00:20:14,280 Speaker 2: My Sharona was on my Sharona. 432 00:20:14,720 --> 00:20:23,080 Speaker 9: Yeah, more Clezy, more Lisa, more podcasts. 433 00:20:22,480 --> 00:20:26,240 Speaker 5: Soon at least. 434 00:20:26,240 --> 00:20:28,439 Speaker 4: The Aussies lost the cricket to the West Indies yesterday 435 00:20:28,440 --> 00:20:31,400 Speaker 4: and it sounds weird to say that after how dominant 436 00:20:31,400 --> 00:20:34,280 Speaker 4: they have been for so long and across the summer 437 00:20:34,720 --> 00:20:39,400 Speaker 4: included but Australia playing the West Indies yesterday, the Australians 438 00:20:39,440 --> 00:20:43,119 Speaker 4: only needed two hundred and sixteen to win. Yeah, and 439 00:20:43,960 --> 00:20:46,680 Speaker 4: this young fella who was playing his second game of cricket, 440 00:20:46,720 --> 00:20:50,680 Speaker 4: I'm talking for Shama Joseph. Now, Shama Joseph is he's 441 00:20:50,720 --> 00:20:54,280 Speaker 4: from Barakara in Guyana, which is two hundred and twenty 442 00:20:54,320 --> 00:20:56,200 Speaker 4: five kilometers from the corner store. 443 00:20:56,320 --> 00:20:57,280 Speaker 1: You know it. 444 00:20:57,640 --> 00:21:00,160 Speaker 4: It's a long way from anywhere, so he's more it's 445 00:21:00,200 --> 00:21:03,280 Speaker 4: more remote than Perth. So this guy had not played 446 00:21:03,320 --> 00:21:05,280 Speaker 4: a couple of years ago, hadn't played first class cricket. 447 00:21:05,400 --> 00:21:06,680 Speaker 5: And it's a true story. 448 00:21:06,720 --> 00:21:09,560 Speaker 4: He was playing cricket in the guy in his jungle 449 00:21:09,600 --> 00:21:12,520 Speaker 4: with fruit as a bully. He's bowling I don't know, 450 00:21:12,600 --> 00:21:15,159 Speaker 4: he's bowling coconuts or just really quite. 451 00:21:15,040 --> 00:21:19,679 Speaker 3: Basire and he get one shot with Gonsky, Yes, smash, 452 00:21:19,760 --> 00:21:21,080 Speaker 3: especially if he makes a good batsman. 453 00:21:21,119 --> 00:21:22,560 Speaker 5: But this kid is just incredible. 454 00:21:22,600 --> 00:21:24,440 Speaker 4: And I say kid, he's twenty four years of age, 455 00:21:24,480 --> 00:21:27,400 Speaker 4: but he's come almost from nowhere. It is quite bizarre. 456 00:21:27,480 --> 00:21:30,280 Speaker 4: So leading into this Test, this yay almost unknown. So 457 00:21:30,320 --> 00:21:31,960 Speaker 4: he played well on the first Test. He made some 458 00:21:32,040 --> 00:21:33,840 Speaker 4: runs and took five wickets in his first inning, so 459 00:21:33,880 --> 00:21:36,200 Speaker 4: he'd done well. But going into this final day, the 460 00:21:36,280 --> 00:21:38,320 Speaker 4: dude had got a broken toe and Midge Target hit 461 00:21:38,400 --> 00:21:41,119 Speaker 4: him on the toe the night before and he busted. 462 00:21:41,160 --> 00:21:43,040 Speaker 4: He so squished his toe and it was bleeding and 463 00:21:43,080 --> 00:21:45,560 Speaker 4: he limped off. So everyone's going, this kid's not going 464 00:21:45,600 --> 00:21:47,320 Speaker 4: to play in the last couple of days of this Test. 465 00:21:48,240 --> 00:21:50,600 Speaker 4: And so he rocked up to the ground. They said 466 00:21:50,640 --> 00:21:53,040 Speaker 4: you better come to the ground anyway. I don't know 467 00:21:53,080 --> 00:21:57,080 Speaker 4: what the doctor magic has done, but someone has given 468 00:21:57,160 --> 00:21:58,800 Speaker 4: him a jab or something, and the dude went out 469 00:21:58,800 --> 00:22:04,040 Speaker 4: and played or something whatever he got jabbed with West Indies. 470 00:22:04,680 --> 00:22:06,679 Speaker 4: West it is next next. 471 00:22:06,440 --> 00:22:08,760 Speaker 5: Time you or I have an injury, I think we 472 00:22:08,800 --> 00:22:09,600 Speaker 5: need to get that jab. 473 00:22:09,720 --> 00:22:12,520 Speaker 4: Oh yeah, what he's having. So Australia did two hundred 474 00:22:12,560 --> 00:22:15,959 Speaker 4: and sixteen. He bowled like a superstar with the injury. 475 00:22:15,960 --> 00:22:18,399 Speaker 4: In between overs, he's hobbling around near the boundary and 476 00:22:18,400 --> 00:22:20,280 Speaker 4: he comes back and keeps getting Astralians out. 477 00:22:20,280 --> 00:22:23,080 Speaker 2: Probably he was dad sick. He's dancing every time he 478 00:22:23,080 --> 00:22:23,600 Speaker 2: took a wicket. 479 00:22:23,760 --> 00:22:25,720 Speaker 4: In fact, every time he took a wicket, he'd run 480 00:22:25,800 --> 00:22:28,240 Speaker 4: off like a hundred fifty minutes away from his teammates 481 00:22:27,880 --> 00:22:30,600 Speaker 4: like a soccer players. Just kicked his third goal. So 482 00:22:30,760 --> 00:22:33,679 Speaker 4: Australia were bowled out for two hundred and seven. The 483 00:22:33,720 --> 00:22:35,760 Speaker 4: West Indies haven't won. I think it was our their 484 00:22:35,760 --> 00:22:38,080 Speaker 4: first Test win in Australia for twenty seven years. 485 00:22:38,119 --> 00:22:41,560 Speaker 3: Oh, congratulations, won like one Test out of us. 486 00:22:41,800 --> 00:22:42,160 Speaker 2: He loved. 487 00:22:42,200 --> 00:22:45,600 Speaker 4: The West Indies were the I'm real to seventies eighties 488 00:22:45,640 --> 00:22:46,440 Speaker 4: even there in nineteen. 489 00:22:46,800 --> 00:22:48,440 Speaker 2: Yeah, because you think out the eighties. 490 00:22:48,520 --> 00:22:51,080 Speaker 5: Yeah, you think of Viv Richard's. They were good. 491 00:22:51,240 --> 00:22:53,560 Speaker 4: They were going Viv Richards, Clive Lawyers. I can't remember 492 00:22:53,560 --> 00:22:56,879 Speaker 4: the seventies, Gordon Greenidge, Yeah, I can't remember seventy You 493 00:22:56,960 --> 00:23:00,200 Speaker 4: just a little whippis never Michael Holding big, Joel Garner. 494 00:23:00,440 --> 00:23:04,239 Speaker 3: Big job, They're all big. Mark Holding is fantastic. 495 00:23:03,760 --> 00:23:04,440 Speaker 5: Yeah, unreal. 496 00:23:04,680 --> 00:23:08,520 Speaker 4: Andy Roberts, he was fast. And Malcolm Marshall, the late 497 00:23:08,560 --> 00:23:11,280 Speaker 4: Michael Marshall, absolute superstars. So West did. His cricket has 498 00:23:11,280 --> 00:23:12,919 Speaker 4: been in trouble only a couple of years ago. A 499 00:23:12,960 --> 00:23:15,080 Speaker 4: lot of their stars like Gail and the Light were 500 00:23:15,119 --> 00:23:16,919 Speaker 4: playing just going off. They weren't even playing for their 501 00:23:16,960 --> 00:23:18,920 Speaker 4: country because they were only making a couple hundred bucks 502 00:23:18,920 --> 00:23:20,240 Speaker 4: a game, so they went off to play ten twenty 503 00:23:20,560 --> 00:23:22,800 Speaker 4: a month to have them back. He took seven for 504 00:23:22,880 --> 00:23:24,760 Speaker 4: sixty eight lease and was mad in the match and 505 00:23:24,760 --> 00:23:26,639 Speaker 4: he should win Man of the Series. So it was 506 00:23:26,640 --> 00:23:29,560 Speaker 4: a wonderful. It's a bit different th throwing fruit. He 507 00:23:29,600 --> 00:23:31,000 Speaker 4: was a even bowling pints yesterday. 508 00:23:32,920 --> 00:23:39,920 Speaker 1: There's sure report on ninety six AIRFM singer Richard Marx 509 00:23:40,560 --> 00:23:42,720 Speaker 1: has gone off in a noisy fan at one of 510 00:23:42,760 --> 00:23:45,600 Speaker 1: his shows, he tore into the woman in the audience 511 00:23:45,640 --> 00:23:47,800 Speaker 1: who screamed out during one of his songs. 512 00:23:47,640 --> 00:23:50,440 Speaker 3: And of course, as is the beauty of the world 513 00:23:50,480 --> 00:23:52,200 Speaker 3: that we live in. It was all caught on video. 514 00:23:52,680 --> 00:23:57,919 Speaker 5: Curious, like, I'm genuinely injurious. 515 00:23:58,080 --> 00:24:04,760 Speaker 2: Who raised you to think that anything you could yell out. 516 00:24:05,240 --> 00:24:10,359 Speaker 5: Was more important than what we were doing? Were some 517 00:24:10,720 --> 00:24:11,720 Speaker 5: bording manners? 518 00:24:11,840 --> 00:24:16,440 Speaker 4: Lady whoa Richard? 519 00:24:16,440 --> 00:24:19,480 Speaker 6: I know Marx is on a double bill tour. 520 00:24:19,280 --> 00:24:22,280 Speaker 2: With Rick Springfield. This is not the show. 521 00:24:23,720 --> 00:24:28,360 Speaker 3: A couple of ricks, This is not the show I 522 00:24:28,440 --> 00:24:31,160 Speaker 3: expected these Ai Conzatt. 523 00:24:30,960 --> 00:24:31,640 Speaker 5: How bizarre? 524 00:24:32,400 --> 00:24:32,600 Speaker 1: Weak? 525 00:24:32,680 --> 00:24:35,320 Speaker 2: And Rick, I'm Michael Bolton yelling in the Springfield. 526 00:24:35,440 --> 00:24:36,320 Speaker 5: Yeah, very good? 527 00:24:36,560 --> 00:24:37,680 Speaker 2: Anywhay, it was funny. 528 00:24:38,000 --> 00:24:41,760 Speaker 3: Willby Goldberg is not only an Academy Award winner, but 529 00:24:41,840 --> 00:24:45,120 Speaker 3: she has hosted the show four times and served as 530 00:24:45,160 --> 00:24:47,720 Speaker 3: an Academy board member. Well, she's had a little bit 531 00:24:47,720 --> 00:24:49,719 Speaker 3: of a dig at people who refer to actors getting 532 00:24:49,800 --> 00:24:54,160 Speaker 3: snubbed at Oscar time, like in this year's case, Margo Robbie. 533 00:24:54,359 --> 00:24:57,080 Speaker 10: Everybody gets surprised, and it is subjective. It's not the 534 00:24:57,160 --> 00:25:01,960 Speaker 10: only it's the entire family of the Academy Wards who 535 00:25:02,119 --> 00:25:06,240 Speaker 10: vote for Best Picture nominations. Movies are subjective. The movies 536 00:25:06,280 --> 00:25:08,080 Speaker 10: you love may not be loved by the people who 537 00:25:08,119 --> 00:25:08,560 Speaker 10: are voting. 538 00:25:08,920 --> 00:25:14,720 Speaker 3: I completely agree. They're not snubbed. They just didn't make 539 00:25:14,840 --> 00:25:17,840 Speaker 3: the I mean, it's a very good year for you know, 540 00:25:17,880 --> 00:25:21,719 Speaker 3: there's some really good quality movies and acting. 541 00:25:21,920 --> 00:25:24,240 Speaker 6: And I still haven't seen Barbie. But I'll tell you what, 542 00:25:24,280 --> 00:25:25,120 Speaker 6: I'm going to watch it this way. 543 00:25:25,280 --> 00:25:27,000 Speaker 5: Yeah, okay, all right, Well, people just want to. 544 00:25:26,920 --> 00:25:28,600 Speaker 2: Watch it this week, stand by to see what I think. 545 00:25:28,640 --> 00:25:31,040 Speaker 5: I want to I want to see what you think. Yeah, 546 00:25:31,640 --> 00:25:33,960 Speaker 5: better late than never. And people just want to be outraged. 547 00:25:33,600 --> 00:25:35,000 Speaker 2: In it, of course they do. 548 00:25:35,920 --> 00:25:38,040 Speaker 3: Elton John's announced he's got a book coming out this 549 00:25:38,119 --> 00:25:40,879 Speaker 3: year chronicling his life on the road. It's called Farewell, 550 00:25:40,960 --> 00:25:43,560 Speaker 3: Yellow Brick Road, Memories of My Life on Tour, and 551 00:25:43,600 --> 00:25:46,000 Speaker 3: it's due to be released on September twenty fourth. If 552 00:25:46,040 --> 00:25:49,240 Speaker 3: you order the book through Elton's official store, you'll get 553 00:25:49,240 --> 00:25:51,720 Speaker 3: it two weeks before anyone else. Okay, So if you 554 00:25:51,800 --> 00:25:54,000 Speaker 3: fancy yourself as one of those people who wants to, 555 00:25:54,200 --> 00:25:57,040 Speaker 3: you know, say I'm already dited. Yeah, I've already read it. 556 00:25:57,119 --> 00:25:59,280 Speaker 3: You're just getting it, then you can pre order now. 557 00:25:59,320 --> 00:26:01,680 Speaker 3: It's store dot Elton john dot com. 558 00:26:03,240 --> 00:26:06,560 Speaker 2: Let's start crazy, and Lisa says